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#my portrayal of tim is perfect to the show's with the exception of him being trans and my coltim plot with my irl partner
rhymingteelookatme · 3 years
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The Dolls of New Albion 2014 review
Production details:  Clockwork Hart Productions, presented at Corpus Christi Auditorium, Corpus Christi College, University of Oxford.
~First of all, I know a low-budget production when I see one; I’ve been in a fair few myself. I have all the sympathies. I do feel they made the most of what they had vis-à-vis set pieces, lighting, etc.
~I loved the costume design, by and large, with only one exception: the opening ensemble outfits. The actors appeared to be cosplaying as Annabel’s notes. It was mean of me to laugh, I know; thank god they couldn’t hear me.
~Deeply appreciate the visual signal of actors portraying dolls by putting a line of buttons straight down the center of each of their costumes.
~Give it up for our own Ben Below on the drums and accordion!
~The Narrator is engaging without being ostentatious. And, oddly, she is also barefoot. They must keep that stage very well swept indeed. 
~Act-by-act notes under the cut.
Act I
~Annabel had the acting down, if not always the singing. She was charming and I enjoyed her portrayal so very much. That’s a face to win hearts on sight.
~The dual portrayal of Jasper in Act I- the dancer as his soul, the singer as him in the doll- excellent choice, excellent. Doesn’t hurt that dancer!Jasper is so skilled. Those legs! For days I tell you! And then we hear the singer hit the perfect reedy timbre to portray the doll’s radio “voice”, and I was completely sold.
~Jasper’s makeup design: also excellent. Really hits the center of the Venn diagram between ventriloquist dummy, the emcee from Cabaret and the Somnambulist from The Cabinet of Dr. Caligari. Eerie and sympathetic and compelling. Those little bee-sting lips! Love that! Not to mention that neat triangle design beside his left eye, which also manages to look like a skewed capital A. Annabel bby you wanted him to be your angel so much, I’m so sorry.
~The dancers during “Annabel Has A Doll” are the perfect expression of Annabel’s mood during the bulk of that number.
~It was certainly a choice to depict the destruction of Jasper’s initial doll body via the ensemble-as-notes snapping his neck. 
Act II
~What’s it time for? That’s right, it’s time for OUR OWN TIM LEDSAM AS EDGAR, WHAT WHAAAT!
~He looks so good. So good! Again, I’m sure they’re glad I wasn’t there, as I would have been barely able to contain my squees the instant he came onstage at the top of the show. Now here he is with his goggles and his hair all neatly braided back and his snazzy pinstripe SUIT, oh my GOD-
~Of course I took pictures. I’ll be posting those separately. They’re kinda fuzzy screencaps but I will Take what I can Get!
~Ah yes, the restaurant song, for which my note reads “TIM MY BOY WE DINE AT CHEZ REHEARSAL BOX.” Again, I fully recognize the limited budget here, but something about that damn rehearsal box wrapped in black tablecloth is just so funny and I’m so sorry. 
~Very good choice of Fay; she acts the part well, and as a bonus her voice sounds v. nice with our Tim’s. 
~His face, his face, I know he’s merely portraying his heartbreak in stellar fashion but it breaks our hearts to watch. 
~Oh look, it’s the return of dancer!Jasper, along with what seems to be dancer!Annabel, during “The Old Trunk in the Attic.” I like that choice a whole lot! It works well with the ghostly melody. 
~Tim finds a fur-collared coat in the said trunk, not only Annabel’s notes. Yes! Add that bulk to your shoulders, that’ll show you’re a Snappy Entrepreneur. 
~”Edgar Builds A Business” is so well staged: Tim standing on the rehearsal box that was our erstwhile restaurant table, whilst three dancers perform as dolls around him. He has an excellent air throughout of that false self-deprecation that can so greatly aid salesmanship. 
~Then of course we come to the deeply skeevy coercion of Fay, for which the box becomes a table once again. Loooove the way Tim/Edgar arranges the bottle, glasses and chairs just so. 
~Dang, Fay, slugging right from the bottle. She’s got the fire. 
Act III
~Three words: Byron’s leather pants.
~we LOVE those leather pants, they are sending me beyond space and time
~I spy those stripy Sally-esque socks on Amelia. I see what you’re doing there, costumer. And then they even have her do the left-hand-clutching-right-forearm pose during “The Movement 2.” Oh yes, I see what we’re doing here.
~Byron really has the spirit, well done that man. The foolish grandstanding in his speeches, the barely-contained inner torment over his hopeless love for our unfortunate doll.
~Don’t think you can hide our Tim from me, I see him in the ensemble. Got a shot or two of him here as well. 
~The general look of the Voodoopunk costumes is, again, a Choice. I will say that the silvery circle pendants indicating membership in the cult sometimes sit confusingly with the buttons on the dolls. I also wonder whether the cast members were given some free reign to choose their own costumes for this act. Visually they do all mostly hang together. 
~Did we mention dancer!Jasper’s unhinged shoulders? He has those. It’s incredible.
~”Elysium” staging was a beautiful thing: doll!Jasper gets to move freely as the rest of the cast remain frozen, staring at the spot from whence he begins and ends the song. Note how he pays attention particularly to Amelia. Also, at some point he’s acquired gold eyeshadow, and it really accentuates those soulful eyes. 
~What’s this? Why it’s a lightning fast appearance of Tim as Amelia’s horrible father during her last number. An unexpected bonus for we Mech fans. 
~Said final number ends with Amelia up on the infamous rehearsal box, one arm raised, falling backwards into the arms of a select few ensemble members. Unclear whether this is meant to depict hanging or a deliberate casting herself out the window. 
~Slightly underwhelmed by “Bonfire of the Dolls” and Byron’s performance therein. However, I do like the dance in the red spotlight to cover the rest of the cast as they flee offstage to change costumes for the final act.
Interlude
~Oh, I know, I know, this could have been a perfect Jonny song. 
~The Narrator has been shedding costume elements throughout the show; she now appears in the core of her costume—that is, her pants, white shirt, necklace, and omnipresent off-center head goggles.
~Love to watch those dancers whirl round and round to the accordion refrain. Although I do question having them keep it up for the duration of the number, considering that the Gambler (hi, Fay’s actress) and Monk are sat on the floor. Could we not have moved the rehearsal boxes further downstage? Let them sit on those?
Act IV
~Priscilla is very sweet in a desaturated green floral dress. Then she opens her mouth and she sings just as sweetly as she looks. A feat, considering that she and Jasper are also on the ground with their own eternal card game. It’s not the easiest position to sing in, let’s put it that way.
~The soldiers’ white full-face masks are extremely creepy; a fantastic design choice. However, it is odd that only Soldier 7285 gets a snappy hat to go with his costume. I suppose hats wouldn’t stay on with the masks.
~There is a tendency, and I fully recognize this in my own attempts at casting, to assume that it’s not important if Soldier 7285 isn’t the strongest or most in-tune singer. This could not be further from the truth. He gets the final emotional punch of the show; he needs to be every bit as good as our other named characters.
~Dancer!Jasper returns, this time with a dancer!Priscilla, during the actual P & J’s first duet. This is some good stuff, but I did find it a bit distracting, despite the clear intent to have the choreography reflect the content of the lyrics. It would perhaps have been better to have them accompany “Priscilla Contemplates.”
