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#raster mask
deertism · 4 months
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♱ ── gothic banner mask , f2u w credit
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sillyabtmusic · 19 days
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The KingDom 'Realize' Concept photos - Energy version
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kim-woonhak · 3 months
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coloring (before and after)
tagged by @leewonseo (thanks rachel <3)
rules: show your coloring (either masked or side-by-side) and tag other ccs to do it!
half of these r from that brief period of time that i giffed a bunch of the bae173 stages hehe that fourth gif transitioning to black n white was really fun to do lol i havent really done any crazy lighting color correcting since then :') (my coloring will never be as slayful again as that one green mingyu and nyfw jeno coloring lol) anyways generally i just try to color correct whites to true white and blacks to pure black and revitalize the skin tones a bit but nothing fancy^^ tho whenever i can i try to lean blues a little more towards turquoise/teal because i think it makes skin colors look prettier (color theory !)
tagging (no pressure ofc !): @hwanwooyoung @hwichanis @jichangmin @k-seunghun @kimdohoons @lee-minhoe @minzbins @quokki @shnryjn @sunghanbin @woodziecup @xiaojuun
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sanpape · 9 months
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test animation for school
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creativealys · 7 months
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How to Create Faded Reflections of Images in Illustrator | Tutorial
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Learn how to create stunning faded reflections of any image in Adobe Illustrator with this easy tutorial. You will discover how to use the gradient tool, the opacity mask, and the transform effect to make your images look like they are reflecting on a shiny surface. This technique can add depth and realism to your graphic designs and brochures. Watch this video and see how you can create faded reflections of raster images in Adobe Illustrator in minutes.
Watch Now
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cutoutcenter · 1 year
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Are you looking to update your e_commerce product pack shot, ghost mannequin, or advertising #photography?
Please contact or Visit Now!
Web: cutoutcenter.com
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Exposure Correction Services
It's your goal to get picture-perfect moments. As a photographer, it is not required of you to use your artistic talents for taking perfect photos rather capture the perfect moments. For all those technical issues which require countless hours of editing, we have a professional graphical design team. Our experts are able to make up for the inability of cameras to truly capture a moment. Our goal is to enhance your creativity by providing you with the perfect image they were meant to be.
We have over 400+ skilled professionals who work 24/7 for providing full support and services online. Learn more about all our photo editing services such as photo restoration, Exposure correction, color correction, retouching, image manipulation, clipping, and more.
For More Information: https://www.creativeclippingpath.com/exposure-correction-service
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We are always playing an active role in new clients' responses and all client's requirements. For emergency response, we wait for 24/7. We do multi-tasking for our honorable clients. Without those primary services, we have all types of photo editing services, and for helping the new photographer, we have photography and photo editing blogs. We are here for service and help to the people of this universe. That's why everyone called us Clipping Path Universe. 
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3/9 Hope is a Dangerous Thing
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Pairing: Simon 'Ghost' Riley x F!OC
Tags: Explicit content, +18 audiences only. Smut, romantic angst, fluff. An unapologetic LOVE STORY. Sexual tension, mutual pining, banter, flirting, developing relationship, strangers to lovers. Simon Riley has a dark past (partly inspired by Modern Warfare 2: Ghost comics).
CW/TW: References to PTSD, depression, past torture and abuse in later chapters.
Summary: A uni student who pole dances at a strip club to pay her rent encounters a mysterious giant of a soldier seemingly incapable of falling in love.
She googled the name Simon Riley and found close to nothing. He wasn't on Facebook or any other social media platform, and she was pretty sure he had given her a false name until a short news article popped up. It was in some Manchester local paper, and from almost 20 years ago. He had won medals in local school olympics, and even with the black and white raster image and a 20 year younger, estimated 90 pounds skinnier Simon Riley, she could recognize that jaw and those eyes.
Days passed by, and he sent her a message every night. They communicated only through text – he never called. It felt like she was living in the turn of the century, the way he refused to use social media or any messaging app. He asked her how her school was, what classes she was taking at the moment, and if work was good. She sent her a photo every night before going to sleep; it simply became a habit. Some were cuter, some were naughtier, but he always expressed his gratitude with a sly, sexy comeback that made her think she might actually be the only girl Simon was texting with.
He rarely disclosed anything about his work, and never sent another picture even when she tried to request one in a roundabout way. She soon stopped fishing for more details of his work because he always redirected the conversation elsewhere. All she knew was that he was used in some special operations of a private, international company. And from what she could deduce from that one single picture he had sent her, the company he worked for had a lot of money.
The headset, the tactical gear, the weapon she distinguished with another profound googling session to be some sort of an assault rifle… All that shit spoke the language of international investors with certain political interests. Simon was doing something that most likely included hybrid warfare, clandestine operations, dealing with nuclear threats and bio-weapons and whatnot.
She wondered why he had been so trusting; after all, she knew his whole name now and knew it wasn't an alias but his real, actual childhood name. Not that she was any kind of threat. Perhaps that was why…
But what made her a bit depressed was that he also didn't seem to regard her as someone he needed to protect. By staying in contact with him, she supposed she was taking at least some kind of a risk. But Simon didn't seem to care. It was both exciting and infuriating to keep in touch with a man like him.
