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northern-passage · 1 year

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i've been thinking a lot about the word "representation" and what it means and how it's changed over the last few years, particularly when it comes to the writing/publishing landscape but also in movies and tv shows… and i really don't like it anymore. to be clear, of course i think it's important to have diversity in your work, i'm not saying i hate the concept of representation. but i do really dislike the way it's used now, and i really just hate the word itself

in a broader sense it's just become a marketing tool. i'm not impressed by any publisher or author who just describes their book by listing all of the minorities/identities the characters represent as if that should be enough. it feels very gross, very exploitative and disingenuous. it also really bothers me because it's always marginalized identities- which i understand Why, but it feels very othering to me (and again. Very exploitative as an advertisement). you would never list out "cishet able-bodied white man" as a character description to pat yourself on the back over. so why do it to everyone else? why insinuate that one is the "default" and the other one is "special"? (and when i say this i'm mainly talking about advertisements/marketing. i understand why people would specify about characters in descriptions with the plot, but i don't like to see an ad that's just "this book has gay people!" with nothing else)

which then leads me to my other point, which is that a lot of people treat "representation" as if it's "too hard." like "oh i don't know enough to write about that, i don't have that experience, etc" which is a fair way to feel! however… it's weird that people only say this about writing trans characters or characters of color. i'm writing a story right now with a character who is really into motorcycles. i personally do not know that much about motorcycles, so i researched what parts are what & what different kinds of models there are & what basic bike care looks like. i guarantee Most people will have to google something at some point in their writing process. so what's the problem? it also, again, feels very othering when authors treat certain groups of people as "impossible" to write, "too hard" to understand. they are just.. people. you write them as a person. and then you figure out the rest later.

and i think part of the refusal or fear to write something outside of your experience is because of the way representation is treated as So Special. these characters are So Special that they aren't allowed to be anything other than "representation." they're Not allowed to be characters with complex emotions and interesting motivations, they have to just be Trans or Gay or Disabled or whatever. they're not allowed to be people. which means, at the end of the day, we loop right back around to where we were at the start….

there is bad representation. there are depictions of certain marginalized people that are harmful and that are damaging, i'm not trying to minimize that or argue against it at all, in fact we should all be mindful of that while writing and reading. but i also think it's possible to swing too far in the opposite direction as well and put certain groups of people on a pedestal and not allow them to do anything at all but be Perfect Representation, if that makes sense.

#anyways. is this anything #sorry i dont have anything insightful to say at the end here i just wanted to ramble #especially abt the way ppl market books now it like. genuinely disgusts me #cannot imagine marketing tnp in that way. my characters are many things AND they are trans. and their transness #is not just a flashy feature for attracting attention #also i do understand the fear of 'getting it wrong' but that's why you have beta readers or even actual sensitivity readers #that's why you ask for feedback. especially in this space like... people will give it #that's what makes sharing your process and early draft in this community so rewarding #and there's also just the reality that no matter what you do some people will Not like it 🤷#and ime a lot of ppl look at representation very individualistically #as in it's only good representation if it represents Me #which sucks. and you're never going to please those people #ANYWAYS also to be clear this is not a vague or meant to be targeted at any one person please don't be fucking weird #this is just some thots i've had recently esp since ive seen the representation conversation pop up quite a few times #and since i've been doing research for characters in my other project #personal

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bijoumikhawal · 2 years

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the thing I'm struggling with in RTD (since a big theme is intergenerational trauma) is less instinctively pulling back from depicting fucked up shit that happens irl (though that happens) and more in Garak's case trying to balance fucked up shit happening to him and not making him fall into a weird position. I can't write him as doing fucked up shit so much- partially because he's had a bit of character development from the occupation, and partially because he's not in a position of power to act in certain ways.

#Cipher talk #Something I'm doing with Leeta is that she has VERY limited information about Garak so what she knows is: he was on the station under Dukat #Dukat hates him and treated him incredibly poorly as did the other Cardassians #He cannot return to Cardassia #He stayed behind on the station when it was about to go kablooey instead of escaping to try and help #And that's it #And she is a genuinely insightful person but her insight leads her in a very particular direction #So she thinks the crux here isn't that Garak himself did especially bad things but presumes he himself is marginalized by the State #Which isn't exactly wrong #And that he's refusing to sympathize with her because admitting they have something in common is admitting he's inferior #Which also isn't exactly wrong Garak does have ladder syndrome a bit #Anyway he ends up thinking about this after the episode where they get zapped back to the occupation #Because I've always found the double consciousness there interesting where garak talks a lot of shit about how great Cardassia is #And the supremacy of Cardassian society and how if he can tell the guards he's an order agent it'll fix everything #But doesn't actually act accordingly what with immediately pick pocketing a soldier #And the point of Leeta being the way she is is frankly to explain why she doesn't balk at Julian using their open relationship to fool #Around with Garak and to deny Garak the catharsis of being punished. He acts the way he does in part because a negative reaction- one he #Provokes instead of something just happening to him- is better than being ignored #But also I wonder if someone should confront him #His and Ziyal's relationship here is shaping up interesting because Ziyal is aware of her class privilege as Dukat's daughter just as much #As she is of her mixed heritage making her rejected and she absolutely will use it without thought bc she knows how limited she is

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godhasforsnakenme · 1 month

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BOOK REVIEW 📖

This is the one for February – I was reminded of this book half way through the month and decided to reread it again because I couldn't remember how it ended; plus a short mystery is always nice to read (side note: this ended up as an ebook read bc I couldn't remember where in my storage boxes I have my copy – it's in storage because it's a paperback edition and old and I don't want it to die on me yet lol)

#ben picks up reading again #dania rambles about shit #hewehewhehehewhehw I've forgotten to upload these for the last two months LMAO #not to worry I am at least still reading :D #alrighty this is for the most part spoiler free (execpt where indicated)#it is a very entertaining mystery that feels like a game of cluedo and you really enjoy how everything comes together at different points #so much that it has you going back to see how the hell you missed a detail and going AHA #but yeah counts as a reread but it was so long ago and I'd forgotten practically everything about it that its like a new read #which is a bonus bc I like figuring out mysteries in books and going along with stuff to see if I'm right at the end #not to much analysis in this review like the last book as I feel it didn't need it #each character is pretty likeable with some unlikable moments sprinkled in #also I really love how the POV switches and flows easily between each of them which is what makes this book so easy to follow along with #insight on when i first read it #i was in fifth grade and we had a reading club sort of thing that our teacher picked us for #like a greatbooks fishbowl sort of thing instead of just our regular reading/comm arts time in class #i think it was the last one's we read for that year because I don't remember any after it #anyway we had to staple the last couple of chapters together so we wouldn't be able to know the ending nor the stuff leading up to it #that way we could play along and try to solve it ourselves #we had a betting pool sort of thing going with candy to see who could guess correctly #just a box full of sticky notes with whatever theories we wanted to include with the bet #and a whole wall with those large paper pad sheets that teacher's would have for their easels in order for us to connect the dots on things #yeah we went into it #kind of wondering if we ever got to the end or if something came up that we couldn't finish the book like i sort of remember #our tutor missing a couple of weeks and then state testing and then it was just the end of the year and we were turning in the books to her #anyway just more admin lore

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rallamajoop · 3 months

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That time Heisenberg stabbed Ethan with a rusty fencepost

Thanks to this one fic project that needed a pornographically detailed list of Ethan’s most memorable injuries, I've spent some time trying to figure out exactly what Heisenberg stabs him with when they first met. Working mostly from a free-camera version from youtube, I settled on calling a metal pipe with a square profile.

Tumblr: I was wrong. The reality is so much worse.

Having cracked the game files and installed my own free-camera mod, I tracked down the original asset for this thing, and, well...

No, really, this is it! Check out those matching cross-bars if you doubt me.

FWIW, it isn’t actually a spear. Those semi-mangled crossbars flag it instead as a spear-headed fence-post. (This may not be a distinction that Ethan would find very comforting after being stabbed with the thing, but there it is, regardless.)

In fact, if you poke around the cemetery area just outside the castle gate, you can even find the fence it presumably came from.

Look in on the cemetery near the church from the lane leading up to the Duke's shop beside it, and this is what you'll see.

It's not a perfect match (in fact, it's even worse viewed from the opposite side, because someone has clearly stuffed up the textures on different sides of the same asset). I'll also note that if you go back to this fence again after meeting Heisenberg, you won’t find any suspicious gaps in it where a post was recently ripped out. So I’m going to just go ahead and assume this particular piece was lying in a pile of surplus scrap in the cellar somewhere, and Heisenberg did not, in fact, drag the thing all the way there from well outside the whole damn building. I mean, at that point, you’re just showing off.

The fence post is, admittedly, pretty hard to get a good look at in the actual game. Unlike all the other crap Heisenberg already has levitating around him in this scene, the fencepost doesn’t appear at all until Heisenberg stabs Ethan with it. It actually seems to emerge at speed from between a couple of barrels at the back. But if you’re enough of a lunatic to play around with the various slow motion/rewind settings that came with the free camera mod, you can get a decent shot of it in flight, cleaning up any remaining doubt that this is the same asset that was used in game.

It even freaking spins in the air as it moves. FTR, yes, it does go in pointy-end first. And the whole fucking spearhead ends up buried in poor Ethan. (Please feel free to insert your own dick-joke here.) Those paying really close attention might even note that the blood on Ethan's shirt is present even before the spear hits him, but that's just going to be virtual-stunt-coordination having a normal one.

I can offer you no similarly definitive insight into why Heisenberg would think stabbing Ethan with this thing was a good idea. I can’t even tell you if he knew for sure that it was Ethan Winters he was talking to at this point (maybe he's just playing dumb, pretending not to recognise him. Or maybe he legit didn't know that Ethan himself had made an appearance until Miranda told him. Sure, he's already got that whole conspiracy board, but finding real pictures of this Ethan-guy is surprisingly hard.) But whether Heis was already testing out Ethan’s ‘interesting body’, or whether he’d just generally assumed that anyone who could survive a full lycan assault on the village wouldn’t be too seriously inconvenienced by a little stabbing, hoo boy was this one way to make a first impression.

I’m not even sure which of these losers is the bigger idiot here: the one who imagined Ethan might still agree to work with him even after inserting a very convincing imitation-spearhead into his intestines, or the one who never thought to seriously question how he keeps shrugging off injuries just as exciting as this one.

They probably deserve each other.

#Karl Heisenberg #Ethan Winters #RE meta #winterberg #Resident Evil Village #Resident Evil #RE assets #not to soapbox but that's also why the popularity of AO3's 'soft' Heisenberg tag makes me roll my eyes so hard #this dude is 'soft' like a fencepost to the gut

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sunshine-jesse · 7 months

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Control: The Strange Dynamics of Andy and Leyley or

The Incest End Is Not The Fucking Bad End, Stop Coping

EDIT:

Hey guys! This post is blowing the fuck up, but this was my first essay on this game, and I think I've had many more insightful things to say since then. Here's a link to a masterpost with all of my essays, which I'd definitely suggest reading after this one:

Anyways, without further adieu...