~Instead, a few ensemble members come on to gesture rhythmically to our final heroine’s solo. However, Tim is among them, so I am pleased to watch him.
~The soldiers are miming their weapons, which I suspect was deliberate rather than a mere lack of funds.
~Oh, it’s the return of the neck snap to send our poor Jasper finally back to the afterlife. And he has an excellent death pose. Priscilla, meanwhile, gets gunned down in a hail of invisible bullets. This is realistically excessive.
~Again, I feel terrible for laughing, but the way the other soldiers leave the stage one by one so that 7285 can have his big solo moment strikes me funny.
--And then it’s bows time, and I cheered wildly for our Tim and Ben, and I had a marvelous time overall!
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captainshazamerica · 3 years
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The redhood nightwing fight scenes look like they're gonna be dope af like thats all I'm thinking about how awesome the fight scenes are (hopefully) gonna be (I'm already finding it difficult to see this jason as redhood cuz he's like literally a child but I dunno what age he redhooded in the comics so??)
I had no idea tim was even gonna be in it !?! Can I please get some kind of recognition from the batboys that they actually view each other as brothers and family! 😢
Someone needs to kill the joker It'd be kinda interesting if old bruce killed joker and it'd be nice if that was the last thing he did as batman buuuttt then again it'd be a nice touch if dick killed joker for jason, it would personally be disappointing if joker was just let live not gonna lie i really want bruce to kill him and that be the reason he gives up being batman because he failed to protect jason and then he broke his no killing thing so he just hangs up the cape
we are getting FEAR TOXIN yassssss cue awesome nightmare ish fearscapes (no idea if that's an actual word but that's what I call when you get to see everyone's fear hallucination)
Kory I love you, I do ship dickkory however I feel like she's too good for dick and should marry me instead lol I wanna see how donna is still alive? and I know there's people who are like ughh hank dawn go away already but I really freakin like hank and dawn as characters even though their suits are ridiculous did they break up last season I can't remember? Hank needs a break poor man someone give him a blanket and a hug and let him sit the fuck down everybody leave hank alone
That line where babs is like don't try be your father and dick is like excuse me what you saying there Commissioner Gordon, that will never not be funny 😅😅😅
I ain't in love with this show it has so much potential it could be so lit but I do like it anndd they got suits now whoop!
Wait is this my previous Titans anon? (The one where we ranted about Jason, or the one thinking they hadn’t seen S2 but went to watch it and realized they had? Or are you the same person? xD )And if so are you the same one who asked for the comic and fic recs? Just wondering in terms of if I’m talking to one person or not hahaha
But ahh I got so excited when I saw I got an ask about this 😍
Omg the nightwing red hood fight already got me so stressed lol. It looks great but ahh angst! But I think Jason is like 19ish in most versions when he comes back? Though tbh I forgot what age Jason is in this , I’ll have to see when i rewatch it soon. Curran, the actor, is actually 23, he just looks super young/short. He got pretty buff though. But yeah, that is an unfortunate thing wi the them rushing it already but also, I’d rather have it like this than if they were gonna spread it out through the seasons then it gets cancelled or something (poor Gotham s5, RIP). I think he was the PERFECT robin jason Todd though. Like I love his acting and portrayal of Jason(“Titans are back bitches!” classic Jason), he just is young looking and short. Gosh I still wanna know if they are going with the Lazarus pit for Jason or not! But like that also begs the question of whether they are doing a time skip cause normally Jason is dead for like 2-3ish years, but it doesn’t look like it from the trailer.
And yes, I’ve been looking forwards to Tim!!! While the trailer didn’t show it, the actor was on set a lot over these last couple of months (I’ve been keeping up with their instagrams xD) and seemed super close with the cast! I can’t believe the first look we got if Tim was him nearly crying, though that look already won me over, I love him and he is my son now. But RIGHT! That’s all I want, is the bat bros platonic love, gosh dang it😭 that’s all we want DC😭
BRO! OLD MAN BRUCE KILLING JOKER WOULD BE FREAKING PERFECT. Dang it! Now I’m gonna be so disappointed if that doesn’t happen 🤣gosh it would be perfect, and normally I would be like it’s Bruce, they would never do that, BUT, this show does that kind of “edgy” stuff anyway so if it’s ever gonna happen(without the Batman who Laughs plot line happening(which would make a perfect dc animated movie btw)), it would happen in this show, especially with what was shown in the trailer with him giving Batman up. Man, now my hopes are up for that xD though I wouldn’t mind if Dick killed him. I would be shocked though if they had the balls to actually kill off joker though, dc seems to refuse to do that :/
Omg I squealed at the scarecrow part omg. Dr freaking Crane is a big reason I spiraled down this entire fandom tbh. Like literally a year ago I got obsessed with him for some reason and that led into the Bat hole where I am currently WAY deeper than I ever would have thought 😂 and while I’m not hyper fixated on him anymore, I still love him so much and is my 2nd fav rogue, and it mainly started with Jonathan 🥺 we barely even see his face and I am already in love with the casting, the voice is perfect. And I LOVE when villains have to help the heroes, that is like one of my fav tropes ever omg, I was really hoping they were gonna do that to him. I hope he is in it for more than one episode tho. And oh lordy, like those poor Titans need even more trauma in their lives and now fear gas is in the equation. Oh no, I bet poor Gar is gonna get hit cause they just love to torture that poor boy. And tbh I hope the fearscapes(perfect word for it) will be better than most of the Gotham ones, those seemed a tad cheesy tbh
Lmao about you and kory😂 she is too good for him, but also, this Dick needs someone who can kick his ass and get his head out of his martyr butt 😂 tho tbh, I’m still not fully sold on Dickkory, Like I don’t hate it but I don’t LOVE it in many versions, like they can be cute but no strong feelings, the Original Teen Titans cartoon is like the only exception, I def ship those 2
Omg I low key forgot Donna “died”😂🤦🏻‍♀️ I feel like I knew it wouldn’t last so it didn’t have a big impact on me lol. Like I had/have a feel raven is gonna bring her back. I wanna know what happened to Rose/Joey! Like are they not gonna be in it at all? Especially with Jason going off the deep end?!
Lmao, hawk and dove’s suits😂 I think they did break up, I’ve only seen the series once through tbh, planning to rewatch before S3 tho(and try to force my mom to watch it tho she is convinced everything DC is too dark for her lmao), yeah, I don’t mind them, like I don’t want the focus on them but like they deserve to be happy/need a break, omg yes! That boy needs to be wrapped in a blanket and given a break, that grumpy boy is TIRED. Let him rest!