After six days of excited, heated messaging, he sent a text "Off to work." It wasn't that cryptic; she figured it meant that he wasn't to be disturbed or that he wouldn't be able to talk for a while.
A while… that turned into a week.
She found herself zoning out in dull classes, thinking about what Simon was doing right now. Was he infiltrating some foreign military base, or going on a mission to prevent a hijacking, or storming a terrorist compound, or… whatever the fuck soldiers like himself did.
She began her day with a caffeine overdose and then went to listen to some professor talk about medieval manuscripts or Dante Gabriel Rossetti or curse tablets of ancient Rome, only to realize she was thinking about Simon firing his assault rifle in another continent with a skull mask on. She kept thinking about whether he was in danger, whether he would come back, whether she would ever see him again.
The while turned into another week, and she began to get anxious. Should she text him and ask how he was doing? Ask “You still at work?” or “What about that date?”
The last message she had sent was a reply to his work announcement. Have fun! — from 17 days ago.
17 days.
Was he dead?
His message It's your fault if I get killed now seemed more like a gloomy prediction of a future without Simon Riley.
But at the beginning of the third week of silence, she realized she had just been an idiot. Simon wasn't dead or injured or taken prisoner or anything like that.
He had simply forgotten about her.
He had realized she was not a Bond girl after all, but just another boring chick. He had found someone better. Something like that. A man like him could have pretty much any woman on this planet if he wanted to.
That was just the way the world was built.
She wouldn't say that she was depressed. She wouldn’t admit that she was devastated. She just needed a little time to clear her head.
It was difficult to sleep, and school felt more boring than ever. Work just reminded her of him. One day, she nearly fell from the pole while doing a simple straddle because she saw a man looking like Simon walk in the club.
He had given her an exorcism, only to replace the demons that haunted her with himself. Now she needed an exorcism from Simon, but no one knew how to do that.
She just needed to give it time, sleep it away, study it away… Distractions filled her day, and still, she refreshed their conversation every night before going to sleep, as if it was a fault in her phone that prevented his messages from reaching her. And felt like a stupid bitch, a lovesick fool while doing so.
And then, one Tuesday afternoon, after almost four weeks, he appeared at her uni.
She was arriving from a class that had just ended when she hurried past a man she had been pining for for 25 days.
"You working tonight?"
Hearing that voice in a place she had least expected to hear it made her shoulders shoot up and her breath get caught in her throat as she stopped and turned around.
"Jesus…- You scared me."
He laughed and crossed his arms over his chest.
"Boo."
"When did you… What are you doing here?"
She didn't say I'm happy to see you. I missed you. That would've sounded too desperate. Right? Even after 25 days.
He looked her up and down, and her knees felt like pudding.
"I like to stalk school girls."
She tried to suppress her smile. God, she had missed that cheeky humour.
"Pervert. No, I don't have a shift tonight."
"Then I can finally take you out on that date."
It was like her dreams had suddenly come true in one single minute. She went from a bird with a broken wing to Icarus flying toward the sun.
"What do you have in mind?"
"You'll see."
He was even taller than she remembered, broader, even when he was wearing all black. People were staring at them, staring at him, because he certainly didn’t look like someone who studied in the Art and Culture Department.
"How did you even know I was here right now?"
"Doesn't really need a rocket scientist to find that out, luv."
Right. But the fact that he had made the effort to dig up what classes she took, when and where, and then come and surprise her like this, made her heart ache. He gave her another once-over, and she squeezed her bag against her chest like that could shield her from the searing gaze.
"You look hot."
And that definitely made her blush… She was an umptieth year student and didn't bother to take pains anymore when she dragged herself in the class. She had her comfiest ballerinas on, her hair was tied to a simple ponytail, and she had no foundation, no mascara, only a bit of her favourite lipstick on. She was wearing a huge, flowy skirt the color of a Halloween pumpkin and a black, simple turtleneck — while perhaps neat and cute in this environment, to him, she would've thought she looked more like a librarian. Far from a hot Bond girl who danced at a strip club with curled hair and cat eye makeup.
"Um.."
"Such a diligent little student."
It seemed he did have an actual thing for school girls, even if they were almost 30 years old. She would never have guessed that this would send him itching. If Simon preferred the girl next door look to her being half-naked on a stage with a pole, then perhaps she did have a chance after all.
"I knew you were a good girl but I didn't know- "
"Stop it, people can hear you," she hissed while, in truth, feeling quite exalted by that good girl talk. She grabbed him by the arm, and he allowed her to guide him out of the building while looking perfectly content with himself and what he was doing to her.
They began the walk to her place so she could shower and get changed for whatever he had in mind for that date. The complete turnaround in her mood, the shot of hormones and giddy feelings and butterflies in the stomach left her feeling shaky. Even the colors seemed more vivid all of a sudden. It was a bit frightening how one single person could change the whole world in a second, have a remedy for all the shit she had been rolling in for the past week. Or two weeks. Or three.
"Sorry that it took so long. Work was... a bit of a challenge."
"It's okay."
Well, it really was not, but she would rather die than tell him that.
"It's better if you don't know where I am and when. I hope you understand that."
Safety measures for her sake after all. Now she felt almost flattered that he hadn't told her he was coming. Jesus...