I heard a lot about this game going in. I knew the general story beats and the funny haha incest memes. I knew it was about a toxic codependent relationship where Ashley, the sister, acted like your standard overly-controlling person who used various abuse techniques to keep someone in line. I expected Ashley to be a yandere-type character where she was borderline psychotic, irrational, and had a skewed perception of reality. I expected her to be a crazy bitch, and I love me some crazy bitches.

But then I actually played through the game. ...That is not what I got.

The game advertises Andrew as a doormat extraordinaire who is strung along by his Very Not Good sister and has no agency of his own' that he's just a henpecked abuse victim. But in practice, that doesn't seem to be the case. One of their first exchanges that in the story is when the occultist played his music and Ashley wanted them to check it out. He says 'no', sure, but then he smirks and says 'but I'll come along if you do.'

That is not the dialogue of someone who has no will of their own, that's the dialogue of someone who willingly gives up their own agency.

This is not, on its own, a sign of anything out of the ordinary. What caught my attention with it, though, is how it flew in the face of the common narrative surrounding their relationship dynamic. But that's not the first time I noticed it, it's just the first time, in retrospect, that their actual dynamic begins to show. The first time I personally noticed it is in the choking scene.

There are a lot of ways to view this situation. But my own reading? This was not a crime of passion. This was not him trying to break free. This is him doing something he's thought about for a while. This is premeditated. In this scene, Andrew is done playing along with Ashley's shit. In this scene, I firmly believe Ashley is the victim.

Ashley is the more openly abusive of the two who seeks to do whatever she can to trap Andrew so he'll never leave her. That much is clear. But Andrew-

-clearly has these same tendencies. He says this shortly after Ashley mentions putting her name up on a call girl's wall for money. There's protective brotherly instincts, and then there's this. This is not something you'd threaten a sister with, this is something that a man would threaten his wife with, which is directly brought attention to in the story.

(hey look he accepts the framing of it being WIFE beating at face value, and says Ashley is the only one who makes him like that! HMMMMMMMMMM WONDER WHAT THAT IMPLIES???)

It also implies that this is not the first time physical force has been threatened! I mean, that much is obvious, because of the choking scene that happened before, but I more mean that this implies that Andrew either threatening or utilizing physical force is an established pattern of behavior. However, the Decay route implies that she never thought Andy would kill her (but Andrew would) which can either be for or against depending on one's perspective, so I don't hold to the idea that it's an established pattern too strongly.

Okay, so. Andrew has some controlling and possessive tendencies too. So what? Their relationship is codependent. It's advertised as such. What of it?

Well first of all, it pretty much blows the lid off of the idea that Ashley is the sole perpetrator of abuse in their relationship. I've seen a lot of people view Andrew's behavior as justified retaliation against abuse, but frankly, I don't believe that him threatening to strangle Ashley for violating boundaries by trying to hold him accountable for his actions (given the strangulation part happens after she brought up Nina's death and how Andrew was ultimately responsible) is justified. And I ESPECIALLY don't believe that him threatening to backhand Ashley for her transactional attitude towards sex is justified in ANY circumstance.

EDIT: This part was edited in from the original post for the sake of readability so they don't have to see the reblogs to see the updated version! This post gained more traction than I was expecting!

…But perhaps even more telling is what she DOESN'T do.

Pushing someone's boundaries until they lash out is a pretty common tactic in abusive relationships. It's easy to see why, too: It justifies prior behavior and paints them in a negative light to others. This can be an important aspect of using DARVO (deny, attack, and reverse victim and offender) against someone, although the two ideas aren't necessarily linked.

It's pretty easy to argue that this is what Ashley does, but if you look at the one time her boundary pushing DID go too far, when Andrew lashes out with physical violence… she doesn't do that. She doesn't blame him. She doesn't paint herself as the victim. She doesn't even try to give a reason as to why she shouldn't be killed outside of the comfort she gives him. Why is this notable?

Because the mom does, in fact, engage in what could be considered DARVO against Ashley:

(i will elaborate more on this screenshot in particular below)

Ashley is directly compared to Mrs. Graves by Andrew, and yet she crucially displays none of the habits that Mrs. Graves does. Mrs. Graves lays the blame on Ashley, but Ashley doesn't lay the blame on Andrew. Mrs. Graves tends to paint herself as the victim of Ashley, but Ashley does no such thing to Andrew. The mom denies her culpability at every turn; Ashley doesn't. Ashley tries to hold Andrew accountable for his role in Nina's death, which could be considered a kind of DARVO. But she never denies that she had a role to play in it. She just mentions that he was the one who pulled the trigger. And he was.

(and the point was more that she DIDN'T engage in it when threatened with physical violence; the perfect chance to)

In Mrs. Graves' mind, she is the victim of either Ashley, or society as a whole. In Ashley's mind, she knows what she is, what she does, and what she's about. The only thing she's oblivious to- or doesn't acknowledge, at least- is the threat Andrew poses to her. In her mind, she's the bad guy. In Andrew's mind, Ashley is the bad guy. In official art, she is the bad guy:

And yet, in the game itself, Andrew is the one holding the cleaver. Not her. Hm.

Ashley is the world's most convenient scapegoat. She allows people to mask their own worst habits and pretend they're better people than they are. She accepts this role. She embraces it. She doesn't try to deny it. But when that mask slips, people lash out at her. Both Mrs. Graves and Andy (NOT Andrew, crucially) predicate much of their self-perception on being what she's not.

But they're the ones who enabled her to become like this, every step of the way.

And that's what blew my fucking mind, and made me question just who the victim really is. She was never given a chance to be normal, because other people relied on her NOT being normal.

By the end of my second playthrough, I felt worse for Ashley than I did for Andrew, and I still do.

So. What am I getting at? What does this show me about the relationship between Ashley and Andrew?

(I also wanted to point out that Andrew does engage in DARVO too but I didn't want to distract from the behavior of the mother. Unlike what Andrew does, it doesn't require someone to reassess the narrative they have towards the game in order to realize the implications of it, whereas it's pretty easy to justify Andrew's words as not qualifying as DARVO if you buy into the narrative that he's the sole victim and/or that Ashley is the main perpetrator of abuse. A friend of mine pointed out that it's a pretty key part of the push/pull dynamic they have, and I completely agree.

However, the direct comparisons to the behavior of the mother can't be ignored no matter your narrative, so I felt as if I needed to highlight that more.)

EDIT OVER

It shows me that their relationship is all about control.

Specifically, the push and pull of who controls who in any given situation.

Andrew weaponizes his incompetence. He always looks to lay the blame on Ashley. This is drawn attention to several times, and said explicitly in the Decay route.

He is always surrendering control to her, and yet he never HAS to. He could always just say no. He could always refuse. What are the consequences? Her being upset? Well, unfortunately, it's not that easy. That's not how abuse dynamics work. He probably feels like he has to, or rather, feels like there's no other option. That he's in too deep, and stuck with her no matter what. But personally, I think it's pretty clear from his willingness to surrender control to Ashley that he still feels like he has it at points, because the moment he feels like he's about to lose it, he either considers violence, even as a child-

(the actual scene of slicing her finger is pretty sus too with this reading in mind)

-or resorts to it, outright, in both the choking scene and the vision in the Decay ending... when Ashley doesn't have enough bullets to defend herself (this will be important later!).

SO WHAT POINT AM I TRYING TO MAKE??? AM I JUST MAKING ABUSE APOLOGIA (the answer may surprise you)?

No. I don't think so.

Ashley is obviously very bad. She's controlling and uses pretty textbook abuse and entrapment tactics on Andrew whereas everything he does to her is inference, with Ashley too daft to realize just how much danger she's in until the vision in the Decay ending spells it out for her- and I don't know if a true abuse dynamic allows for one to be completely unaware of the consequences of breaking free. She could just let go of her desire for control and Andrew would be a much happier person.

And that's the point, because so would she.

I bring up control because that push and pull- that desire for control over each other- is exactly what's tearing their relationship apart, and this effect most obviously manifests in the two endings of episode 2. In the Decay ending, Ashley either tries to exert control over Andrew due to a lack of trust, or Andrew allows his feelings of entrapment to truly take root in his mind and guide his actions. In the Decay ending, Andrew becomes a true doormat with no will of his own, allowing his feelings of bitterness and resentment to fester and grow, eventually resulting in their deaths.

In the Burial ending, Andrew does the exact opposite. He takes control of the situation and does exactly what Ashley would do without much of a fuss. This eventually culminates in THAT scene (assuming you take the Questionable route), where his facial expression alone speaks volumes:

Look at how fucking confident this man is. This is not the face of someone who's unsure of himself; this is the face of someone who knows exactly what he wants and takes it. He is absolutely in control of this situation, and everyone is happier for it.

And what does Ashley have to do to get this ending?

Let's go back to Decay for a moment. If Ashley has bullets in her gun, she has control over the situation. She, at any point, could put an end to Andrew and survive. And yet, at the very end of it all, she could choose not to. She could choose to surrender control to Andrew, allowing herself to die. And that ending, I believe so much of his life and willpower will have decayed that there's nothing left for him to take control of, leaving him no choice- or rather, no use for the control he now has- but to die with her.

And in the Burial ending, she has to let him out of his cage before it's too late. She has to surrender control to him, and when she does-

-He will become everything she ever needed him to be.

It's all about her surrendering control, and it's all about him taking control. Because, no matter what, as long as that happens... the two of them will be together forever.

In life...

...or in death.

How romantic.

So no, the incest end is not the fucking bad end. They're going to be together forever in the end either way, so they might as well live through it.

#gaming #the coffin of andy and leyley #gravecest #ashley graves #andrew graves #someone help me i can't stop thinking about this fucking game

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pakhnokh · 10 months

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House of Gentians Arc 2 || Pages 163-168 END

Wei Ying: Sorry, I can't let Lan Wangji hold me by the waist like that again ;___;

Me: Goddammit, alright, have it your way, but I'm going to draw the most intense panels of you putting your hands on his shoulders. Is Lan Wangji flinching cause it's Wei Ying who's touching him so fiercely? Is it the fact that his scars that are barely healed yet hurt from that grip? You decide!

ARC 2 EXTRAS FOR PАТRОNS Extra mini comic: The Dog Art pieces Extra mini comic: Cornetto commercial

ARC 2 Complete PDF with extras ARC 3 (TBA)

PREVIOUS PART

ABOUT+TABLE OF CONTENTS

IMPORTANT NOTE: Always be sure to click on my profile and check for updates because if you see a random part reblogged IT MIGHT NOT BE THE EDITED VERSION WITH THE WORKING LINK TO THE NEXT PART ~~~~~~~~~~~~~~~~ Arc 2 has come to its end! Yes, I can't believe it too. It's been 11 months since I posted the arc's cover image. I've been through so much since then, so much of my life has changed and yet working on this project, providing 4 pages every week, was somewhat of a blessed constant and fairly, I'm going to miss it.

