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#my hustler 1966
falsebooles123 · 1 year
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An Incredible Long Couple of Weeks. Diary of a Big Ole Gay.
Hey Whores, this is going to be a really long post because I may not have the energy to finish this this week.
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So I guess I haven't done one of these in about two weeks and a lot of that is me being very busy. Last week of March I was working on like fifteen million different articles and videos and other content creation thingies and the first week of April literally started with my co-worker HAVING A MENTAL BREAK AND LEAVING TO THE OTHER SIDE OF THE LITERAL COUNTRY.
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(i'm posting a funny GIF but I'm actually kinda pissed)
so instead of having a lot of great help to ease into running a full ass kitchen by myself doing 70 heads a day. I was doing this with exactly one other person doing the bare minimum to help me. It was a lot of hard work, and of course it went great. But I was extremly exhausted.
I also didn't watch that many queer films because of it.
but lets get into it.
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Reflections in a Golden Eye (1967) dir. John Huston
OK so I don't remember a lot about any of these films because I watched this one in particular, *checks notes* the 27th of last month. Yeah theres a reason why theres no date on this one.
So this one I think is based on a book or something and features Marlon Brando being a CLOSET HOMOSEXUAL. oh also he stays right in that closet.
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(god this gif is something else. so creepy)
Hes like yeah I'm going to spend this entire movie staring at this naked guys ass, (yeah I'm not going to explain the plot your'll either love this movie or hate it but you can't say it doesn't have a plot), but I ain't going to act on it. I'm just going to fight with my beautiful neglected wife who beats my ass for beating her horse.
See the relationship is super toxic but its liz taylor and Marlon Brando so its also the hottest thing ever.
anyway lot of repressed homos in the background of the entire rest of the plot. One of the more fun dramas I watched cause it was MESSY!
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Flesh (1968) dir. Paul Morrissey
ok so Flesh is one of those weird cineme verite movies that Morrissey made and it is very artsy and very gay but there isn't actually any guy on guy stuff. The main actor spends most of his time naked, and some of that is like eroticized but also its kinda meant to desexualize nudity. Or rather the film is using casual nudity as a way to lampshade the way we objectify people because after we see this long scene were hes just laying in bed with his dick out (relatable), we get a 5 minutes scene of him starting his day buck ass naked feeding his 1 year old real daughter a muffin. they actually use that as one of the posters
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so like yeah hes naked but hes clearly not erotised in that moment in fact even though the main character is a hustler he never actually has gay sex on screen. His only client is a man who wants to draw him for like classical sculpture. Hes someone whose literally objectified scene for his body and not as a living person.
OMFG am I a film critic or something.
anyway this is another pretty cool film and especially something gay people should watch even through there isn't that much PDA.
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Funeral Parade of Roses (1969) dir. Toshio Matsumoto
ok first look at this iconic photo.
Pretty this follows a bunch of transwoman in like Tokyo just honestly vibing and being faggot punks. We love, we stan, we support.
theres a lot to enjoy about this film and honestly just iconic trans woman you need to watch this. oh also all these ladies are straight so theres no gay kissing.
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My Hustler (1966) dir. Andy Warhol, Chuck Wein
NOTE: This is a clip from the 1961 SPORTS THRILLER "The Hustler" but also this is pretty good dupe to the experience of My Hustler
Yeah so My Hustler is the story of a rich gay bringing a gay whore for his vacation and then having his fag hag friend and then the hustler friend show up and they all get in to this contest about whos going to fuck him. So I guess more objectification of men through the queer lens. Noone actually fucks him and its a lot of naturalistic dialogue. Its warhol you get it.
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The Children's Hour (1961) dir. William Wyler
Ok so Childrens Hour is about Audrey Hepburn and her GAL PAL Shirley McClaine who run a school together. They are in fact just roommates but doesn't stop snot nose little brats from spreading rumors that like she totally saw Mrs. Hepburn drowning in pussy. So yeah they have there lives ruined and there not even dykes da fuck. Its very Tea and Sympathy in that regard about how homophobia hurts those that arn't even faggots. Y'know the innocent. /s
except it turns out that Shirley McClaine is in fact like a totally LESBIAN HAROLD. and this was the push she needed to admit how fucking gay she is for audrey hepburn, (which like we get it girl it audrey), oh and then she fucking kills herself. Thanks I hate it.
The movie up to that points pretty good.
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The Leather Boys (1964) dir. Sidney J. Furie
ok so this is another British New Wave movie and it manly follows this newly married couple. And like the wife Dot, is literally the worst fucking person. She spends all her money on her hair which 1. He doens't like and 2. Doesn't even look good on her. She doesn't have a job and she doesn't keep the house. And then she won't move into his mom's house after his dad fucking dies and his mom literally can't take care of herself which like sorry girl I get if you don't like your mother-in-law but um kinda a consequence of marrying someone at some point you kinda have to deal with there parents getting old and dying. Oh also shes cheating on him. SPOILERS.
Anyway so they spend most of the time seperated while this guy sleeps with his best friend.... in like the same bed. hahaha not like in a gay way that would be ..... gay.
Also I'm totally sure his best friend isn't like a faggot or something.
Yeah, basically this guy was sleeping next to a gay guy the whole time and everytime his friend was like "omg babe lets ditch your looser wife, (can confirm she sucks), and move to america together" that he meant it in like a gay way.
and so the dude just fucking leaves. Honestly I would try sucking dick just once if I was him. You guys have a great relationship and your wifes a bitch.
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Advise & Consent (1962) dir. Otto Preminger
The Best Man (1964) dir. Franklin J. Schaffner
just going to throw these together. Basically there both about some future were the president wants to nominate some dude and people are like ew no. also some random other person is getting blackmailed for being a faggot in the war. Yeah both of these movies have like the same exact plot.
I like The Best Man a little bit more but there both kinda awful. Also Betty White is in the first one and SHES A SENATOR. yaaaas girl.
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Manji (1964) dir. Yasuzo Masumura
THESE LESBIANS ARE TOXIC.
Like don't get me wrong they kiss, they suck, they fuck. Lot of Women absolutely just being the most, this is the most lesbian thing I've seen.
Oh also eventually they start a death cult it goes to some really weird places. Also theres like three remakes.
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anyway whores, sorry that its taking so long for me to post this diary update. I'm going to draft the next post and try to get it out by the end of the month. Thanks love you.
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cultreslut · 5 months
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my hustler (1966) dir. andy warhol & chuck wein on archive.org
"Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy’s companionship via a “Dial-A-Hustler” service." synopsis via tmdb
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bitter69uk · 1 month
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“Andy Warhol’s Lonesome Cowboys may be a bit too much for many people, but that’s their problem. Lonesome Cowboys is a magnificent and very funny satire of the American Western that is liberally seasoned with our favourite 4, 8, 10 and 12-letter words and a cornucopia of carryings-on that is – in combination – perhaps unprecedented.”
/ Critic John L Wasserman of The San Francisco Chronicle /
Released on this day (5 May 1969) at New York’s Garrick Cinema: Andy Warhol’s joyous, freewheeling homoerotic X-rated Western parody Lonesome Cowboys (tagline: “Definitely not for the young-uns!”). I vividly recall seeing this one at an impressionable age at London’s legendary much-missed grindhouse sleaze pit Scala Cinema in the early nineties. (I say “sleaze pit” with love). I caught many Warhol films there (including Couch (1964), My Hustler (1965) and Chelsea Girls (1966)) and the pattern was consistent: the theatre would start full, there would be a steady drip of walkouts who couldn’t cope with Warhol’s “challenging” pacing and filmmaking choices, and by the bitter end there was just a handful of hardcore attendees left. I for one found Warhol’s underground pop art cinema entrancing (and sexy as hell). I haven’t seen Lonesome Cowboy in decades, but I remember it featuring Warhol’s most beauteous leading men (Joe Dallesandro, Louis Waldon, Eric Emerson and Tom Hompertz), a glorious moment of Dallesandro (in tight white jeans) go-go dancing with Taylor Mead, and a long, meandering monologue from Viva.  
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usafphantom2 · 1 year
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MAY 8, 2022
Life and death in the ‘Delta Queen’: My time on the B-58 Hustler supersonic bomber
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Fast, accurate and survivable, the Convair B-58 Hustler was a sexy Cold War totem. Its glamour belied the grimness of its intended role as a strategic nuclear bomber, a task it thankfully never performed. As we find out from Colonel George Holt Jr – a Navigator/Bombardier on this Mach 2 monster – the Hustler was a brilliantly engineered and utterly potent aircraft retired in its prime. Holt was part of the B-58–equipped 305th Bomb Wing at Bunker Hill AFB (now Grissom AFB) close to Peru, Indiana from 1960 to 1969.
What was the best thing about the Hustler?
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It had a very high probability for penetrating enemy defenses and accurately delivering its weapons on assigned targets.
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..and the worst?
