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#my sexuality? also yes
projectdivamegamix · 2 years
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being bi and genderfluid is following both mlm and wlw blogs but also nblx blogs
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autisticandroids · 8 months
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FAMINE: That's one deep, dark nothing you've got there, Dean.
[youtube with closed captions]
dean and his father. dean and his family. dean and how bad it is.
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(via @closetoyou1970)
#spn#vid#mind the warnings on this one for real#woe! fruit of my rewatch be upon ye.#pallas calls this my 'deangirl coming out vid' which honestly. true. but those who paid attention know i've always been a deangirl.#also. after this no more deanwinchester rilo kiley amvs I Pwomise#anyway. i'm not gonna give a full commentary here but a big reason why i chose this song is that the narrator#is essentially dismissing her own problems and instead watching the problems of someone else#and i kind of wanted to play with that theme. this is the parallels show so let's do some parallels. lots of things happen to characters#that are Like Dean somehow. either in personality or circumstance. that we know or can infer happen to him. but we don't see it bc it's#not sayable. not speakable. so like for an easy one. we see meg being tortured in caged heat. she also talks about apprenticing under#alastair just like dean. so i show her being tortured [in a way that is sexualized and demon-specific] and reacting how she does#because i invite the audience to imagine or interpret that this has also happened to dean at some point. we just don't see it#so there are many dean parallels in this video. some obvious. some subtle but textual. some products of my twisted mind. but that's the way#i am using them to make my argument.#oh also: dean voice sam's eyes going black is JUST like when he used to fight with dad and wouldn't listen to me when i told him not to.#i guess also the point is that because it's unsayable. dean can't say it. dean can't even acknowledge it. and so it bleeds through#into everything in his life#that's why it's important that the song narrator doesn't take her own problems seriously. dean doesn't either.
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kaladinkholins · 5 months
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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*Literally less than 1 second later*
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🤨 📸 
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aclownsclownery · 2 months
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"Aroace people can still date"
Yeah and aroace people can also bash your skull in and thats what this aroace person is gonna do if you keep using this as an argument to ignore a characters identity
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urhighnessbitch · 2 years
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Have a little kinky ask game!! Any question can absolutely be answered using hypotheticals if you're unsure or haven't been in the situation yet <3
1. What are your favourite kink blogs? Why do you like them?
2. What is a popular kink you've never really gotten into?
3. Are there kinks you can see the appeal of but aren't into?
4. Do you have anything you like fantasising about but wouldn't want to actually try to live out?
5. How experienced would you say you are with kink?
6. Are there any kinks you could hold a fifteen minute presentation on without time to prepare?
7. Are there any toys you own or would really like to own? What are they? What do/would you like using them for?
8. Do you have any kinks that you’re embarrassed about?
9. Have you ever been (involuntarily) injured because you were participating in kink? Any funny or cautionary tales?
10. Is there a kink/type of play you like best?
11. What kink would you like to learn more about?
12. Do you have favourite sources to learn about kink from?
13. Who would you turn to for kinky advice?
14. Would you play with friends?
15. How did you pick your safeword?
16. Have you found any things that always put you in the mood to play?
17. Do you like your play (non)sexual?
18. Are there kinks you'd like to engage in but can't? What are the reasons?
19. In what ways has kink positively impacted your life?
20. Do you have any tips for making kink more accessible? Be as specific as you like!
21. Have you found any dynamics you like playing with best?
22. Are there kinks that have grown on you over time?
23. Munches - yay or nay? Any specific reasons?
24. Would you be fine in a relationship without kink?
25. Are there any lesser known kinks you love?
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cyellolemon · 2 months
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Myel's gender thought
(he/she for Myel)
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applebees4prez · 6 months
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when i say that this was my 9/11 i fully mean it. i would pull out my computer and write it myself if it weren’t so personal to dan. i will go into debt to make this happen. @danielhowell if there is anything i can personally to get dan is not okay out into the world i will do it i don’t care if i’m a freshman in college i would die for this.
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pixelatedraindrops · 4 days
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Yuma Month: Day 9: Love
I think that he forgot his love identity too… 💓💦
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findafight · 2 years
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Steve's parents were absent when he was growing up yes we know this is true and so he imprinted on Hawkeye Pierce as the only stable and reliable male role model in his life (circa 1972-1983). THIS is why he doesn't realize his bisexuality is not the standard for everyone because, in my humble queer "grew up watching MASH thinking BJ and Hawkeye are married" opinion, Hawkeye is a fruity little guy. absolute icon of a bisexual. Like obviously so many characters are Queer Icons in Mash (Klinger is Very Obvious and yes I'm in love with him and yes he was an Important Experience for baby me what about it. But also. Henry Blake I see you. Margaret Houlihan you should kiss a woman about it.) BUT Hawkeye is 1) arguably the Main Character 2) openly flirts with men/indicates he is Down To Bone if they are so inclined/implies he is Babygirl Material (??? Legitimately catches me off guard rewatching he's so obvious. Sir! This is a hospital! You have your hands inside a person's guts!) 3) was definitely in love with both Trapper and BJ (I am not taking comments about this at any time) 4) very much Cool Uncle shaped and begging to be imprinted upon by baby gays.