I have to say that I'm very grateful to you, the readers, because your excitement with this story and the wonderful comments and questions and interest and insights you left on each part is what kept me going and also helped me understand my story better, so THANK YOU ALL SO MUCH! A HUGE THANK YOU TOO FOR MY PАТRОNS!!!! I wouldn't have been able to do NONE of it if it weren't for your amazing support. You have no idea how grateful I am that you are giving me the opportunity not only to create this story for you and for others, but to also develop myself further as an artist (this is the first time I do a long comic of such a scale and by thinking about you when I make updates every week, I think how much better I can make my work). Your support is also a huge help with my daughter, not only because you help me provide for her, but also because in spite of the fact that taking care of her gets more and more difficult, you being there keeps me motivated to not give up on drawing and succumb to 100% life of a mother and a housewife. You save me <3.

So what now? Now I will work on extras for members of the peke-king tier on my Pатrеоn. I will create extra comic pages, a few more arts, and a funny comic strip. When all of that is done, I will create the PDF and upload it to the shared drive (I think this arc+extras is going to be about 200 pages!!) after that, I will take a break from HoG to finish other MDZS projects I halted, and after those are done I will take a break entirely to reread MDZS and consume all its media again, so I will remember forgotten parts and get that spark ready for Arc 3! So absolutely stay tuned! Thank you all again for being with me in this journey, and hope you enjoyed the story! <3

#house of gentians #wangxian #mdzs #lan wangji #wei wuxian #mo dao zu shi #pakhnokh #grandmaster of demonic cultivation #comic #yiling laozu #GoDC #AU #Yiling Patriarch

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rainyinautumn · 1 year

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there's a parallel in last life that I don't see talked about as much as it deserves and so I'm going to dissect the ever-living hell out of it. remember the ghast farm incident? everyone remembers the ghast farm incident. Grian turns red, he starts knocking blocks of a bridge out from under Mumbo, "there's a way we can still be friends," etc etc etc. it's fantastic. WELL. two sessions earlier, there's a similar confrontation between Scar and Joel after Joel turns red, except the roles are reversed. Joel approaches and it's Scar who starts breaking blocks of the bridge, trying to put distance between the two of them. HOWEVER, the interesting difference here is that Scar is doing it not because he doesn't want to be Joel's friend anymore, but because he still wants to be. lets take a look at a transcript of part of that scene, shall we?

[Scar breaks several blocks of the bridge.] Joel: Scar, what are you doing? I know you're not my friend anymore, but come on, Scar. Not the bridge. Scar: I wanted to make an arrangement. Are- are we not friends? Joel: We can't be friends, Scar. We can't be friends.

Scar knows that Joel is a red life and that he might hurt him, but he still wants to be friends, so he's providing a way that they can be near each other while he isn't in any danger by putting a gap in the bridge. he even breaks it again when he comes by to chat later. during that chat, Joel reminds him of how dangerous he is, Scar says he "gets it," and then proceeds to let him continue living under magical mountain. Scar doesn't "get" that he needs to be cautious of Joel—what he "gets" is that he's taking a risk by letting him stay and that he's already accepted something might happen. and he's OKAY with that. Joel is red. he gets it.

now compare that to this excerpt from the ghast farm incident:

Grian: Y'know, Mumbo, there's a way we can still be friends. Mumbo: Yeah? Grian: Yeah. [he starts breaking blocks at of Mumbo's feet] You could join me.

with Joel and Scar, it's a red life choosing to step away from his friend in order to protect him, while said friend tries to find a way that they can still be near each other without placing himself in danger. with Grian and Mumbo, it's a red life choosing to try to take his friend down with him so that they can be near each other because he can't accept not being his friend. the fact that in BOTH scenarios the friendship is symbolized by a bridge being broken is a perfect illustration of one of Grian's lines from the ghast farm incident: "it was a bad idea for the wrong reasons." those friendships should have been a good idea, those bridges should have been a good idea, but now they provide a connection that isn't safe, and they all know that.

and I'm not done talking about this. no no no no no. this offers a FASCINATING insight into why desert duo is Like That. Scar would sooner let Grian kill him than have to stop being his friend. Grian would sooner kill Scar than have to stop being his friend. which is all kinds of perfectly fucked up and explains exactly why 3rd life ended the way that it did. it also makes the cactus scene from double life very interesting to think about. remember the cactus scene? it's a doozy.

Grian starts session by dropping a stalactite on Scar's head as a prank and (unintentionally) taking them down to two and a half hearts. Scar then retaliates by leaning against a cactus until Grian breaks it. he then leans against Yet Another Cactus until Grian breaks that one too, at which point they are at only one heart. a question I've been asking since that day is this: if Grian hadn't broken the cactus, would Scar have stepped away before it was too late?

using bridge theory, we can find an answer to this.

the answer is no.

this isn't necessarily because Scar is actively trying to get them killed—it's more because he knows with absolute certainty that Grian will break the cactus. he's not prepared to step away because he isn't worried he needs to. see, the difference between Grian and Scar is that Grian is willing to throw around the lives of other people to get what he wants, and Scar is willing to throw around his own life to get what he wants (the fact that what they really want out of all this is often the other's trust is an issue I will dissect another day). once again, last life is the perfect example of this. Grian steals a life from Scar right off the bat and gets another one out of him by force a few episodes later. meanwhile, Scar makes a business out of selling his soul and threatens Team BEST that he'll kill himself in order to go red life crazy on them. and they don't doubt him! and they SHOULDN'T doubt him, because Scar is the kind of guy that would do that! the same way that Grian is the kind of guy who will drop a stalactite on his soulmate's head but break the cactus he's leaning against.

Grian is willing to risk Scar's life, but he's not okay with Scar risking his own life, because he knows that he's completely willing to stand against a cactus until he dies if it makes a point. so Grian breaks it.

but Scar knows Grian as well as Grian knows him. Scar knows that this is hardly a risk at all. so he leans against the cactus a third second time.

#normal about desert duo #normal about last life #normal about how the life series is a tragedy of epic proportions but is also just a block game that some guys play for fun #these two are so integral to each other's demise it is unbelievable #desert duo #grian #goodtimeswithscar #last life #double life #overrainylyzed

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burst-of-iridescent · 3 months

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South Asian and Hindu Influences in ATLA (Part 2)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

Part 1

In the previous post, I discussed some of the things ATLA got right in its depictions of desi and hindu cultures. unfortunately, they also got plenty of things wrong - often in ways that leaned towards racist caricatures - so let's break them down, starting with...

Guru Pathik

both the word "guru" and name "pathik" come from sanskrit. pathik means "traveler" or "he who knows the way" while guru is a term for a guide or mentor, similar to a teacher.

gurus were responsible for the very first education systems in ancient india, setting up institutions called gurukuls. students, referred to as disciples, would often spend years living with and learning from their gurus in these gurukuls, studying vedic and buddhist texts, philosophy, music and even martial arts.

however, their learning was not limited merely to academic study, as gurus were also responsible for guiding the spiritual evolution of their disciples. it was common for disciples to meditate, practice yoga, fast for days or weeks, and complete mundane household chores every day in order to instill them with self-discipline and help them achieve enlightenment and spiritual awareness. the relationship between a guru and his disciple was considered a sacred, holy bond, far exceeding that of a mere teacher and student.

aang's training with guru pathik mirrors some of these elements. similar to real gurus, pathik takes on the role of aang's spiritual mentor. he guides aang in unblocking his chakras and mastering the avatar state through meditation, fasting, and self-reflection - all of which are practices that would have likely been encouraged in disciples by their gurus.

pathik's design also takes inspiration from sadhus, holy men who renounced their worldly ties to follow a path of spiritual discipline. the guru's simple, nondescript clothing and hair are reflective of the ascetic lifestyle sadhus are expected to lead, giving up material belongings and desires in order to achieve spiritual enlightenment and, ultimately, liberation from the reincarnation cycle.

unfortunately, this is where the respectful references end because everything else about guru pathik was insensitive at best and stereotypical at worst.

it is extremely distasteful that the guru speaks with an overexaggerated indian accent, even though the iranian-indian actor who plays him has a naturally british accent. why not just hire an actual indian voice actor if the intention was to make pathik sound authentic? besides, i doubt authenticity was the sole intention, given that the purposeful distortion of indian accents was a common racist trope played for comedy in early 2000s children's media (see: phineas and ferb, diary of a wimpy kid, jessie... the list goes on).

furthermore, while pathik is presented a wise and respected figure within this episode, his next (and last) appearance in the show is entirely the opposite.

in the episode nightmares and daydreams, pathik appears in aang's nightmare with six hands, holding what appears to be a veena (a classical indian music instrument). this references the iconography of the hindu deity Saraswati, the goddess of wisdom and knowledge. the embodiment of divine enlightenment, learning, insight and truth, Saraswati is a member of the Tridevi (the female version of the Trimurti), one of the most respected and revered goddesses in the Hindu pantheon... and her likeness is used for a cheap laugh on a character who's already treated as a caricature.

that's bad enough on its own, but when you consider that guru pathik is the only explicitly south asian coded character in the entire show, it's downright insulting. for a show that took so many of its foundational concepts from south asia and hinduism and yet provided almost no desi representation in return, this is just rubbing salt in the wound.

Chakras

"chakra", meaning "circle" or "wheel of life" in sanskrit, refers to sources of energy found in the human body. chakra points are aligned along the spine, with energy flowing from the lowest to the highest point. the energy pooled at the lowest chakra is called kundalini, and the aim is to release this energy to the highest chakra in order to achieve spiritual enlightenment and consciousness.

the number of chakras varies in different religions, with buddhism referencing five chakras while hinduism has seven. atla draws from the latter influence, so let's take a look at the seven chakras:

Muladhara (the Root Chakra). located at the base of the spine, this chakra deals with our basest instincts and is linked to the element of earth.

Swadhisthana (the Sacral Chakra). located just below the navel, this chakra deals with emotional intensity and pleasure and is linked to the element of water.

Manipura (the Solar Plexus Chakra). located in the stomach, this chakra deals with willpower and self-acceptance and is linked to the element of fire.

Anahata (the Heart Chakra). located in the heart, this chakra deals with love, compassion and forgiveness and is linked to the element of air. in the show, this chakra is blocked by aang's grief over the loss of the air nomads, which is a nice elemental allusion.

Vishudda (the Throat Chakra). located at the base of the throat, this chakra deals with communication and honesty and is linked to the fifth classical element of space. the show calls this the Sound Chakra, though i'm unsure where they got that from.

Ajna (the Third Eye Chakra). located in the centre of the forehead, this chakra deals with spirituality and insight and is also linked to the element of space. the show calls it the Light Chakra, which is fairly close.