My brother, Tech Sergeant John Holt was assigned to B-58 maintenance from 1963 to 1968. He noted that the B-58 experienced excessive downtime after a mission, as discrepancies had to be cleared before the next flight. Before any maintenance could begin on the aircraft, a ground air conditioning unit had to be hooked up and cooling air had to be supplied to the aircraft before he could turn the power switch on. Unlike most bombers, the Hustler was a very tight aircraft and panels had to be removed before most maintenance could begin.
Then there were the ‘Hangar Queens’ those few aircraft that had numerous repeatable maintenance problems that no one could figure out. Quite often, those problems were associated with the Bomb/Nav system. Lt. Colonel Tom Hatch remembers one flight where the Bomb/Nav system started to overheat and the air conditioning was switched to ‘reverse flow’— a condition that forced cooling air into the electronic equipment before entering the crew station area. On one mission, the heat was so unbearable that he had to strip down to his bare chest. However, incidents like this were the exception rather than the norm and in May 1968 the entire fleet of B-58s started receiving an improved version of the AN/ASQ-42 Bomb/Nav system, along with new technical data and spare parts. In my three years of flying in the B-58, I never experienced a ‘reverse flow’ condition.
Some maintenance personnel said they “hated working on this airplane” but in almost the same breath, they would say, “they wouldn’t trade it for the world.” Like the aircrews, the B-58 maintenance folks were an elite group and proud to have worked on the Hustler. They were the best, and the best way to measure their performance is to note that B-58s, on a daily basis, were able to meet their SIOP (war plan) commitment of having 32 alert-ready aircraft, refuelled with weapons loaded and ready to go to war at a moment’s notice.
What was its Cold War tasking?
It was in the bomber component of the United States nuclear triad consisting of land-launched nuclear missiles, nuclear-missile-armed submarines, and strategic aircraft with nuclear bombs and missiles. Each B-58 alert crew stood ready to launch within minutes of a confirmed attack on the U.S. to deliver five weapons on assigned military targets in enemy territory.
What were you first impressions of the B-58?
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In the Spring of 1966, my Wing Commander of the 509th Bomb Wing at Pease AFB, New Hampshire asked if I’d like to be reassigned to B-58s. For six years I’d flown as a navigator/bombardier in the B-47, but all B-47s were being retired so it was an honour to have been selected, because the Convair B-58 Hustler was the most sophisticated and technologically advanced aircraft of its day and back then you could not just volunteer for B-58s you had to be selected and recommended by your wing commander.
I was fortunate to be paired up with Major Al Dugard, an outstanding pilot who had been with the 509th for many years. Al successfully passed his F-102 transition training while I was at Mather AFB, CA for B-58 Nav training. Al and our Defensive Systems Operator (DSO), Major Bob McCormack then went to Bunker Hill AFB, Indiana, for flight training in the TB-58.
When I arrived at Bunker Hill (later renamed Grissom AFB) I was quite amazed at my first sight of a B-58. This baby looked fantastic. It was much bigger than I had imagined and you could tell it was built for speed with those four brute-force J-79 engines strung beneath its delta wing. With a sharply tapered needle-nose, it looked ready to break the sound barrier while still on the ground. This racehorse was itching to get out of the stable and run with the wind. I found it hard to believe that I’d be riding this beast in that second cockpit.
Al and Bob had already logged a number of hours in the plane with an instructor pilot, but my first flight meant going up with Al on his first solo ride. It would be a normal mission – high altitude navigation, inflight refuelling with a KC-135 tanker and high and low altitude nav runs with simulated bomb drops being scored by radar bomb scoring sites.
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I had some hesitation as we headed out to the aircraft. Something didn’t feel right. I had my helmet and oxygen mask and my Nav kit – but something was missing. My shoulders felt light. Then I realised I didn’t have a parachute. After ten years of flying in tactical and strategic bombers wearing a fairly heavy parachute for hours on end, I suddenly realised those days were over – no parachute required in the Hustler. The escape capsule had its own installed parachute, so this would be shirt-sleeve flying.
The B-58 was also the only bomber aircraft I know of that had a single pilot with two navigators on board – the DSO was a rated navigator. The crew sat in tandem, one behind the other in three isolated cockpits – no standing room available.
I’ll always remember the take-off and climb-out of my first mission. We were sitting on the runway with four engines in full afterburner. Then at brake release I felt pushed back in my seat as we made a rapid roll to lift off and then a climb at 425 knots until we reached altitude. Of course, after takeoff we had to throttle back out of afterburner to prevent this racehorse from running wild.
Its four J79 engines produced 62,400 pounds of thrust, so the B-58 with an empty weight of only 55,650 pounds had an outstanding thrust-to-weight ratio.
People often asked, “Did you become claustrophobic sitting in such a confined space for hours on end?” My reply was always, ”No. I was just too darned busy during the mission to have any time to think about being claustrophobic.”
Describe the B-58 in three words?
Fast, Accurate and Survivable. Let me explain:
Fast: The B-58 was fast and had a range of airspeeds. At its maximum speed of Mach 2.2 (1,452 mph) it was 2½ times faster than the muzzle velocity of a .45 caliber bullet. Although it was a strategic bomber it could outmaneuver, outturn, and out-climb most fighter aircraft of its day. But it was also fast while flying at low level. On the deck we would skirt the treetops just below the speed of sound. This amazing bomber captured numerous international speed records winning five aeronautical trophies: The Thompson, Bleriot, Mackay, Bendix and Harmon trophies. The B-58 Hustler also set 14 world speed records in international competition; and in 1962, a Hustler carried a payload of 11,000 lbs. to an altitude of 85,360 feet.
Accurate: It was unbeatable in navigational and bombing accuracy. Its Doppler, Stellar, and Inertial navigation system was quite unique for its day. Before it was fully combat-ready, a B-58 crew, competing against more experienced B-47 and B-52 crews, did the unthinkable. It took first place for bombing accuracy at the 1960, Strategic Air Command, Bombing Competition. I would often fly “radar silent” going from standby to radar-on just for the few seconds required to position my crosshairs on navigation checkpoints, however the Bomb/Nav system of the Hustler was so accurate that quite often the crosshairs would be laying directly on the checkpoint when radar was turned on.
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Survivable: In the 1960s, improvements in Soviet surface to air missiles (SAMs) forced the B-58 from a high-altitude supersonic penetration of enemy airspace to a low-level penetration and a high subsonic speed run to its targets, just below Mach-1. The Hustler adapted to this new profile exceptionally well. The B-52 was also forced to go in at low-level but it had a huge radar image and its lower speed held no comparison to the B-58 whose radar image was virtually undetectable. Flying low and fast it was hard for radar sites to pick us up amongst the radar ground clutter and its ability to fly ‘silent’ with no electromagnetic emissions made it virtually undetectable in enemy territory. I can attest to how the B-58 was like a stealth bomber on low-level bomb runs. Quite often when we approached a Nike bomb scoring site, we were asked to pop up so they could obtain a radar lock-on.
What is a particularly dangerous aircraft?
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I would describe a dangerous aircraft as one where you risked life or limb at a much higher probability compared to other aircraft. I flew for six years in the B-47 six-engine jet bomber and never felt comfortable on take-off and landings because I knew if I had to eject at that low altitude, in my navigator’s downward ejection seat, my chance of survival was close to zero.
Tell us about the escape pod.
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It was quite a relief to find out that the Hustler, not only had upward ejection seats for all three crew members, but we would also have our own escape capsule. This capsule was amazing. The pilot’s capsule is shown in the closed position. His capsule included the flight control stick allowing him to control the aircraft while encapsulated up to the point of ejection. The B-58 was the first Air Force aircraft to have a capsule ejection system to allow safe ejection at supersonic speed. And it worked at any airspeed from 100 knots to above Mach 2 and from ground level to 70,000 feet. This capsule would get you out of the aircraft safely. It had an independent pressurisation and oxygen supply system, shock absorbers to ease the impact on touchdown, and it even floated on water.
Do you think it was more survivable than the B-52?
It was much more survivable than the B-52 for a number of reasons. If we had to go to war, it could take off much faster than the B-52. At low level, it could penetrate enemy defenses at a much higher speed and coped much better in heavy turbulence. Most of all it was much harder to detect on enemy radars.
The Studies and Analysis Directorate at the Pentagon ran computer simulations comparing the B-58 with the B-52. They concluded that the B-58’s speed advantage and its very low radar signature gave the Hustler a higher probability of evading detection by enemy radars. This held true even when the B-58 was programmed to fly at a higher altitude than the B-52 during low-level penetration to the target. In comparing radar signature differences, I remember one of the evaluators saying, “The difference between the B-58 and the B-52 was like comparing a postage stamp to a barn door.”
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Here’s how my former B-58 pilot compared the two aircraft when I asked him which was more survivable. “I have over 3500 hours in the B-47, close to 1,000 hours in the B-52, with 350 in combat missions in Vietnam, including flights over Hanoi and Haiphong. As a weapons machine for use in both peacetime deterrence and war conditions, the B-58 was exceptional.”