Lmao! That babs line is so great😂
I’m just so excited for all this live action Batfam content, considering the live action movies NEVER give us Batfam 😭(we aren’t talking about the 80’s/90’s live action robin lmao)
Also so sorry this was so long 🤣🤦🏻‍♀️
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Ian Martin’s Strange Paradise, Part II: The Top 5 Worst Things
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Last week, I listed my top five favorite things about the first 44 episodes of Strange Paradise, when Ian Martin was headwriter and when the show had a very different feel to it than in the final four weeks of the Maljardin arc. But no creative work is perfect, and, despite my fondness for this show, I’d be lying if I said I didn’t think that the writing for early Maljardin had several glaring flaws. Unlike Danny Horn, I don’t think that Ron Sproat was a better writer than Martin (actually, I consider Sproat the worst writer on SP), but that doesn’t mean that I don’t also feel that his writing needed some improvement. Note that this entry is specifically about the writing during this period, so things outside his creative control (e.g. the Conjure Man’s questionable casting) will be excluded from the list.
That said, here are my top five least favorite things about the writing in the first nine weeks of Strange Paradise:
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5. Cheesy dialogue
More specifically, (1) bad jokes and (2) slang that was already outdated when these episodes originally aired in 1969. This one is #5 because, while these lines are cheesy, I can’t hate them because most of them make me laugh. Even my personal least favorite of Jacques’ jokes, the “pose” line from Episode 18, is kind of funny in an ironic, anti-humor sort of way, like the dad jokes that have become fashionable in recent years. While there are some jokes in this show that I find genuinely funny--Elizabeth’s Song of Solomon joke, for instance, or “the lady doth detest too much”--most others are the epitome of cornball. Sometimes you hear both in the same episode: Episode 21 is loaded with Devil jokes/puns that would be unforgivably corny if Colin Fox didn’t possess enough charisma to sell them, and yet the same episode also features a genuinely hilarious double entendre. The good jokes sneak up on you, sometimes amidst a hurricane of bad ones.
As for the slang, some comments that I’ve read mention that it was largely out of date even in the late sixties. My good friend Steve (with whom I often discuss SP) has told me that “you might not be aware of how campy that slang sounded in 1969 since you obviously did not live through the Sixties--this happened with a lot of TV shows during that period, the most egregious examples being the various ‘evil druggie Hippie’ episodes of DRAGNET.” Apparently Martin became infamous for using outdated slang later on when he wrote for CBS Radio Mystery Theater, putting lines like “I dig a man who’s far-out!” and “I think bein’ around here’s gonna be kicks!” in the mouths of some of his younger characters. Even if he had used up-to-date slang, it most likely would have still aged poorly (as slang typically does), especially for generations born after phrases like “the most” and “making the ___ scene” fell out of use.
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4. Slow pace and excessive repetition
This one is also low on the list, because slow pace and repetition weren’t flaws when the show originally aired, but instead have aged poorly because of advances in technology that made them unnecessary. Before the advent of the programmable VCR, you had to be able to catch the program you wanted to watch on time or have someone you knew catch it on time and record it--which, in 1969, would have meant an audio-only tape recording. This meant that only the most fortunate and/or most loyal viewers would have been able to watch Strange Paradise every day, making it necessary to recap all the major events in subsequent episodes for those who missed out. This is also likely the reason why early SP (like most soaps of the time) has a relatively slow pace: if too much happens in one episode, you have to recap more and the people who missed the big episode are more disappointed.
Nowadays, with DVRs, video streaming, and DVD sets--not to mention certain legally-questionable means--it’s nearly impossible to miss an episode of your favorite show (with few exceptions), making extensive recap largely obsolete. Screenwriters can cram as many plot points as they want into one episode and no longer have to write five episodes of the other characters reacting to the news if they don’t want to.
Even so, just because the constant recap served a function at the time doesn’t mean I have to like it. It gets annoying hearing the same plot points reiterated episode after episode. Like I said while reviewing Episode 21, “if someone were to remake this show for Netflix or another streaming service, they could safely ignore about 75 percent of the original scripts and condense the remaining 25 percent quite a bit without omitting anything important.”
And don’t even get me started on the lampshading of absent cast members, like in Episode 9 when Jean Paul and Quito wasted two minutes searching for Raxl just to slow the plot down. It’s nothing compared to Ron Sproat’s “we must search for Quito” filler episode in Desmond Hall (Episode 78), but still, those scenes were pointless.
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3. Extreme artistic license with certain historical/cultural details
Although Ian Martin did a surprising amount of research on certain subjects for Strange Paradise, there are some subjects where he either didn’t do enough research, or (more likely) made extensive use of artistic license. The first one is his portrayal of Jacques’ wife Huaco as an Inca princess despite their marriage occurring over a century after the fall of the Inca Empire. I discussed this all the way back in Part II of my review of the pilot, where I invented the theory of Jacques traveling back in time to marry her, but other possible explanations include Huaco being a 17th-century descendant of Inca royalty (as the Quechua people are still alive today), extreme artistic license, and/or critical research failure. I don’t know if we would have eventually gotten a good explanation if Martin had continued writing the series, but we would need a damn good one for the approximate equivalent of having a 21st-century character marry the Russian Grand Duchess Anastasia. I’m willing to suspend my disbelief and accept it considering that this is a fantasy series, but it still creates a lot of plot holes that need to be filled.[1]
Another example of artistic license about which I feel more ambivalent is the conflation of voodoo with the Aztec-inspired indigenous religion of Maljardin, which I’ve discussed before both in my Episode 23 review and Part I of this post series. I’m not sure if this is genius--religious syncretism is a real phenomenon throughout the Caribbean and Latin America, and some people today do syncretize the vodou Serpent God with Quetzalcoatl--or just an instance of Martin playing fast and loose with facts. I would like to think it’s the former, but it could just as easily be the latter (hence why I referenced it on both lists--I have mixed feelings about it).
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2. Annoying inconsistencies
Does Raxl know that Jean Paul is possessed by Jacques Eloi des Mondes? Does Vangie? Why does Jacques’ portrait disappear in some episodes after he possesses Jean Paul, but not in others? All three of these things vary from episode to episode, and change annoyingly often as the plot demands. Steve and I have also discussed this subject in the past, and he believes that Martin used this device to make the story easier to follow; if that’s the case, it appears that he used Raxl and Vangie as audience surrogates, especially for new viewers or people who didn’t tune in every day. But surely there were other ways to do that without creating continuity errors? It may have served a function, but that doesn’t make it good writing. What Martin is essentially doing is filling and reopening the same plothole, episode after episode.
Regarding the portrait, I don’t know how much to blame Martin’s scripts for this inconsistency and how much to blame the directors, as I don’t have access to any SP scripts beyond the pilot script and the Vignettes. However, I’m going to assume that he’s at least partially to blame, because at least the pilot script mentions the disappearing portrait (which literally disappears in all three of the Paperback Library novels), Also, while none of the characters ever mention the portrait vanishing (unlike in the tie-in novels), some of his episodes have characters looking at it while Jacques is controlling Jean Paul and commenting on the uncanny resemblance. See also the diegesis tag for more discussion and analysis of the disappearing portrait.
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1. Tim’s subplot
It should surprise none of my regular readers that Tim’s subplot is my #1 least favorite thing about the first nine weeks of Maljardin. I’ve already written an entire post about why I dislike this subplot, so I’ll keep my discussion of it here brief. Jean Paul saves the life of artist Tim Stanton when he hires him to paint Erica’s portrait, but then does nothing to make the commission easy for him--which is not a bad set-up for a plot in and of itself, but the execution is terrible. Tim chooses to use Holly as his model despite her barely resembling Erica, and Martin mostly uses their subsequent interactions to drive the old, tired, clichéd plot where two people who bicker and hate each other at first eventually fall in love (or at least he appears to be setting that up[2]). The payoff for the Holly portrait subplot finally occurs in Episode 33, but it’s underwhelming (not to mention barely recapped) and the already bland Tim quickly becomes a background character. In short, his subplot is a boring waste of time and should have either had more payoff or--preferably--been scrapped altogether.
