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#principled
sepia-stained-sunset · 11 months
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Duke, Jason, Damian and Cass who only knew Kon and Tim during their "I would burn down the world for you" era asking the rest of the family how Tim missed their obvious chemistry, how he's been oblivious to the person he's been in love with since the day they met.
Steph, Dick, Bruce, Alfred and Babs, who all got a taste of their initial Young Justice years where Tim was one second away from framing Kon for murder, just exchange amused looks.
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uncanny-tranny · 1 year
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"What if I'm not trans, what if I'm choosing to be trans for [list of reasons]"
I am grabbing you by the shoulders and shaking you like a can of soda. If, for whatever reason, you looked within yourself and decided to be trans - you're still trans. We (as trans people) don't need to have an "I always knew" story. We don't need to have the ~magical transsexual gene~. It's incredibly hard for so many of us to figure out why we're trans, and if being trans was always a choice, the reasons for choosing to be trans would be complex. If being trans is always a choice, that doesn't negate that we deserve human dignity and respect for who we are.
It shouldn't matter if you chose your trans identity or not, becayse you still are a person. You breath the same air I do, and you deserve to live how you want, on your terms. You watch the same sunrises and sunsets I do, you are here. I, for one, welcome you no matter what your inner reflections are about your transness. You have a place in this world, you have inherent worth.
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galatoma · 16 days
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The gay marriage was actually tommy's 30-day free trial (received several times over) for lgbt and now he's thought about turning it into a full membership
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knowlesian · 2 years
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not to be an old cranky leftist but going forward i think those of us who live in the us need to remember a protest is not a group powerwalk to register polite disapproval with those in power
a protest is an implied threat. a protest says there are a lot of us, and we do not like what you’re doing. we are giving you a chance to course correct before we take things to the next level.
if there’s no shared commitment to the potential of moving to that next level: a protest is useless and essentially just public performance art.
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flamingpudding · 5 months
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*hisssss* My comfort human!
Nightwing stared, he turned his head staring at Zatanna in a way that clearly spelled the question: Are you seeing what I am seeing?
Zatanna only gave him a shrug with a smile before focusing back on the meeting, leaving Nightwing to turn back and stare. He wasn't the only hero in the room with that reaction. There were a couple others too that reacted similarly. Only Batman appeared to be able to hold his pokerface.
Right before them was Constantine trying to explain to them all how their goverment basically fucked them over, while a 'ghost' teen was clinging to the man's shoulders glaring and hissing at them all. Worst of all Constantine was acting like the kid wasn't even there. Like there was no a white haired, black and white dressed teen hugging the man around his shoulders while glaring at them with glowing Lazarus green eyes.
"Uhm John? What's with the kid?" Green Lantern finally asked interrupting another one of the magicans rants about how screwed they were to which the Brite only glared at the hero.
"Ignore him."
"But..."
"IGNORE him."
"Maybe we should remove the child from this meeting before we continue?" Superman offered good naturally and Constantine looked pretty much done with them all, Nightwing noted. The blond waved with his hand as if telling them to 'go on try it'.
The heroes exchanged glances. Before Superman moved forward reaching out to remove the teen....
...and promptly got bitten. Nightwings eyes widened as he noticed the teen actually broke kryptonian skin!
The teen then proceeded to hiss at them while clutching onto Constantine protectively. The magican only let out a suffering sigh and muttered something about never touching a core again.
"My comfort human! Get your own!"
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hussyknee · 10 months
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my disabled ass, after (1)good day: "obviously I am cured. in fact it may have all been in my head. who can say? now to rejoin society!"
me, the next day: "it has come to my attention that i may be chronically ill."