Sahasrara (the Crown Chakra). located at the very top of the head, this chakra deals with pure cosmic consciousness and is also linked to the element of space. it makes perfect sense that this would be the final chakra aang has to unblock in order to connect with the avatar spirit, since the crown chakra is meant to be the point of communion with one's deepest, truest self.

the show follows these associations and descriptions almost verbatim, and does a good job linking the individual chakras to their associated struggles in aang's arc.

Cosmic Energy

the idea of chakras is associated with the concept of shakti, which refers to the life-giving energy that flows throughout the universe and within every individual.

the idea of shakti is a fundamentally unifying one, stating that all living beings are connected to one another and the universe through the cosmic energy that flows through us all. this philosophy is referenced both in the swamp episode and in guru pathik telling aang that the greatest illusion in the world is that of separation - after all, how can there be any real separation when every life is sustained by the same force?

this is also why aang needing to let go of katara did not, as he mistakenly assumed, mean he had to stop loving her. rather, the point of shedding earthly attachment is to allow one to become more attuned to shakti, both within oneself and others. ironically, in letting go of katara and allowing himself to commune with the divine energy of the universe instead, aang would have been more connected to her - not less.

The Avatar State

according to hinduism, there are five classical elements known as pancha bhuta that form the foundations of all creation: air, water, earth, fire, and space/atmosphere.

obviously, atla borrows this concept in making a world entirely based on the four classical elements. but looking at how the avatar spirit is portrayed as a giant version of aang suspended in mid-air, far above the earth, it's possible that this could reference the fifth liminal element of space as well.

admittedly this might be a bit of a reach, but personally i find it a neat piece of worldbuilding that could further explain the power of the avatar. compared to anyone else who might be able to master only one element, mastering all five means having control of every building block of the world. this would allow the avatar to be far more attuned to the spiritual energy within the universe - and themselves - as a result, setting in motion the endless cycle of death and rebirth that would connect their soul even across lifetimes.

#atla #atla cultural influences #hinduism in atla #welp i thought this would be the last part but i ended up having more to talk about than i thought #so i'll save the book 3 inspirations for the next post #including my absolute favourite combustion man #and by favourite i mean kill it with fire why did you ever think this was okay to do writers

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astrobydalia · 11 months

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more observations (lost count)✨

Hello guys! Life's been crazy lately and I barely have time to make any of the master posts I wanted to, so you'll be getting lost of observation posts that I've been collecting in my drafts for the past months. As always, enjoy!

❗️long post

work by astrobydalia

✨ Sagittarius and Aquarius are so fucking similar. Both of them are chaotic af, love their freedom and think they're smarter than everyone else. People who have both of these in their big 6 have the most unhinged

✨ Libra is WAY more obsessed with perfection than Virgo

✨ Whenever I had Libra or Taurus ASC on my Solar return chart I was lazy AS FUCK. I had no motivation to work whatsoever during those years, all I wanted to do was vibe and enjoy life. I also felt very relaxed and stress-free, when difficulties came I just went with the flow

✨ What is up with Gemini risings and always feeling intellectually insecure all the time? Literally their #1 insecurity is feeling like they are dumb or like they’re not good enough for highly abstract and intellectual tasks/professions. They come across as someone immature who lacks wisdom or has a superficial/simplistic view of things. I feel like this is because they attract people who are a bit of know-it-alls (Sagittarius DSC) and they have a reputation for being scattered-brained (Pisces 10th house) so people tent to infantilize them a lot.

^^^But let me tell you this not true at all, Gemini risings are some of the most brilliant people I’ve met with so much potential. Their problem is that they allow overthinking to get the best of them and end up doubting themselves 24/7. These are the type of people who have amazing ideas but they never pursue any them. They really struggle making decisions for themselves, they always need to ask for opinions first which is not a bad thing but this makes them come across as incapable or as someone who lacks self-sufficiency

✨ Mercurial signs (Virgo and Gemini) like to focus on concrete things and immediate reality, they process life by connecting one thing at a time and taking info as it comes, they focus on what's going on around them cause Mercury is all about multiplicity and details. With Jupiter signs on the other hand (Sag and Pisces) one thing about them is they don't care about details as long as things make sense as a whole, they see life from a more broad and general perspective, they prefer having a birds eye view of things because Jupiter is all about expansion and therefore it likes to encompass many things at once. This is why Virgo and Gemini rule mundane life themes and immediate reality while Sag and Pisces are more about general life lessons and higher knowledge

✨ Scorpio moons/8th house moons are the definition of an energy vampire fr. They just have a really poor understanding of healthy emotional boundaries, they expect you to give your all but aren't willing to reciprocate and always turn everything into a manipulation or mind game somehow which makes it pretty exhausting to be around them in the long run. Don't get me wrong, most of the ones I’ve met were very and good people but they always end up taking my energy away and make me feel emotionally burnt out

✨ Mercury-Mars aspects have this "it is what it is" mentality and really dislike over complicating things by reading too deep into them. They tend to think things exactly as they seem. This does not mean they're simplistic, on the contrary this makes them surprisingly insightful fast thinkers and are not the type to be easily fooled

✨ I've seen people saying that hard aspects between Mercury-Pluto makes people misunderstand your words. This is not true, this happens with Neptune cause Neptune rules delusion, but Pluto is a very blunt and straightforward planet cause it's all about revealing the dark truths. Mercury-Pluto aspects makes someone very deliberate with their words and they know exactly what to say to make their message stick. You will understand their words exactly how they want you to understand them. What happens with hard aspects is that the native tends to have a more provocative approach in the things they say, they don't care if you're offended by what they say as long as what they say makes an impact. People can misunderstand their intentions because of this, but not their words

✨ The ironic thing about Aquarius placements is that they are very good when it comes to connecting with the masses, the public usually feels very drawn to them because they're very good at appealing to collective values which makes them come across as relatable to many people as a result. However, when you actually try to relate to them or connect one-on-one, you will find yourself with someone that is surprisingly elusive, distant and more distrustful than Scorpio placements which is a huge contrast from the welcoming vibe they give off to the public. I've found that the only way you will get close to an Aquarius placements is on THEIR terms lmao, if they've decided they like you, it'll be them who will approach you and/or make the effort to engage with you

✨ A reocurring thing I've seen with Virgo placements is that they really dislike big changes and prefer to stay in control. I think this is not mentioned often cause it's kinda weird to say that about a mutable sign, but Virgos being mercury+earth ruled they feel comfortable relying on facts, data, observations, etc and they use all this tangible info to navigate reality, that's why they rule daily life and routines because they invest a lot of their energy on factually understanding and categorizing their reality (earth signs in general are very attached to the tangible). Their mutable nature shows in that they easily use their knowledge to adapt, find solutions and fix what’s wrong but when they are in situations where these "categories" prove to be useless (aka Pisces themes), they get very triggered cause that means they no longer have control of their reality

✨ That being said another reoccurring thing I’ve noticed with Virgo placements is that they love to predict things. But not in a mystical sense it’s more like they enjoy understanding things in such way that they’re able to easily put a label on them and easily predict what’s going on or how something works

✨ I have not seen a single Taurus placement who didn’t have the most insanely sexy and pleasant voice ever. Doesn’t matter if they sing of not, just hearing their voice is so delightful

✨ Aquarius Mercury really believe their opinions are the most ultimate and correct opinions out there. They are certain that their judgment is always 100% objective (aka always true) so in their mind if you slightly disagree with them that means you’re mediocre, dumb or narrow-minded.

✨ There's always a duality in all mutable signs. Sagittarius can be very humorous and optimistic but also very dark and profound. Gemini can be curious and chaotic but also very analytical and logical. Virgo can be picky and perfectionistic but also very permissive and conformist. Pisces can be very compassionate and wise but also very detached and clueless

✨ Neptune does not do well in air houses/signs at all simply because air energy rules (different types of) information and connections, while Neptune is all delusion and confusion. Also air energy is purely cerebral and rational while Neptune appeals to the unconscious

✨ I have not fact-checked this but I feel like it's safe to say that Mars rules testosterone. Testosterone is a hormone associated to violence or impulsive behavior, sex drive, red blood cells (blood), masculinity, etc That's literally all mars

✨ People always talk about how Capricorn moons have had a rough life but I've noticed this is also very true for Sagittarius Moons?? Responsibilities are not imposed on them like Capricorn, in their case they have to build up wisdom about life through pure and raw experience without anyone giving them a heads up or any pointers first, that's why they grow up feeling like they're fully on their own. Things work out for them at the end but they always have most MESSY life experience it's really crazy

✨ Both domicile and afflicted Mars are ambitious and determined but the main difference is that Libra/Taurus/Cancer Mars need to find some type of enjoyment or fulfillment in their goals in order to get motivated while Capricorn/Aries/Scorpio Mars find motivation in the challenge and endure through stuff they don't find pleasant

✨ From what I've seen males with Scorpio placements are very superficial and will gaslight as a lifestyle. They are the type of people who look the other way or brush things off or never takes anything seriously and I've noticed they do this so they never have to take accountability.

✨ Neptune/Pisces energy either gives “glamorous and ethereal” vibes or “weird in an extremely cringe way” vibes, there’s no in-between

✨ A reoccurring thing I've noticed with those who have Chiron in Taurus/2nd house or Chiron-Venus is that they often have dubious morality or double standards because they don't have a solid values

✨ Every single Libra Moon/rising female I’ve met embodied the material girl stereotype. They really have this “instagram girl” vibes to them if that makes sense

✨ Those with Sagittarius in the 5th house can actually find a lot of joy and happiness in becoming parents or they have a lot of fun with children

✨ Scorpio Mars can't stand not knowing what's going on around them and at first I thought this was bc they were suspicious/paranoid but then I realized it’s because they’re just controlling as shit. They come across as very chill and care fee but they’re actually SUPER controlling dude. Even when they know for sure that they can trust you and you’re doing nothing wrong they still want to keep taps on you and won’t leave you alone. They won't bluntly violate your privacy but will still find ways to always know what you're up to

✨ The resentful and spiteful stereotype associated to Scorpio actually belongs to Leo placements imo. They can be very reactive and childish when you insult their ego and will make it very known that they won't let it go

✨ Cancer North Node people always have some sort of issue or inner conflict with of having kids. They feel drawn to the idea of becoming a parent but deep down they low-key don't? I've also seen many women with this placement who had fertility issues

I have the theory that these natives are conflicted in this topic because they see family as an achievement or a societal expectation (Capricorn south node) so in this life time they have to know what it's like to desire a family for the right reasons and not because they feel like they 'should'

✨ Capricorn risings really are hyper-aware of their public image and how others perceive them. That's why they always end up becoming very popular and respected, cause they know very well where they "stand" publicly so they know how to successfully curate their own reputation. It's not surprising to see this placement a lot in celebrities

✨ Pluto in the 12th house are genuinely unsure of who they can trust which leads to a lot of paranoia and projection. The type to ignore the most obvious red flags but then automatically doubt your loyalty cus you spoke in a suspicious tone

✨ Pisces/12th house placements 🤝 disappearing. Y’all shit on Gemini for ghosting but have you ever met a pisces/12th houser?

