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#my sketchbook has so many doodles of their character designs
math-is-math · 9 months
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GUESS WHICH BOOK I’VE BEEN READING 🥸
(completely and utterly ignores the fact that I’ve been gone for two months)
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famouskidpainter · 5 months
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Terrifying Wrath
Call of duty modern warfare 2
Included characters: Kyle 'Gaz' Garrick, Simon 'Ghost' Riley,John 'Soap' MacTavish, John Price
Warning: Violence and mention of violence
Pov: Second point of view
You were a gunsmith who has repaired, customized, modified, designed, and even built many various types of firearms for Task141 for many years. You were known for your skills, dedication, commitment, and hard-work during your time surveying as well as always having your face concealed behind a hyottoko mask-causing many recruits and some of Task141 to wonder what your face might look like without the mask-but you're far more well-known for one thing and that is..your short yet utterly terrifying temper, making the toughest and hardest solider in the base to tremble in fear.
Price:
He highly respects and admires your work and dedication as well as hard-work.
Every so often, he would stop and pop by your workshop to merely say hi and see how you're doing or to just simply leave a plate of food on your desk as you often attend to forget to take care of yourself due to getting caught up with work.
When you're not working on something in your workshop, you and Price would usually go to a nearby Cafe and talk about whatever and enjoy a coffee with one another, but you didn't speak a whole lot and he didn't mind at all if you didn't speak as he also attends to not speak alot often, preferring to merely listen. So, you both would just simply drink one another's coffee in comfortable silence as people chattering in the background filled the Cafe.
You both have a modest and good relationship due to spending time and working alongside one another for many years. He may or may not know what your face looks like ;)
And..he knows of your infamous temper as he experienced first-hand..Due to losing a firearm you built for him after a mission in the Artic back in his younger years.
Let's just say..he learned to take extra care of the firearms you delivered to him till to this very day.
"YOU DAMN UTTER FOOL! HOW DARE YOU LOSE MY PRECIOUS COLT M-4 SOPMOD! DON'T YOU KNOW HOW LONG IT TOOK ME TO MAKE YOU THAT KIND OF FIREARM!?" You roared, jabbing your index finger against Price's cheek with brutal force. "Owowowowow! I'm sorry! I didn't mean to-" Price tried to explain himself, but was promptly cut off by you now screaming in his ear, nearly causing his eardrums to bleed. "DIDN'T MEAN TO?! DIDN'T MEAN TO MY ASS! YOU RUINIED A MONTH'S WORK!" You proceeded to jab your index finger against his cheek, but with more force than before while chewing him out alive.
Later, Laswell was able to calm you down after buying and giving you your favorite food, mitarashi dango-Price was mentally thanking whichever God in his head as Laswell unknowingly or knowingly saved his ass that day.
Laswell sometimes would tease Price referring to the incident and he would go silent as his face turns a bright shade of red of embarrassment.
He even shudders at the mere memory of it, praying that he doesn't relive that incident again. But, his prayers weren't heard as..one day, he again lost a firearm of yours during a mission.
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Soap:
He also respects and admires your work and dedication as well as hard-work.
He would come and barg in your workshop, almost daily..Much to your dismay.
He would also stand beside you beside you while you worked on repairing or building a firearm as well as constantly asking you questions of every little thing you do..You remember the many times you had forcefully kicked out Soap from your workshop as you couldn't work in peace without him getting on your neck.
He has drawings and doodles of you in his sketchbook..Not exactly as he would normally use or make assumptions on how your face looks like without the mask due to that he has never seen you without it.
And..He also knows of your infamous temper..As he may or may not have lost or damage far to many firearms to the point where he had to beg you on his knees to make him another because he either lost or damaged it.. He still remembers the letter you sent him and it wasn't entirely pleasant..
"Hey Ghost, has Y/n come by as I'm still waiting for that new gun." Soap said, folding his arms over his chest as he stood in front of Ghost's desk. "Hmm..they did and they told me to give this to you." Ghost responded back as he placed his pen down on top of the slightly scattered papers, reaching down and pulling open a drawer from his desk and taking out an envelope from within it, handing it to Soap. "Thanks.." Soap stated, grabbing the envelope from Ghost and opened it. After Soap pulled the letter from the envelope and read it, he stared at the letter with a nervous and terrified expression as bits of sweat began to form on his forehead. "What does it say?" Ghost asked, briefly glancing up from the paperwork on his desk while continuing to fill them out. Soap didn't responded back as he merely stared at the letter in his hands before finally being able to speak once again.
"Hey Ghost..do you happen to know what is y/n's favorite food?"
It took a lot of convincing, begging and mitarashi dango to get you to forgive Soap and to give him a new firearm..after giving him a threat if he even lost or broke it, then you'll make sure to make his death slow and painful as well as appearing like a mere accident.
He promised that he wouldn't break or lose it..he hoped that you wouldn't do exactly what you threatened to do to him as he might of lost it..again.
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*Pretend it says "I have no gun for you".*
I'll make a part 2, but with Gaz and Ghost. Please be patient with me and have a good day/night.
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iraprince · 1 year
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PLEASE forgive me if someone has asked about this before, but how do you start a digital sketchbook? What's a good page goal to reach, in your opinion? Your art rules <3
thank you so much! tbh tho i think that totally depends... mine tend to be 13-ish pages plus cover, but they're BIG vertical digital pages with several irl-pages-worth of sketches crammed in. and there's not really any specific reason why i do it that way! that just happened to be the number i landed on when i put my first one together (and now i don't remember why), and then i just kept them all around the same length for consistency.
most of the time when i see other ppl's digital sketchbooks they're way longer than that, though i'm not sure if maybe most people don't cram as many separate drawings per page as i do? also, if this matters at all: my sketchbooks don't sell well a la carte at all, they're primarily a patreon reward and then i offer them as itchio downloads just in case someone wants to buy them one at a time... once in a blue moon someone buys them that way, but it's rare. so i actually really can't offer any advice on what ppl look for when they're buying digital sketchbooks, or what would make a digital sketchbook sell well — because mine don't, haha!!
but if i had to guess, more pages released less frequently (i.e. collecting up all your art from an entire year) would probably do better for standalone sales. i keep mine short bc then i can release them a little more frequently, again bc mine are geared at patreon.
as for how to start or any other tips — tbh, mine are just a combination of what i'm already doing, both digital and traditional scans! warmups, character design, concept work and doodling, stuff that just normally doesn't get posted. it's rare for me to draw something specifically bc i'm like "oh, i want this to be in the sketchbook pdf" — the only stuff i usually draw bespoke is like, filling in empty spaces after i've puzzle-pieced existing work together. and especially if you're doing stuff for patreon, that's my general advice: try to make as much of your workload stuff you would already be drawing anyway, rather than giving yourself NEW tasks on top of everything else.
my actual technical process is very simple: i have a big old multi-layer document, with folders for each page. (since these are always intended for digital viewing, i make sure the width of the page at 100% zoom is nice and comfy on a computer monitor, to spare ppl a bunch of annoying scrolling side to side; and when i put drawings together on the pages i try to make sure they're sized nicely in the same way, so you can see the entire drawing without having to scroll around it.) every once in a while i go through my digital warmups and copy them over and arrange them nicely on the pages, and the same with scanning in everything i've drawn on paper every week or two; once the pages are filled up i save each folder as a separate page and then stitch it all together into a pdf! nothing fancy.
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sioster · 1 year
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wheres my boys, Karo. Where are they. I need them
Where are your boys you ask? Well.. they're here!
DREBLR 2022/2023 EXCHANGE GIFT MASTERPOST!
The gifts will be posted as separate posts propertly tagged as fanart in the next days, so if you don't want to listen to my rambling, random tumblr user, come back in a few days.
oh my dear starclan theres so much oh mother please help me
Prompt 1: Mouse!Dream propaganda
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I used the Transformice AU since it has established designs and characters- here I drew a little mentor/student bonding moment :) TFM!Dream gets his little cape that he loves and cherishes <3
I don't really do backgrounds but I'd say that this one is not that bad and even quite thematic.
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TFM!Dream doodle page with a portrait. I really like how funky the colours on him are, little rat boy. Baby. Praying so that it's not shit on the blue light screens..