"Yeah. Sure," she tried to sound neutral about it, but the sudden shyness that had taken over made it sound like she was being passive-aggressive. "I mean, I didn't expect you to entertain me every night."
Well, that sounded even more sour and pathetic… She snapped her mouth shut and tried to calm her heart that was racing from his presence, his scent which had been only a memory until now.
"So, what will you become when you graduate? A historian?”
"I’ve always wanted to work in a gallery. You know, as an art curator or something like that."
"Hm. Ambitious."
She wasn’t entirely sure if he was mocking her, but she laughed. In the culture business, it was a sought-after position, but of course it wouldn't seem like much to someone who wasn’t familiar with the art world.
"What about you? What do you wanna be when you grow up?"
"Alive."
Simon's humour was dark, but after seeing that picture of him, she knew he meant what he said. And she realized that it wasn't perhaps one of her most brilliant ideas to get attached to a man who could actually be killed.
When they got to her place, she went straight to the shower and left the door open, secretly wishing that he would be the one to sneak in this time. But he never showed up, and when she stepped into her small living room, she found Simon had dozed off on her sofa. He barely fit her neat little couch and was lying on his stomach, with one hand dangling out and brushing the floor. The soft snore made it clear that he was very tired and not just chilling in a very relaxed position.
It was a cute sight, downright adorable.
But it also hurt her heart. What made him so exhausted, time after time, month after month? He wouldn’t tell her, and it was futile to ask. The man was overloaded with stress and things ordinary civilians had no clue about. She had no clue about.
He must think of her as a harmless little mouse who knew nothing of the world's darkness. And she didn't. She had her own demons and traumas, but didn't everybody? Simon, on the other hand, seemed to have the combined lives of a gladiator, spy, and war veteran. He had access to a reality that was out of sight and mind for the rest of the civilized world.
Was Simon a good guy or a bad guy? Was he a hero that saved people, or a soldier who executed orders of rape, torture, and kill?
These were questions she had never thought she would need to find answers to. The guys she had dated had been equally as harmless as her. If not even more harmless. And that was saying something.
When she had dressed, she walked to him and heard how the snoring stopped immediately.
Simon was awake and listening. He had woken just from a few soft steps, from her tiptoeing and kneeling beside the sofa, and she wondered if he had been trained for this; to wake up when someone was sneaking up on him. The thought was both gruesome and spine-tingling.
But she hadn’t meant to steal his precious sleep. And if he was so exhausted, he should sleep and not take her out…
Now that he was supposedly awake, she dared to raise a hand and caress his back, remembering what he had said in the shower when she had stroked him. His upper back was tense, even when he was lying relaxed like this, and she felt pity: someone should give this man a back rub, a whole body massage to get those muscles loose. Get some blood flowing. She caressed him with the back of her palm, then slowly traced every little vertebra of his spinal column with two fingers.
He was using both one of the cushions and her sweater as a pillow. Something in the sight of him pressed against her old, snug woolen shirt made her hand come to a halt somewhere on his lower back.
“Don’t stop,” he muttered, sleepy against the softness of her home and hand. She had to fight back the reflexive flinch: his voice was always so rough, even when he whispered and the words were muffled by the support his head was resting on.
“You have tension in your back,” she told him, not knowing why she was whispering too. It wasn’t like he was about to dart off from a sudden noise.
He merely purred for an answer, still sounding drowsy and half-asleep. How disarmed and defenseless he seemed now… On that little couch, under her gentle touch.
“I need to buy you a massage gift card for Christmas,” she blurted and regretted it immediately.
Buy him a Christmas present? As if they were some kind of a couple already… As if this wasn’t barely the second time they were spending time together.
At first, Simon didn’t show any signs of wanting to escape that hopeful suggestion of them becoming something more than just fuck buddies someday. But then he suddenly turned, and she took her hand away.
“I’d rather have you massage me,” he offered with a soft smile and a dreamy stare.
Good. Good, everything was good..
She hadn’t ruined it, hadn’t lost another poker game to this man. She still had cards to play.
She noticed the obvious signs of his arousal and felt wild in the breeze of the moment. Or perhaps she wanted to brush away what she had just said — and make him forget it too.
She reached for his pants to take them off, and he helped her with them, clearly having no objections to what she was about to do. Which was giving him a blowjob that would erase the traces of him thinking he had an obligation to buy her a present for this Christmas.
When she took him in her mouth, he grabbed the edge of the sofa as if the situation was a little too much for him.
"Didn't see that coming…"
His voice had an edge of trepidation to it. Uneasiness, almost worry. But he must've liked it, for he eased into it shortly after, slumped back onto the couch, and spread his legs in relaxation. She guided her frustration and doubts into the blowjob, tried to turn into someone else — to that girl from the stage. The Bond girl he had met, the woman of his dreams: just anything but a meek little woman who rarely left her house except for class or work.
She was fully present, not sloppy at all, almost felt like a magician as she forced groans out of him and felt his balls pull taut under her touch. He would never fit inside her mouth completely, but she tried her best.
She sure as hell made an effort.
"You must've really missed m- ah… Fuck.."
It was pretty evident that he enjoyed it. After those weeks at work, perhaps this was what he had wanted all along? To come somewhere safe, some place completely different, and throw himself on a soft couch for a quick nap before some homely girl came to give him a few caresses and a blowjob.