That concludes my list of the worst things about Ian Martin’s Strange Paradise. Stay tuned for my review of Episode 45 within the next two weeks.
{<- Previous: The Top 5 Best Things }
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[1] Interestingly, there is a possible (if unlikely) historical explanation for Huaco’s sister Rahua having “skin as white as goat’s milk” and “hair like ripened wheat.” An early Spanish account of the Chachapoya people (aka Cloud People) of the Northern Andes describe them as “the whitest and most handsome of all the people that I have seen, and their wives were so beautiful that because of their gentleness, many of them deserved to be the Incas’ wives and to also be taken to the Sun Temple.” Assuming the Spanish account isn’t made up, this proves that reality is sometimes unrealistic.
[2] Thankfully, given the soap opera genre, it’s unlikely that Tim and Holly would have stayed together forever, even if they had eventually fallen in love during their painting-and-bickering sessions. Even so, that doesn’t make it a good subplot.
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loisinherlane · 3 years
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damian and cass!!!!
rimi i love you. you are a god among us mortals.
Damian Wayne
Sexuality Headcanon: Gay. I could take him as bi, but he’s not straight. He is, however, still young and figuring this out. Gender Headcanon: Trans boy. One of the many things he shares with Tim that he is not happy about sharing with Tim. I’ve also liked demiboy or other nb headcanons I’ve seen for him! In general, this baby’s got some Gender. A ship I have with said character: Jon Kent/Damian, but very specifically as adults, like waaaaay in the future. I’ve got Opinions. A BROTP I have with said character: Maps Mizoguchi! Maya Ducard! Colin Wilkes! Jon Kent! I also like Damian and anyone in the Batfam because my baby deserves all the attention. A NOTP I have with said character: So sorry to have to say this clearly, but all the Batfam ships. Disgosting. A random headcanon: Best Ending: Damian stops being involved in hero work to be a civilian. (He’s a veterinarian and runs an animal sanctuary with Jon Kent.) Good Ending: Damian stays involved in hero work with his family. Bad Ending: Damian goes back to the League of Assassins. Worst Ending: Damian goes back to the League of Assassins and is a villain. Note: I like Bad Endings sometimes, but it has to be done RIGHT. For an actual headcanon, he idolizes Cass the most of all his family, which is why he can get shy around her. He feels like he needs to live up to the example she seets. General Opinion over said character: He’s..... baby. I love him so much. I think his character development is fascinating, and he really does try so hard. I also love his friendships. Damian has friends as messed up as him who give him that Connection and friends who are normal enough to show him how to be a kid. Good boy.
Cassandra Cain
Sexuality Headcanon: Lesbian babey!!! Her het relationships are comp het. Gender Headcanon: Woman but not like hard woman. She does not think too hard about gender. A ship I have with said character: StephCass. My gorls... A BROTP I have with said character: StephCass again. Tim and Cass are cute too! Can’t forget Babs and Cass either. Their relationship is so special. A NOTP I have with said character: Repeating what I said about. Don’t ship the Batkids. (Stephanie is an exception because she is not one of Bruce’s kids.) A random headcanon: Cass’s body language reading ability allows her to know people’s sexualities and gender better than they can, sometimes, but this does not allow her to put it into words. Because these are things that are complcated and can change over time, everyone else’s lack of surety in their sexualities can confuse her about her own. (Is this... the premise of my soon-to-come fic, maybe? :3c) General Opinion over said character: I love her!!! I got super nervous reading her solo series because I was worried about their portrayal of her speech and language disorders. It’s not as bad as I thought, though I will acknowledge that it’s not perfect. Also she’s a lesbian. I said this above, but I can’t help thinking about how comp het her short-lived relationship with Kon was.
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writersblocktango · 5 years
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Fan-Casting the Batfam
So DC Titans has me super pumped and hopeful for the future of DC’s favorite family. In my opinion, they absolutely nailed casting Dick and I have great aspirations for their casting of Jason. But who else will fill in our favorites?? Here’s how I imagine it.
To remind you here’s Brenton Thwaites as Dick Grayson and Curran Walters as Jason Todd.
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So there are our first two batsons, but what about the Bat himself? Now, I’m still holding out for Titans to unite with the DCEU, but should that not happen, I envision either Jason O’Mara or Thomas Gibson playing the caped crusader. They’re both exceptional intense actors and have both already voiced Batman in the cartoons. Who could be more perfect?
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Next we have to cast the first of the Batgirls. Certainly no damsel in distress, Barabara “Babs” Gordon joined Batman’s side soon after Dick’s departure in the comics as the kickass sidekick Batgirl and later became her own heroine known as Oracle. Smart, driven, and fiery I see her being played by a quippy and quick-tongued Carson Young.
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Next comes another fan-favorite member of the Batfam: Timothy Drake, Robin III. Now there was originally a huge campaign for Ryan Potter to play Tim, but for obvious reasons (hello Beastboy) that won’t be happening. But who will fill that spot? Tim is a genius and one of the first people to ever discover the identities of Batman and Robin I, and after the [[SPOILER] death of Jason Todd 😭], Tim approaches Bruce and asks to become the next Robin, realizing how much Batman needs Robin. Most importantly, Tim has to be wickedly smart and full of a dark dry sense of humor. He also struggles with severe anxiety, depression, and sleep deprivation, as well as a run in the comic books where he’s turned into a broken minion of the Joker, so whoever plays him will have to add a great deal of depth and nuance to the character. I imagine Cameron Boyce, Israel Broussard, or Froy Gutierrez as being equal to the task, and while I can see each of them bringing something special to the role I would admittedly like to see Israel Broussard (pictured center) take on the cowl most of all.
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After Tim came Cassandra Cain, expert martial artist and all around lethal weapon. Raised with limited human contact with the sole intent of being formed into the worlds greatest assassin, she becomes a ward of Babs, at the behest of Bruce Wayne, after saving the life of Babs’ father, Commissioner Gordon. Cassandra soon becomes trained as the next Batgirl and later becomes her own interpretation, Black Bat. Cass is often quiet and somewhat aloof, not having a childhood, friends, or family before. Her portrayal will rely largely on physicality and body language. Depending on what age she’s meant to be portrayed as I can see Lana Condor, Arden Cho, or Jamie Chung taking on the role.
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After Cassandra, the next person to join the Batfam was Stephanie Brown. Daughter of a Gotham criminal and villain, Cluemaster, Stephanie donned the alter ego of Spoiler to patrol and stop her father’s schemes. Deciding she likes her life as a crime fighter she continues patrolling and begins to connect with Robin III, Tim Drake. Later, at a point when Tim is away, she even dons the Robin suit basically demanding her way to Batman’s side as the first female Robin, and still fights even after Bruce demands she give it up. Stephanie embodies the perfect balance of style, joy, enthusiasm, fire, whit, and confidence. That being said, I imagine her as being played by Hunter King or Ellie Fanning.