And while YES obviously I believe Klinger was Steve's First Celeb Crush because man's got a Type, he ain't subtle, Hawkeye was the one that ingrained that it's Totally Normal And Straight To Want To Flirt With Men into baby Steve's brain. Like of course Hawkeye was in love with BJ you just don't talk about it for some reason. He doesn't know. Gay people are because they act a certain way? Because they're only attracted to their own gender? He isn't sure and he's not thinking too hard about it. And that's his role model!! Hawkeye is the best! Sure Colonel Potter is the most Horse girl Dad Man of anyone ever, but Hawkeye is So Shaped.
So when he comes out to Robin in a totally bizarre manner ("Robin. Was. Was Mash gay?" "Steve. Babe. what are you talking about." "Like, Hawkeye and BJ? They were kinda gay right? And Hawkeye definitely said stuff that implied he liked men. I am wondering if that's a gay thing." "Steve. Usually when a man likes other men it's a gay thing." "So Mash is gay" "I have no clue. I mean. Klinger was kinda fruity, right? So... Maybe?" "Hm. Huh. Okay so like. Hawkeye liked women right?" "Yes. I do recall he was certainly interested in women" "yeah and he had that girlfriend who didn't want to marry him. But he also liked men. Is that a thing? He had that lady-ex but was also in love with BJ. I thought everyone was like that." "W-why? Why would you think that?" "Because Hawkeye did! And so do I! You know I didn't have many positive male role models in my life so I just assumed that's how Being Straight was." "Steve I love you but being attracted to anyone but someone of the opposite gender is, to me, a decidedly Not Straight thing to do." " "That's what I'm saying, rob! Mash was kinda gay, and so am I!") He speeds past queer crisis directly into "I can't believe I could have been dating boys this whole time too why didn't anyone tell me this earlier." While Robin is bewildered as to how Steve gaslight gatekeep girlbossed his way into and immediately out of the closet.
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snowcapmt · 7 months
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I FOUND THESE COMMENTS IN THE WILD ON INSTAGRAM IF YOU FIND MORE LIKE THIS THAT FIT CERTAIN CHARACTERS PLEASE SEND THEM TO ME LOL original usernames are edited out and replaced for the sake of the OPs privacies LMAO
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anthonycrowley · 5 months
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ten is like crowley in that they both, imo, are in theory bisexual but in reality were really only ever attracted to one person/celestial being so the specifics of their sexualities don’t really matter all that much. fourteen is like aziraphale in that i don’t think he subscribes to the gender binary in any form. he likes men* though.
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shsl-roomba · 4 months
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the dr fandom cant handle wlw ships in any other context than background fluff with no depth
i like sakuraoi and tsumioda ect but they always get woobified and mellowed out like did they SEE 1-4??? aoi did not pull all that to get sidelined as a supportive background lesbian in your ishimondo fanfic
and don’t get me wrong. my girls need a break sometimes fluff is great i don’t have a problem with it. but it’s the constant sidelining of wlw ships in favour of het/mlm ships in pretty much any fandom that gets to me.
and how wlw ships are only acceptable in the community when they don’t have any dysfunction or toxicity, and if the ship does have even the slightest hint of the above qualities it is either mellowed out to the point of being unrecognisable or dumped on with thinly veiled misogyny and homophobia and when i say slightest hint i mean the literally slightest hint. like the girls will argue once and the fandom will label the ship toxic while shipping. fucking kuzupeko or something.
wlw ships are seen almost entirely as a way to get female characters out of the way of mlm ships. in het ships the female character is a tool to develop the male character. they show significantly less depth and probably dies to forward the male character’s development (sound familiar?)
in any situation female characters are characterised by their relations to male characters. a female character’s (usually romantic, or at least interpreted as such) relationship with a male character is their defining characteristic. if said female character is in a wlw relationship they are reduced to their most basic traits while male characters are explored and given depth, and exist in the story only to offer support to the male characters.
i haven’t even mentioned how female characters must be in a relationship to be even remotely relevant in a story, but that’s a rant for another time.
grrah the way that female characters mirrors how wlw ships are treated by the community, and that characters/ships that aren’t completely perfect and deemed acceptable by the community are dumped on by the larger dr community while worse ships or characters are welcomed because they happen to contain a male character is gonna be my 13th reason istg.
anyways this rant is getting long but in summary danganronpa fans hate women and they hate wlw relationships that they can’t jerk off to.