She swirled her tongue around the tip, gave him a little suck, then took him in as far as she could and felt him all the way at the back of her throat.
"Bloody hell Sarah..."
It couldn't be that good…
But he was all but melting under her tongue and touch. Was it just that it had been so long, or was this a rarity in his life? She'd thought that women touched him often, but apparently, they didn't. Or then he didn't allow them to.
Perhaps Simon didn't allow himself to be touched by women. He made love to them and fucked them against a wall in the shower, but he didn't get attention and caresses and blowjobs.
Well, this was news.
It didn't take too long before he came with a hoarse grunt that nearly made her shrink from him. It sounded both sublime and painful, and sent ripples of gold in her stomach and a pang of wet heat between her legs. The load was generous, but she didn't pull away, briefly wondering how awkward it would be to choke on his cum the second time they met. It had been a while for him, then, and she felt disappointed. It wasn't anything special after all, merely the cause of him not having had the opportunity, desire, or time to fap.
His chest was heaving, and she had made a mess in her attempt to swallow it all while keeping everything under control. With Simon, she wasn’t in control, and she had no choice but to accept it.
He reached a hand to absentmindedly caress her hair, and she rested her head on his thigh — but they didn't stay that way for long, for he stirred, and she had to draw back.
"Your turn," he suddenly rose from the couch while still looking like someone who was about to pass out. He got out of his pants, pulled his shirt over his head, threw it somewhere on the floor, and hauled her up in a bridal carry. He literally swept her off her feet and carried her to the bedroom, and she must’ve looked like a deer in headlights.
Because Simon was and wasn't safe.
He had strength, charisma, and forearms to die for, but he didn't feel like someone she would choose to tell her every secret, someone who she would call if she needed help. He came into her world and walked out of it like there was a swinging door between the two of them.
He didn't commit. Which meant that she couldn't commit. Which furthermore meant that she had trouble getting wet.
As infuriating as it was, dark and dangerous didn't exactly turn her on. This wasn't dating; this was more like an adventure or a roller coaster ride. She didn't know what phase they were in because the usual dating-related stuff was off the board. There was nothing to hold on to.
He laid her on the bed, crawled next to her, then reached a hand under another skirt she had chosen for going out with him.
"Perhaps later," she whispered as his hand was already traveling up her thigh. She almost took those words right back when she saw the obvious hurt flash in his eyes. She didn't know if she had de a chip to his pride or if it was something else, but he clearly hadn't expected her to say no to him again.
"Why won't you let me touch you?"
"I…"
She didn't know what to tell him.
What could she say? That she felt unsafe with him? That wasn't even entirely true.
She couldn't tell him that she needed trust and commitment while knowing he couldn't give them to her. Her shy silence stretched on, and the frightened state she was in only worsened when he stared at her, tilted his head, and wouldn't remove his hand.
Then he kissed her — unhurriedly, languidly, and the hand just stayed there under the skirt, pressed against her thigh, firm and broad. Only after she answered his kiss with a shy hunger did he move it further up, up — until it came to rest on her sex.
The kissing finally did it: at some point, she could feel the sudden rush of wetness down below. Her lips trembled when he pulled away only an inch and looked into her eyes while their breaths danced in between their lips. His palm moved only a tiny bit; he was soothing her, coaxing her to open for him. Eventually, his fingers met the soaked spot on her panties, and she swallowed. There was a slight twitch at the corner of his lips, just a tiny little hint that he knew he was doing it right.
"Did you like the picture I sent you?"
Oh fuck.
"Um, yeah.."
He pressed a finger against the center of her wetness, covered only by the thin fabric, and she tried to draw breath as inaudibly as she could.
"Did you get wet?"
So fucking cocky…
"Yes, she whispered against his lips, which finally curved into a small smile.
"Come again?"
"Yes."
The smile widened into a smirk as he moved to slip underneath the fabric. Her folds parted without effort as he guided his finger over her, the length and thickness now resting on her entrance and all the wetness that only increased by the second. She was blinking and breathing shallowly against his mouth while he simply continued to drink in every sign of her unease and arousal.
"Is that why you asked for more?"
Oh God… 
"Yes. Would you just-"
"Begging already?"
He was so… infuriating. So cocky, so damn self-confident… It drove her crazy.
"No."
Something flickered in his eyes, a twinkle of endearment.
And not just a twinkle. It was bold, blazing mischief. Shit… She was fucked.
"I'll make you beg."
Oh my God…
He moved even lower, then dipped one finger in, so deep that she was left blinking again. Her mouth opened, then closed, and she realized she must be looking like a fish on dry land. He pulled out, and she wanted to protest, but her pride stood in the way. The moisture was spread all over her folds, especially over the tight, sensitive bud that had been left without attention for so long from the sadness and hopelessness, from her having thought Simon wouldn't come back. She couldn't even touch herself because she had already gotten used to thinking about him when she did that.
A shaky little moan finally hit his lips, and he kissed her again while drawing a circle on the bud, sweeping a few strokes across her folds, then driving two fingers in. Slowly, lovingly. The laced fabric that was stretched to give him space must be sodden by now, but he wouldn't pause to take it away. He just continued to fuck her slowly with his fingers while holding that kiss, holding her steady with his mouth only.