Pre-Armageddon design (the one with the same robe as Ratza)
Post-Armageddon design (violent, sad axe boy)
Along with a sketch with no particular design in mind and an obligatory thing for a TFM drawing: the iconic cannonball <3
Prompt 1 & 2: Mouse Dream propaganda & season 2 Discduo with a snake
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This is more of a joke-gift but c'mon look at them, so cute!
Aple (PS: thank you!!) helped me with this one by dressing up as S2!Dream while I was wearing the S2!Tommy cosplay. We took some selfies and I think these look the best out of the bunch.
Sadly we don't have too many items so the outifts don't look the best considering all ingame options but I think they still represent the characters well!!
Prompt 1 & 3: Mouse Dream propaganda & Dream and Wilbur being happy and friends
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I'm sorry for the quality of the scan, but it's a traditional piece scanned from my sketchbook and our printer is... older than me..? I think?
Another piece with the S2!design since it's so much scrunklier and cuter than the one from my AU xD Though, I'm sure that Ratbur would cuddle with him no matter the cuteness- looks don't matter in the end, only the % of scrunkly in one does.
Prompt 2: S2!Discduo with a snake
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The lineart might be a little crunchy since it was also scanned from my sktechbook, but the colours are digital so they're more vivid!!
I used the Basilisk!Dream design here since it fits with the topic- I hope it's okay!!
Also.. I don't think that Tommy is glad that his BFF is currently holding an unidentified snake that is possibly venomus right next to him. S2!Tommy is the one with braincells. Not Dream. Please be careful Dream, yes you are made out of scales, no it doesn't guarantee immunity.
Prompt 3: Dream and Wilbur being happy and friends
Well. Would you look at that. I made an oopsie and actually wrote something gherjsafsnrgu
SIF THANK YOU SO MUCH BUT IT DOESNT CHANGE THE FACT THAT I PISSED MYSELF LIKE TEN TIMES OUT OF FEAR
Though I am so sorry that there's not more madduo prompt gifts ):
End Note
I hope that you like your gifts! I think that they're good enough..? Sorry if it didn't reach your expetations ouuh )):
but hei- the New Year of 2023 is here, and I wish you everything you need! Especially health and the time to enjoy the things you like. And more dreambur. Yes. More of them. Definitely. [feral animal noises]
-Karo Sioster_71 <3
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ASK GAME SPAMERO AYO! (ahem)
Let's see #s 1, 7, 8, 13, 15, 18, 25, and 30 :)
(yet another artist friend who is gonna have to deal with SOO MANY QUESTIONS haha, sorry not sorry, I AM ENDLESSLY CURIOUS AND MUST KNOW EVERYTHING ABOUT MY ARTIST FRIENDS AND THEIR PROCESS AND SUCH! 🎊🎊🎊
PLS DON'T APOLOGISE, ASKS MAKE ME V HAPPY INDEEDY! 🥰☺️
This is much more… ex-art student orientated than character design/TSC/CS/ML orientated, I'm sorry! But it was quite nice to reflect on my uni degree and the body of work that I produced during that period of my life!
To make up for it, however, here are a couple of doods :D — a rather surly-looking Jack (wip; you can just about see Lucy in there too) and an adult!Fiera! (I need to update her design, this is just a prototype!)
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Art programs you have but don’t use. Adobe Illustrator! I learnt to use it at uni (I studied Illustration and Design) but am much more disposed to Photoshop and Procreate.
A medium of art you don't work in but appreciate. Like a physical medium? Hmm… I’m going to say pastels. There are very few mediums I don’t work in (when I’m actually producing art, that is, lmao). I love oils, acrylics, charcoals. Pretty much everything. But pastels… I’ve never really taken the time to get to know them. Maybe I should!
What's an old project idea that you've lost interest in? During my final year of uni I wrote and illustrated my own children’s book. I am, to this day, quite proud of it and hope to one day finalise the illos. …Maybe. Possibly. I wouldn’t therefore say that I’ve “lost interest” in it, necessarily, but it’s certainly fallen to the wayside (it has after all been four years). 
A creator who you admire but whose work isn’t your thing. This is very tricky bc I’m hard pressed to think of any creators whose work isn’t “my thing”. If it’s artsy then I’m gonna enjoy it, no matter what! With that in mind (and if it’s okay?) I may have to amend this to, “a creator who you admire but whose work you could never emulate”, and that creator is Georgia Lowe (@georgialowpapercuts on insta). She makes the most sublime paper cut outs — stunningly intricate, extraordinarily delicate! I adore them! I’m not sure I could ever have the patience to make something that time-consuming.
*Where* do you draw (don't drop your ip address this just means do you doodle at a park or smth). In my flat. Typically while sitting (pretzel-like) on my sofa. I’m very boring! Although I have been known to take a sketchbook to the V&A or the Tate Britain, every once in awhile. Or on a walk around Hyde. It’s not a common occurrence, though. I don’t like to draw in public spaces lest someone ask to see what I’m working on! I’m extraordinarily shy about my work. 
An estimate of how many art supplies you’ve broken. Countless, lmao. I am a clumsy bean and shit happens. The most frustrating was when I tore a newly bought canvas. A very big canvas at that. Oh and when I dropped a bag full of chalks and charcoals — makes them so much harder to use! I also snapped a paintbrush once, because I didn’t realise how badly I was bending it while pouring over an exam piece. 
Something your art has been compared to that you were NOT inspired by. One of my editorial pieces was once likened to Escher's work, which — while enormously flattering — had not been my intention!
What piece of yours do you think is underrated. Looking back, there are several pieces I submitted as part of my overall body of coursework which I deeply disliked at the time (having been staring at them for months) but am now fairly fond of! One charcoal image of a horse, in particular, springeth to mind.
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siennaditbot · 1 year
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Here's a dump of character design doodles I won't do anything with. I like the concepts but can't see myself doing anything with these so if any of them inspire you, go ahead and take and tune them! ^^
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Two different magpie A.I.s! Magpies shine with blues and purples and greens and that reminded me of technology stuff, so I wanted to make a robot/AI character but it didn't really go anywhere.
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Saw a picture of a potoo bird and wanted to make a sonic one. Idk if she's actually crazy or just looks unsettling, but she has either creepy or emo vibes. (Idk if it's right to call a character like clinically crazy to make them scary? Is that acceptable?)
Anyway, she makes super loud and high pitched noises so don't make her angry. Also her mouth opens super wide.
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Last one, she's a scottish fold cat who hides her real ears with a headband. That gave me e-girl vibes so she's a gamer girl or smth I guess. She could have so many colors she'd look like a 2014 deviantart character.
Idk, I didn't get that attached to these, but it's a shame to leave them in my sketchbook since I do like them. Lumi the magpie and the spider and frog characters are free real estate as well btw! As a reminder:
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If any of them inspire you, just snatch and make them yours with any changes you like! If someone does, I'd love to see them!
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spider-jaysart · 1 year
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Character option bingo
Might as well ask for the full super sons
Jon kent
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@camo-wolf
Yesss! Jonno boy to complete it!✨
I am so normal about them:
He is also very much a character that I can't stop talking about when speaking to my sister (°¬°), he's also one of the one's that I just end up doodling and drawing all over my sketchbook because I love him so much (same with Damian)
I have so many headcanons about them:
Jon is one of those character that I need to make headcanons about because he's the type that I can just add so much to
A beast unleashed:
Jonny is a very tamed boy, yes, he definitely is, but once someone like Damian drags him into some wild shenanigans with them, then he too can become just as chaotic, though he still has his limits when unleashed
I literally would hug them:
I would just give him the biggest hug ever (I wouldn't do it to Damian though because then he would bite me...)
