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#prop culture
ventmyfrustrations · 1 year
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goddesspharo · 5 months
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the rest is still unwritten [x]
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gretahayes · 9 months
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reading comics has made me so annoying about popular media like i see batman or superman or wonder woman and i’m like “omg blorbo from my comics?” as if most of the world doesn’t know these characters.
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cantheykillmacbeth · 7 months
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((I love the people who tag my posts with "The Scottish Play." Like. Macbeth Macbeth Macbeth!!! The play Macbeth!!!! Macbeth by William Shakespeare!!!!! Macbeth (not the character)!!!! Get scared get scared get scared!!!!!!!!! Woe sandbag be upon ye!!!!!!!!!!!!!!
Anyway happy halloween y'all :) Hope you had a good time tonight))
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area51-narutorun · 7 months
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There is no point in trying to "educate" your favourite celebrities and authors about Palestine. There is decades worth of information about the genocide commited against Palestinians and if someone is advocating for some "peace on both sides" bullshit it's not because they're uneducated. It's because vocally supporting Palestine is getting people fired from their jobs, blacklisted, destroying their careers. If someone comes out with a wishy-washy "my heart breaks for the violence on both sides 🥺" stance, they have cynically chosen to prioritise their career over human lives. At that point, there is no point trying to educate someone because you want them to be a good person. Your focus shouldn't be on your favourite celebrity's personal moral journey. It should be on supporting and freeing the people of Palestine.
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clonerightsagenda · 1 month
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Well I guess I have to stop joking that Barrayarans don't know about female sexuality now that that was a plot point
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Conversation
*MC is considering canceling plans, and Isaac and Dazai are advising her on what to do*
Isaac: Just don't go.
Dazai: Say you’re ill!
Isaac: Pretend to break your leg.
Dazai: Really break your leg!
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porto-rosso · 13 days
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brother where is the charles appreciation
#so dark out here#umm dead boy detectives review here we go! first two episodes were definitely the worst of the series. both are kinda weirdly paced and#the exposition is done poorly in places. overall from episode 3 onwards it gets much much better with pacing and show dont tell#do not understand for the life of me why they made crystal palace american#kassius nelson (<- crystals actress) was very good in places and kinda ehhh in others and im 90% the issue for most of the latter moments#was just that her american accent is not great. sorry they did that to you queen#dialogue was a bit dodge sometimes as well#stuff i liked now! the plot felt quite solid and i really enjoyed the monster of the week approach i think thats the perfect way to#do a dbd adaptation. was a bit annoyed they immediately went to america but port townsend was an interesting setting and all the#supernatural elements/characters fit in nicely#major props cos i feel like the show mostly pulled off the emotionally charged moments without getting corny and the dialogue was generally#good in those moments#particularly charles/crystals heart to heart in ep. 3 and like the entirety of episode 7 (<- ep 7 was brilliant)#overall very fun watch and i feel that the more irritating typical YA show garb was at least a bit offset by them being willing to get#quite dark in places#bit sad people are mostly posting about edwin becos charles was my favourite. has been entertaining watching americans scramble around#the cultural differences in the show#shaking my inbox like a maraca. if anyone wants to talk at me abt the show i will love you forever#.log
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isfjmel-phleg · 21 days
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It has taken me this long to realize that yes, the fact that Tamett is from a country that has been conquered and subjugated and had its culture and language suppressed and been expected to assimilate and to be glad and grateful to be part of--but never truly one with or accepted by--the conquering nation until many of its people conclude that the safest thing they can do is keep silent and keep their heads down and try to appease....that's a parallel for his situation as Josiah's companion.
If I ever write anything thoughtful, it is entirely by accident.
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On Art
I just remembered I had this thought but forgot to write about it so making a note here before I forget again.
Okay, so this was prompted by my brain remembering, out of nowhere, V.E. Schwab's The Invisible Life of Addie LaRue and that led me down a rabbit hole of more thinking. My main point can be summarized as this:
In the 21st century, any form of art is seen as disconnected from the larger world around it.
I picked Addie LaRue because obviously, a book about art and books and literature with supposedly philosophical underpinnings would talk about the inherent connection of art to humanity. There is a tendency, I believe, in today's world to see art as an entirely separate realm: pure, beautiful, untouched by the messy realities of politics and war and humans being cruel and callous etc. It is a beautiful thing, it is a lovely thing, it is a redeeming thing. Creativity is a gift to be given for consumerism, to remind people that they are good no matter how rigged the systems are in the favour of the top 1%.
This is all true. Creativity is a gift.
But I think we forget that it depends upon the creator to utilize or manipulate it according to his own wishes. Addie LaRue presents art as this beautiful, humane thing entirely disconnected from the realities of war or politics. Actual history. The events that the main protagonist lived through are left out in favour of presenting this fairytale ideal, so wholesome that it connects all humans.