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beybuniki · 1 month
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one thing about deku he WILL be there when bakugo hits a milestone
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prokopetz · 2 months
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What I really appreciate about The Talos Principle 2 is that big chunks of its writing genuinely read like they were written by someone who's personally had to justify the discipline of philosophy to a STEM major. "There exists an implicit moral algorithm in the structure of the cosmos, but actually solving that algorithm to determine the correct course of action in any given circumstance a priori would require more computational power than exists in the universe. Thus, as we must when faced with any computationally intractable problem, we fall back on heuristic approaches; these heuristics are called 'ethics'." is a fascinating way of framing it, but then I ask why would you explain it like that, and every possible answer is hilarious.
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tsururoach · 2 months
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POV u weren't invited to the P4 Ultimax grand prix
Bonus:
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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imdead770 · 2 months
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THIS
THIS IS WHY HE COULD'VE RECRUITED ME IN SECONDS LIKE
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I will GLADLY betray everyone for u bbg 🫶
Whatever you say goes 😘❤️
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cemeterything · 1 year
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have you ever watched supernatural? you have that vibe
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lemongogo · 5 months
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i just like his long hair ok 🧎
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deadsetobsessions · 4 months
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Okay, so maybe Tim has no business being in Bludhaven. Tim maintains that since his parents fail at parenting, he can do whatever he wants.
Besides, it's for a good cause. Like, not letting Tarantula get her dirty hands on his big brother in another time line. Tarantula had popped up in the Bludhaven servers - by that, Tim means the endless amounts of threads and underground fronts for criminal activity that he stalks on a regular basis- by being seen with Nightwing. Tim had immediately booked a ride to Bludhaven and bought another burner. He'd try to take care of her himself, but if worse comes to worse, he'd call Deathstroke. He's totally aware of the weird tension Deathstroke has with Nightwing and Tim's kind of banking on that.
Dick's been back in Blud for two months now, Jason having assuaged his mother hen tendencies enough for Dick to get sick of the Manor. Tim hadn't meant to follow since he had plenty of projects to work on now that "SAVE JASON" wasn't blaring at the top of his head.
But then Tarantula appeared and Tim saw red, remembering the way Dick spoke about her and what she did to him.
He bids the driver goodbye. The driver doesn't question his being on his lonesome mainly because 1) Gothamites mind their own busines, 2) Tim gave him a $500 tip to make sure he remains a "good" Gothamite cabbie, and 3) Tim made sure he was dropped off in the swankiest, most ostentatious hotel Bludhaven had to offer.
"Rich people," the cab driver had muttered as Tim closed the door. Perfect.
Tim got his keycard, having checked in under Alvin Draper over the phone. Normally, they'd require an in person visit, but money talks. And people listened when Tim had a lot of things to say.
Tim even feels like he's trained enough to go out! Lady Shiva's training was ingrained into his memory, and Tim's built enough muscle to make use of some of it. He is still nine, after all. He's so much stealthier this time around. Plus, he's got almost his full tool set back. Sure, some of the tech is ancient, but he managed to finagle it to make grappling guns and smoke pellets more along the quality that he's used to.
Tim waits until nightfall, looping the surveillance around his window to mask his exit. Tim adjusts his domino, eyes scanning the city skyline as his handheld computer (god, he can't believe he has to invent wrist computers) tracked reports of Nightwing through Tweetings.
Ah. He's around Seventh. Tim grimaces as his untested joints adjusts to the grappling guns. His dark clothes make him hard to spot, to his advantage as he tracks down Nightwing.
Tim watches, perched on an adjacent roof as Nightwing takes down a crowd of goons with the flips Tim remembered watching from afar and up close in another timeline.
"Blockbuster'll kill everyone you love, Nightwing!"
Tim winces at the rather brutal crunch that followed, Nightwing having punched the guy and knocked him out in one move. He watches Dick sigh, tugging at his hair in stress.
Tim could... no, no. He shouldn't think of murder as a first option. Well, no, he shouldn't think of Deathstroke as a first option. But he'll need to take Blockbuster out before anything happens. And he needs to threaten the new Tarantula before anything happens. He won't allow her to even get close to Dick.