Canon isn't real if I don't look at it:
I don't like that DC forced Jon to age up instead of letting him grow and develop as a young character with his family and friends there to support him every step of the way and letting the fans get to do the same with him as well, letting them get the chance to grow with him more as well instead of just rushing it all and then just trying to throw him in as the "New" Superman, like I don't even feel ready to just be calling him the "New" Superman right now since I still see him as Superboy, like I always had thought that maybe one day when I got much older, then maybe I would actually see him being Superman or something else as a grown character with actual development, not right now in such a rush like how it was done
They sure do exist:
Canon what? I am sorry but Jon is still just only 10 years old, still enjoying his childhood life and is still happily living with his loving family, Clark, Lois, and Krypto and is still very close with his best friend Damian, so I do not know what you are talking about when you speak of this alternate story with an unnatural aged up Jon who just got lost in space and came back and became the new Superman, I am sorry but I just do not understand no matter how many times you tell me about it
That's a solid design right there:
Jon's outfit is a fun and cool one that also fits his style
If anything happens to them I will cry:
Kid!Jon is my sweet, innocent, fluffy boy that means no harm at all💗 so no one hurt him, please
Thanks for the ask! :D
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cartooncreaturelover · 5 months
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Hello it's me again!
So I have some more asks, some relating to art, some just random stuff I think of XD
1. Favorite character of yours that you like drawing?
2. What's your favorite show/movie? (If you don't have a favorite, just name ones you like)
3. Oldest oc you have? How did they change throughout the time you had em?
Thanks in advance!
✨ Hi! Thank you so much for asking more questions! (You're literally the first person to send in more than one ask before! Thank you for bringing some life to my ask box, lol!)
Question 1. I don't know if I have a favorite character of mine to draw, but the first character that popped into my head was Darragh, probably since I used to draw him A LOT & know how to draw him pretty well from all the times I've drawn him before! (I'm hoping to get a light board this holiday season so I can actually finish an updated version of his reference sheet soon!)
Question 2. I like a lot of shows & movies, so I'll just list the many that I like instead!
Some Of The Movies I Like Include... Back To The Future (trilogy) Little Shop of Horrors (1986) Ferris Bueller's Day Off Gremlins Gremlins 2: The New Batch How The Grinch Stole Christmas (2000) The SpongeBob SquarePants Movie (2004) Wolfwalkers Shrek 2 Puss in Boots: The Last Wish The "Spider-Man: Spider-Verse" series The "Kung Fu Panda" series The "Sing" series The "Trolls" series
Some Of The TV Shows I Like Include... Bluey The Owl House Infinity Train Ducktales (2017) Gravity Falls Steven Universe My Little Pony: Friendship is Magic Avatar: The Last Airbender (2005) Our Flag Means Death Bob's Burgers Central Park SpongeBob SquarePants (Seasons 1-3)
(You know, writing this list out has made me realize how much I like musicals... & DreamWorks Animation???)
Question 3. The oldest OC that I have is my first OC! I haven't drawn her in a long time, but her name is Magic & she initially was one of those classic "character a child likes, so they barely recolor the character & call it their own;" the actual character was Spyro from the Skylanders series! (Yes, I love "Pug Spyro!") Initially, the only difference was that she had white accent colors instead of gold/bronze. As I got better at drawing & designing characters, I began to actually make her more original & less like Skylanders' Spyro (pictured below!)
The first drawing (which is actually the first drawing I ever made of her!) is from 2014, I think in April; I believe we were going on a school field-trip that day to a trampoline park as a reward for the good students? I drew her with no reference in class with my pencil & colored pencils on a piece of notebook paper! Whenever that day was, it was the day I decided to take art seriously & was the start of my journey to getting as good at drawing as I am today!
The second drawing is (I think) from around 2018 when I really started to try & make her legally distinct from Skylanders' Spyro; different shaped horns, fin-like ears, furred belly & (not pictured) tail tip (kinda like Banjo's)! I made that drawing with my old & cheap watercolor set on what (I think) is sketchbook watercolor paper; & yes, that tiny little portrait is in a tiny little picture frame!
The third drawing is a concept doodle for a 4.0 design for Magic from around 2021 or 2022? I never finalized the design, but the idea was to really change her body type into being more chubby & pear-shaped like some stuffed animals I have, as well as adding stars to her design since I think of her as my "spark of inspiration" for where I am now! Since I've been working on redesigning another dragon-like character of mine recently, perhaps I'll finally get around to finalizing Magic 4.0, who knows!
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You (or anybody else who may see this!) can totally ask me more questions about my interests or old/new characters of mine if you’d like! Thank you so much for taking the time to ask me fun questions to answer! ✨
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eyndr-stories · 10 months
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YOU!!! I WAS DISTRACTED BY SPACE GAME BUT
1. Your first OC ever?
4. A character you rarely talk about?
13. Do you have any troublemaker OCs?
43. Do you have any certain type when you create your OCs? Do you tend to favour some certain traits or looks? It’s time to confess (i bet i can guess something for that one kldgj)
ME!!!!! >:3
1 - I think my first ever OC that i can remember was this little dinosaur fella I would draw all the time in paper margins way back in middle school, I don't actually have any pics on my computer but I doodled him real quick for ya
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Binosaur cause his head is just the letter B fdkjgjhgfdkfdg
4 - Lianel!!!!! I don't think I've ever shared them anywhere?? I made them back in highschool (hence the old signature, I went by a different name back then), I actually made a short little comic of them exploring this ruined world that I can't find >:( It's hiding in a sketchbook somewhere i hope and I just haven't scanned it. But anyhoo! Lianel is on the run for space crimes!! Jury's out on whether or not they actually committed said crimes or were framed though. They found their ancient armor from the ruins of a resistance organization that died out a long time ago, but when you're on the run you take what you can get. They've got a funky staff that an even funkier little magic blob lives in, so long as Lianel takes them on adventures, since the little blob can't travel on their own. In return the blob lets Lianel use some of their magic when they get into trouble. I don't think I ever named the blob??????????
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13 - Hehohoho!!!!! >:D This is Calcifur!!! They look small and unassuming but they will steal your wallet fhgjhkgfjklhgf
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Cal loves being gay and doing crimes, especially graffiti in places they're not supposed to, although after they met Lato they toned it down a lot and now stick to mostly silly pranks. Calcifur is one of the main three fellas I used to draw a whooooole lot before I fell out of doing art for a good while, and i will definitely be using this as an excuse to talk about them gjhfijhgfd but first, more about Calcifur! Cal's skin glows and changes color with their mood, (neutrally they're blue) and they've got a nifty pair of headphones that can transform into a stylish neck kerchief. They can speak, but can only be heard by people they want to hear them. And now the trio!
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MY MAIN BLORBOS..... I LOVE THEM
Ok so the other two are Lato and Cube (bet you can't guess who's who lmao) Lato is my fluffy puff ball sweet boy, friendliest fella you'll ever meet. He's naturally very curious and aims to be pals with everyone he meets. He's semi aware of his being an artistic creation, though he's pretty chill about it. Cube on the other hand, is fully aware and somewhat peeved at me about it jhgdkhgdjkjhgfd Cube is a straightforward know it all with a short temper and vast knowledge. Originally I made him to be a companion to Lato, to keep him company in the void (since I was very bad about never drawing any sort of backgrounds lmao) and to answer Lato's many ceaseless questions for me. He often shows up doodled in the margins of whatever I'm working on to make snide jokes about something or other or yell at me to stay focused. Now a days the three live together in a nice house out in the forest and have fun domestic style shenanigans. I could talk about these three for a thousand years so I'll stop here because this whole ask has already gotten slightly out of hand kgfdhlkdjgfhgj
43 - (Looks at my crew of just the silliest lil guys. Jokesters and pranksters abound) Idk can't think of anything
dkhfjhlgdgljgfh I do really like silly characters, and characters with more simple designs that are easier for me to doodle here and there without taking too much time or energy. Cube is VERY popular in my notes and sketchbooks. Funny enough a lot of sillier characters are more recent creations, characters I made in highschool and earlier had more tragic / serious backstories. Oh, I also draw a LOT of little creatures, just strange monster things. Not sure if they count as OCs, most aren't even named or I only drew once or twice, but I do love me a creature
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halcyandaze · 1 year
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question that came to me out of the blue but were there previous versions/scrapped ideas for bonomo and nova [or oc in general]?