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Next we have the youngest member of the Batfam and another fan-fave, Damian Wayne. The only biological child of Bruce Wayne, Damian was born from an ill-advised tryst between Batman and, sometimes enemy/sometimes lover, Talia Al Ghul. Raised as the inheriting leader of the League of Assassins and only deposited at his father’s front door around age 10, it’s fair to say Damian has some pretty serious issues. He struggles with morality, compassion, self-control, boundaries and authority, but hey growing up is hard. It’s also important to note that for a while, after [[SPOILER]the supposed death of Bruce Wayne], Damian serves as a sidekick and almost as a son to Dick. Depending on what age they decide to go with I’d like to see Damian played by Robert Daniel Sloan, Ethan Andrew Castro, or Aidan Gallagher.
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Later, after Damian mellows out a bit, Batman takes on another sidekick: Duke Thomas. One of the latest additions to the Batfam, Duke is one of many in Gotham to take up the role of Robin in the year that Batman goes missing. Bruce later brings Duke into the fray integrating him into Wayne Interprises during the day, and training him to patrol as the hero The Signal by night. While I can imagine lots of people bringing this well-meaning justice seeker to life, my favorite for the role is Alfred Enoch.
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And finally, last but not least, we have the latest edition to the Batfam Harper Row aka Bluebird. A punkie Gotham engineering student, Harper feels eternally grateful to Batman after he protects her brother and herself from being assaulted in the streets. But how can he show this gratitude? By suiting up and joining him on the streets as the crime fighter Bluebird of course! Known for her purple hair and being a bit of a wild card, Harper is brilliant and talented but volatile, and effortlessly cool. I’d love to see her played by someone equally as awesome such as: Victoria Justice, Paris Berelc, or Sydney Park.
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*BONUS ROUND*
We’ve already seen Wonder Girl, Donna Troy, in Titans and a few members of the Bat Family, but what about the Superman family? If we’re expanding the DC Universe and possibly setting up Young Justice they’re essential, so here are my casting ideas for Conner “Kon-El” Kent and Jonathan Kent.
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Max Lloyd Jones as Connor Kent and Noah Schnapp as Jon Kent.
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weekendshowcase · 7 years
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Spider-Man Returns Home
by Antonio Garland
     Spider-Man: Homecoming, the newest Spider-Man film, is properly titled as it symbolizes Spider-Man’s reunion with the other Marvel heroes since Marvel found its new home at Disney. Guess Disney and Sony finally broke bread with each other on how to share Spidey.
    Without giving too much away, the film follows the events after Captain America: Civil War, with Peter Parker attempting to prove to Tony Stark, aka Iron Man, that he should be made a full-fledged Avenger. However, Mr. Stark isn’t as enthusiastic, especially with Parker still being a high school student and Stark dealing with his own business and affairs.
    Off the bat this film gets points for not being another origin story. While this is technically another Spider-Man reboot, it doesn’t tell the same story of how Parker became Spider-Man. I mean we had two film series before that did it since 2002, so why should we have to do it all over again? Even before the film begins, Spidey is already an established character—not enough to be an Avenger, but enough to where people knows who he is.
    Speaking of which, this Spider-Man is portrayed by actor Tom Holland. This portrayal is more lighthearted and adorkable compared to Tobey Maguire and Andrew Garfield’s versions. Here he’s seen as an awkward teen still in high school with one close friend (portrayed by Jacob Batalon) and is a bit of a nerd with a crush on the hottest girl in school, Liz (portrayed by Laura Harrier). The love dynamic doesn’t really hit it as you could tell that she was much older than a high school student. Other characters include Zendaya’s character, who’s just sort of there, Tony Revolori as the designated school bully, and of course the typical Stan Lee cameo.
    Another mandatory character was Aunt May, played by Marisa Tomei, whom I always personally thought was cute. Her version of Aunt May is much younger than other portrayals and is somewhat more relatable to Peter, being more of a mother than a grandmother. She really doesn’t appear too often; actually, the whole Uncle Ben story was only referenced once by Peter. This was a good thing since we all already know the story and by telling it again would have taken away from this movie’s main focus. Pretty much, she was in the parts she was needed in—short, sweet, and to the point.
    Of course I couldn’t talk about the film without the main antagonist. Michael Keaton portrays the aerial villain Vulture in the film. When I first heard this, of course I thought Keaton trading his batwings for feathered wings was wonky, but unique. Is Beetlejuice really going to be a serious threat now? Joking aside, I liked Keaton’s portrayal of Vulture. Structure-wise, it seemed that the villain just sort of shows up now and then and near the end they attempt to dump character development to give him purpose. However, character development or not, there’s just something about Keaton that lights up the screen and makes you look forward to seeing him. Maybe it’s because I grew up on the Tim Burton Batman films (and Beetlejuice), but I always liked Keaton. Vulture and other villains did feel evil for evil’s sake, and while he does have motivation for doing what he does, it still felt generic. When you see Vulture appear on screen, he does feel intimidating coming down from the sky. During his confrontations with Spidey, he felt like a threat and like there were stakes against him.
    One final character I want to mention is another obvious one, Tony Stark/Iron Man. Robert Downey Jr. is his typical snarky self here, and added much of the comedy in the film. I did like the way he was portrayed as a mentor/older-brother type who never stole the spotlight from Spider-Man. Well, maybe except for one scene at the end of the second third of the film. Then again, that did add development for Parker’s character later on.
    Since this is a more lighthearted film, there are plenty of jokes to go around. While I felt one or two were a bit cheesy, none of them overstay their welcome (looking at you, Family Guy). Many jokes revolved around Spidey’s clumsiness and awkward moments. Most of the film felt this way; however, it only really felt serious when Vulture appeared and during an earlier bank robbery scene. It was mostly comedic but serious when it needed to be, such as dealing with Peter’s teen angst.
    Visuals were pretty good. However, I wasn’t really a fan of the CGI Spidey. I felt it was overused just a bit and seeing so much CGI, you can easily tell the difference with its artificial jerky movements. Also, I’m not too much of a fan of Spidey’s new squinting eyes, though there is a comedic moment halfway through involving them that I though was pretty funny. Vulture’s mechanical suit was done excellently and you could feel the weight of him when he came from the sky. He often felt like an evil version of Iron Man with his suit and mechanical gadgets. I did have an issue with another villain that appears in the film (well, actually two), as the visuals of what they did in the film didn’t accurately portray the character.
    Overall, I really enjoyed the film. It was bright, colorful, and fun—something that many superhero films these days don’t really do. The music was appropriate for the moments it appeared in; I was surprised to hear A Flock of Seagulls in this film. As I mentioned before, it’s a reboot without retelling the story. In my opinion, the better superhero movies are usually those that have an already established superhero. All the actors chosen were good, though I felt a few were just kind of there. There isn’t a lot of character development, especially with characters barely appearing, but you quickly get over that by focusing more on the jokes and visuals. Though this review may seem negative, I still give the film an 8 out of 10. It may not be perfect, but if you like lighthearted fun, you’ll find yourself enjoying it.