He went on to say, “Having flown the B-52 into a highly defended enemy target complex, it is apparent to me that the B-52 was highly vulnerable to enemy defenses. Having survived the onslaught of surface to air missiles (SAMs) due only to electronic countermeasures and seeing missiles fired even before our initial turn to target, I am convinced that the B-52 for all its great capability was a large detectable target, easily identified and vulnerable to the SAM complexes. The B-52 at low-level had this same huge radar image and due to its lower speed held no comparison to the B-58 whose low-level speed was much greater and the B-58’s radar image was virtually undetectable.”
You may also enjoy interviews with pilots of the following aircraft: F-104, F-106, F-4, SR-71 and B-57,
Why was it retired, and was it too early?
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By 1967, all major improvement modifications had been completed on the B-58 and like its big brother the B-52, it could have remained in the inventory for many more years. Congress, the Joint Chiefs of Staff, and even the Office of the Secretary of Defense, despite initial misgivings about the Hustler, came to realize its value as a strategic bomber and by January 1969, it had been given a new lease on life. It was certainly a weapon system feared by the Soviets. But because of an indisputable blunder by Strategic Air Command, during a time when they were under pressure to cut costs, they decided to trade off all of the B-58s in hopes of retaining some older model B-52s. They got their trade off from the Office of the Secretary of Defense. Then, within months, they were also forced to phase out those older model B-52s they had hoped to keep.
What was special about the B-58?
It was an airplane you could fall in love with. It was a pleasure to fly. Among all the pilots I’ve known in my three years of flying in the B-58, none thought the B-58 was hard to fly. In fact, they thought it was the smoothest airplane they ever flew. Especially those who had flown fixed-wing B-47s and B-52s. Its delta wing gave the Hustler a smoother and more stable ride than other aircraft. Responsiveness to controls was instantaneous and you didn’t wait for a wing to respond to control movement. Formation flight i.e., Air Refueling was much easier due to the stable platform.”
Your most memorable mission?
I actually had two very memorable missions. I had mentioned earlier that the B-58 had a range of airspeeds. The following illustrates how slow and how fast the Hustler could fly.
There’s no doubt that the B-58 had an amazing high-speed capability. Now, let’s take a look at the Hustler’s slow speed ‘floating leaf’ capability.
I had my share of ‘shacks’ i.e., putting a bomb directly on target with zero error, and never had a bad bomb score in my three years of navigating and bombing in the B-58. But came close when I was running high altitude simulated bomb drops on a Nike site one evening over Chicago. We were in a racetrack pattern and getting excellent scores from the Nike radar bomb scoring unit. However, we were flying in one humongous jet stream, well over 200 mph. Our inbound run to the target was very slow and our outbound on the racetrack was like a ‘Bat out of Hell’ with that ferocious tailwind kicking us in the rear.
Nike sites scored bomb runs by acquiring the inbound aircraft on radar. The aircraft’s track was drawn in ink on a large horizontal whiteboard. The track was based on the aircraft’s ground speed and true course. Ten seconds before bomb release, I would transmit a constant tone. At simulated bomb release the tone stops and the pen on the plotting board lifts up. At that point, the Nike site operators would extend the track based on the time of fall for the bomb type and the best-known wind data. Altogether, this determined how close the bomb came to the target.
Well, on this particular evening, I was getting somewhat bored on my fourth inbound to the target. We were fighting that tremendous headwind and it seemed like it was taking forever to get to the target. So I decided to try something different. I computed an indicated airspeed (IAS) for Al Dugard, my pilot, to fly that would make our true airspeed equivalent to the speed of the jet stream. If Al could hit that speed, then our groundspeed would be zero. We had just flown a seven-hour mission and the Hustler was real light with just enough fuel, plus some reserve, to get us back to Bunker Hill, 15 minutes away. Al was not sure, he could hold such a low airspeed for too long, but he was willing to try.
He started throttling back on the engines, careful to keep the Hustler above the stall speed and I kept my eye on the groundspeed indicator. Son of a gun, we were approaching zero groundspeed.
Al said, “George, I can keep this airspeed and angle of attack, but I’m beginning to lose some altitude to maintain it.”
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“OK, Al, we just hit zero groundspeed. Hold it a bit longer and then we can accelerate to keep the bomb run going.”
Then we started getting panic calls from the Nike site because the pen plotting our track, inbound to the target, had stopped its forward motion. That meant only one thing to the Nike bomb plot people on the ground—we must have either blown up in the air or crashed to the ground.
“Delta 23 this is Nike bomb plot. Do you have an emergency? Come in Delta 23.”
Al came over the interphone, “George, I’ll respond to Nike so they don’t get too panicky and declare an emergency on us.”
“Nike bomb plot. This is Delta 23. Sorry for the delay. We just stopped for a while to open and eat our flight lunches. We’re now continuing into the target.”
“Roger 23” – a long silence and then, “Your pen plot has started to move again.”
They probably could not believe what just happened and never asked for an explanation. I was just lucky they did not retaliate by giving me a bad bomb score.
Now let’s take a look at how fast this beautiful lady could fly. Here’s a mission I was on in March 1967, out of Fort Worth, Texas:
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“Foxtrot one five, this is Carswell Tower, you’re cleared for takeoff. Center has cleared an unrestricted climb to 24,000 feet.”
“Roger, tower.”
“OK, Crew, we’re ready to roll. Advancing power to 100%, engines stabilized, kicking in AB, and releasing brakes.”
I felt the afterburners kick in and said, “Al, I’ve started my stop watch, let me know when you level off at 24,000 feet.”
“Roger that. S1, passing the 1,000-foot marker. S2, rotation, lift off, climbing.”
“Al, my altimeter is spinning like crazy back here.”
“Mine, too. We’re approaching 15,000 feet and I can see the end of the runway below us.”
“Ft Worth Center, this is Foxtrot one five, passing through 15,000 feet.”
Center didn’t believe us. “Foxtrot 15, say again altitude?”
“Flight Level 19 Zero, and now leveling off at 24 Zero.”
“Al, you won’t believe this but my stopwatch reads 48 seconds and that was from brake release.”
“I believe it, George. It’s the lightest fuel load we’ve ever had. That climb was like sitting on the head of a rocket. I couldn’t level off quick enough and finally hit the top of the parabola at 26 thousand feet and dove back down to the assigned altitude of 24. That was a blast. What’s our heading to The General Dynamics rehab base at James Connolly?”
“Pick up a heading of one seven four degrees.”
I was the Navigator/Bombardier in that one-minute conversation with our pilot, Major Al Dugard, as we departed Carswell Air Force Base, enroute to James Connolly Air Force Base. Our Defensive Systems Operator, Major ‘Mac’ MacDonald was also on board.
Our mission was to ferry a B-58 “Hustler” to James Connolly for a modification on the wing root and other mods to extend the life of the B-58 well into the 1970s. While at James Connolly, we picked up an aircraft that had already been modified and flew it back home to Bunker Hill Air Force Base, Indiana.
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Was Mach 2 possible, did you reach it?
Mach 2 was more than possible. The thrust of the four J79 engines could push the B-58 well beyond Mach 2. The limiting factor was aircraft skin temperature. When a B-58 crew set a transcontinental speed record in 1962 they monitored the skin temperature gauges to ensure they did not exceed 125 degrees centigrade (125°C = 257°F.)
I’ve often been asked, “What was it like when the B-58 went supersonic?” Unlike the loud boom, someone on the ground would hear, my first experience passing through the sound barrier was remarkably quiet. Unless you were looking at your instruments, you would never know you had gone supersonic. There was not even a small shudder within the aircraft—nothing, except a fluctuation on the altimeter. The reading would drop around 500 feet and then bounce back to the proper altitude. The B-58 was capable of delivering bombs at Mach 2 but it could be tricky. Travelling at 23 miles per minute. You had to acquire the target as early as possible and once your crosshairs were locked on target any further movement of the crosshairs could result in very steep bank angles as the aircraft turned to reacquire the target.
How fast and smooth was the ride at low levels?
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The B-58 was very fast and very smooth and quite stable even when flying in low level turbulence. When other larger bombers on a low level route aborted their mission due to heavy turbulence, we would come in behind them and successfully complete the mission experiencing only light to moderate turbulence. That’s the advantage of a delta wing design. The B-58’s wingspan was short, solid and stable, unlike aircraft with large wingspans where turbulence can induce oscillating forces on the wings. It was much faster than the B-52 at low level.
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How good were the weapons and sensors?
All bombs were dropped with a drogue retarded parachute to allow safe escape from the bomb blast. The Defensive Systems Operator (DSO) controlled a powerful electronic counter-measures (ECM) system to blind enemy radars, including an active jammer and a chaff dispenser. The defensive armament of the B-58 had a six-barrel, 20-mm rotary cannon (Gatling gun) with a maximum firing rate of 4000 rounds per minute. The radar for the tail gun was located in a bullet fairing above the tail cone. The gun was aimed remotely by the fire control system in the tail, but there was a radar (automatic) fire control panel and a manual fire control panel located at the DSO’s station. The firing zone was any target within a 60-degree cone. The defensive ECM system gave early warning of enemy radar systems to deceive, confuse, or jam them. The system also had radar track-breaking equipment, that generated deceptive radar jamming signals. When radar tracking signals, locked on us, the track breaker generated and transmitted deceptive angle and range information back to the hostile radar tracking system. A chaff dispensing system was also installed in each upper main gear fairing, with chaff being ejected through mechanically actuated slots in the tops of each wing fairing.