oH BOY so I've had bonomo for over 7 years now so uhhh I do indeed got plenty of old material of those two and how they kinda evolved and changed over all that time
so lucky for you guys, for once I'm gonna *pukes in mouth a lil* ugh, share my old art from when I was 15, oof uhhh you're welcome in advance (yes I realize some of my old followers here could have been following since I was 15 but still) also since I've had these characters for so long and tie into my own life at times I may accidentally go off on some tangents but whatever
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strap in folks, this is gonna be a long post
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bonomo
2015: aight so I first made this lil dude in september 2015 in a sketchbook after school. didn't think much of him at the time, just a cool character design that kinda stuck around. an ex friend of mine gave him the name bonomo (I suck at naming things) but yes humble beginnings here, literally just a little guy
early 2016: ok so at this point I got attached to the design and wanted to flesh him out more. at first he was just a lil creature with a monitor head, but I wanted to run with that retro computer kind of theme and fully embraced it by making him into a robot
mid/late 2016: alright so here is when the design really started to take shape and tighten up as you can see, from this point not much changes with bonomo as far as the design goes except for just minor art style changes from here. this is where I start building more personality, being rather positive, naive, goofy
2017: here is where I really start knowing the character well and finally get all the kinks out of the design. ended up making him very expressive, taller, softer, rounder, everything past this point is peak bonomo
2018/2019/2020/2021/2022: not much to report at this point his design is pretty much solid from here
nova
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early 2016: so here I first wanted to make a simple persona/self insert kinda thing and made this rough unnamed loose design of a lil alien creature, as you can see I cannot decide on a color palette to save my life
mid/late 2016: got a name for them and started calling them nova, and I finally picked a goddamn color palette and basic outfit design about damn time. at this point they went from being just a nameless self insert persona concept to be their own character instead
2017: same with bonomo, this is where I feel like I got a good solid design for them, and all of their major design has stayed the same from here on out. I also brought back/revived some elements from their very first designs in 2016 as a design for their younger self for backstory purposes, but this is still a bit rough and I put it on the back burner to shape up their current design and story before tackling their backstory
2018: not much change here except I feel my art has gotten much better at this point lol
2019/2020: at this point I have bonomo and nova's personality, design, dynamic, and story rough ideas down pretty solid so I work more on nova's past and backstory more and have nailed down the design for their younger past self
2021/2022: both versions of nova have remained pretty much unchanged from here
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early 2016: both bonomo and (at the time unnamed) nova were more of just designs than the characters we know em as today. I started drawing them together around march 2016 just because I thought "oh haha a robot and alien, sci-fi cross over time" without thinking much of it
mid/late 2016: here I find myself drawing the two together more and it's at this point I realize to myself 'oh shit I can do something with this' and started to really flesh out who they are and where they came from and wanted to turn them into full characters instead of just little doodles. here I started experimenting with lore and story ideas, many of which have changed a lot or have been scrapped completely by now. at first I imagined both of them being from space, but ended up scrapping that and having bonomo be native to earth. I also didn't have a full motive for nova to come to earth yet either, but I knew they'd both be on earth at this point just causing trouble. I also was debating making their story much more depressing and even toxic at points for the two of them, even debating having bonomo leaving nova for good at some point, but that just made me sad over time so that quickly was changed
2017: here is both when their main design elements and personality start to take proper shape. I base their personalities off of exaggerated aspects of my own, bonomo being my goofy silly naive geeky half and nova being my feral stubborn paranoid half. I have also started forming the very rough idea of nova's backstory to how they arrived on earth, why they're on earth, how bonomo and nova meet, and their basic every day lives
2018: ok so now that I have their designs, personalities, and daily lives and motivations down, I start working on their actual story and have gotten it pretty solid now (but these are all spoilers so hmm ask for more info later if y'all really want uhhhhhhh)
2019/2020: at this point my art has gone from much more simple and flat color generally to much more rendered and symbolic and distorted and psychedelic, cuz this was after I dropped out of college and was battling some nasty drug addictions at the time which quite literally changed how I see the world to a much more confusing and broken and distorted place, and my art changed to reflect that. it was at this point that I started working more on nova's backstory seriously since it ties into where their story finishes
2021/2022: my art at this point was a lot of self reflection cuz I had a lot of emotions and a lot of personal growth and a lot of change in my life at this point and phew these two were really going through it in my artwork while I figured my shit out. but here we are now!
so yeah uh that's bonomo the prototype robot and nova the ex-space criminal they live in the middle of nowhere new mexico and get up to silly shenanigans and tomfoolery :]
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more my time at sandrock ocs :) 
having quite a bit of fun going a little insane over the whole... knives out update implications and ended up writing/doodling a new dude and settling on a design for the Schrodinger's save character
also yeah this is. super ultra mega woohoo self-indulgent and absolutely off the walls AU territory but i’m already so starving for content, i have to entertain myself somehow ;w;
cut cause it’s a little long and out of focus lol, no game spoilers i think(?) and i spilled tea on my sketchbook, then attempted to cover it up with hasty terrible blood spatter in the first image which really only made it worse :)
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Name: Armaros (Rose) (they/she) Age: 24 From: Atara Occupation: Farmhand/Technician, Alliance agent Likes: Poetry, birds, hot noodles Dislikes: Snow
Bio: Armaros was born to well respected academics in Atara, who passed shortly after her 5th birthday in a railway accident. Whilst in school, she learned the Alliance’s formal sign language to communicate (as she is physiologically mute), and demonstrated an eerie, prodigy-level skill with weapons, especially rapiers. Of course, this was only against striking dummies, but certain war-hungry (or war-adverse depending on your viewpoint) officials saw an opportunity where most others saw a child. She was quickly removed from her orphanage, and trained for the purposes of a highly classified investigation. Rose would be sent with a “doctor” to Highwind at 11, under the pretense of him being her “father”. Although her “father” was against the Church, he would comfort her with scripture and children’s tales he learned from his time in Meidi.
In the present, Rose is a close friend to Sonia and Lily, who are Builders in Sandrock. While visiting, she establishes a pen pal adjacent relationship with Owen that slowly turns intimate through their letters. After about another year, she will return to Sandrock sharing her true purpose: finding and eliminating Juno. 
Personality: Rose is a very bright, cheery person. Simply, they are happy when others are happy. They do have a “serious” mode, but that’s reserved for the hours she bills Atara for.
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Name: Zerachiel (Zera) (he/him) Age: 41 From: Meidi Occupation: Travelling “doctor”, Alliance agent, Armaros’ interpreter  Likes: Coffee, coffee, coffee, coffee, maybe hot chocolate, but mostly coffee Dislikes: Filth, unorganized spaces
Bio: Zerachiel from a young age was designated by his family to serve in the Church of the Light as a minister. He wholeheartedly accepted this, and served to the best of his ability, focusing his little free time on traditional medicine. That is, until a certain traumatizing incident shook his faith to the core and led him away from the Church, and Meidi as a whole. If Duvos was keen to exploit Old World relics, then the Church’s staunch position would inevitably lead to the subjugation and deaths of many. No matter how certain believers and ministers spun their interpretations of the scripture, Zera firmly believes that the Church’s doctrine had more potential for harm than anything else. Why, it’s because of the red tape set up by the Church that medicinal progress has lagged behind. With this worldview, Zera made his way to Lucien to enlist as a soldier, however the officials there saw better use of his talents as a field doctor, an assignment he happily accepted and excelled in. Soon after, he would become embroiled in a highly classified investigation straight from Atara, sending him to Highwind with a mute child of barely 11, pretending that she was his “daughter”. 
In the present, Zera accompanies Rose nearly every place she goes as her interpreter, with the notable exception of her first Sandrock visit. Rose had avoided visiting Sonia in Sandrock further by blaming “her father’s overprotectiveness”, so Zera has played this role well. 
Personality: Can be excitable about medicine (and quick to anger over doctrine), but is otherwise a very calm, laidback man. But, he can be a drama queen over petty arguments. 