(Yes, I know I sound cynical)
Except, this fairytale-esque, profound connection was not the reality for several thousand groups for years. Yes, of course, there was joy. Everyone was creating art and writing books, all our cultures are replete with thousands of years' worth of beauty and knowledge. And of course, the book does not touch it. It is unabashedly Eurocentric, right down to its ideals of artistry and literature.
Because guess what sort of art the Europeans were also making c. 1700s-early 2000s :) You think those heroic portraits of Britannia or Germania were created for funsies :) just a cutesy little project for a cutesy little artist totally disconnected from what was happening in the larger world :)
Addie LaRue, as a protagonist, has the kind of features that allow her to move through the world with a certain level of comfort and anonymity. Had she been any other person in the world, the book would be called The Invisible Life of Addie LaRue.
Several other books take the same course even as they promise to tackle these prevalent issues in sff or historical fiction or any genre, really. A few familiar names pop into my mind. Even those in different genres, such as romance, seem detached from anything real, even if it's cultural joy or pride. They exist. They move towards the culmination of their arc or their love interests, quite anonymously like Addie LaRue. Their view of the world, and their art is entirely sanitized: hollowed out of any and all substance only to be pretty for an aesthetic, fit for consumption by everyone. There is this idea of appealing to an anonymous, universal gaze that is mostly white American (and quite obtrusive, because any reminders of actual history are panned and demonized, or simply brushed aside as happening in tHe OrIeNT). If you really think about it, this is how the world seems divided even today.
As Edward Said said in Culture and Imperialism (in context of the classics):
"Critics have often, I believe, relegated these writers' ideas about colonial expansion, inferior races... to a very different department from that of culture. Culture being the elevated area of activity in which they 'truly' belong and in which they did their 'really' important work."
Incredible how this is applicable to criticism in any way, shape or form today. In addition:
"Culture conceived in this way can become a protective enclosure: check your politics at the door before you enter it."
I think this idea has become extremely predominant in modern culture too. Art is equated to a disconnected aesthetic with no bearing on reality. And while I acknowledge that this approach is useful in reviewing a work without personal biases or based purely on our own enjoyment, completely stripping a text of its socio-political realities does not serve any purpose. The goal, to borrow Said's words again is to admire works for the pleasure and profit they give us while simultaneously observing "the imperial process of which they were manifestly and unconcealedly a part; rather than condemning or ignoring their participation in what was an unquestioned reality in their societies..."
To sum up, our constant struggle to achieve a pure and untouched aesthetic is ultimately fruitless because art is not created in a vacuum. It never will be. Art is born of human hands. You cannot run from its history any more than you can run from your own reality.
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starlooove · 3 months
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I think the retconning of Dick to white truly causes some of y’all’s brains to rot. Like yes that is racism but also part of that racism is that fanon treats and sees him as white; which is the ERASURE part of the convo. I get so sick of white people who couldn’t care less going ‘actually Dick is Romani 🙄🙄🙄’ when they still operate and treat him as if he’s white except for the occasional fanart. I’d love if more ppl and dc canon actually talked about him not being white but as of now until that happens when discussing fandom racism and the way y’all prop up white characters before everyone else; Dick is included in the convo precisely because of the erasure.
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thecornerofegg · 3 months
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Man.
I mean, I expected Hamlet to be good, but this good? Holey poo.
And, like, I knew it was a tradgedy, BUT HOLEY POO!
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gregdotorg · 5 months
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I started wondering about Manet and photography, which he began using to document and make his own work right around the time he created Olympia. He included a photo of Olympia on the print moodboard he arranged when he painted his Portrait of Emile Zola in 1868. And it turns out several scholars have looked at Manet's work and photos of it in relation to the explosion of visual culture around Manet at the time.
images: Manet's Portrait of Emile Zola, 1868, from the Musée d'Orsay, photographed at the Met; Anatole Louis Godet's albumin print of Manet's Olympia, c. 1865-68, from one of four photo albums Godet made of Manet's work, held by the Bibliotheque national de France.
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rawliverandgoronspice · 11 months
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I wish there were more ganon fans that just didn't make him into a misunderstood little meow meow and made him into a complex leader who can be right about his reasons but still have red flags and be selfish
I'm glad people have fun with him, especially given the flurry of attention he received recently, and I'm glad there's a wide breadth of content to enjoy. I do prefer that version you're describing here as well though! I call this reading of the character "Morally Dark Gray Ganondorf"; the kind that definitively has a point, whose whole psyche makes a twisted kind of internal sense that one may absolutely find compelling, awe-inspiring and/or devastating, but who is also unforgivable the second you step outside of his own selfish "me against the world" conception of reality --while also understanding why he can't conceive of anyone as anything but pawns in a much larger game of chess played against gods who kind of demand to be opposed in absolutes. Still: all of this is cool and swell, but, also, do you know how many war crimes you're doubling down on just because you refuse to be owned??? Too many!! The answer is: too many!!
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thesilicontribesman · 2 years
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Prehistoric Propped Stones, Dalton Crags and Hutton Roof, Lancashire
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discountskeppy · 4 days
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and i thought it was bad when people wrote characters calling each other "[name]-san"
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