What should I have asked you? How about: Have you published any books about the B-58?
I have published a couple of books about the B-58. My best seller is “The B-58 Blunder – How the U.S. Abandoned its Best Strategic Bomber.” It details much more of what has been presented here and is available on Amazon where it has sold over 6,000 copies and received over 260 reviews. In it I describe how the B-58 came to a premature death, largely because of infighting among military and civilian leaders, who failed to understand the value and full capabilities of this fantastic airplane. It was a technological marvel, years ahead of its time and it should never have been sent to the boneyard.
This site is facing a funding shortage and may pause or shut down in June, please consider donating. Our site is absolutely free and we want to keep it that way. If you’ve enjoyed an article you can donate here. Your donations keep this going.
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mogwai-movie-house · 2 years
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The 100 Best Films of The 1960s
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1. 2001: A Space Odyssey (1968) ★★★★★★★★★★ 2. Butch Cassidy and the Sundance Kid (1969) ★★★★★★★★★★ 3. Psycho (1960) ★★★★★★★★★½ 4. Blow-Up (1966) ★★★★★★★★★½ 5. A Fistful of Dollars (1964) ★★★★★★★★★½ 6. My Fair Lady (1964) ★★★★★★★★★☆ 7. The Good, the Bad and the Ugly (1966) ★★★★★★★★★☆ 8. The Virgin Spring (1960) ★★★★★★★★★☆ 9. The Birds (1963) ★★★★★★★★★☆ 10. El Dorado (1967) ★★★★★★★★★☆ 11. Two Women (1960) ★★★★★★★★★☆ 12. Le Doulos (1962) ★★★★★★★★★☆ 13. Le Samouraï (1967) ★★★★★★★★★☆ 14. The Great Escape (1963) ★★★★★★★★½☆ 15. Cool Hand Luke (1967) ★★★★★★★★½☆ 16. For a Few Dollars More (1965) ★★★★★★★★½☆ 17. Onibaba (Demon Hag) (1964) ★★★★★★★★½☆ 18. Peeping Tom (1960) ★★★★★★★★½☆ 19. The Battle of Algiers (1966) ★★★★★★★★½☆ 20. Federico Fellini's 8½ (1963) ★★★★★★★★½☆ 21. Planet of the Apes (1968) ★★★★★★★★½☆ 22. Redbeard (1965) ★★★★★★★★☆☆ 23. The Executioner (1963) ★★★★★★★★☆☆ 24. I Am Cuba (1964) ★★★★★★★★☆☆ 25. The Sound of Music (1965) ★★★★★★★★☆☆ 26. The Italian Job (1969) ★★★★★★★★☆☆ 27. The Jungle Book (1967) ★★★★★★★★☆☆ 28. To Kill a Mockingbird (1962) ★★★★★★★★☆☆ 29. Dr. Strangelove (1964) ★★★★★★★★☆☆ 30. Belle de Jour (1967) ★★★★★★★★☆☆ 31. Alfie (1966) ★★★★★★★★☆☆ 32. Breakfast at Tiffany's (1961) ★★★★★★★★☆☆ 33. Mary Poppins (1964) ★★★★★★★★☆☆ 34. The Prime of Miss Jean Brodie (1969) ★★★★★★★★☆☆ 35. The Graduate (1967) ★★★★★★★★☆☆ 36. A Man for All Seasons (1966) ★★★★★★★★☆☆ 37. Lawrence of Arabia (1962) ★★★★★★★★☆☆ 38. Bonnie and Clyde (1967) ★★★★★★★★☆☆ 39. Rosemary's Baby (1968) ★★★★★★★★☆☆ 40. The Magnificent Seven (1960) ★★★★★★★★☆☆ 41. Wait Until Dark (1967) ★★★★★★★★☆☆ 42. True Grit (1969) ★★★★★★★★☆☆ 43. The Hustler (1961) ★★★★★★★★☆☆ 44. The Ipcress File (1965) ★★★★★★★★☆☆ 45. Andrei Rublev (1966) ★★★★★★★★☆☆ 46. Hamlet (1969) ★★★★★★★★☆☆ 47. Murder She Said (1961) ★★★★★★★★☆☆ 48. What Ever Happened to Baby Jane? (1962) ★★★★★★★★☆☆ 49. The Loneliness of the Long Distance Runner (1962) ★★★★★★★★☆☆ 50. Army of Shadows (1969) ★★★★★★★★☆☆ 51. A Taste of Honey (1961) ★★★★★★★★☆☆ 52. Goldfinger (1964) ★★★★★★★★☆☆ 53. Kuroneko (The Black Cat) (1968) ★★★★★★★★☆☆ 54. Mademoiselle (1966) ★★★★★★★★☆☆ 55. Two Way Stretch (1960) ★★★★★★★★☆☆ 56. Take the Money and Run (1969) ★★★★★★★★☆☆ 57. In The Heat Of The Night (1967) ★★★★★★★★☆☆ 58. 101 Dalmatians (1961) ★★★★★★★★☆☆ 59. Electra (1962) ★★★★★★★★☆☆ 60. Kwaidan (Ghost Stories) (1964) ★★★★★★★★☆☆ 61. Mouchette (1967) ★★★★★★★★☆☆ 62. My Night with Maud (1969) ★★★★★★★★☆☆ 63. Cape Fear (1962) ★★★★★★★★☆☆ 64. The Railrodder (1965) ★★★★★★★★☆☆ 65. Harakiri (1962) ★★★★★★★½☆☆ 66. Midnight Cowboy (1969) ★★★★★★★½☆☆ 67. Once Upon a Time in the West (1968) ★★★★★★★½☆☆ 68. The Apartment (1960) ★★★★★★★½☆☆ 69. Hunger (1966) ★★★★★★★½☆☆ 70. The War Wagon (1967) ★★★★★★★½☆☆ 71. Lolita (1962) ★★★★★★★½☆☆ 72. Last Year in Marienbad (1961) ★★★★★★★½☆☆ 73. Woman In Chains (1968) ★★★★★★★½☆☆ 74. Whistle Down the Wind (1961) ★★★★★★★½☆☆ 75. The Trial (1962) ★★★★★★★½☆☆ 76. Privilege (1967) ★★★★★★★½☆☆ 77. The Servant (1963) ★★★★★★★½☆☆ 78. Yojimbo (1961)  ★★★★★★★½☆☆ 79. From Russia with Love (1963) ★★★★★★★½☆☆ 80. A Hard Day's Night (1964) ★★★★★★★½☆☆ 81. Night of the Living Dead (1968) ★★★★★★★½☆☆  82. Kes (1969)  ★★★★★★★½☆☆ 83. The Bride Wore Black (1968) ★★★★★★★½☆☆ 84. Divorce Italian Style (1961) ★★★★★★★½☆☆ 85. Shame (1968) ★★★★★★★½☆☆ 86. Zulu (1964) ★★★★★★★½☆☆ 87. They Shoot Horses, Don't They? (1969) ★★★★★★★½☆☆ 88. Zorba The Greek (1964)  ★★★★★★★½☆☆ 89. The Unfaithful Wife (1969) ★★★★★★★½☆☆ 90. Dr. No (1962) ★★★★★★★½☆☆ 91. The Man Who Shot Liberty Valance (1962) ★★★★★★★½☆☆ 92. Oliver! (1968) ★★★★★★★½☆☆ 93. Knife in the Water (1962) ★★★★★★★☆☆☆ 94. Spartacus (1960) ★★★★★★★☆☆☆  95. Repulsion (1965) ★★★★★★★☆☆☆ 96. Birdman of Alcatraz (1962) ★★★★★★★☆☆☆ 97. Carry On Up the Khyber (1968) ★★★★★★★☆☆☆ 98. Quatermass and the Pit (1967) ★★★★★★★☆☆☆ 99. Marnie (1964) ★★★★★★½☆☆☆ 100. Lord of the Flies (1963) ★★★★★★½☆☆☆
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derekfoxwit · 1 year
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The Best Picture Oscar My Way (1951-1979)
Here is Part 3 of my “Best Picture My Way” series. The last two are found here. My stipulations can be found in Part 1.
For convenience sake, I’ll relay this message. For Best Picture, I’m only gonna list the nominated producer for newly added films (here’s the Wikipedia page for the rest). I will mostly go with the ones credited as “produced by” or “p.g.a.” (if the latter is shown) on IMDB as the nominees. Limit is five.
Also, if you’re wondering why there are more years listed here than the other two, that’ll be answered in the next part.