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kellofbones · 11 months
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ok! ok! now that I realized I need to start following demon slayer tags I wanna introduce my silly little ocs because I drew them and nobody has given me any feedback other than my one person who I talk to regularly saying "nice" to one of them so!
koujirou (the swordsmith, eldest brother)
two face doodles because I tried the second one using like a box method for proportions
I think it kinda turned out nice but I still need to design his haori because atm in the sketchbook it's just a bunch of dots. I want it to be related to forges and smithing but also just like common designs and I am struggling but it's okay I'll figure it out
He's actually the newest of these three ocs, I only just made him last year whereas the other two have existed for a much longer time (outside of their demon slayer au)
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kaito (the smoke demon, middle child)
their mother was such a terrible person she drove one of her kids to become a demon essentially. I want to say it was one of the upper moons who kind of coerced him, i originally wrote his backstory with Douma in mind but I'm not sure i definitely want to keep it that way or not, we'll see. Anyways he's got smoke powers because that's like one of the things you could see as being a good strength against slayers since their power comes from breathing. However it also feels kinda fitting story wise because I think he has some resentment towards Koujirou being the perfect eldest who never pissed off their mom (mainly because he was always with dad who was the family swordsmith before him) and Kai ended up taking the brunt of her anger not only because she wouldn't attack Kou but also to protect the youngest brother too.
since becoming a demon he has taken time to fuck around with koujirou (though they've never attacked or instigated a fight) but he has not once in like five years approached his youngest brother. he can't. kiyoshi might be the one piece of his humanity keeping him in our world and not fully becoming a true, irredeemable monster. not that he'd let that be known, of course.
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and lastly, kiyoshi (the demon slayer, littlest brother)
kiyoshi, who took part of his brother's (kaito) haori to wear as a symbol of his hope. he's your stereotypical sunshine never give up kinda protagonist but that's not because he's a copy of tanjiro, he's been like this since 2013 when I made him. he was there the day Kaito became a demon (whether or not Kiyoshi was conscious is unknown to anyone but him) and despite seeing the state of their mother's body in the end, he has not given up hope after five years.
Kiyoshi was adamant about becoming a demon slayer, even when Koujirou begged him not to. And after Kou realized Kiyoshi wouldn't give up, he then decided to train him himself instead of fighting him further. Wasn't too bad of a teacher either, to be fair.
At this time, Kiyoshi's main goal is to find the demon who stole his brother.
Before Kaito had come into the home on that fateful night, Kiyoshi saw the demon. He saw their face and the number in their eyes. And he won't rest until he finds that demon again, whether to kill them or to force them to help him find Kaito. Of course he doesn't let that goal completely blindside him, he does his job as a slayer diligently and has ascended the ranks pretty well over five years. He's not trying to become a hashira, he's just trying to bring his family back together.
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I'll add more to this when I can but this is kinda the basic rundown. Kiyoshi especially is a character near and dear to my heart because as a character he's been around for 10 fuckin years.
This poor boy has been through a lot.
Maybe I'll draw as many versions of him as I can someday.
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bogkeep · 3 years
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Hey! I'm the one who asked the poorly worded art process question. I'm here to give it another try by being more specific. The problem is . . . that's hard. Because that was about a specific as I can get, since I kind of want to know everything about how your art works.
Big things, like how you come up with ideas, or how you design characters. But small things, too, like what tools you use for drawing, how you balance between traditional and digital art, and how you decide what color to use for your unique and beautiful line art.
I want to be more specific so you can answer, but the question in my head is too vague and broad for me to be specific about it. So . . . here are some subquestions of my question, I guess! Maybe that helps?
Sorry this is so weird, and thank you, your art is amazing
first of all, thank you so much <3
and yes, this is far more answerable! i hope i can satiate some of your hunger for insight without writing a whole book.
HOW DO I COME UP WITH IDEAS?
this is obviously going to be very different for everyone. i very rarely have to dig for ideas or sit down and brainstorm, unless of course i am trying to achieve something very specific, like fulfill art contest criteria or working on a commission. my brain is very visually wired, so a lot of my ideas literally just pop up in my head (i know of several artists with aphantasia - some people don't have any visuals in their head at all and I HAVE NO IDEA WHAT THAT'S LIKE AND I AM IN AWE OF THESE ARTISTS), sometimes i see a character or character design and im like HNNNG i need to draw them, or i just... have a concept i really want to Exist and i'm going to figure out how.
my biggest problem is that often, when i get an idea i want to DRAW IT, NOW NOW NOWNOWNOW, and that's just Not Feasible. sometimes because i'm Literally In Bed, sometimes because i have too many things i need to do or draw first... but i need to clear up space in my head, because my Urge To Draw will be like, beeping and whirring until i satisfy it... so i write it down on my TO DRAW-list! it's a real list that exists on my phone and i have to use it frequently. if i keep scrolling down i start finding weird notes that i have NO idea are supposed to mean anymore, but that's fine. i can't satisfy every Art Urge. sometimes i need to let them pass.
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HOW DO I DESIGN CHARACTERS?
this one might vary a bit, but it can often be boiled down to "i sketch around until i figure something that Works." many of my characters, especially my older characters, became characters by accident when i kept drawing them over and over and i was like Ah I Like Drawing You... You Exist Now. that's how sparrow spellcaster happened, at the very least. this could happen because i had school and i would focus in school by doodling/sketching while listening to class. since i no longer go to school, pretty much all of my new characters are far more intentional. Timian and Vinta specifically exist as a result of a "favourite character fusion" challenge, and a lot of iphimery characters started with a Purpose rather than just harnessing the vibe of something i drew multiple times without thinking.
it helps to write down elements or tropes i want to include, like "sturdy-looking" or "VILLAIN OF EVIL SCARY MAGICS but it's a little girl and the dark magic is bright lightning and not shadows" or something. it can vary from a tiny visual detail to their role in the story. whatever i want to Achieve. my Intent. because my brain works so visually, i just really need to sketch somethign repeatedly until i nail it and can be like Yes That's It.
sketchbooks look a little messy but that’s what they’re for.
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WHAT TOOLS DO I USE
for digital art, i’m currently using an ipad pro and procreate. i use a lot of the brushes that came installed, like Mercury is my primary lineart brush, and Moorilla is my primary sketching brush, but i also buy a lot of custom brushes on the hunt for More Delicious Textures (DAUB has a lot of good ones, especially if you want some that imitate traditional art). i have also used Huion and XP-pen tablets and generally recommend them, as well as clip studio paint as an art program (i love it very much and if it wasn’t subscription-based on ipad i would still be using it).
for traditional art, mostly just whatever sketchbook i have + my trusty mechanical pencil. i mean i have two: one with softer lead (it comes out darker) and 0,7 mm thickness, and one that’s 0,5 and harder lead for more light sketching, or if i’m going to line it with ink.
i also have a trusty pentel brush pen that i love DEARLY and feel bad for not having used in a while for reasons i will get to.
when i work on calendar pieces traditionally, i like to draw lines with ink - i use a dip pen with exchangeable nibs - and then color with watercolors. i have several sets because they’re all slightly different and i want the Range.
i sometimes travel with a little sketchbook in my bag and an assortment of pens, so that i can sketch Anytime, Anywhere. i think doodling with a pen can be very useful because you gotta become comfortable with the mistakes and imperfections and keep going anyway. if i doodle at work that’s the tools i have -  regular ball pens and a bunch of paper lying around.
HOW DO I BALANCE BETWEEN DIGITAL AND TRADITIONAL ART?
currently, i... don’t, really. it was easier when i had school, and i would just doodle freely and then maybe use some of my sketches as thumbnails or concept ideas. it’s harder now that i need to intentionally sit down with my sketchbook, and tbh... the ipad works very well for sketching. it’s so CONVENIENT and i have WORK all the time and my time to create art has become much more limited than it was. i miss going to my weirdo art high school where we would try out a whole bunch of different tools and methods. sure, yes, i had to paint with Acrylics My Beloathed, but getting to play around in different mediums is VERY valuable.
i genuinely want to be able to make more time and space for non-digital art again, but i just don’t have the ability to right now. it’s also different now that i’ve moved away from my parent’s place - i used to have an enormous desk and my mother has a large collection of art tools and there was a lot more storage space for whatever i created. digital art is very convenient and very accessible. ah well!
HOW DO I DECIDE ON THE COLOR FOR MY LINEART?
i usually line in black or a very dark color, and when i’m done coloring + shading i might play around with the colors and see what works. if you lock the layer you can just throw all the spaghetti at the wall you want. i decide on whatever fits the piece. i tend to be pretty fast and loose about it too, sometimes you can probably spot parts of my lineart that have slightly mismatchy color, but it’s like... done is better than perfect! i don’t have the energy to overlook every single pixel of my piece or else i would drive myself utterly mad.
HOPE THIS ANSWERS ANYTHING AT ALL!! THANKS FOR ASKING!!!