He had taken her hesitation as a challenge, and she wondered if she was some kind of a challenge to him overall. If something in her made him want to break her, get to the bottom of her, get a reaction out of her… And he was succeeding splendidly. She was everything but frigid now. He only needed a finger or two to make her like this. And perhaps that voice of his. That stupid cockiness.
He left her mouth and pulled out, only to finally reach for her poor underwear and take it off. She didn't object this time, but when he moved between her legs and she realized he was about to replace those panties with his face, she jerked away from him.
"Hold on…"
"Nah. You hold on."
He wouldn't relent. He simply pressed his mouth against her pussy which, by now, was wet to the point of leaking, and grabbed hold of her hips as if to remind her that she couldn't get away even if she tried. She could only sink back to the bed and let him have his way: to embark on a mission to make her beg.
And she did beg, eventually, when he pressed his tongue flat against her and plunged it inside, and sucked her clit and did it all with such infuriating patience and laid-back attitude that it made her squirm against him. He caressed her with his tongue, those lips, caressed her with his thumb before guiding it inside as well while kissing her thighs, now wide open for him.
She didn't beg with words, but she did coat the air with sighs and moans that must've stroked his ego like nothing else. Even the stubble did its job: it didn’t sting. It only drove her more mad. She could hear him chuckle against her occasionally, could feel him smile in her pussy as he ruined her with that mouth. Even the intrusive thoughts of whether Simon had done this to dozens of women before her and would do it to dozens after her didn't prevent her from approaching the peak in minutes, mere minutes…
Just as she was about to grasp his hair for support, to brace herself for the incoming, he withdrew. The bastard rose to sit and left her shaking and whimpering.
"Wh-… why did you…"
He was licking his lips, smiling, and stroking himself, fully erect again. The fact that he was hard from pleasing her with his mouth, left her feeling even more weak.
"You want it?"
"Fucking hell, Simon." She knew how she must look: dripping wet, with desperation in her eyes and a shaky curse on her lips.
"Is that a beg?"
He placed the thick tip to her entrance, and she throbbed and writhed against him like she was about to come from the slightest touch of that cock.
"Yeah… Yes, please, Simon, just-"
He granted her plea to the full before she had even finished it. The spread, the feeling of being filled with him, was so exquisitely divine that it only took less than five thrusts before she came.
He looked annoyingly pleased while watching her have one of the most powerful, gratifying, leg-shaking orgasms of her life. Perhaps it was only a proper way to greet a man who had been inside her head for so long: who was finally inside her for the first time in four desolate weeks. She didn't feel wild or raw now; she felt like molasses, like puddle of tears, a boneless, limp heap of muscle from all that love and gentle fucking.
After the tension, tremblings, and shaky sighs had left her, and she was merely panting, he finally stopped. Lodged deep inside her to feel the rest of the waves, he was still watching her. The stare of those warm eyes was too much to bear after another implosion that made her even more attached to this man.
"If you call me a good girl, I swear I'll slap you again," she whispered. The body against him shook from silent laughter. He kissed her again, buried his fingers in her hair, gave her another rock of his hips. And then, suddenly stopped just to whisper in her ear…
"That's my good girl."
Fuck…. 
It was useless. Utterly, completely useless with Simon.
"Ok… Ok." She tried to gather herself while he was still inside her, still filling her and shielding her with his body. "You're asking for it, so I'm not giving it to you."
"Poor me," he answered with that gruff, heart melting voice.
She was laughing again, smiling for the first time in days. Beaming, even…. Probably looking like a brain-dead idiot.
"This was a good date. I had fun."
In her opinion, it was the best date ever, but would she let him know it and stroke that ego further? Hell no.
"This wasn't what I had in mind," he hummed while moving to kiss her neck.
"What if we just stayed here for the rest of the day?"
"Wouldn't mind that."
“You know.. I... really missed you,” she finally confessed with a whisper while he was preoccupied with her neck; safely somewhere else than right there in front of her, staring her in the eyes, gathering evidence of her vulnerability. He huffed a chuckle against her skin in response, sounding close to relieved.
"I missed you too."
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tinytowns · 10 months
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* ( ❀ ˆ꒳ˆ˵ ) ♡ Ꮺ 𝗧𝗜𝗡𝗬𝗧𝗢𝗪𝗡𝗦 — 𝖯𝖱𝖤𝖳𝖳𝖸𝖴 ੭
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— introducing prettyu , the latest template from tinytowns. this can be treated as a banner or pinned graphic &. is an alternate version of my pang! template which can be found here &. is the final product of my super! template series which can again be found here ❀ inspired by manga + comic aesthetics with halftone patterns + playful speech bubbles , though you are absolutely free to take creative liberty &. customize it to your tastes as long as credit to tinytowns is somewhere ❀ experience in photoshop is required to edit this template effectively as it utilizes clipping masks , shapes + rasterizing layer styles to achieve the stroke effect - but help is always available through ask ❀ download link is in the source code + below the read more along with fonts used + icon credits ❀ please consider a like + reblog on this post if you found this resource helpful ( ˘͈ ᵕ ˘͈ ♡) ~
❀    DOWNLOAD.
prettyu! template - here
font used is arista 2.0 alternate - here
❀    EDITING TIPS.
when changing the name make sure to make the first name layer invisible so you can edit the one behind it ( gives it the black stroke effect )
remember to use a mask to crop your model pngs so that they don't spill over the edges ( do this after you've done all the strokes )
to achieve the stroke i did a first white layer stroke of 4 and then right clicked my model png layer + rasterized the layer style , then adding a 1 px stroke of the same grey on the borders .