1951
Rashomon - Minoru Jingo
Ace in the Hole - Billy Wilder
A Place in the Sun
Strangers on a Train - Alfred Hitchcock
A Street Called Desire
1952
High Noon
Forbidden Games - Robert Dorfmann
Singing in the Rain - Arthur Freed
Moulin Rogue
The Quiet Man
1953
Roman Holiday
From Here to Eternity
Shane
The Big Heat - Robert Arthur
The Stalag 17 - Billy Wilder
1954
On the Waterfront (still)
Rear Window - Alfred Hitchcock
The Caine Mutiny
Dial M for Murder - Alfred Hitchcock
Johnny Guitar - Nicholas Ray
1955
Marty (still)
The Night of the Hunter - Paul Gregory
Rebel Without a Cause - David Weisbart
The Long Grey Line - Robert Arthur
Mister Roberts
1956
Tea and Sympathy - Pandro S. Berman
The Ten Commandments
Giant
The Killing - James B. Harris
The Searchers - Patrick Ford
1957
The Bridge on the River Kwai (still)
12 Angry Men
Nights of Cabiria - Dino De Laurentiis
Witness for the Persecution
The Seventh Seal - Allan Ekelund
1958
Vertigo - Alfred Hitchcock
Mon Oncle - Jacques Tati
Touch of Evil - Albert Zugsmith
Auntie Mame
The Defiant Ones
1959
Ben-Hur (still)
Anatomy of a Murder
North by Northwest - Alfred Hitchcock
Some Like It Hot - Billy Wilder
The Diary of Anne Frank
1960
The Apartment (still)
Psycho - Alfred Hitchcock
Elmer Gantry
The Magnificent Seven - John Sturges
The Alamo
1961
West Side Story (still)
Through a Glass Darkly - Allan Ekelund
The Hustler
Judgment at Nuremberg
Breakfast at Tiffany’s - Martin; Jurow; Richard Shepherd
1962
Lawrence of Arabia (still)
To Kill a Mockingbird
Mutiny on the Bounty
The Man Who Shot Liberty Valance - Willis Goldbeck
The Longest Day
1963
8 1/2 - Angelo Rizzoli
The Great Escape - John Sturges
Lillies of the Field
America, America
Cleopatra
1964
Mary Poppins
Dr. Strangelove
My Fair Lady
The Umbrellas of Cherbourg - Mag Bodard
Woman in the Dunes - Kiichi Ichikawa; Tadashi Ono
1965
The Sound of Music (still)
Doctor Zhivago
A Patch of Blue - Pandro S. Berman; Guy Green
Darling
Ship of Fools
1966
Who’s Afraid of Virginia Woof?
A Man for All Seasons
The Professionals - Richard Brooks
The Sand Pebbles
A Man and A Woman - Claude Lelouch
1967
Persona - Ingmar Bergman
The Graduate
The Jungle Book - Walt Disney
In The Heat of the Night
Guess Who’s Coming to Dinner
1968
2001: A Space Odyssey - Stanley Kubrick
Oliver!
Funny Girl
The Lion in Winter
Rosemary’s Baby - William Castle
1969
Midnight Cowboy (still)
Butch Cassidy and the Sundance Kid
Z
The Wild Bunch - Phil Feldman
Easy Rider - Peter Fonda
1970
Patton (still)
M*A*S*H
Five Easy Pieces
Love Story
Investigation of a Citizen Above Suspicion - Marina Cicogna; Daniele Senatore
1971
The French Connection (still)
The Last Picture Show
McCabe & Mrs. Miller - Mitchell Brower; David Foster
A Clockwork Orange
Fiddler on the Roof
1972
The Godfather (still)
The Emigrants
Cabaret
The Heartbreak Kid - Edgar J. Scherick
The Discreet Charm of the Bourgeoisie - Serge Silberman
1973
Cries and Whispers
The Sting
The Exorcist
American Graffiti
Paper Moon - Peter Bogdanovich
1974
The Godfather Part II (still)
A Woman Under the Influence - Sam Shaw
Chinatown
The Conversation
Blazing Saddles - Michael Hertzberg
1975 (kept the same)
One Flew Over The Cuckoo’s Nest (still)
Barry Lyndon
Dog Dag Afternoon
Jaws
Nashville
1976
Rocky (still)
Taxi Driver
Network
Mikey and Nicky - Michael Hausman
All the President’s Men
1977
Annie Hall (still)
Star Wars
The Goodbye Girl
Eraserhead - David Lynch
3 Women - Robert Altman
1978
The Deer Hunter (still)
Heaven Can Wait
Midnight Express
Days of Heaven - Bart Schneider; Harold Schneider
Dawn of the Dead - Richard P. Rubinstein
1979
Apocalypse Now
All That Jazz
Manhattan - Charles H. Joffe
Alien - Gordon Carroll; David Giler; Walter Hill
Kramer vs. Kramer
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jaspers47 · 1 year
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I watched 154 movies in 2022
Five Stars
Apollo 10 1/2: A Space Age Childhood (2022) Bergman Island (2021) Blonde Crazy (1931) Blow-Up (1966) Cryptozoo (2021) Decision to Leave (2022) Everything Everywhere All at Once (2022) Glass Onion (2022) The Hunger (1983) It Came from Hollywood (1982) Marcel the Shell with Shoes On (2022) Minari (2020) Mona Lisa (1986) Never Let Me Go (2010) Night on Earth (1991) Nope (2022) Pearl (2022) Tár (2022) Turning Red (2022) Wolfwalkers (2020) The Worst Person in the World (2021)
Four Stars
Bad Luck Banging or Loony Porn (2021) The Banshees of Inisherin (2022) Black Swan (2010) Blackmail (1929) Bullet Train (2022) Captain Blood (1935) Christmas in Connecticut (1945) CODA (2021) Confess, Fletch (2022) Doctor Sleep (2019) Dune (2021) Encanto (2021) The Fabelmans (2022) The Firemen's Ball (1967) First Blood (1982) Five Came Back (1939) Flee (2021) Gentleman's Agreement (1947) Gilda (1946) The Gospel of Eureka (2018) Guillermo Del Toro's Pinocchio (2022) Harvey (1950) House/Hausu (1977) The Hustler (1961) Hustlers (2019) Kajillionaire (2020) The Killing (1956) Kimi (2022) Kiss of Death (1947) The Menu (2022) Moonwalker (1988) The Mouse That Roared (1959) My Dinner with Andre (1981) The Northman (2022) Parallel Mothers (2021) The Personal History of David Copperfield (2019) Predator (1987) Prey (2022) The Punk Singer (2013) Quatermass II/Enemy From Space (1957) Relaxer (2018) Saint Maud (2019) The Seven-Ups (1973) Thelma (2017) Watcher (2022) We're All Going to the World's Fair (2022) Wristcutters: A Love Story (2006) X (2022)
Three and a Half Stars
The Adventures of Prince Achmed (1926) The Bob's Burgers Movie (2022) The Booksellers (2019) Blade II (2002) Gunpowder Milkshake (2021) Honk for Jesus. Save Your Soul (2022) Hush, Hush, Sweet Charlotte (1964) My Name is Julia Ross (1945) Onibaba (1964) The Party (1968) Pygmalion (1938) The Quatermass Xperiment/The Creeping Unknown (1955) The Song Remains the Same (1976) Three Thousand Years of Longing (2022) Wendell & Wild (2022) Yours, Mine and Ours (1968)
Three Stars
Amistad (1997) The Bank Dick (1940) The Batman (2022) Cha Cha Real Smooth (2022) Creature from the Black Lagoon (1954) Cries and Whispers (1972) Crimes of the Future (2022) Drive My Car (2021) The Earrings of Madame de... (1953) Emily the Criminal (2022) The Funhouse (1981) Hannah and Her Sisters (1986) Inland Empire (2006) Jennifer's Body (2009) Jubilee (1978) Ladies and Gentlemen, the Fabulous Stains (1982) Life of Pi (2012) Linda Linda Linda (2005) Love Finds Andy Hardy (1938) Lucy and Desi (2022) Nobody (2021) Opening Night (1977) Pretending I'm a Superman: The Tony Hawk Video Game Story (2020) Repeat Performance (1947) See How They Run (2022) Something Wicked This Way Comes (1983) Strawberry Mansion (2022) Tick, Tick... Boom! (2021) The Tragedy of Macbeth (2021) A Woman is a Woman (1961) Weird: The Al Yankovic Story (2022) Welcome to the Dollhouse (1995) White Zombie (1932) WNUF Halloween Special (2013)
Two and a Half Stars
Babylon (2022) Crock of Gold: A Few Rounds with Shane MacGowan (2020) Scotty and the Secret History of Hollywood (2017) Thunderball (1965)
Two Stars
Doctor Mordrid (1992) Doctor Strange in the Multiverse of Madness (2022) Enchanted (2007) Hardcore Henry (2015) The House (2022) My Fair Lady (1964) My Name is Emily (2015) The Princess (2022) Raya and the Last Dragon (2021) Rosaline (2022) Strange World (2022) Thor: Love and Thunder (2022) Treasure of the Amazon (1985) Werewolves Within (2021) Willy's Wonderland (2021) Winnie the Pooh (2011)