✨ Saturn in 5th house people had parents (namely father) who were overly critical of them and their self-expression. Doesn’t necessarily mean they were unsupportive of the native but they were quite hard on the native’s creativity

✨ I've seen a lot of bullies/mean girls have Aquarius placements. Honorable mentions: virgo, Leo, libra

✨ Neptune-ASC people are really good at making themselves invisible when they want and/or making parts of themselves go completely unnoticed even if they're bluntly obvious. I've noticed they actually get away with a lot cause they have this tendency to not be accurately seen by others if that makes sense

✨ Neurodivergent individuals usually have Mercury harshly aspecting (conjunction, square, opposition and inconjuction) Uranus and Saturn. Said Mercury is more often than not in a water house/sign/degree or in Aries. Of course not everyone with these aspects will be neurodivergent, but it's just a pattern I've seen

✨ Pluto-ASC people most of the times fail to have a lighthearted view towards life. They always want to look beyond the surface of things which doesn't really allow them to enjoy life as it is. They often get a reputation for looking too deep into everything and in turn the Pluto-asc native often sees others as superficial

✨ Virgo risings are huge conformist and won’t go after anything that’s outside their immediate boundaries. They only make an effort towards things that are accessible and will quickly lose interest in anything that has difficult availability or requires them to go way out of their comfort zone. They're overall pretty self-serving.

✨ I know several people diagnosed with OCD. All of them have Virgo AND 6th house placements, 22º in their big 3, Scorpio Mercury/Moon and Mercury dominance

work by astrobydalia

#astrology #astro #astro observations #astro notes #zodiac #birth chart #astrobydalia #scorpio #astronotes

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tuliptic · 2 months

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Let Me Describe Your Aura

Hello, I'm back again. I have this in my drafts for a very, very long time (since last year), and I have finally completed it. This was meant to be a short reading for Instagram, but well, it ended up longer than what I expected. Tho I posted it there, you can still read it here. Honestly speaking, this reading ended up quite different from what I've expected and I don't really know what I was hoping to get from this. Maybe colours? And vibes? No idea. But still, I hope you all enjoy the reading.

As usual, close your eyes, breathe in and out, make sure your mind and heart is calm. Then, open your eyes to see which pile talks to you the most/draws you in the most. Once you’ve found your pile, scroll down to the respective parts to see what are the messages for you.

Pile 1 - Pile 2

Pile 3 - Pile 4

Disclaimer: This is solely for my entertainment purposes. Take only whatever that you feel like it. If it doesn’t resonate, it’s okay to just drop it. That aside, I do not consent to my work or here to be used by third parties on this platform or other websites.

Decks used: Luna Cat Tarot Deck (Major Arcana), Linestrider Tarot Deck, Starcodes Astro Oracle Deck.

Pile 1:

For some reason, it gives me a very Uranus vibe? It’s like you’re a person who’s constantly on board with change as you constantly get involved in almost everything possible. You also give me the feeling that you’re… Not satisfied. You are not satisfied with a lot of things, especially with finances. Imagine the hierarchy of needs. Every time you fulfill one of them, you constantly seek to fulfill the other level. You’re constantly pushing yourself to achieve better and achieve more, but with this, you’re unable to have some form of balance and may have some conflicts with people you work with. I wouldn’t really say it’s insecurity, but there’s some form of fear and being “not enough” for others that I’m seeing here. Perhaps you come from a big family, and you feel that you have the responsibility to feed everyone and to answer to their needs as well as wants. There’s an inner child in you that is trying to nurture yourself despite all the rush that you’re putting yourself through, sending you messages so that you can take a break from time to time. You not only receive messages, but you also send them out as well. Some (or perhaps, most) of you may like writing memos or notes for your loved ones.

Tl;dr: Instead of saying aura, I would say that there’s this air of uncertainty that you bring with you. You wouldn’t be called a wildcard, because there’s still some elements of earth in you, aka a sense of stability. But still, many may wonder how to approach you without feeling threatened, I guess. For some of you, you may also have an air of authority, or maybe an RBF, hence the fear towards you too.

Pile 2:

For some reason, the first thing I’m picking up here is that you like to present yourself as mysterious? However, there is some secrecy involved here that I’m seeing, and you may be good at redirecting conversations or attention to other people. Butterfly effect as well? It’s like you’re fluttering away and not caring about what you’ve done or what are the actions they’ll take. You have swords and court cards here, and I’m feeling that you’re that person, providing mental insight and stimulation to people around you. Just that there may be some concerns with how you present yourself, how you word yourself, and how people can be easily offended by you. Honestly, I’d say that they’re more offended to you as a person instead of your words or what you do. It’s like… They’re threatened by your presence. Pile 1 makes people feel threatened by their nature, but for you, people are threatened by what you’re capable of bringing - an unwanted change. It’s like seeing you will remind them of what they’re lacking and how much comfort they’ll need to give up, and hence, you may feel like an outcast most of the time, feeling that you do not belong to anywhere. Still, I’d say, people who are close to you, especially your friends will find comfort in you. You’re a good listener and will be able to provide valuable insights. They’ll be glad that you’re on their team with whatever project you’re working on. If you’re ever interested in working on a collab, do it. You’re meant for it.

Tl;dr: For you, your aura would be swords-ish, sharp but clear. You know how a sharp and strong sword can be used as a mirror? Yeah that. That’s you, reflecting the fear of others. It’s difficult, but with time, I believe you’ll be able to work along with it.

Pile 3:

Hmmmm. Harmonious, I’d say. That’s the first word I’m picking up. I kinda have an image of an orange cat sleeping in the sun, probably the warmth, coziness and fuzzy feeling that it gives. You may have heard your friends or people around you describing you as a fun or sunny person, or that you’re like the sun, bringing warmth to people around you. You may also have a lot of passion projects and most of them are incomplete as of current, the same goes with how your life is right now too. Remember to continue whatever efforts you’re putting in. The rewards will come at unexpected times. Another thing I’m picking up is that you like to go along with the flow. Good things happen? Great! Not so nice things happening? Aww sheesh better luck next time. Kinda feeling. Or perhaps, this is what you portray yourself as. I’m getting a weight on my chest eventho there are happy cards. Probably it’s because you put up that mask so that people around you won’t see the pain you’re in. Vulnerability sounds like a theme that you’ll need to explore, understand, and wield. It sounds difficult and probably painful, but it is needed for you to be able to understand the various facets of life. You’re very perceptive, or perhaps, you have a gift in it. But then, to be able to utilize that skill of yours, you’ll need to expand your knowledge base, experience the various emotions, look into all the tiny things that life has for you.

Tl;dr: Some may say that you’re a person of culture but you know you’re far from that. Still, people generally like you with how amiable you are, and how you put an effort to make people around you comfortable. However, people will not cross you because you have respect for yourself too. There may be some similarities to Pile 1 with the earthy energy here, so you may check out Pile 1 if you’re drawn to it as well, especially if you have Saturn energy.

Pile 4:

A Chinese idiom came to my mind when I see this pile: 与世无争. It means there’s no quarrel or argument with the society, but it generally means a way of avoiding conflict in a passive way. As though you want nothing to do with the current world. Not sure if it’s correct to say that you’re disappointed with the society but there’s some apathy in here, not having much hope with the people you’ve seen. With this, you may have decided to keep yourself closed from the people around you. Not to use strong words, but you may detest the world and build a utopia in your head, imagining a world that is ideal to you and the rules you live with. Majority of the cards here are in reverse, which explains the dejection and dissatisfaction I’m feeling here. I am having problems in describing this pile and it’s making me scratch on my keyboard because of how I’m unable to phrase words. Still, despite all of that, you’re a very capable individual, especially with the King and Queens in your reading. You may have more feminine energy or may present yourself in a more feminine way than others, tho there’s a chance of you rejecting it. People may come to you for help and advice not only because they trust you, but also your words are able to assure them that things will be alright. You have quite a lot of resources on your hands, may it be finances/monetary resources, knowledge, or even network/connections, and you use them according to your needs and values. There may be some… Unconventional skills that you have. I’m not sure what they are, but it’s up to you to figure out how you want to put them to good use.

Tl;dr: This pile is the most difficult pile for me to write as the energy is all around the place yet focused at the same time. It’s very conflicting and confusing, which may be the aura that you exude. There is no clear definition of good or bad in this reading, but more of what you want yourself to be and how you’re going to work on it.

#tuliptic #🌷#pick a card #pick a pile #pick a picture #tarot reading #general tarot reading #i've been wanting to do something aura related for a long while #although this reading is more of like describing who you are instead of aura #i think #i have no idea how this turned out to be but i do hope you guys enjoyed the reading #cheers

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weasleyreidstyles · 5 months

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Serendipity

chapter eight

summary: it was only meant to be a purely transactional relationship. he would help her strengthen her abilities in return for her getting his friends out of his father's nasty path. he didn't mean to fall for her, but loving her was the easiest thing in his dark world.

no use of y/n, but your general nickname is Meadow. all characters are aged up to be over 18.

pairings: mattheo riddle x fem!ravenclaw reader; platonic!slytherins x fem!reader; platonic!golden trio x fem!reader

warning(s): 18+ content, unprotected sex (use protection obvs), rough undertones but not really, bro's possessive as fuck

series masterlist; previous part; next part

Your old Professor had given you some much needed insight over the Christmas holidays. Harry had dragged you and Ron to sit in agonising silence as he and Remus had a back and forth battle of wills over Harry's wild theories. Remus was certain that Voldemort wouldn't recruit inexperienced, young adults who were barely eighteen, but you knew he was wrong about that, especially considering he was recruited into the Order as soon as he was no longer a Hogwarts student.

Theo had not replied to a single letter; you'd sent countless over the small three week break.

Remus had yelled at Harry for making such harsh accusations, then had apologised not ten minutes later. It was a full moon after all, and he was still grieving over Sirius' death. Before that had sullied the peaceful evening, you confided in your old Professor before lunch had been served, who was more than willing to offer his profound wisdom to you.

"Sir? Can I-" you hesitate in the doorway of the Burrow's living room, feet teetering on the edge of the threshold, the smell of Mrs Weasley's cooking permeating the calm air. Before you could continue, Professor Lupin let out a hoarse chuckle and invited you to settle in the cushioned sofa next to him.

"I'm not your Professor anymore," he spoke your name softly, "please call me Remus."

"Okay sorry. Can I ask you something, Remus?"

"Of course. I'll try to help in anyway I can." his encouraging smile led to you spilling what was on your mind – he'd always been easy to confide in.