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grayfilmsandstuff · 3 years
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Hey there friendo! Could I get a funky madcom matchup? I'm fine with whoever (๑¯∇¯๑) This is also gonna be hella disjointed, so I apologize in advance (╥w╥)
I'm 4'11 with super dark brown eyes and hair and a baby face; most people always think  I'm much younger than I actually am (I'm 20, but just look like a forever teen I guess) I've got dreadlocks that go a little past mid back, freckles, beauty marks and light patches all over my body (not sure if its vitiligo or not), and I wear prescription sports goggles instead of normal glasses since the straps make me less likely to lose them, and Im accidentally rough on stuff sometimes
Agender, aroace with leaning for gender neutral and neopronouns, but i dont really care much in the end ¯\_(ツ)_/¯
I've got a metric shit-ton of mental illness, so my mental state is Wack™, tho I'll point out my ADHD and Autism since those are my most prominent. Paradoxical is the best word to describe me cuz I can range from feral gremlin memelord to so-quiet-you-forget-Im-there (I accidentally scare people alot cuz of this). Relatively apathetic emotionally, and I can sometimes struggle with social cues, I'm also very childish, hyperactive and immature, and can be blunt and straight forward with my words. I have a trash sense of humor (I'll basically laugh at anything), tho I do enjoy dark, self-deprecating, and/or inappropriate jokes the most. Since most people see me as "ignorant baby", I like fucking with them by just saying the weirdest shit or casually cursing because I can. Honestly, the amount of memes, shitposts, and copypastas that I've memorized just for the sake of a joke, is amazing.
I'm academically smart to a degree, with a leaning towards the sciences, maths, and engineering. Mostly a big psychology and astronomy nerd and really big into art. I've gotta bunch of sketchbooks and folders full of drawings, (mostly character designs), from over the years and too many damn color pencils (that I will continue to add on too, because fuck yeah colors). I'm really into transformers, comics, anime, video games, and true crime. I like to lift weights and have questionable eating habits (forgetting to eat is a problem of mine so I always have snacks on me, and I tend to eat things I really shouldnt; Ex. Chalk) and basically eat like a famine survivor when it comes to food. I practically inhale my food and I tend to get aggressive if someone tries to interact with me while I'm eating or cooking. All and all tho, I'm mostly here to vibe and just live in the moment.
I have a lot of cat-like habits and tend to headbutt, rub up against, and bite and/or lick people who I like; walk on my toes alot; and prefer small spaces over wide open ones. I'm also really flexible, so it's not odd to causally find me weird ass positions. Gets the nyoomies randomly and struggles with volume control (not helped by me being slightly hard at hearing), so I'll usually pace around while talking and making random noises (echolocalia basically, and I'll mostly beep, meow, trill, make Kirby noises "poyo!", etc.,), and also hand flappy! I also like to sing to myself and have a really great range (mostly on the higher end of the spectrum), as well as decent voice acting capabilities! I mirror things alot, so if I interact with someone long enough, I'll subconsciously start mimicking them and their habits (mostly verbal quirks and accents, but physical quirks too sometimes). Very much prefer hot and humid weather and get real tried/hibernate when it gets colder. For that reason, I've got a huge nest of soft blankets, pillows, and stuffed animals.
i.. . .this was so long.. . .. i love you thank you for sending in a request but note for people in the future please don't make your requests this long it makes it rough on me
this is a good example of the longest request i'll take and this is a good example of the shortest use this to your advantage
i match you wiiiiiith...
Hank!
- Hank isn't sure where you came from but he returned to the bunker with you one day and after the shock factor was over, everyone accepted it and welcomed you in
- they really like your goggles, sometimes they'll point to their own and then point to you, saying that you were matching :}
- he's got a wack mental state too, so he understands a lot of what you're going through and helps you with social cues from the other three, and just is there in general to help out
- you also help them if they feel like they need to lean onto you for comfort or help
- he actually thinks your bluntness is helpful because he's the kind of person is mostly oblivious and doesn't understand what you're saying unless you say it directly and say exactly what you mean
- they love making you laugh at the silliest things. if makes them really happy knowing that they can make you smile or laugh no matter what the circumstances are
- a lot of the time when you say a meme or a copypasta in front of him he won't understand and will ask you what it means
- "one bad gloop and she do what i yoinky two big splurgs and a big gloopy three more yoinks, then i buy me a smoothie poured up a gloop, that's a gloop and a splurgy"
- "...i'm sorry what"
- they really look up to how smart you are and it fascinates them when you'll just ramble about a topic because they know that means you're really interested in it
- you love drawing and a lot of the time you give your assorted doodles to Hank. he loves and cherishes them because what the heck how are you so talented??
- they get onto you for eating things you shouldn't. they want you be happy and healthy, not just the former
- he also enjoys watching you cook whenever you do! he tries his best to help but the big guy has no idea how you do it
- they LOVE your cat-like habits. they love cats. period. any time you'll meow or rub up against them they just melt entirely
- the first time you picked up on something he said and started mimicking it, his initial reaction was :O but it grew more into a :D
thanks for the request! i tried to keep it short with all that you provided me, have a good day my friend
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meruz · 3 years
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Aforementioned long ask post please excuse me while i try to figure out tumblr's new text editor. I’ll get into the art meme questions first and then the rest at the end.
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Ok first of all thank you all for sending in questions! Giving me an excuse to talk hehe. I’ll address these in number order. Here’s a link to the ask meme for reference but also I’ll restate the question for ease of reading.
1. When did you get into art?
Super cliche answer but I don’t remember a time where I WASN’T the weird art kid! I started keeping a dedicated sketchbook when I was about 12? But here’s a page from my kindergarten journal about what I want to be when I grow up.
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2. What art-related sites have you ever signed up for? 
LOL this is a weird question. Not sure why so many people want to know. Anyways I definitely had a dA. more than one dA account. I used to browse oekakis when I was a kid but I think I was only signed up to some small ones that internet friends owned. What else...? Mangabullet,Tegakie, Paintberri, iscribble back when that was a thing, instagram if that COUNTs, I used to post art on livejournal and dreamwidth too. Patreon, I guess. Gumroad, inprnt, bigcartel, storenvy all for selling stuff.
In terms of resources.. I have a schoolism account that I’m sharing with friends. Used to take classes on coursera for free. I signed up to textures.com for work recently haha. I can’t remember if I ever had an account on posemaniacs. Did they have accounts...? I definitely used to visit all the time.
3. Show us your oldest piece of art you have on hand.
Alright here’s me actually logging into my old deviantart account. These are from September 2008 So I was 13 years old. I don’t have a deviantart account from before then because 13 was the required age for having an account and I didn’t want to lie about my age because I wanted people to be impressed by how young yet clearly incredible at art I was LOL.
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4. What defines your artistic style?
You guys are probably more equipped to answer this than me but uh... I wanna say... Focus on colors. And... a slightly heavy hand? Like confident... not always well-considered mark making HAH...
Also I think I have a pretty healthy mix of american comics/manga influences. I feel like people who are into american comics always think my art is too manga and people who are into anime/manga always think my art is too american. And I’m taking that as a good sign.
5. Do you practice other styles/have you tried other styles in the past?
I like to think I switch it up a bunch! I mean, these are pretty different, right?
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I think I’ve mentioned this before but one thing I really took away from art school is that, for an illustrator at least, art style shouldn’t be consistent. Your greatest weapon is changing the aspects of your style based on the task, the emotions and message you want to illustrate etc. So depending on the project I’m working on, the fandom I’m drawing for, whether I want something to be funny or serious or dramatic, I’ll change things about my style all the time.
One thing I don’t rly post on here is really tight polished work and that’s because I do that for my day job haha. If you’re not paying me... I’m probably not gonna color in the lines.
6. What levels of artistic education have you had?
I have a whole ass diploma LOL. Bachelor of Fine Arts in Illustration. from the Rhode Island School of Design. And I had a great college experience tbh. Besides the student loans. If any of you guys are thinking about art school feel free to e-mail or message me questions or concerns, I’ll be happy to help. Be as honest as I can be.
7. Show us at least one picture you drew or sketched recently that you did not put on a public site.
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heres the wandavision kids. Uhh what else do I have...I feel like I’m rummaging for loose change here...