One Star
Beyond Atlantis (1973) Chip 'n Dale: Rescue Rangers (2022) Chuck E. Cheese in the Galaxy 5000 (1999) The Crawling Hand (1963) Daddy-O (1958) Demon Squad (1999) Hello Again (1987) Indestructible Man (1956) Munchie (1992) Operation Kid Brother (1967) The Rebel Set (1959) Santo in the Treasure of Dracula (1969) Robot Jox 2: Robot Wars (1993) Shadow in the Cloud (2020) The She-Creature (1956)
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mmoviejournal · 5 months
Text
2023
Hotel Transylvania: Transformania (2022)
In Bruges (2008)
Carlito’s Way (1993)
Black Adam (2022)
All the old Knives (2022)
Outside the Wire (2021)
Sabrina (1995)
The Lion King (2019)
The Piano (1993)
Nope (2022)
The Bubble (2022)
Madagascar 3: Europe’s Most Wanted (2012)
Project Power (2020)
Paw Patrol: The Movie (2021)
Lady Sings the Blues (1972)
Road House (1989)
The Defiant Ones (1958)
Zombieland: Double Tap (2019)
Mean Streets (1973)
Ball of Fire (1941)
The Recruit (2003)
The Tuskegee Airmen (1995)
Dark Victory (1939)
The Aftermath (2019)
Bright Road (1953)
Encino Man (1992)
Bolt (2008)
To Catch a Thief (1955)
Tootsie (1982)
Judas and the Black Messiah (2021)
Inferno (1980)
Old Dogs (2009)
Look both Ways (2022)
Antwone Fisher (2002)
Witness for the Prosecution (1957)
Kajillionaire (2020)
The Wiz (1978)
Littly Italy (2018)
Menace II Society (1993)
Cops (1922)
Who’s afraid of Virginia Woolf (1966)
Those who wish me dead (2021)
Ajvar (2019)
Burning Sands (2017)
Operation Fortune (2023)
Your Place or Mine (2023)
Vivo (2021)
The Age of Adaline (2015)
Luthor: The fallen Sun (2023)
Scent of a Woman (1992)
Boston Strangler (2023)
The Smurfs (2011)
Faraway (2023)
The Sweetest Thing (2002)
Sicario: Day of the Soldado (2018)
The Smurfs 2 (2013)
Monster’s Ball (2001)
John WIck: Chapter 4 (2023)
Fallen (1998)
Outbreak (1995)
Scream (2023)
The Good Nurse (2022)
Fireflies in the Garden (2008)
Before Sunrise (1995)
Crooklyn (1994)
Scream (2022)
Band of Angels (1957)
Kramer vs Kramer (1979)
The 355 (2022)
Old (2021)
Come Sunday (2018)
All my Life (2020)
Indiana Jones and the Temple of Doom (1984)
Hellbound: Hellraiser II (1988)
Hellraiser (2022)
Roman Holiday (1953)
Creed III (2023)
Red Corner (1997)
The Laureate (2021)
Kabhi Alvida Naa Kehna (2006)
Red Notice (2021)
Dune (2021)
Sherlock Jr. (1924)
Disclosure (1994)
I killed my Mother (2009)
Next Exit (2022)
Submergence (2017)
In the Heat of the Night (1967)
The Vanishing (1993)
The Color Purple (1985)
The Long Hot Summer (1958)
Transcendence (2014)
Don’t be a Menace to South Central while drinking your Juice in the hood (1996)
Ransom (1996)
Deep Blue Sea (1999)
Cloud Atlas (2012)
The Mother (2023)
Elephant Song (2014)
Gosford Park (2001)
Driving Miss Daisy (1989)
The Girl in the Spider’s Web (2018)
Bride of Frankenstein (1935)
Swordfish (2001)
Moneyball (2011)
Official Secrets (2019)
Death at a Funeral (2010)
Killer Elite (2011)
Out of Africa (1985)
What’s love got to do with it? (1993)
Frankie and Johnny (1991)
The Hustler (1961)
Good Morning, Vietnam (1987)
Seberg (2019)
Escape Room: Tournament of Champions (2021)
Interstellar (2014)
Soul Food (1997)
Wait till dark (1967)
Mo’ Better Blues (1990)
In the Heights (2021)
Ghosted (2023)
Matthias & Maxime (2019)
Sweet Smell of Success (1957)
In the Cut (2003)
The Wood (1999)
Outlaw King (2018)
Donnie Brasco (1997)
Extraction (2023)
Little Nikita (1988)
The Illusionist (2006)
The Lady from Shanghai (1947)
Some like it Hot (1959)
Eve’s Bayou (1997)
The Aviator (2004)
Space Jam: A new Legacy (2021)
Clock (2023)
My Girl (1991)
Design for living (1933)
Everything Everywhere all at Once (2022)
Chain Reaction (1996)
Pandora and the flying Dutchman (1951)
Before Sunset (2004)
The Jackal (1997)
A Journal for Jordan (2021)
Candyman (2021)
Tequila Sunrise (1988)
Midnight (1934)
The Deer Hunter (1978)
Our Hospitality (1923)
Miami Vice (2006)
The Perfect Find (2023)
Just Cause (1995)
Glengarry Glen Ross (1992)
Our Brand is Crisis (2015)
Notorious (1946)
Crush (2022)
Striptease (1996)
Don’t worry Darling (2022)
The Lion in Winter (1968)
The Constant Gardener (2005)
Ben Hur (1959)
Deliver us from Eva (2003)
Fast X (2023)
Strange days (1995)
8mm (1999)
The Woman in the Window (2021)
Guys and Dolls (1955)
Sister Act (1992)
The Visitor (2022)
Dead Again (1991)
Spellbound (1945)
Air (2023)
Indiana Jones and the last Crusade (1989)
Carmen Jones (1954)
…and Justice for All (1979)
Honk for Jesus. Save your Soul (2022)
A Fish called Wanda (1988)
The Nutcracker and the four realms (2018)
Boogie Nights (1997)
Venom: Let there be Carnage (2021)
Bird Box: Barcelona (2023)
Hush…Hush Sweet Charlotte (1964)
Rumble in the Bronx (1995)
They cloned Tyrone (2023)
Once upon a time in America (1984)
The Wild One (1953)
Something New (2006)
Dying Young (1991)
Death Takes a Holiday (1934)
Me Myself and Irene (2000)
Friday Foster (1975)
One day (2011)
A good Year (2006)
Varsity Blues (1999)
High Noon (1952)
Men in Black 3 (2012)
Friday (1995)
Strait- Jacket (1964)
Step Up (2006)
Air Force One (1997)
Big Business (1988)
Breaking (2022)
Barbie (2023)
He who gets slapped (1924)
Near Dark (1987)
How Stella got her Groove back (1998)
The Joneses (2009)
Stardust (2007)
Heartburn (1986)
Mildred Pierce (1945)
Paid in Full (2002)
Awakenings (1990)
The Philadelphia Story (1940)
Serpico (1973)
Amsterdam (2022)
Tom and Huck (1995)
Emancipation (2022)
Mademoiselle Ange -Ein Engel auf Erden (1959)
The Ninth Gate (1999)
No Sudden Move (2021)
The Rite (2011)
Her (2013)
King Rat (1965)
Labyrinth (1986)
Too Young to Die? (1990)
42 (2013)
One Night in Miami (2020)
That Thing you do (1996)
Lilies of the Field (1963)
Me before you (2016)
He got Game (1998)
Life as a House (2001)
Bhowani Junction (1956)
Pretty in Pink (1986)
Antebellum (2020)
Wild Things (1998)
Shadow in the Cloud (2020)
Fled (1996)
The Batman (2022)
No Time to Die (2021)
Cat on a Hot Tin Roof (1958)
Vampire’s Kiss (1988)
Conspiracy Theory (1997)
Red, White and Royal Blue (2023)
The Long Kiss Goodnight (1996)
The Postman (1997)
Enemy at the Gates (2001)
Out West (1918)
The Age of Innocence (1993)
Spider-Man: No way Home (2021)
Masquerade (1988)
Fair Play (2023)
Harlem Nights (1989)
Das Cabinet des Dr Caligari (1920)
Knock at the Cabin (2023)
The Pope’s Exorcist (2023)
Swing Time (1936)
Angels & Demons (2009)
The Dictator (2012)
Best Christmas Ever (2023)
Istanbul Için Son Çagri (Last call for Istanbul) (2023)
The Negotiator (1998)
Cuvari Formule (2023)
The Lady Eve (1941)
Family Switch (2023)
Shall we dance (1937)
Leave the World behind (2023)
The Killer (2023)
The Burial (2023)
Dead Presidents (1995)
Brothers (2009)
My Summer of Love (2004)
Oppenheimer (2023)
Rebel Moon: A Child of Fire - Part 1 (2023)
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a-shared-experience · 2 years
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I did drugs , many of them, to disconnect from my pain. For a long time it worked at least to the extent of being a high functioning drug user. I filled my days up with this and that and people from here and there. It sort of hid my feelings from me and acted as a mask to cover up my fear of intimacy and fear of rejection, low self worth.. all that good stuff. People seemed to buy it. Eventually I began to see how it was all surface level even when others true intentions were to get close to me. I never intended to let any of them get close , a few did thankfully.