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nintendoduck-blog · 6 years
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The Ultimate Christmas Movie List!
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The Ultimate Christmas Movie List!
It’s that time of the year again. Merrymaking, friends, family, gift giving, eating and drinking – Christmas is most definitely upon us.
Christmas movies are a fun way to get in the Christmas spirit! Enjoy the best Christmas movies in no particular order, from old school classics like Miracle on 34th Street and It’s a Wonderful Life, to newer favorites like Elf and Arthur Christmas, for a festive evening at home.
I’ll admit, I also have that Christmas 24 TV channel on all the time over Christmas. I have a love for cheesy, predictable, cheaply made Hallmark Christmas movies. You know the ones where the two main characters find true love through a series of Christmas related mishaps? Usually involving a cute kid and the real father Christmas. Perfection.
The Ultimate Christmas Movie List:
The Muppet Christmas Carol (1992)
The Ultimate Christmas Movie List!
I am not exaggerating when I state that this is the best Christmas movie of all time! This is all despite some of the worst on screen singing in a musical of all time by Michael Caine – and some of the cheesiest song lyrics ever to grace our ears.
This movie is a masterpiece that celebrates a classic Charles Dickens tale, Christmas and Fun. It combines masterful storytelling with world class humour – with just a dash of pantomime fun.
Everyone needs to see this movie at least once in their lives. But you should preferably watch it once a year at Christmas, whilst snuggled up with loved ones and friends.
Polar Express (2004)
The Ultimate Christmas Movie List!
A modern yet retro take on the Christmas theme. The ideals and hopes of one young boy with new acquaintances and friends, are all express-bound for the North pole on Christmas Eve. An almost ethereal town-scene is created as Santa and his elves bring a certain rational to the festive gift-giving extravaganza. A real North Pole community, a real Santa and real helpers assist the film to appeal to both old and young alike. Most of the characters learn something about themselves on this journey north, largely courtesy of Tom Hanks’ ticket collector but in the end the festive feeling of warmth and goodwill rounds off a quite delightful film.
  Mickey’s Christmas Carol (1983)
The Ultimate Christmas Movie List!
An excellent re-telling of the Dickens’ classic. Also a wonderful reunion of classic Disney friends who have not appeared on the screen in a very long time. Characters from “Ichabod and Mr. Toad” appear in here (including Mr. Toad himself as Fezziwig) and of course, the original classic Disney villain, Pegleg Pete, take a terrific turn as the Ghost of Christmas Yet to Come. The Giant from Mickey & The Beanstalk is here as the Ghost of Christmas Present. Jiminy Cricket as the Ghost of Christmas Past. Goofy as Jacob Marley. The list of classic characters just goes on and on.
  Home Alone (1990)
The Ultimate Christmas Movie List!
Introduce your kids early to the ‘Home Alone’ movie, and I can almost guarantee they will love it. More over, it will become a Christmas tradition in your home for years to come.
Macaulay Culkin stars as Kevin, a young lad who feels like a fish out of water in a family who doesn’t treat him with any respect. This Christmas, he is accidentally left behind while his family flies to France on holiday. He isn’t all that upset about that, and enjoys all the trappings of being able to do what he likes in the house all by himself. However, he finds himself having to defend his home against a pair of idiotic burglars. Laughs and action in equal measure are ensured.
Christmas with the Kranks (2004)
The Ultimate Christmas Movie List!
This is one of those films that divides opinions. For some it’s rubbish, for others it’s a masterpiece. In my household the Christmas season doesn’t truly start without having watched Christmas with the Kranks. It’s a fun movie about a couple trying to skip Christmas because their daughter has gone to join the peace corps, but the only problem is they are from a very traditional christmassy neighbourhood, who are adamant they will follow the Christmas traditions i.e. putting up frosty the snowman. Great fun, never seems to get old (we’ve watched it for over 10 years now) and full of true christmassy spirit! We absolutely love it!
  Home Alone 2 (1992)
The Ultimate Christmas Movie List!
‘Home Alone 2’ is an exception in the movie world, it’s one of those sequels that is every bit as good as the first, if not better.
The quite brilliant Macaulay Culkin reprises his role as Kelvin, whose family, as strange as it might seem, somehow manage to leave him ‘alone’. He makes it to the airport this time, but whilst his family hop on the plane to their holiday in Miami, Kevin takes the wrong plane to New York City. Of course, the resourceful kid ends up having the time of his life in the big apple, but there are lots of twists, turns and adventures along the way. The rest of the main original cast are also in here, including the hapless bandits who have escaped from jail, as well as a wonderful part for Tim Curry as a hotel manager.
It’s funny throughout, particularly heart-warming towards the end, and just good fun. As the second doesn’t follow on from the first, you can jump straight in and watch it without seeing ‘Home Alone’, but I can almost guarantee that you’ll want to watch it more than once.
  Elf (2003)
The Ultimate Christmas Movie List!
Ferrell starts as Buddy, the ‘elf’ of the title, a baby mistakenly taken to the north pole and raised along with the rest of Santa’s elven helpers. As he grows up he can’t understand why he towers 4 feet over all the other elves, or why he doesn’t have pointed ears? Eventually, he learns of his origins and sets off to the big city to find his real father.
Once there, he becomes comically confused by the modern day interpretation of Christmas and starts to despair when the true spirit of Christmas seems to be lost. Think of this film as a cross between Dudley Moore’s ‘Santa Claus The Movie’ and Steve Martins ‘The Jerk’ and you will get the idea. Most of the fun in this film comes from Ferrell’s charming and at the same time manic performance, and he clearly carries the whole film, although the supporting cast are also strong.
A wonderful family film, this is one the most delightful Christmas films ever made!
  Arthur Christmas (2011)
      The Ultimate Christmas Movie List!
The plot centres around the dysfunctional Claus family – three generations of them, anyway – each beset by their own insecurities, age-related issues and family disputes, apart from the family matriarch, a kind of Christmas Wonder-Woman, clad in plaid sweaters and capable of phenomenal technical feats and knowledge.
Comparisons with that other animated Christmas features are inevitable, but where that was almost industrial in its portrayal of the Christmas concept, Arthur Christmas is delightfully cheeky and very British. Laughs abound, with a lot of fun being poked at Sat Navs, bright children, discordant family Christmas dinners, youthful enthusiasm and board games but, working on several levels, the film also examines frustrated ambition, competitive families and misguided motivations. It’s rare, but this film pulls off the trick of appealing to all ages yet avoiding sentimentality.
  Miracle on 34th street (1994)
The Ultimate Christmas Movie List!
Out of all the films which have a Santa in them, I have to say that this is probably the best. The story is basically this; Kris Kringle is the department Santa at ‘Cole’s’ and when rival toy stores realise that they are losing business, they set about trying to get rid of what they consider to be, an old loony who claims that he is Santa. But they are very wrong.
The plot of the whole film is great, the acting can’t be faulted, especially from Richard Attenbourgh who plays the role of Santa very convincingly. If you are looking for a nice festive film that you can warm to immediately, and that the whole family can enjoy, then this is the film for you.
    National Lampoon’s Christmas Vacation (1989)
The Ultimate Christmas Movie List!