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sugarcoatednightshade · 2 months
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Tired of seeing fic on ao3 claiming to be based off dune the book series when it’s very obvious that the writer has only seen dune the movie(s).
Yes, it matters. Yes, these are very different works. You’re probably doing this for visibility; I don’t care. Archive Of Our Own is a fucking archive, stop labeling your works with a tag you know is factually incorrect. It makes it impossible for me to filter for fics I want to read.
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diviedrawn · 2 years
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Made a silly reel on ig so here’s the panels
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Slowly making my way back into the X-men fandom
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sibillascribbles08 · 6 months
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Been cooking my own tmnt iteration for a while, dunno how much will live anywhere but my brain but I wanna do some refs, so here's the turts!
I've been calling it Teenage Mutant Jazz Turtles or tmjt for short
If you care to hear some more you can peak under the cut
(More refs coming??? eventually I'm still stuck on some designs)
As the name implies, tmjt has more inspiration drawn from musical elements than combat elements. With the turtles not only living in a big ol' tour bus but also attempting to become a competent band after finding their magical instruments. But the ones they discover aren't the only ones out there, and some belong to some pretty nasty characters. (All the villains are gonna have a theme based on a different genre of music!)
The turtles travel and live with their dad (Splinter) and adopted sister (Casey). Originally just trying to survive but that kind of all changes when they accidentally interrupt a plan from the foot clan and not only discover some magical instruments that can turn into weapons, but also an entire world of monsters and creatures when they thought they were the only ones.
Leo is the oldest sibling, but despite this she struggles to be responsible for her siblings after her gender realizations caused a massive crack in her confidence. She's constantly self conscious of how others are perceiving her, even her own family in spite of their boundless support. She's always loved music, thanks to her dad, and dreams of being a singer, but because of how her mouth is built that's also an uphill battle. Her duel katanas can shift into a cello which can put opponents into a trance like sleep. While her given name was Leonardo, she's not sure what she wants to change it to, and simply goes by Leo for the time being. While she doesn't like to show her mouth, her teeth and jaw are powerful enough to bite through a steel knife.
Donnie is the second oldest (by just four days!) and is the one who stepped up to be in charge while Leo figures things out. He doesn't entirely mind the responsibility, though the pressure gets to him sometimes. Especially when Raph decides to criticize his decisions. They're very analytical and logical, their main passion being for mathematics which extends into some of the sciences as well such as physics. They know enough engineering to maintain the tour bus and build a few helpful devices such as their goggles or the calculator in their glove. Donnie puts his passion for math into music, using it to map out patterns for tunes (though not all of them sound good in the end). Their four eyes also have an additional lens to see heat signatures (and their dark vision is incredible). Donnie's clarinet allows him to create visual illusions.
Raph is the second youngest (by four days, Donnie constantly reminds him) and despite his appearance is one of the more level headed members of the family. You kind of have to learn how when your body could release gases that could paralyze your family members. Raph vents his frustration by either releasing gas that Donnie can convert into fuel for the bus or by writing poetry. Not that he ever lets the others read it, but he does put that skill into writing song lyrics. While he keeps cool and collected he still loves a good brawl, and will happily spar with anyone (usually Casey). He just leaves a lot of the destruction to his younger sibling, unless someone in his fam gets hurt, then the gloves are off. Raph is fiercely protective and will square up if someone so much as looks at one of his siblings funny, especially Leo. His high emotions are often why he and Donnie argue. Raph's trumpet can cause phantom pains in the skull, though he rarely has to use it give it how potent his gases can be.
Mikey, the youngest, is a tiny terror and he not only knows this, he takes great pride in it. Mikey enjoys causing chaos for the sheer joy of it, and enjoys it the most when Raph will simply hurl him at opponents for him to latch onto. Over the years he's learned to climb very well with his four arms, going up trees and buildings with ease which can make him very hard to chase after. Despite his love for trouble, however, he can be just as sweet, though his desire to do good deeds for his love ones can be a bit misguided at times (no Mikey you can't just rob the ice cream stand stop). Unfortunately as long as it keeps hiding behind Raph when the consequences happen, it may take some time to grow up (not that it has any interest in doing so right now). Mikey's drums allow him to create intense vibrations in the ground, enough to topple some buildings.
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