Maybe it's unfair to punish her for a crime she hasn't done, but unlike murder, rape can never be defended. Catalina Flores is a dead woman walking.
Tim stalks his big brother back home and then broke off to begin his short reign of terror over Bludhaven's underground. If he can't get Dick to take a break (and Tim's tried, a lot, over the years) then he'll make sure that the next month is as gentle as possible on his older brother.
Step 1. Murder Take care of Blockbuster
Step 2. Threaten Catalina Flores and her brother.
No. Wait. Tim has a better idea. He's got dirt on them, on top of the murder thing. He'll fabricate Catalina's tax returns, embezzle a shit ton of money from the IRS, and get her and her corrupt brother (because getting your sister out from murder charges is considered corrupt) arrested and locked away. And he'll make sure they stay locked away with some good old blackmail on Amanda Waller.
Tim grins, tranquilizing the building with an ungodly amount of knock out gas pellets, to riffle through the police precinct's files.
Step 2. Threaten Catalina Flores and her brother.
Step 2. Cripple Catalina Flores and her brother with blackmail and the IRS.
In three hours, Tim has everything he needs to begin a temporary hostile takeover. He's got the names of local mob bosses, the big players, and the names of practically every police officer that takes bribes and their... sponsors.
He'll have to cut off Blockbuster's lines of supplies first. Then, blacklist him from local suppliers, mobilize the police precinct against him (by imitating his M.O. perfectly- Tim's not a fucking amateur- and pretending to rob the precinct blind), and then break his knees.
Step 3. Profit
Tim takes out his shiny new burner phone, enjoying the loud sounds of the police squawking through his planted bugs. He lounges on the building next to it, keeping an eye out for Nightwing just in case the man decides to respond to the crisis.
[Unknown: It's RR.]
[Deathstroke: New phone?]
[RR: Who dis?]
[Deathstroke: What?]
[RR: Nevermind. I'll give you forty thousand to shoot someone's knees out.]
[Deathstroke:... That's it? Who?]
[RR: Blockbuster. Bludhaven. Extra twenty thousand if you tell him he's got the spine of a sea slug, kick him in the balls, and post it on Tweeting.]
[Deathstroke: What did he do to you? Deal.]
Tim ignored Deathstroke's question.
[RR: Half sent. Confirm?]
[Deathstroke: Confirmed. Timeline?]
[RR: Three weeks. 21 days.]
[Deathstroke: Confirmed.]
----
Tim grins ferally, all teeth as Catalina Flores looked on in horror at her computer screen.
"Get out of Bludhaven, and don't come back. If you even think of going near Nightwing, I will rip what's left of your pathetic, sniveling swine of a brother apart. You will not enjoy the consequences."
Tim clicks off, watching Catalina and her brother launch themselves into mad packing. He tapped out a short message to Amanda Waller for her and her team to intercept them at the state lines. They'll never get away from Tim's fury. Never.
[Waller: It's done.]
[Waller: I will find you.]
[RR: You can definitely try, Waller. Good doing business with you.]
Tim can see the blood vessel the woman popped after he sent that last message. He laughs.
He saves Deathstroke's video from Tweeting onto his actual, spoofed phone. He destroys the burner phone, less shiny now that he's dragged it through two and a half weeks of breaking heads and terrorizing the Bludhaven Underground. Nightwing hadn't even gotten a whiff of his activities, this Dick being far less experienced and known in this version of Blud.
One more week and Tim can continue his other projects.
----
Nightwing, going about his vigilante business: wow it sure is peaceful
Feral Tim Drake, Nightwing's scary dog privilege: try me, bitch
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What Front-Page Published NewsPaper Says About Rethabile-Marah
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2manyflannels · 1 year
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Thank the lord that Benoit Blanc is a detective with compassion and kindness and cares while also being a genius detective because the two don’t need to be exclusive
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