For those of you who are unfamiliar with the Griswolds, Clark is food additives expert who works for a company that doesn’t appreciate him. He sets high standards for holiday events that no one can live up to and is notorious for dragging his grudging family along on every painstaking detail of every scheme.
But now Clark just wants to stay at home in the snowy Chicago suburbs for a ‘fun, old-fashioned, family Christmas’ and he’s going to let nothing stop him. His enthusiasm for the holidays manages to infect the audience and you’ll be rooting for him the whole way. He’s an anti-Scrooge and if you’re having a Christmas crisis then you need to watch this movie. Any disasters can be overcome.
But that’s easier said than done. He didn’t bargain on bickering family members, a house covered in non-working Christmas lights, a seriously over-cooked turkey, snotty neighbors making fun of him or Cousin Eddie and his family turning up unannounced to sponge some Christmas cheer off him. This movie has become a Yuletide classic in this house and must be watched every year. Since Christmas is full of annual traditions this film is definitely one you should add to the list.
  All 3 Tim Allen Santa Clause Movies (1994, 2002 & 2006)
The Ultimate Christmas Movie List!
There are some movies that just have to be watched every Christmas, and this is one of them. It is a feelgood film for a feelgood time of year. The story is simple. Scott Calvin (note his initials) is a divorced father who frequently lets his young son down due to his busy working life. That is until he accidentally kills Santa Claus. To his disbelief and dismay, and his sons delight, he has to become the new Santa. The film follows his changing life and attitudes and shows the newly developing relationship between father and son. There is nothing taxing or complex about this movie, just a heartwarming, funny story that is ideal for all the family. Watch and enjoy.
  How the Grinch Stole Christmas (2000)
The Ultimate Christmas Movie List!
Jim Carrey stars as the onion eating Grinch, who resides upon mount crumpet. Who’s contempt for the happy-go-lucky people of Who-ville has made his heart 2 sizes too small. When he decides to sabotage Christmas for all the residents of Whoville he comes upon little Cindy-lou Who, who teaches him the value of Christmas and family gatherings etc. As the story unravels you find out why his heart is undersized, and why he shuts himself off from Whoville. Anthony Hopkins narrates. An all round feel good comedy, suitable for all ages.
  Jingle All The Way (1996)
The Ultimate Christmas Movie List!
Who would have thought one of the greatest action hero’s of the cinema, would be in a Christmas kids film, about a father trying to get his son a turbo man doll for Christmas? Arnold Schwarzenegger plays Howard a man on a mission to get his son the present he has always wanted, TURBO MAN! Still even though it’s a kids film that doesn’t mean there is no action. It has comedy, action, happiness and a great level of Christmas fun.
  Santa Paws 1 & 2 (2010 & 2012)
The Ultimate Christmas Movie List!
It’s Disney, it’s got Santa Claus and talking dogs so how could it not be great family entertainment? Yes small children get locked in the basement by the wicked witch type character and yes Santa does appear to be on his deathbed but everything is made right in the end by love and the magic of Christmas, that’s what its all about. The movies tell a timeless story about love and Christmas in an enjoyable way and it’s great fun.
  Rise of the Guardians (2012)
The Ultimate Christmas Movie List!
This is a wonderful story for the whole family. It’s brilliant from the word go, just one word of warning, really young children might get a bit scared of the baddie! What makes Rise of the Guardians such a fun movie to watch is that it has the same story concept that made Marvel’s The Avengers fantastic. Team up all your favorite heroes against a common enemy, in this case it’s not against the God of Mischief, but rather the Boogie Man himself.
We have all watched Santa and Easter Bunny movies, but when have we ever seen them teamed up? The Guardians are a super hero team comprised with unique team members with specific skill sets. Sandy (The Sandman) has an intense, almost Japanese anime style, battle with Pitch using the powers of his shape shifting sand. E. Aster Bunnymund (The Easter Bunny) has an Australian accent and duel wields boomerangs that he accurately blasts demon nightmare horses. North is a warrior armed with two cutlass swords and drives a sleigh. Guardians may not have Joss Weadon writing and directing the movie, it does have the vision of Guillermo del Toro (Hellboy franchise/Pan’s Labyrinth/Book of Life) as the film’s executive producer.
  It’s A Wonderful Life (1946)
The Ultimate Christmas Movie List!
Frank Capra’s seasonal classic originally began life as a Christmas card and amazingly was a big flop at the time of it’s release. It was only through television showings that it became one of the best loved movies of all time. Strangely enough for a movie which turns up most Christmases. It’s actually a quite dark movie taking in despair and suicide.
James Stewart was born to play George Bailey and Donna Reed is beautiful as his wife and then there’s Henry Travers, unforgettable as Clarence the guardian angel. Sentimental without being slushy this is a movie that demands you feel good having watched it. An essential part of Christmas. Every time a bell rings an angel gets his wings!
  Scrooged (1988)
The Ultimate Christmas Movie List!
I watch this movie several times each year, starting about October time and finishing with a Christmas eve viewing! Its an excellent, entertaining, funny, emotional and heart-warming version of A Christmas Carol. The ending scene and end-title soundtrack never fail to bring a tear to the eye and a warm fuzzy feeling. Light those candles, pour the mulled wine and enjoy!
  The Holiday (2006)
The Ultimate Christmas Movie List!
A romantic comedy set in two locations; Surrey, England and L.A, USA. When Amanda breaks up with her cheating boyfriend, she decides she needs to get away from it all so she searches online for ‘vacation hotspots’. While trawling through the internet, she comes across a House Exchange. Where she meets Iris, a writer for who also wants to get away from it all. The two decide to swap houses for two weeks, so Iris jets off to L.A while Amanda is stuck in Snowy Surrey.All in all a definite must have in your movie collection.
  Meet Me In St. Louis (1944)
The Ultimate Christmas Movie List!
One of those nearly perfect movies: a film musical that incorporates its story and songs seamlessly. Featuring a cast of superb performers and all the technical ‘know how’ that Old Hollywood was so great at. Recreating a world gone by that the movie audience could step right into, in this case 1903/04 St. Louis, Missouri. Judy Garland added to her immortality with this portrayal of a young woman in love with ‘The Boy Next Door’. A family comedy/drama with dark overtones, this beautiful Technicolor musical is one of the great classics of Hollywood’s Golden Age.
  The Family Man (2000)
The Ultimate Christmas Movie List!
One of Nicolas Cage’s best performances. The Family Man is just great entertainment. Cage plays Jack Campbell who is a wheeler-dealer on Wall Street, wealthy, womanizer who loves his Ferrari! One night he says the wrong thing to an angel. Who decides to give him a glimpse of what his life could have been had he made a different choice. He wakes up the next morning in the arms of Kate and two adorable children! There are so many laugh-out-loud moments, as well as moments that will bring you to tears, and an ending that doesn’t spoon feed you an answer.
  Trading Places (1983)
The Ultimate Christmas Movie List!
Mark Twain’s The Prince and the Pauper has seen many incarnations from Disney to The Simpsons. But none have been as funny as Trading Places. Which proves just how funny Dan Ackroyd and Eddie Murphy used to be.