It’s been 109 days since I peered down at a bag of dope seeking solace
I don’t miss it at all. It’s been painful to face everything but lately I feel free. I feel good again. I bought a bikini despite not having the figure for it - the power of being comfortable in my skin is bigger than my waistline. I haven’t replaced the bad habit with another habit - I just go with the flow. I feel tied in , connected, relaxed , myself. It’s taken a lot to get here internally.
I realize the importance of optimal health and how my old lifestyle was such anarchy towards the self.
Lately I’ve been walking , hiking, and swimming to try and get back in shape. Or … in shape .. lol I’ve never really been healthy.
Before I came here I had been on bed rest on and off for two years , battling excruciating pain and seeing little to no recovery. The pain made me reach for drugs, the pain isolated me and the lack of direction or support from the healthcare system and my employer drove me further and further into sickness. It was destroying me. As my physical ailments cried out so did my emotional wounds. At first I was unstable , I felt far too many things and was utterly exhausted. I felt purposeless, lazy. Like a quitter.
Quitting was the best thing I could ever do for myself. Quitting pretending that everything was ok and just carrying on. Quitting poisoning my body. Quitting crying myself to sleep feeling hopeless. Quitting trying to live up to someone else’s standards, quitting trying to be the best employee, the hardest worker, quitting keeping up with the Jones’, quitting burying my pain and faking a smile.
109 days isn’t all that much time if you really think about it. I’ve done longer stints of sobriety. This time is different. This time it wasn’t about the test of my willpower but more my willingness to be authentic. To stand up for myself and my needs even when it was expected of me to just carry on and do a good job. Who cares. I don’t. Lately everything feels like magic , like I’m under life’s spell. I want to play in the forest, paint by the beach, swim laps in the pool, try new things, make small talk with strangers. The other night I let the girls come outside and sit with me on the swing to read their bedtime story under the moon. Who says we can’t be different. Tonight after we got back from our road trip they yelled auntie B ! The moon is almost full and convinced me to take them outside to play. Hustlers they are! The day was full of synchronicities 22:22, 333, 444, 555, 44, 88 . When we finished the 2k all through the zoo my goddaughter asked if we could walk all the way back and see the flamingos one more time and I said of course. Her dad took the other girls to the gift shop and we trekked back. The smile on her face was worth it and then out of nowhere a dragonfly hit me in the face and swooped around to meet his mate and take a snooze on the back of the flamingo. We stopped in the town my grandfather was buried in 1966, Leverette Taylor , we searched each grave but couldn’t find it but my brother and I bonded for the first time in a very long time. The girls mom is due in 3 weeks with baby number 4 so she stayed home and I stood in to keep them alive. It was a magical day , when we got back the doggos cuddled up on me and I became aware of how loving and calm my energy is once again. Never deny yourself of joy for anything. Not for people, money or status . Not for nothing.
I am a wild child of the moon, a goddess of this earth.
I am love
And i am not alone
While the concept of a lifestyle change can seem scary when trauma response is all you’ve ever known …
I assure you it can be the best thing you ever did for yourself
This is living
Life is magick
Find your joy and make it a habit ;)
Me goddaughter got me a tree of life bracelet and a hideous ring and I got her a “mingo “ , as she calls them :)
Be right back , making new memories , living in my joy
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adscinema · 2 years
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Martin Scorsese’s 125 favourite movies
The Infernal Cakewalk (1903)
Secrets of the Soul (1912)
The Four Horsemen of the Apocalypse (1921)
Nosferatu (1922)
Dr. Mabuse the Gambler (1922)
Metropolis (1927)
Napoleon (1927)
The Power and the Glory (1933)
It Happened One Night (1934)
Mr. Deeds Goes to Town (1936)
La Grande Illusion (1937)
Mr. Smith Goes to Washington (1939)
Stagecoach (1939)
The Roaring Twenties (1939)
The Rules Of The Game (1939)
Citizen Kane (1941)
How Green Was My Valley (1941)
Sullivan’s Travels (1941)
Cat People (1942)
Arsenic and Old Lace (1944)
Rome, Open City (1945)
Children Of Paradise (1945)
Duel in the Sun (1946)
Gilda (1946)
A Matter of Life and Death (1946)
Paisan (1946)
Beauty & The Beast (1946)
The Lady From Shanghai (1947)
T-Men (1947)
I Walk Alone (1947)
The Red Shoes (1948)
Germany Year Zero (1948)
Force of Evil (1948)
La Terra Trema (1948)
Macbeth (1948)
Raw Deal (1948)
Bicycle Thieves (1948)
Caught (1949)
The Third Man (1949)
Stromboli (1950)
The Flowers of St. Francis (1950)
Gun Crazy (1950)
Night and the City (1950)
An American in Paris (1951)
The River (1951)
Ace in the Hole (1951)
The Magic Box (1951)
The Bad and the Beautiful (1952)
Europa ’51 (1952)
Othello (1952)
Umberto D. (1952)
Ikiru (1952)
The Band Wagon (1953)
House of Wax (1953)
Julius Caesar (1953)
Pickup on South Street (1953)
Ugetsu (1953)
Tokyo Story (1953)
Dial M for Murder (1954)
Journey to Italy (1954)
Senso (1954)
Seven Samurai (1954)
Sansho the Bailiff (1954)
All that Heaven Allows (1955)
Kiss Me Deadly (1955)
The Searchers (1956)
Forty Guns (1957)
Sweet Smell of Success (1957)
Some Came Running (1958)
Touch of Evil (1958)
Vertigo (1958)
Ashes and Diamonds (1958)
Big Deal On Madonna Street (1958)
Shadows (1959)
The 400 Blows (1959)
Peeping Tom (1960)
Rocco and His Brothers (1960)
Shoot the Piano Player (1960)
Breathless (1960)
L’Avventura (1960)
The Hustler (1961)
One, Two, Three (1961)
Cape Fear (1962)
The Trial (1962)
Two Weeks in Another Town (1962)
Salvatore Giuliano (1962)
Il Sorpasso (1962)
America, America (1963)
Jason and the Argonauts (1963)
The Leopard (1963)
Shock Corridor (1963)
High and Low (1963)
8½ (1963)
The Fall of the Roman Empire (1964)
Band of Outsiders (1964)
Before the Revolution (1964)
The Rise of Louis XIV (1966)
Blow-Up (1966)
Weekend (1967)
Faces (1968)
2001: A Space Odyssey (1968)
Death by Hanging (1968)
Midnight Cowboy (1969)
The Butcher (1970)
M*A*S*H (1970)
The American Friend (1970)
Klute (1971)
McCabe & Mrs. Miller (1971)
The Merchant of Four Seasons (1971)
The Godfather (1972)
Aguirre, the Wrath of God (1972)
The Conversation (1974)
Ali: Fear Eats The Soul (1974)
The Enigma of Kaspar Hauser (1974)
The Messiah (1975)
Nashville (1975)
Kings of the Road (1976)
Apocalypse Now (1979)
The Marriage of Maria Braun (1979)
Health (1980)
Heaven’s Gate (1980)
Mishima (1985)
Born on the Fourth of July (1989)
Do the Right Thing (1989)
The Player (1992)
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m1ng-how · 2 years
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Movie Quotes For Every Occasion
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Image source: newszii.com
“You’re a disease. And I’m the cure.” —Sylvester Stallone, Cobra (1986)
“I spent my life trying not to be careless. Women and children can be careless, but not men.” —Marlon Brando
“Whenever there is any doubt, there is no doubt.”—Robert De Niro, Ronin (1998)
“Even if you beat me, I’m still the best.” —Paul Newman, The Hustler (1961)
“One time I wrestled a giraffe to the ground with my bare hands.”—John C. Reilly, Step Brothers (2008)
“You’re exactly as big as I let you be.” —Albert Finney, Miller’s Crossing (1990)
“No bastard ever won a war by giving his life for his country. He won it by making the other poor dumb bastard die for his country.” —George C. Scott, Patton (1970)
“Boy, I got vision, and the rest of the world wears bifocals.” —Paul Newman, Butch Cassidy and the Sundance Kid (1969)
“It wasn’t brains that got me here, I can assure you of that.” —Jeremy Irons, Margin Call (2011)
“You see, in this world, there’s two kinds of people, my friend — those with loaded guns, and those who dig. You dig.” —Clint Eastwood, The Good, the Bad, and the Ugly (1966)
“Baby sister, I was born game and I intend to go out that way.” —John Wayne
“When you’re right, you’re right, and you’re right.” —Jack Nicholson, Chinatown (1974)
“You’ve got to ask yourself one question: ‘Do I feel lucky?’ Well, do ya punk?”—Clint Eastwood, Dirty Harry (1971)
“Hey Johnny, what are you rebelling against. What have you got?”—Marlon Brando, The Wild One (1953)
“Gladiators don’t make friends. If we’re ever matched in the arena together, I have to kill you.” —Woody Strode, Spartacus (1960)
“I have come here to chew bubblegum and kick ass. And I’m all out of bubblegum.”—Roddy Piper, They Live (1988)
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nitrosplicer · 3 years
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roundup of documentaries on YouTube I’m currently using in my Women’s, Gender, and Sexualities course
The Historic Women’s Suffrage March on Washington: This clip explains how the historic 1913 Women’s Suffrage March on Washington attempted to exclude Black women
When voting rights didn't protect all women: The suffrage movement didn’t protect all women’s right to vote.