❀    CREDITS.
sparkle icon - Sparkle icons created by SeyfDesigner - Flaticon
cloud icon - Cloud icons created by Freepik - Flaticon
star icon - Star icons created by Smashicons - Flaticon
folder icon - Folder icons created by Good Ware - Flaticon
flower icon - Flower icons created by Freepik - Flaticon
cursor icon - Click icons created by Freepik - Flaticon
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kiochisato · 29 days
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How do make my rentry move? Like, how do I make custom gifs for them?
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Did you mean gif graphics? Well I've done some tutorials in the past and I'd like to link them to you ! ^_^
1st link ( basically a fade gif graphic idek ) && 2nd link ( animated gif graphics w clip mask )
Oh also i just sometimes do clip mask on gifs nowadays , cause i finally figured an easier way . tut under cut !
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first , you gonna wanna open your photopickle( photopea JALP )
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now , then you wanna load in your project / mask or whatever and then your gif like the usual .
let's use these resources as an example :
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after you load both of them you gonna wanna drag the gif first on top of the mask . fair warning , the gif can often be either small or too large so you might wanna resize it .
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go to the mask layer and do layer > raster mask > from transparency
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it'll look something like this ^^ !!
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after that you wanna drag that black & white thingy or WHATEVER IT IS CALLED to the gif folder and then unsee the mask
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and tadaa it'll look something like this !! :3c easy right ? now you just add some stroke and it'll be alot nicer !
here are the results ! ^_^
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now you don't have to struggle clip masking 100+ frames or 200+ OR MORE . enjoi the amazing tutorial by kiochisato and don't use the graphic without permanent credits that's all .
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cmaidaartworkblog · 3 months
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Once I had enough high-resolution climate data to work with, the final part of the Climate phase was the creation of maps with discrete climate zones, which I produced in both the Trewartha classification scheme, left, and the Köppen classification scheme, right.
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The final phase of the Ayrum mapmaking project was to create realistic satellite style maps, which began with mapping out soil colors and the ground cover of vegetation generally and tree-analogues specifically.
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Once I knew where the plants belonged, I then determined what colors they'd be in the conditions they're adapted for, as seen in the maps, and under seasonal variation, with the chart showing how plants with certain adaptations react to seasonal changes in those conditions.
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In these gifs we see the ground plants and tree canopies changing colors as the Solstices and Equinoxes expose them to greater or lesser rainfall and harsher or milder temperatures than what they're adapted for. Neither of these gifs provide a true image of what the surface looks like from space, but rather of the in-person appearance of whatever plants may be present.
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Finally, using the vegetation density maps as raster masks for the seasonal plant color maps, and layering those with the snow-and-ice maps over the soil color map, we now have a much truer image of Ayrum's surface as of its (Northern) Winter, Spring, Summer, and Autumn months.
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roseysekaiarchive · 6 months
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hello! i am sorry if you’ve been asked before but I am curious as to how you did the glitchy gif on your kanade graphics? it looks very nice!
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hi! so sorry that this tutorial is going to be a bit rushed, i’m low on spoons but leaving for a trip tomorrow + don’t want to leave you hanging all that time. so! let’s get started:
first thing is to get the two images you want to use. i’m using the untrained and trained versions of kanade’s “the moment the sound becomes clear” card but any two images will work. you can also do more than two images but that’s more work lol
put your first image in the canvas (if you want it to be a specific shape, use a raster mask or clipping mask it) and duplicate it twice, like this
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then you double tap the topmost or go to layer > layer style > blending options and see where it says “channels.” unclick the “r” box (you can use the others, too, but the red one gets you the more classic red/blue glitch effect)
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then you shift the image around a bit. how much is up to you, but i usually shift this one down and to the right. then you merge that layer down with your other duplicate. there’s your first glitch layer!
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now duplicate your bottommost image and repeat the process, this time dragging your glitch in the opposite direction of whatever you did the first time. repeat this whole thing with your second image, and make sure your glitch frames are all in the center of your layers — the top and bottom layers should have no glitch effects whatsoever
now hold shift and select your bottom and top layers, and go to layer > animation > make frames
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now we need to fix the timing of our frames. double click your layer to edit the name, and add a comma at the end, followed by a number. exact numbers don’t really matter, but for my base images i typically use between 450 and 475, and for my glitch frames i usually use between 45 and 55.
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(make sure you include the comma, because without it you don’t adjust the timing at all.)
then you export as a gif and check the box that says “boomerang” so your gif will loop
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you can also adjust the speed if you want to, and if you don’t want your gif to loop then put a 1 in for the repeat section
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tada! pretty simple glitch effect. lmk if you have any questions!
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mspaesthetic · 8 months
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Tidbit: Persnickety About Posters
If you want to avoid overly dark or blurry posters in your fan adventures, then follow my lead:
1) Download JPEG off of Google Images.