"I've been doing some extra reading on further subjects," you start, chewing on a hangnail on your thumb. "about- about siphons."

Remus stilled. If you weren't so nervous you would have narrowed your eyes in suspicion.

"What have you learned so far?" his response was slow and curious; carefully constructed.

"Well other than the fact that they don't draw magic from their cores...nothing. And every book in the library says the same thing." you let out a frustrated sigh and he seems to take pity on you.

"Siphons are extremely rare, which you know, of course." one of his hands cups his jaw contemplatively, as if he's choosing his words with careful precision. "That's why there's so little information, because there are very few people alive who have been able to record their true nature.

What we do know, is that siphons can completely draw out sources of magic into themselves; drain it to nothing to gain that power. They're very volatile in thats sense because no one knows how much power they can truely handle."

He gave no indication that he saw the way your flinched at his words. You were grateful for it.

"But surely harbouring that much power would be dangerous? Nature demands a balance." you say in a small voice.

He mumbles your name with a knowing look of understanding before patting your shoulder, indicating an end to the conversation but you still catch his parting words: "Look in the restricted section, in books about forbidden magical and mythical creatures and you'll find what you're looking for. Consult Professor Dumbledore too, it would be more useful than soley relying on my account."

"Thankyou sir- Remus." he leaves you there, chuckling quietly at your correction as he let you know that he'd see you at dinner later in the day. You're left infinitely more confused than before you initiated the conversation, but as you left through the opposite door that led to the bedrooms upstairs to find Ginny, you failed to see the curious eyes of you best friend, hidden under his cloak of invisibility.

~∞~

Something had changed over the holidays. The air around the castle was different; a dark, sinister energy permeating the comforting warmth that the magical wards usually bathed the castle grounds in. You didn't know how you felt the shift moreso than your friends. Maybe it was the January weather, or the fact that you missed the comfort of home, but you knew in your gut that things were different now. Your stubbornness didn't want to admit that it could be a result of your new abilities that hadn't shown since Katie Bell's incident.

It became evident in your patrol evenings with Theodore, too. He was withdrawn, sullen and constantly aggravated; if he bothered to show up at all sometimes. You knew what it meant and you kept this piece of information to yourself, lest it gave your friends one more reason for you to avoid the Slytherins.

But you made a promise; one that you wouldn't break.

The change was even more evident in your sessions with Mattheo. He was pushing you to your limit, and getting exceedingly frustrated with you, for no reason. He was angry at the world and at you, apparently.

After a considerably hard yank at your innermost thoughts, you shoved him out with a glare, which he returned tenfold.

"Okay. Ow? Why are you being so aggressive?" you snap, massaging your throbbing temples. He scoffed at you and moved to stand, beginning to pace.

"What? You don't think someone trying to infiltrate your mind won't be? Don't be so naive, I can see all your thoughts. Shut. Me. Out." He spat your name out like it was filth to him, and you suppose it was at one point in time. Pushing youself to stand, you make your way to him so you were chest to chest.

"What is your problem?" you question, narrowing your eyes at him as he stared back with deadly, onyx eyes. He scoffed and turned away from you, fingers rubbing at his temples as if this whole conversation was giving him a headache.

"It is giving me a headache." he spat and your glare intensified. "You're not focused, your mind is unraveling at the seams. It's like you haven't made any progress at all."

You startled him with the cold laugh that escaped you. "That's rich." you spat, your pointer finger digging into his strong chest. "You're a hypocrite Mattheo. You have been unfocused for the last week. So answer me this: what is your issue?"

In seconds he had you pinned against a wall that you hadn't noticed he had been backing you into, his breathing heavy and cold as ice. His hand was wrapped loosely around the base of your throat, not tight enough to harm but enough to pose a threat.

"You know nothing about me, Princess." his voice was a low and deadly rasp that sent coils of dread right down to the tips of your toes, but you couldn't deny the blatent arousal that was beginning to fester. "You know nothing, yet you're still willing to be in a room with me. Willing to let me do things to you that your friends would abhor you for. Willing to keep secrets from the very people you should trust with your life."

You cursed the flush in your cheeks, and the lust in your eyes.

"You've been dancing with the devil for months, sweetheart." his voice was a nocuous whisper as his lips grazed your's with controlled precision. The sharp feeling of his teeth piercing your bottom lip invaded all your senses along with the metallic taste of blood. "You should've expected that I'd behave as such."

He kissed you then, an art of carefully thought out distraction as he sucked on the wound he created. But he underestimated you as you raked your fingers through his unruly, dark curls. Wandlessly, wordlessly, you willed the Legillimens spell to take hold and you were thrust into his mind, barraging through his fortified shields as if they were mere shadows ready to be swept away.

You were thrown into a seat at an overly large dinner table, that could seat at least thirty people, Bellatrix Lestrange seated adjacent to the seat opposite you, causing you to flinch at the phantom feeling of her cruciatus curse from the Department of Mysteries. The room was vast, with a towering ceiling filled with delicate Jacobean decor, it was dark and foreboding; you didn't want to be here.

You were sat to the right of Death himself.

Voldemort didn't acknowledge you and the words he spoke were a garbled blur of nothing as your attention was brought to the back of the room, by the double doors to the Entrance Hall. Draco Malfoy walked in, followed by Lorenzo and....and Theodore.

The next moment made you want to scream and cry as Mattheo was forced to stand before his friends, before Voldemort's loyal followers who were a mere spillage of darkness to your vision, and tortured by his own father. Somehow this was more painful than the memories you'd seen of his in those first few lessons; knowing it had been as recent as the week before. You gaped as Voldemort merely turned to Enzo and Theo; you fought tooth and nail to stop the inevitable as you watched them writhe and scream as the Dark Mark appeared on their left forearms.

You were shoved so violently from his mind that your head collided painfully with the wall behind you. You were staring at him, wide eyed and wincing as he glared down at you, murderously.

"I-I'm sorry. I didn't- I'm sorry." you tried to catch your breath, only now realising that the hold he had on your throat had tightened upon reflex. Your hands flew to the singular wrist that helf your life in his hands, clawing as it flexed. "Mattheo-"

You watched in understandable horror as a smirk painted his beautiful face. Your wrists continued their assault with renewed vigour.

"I'm very impressed." he mumbled, his face drawing closer to your's, his voice a sensual whisper in your ear. "No one has ever been able to do what you just did."

He pressed a kiss to the shell of your ear and you trembled as the hold he had on your throat did not let up.

"What are you going to do to me?" you whispered hoarsely, fear painting your tone. He snickered at your predicament and the tightness surrounding your throat lessened considerably, but he maintained a loose grip, a warning.

"I want to do unspeakable things to you, sweetheart." he said, his voice a reflection of the arousal that was pressing heavily against your abdomen. His smirk widened as you shuddered at the way he said your name. "I'd like to think that I'm an honourable man. And I want to do the honourable thing, but I've resisted you for far too long."

Weeks worth of avoidance came to head in that moment as he surged forward, finally pressing his lips to your's. You could taste cigarettes on his tongue and his cologne filled your lungs with every breathe you managed to gasp between heated kisses. The wound on your lip pulsed from the attention, the pain causing a whine to crawl up the back of your throat. The kiss deepened.

His hands roamed over your entire body; hips, waist, thighs. Like he didn't know where to settle them, while his body pressed you further into the wall with pure male strength – you wanted to climb him like a tree. Somehow you managed to pull away from his ministrations, heavy breath mingling with his.

"You're not angry that I just broke through your shields?" you ask with a furrowed brow. He only lets out a quiet laugh as he shakes his head, leaning down to suck on the sensitive skin of your neck, then soothing the marred skin with presses of his lips and swipes of his tongue. You breathed out an airy moan at the sensation, tilting your head back to grant him more access.

"A little miffed." he mumbled agaist your skin. "But not angry. No one has ever been able to do that, except you apparently. Smart girl."

He didn't speak for another minute or so, content with marking your smooth skin instead.

"I'm proud. These lessons are paying off, it seems." and you hear it in the tone of his voice, the pride. You respond with a stifled laugh as he bites into the sensitive flesh of your collarbone and you swat at his shoulders.

"You're always content in making my life difficult." you tut, but make no move to stop him as he begins to unravel the knot in your tie. "Do you know how long it takes to cover these up? With and without magic!"

"Don't want you to cover them up." he mumbles, so quietly that you almost miss it. But you don't miss the possessive gleam that ignited in his onyx eyes. "You're mine."

You're mine. The words echoed through every corner of your mind.

"Am I?" you challenge and you pull him closer to you as you weave the fabric of his tie through your fingers. He growls as he rips your school shirt in two, ignoring your admonishing protests as he pulls it from your body. This continues until your stood in nothing but your under garments.

"Beautiful." he mumbles as he traces featherlight touches down your body with his calloused hands. "Absolutely breathtaking."

"Well I don't think it's very fair that I'm the only one whose indecent." you snark, though your attempts at hiding your anticipation were rubbish at best.

"So undress me, darling." he says after a split second of reluctance, his voice low and demanding, it makes your thighs clench. Looking at him through dark lashes, you begin to unknot his tie, slow and teasing. The buttons of his shirt are next, popped one by one by your nimble fingers; when you raise to your tiptoes to smoothly remove his shirt from his shoulders he tenses as you come face to face with his lean, quidditch built torso.

That's when you see it. Ink black and imposing against his tanned, muscular forearm. Covered in thick scars, old and new, was the Dark Mark. Your breath hitched in your throat as you trailed your fingers lightly across it. Mattheo shivered at the feeling.

"Scared?" he asks, voice low, you almost detect a hint of shame...or something else.

"Of you?" you ask, taking his left hand in both of your's, fingers running soft circles across his palm. "No."

"You should be." he says it like he believes it to be true. His fingers flex in your hold and then tighten, squeezing your's in earnest.

"I'm scared for you, Mattheo. For all of you. This," your pointer finger trails against the Mark, "isn't fair."

He smiles at you then, all soft and sad and heartbreaking. "This is the life I've been dealt, love. No use in trying to stop it."

You brought his forearm level with your face and begin to press gentle kisses to his marred skin. His breath hitches and you can't place the look he gives you.

"You're not a monster." you mumble between soft caresses. "You're kind and intelligent, and compassionate and honourable. You've been dealt an awful card, yet you haven't let it ruin you. Not entirely. That says everything and more, Matty."

"Say that again." he says, onyx eyes staring resolutely into your's.

"Say what?" you ask, brows furrowed as he practically rips his arm from your hold, only to pull you closer to him by your waist. You both seem to realise that you're both near naked – only your underwear and his trousers separating the two of you. Your cheeks heat.

"My name. Say it."

"Make me." you say with a barely contained smirk. He lets out a near growl as he cups the back of your neck in his giant palms and presses a demanding kiss to your kiss-swollen lips.

It's not pretty. It's all teeth-gnashing and lip biting and purely animalistic.