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assorted valentines prep doodles
8. What is your favourite piece that you have done?
Well, obviously this is gonna change all the time and generally it’s gonna be my most recent piece LOL. So yeah, why the hell not. I’ll say it’s this one. I have a pretty short memory which I count as a blessing for an artist. I don’t dwell that long on older work and it keeps me moving forward.
10. What do you like most about your art?
I like that it’s something that only I would make! I had this thought fairly recently and I wrote it down in my sketchbook, it’s pretty cheesy and rambling but it felt revolutionary at the time:
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So yeah. I like my art best when it’s the most me and for me. And I like it least when it feels like I’m just making something for social media or for other people’s expectations or whatever.
14. What do you like drawing the most?
Kids in baggy clothing are like my go-to LOL idk if that’s obvious. but also I like being challenged so lately I’ve really loved drawing multi-character compositions, environments, weird angles, etc.
oh i LOVE drawing the underside of shoes lol. And bandages. People that are kinda beat up.. I think it comes from getting a bunch of cuts all the time. I’m always patching myself up and I want to patch characters up too.
15. What do you like drawing the least?
mmm I try to find something to like in every drawing but lets see... I don’t like doing commissions of people’s dogs. Just because it’s normally like... a family friend and my mom volunteered me without my consent and I don’t even really know what they’re expecting me to draw and I don’t even get to meet the dog. Also I’m not that great at dog anatomy. Trying to learn though.
18. What is your purpose for drawing?
This could have a million answers! Uhhh to GIT GOOD??? But also to express myself... and also to make money... I mean it depends on what the drawing IS. I draw fanart mostly to connect to people in the fandom so if you ever see me drawing fanart please take it as like an open invitation to talk to me about the character haha. 
20. How would you rank your art? (poor, mediocre, good, etc.)
Good!!! I have a lot of self-confidence primarily born out of ignorance and a short attention span. If I don’t think too hard about how many other artists are mindblowingly unfathombly good... its easy to think I’m good too! LOL
In all seriousness though, I think the opinion a person has of their art is like a crazy balancing act, right? Like you have to think you suck enough to want to get better but also you have to think you’re good enough to not want to give up. I think we’re all walking that line, I know I am! But also I’m a glass half-full type of person so. Most of the time I feel good about it.
22. List at least one of your “artspirations.”
This is a good question because I’ve been trying and failing to put together one of those “influence map” memes for like a full month now. What’s giving me a hard time is I feel like none of these are actually really obvious “““influences”““ in my art? Like it’s hard to see a lot of them in the work I make...? But idk maybe you guys’ll see what I can’t.
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And these are just a couple! God there’s so many more. I could talk about other artists for ages, from all different genres of art. Daumier, Rockwell like every illustrator out there, Dana Gibson, Alex Toth, Hiroshi Yoshida, a lot of the Brandywine School. Lots of current working artists too, Karl Kerschl, frikkin Masashi Kishimoto lol, Jake Wyatt, Richie Pope, Edouard Caplain, Matt Cook, Sachin Teng, - lots of big internet artists, Sophie Li, Freddy Carrasco, Milliofish, Angela Sung... like all my friends from art school too. I could just keep going but I’ll stop for now lol.
24. Do you have a shameful art past? (recolour sprite comics, tracing art, etc.)
I mean if that’s how we’re defining shameful?? sure LOL. It’s not sprite comics but I used to do pokemon sprite recolors all the time. And I used to trace manga panels and color them... Granted this was all when I was like under 12 yrs old so it’s not even embarrassing. Can you really call it shameful when a 7 year old wets the bed or whatever? Not really. In fact some of these are cool as fuck. Look
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25. Draw a picture!
Man I’m so tired now but here.
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I used to get a lot of compliments for drawing people smiling lol but I don’t think I’ve drawn a lot of smiling lately.. here’s proof I’ve still got it.
OK MEME DONE. onto the rest.
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I read this ask first thing when i opened my computer in the morning and it made me really emotional.. I’m so glad my sketches could help you!!
I think a lot of artists on social media talk about the struggle of making art but imo not enough people talk about the joy! Like I know it’s corny but. I really meant what I said at the beginning of that sketchbook about re-contextualizing art around process and progress > product and perfection. I think its super important..! The strength of messy, unfinished, and energetic art! For the feeling of it, for the love it!
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That's crazy!!! I hope you like 'em. The whole line of x-books is really good rn imo.
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Hi! I totally have the answer for digital stuff on my faq lol. But in terms of drawing on paper.. it varies! I tend to use sketchbooking and any on-paper doodling I do as a way to loosen up/warm-up or experiment. But right now my go-to aresenal is:
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from top > bottom
- kuretake no.55 doublesided brush pen
- tombow fudenosuke
- muji 0.38 ballpoint
- medium size poscas
- grey tombow double brush pens
- good ol bic mechanical pencil
not EXACTly sure which inking you referring to from my sketchbook but if I had to take a guess it'd probably be the kuretake no55. That's been my main inker, lately. Great for sketching with the thin end too.
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You can print out and eat my art if you like. Just please don't mass produce or re-sell. <3
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Thanks! I've come to accept that my art is always gonna be sort of gestural and painty naturally. It's getting it to tighten up enough to be legible that's hard lol...
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uh yeah lol I agree actually. I think yolei is great.
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I assume these asks are related? LOL
1) Yeah totally true. I love David.
2) I don’t take requests, sorry! But if you want to commission me to draw Legion i would be MORE than happy to. Just e-mail me at [email protected].
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Text
Kintsugi ~ Repairing with Gold
Kintsugi ~ Repairing with Gold  ◆ Ikemen Vampire Fanfiction ◆
CHAPTER 1 - DON’T TELL ANYONE
Words: 2,063
TW: Angst and Hurt ◆ References to Depression ◆ Mental Instability ◆ Mental Health Issues ◆ Implied/Referenced Suicide ◆ Suicidal Thoughts ◆ Graphic Depictions of Sex/Intercourse ◆ Vaginal Sex/Fingering ◆ Rough Sex ◆ Non-con
Pairings: M/F  Leonardo Da Vinci x Seiya Amanogawa [OC] / Comte de Saint-Germain x Seiya Amanogawa [OC]
Chapter Index [ 1 ]  [ 2 ]  [ 3 ] 
                                 ━━━━━━ ◦ ❖ ◦ ━━━━━━
A/N: This is a work of fiction. This is fan fiction for Ikemen Vampire, character designs are owned by Cybird. My story however, features my own OC/MC Seiya Amanogawa who is from Modern Japan/Europe, who travelled to the Louvre for inspiration.
Seiya is female so I will be using she/her as her pronouns. I will also be describing her accordingly. I designed Seiya and she is my Original Character. If you don't like OC+Canon fanfiction, this might not be the fic for you.
                                        KINTSUGI - CHAPTER 1 
                                              Don’t tell anyone
                                  ━━━━━━ ◦ ❖ ◦ ━━━━━━
His golden locks fell beautifully in place, like a masterpiece set within the confines of an ornate golden frame. Right there, in the middle of the museum. The spotlight is carefully placed to highlight the gold that accentuated the piece. And there, in front of it all, with just the right amount of distance, is a lone bench. 
That’s how Seiya saw him. A figure to be admired from afar. A treasure, so valuable and so bright, she steps back, almost instinctively, it made her feel smaller and smaller. 
She would open her leather-bound book. And very carefully, she would write short letters. They weren’t really addressed to anyone in particular. Maybe they were addressed to her future self, who knows? But she wrote them, every single day. It wasn’t her journal either - no - it was far more complex than that.
 Seiya knew in her heart, she wouldn’t be able to bear it, if he ever found out. How much she loved sitting just by the balcony of Vincent’s room during afternoon tea time, so she has the perfect view of the his hands as he gracefully pours tea into the day’s chosen china. 
Viridian, with golden leaves and soft speckles of purple, almost white. She knew they were one of his favourites. Wedgewood. She took mental notes every time Sebastian gave her a pointer not to miss, especially when it came to afternoon tea. 
She would duck her head, ever so slightly, and she would catch a glimpse of his lips, almost looking like they were kissing the fine things and smiling, so perfectly, complimenting the blend Sebastian had carefully prepared. 