Louise Winthorpe III is a spoiled, snobby managing director at the Duke & Duke commodities brokerage. Billy Ray Valentine is a poverty-stricken street hustler. Randolph Duke makes a wager with his brother Mortimer that the men can be successfully swapped. The con is on as Valentine is plucked from the streets and Winthorpe is ungraciously dumped on them. There’s loads of fun watching him hit absolute rock bottom while Valentine quickly becomes spoiled and snobby himself.
Who cannot resist Eddie Murphy’s foreign exchange student disguise or Ackroyd’s Lionel Josef. Even the gorilla in the train is a brilliant character. For those of you who love dark, cruel comedies Trading Places is utterly essential. It may be very 80s, but it never gets old.
  Gremlins (1984)
The Ultimate Christmas Movie List!
Gremlins is one of those fantastic Christmas films that can be watched anytime. But has an added magic when watched during the Christmas season. It’s a film that nearly everyone has seen and so unites the land in the knowledge that a gremlin can only survive for so long in a microwave. The film is playful and fun, so as a child I loved it. It courted controversy when it first came out but it is essentially a family comedy and the violence is basically cartoon style and adds to the general naughtiness of the film.
The film was a marketing success with the cute Gizmo and a few Gremlins with distinct individuality. The humour of the film was typical of the emerging comedy-horror genre of the 80s. With other blockbusters such as Beetlejuice, Critters and Ghostbusters. The film was always going to be a success and a family favourite.
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What Rear Window Taught Me About Our Current American Moment
I have always wanted girls to like me. When I was younger, I studied leading men in movies and on television, hoping to develop an arsenal of moves and phrases that would keep my lips in business regardless of my proximity to jukeboxes I would coax music from with one perfect slug. But somehow, my voracious gaze usually internalized the quirky sidekick so instead of accessing my inner Fonz, I wound up acting more like Ralph Mouth.
In retrospect, I understand that my chief obstacle to achieving studliness was the fear that for all I wanted from whatever girl I liked, I had little to offer her in return. I was too young to recognize how badly I was objectifying the fairer sex, and too cowardly to realize that I’d learn more from talking to them than I would from men onscreen, but I did sense there was something fundamentally unjust about my approach to women. To glorify my girl troubles, I convinced myself that undermining my own desires was a form of beauty worship- that I was protecting the people I liked by keeping my filthy paws to myself (which of course, I did with vision-compromising frequency). Maybe I sensed that the comic relief was also more introspective and self-deprecating than the hero and thus more kindred with me. But whatever the explanation I was an absolute mess of competing desires and fears. I lacked clarity.
So of all of the lady killers I guru-ized, from nebbishy Dr. Bricker charming the pants off of passenger after passenger to street smart David Addison making some weird toast to a lady at a bar and jump-cutting to putting his clothes back on the next morning to Brando wiping an eyelash out of a damsel’s eye as pretext to kissing her, the strongest impression I got was from Jimmy Stewart’s portrayal of J.B. “Jeff” Jefferies in Rear Window. While Jimmy Stewart wasn’t as obvious a surrogate of romantic overachievement as Richard Dreyfuss or Woody Allen, he neither was as beautiful as Paul Newman or Brad Pitt. His attractiveness relied heavily on his personality. Hoping against hope that my own personality was still fledgling enough to sculpt into something charistmatic enough to make Grace Kelly throw herself at me, I replayed every interaction the two actors had, hoping to crack the code for what made a creature that delicious fawn so shamelessly over a tortoise-like fuddy duddy, and maybe more importantly, how he handled it without betraying any sense that his reception of her unbridled affection sullied her beauty. And what I found was that, in line after line, he remained steadfast, unruffled by any temptation his girlfriend offered to coax him from his principles. Never mind how easily he was drawn into Perry Mason’s backyard intrigue, the more interesting story for me was how he faced off with a woman far more self-possessed than any I had ever met, and emerged equanimous, his code dominating hers. The chief quality his character exuded was clarity (romantically, at least).
To extend the analog, I did not start ferreting out heinous national crimes until George W. Bush was sworn in. Much like our current moment, my outrages and heartbreaks were daily. And really it was not until his winning a second term (still can’t call it a re-election) that I was able to calm down and realize that the apocalyptic tenor his opposition assumed was a tad overheated. It’s not that I thought he was a good president or even decent human being, overseeing the most violent foreign policy of my lifetime and snickering all the way. But I began to understand that my own life was only different by knowledge of events far away from me. And the local injustice I did combat had very little to do with W. None of his supposed draconian domestic policies affected me at all. And moreover, I noticed how unflappably Bush administration officials would react to damning evidence presented by news program moderators. And while I question the validity of the principles they clung to, there is no question that they withstood the onslaught of opposition through firm rooting in some central idea that was more important than whatever cudgel of facts Tim Russert employed to unmoore them.
Trump is not like this. He’s undisciplined and insecure. But he champions one idea and it’s what delivered him those rust belt states on November 8: America First. I have paid close attention to Steve Bannon, not to look for evidence of his evilness, but for the source of his strength. America First. Strange as it may seem, no public figure has been touting that as clearly as Trump has for a very long time (with the notable exception of Pat Buchanan, but somehow he frightens people that Trump doesn’t). Regardless of their cultural sophistication, vast segments of our populace believe that American sovereignty has been undermined by soft immigration policies and globalist trade agreements. I am well aware that our current economy would not benefit from tariffs and mass deportations. But I am also aware that us coastal elites don’t give a shit about American First. Meanwhile, the Sconies, Michiganders and Pennsylvanians sure as hell do.  This is their lodestar, and why they think we’re dumb no matter how smart we think we are. Whether they’re right or wrong is beside the point. The point is American nationalism has been given a bad name and right wing talk radio has spent the past 20 years priming its audience to fight back against maligners of our sovereignty. Why does America First feel so threatening? It’s not a question to be answered by an argument packaged by Rachel Maddow or Charles Blow. It’s a question for us to grapple with individually, without all the media noise. Do we want to grant citizenship to anybody who shows up? Do we want trade agreements that bleed jobs by the millions in favor of cheaper goods? Many of us on the left expect the top 1% to pay more taxes to fund programs to help the poor. Would we be willing to pay extra for clothes and electronics if it guaranteed more jobs for men and women struggling to put food on their tables?
We are in a heated moment and if I get any reaction from this (or if anybody reads it at all) I would anticipate it to be pushback against any advocacy of normalizing Trump. And I am sympathetic to that vigilance. And I remain virulently anti-Trump myself. But I am wary of the chasm between resistence and support. Like many marital arguments, I suspect a lot of I’m right/You’re wrong could be ameliorated if not upended by greater communication. I see so much eagerness for scandal and disaster, so much longing for vindication. It’s natural. But setting aside what a gaping, fetid asshole Trump is, what idea do we have that’s better than America First? Because when the most prescient man in America doesn’t understand how resonant a message is, how can we justify skipping our own personal recalibrations?
Fight for refugees, fight for immigrants, fight for workers, fight for minorities, fight for the press, fight for your neighbors and yourselves. But while you’re at it, see if you can reconcile inclusion and sensitivity with a shoring up of American sovereignty. It’s actually not that hard. And it will help us win.
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