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2) Import, scale down, and skew/shear it. Use an interpolation method such as Bilinear or Bicubic Sharper. Doing both transformations at once is better than repeatedly transforming the image (i.e. resizing it, applying the transform, and then skewing it), as it helps prevent the image and edges from becoming too blurry. This will be important later.
You can hold down Ctrl + Shift to constrain the Move tool along a single axis so it won't go out of alignment as you're skewing it. If you don't see the Transform Controls by default, enable it in the tool options bar at the top, or go to Edit>Free Transform.
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3) Desaturate it. Desaturate means to turn color grayer, until it becomes black and white.
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4) Adjust the brightness and contrast using the Levels adjustment tool. It's much too dark as it is! In Photoshop, it is located under Image>Adjustments>Levels..., but I recommend creating an adjustment layer from the bottom of the layers tab instead. Doing so will allow you to make edits non-destructively, meaning you can go back and change any parameters until it looks right.
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You could use a Brightness/Contrast adjustment with "Use Legacy" enabled instead to achieve a similar effect, but it won't clip the shadows and highlights as easily. You would have to create an additional duplicate adjustment and turn the brightness and contrast way down on the first one to do so. It's somewhat easier to use but less efficient than Levels in this case.
5) Apply a simple sharpen to the image as it is still too blurry for our purposes. In Photoshop, it is located under Filter>Sharpen>Sharpen... Do not use any other filter, such as Unsharp Mask, unless you absolutely have to in lieu of a basic one. If you must, turn down the radius a bit and the threshold all the way to 0.
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6) Make a selection around the image. Ctrl + left click on the layer's thumbnail to make a selection around it. Doing it this way makes it inherit the level of transparency any pixels have. If you can't, use the Magic Wand tool with "Anti-alias" enabled to select the transparent area outside, then invert it using Shift + Ctrl + I, or go to Select>Inverse.
Create a new layer above the image, then go to Edit>Stroke... and add a black stroke with a width of 2px located Outside. Leave everything else at the default. Doing it this way will create a stroke with anti-aliasing based on the selection you made. This should generally turn out pretty sharp if you follow my advice from Step 2. If you had used the Stroke Effect available from the Blending Options' layer styles, it will always result in a very smooth outline instead. You do not want this.
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Voila, and Bob's your uncle, you're done!
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The instructions above are Photoshop specific, but it should still be pretty software-agnostic. Here is the recreation PSD, and below the read-more link are additional notes, such as transferring the steps to something like GIMP.
ADDENDUM
You may be questioning why I deliberately made the stroke anti-aliased. "Isn't that an MSPArt cardinal sin??", I hear you clamoring. Well, my dear readers, let me briefly elucidate you on why your ass is wrong. Exhibit A:
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The clearly semi-opaque pixels that can be found in every poster outline, which is especially pronounced here in the Little Monsters poster. I can also see that Hussie actually created a stroke on the same layer as the poster and merged it down into the white background like a dumbass. I omitted this in step 6 for the sake of convenience (and also the fact that you can't add a stroke to a smart object in Photoshop without rasterizing it first).
He had to use the magic wand tool in order to extract it from the layer for this panel, and then fill it in with the paint bucket tool. I can even tell he had the color tolerance set up very high on the magic wand to grab all those near-black and very light gray pixels, AND he had anti-alias enabled and the tolerance on the bucket tool set to be at least higher than 0 to tint similar colors. Exhibit B:
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I also didn't address exactly how to desaturate something in Photoshop. Honestly it was because I was feeling pretty lazy. I would have had to rewrite step 4 to not include redundant information about adjustment layers. You can add either a Black & White adjustment layer or a Hue/Saturation one and turn the saturation all the way down to 0. The resulting tones will be slightly different from each other but I'll explain why that is in another tutorial.
Speaking of another tutorial, read this one if you believe this post is missing the step of using a posterize filter.
Now onto applying some steps to GIMP.
RE: step 2) In GIMP, there is a dedicated Unified Transform tool separate from the Move tool, unlike in Photoshop where both features are combined into one. This is how you scale and skew (AKA shear in GIMP) both at the same time, among other things such as rotating.
You'll also find that instead of any interpolation methods labeled "Bilinear" or "Bicubic", there are only ones named "Linear", "Cubic", "NoHalo", and "LoHalo". Basically, Linear and Bilinear are the same, so are Cubic and Bicubic, naturally. I guess NoHalo would be similar to Bicubic Smoother and LoHalo would be kind of similar to Bicubic Sharper as well. It's not an exact 1:1, though.
Honestly it doesn't really matter what you use to reduce the size as long as it isn't None/Nearest-Neighbor. You're going to have to sharpen it no matter what. This applies to Photoshop as well.
RE: step 3) Go to Colors>Hue-Saturation... and repeat turning the saturation down to 0, or go to Colors>Desaturate>Desaturate... and select the Lightness (HSL) method.
RE: step 4) Go to Colors>Levels... or Colors>Brightness-Contrast... The Brightness-Contrast adjustment tool already functions almost exactly like in Photoshop with "Use Legacy" enabled.
RE: step 5) In GIMP 2.10, the developers squirreled away the basic Sharpen filter, making it inaccessible from the Filters menu. To use it, hit the forward-slash (/) key or go to Help>Search and Run a Command... to bring up the Search Actions window and type in "sharpen". Select the option that just reads "Sharpen..." and has a description of "Make image sharper (less powerful than Unsharp Mask)". I find that using a sharpness value of around 40 to be similar to Photoshop's sharpen filter.