It was one of her guilty pleasures. And, it was only after she had shown Vincent what she really drew in her sketchbook that the angel allowed her to use his balcony. 
Vincent noticed her when she first arrived. She was this scared, trembling frail little creature, and he wanted to make her feel more at home. Which turned out easier than expected. She spoke modern Dutch, at the very least the sounds were similar to the older variant. Sometimes, Seiya would hear him speak words that made her head tilt in confusion. But she enjoyed his company. And Vincent felt the same. 
They would often draw together. Vincent with his easel and brushes, and his apron that’s stubbornly stained with paint, and her with ink and paper. She told him how she hated it when her hands stained of charcoal, or anything, so she stuck with inks. She would often grumble, how she missed modern pens and this thing called a brush pen. And Vincent wondered about it often. 
They threw the case towards the makers of the mansion, first, Isaac - who felt comfortable around her, enough to actually draw and fiddle with objects around so vulnerably. Isaac asked for more time, maybe even more materials to create different prototypes. Then, the trio approached Leonardo. And they were able to make something similar to the modern brush pen in about a week’s time. 
And so she drew more and more and more with the brush pen. Funny how she thought, she was using another man’s present to draw another man. And those two men happened to be best of friends. For over a century. Maybe, even more. 
Seiya kept her notebook to herself. The red leather stood out, so she would often wrap it with a soft lace handkerchief that was too big to be folded and tucked into her pocket. She would keep it in her tray whenever she assembled the residents’ meals or changed sheets. Her notebook never leaves her sight. 
Vincent grew curiouser and curiouser every time he would catch a glimpse of the red leather peeking through the black lace. For someone who looked like her, her choice of colour would almost be too bold for a maiden in 19th century Paris. Always black, she would say. Or, if black wasn’t an option, wine red. Or the darkest violet possible.
Vincent remembered the first time he accompanied her to shop for a new dress with Leonardo. They picked up a white dress, made from the finest leavers lace, that she wore with a frown on her face. She covered herself with her arms and asked to change immediately. 
“It’s too bright for me,” she said, and Vincent couldn’t make out if she softly cursed in Dutch, or in Japanese, or a mixture of the two. She would, however, hum in satisfaction whenever she saw black velvet chokers, or black leather gloves, and thinking of that contrast made him smile. 
He noticed how intently she would spend on each of her drawings. And Vincent would hear the silent flicks of her brush. It would be a long steady stroke for a while, and then flicks of texture. And then she would stop, and sigh, wait for the ink to dry and she would close her sketchbook ever so quietly. 
“What are you drawing, Seiya?” he wouldn’t be so bold as to peek over her shoulder as she worked, unlike how Arthur had attempted so many times. Seiya didn’t say much and it was rare to hear her raise her voice even just for a bit, but when it came to her sketchbook, she was vocal and protective. Arthur attempted many times to uncover the mystery of that book, but Seiya never let anyone, not even Vincent take a peek inside. 
Maybe it’s her diary? He thought about this many times. 
Maybe it’s some sort of visual diary where she draws her feelings instead of writing them down. 
Thinking about it like that, Vincent stopped asking her and instead, just enjoyed the tranquility and meditative togetherness of their afternoon painting sessions.
 The only person he thought knew about the notebook’s contents would be Leonardo. They spend an awful lot of time together, after all. Comte had assigned the man to be Seiya’s caretaker, and Leonardo took that duty to heart, sometimes too seriously. 
Sometimes, during their drawing afternoons, Leonardo would suddenly just pop out of nowhere, grab her notebook and throw it in the grass. The first time he did that, Vincent was so shocked his hands stopped painting, his paintbrush falling on the grass unnoticed. 
There was only the sound of the wind, and the shifting of fabric as Seiya smoothed her skirt and walked towards her notebook. She would have a pained expression on her face, and she would wipe her book clean with the hem of her skirt. And Leonardo would just stand there, puffing his cigarrillo in, and blowing it all out with a heavy sigh. 
“Fanculo,” she whispered. And Vincent froze. His neck slowly guided his eyes toward Leonardo, who now looked more annoyed than when he first walked in. 
Vincent usually did not know how to respond to situations like these. Their silence made it impossible for him to intervene. Leonardo was not violent, no, and he wasn’t the type to insult women. But Seiya didn’t appreciate it when someone ordered her around. 
Dealing with Theo at first proved to be one of the hurdles she had to overcome before making the mansion her home, too. Vincent would always remember the face she made when Theo called her a ‘hondje’. And the long road it took for them to actually make an effort to sit down, have an actual conversation and eventually get to know each other. 
But with Leonardo, it was something different. 
Seiya was composed, and usually calm - at least Vincent thought so - he always felt relaxed whenever they were together. Seiya would often say something and he would apologise for not listening carefully to what she had to say. In the end though, they both agreed that it was more that she spoke too softly, rather than him spacing out and not listening. 
Vincent knew that feeling too well. And maybe, it was one of the reasons why they enjoyed each other’s company. Soft souls, his little brother called them. 
But with Leonardo, it was different. 
Seiya acted more like a child around him. She would pout, call him names and he would let her. And then they would retreat to his room. Sometimes the library. Sometimes, her room, very late into the night. 
“I told you. You should stop these silly doodles,” When Leonardo finally spoke, it sounded more like a request than actual lecturing. Seiya would look away, and she would hold her dear treasure closer to her chest. 
Vincent, without a word, held out his hands to both of them, as if trying to stop the eruption that was about to happen. Seiya would whisper, that it was none of his business. That made Vincent realise that her notebook was something more valuable than they all deem it to be. And that it was very personal. And, for whatever reason and content it held, Leonardo was against it. 
He hated it. Vincent could see it. Enough for him to go out of his way to get it off her hands and into the dirt. 
This would happen every now and then, and oddly enough, Vincent knew he should get used to it. 
That evening, Vincent brought her a pot of flowers. Hoping she would calm down. Vincent knew his friend did not like cut flowers so whenever he wanted to cheer her up, he would pick a small pot from their growing collection, and walk it to her room. 
That day, he could remember she argued with Leonardo again. She was upset that he did what he did during their good days. Vincent felt great earlier in the day and wanted to paint, and she too, felt inspiration course through her hands. And Leonardo just shattered that moment. 
Vincent frowned a bit as he leaned against the wall a little further away from the door of Seiya’s room. He could now understand why she was so upset and his heart ached for her. But what he didn’t understand was why Leonardo hated her notebook. Did he dislike that she drew? He couldn’t put his mind around it. 
Seiya stormed out, and ran to the opposite direction in tears. After a while, he found her behind the lush greens of the Gazebo. Almost how a little kid would hide themselves after a fight after an afternoon at the sandbox. He remembered how quietly she cried. And how warm her hand was when he helped her out of the grass. 
They sat underneath the stars, a bench near the gate of the mansion. And there, she showed him. He didn’t really say anything, no, Vincent just sat with her. Hoping his presence would alleviate the stress and agitation she felt. Seiya felt like she needed to tell Vincent what was happening. 
“I’m sorry you had to see that,” Her voice was always soft, like a silent prayer you hear inside a church. You should make out the words, but they would always sound like some foreign incantation made to sound familiar.
Vincent would often lean in and apologise. Asking her to repeat herself one more time, for his sake. Seiya would chuckle a bit and she would take a deep breath and would speak a little louder. 
“Do you dislike Leonardo?” He asked her one time. And she looked at him with the strangest expression on her face. It was as if it was obvious that she did, but she also looked like she was shocked to hear him ask this question. It was hard for Vincent to understand her, most of the time. 
Seiya did not say anything, but she gave him her notebook. Vincent’s eyes widened with interest and curiosity. He was excited and Seiya chuckled when she saw the eagerness in his blue eyes. 
“Are you sure?” He asked just to be sure. It was dark, but he could still see the pink on Seiya’s cheeks. Her hair looked like starlight illuminating her from the nipping dark of dusk. 
Vincent never felt like this before. The build up curiosity all stemming from the enigma that was her notebook, made the first look inside the pages of this mysterious book all the more exciting. He felt like a pirate, opening the treasure chest, seeing the valuable contents for the very first time. 
And then, he stopped. 
“You can’t tell anyone. Please?” 
-To be continued-
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