You'd both been resisting eachother past blind fumbles in the dark and post-session make outs but you'd never been this exposed to each other before. It was exhilarating.

"Fuck!" he gritted against you. "You're so fucking pretty."

You whimpered against him as he sucked at your tongue, and that seemed to push him past his controlled limit. One of his hands guides your thigh to rest against his hip and he battles with his trousers to get them low enough to release his painfully hard cock.

You're not one to beg often, but your desire for the boy in front of you was too great to ignore. With a mewl and a whisper of pleas he pushed the fabric of your panties aside and pushed into you. The tightness and the pain of the action made you both groan in unison.

"Gods, sweetheart. You feel so much better than I imagined." he says against your lips as he pushes in to the hilt. He presses away the tears that fall from your eyes.

"Please move." you say as you attach your lips to his neck in an effort to stifle your moans as he begins at a slow pace, graciously letting you adjust to his size. He's bigger than anyone you'd had before him, the tip of him grazing places you didn't think was possible to reach. You were a mess of whines and moans as he adjusted you in his hold; letting out a shriek when he begins to repeatedly ram against a spot inside you that brought you immediate pleasure.

"Gods! Right there Matty, fuck....please!"

He smiles a wicked, sinister smile at you as he drags one moan after another from your lips. He takes both your hands into one of his and pins them above your head, restricting you to the wall.

"That's it, sweetheart." Mattheo rasps, revelling in the way you clench around him. "Moan my name."

His movements are precise and controlled. His pleasure deriving from the way he was making you come undone at the seams. He brings his free hand to the apex of your thighs, brushing them against your throbbing clit, smirking as his motion draws you closer to your orgasm.

You're not certain how long has passed since he entered you, but you feel like you're having an out of body experience as he rips an orgasm from you so suddenly that you don't know where the pleasure starts and ends.

You're a whimpering, moaning mess as he uses the extra slick to speed up his movements, which become erratic and lose their rhythm as he gets closer to his own release. The only sound to be heard are your soft whines, his grunts and the sound of skin slapping against skin as he finally reaches his own climax.

His forehead rests against your's, both gleaming with a light layer of sweat as you bask in the feeling of him. His dark brows furrow as you let out a soft laugh.

"What's so funny?" he asks, a light smile gracing his face as he memorises every inch of your skin.

"I think you just ruined me for anyone else." you say, breathless.

"Good." he growls, that possessive gleam in his eyes again as you feel him harden inside you. "As far as I'm concerned no one else can have you."

He's rolling his hips against your's before you can utter a snarky response.

~∞~

The next time you see Mattheo is in the Potions classroom the following day.

"How are you so good at everything you do, Meadow?" Ron grumbled as he read through the instructions of the healing potion Slughorn was making you all brew.

You had just finished an apparition lesson; by the end of the two hours, only you, Hermione, Mattheo's group of friends and a handful of others had managed to apparate from one side of the room to the hoop at the other. Harry and Ron were not part of that group.

"Well unlike you, Won-Won," Hermione sneered from across the table, "she takes pride in her academic accomplishments."

The redhead scoffed. "Mione come on-"

"Don't call me that." she snapped, going on a rant about Ron's incompetence. He only spluttered in response. You and Harry only exchanged uneasy looks as they continued arguing.

"I thought this would've ended by now." you say under your breathe as you drop in your next ingredient, huffing when it does the opposite of what it should. Harry mumbled his agreement as he completed his own potion. You looked between his and your's incredulously. "Why does your's look different to mine? Is it that book?"

You glared at him with pleading eyes and Harry huffed as he slid the Halfblood Prince's book so you could see. Your body ached as you read through the annotations. You winced as you rolled your neck to get rid of the tightness and Harry noticed your discomfort straight away.

"You okay, Meadow?" he asks, his hand gracing your shoulder blade. You both looked up at the sound of a knife clattering against a table top. Mattheo was glaring at the hand that Harry still kept on your shoulder, you huffed as you turned to your friend.

"Fine. Just sore from apparition lessons is all." you smiled reassuringly which seems to convince him as Harry removes his hand from you.

Faintly you hear Pansy question why Mattheo was acting so strangely and you try your hardest to ignore it. Until you couldn't any longer, because he was in your head.

Why the fuck was he touching you like that? His voice was a dark growl in your mind.

Wow possessive much? You reply with a mental scoff. He was asking if I was okay.

The agression in his tone softened and he sent a wave of concern your way. Are you? Okay, I mean? What's wrong?

You can't help the smile that paints your face, and you have to duck your head to hide it from your oblivious friends. I'm fine.

You can practically see as well as feel the look he gives you all the way across the room. You clearly aren't. Tell me what's wrong.

You look like you're about to incinerate the tabletop. I'm okay, Matty, really. Just sore. You curse him internally as he smirks wickedly, onyx eyes dancing with pride and hunger.

I'd gladly satisfy you again, darling. Just say the word.

You kick him from your mind, ignoring the flush that overtakes your heated face. Then you send flares of annoyance to him as you hear his snickering laughter that he barely conceals.

~∞~

when i was researching siphoner lore literally the only thing that came up was vampire diaries theories 😭😭😭

the smut took a different direction to what i intended tbh but i wanted to include some soft Matty 😅

taglist:

@camille-1019 @lovelyygirl8 @xluansstuff @babeylover @thejadeazalea @undercover-smutlover @adhxmoony @dreamingofonceuponatime @thepassionatereader @urmomsgayforme5 @aphroditeisamilf @devotedlycrookeddonut @purplegirls-posts @nofacenonamelikekira @foxboyapologist @lafrone @lovely-maryj @nromanovaswife @leeknows-wife @dracygf @wildlyobserving @ravenclawprincess33 @melllinaa @vellicora @lantsovheiress @emiliahoward @stunkbiggu @vcosette @prongsprincessworld @mattiesgirl @rachmmb @x-kermit-x @sun-fiower-seed @cas-planet @certaindreampost @weirdowithnobeardo @mikalovesicecream @sunasbbie @rainy-darling @faeriepigeons @lovely-blackinnon @topguncultleader @gimalo135 @elsafromcabinsix @moonlightreader649 @blueshome @nopedefe @spencerreidsthings @navs-bhat @agent-tempest @magimtz23

#mattheo x you #mattheo riddle x you #mattheo riddle smut #mattheo riddle x reader #mattheo x y/n #mattheo riddle #harry potter #serendipity series

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apollos-olives · 5 months

Note

hello! If this question is too personal, please feel free to ignore. I’m writing an informative essay on the Palestinian experience under occupation (college English final) and I just wanted to ask this.

As children in Palestine (or outside of Palestine, but born to Palestinian parents), are you raised with the knowledge of the hatred and disdain of the Israelis towards the Palestinians or would you say that Palestinian parents “shelter” (for lack of a better word that I can think of) or attempt to “shelter” their children from the pain of the Israeli’s hatred? I would assume that protecting the emotions and minds of the children would be somewhat impossible to do, but I would appreciate if you could provide some insight into this and also how children deal with the mental toll of being under occupation or knowing that their people are not free. My apologies if this is question is insensitive, please feel free to ignore and delete this if you feel uncomfortable. Thank you!

we, as palestinians, are raised with the complete knowledge that zionists hate us. there is no "hiding" that fact. when you live under an occupation, you know it. you feel the effects of it. you see it every day. one of the very first things i've been raised to learn is that i am a person who majority of the world hates. and you genuinely cannot hide that. even though we were, and are, children, we have to face the truth immediately. we are an oppressed people. our parents do not hide this from us. it would be cruel if they did. we deserve to know that there is a better life for us than this, and we deserve to know what is happening against us. you cannot hide the effects of oppression and occupation. we will learn about it whether someone tells us or not.

because of this, palestinians raise their children to be extremely educated. palestinians are some of the most highly educated people in the world. we become educated when we're young and continue to become more and more educated as we grow because that is what we believe will set us free. the newer generations must have knowledge to fight back. the children are the future, as we all know. the sooner we are educated, the sooner we can start fighting back against oppression. that is why we urge other people to become educated, so they can help us fight against oppression as well. oppression cannot be hidden from us. we must learn to notice it wherever we go, in order to end it. that is why palestinians do not hide away their children. of course, we love our children and we try to ease the pain for them as much as possible, but the pain is our real life. our suffering is part of our fight, our identity. and we are fighting for a day where our suffering will never have to be permanent part of our identity again. we want to protect our children, but we cannot protect them against a world that wants them dead. we cannot do it alone, so we need people to step up and stand with us, in order to raise our children without them having to know the suffering we've endured.

being a child living under the occupation is difficult. you make friends one year, you lose them the next year. you finally manage to get out of palestine, and suddenly you're never allowed to go back in. you see posters on the wall of every city, full of faces of the people who were martyred by the hands of the oppressors and you pray to god that your face isn't going to be on there next. you are constantly surrounded by death and suffering. palestine is beautiful. our culture is beautiful. we constantly try to appreciate our beauty. but we cannot just do that without also facing the reality. we are an oppressed people. we know this. we see this. we feel this.

being a child living in the diaspora is also difficult. seeing how everyone around you can go on with their day, all smiles and laughs, not knowing your family in palestine were just killed the other day. seeing the media twist the narrative and make up lies about you and your people. being wary of everyone around you because you're not sure if they're a zionist or not so you have to hide your identity and who you are. watching as your people are massacred on tv while you're sitting there in your living room from a continent away, shaking with fear because "what if that was me?"

we know zionists hate us. this is the first thing we learn. we cannot hide our children from this truth, because that would only harm them more than it would protect them.

#palestine #free palestine

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most-normal-eccles-cake-ignorer · 9 months

Text

Good Omens: Lockdown and Crowley not mentioning his living situation in S2*

*till S2E6 when he asks if he can have his apartment back bc he's bored of living in his car but Aziraphale doesn’t hear bc mentally he’s in Alpha Centauri.

Having read the 'Crowley doesn't tell him' Neil Gaiman ask close to when I first listened to Lockdown (I lived under a rock until recently), my initial thought was HAS HE BEEN LIVING IN HIS CAR FOR YEARS?! but I think he was still in his apartment in 2020:

as far as Hell knows, Crowley just had a pool party in holy water (the holiest) so the higher-ups are probably willing to give him some space (plus Beelzebub is busy going on pub dates w Gabriel)

while there should be ~8 months between the end of Season 1 events (The Very First Day of the Rest of Their Lives on Sunday, Aug 25, 2019) and the Lockdown phonecall (on or near the 30 year anniversary on May 1, 2020), I can't imagine that's a very long time for Hell, especially if you're understaffed and busy dealing with fallout from Almostgeddon / going on pub dates

Shax dropping off mail and asking about the boiler seems like something one does in the first few months of living somewhere, not ~3 years in (if S2 is in 2023)

That said, I think the phone call underlines why Crowley never directly tells Aziraphale that he is living in the Bentley in S2, and it's just a great conversation (all hail Gaiman) sooo I wrote about it:

***Note: This post analyzes the Lockdown phonecall from Crowley's perspective only. Our heroine is feeling quite emotionally vulnerable at this point in time so things are going to hit him harder than they normally would.