RE: step 6) Instead of holding down Ctrl, you hold down Alt and click on the layer thumbnail to make a selection around it. Make a layer underneath the image this time since there isn't an option to place the stroke outside the selection rather than the middle. Go to Edit>Stroke Selection... and create a stroke using these settings:
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I recommend keeping anti-aliasing disabled however, as GIMP produces lines that are a little too smooth for my taste.
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With "Antialiasing" enabled
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Without
If you're using a program that doesn't have a stroke feature available, you could draw a straight 1px thick line across the top of your poster, duplicate it, and move it down 1px. Merge them together, duplicate it again, and move it all the way down to the bottom of the poster. Then repeat the exact same process for the sides. I used to do this before I even knew of the stroke feature, haha.
Another reason I had to do it this way was because my dumb ass did the thing I said not to in step 2, scaling down the image with the scale tool, and then shearing it separately with the shear tool. This caused the edges to become too blurry to be used for a stroke automatically. Oh well, live and learn.
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lisbunnie-edits · 2 months
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how do you clip(?) gifs onto shapes? pleasee tutorial... no one has told me... i love your content btw 😓😓😭
Hi anon! Thanks so much for the kind message! I’m gonna do my best to explain how I make gif icons, but if you mean something else please lmk!
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So first of all I Photopea! What you’ll want to do when you open it is click on import from computer and upload your frame like so
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Next you’ll want to click on file and open… to open your desired gif in a new…tab? Like this!
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Okay now we have all our components! Next you’ll want to go back to your icon tab and select the magic wand! You’ll want your selection to be your icon frame! You might have to play around with it a little to make sure no selection is on your background! You only want to selection to be on your icon frame!
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So it’s selected! You’ll want to click on the folder icon and then the raster mask icon! Your result should be this!
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Next, go back to your gif tab! You’ll select layer, duplicate into, and then select your icon frame tab!
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And there you go! Drag your gif folder into your raster mask folder and adjust it how you like! Tada! :D When you export it make sure to export it as a gif!
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yoruqueenofnightsims · 10 months
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How I edit my Sims' shadow in Photoshop
as requested by @adelarsims
& based on this tutorial.
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1. Taking a screenshot
First of all take a screenshot of the Sim - I always do CAS but in-game works too ofc.
I take mine in front of a background that loosely matches the color of the background of my edit, in this case white. If you have a fancy CAS background, I recommend this CC by @sonyasimscc to easily get a simple background for screenshots.
I also use this tutorial by @katverse to get really good screenshots, I use 4000x3000px resolution, and this tutorial by @vyxated to not have a CAS UI in your screenshot if you use a reshade like me.
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2. Setting up the Photoshop file
Now in Photoshop create a file, I use 1250x2000 px.
I made a few guidelines, pink being the middle of the image and dark blue guidelines for my shadow editing.
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I have a usually white background and a slight Curves adjustment layer with a gradient layer mask so it gets slightly darker at the bottom, completely optional ofc.
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3. Removing the original background
Import the screenshot and place it however you want. I try to align the Sim in the middle and make it as big as possible.
Then select the layer and go to Select - Subject.
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This will usually do a decent job.
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If there are some leftover unselected areas (like on her left hand on the hip) you can either add them to the selection now or edit the layer mask later.
Then create a layer mask.
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Since the screenshot has a similar background, it shouldn't show too much if it is not perfect.
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4. Creating the shadow
First duplicate the Sims' layer (Shortcut: Ctrl + J).
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The layer is probably a Smart Object, so you need to rasterize it and right click the layer mask to apply the layer mask.
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Now lock transparent pixels and paint the layer black.
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Next unlock the transparent pixels again and move the black layer below the actual Sim. Leave it selected.
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Now you will need the Perspective Warp tool.
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Draw the grid over the Sim, it doesn't have to be perfect, but make sure every part of your Sim is in the grid and nothing pokes out.
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Press enter.
Now you want to drag the upper 2 corners separately wherever you want the shadow to be. I always put mine to the left and around the upper thigh area. I also try to match how slanted the left and right side are.
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Now move the bottom 2 corners to try and match the shadow with the Sims' feet kinda. It won't work perfectly and you will need to fix it by hand after.
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Press enter again.
Now go in by hand and fix the shadow around the feet.
Simply paint with black on the same layer and erase parts if necessary.
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5. Making the shadow look nice
I like to change the layer opacity to 35%, but it depends how strong you want the shadow to be.
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Next I apply a tilt shift blur, unlike in the video.
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I use a blur of 15px.
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Move the circle at the edge of the image basically or a bit below by dragging the middle of it. Then rotate it on the bottom line by around 10°.
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Next move the solid line to the middle of the circle and the dashed line around the ankles.
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Then press OK at the top.
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6. Optional: Gradient layer mask
Lastly I like to make the shadow fade out a bit towards the top.
Apply a layer mask to the shadow.
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Then get your gradient tool and the default black to white gradient.
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Hold shift to make a straight line and drag the gradient down.
This is how I roughly place mine so it's not too strong.
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And that's it!
If you have any questions, let me know~
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