I do not think Aziraphale meant to cause him pain (!!) but Crowley can't see that yet and I've written this post in a way that reflects that missing insight. (I explain in more detail in this reblog if you are interested) I am working on a companion post for Aziraphale's side of this conversation and how I think it affects his behavior in S2 because if we know anything about these two, it's that their exactlys are different exactlys.***

Crowley’s habit of sleeping to skip time like an RPG character by a campfire amuses me to no end, but in this context it feels heavy. Crowley already worries about losing time with what he loves and he probably hoped things would be different between him and Aziraphale after the events of S1. But things don’t change much. Then lockdowns start, and Crowley is trapped in his apartment alone, transcendentally bored, and unable to make his brain shut up. Sleeping a month away starts to sound less awful.

But Crowley hasn’t given up yet; he’s still awake when Aziraphale calls, and he’s even giving it two more days. Was he waiting for Aziraphale to call? Is it even possible not to at least kind of wait for someone’s call when you are cut off from everything and the caller has been your only friend and crush for millennia?

Aziraphale asks why Crowley isn't "out and about" tempting people or setting a bad example and he responds:

C: Everyone's so miserable and cooped up right now anyway, and I just… well… don't have the heart for it. A: *glowing audibly* I'm not miserable~ C: Really?

Crowley sounds genuinely surprised at Aziraphale's happiness and quickly assumes it's because the angel has been around people. He's so lonely/depressed/in his own head that he hadn't even considered someone enjoying being 'cooped up'. *sob*

Aziraphale goes No actually I put the closed sign up in the window and I'm having the Time of My Life, never had so few customers, not in 200 years!, etc. Although, he says:

A: …There were a few young lads a couple of nights ago who broke in through the back and tried to steal the cashbox! But they soon saw the error of their ways~ C: *clearly amused* Did you smite them with your wroth? A: Well I certainly gave them a good talking to, and I sent each of them home with cake~ C: *annoyed, swooning* Cake? A: Quite a lot of cake, actually. C: *physically ill from having such a giant crush on this dumbass baker/security guard* eeeekkkgghhh I'm gonna regret asking but.. ...rrgh.. *30 seconds of Aziraphale joyfully describing his baking while Crowley probably tries very hard not to imagine the angel eating each item in sensual slow motion* I stg you can hear him struggling in the background once or twice

A: …And once I've baked them, I have to eat them all myself, which was why I was so delighted— C: To send your burglars home laden with baked goods, yes, nnyeaayeah I follow…

Crowley interrupts, finishing Aziraphale's sentence in his nervous hurry to say the next bit:

C: *loud inhale* You know, I could.. hunker down at your place. … Slither over and watch you eat cake. I could bring a bottle--a case of… something… drinkable…?

He's trying to sound so casual about it but this is someone who was rejected/abandoned by actual literal God after asking what he thought were welcome, uncontroversial questions. Asking makes him vulnerable. He's supposed to be the rescuer, not a demon in distress. He does not feel casual about asking.

Crowley knows it's unlikely but he's so miserable and desperate for company that he can't help but ask, just in case. Even the smallest chance of spending time trapped indoors with Aziraphale—with nothing to do but drink, watch him eat, and talk about things they'd normally avoid—is too tempting.

A: *panicking* Oh I— I— I— I— I'm afraid that would be Breaking All The Rules! *nervous breathing* Out of the question! I'll see you… when this is over. C: Right. gnnehh. I'm setting the alarm clock for July. Good night, angel. *dial tone*

And just like that, Crowley doesn't need two days to decide. The depression nap doubles in length. He doesn't hear how badly Aziraphale wants to say yes behind the fear, or maybe he does and it hurts worse because why isn't Crowley enough for him? You can almost hear the spiralling:

SHOCKING, asking made it worse. It always does doesn’t it? Why even bother? you just embarrass yourself.. SLITHER over? why did I say that *grumble grumble* of COURSE His Holy Holiness, your only friend in the universe, would rather eat cake by himself while everything goes to shit than ~deign~ to have you in his presence. "AsK aND yE sHaLl ReCeIvE" bugger this for a lark im going to bed

(a bit dramatic but we've all been there)

I imagine sleep doesn't come right away. Maybe his thoughts drift to when he sat beside the angel at a dark Tadfield bus stop after a rather eventful Saturday. Crowley must've felt a tiny bit hopeful when he invited Aziraphale to stay with him: Heaven had withdrawn its favor and the bookshop was gone; Aziraphale was like him now. Didn't that mean things would change?

"I don't think my side would like that." Apparently not.

In the end, Aziraphale did ride the bus back to Crowley's apartment and stayed till the next morning when he caught a cab, but only to sell the illusion. Crowley understood that as far as sides went, the angel was still on Heaven's, even if Heaven wasn't on his.

And now this: the entire world is shut down; there is nothing for Aziraphale to do but stay in and read and bake in his magically reconstituted bookshop and he still won't invite Crowley in. Burglars and un-fallen angels only—nobody who asks questions.

So... of course Crowley doesn't tell Aziraphale when he loses his apartment. He already knows what answer he would get; the angel has told him so many times. Aziraphale is a company man first, a companion to one very sad owl when convenient.

If Crowley works up the courage to say 'please take me in, I have nowhere else to go' and Aziraphale goes 'sorry, no, far too political, but I WILL risk being erased from the Book of Life to protect this nude amnesiac former coworker who always hated me,' it's going to be too much. You can't sleep long enough for that type of hurt to go away. Better not to say anything.

"Then nothing has to change, does it?"

#edited to add the note about crowley's perspective right after the cut! apologies if it seemed anti-aziraphale before!#good omens meta #good omens lockdown #good omens 2 #ineffable husbands #ineffable spouses #ineffable divorcees #i can't even imagine navigating the pandemic brain scramblies while pining THAT HARD #Aziraphale is a company man (gn) but i think S3 will cure him of that #long but if i can't write essays about this on tumblr then where #good omens spoilers

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janesgms · 1 year

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Astro notes - 01

✨️ General Edition ✨️

Fire women look like goddesses in red. they're fine as fuck in red hair, red lipstick, red clothes, just red red red red (do it paint your hair red ❤)

Fire placements tend to eat while drinking water, and feel energetically refreshed by the water in general. They literally feel like they're reborn when they get out of the shower lol

If you have moon conjunct south node (or other personal planets maybe) in your venus persona chart, you probably will meet and even marry with a past life lover!

If you have personal planets in aries and sagittarius in water houses, you are as intuitive and spiritual as people with water personal planets, or even more than them

If they also have south node conjuncting personal planets, they will have many insights in past lives in general, they can tell you so many details to you, it's amazing

I love you so much people with personal planets in the 12th house, you are in my heart and you're very special <3

Every gemini needs a sagittarius in their lives and vice-versa, bitch we're soulmates (also every virgo needs a libra and vice-versa)

I've noticed married couples usually have the same moon or moon conjunct venus, or even both! So cute

If you feel emotionally connected to someone and you don't have the same moon sign, check your moon persona chart because you probably have their moon sign in it

Aquarius venus natives love so hard when they truly fall in love, but if this person break their hearts they will never look in their face again

Having the same vertex and north node as someone is a clear fated connection. the vertex feels like you'll always meet no matter what, the nn feels like you'll have the same journey in life. both will always share a deep knowledge with each other

What's up with 12th house synastry and this dreamy deja vu life you feel all the time when you're in love with them? I already understood we're connected universe, you can stop now...

Cancer rising men 👨‍👩‍👦 🤝 💏 women with 4th house placements. (in case you didn't understand, they want to have a family together and have such a nurturing love for each other)

Mars in 1st house in a platonic relationship will make the house person be personally annoyed by everything the mars does but deeply find it funny, and the mars will love to annoy the house (it's giving siblings/cousins vibes)

Actually moon conjunct ascendant in a friendship with two females will make them both see themselves in each other, but this will make them uncomfortable because they both think they're better than the other person. Usually the moon person wants to try a friendship but the ascendant person doesn't give a f or just finds the ascendant person too childish or annoying

If you're deeply and unconscioulsy afraid of water is not because you have 12th house/pisces placements specifically, it could be, but you probably died drowned in one of your lives

Don't think you don't have past lives connections just because isn't a personal planet conjuncting your south node in synastry, it could be any planet or calculation point, pr even asteroids, they're also important

Having moon conjunct placements double whammy in a friendship is an amazing thing to have and this friendship will probably last for a looong time (for ex: person A has moon conjunct person B's mars and person B has moon conjunct person A's jupiter)

Venus conjunct mars in aries in a composite chart is that couple that the chemistry never ends, they will always be on fire, burning for each other 🔥🔥 (specially if they also have earth placements)

If one of the angles conjunct your south node in synastry, it means you both still have business to solve in this lifetime, because it is also aspecting the north node

If someone's juno conjunct your south node in a platonic relationship, this person helped you to find your husband/wife in a past life, or just helped you two to get together

If it's a non platonic relationship, this person could be your husband or wife in a past life

12th house synastry in a non platonic relationship 🤝 both having the same intense dreams with each other at the same time. Also, if you're the planet person, it's easier for you to manifest the house person to dream of you!!

8th and 12th house synastry in a platonic relationship will cause conversations so interesting and spiritual, find a friend with these characteristic if you love these type of conversations

Is not that vedic astrology is more right than the western astrology, I think you just didn't look at the persona charts to get a better insight in your placements, do it sis please

People with a developed taurus mars or other placements have such a healthy relationship with food. If they also have a 6th house stellium they will really care for their body and health in general

If you have leo personal placements, you probably had a bad relationship with your hair when you were little

People with 6th house stellium + sagittarius placements have beautiful skin on their legs and body in general (fairer than in the face 😭) and get compliments a lot but also suffer from skin diseases if bad aspected

Moon conjunct ascendant is a good synastry aspect for non platonic relationships 💕

Look at the venus in your mars persona chart, you probably have a great chemistry with people who have the venus or mars on this sign in their natal! (for ex: person A has aquarius venus in their mars pc and person B is an aquarius venus in natal)

You probably feel weirdly attracted to the ethnicities you've had in your past lives.

North node conjunct descendant (in a platonic relationship): the nn person will help descendant person to get together with their husband in a way depending on the sign. ex: if it's in aquarius, it's through social media and probably a long distance relationship

South node conjunct ascendant: past life connection for sure!!!

That's it for now, have a great day guys! I'm so happy today... I'm sorry if I focused too much on past lives but I learned so much about it and I was really excited to share it here 💖 I'll probably be uptading this post sometimes

#astro notes #astrology notes #astro observations #astrology observations #past life astrology #past life #south node #astrology #aesthetic

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