She's Beautiful When She's Angry: Filmmaker Mary Dore chronicles the events, the movers and the shakers of the feminist movement from 1966 to 1971.
How the Anita Hill Hearings Rocked a Nation: "Their treatment of Anita Hill felt like once again she was being sexually harassed—this time in front of the whole country." Politicians, journalists and activists reflect on the earth-shattering effect of the Anita Hill Hearings and how it riveted a nation in 1991.
The urgency of intersectionality | Kimberlé Crenshaw: Now more than ever, it's important to look boldly at the reality of race and gender bias -- and understand how the two can combine to create even more harm. Kimberlé Crenshaw uses the term "intersectionality" to describe this phenomenon; as she says, if you're standing in the path of multiple forms of exclusion, you're likely to get hit by both.
Screaming Queens | Susan Stryker: It’s a hot August night in San Francisco in 1966. Compton’s Cafeteria, in the seedy Tenderloin district, is hopping with its usual assortment of transgender people, young street hustlers, and down-and-out regulars. The management, annoyed by the noisy crowd at one table, calls the police. When a surly cop, accustomed to manhandling Compton’s clientele, attempts to arrest one of the queens, she throws her coffee in his face. Mayhem erupts — windows break, furniture flies through the air. Police reinforcements arrive, and the fighting spills into the street. For the first time, the drag queens band together to fight back, getting the better of the cops, whom they kick and stomp with their high-heeled shoes and beat with their heavy purses. For everyone at Compton’s that night, one thing was certain — things would never be the same again.
United In Anger: A History of ACT UP: A documentary about the birth and life of the AIDS activist movement from the perspective of the people in the trenches fighting the epidemic. Utilizing oral histories of members of ACT UP, as well as rare archival footage, the film depicts the efforts of ACT UP as it battles corporate greed, social indifference, and government neglect. http://www.unitedinanger.com/
The Scary Reality Of Sex Education In Alabama
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greensparty · 3 years
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This Month In History - September
Here’s to many pop culture landmark anniversaries I’m raising a glass to this month:
Sept. 8, 1966: Star Trek premieres
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In Sept. 1966, the debut episode of Star Trek premiered on NBC. Here is my piece I wrote in 2016. Happy 55th Original Star Trek!
Sept. 9, 1971: Imagine released
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In Sept. 1971, John Lennon’s second solo album was released. Here is my piece I wrote in 2016. Happy 50th Imagine!
Sept. 12, 1966: The Monkees premieres
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In Sept. 1966, the sitcom adventures of the made-for-TV band The Monkees premiered on NBC. Even though they were a fictional band, the group began releasing albums and the thing is, they were actually a good band. But the joy of the TV show was that it was goofy fun about the misadventures of this rock band that live together and get into shenanigans each episode. Its so crazy to think that the show only lasted two seasons. I became a fan of the show as a kid watching syndicated reruns. Happy 55th The Monkees!
Sept. 13, 1986: Siskel and Ebert and the Movies premieres
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In Sept. 1986, my favorite movie review show of all time premiered! Here is my piece I wrote in 2016. Happy 35th S&E!
Sept. 17, 1991: Use Your Illusions I and II / Pretty on the Inside released
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In Sept. 1991, Guns N’ Roses 3rd and 4th album was released on the same day as Hole’s debut album. Here is my piece I wrote about both albums in 2016. Happy 30th UYI 1&2 and POTI!
Sept. 18, 2001: Yankee Hotel Foxtrot released
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In Sept. 2001, Wilco’s 4th and greatest album was released. They had been building up a following with their alt-country sound and after recording this album, their label Reprise refused to released it, so Wilco decided to release it themselves on their website as a free stream. A few months later they signed with Nonesuch. The irony to end all irony is that both Reprise and Nonesuch are both subsidiaries of the same label, Warner Bros. So they got dropped by one company and picked up by another...but both are the same company!?! I got this album in 2002 and it is easily the band’s best album ever. I have gotten into Wilco a lot in recent years and this is still their best. Happy 20th YHF!
Sept. 19, 1986: Blue Velvet opens
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In Sept. 1986, David Lynch’s greatest film of all time was released. Here is my piece I wrote in 2016. Earlier this year I actually got to see Blue Velvet in the movie theater and it still holds up. Happy 35th Blue Velvet!
Sept. 22, 1986: Alf premieres
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In Sept. 1986, my favorite TV as a tween premiered on NBC. Here is my piece I wrote in 2016. Happy 35th Alf!
Sept. 24, 1971: Electric Warrior released
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In Sept. 1971, T. Rex’s 6th and best album was released. This album is ground zero for glam rock! I picked it up on vinyl as a teen as I was going through a 70s phase and loved it. “Get It On” is the big hit, but there’s so many classics on this. Happy 50th Electric Warrior!
Sept. 24, 1991: Nevermind / Blood Sugar Sex Majik released
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In Sept. 1991 Nirvana’s major-label debut was released on the same day as Red Hot Chili Peppers 5th album. Here is the piece I initially wrote about Nevermind in 2011 and here is the piece I wrote about Blood Sugar Sex Magik in 2016. Happy 30th to both albums!
Sept. 28, 2001: Zoolander opens
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In Sept. 2001, Ben Stiller’s wicked comedy was released. Here is my piece I wrote in 2016. Happy 20th Zoolander.
Sept. 29, 1991: My Own Private Idaho opens
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In Sept. 1991, Gus Van Sant’s third film was released. The road movie about street hustlers with a unique avant-garde style was unlike anything else of its time. River Phoenix gave one of his best performances, as did Keanu Reeves. There’s a lot of images that stay with you, but the scene in the adult bookstore where all of the models on the magazine covers on the magazine rack come alive is one of the best things Van Sant has ever done! Happy 30th MOPI! 
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usafphantom2 · 2 years
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MAY 8, 2022
Life and death in the ‘Delta Queen’: My time on the B-58 Hustler supersonic bomber
Fast, accurate and survivable, the Convair B-58 Hustler was a sexy Cold War totem. Its glamour belied the grimness of its intended role as a strategic nuclear bomber, a task it thankfully never performed. As we find out from Colonel George Holt Jr – a Navigator/Bombardier on this Mach 2 monster – the Hustler was a brilliantly engineered and utterly potent aircraft retired in its prime. Holt was part of the B-58–equipped 305th Bomb Wing at Bunker Hill AFB (now Grissom AFB) close to Peru, Indiana from 1960 to 1969.
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What was the best thing about the Hustler?
It had a very high probability for penetrating enemy defenses and accurately delivering its weapons on assigned targets.
..and the worst?
My brother, Tech Sergeant John Holt was assigned to B-58 maintenance from 1963 to 1968. He noted that the B-58 experienced excessive downtime after a mission, as discrepancies had to be cleared before the next flight. Before any maintenance could begin on the aircraft, a ground air conditioning unit had to be hooked up and cooling air had to be supplied to the aircraft before he could turn the power switch on. Unlike most bombers, the Hustler was a very tight aircraft and panels had to be removed before most maintenance could begin.
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Then there were the ‘Hangar Queens’ those few aircraft that had numerous repeatable maintenance problems that no one could figure out. Quite often, those problems were associated with the Bomb/Nav system. Lt. Colonel Tom Hatch remembers one flight where the Bomb/Nav system started to overheat and the air conditioning was switched to ‘reverse flow’— a condition that forced cooling air into the electronic equipment before entering the crew station area. On one mission, the heat was so unbearable that he had to strip down to his bare chest. However, incidents like this were the exception rather than the norm and in May 1968 the entire fleet of B-58s started receiving an improved version of the AN/ASQ-42 Bomb/Nav system, along with new technical data and spare parts. In my three years of flying in the B-58, I never experienced a ‘reverse flow’ condition.
Some maintenance personnel said they “hated working on this airplane” but in almost the same breath, they would say, “they wouldn’t trade it for the world.” Like the aircrews, the B-58 maintenance folks were an elite group and proud to have worked on the Hustler. They were the best, and the best way to measure their performance is to note that B-58s, on a daily basis, were able to meet their SIOP (war plan) commitment of having 32 alert-ready aircraft, refuelled with weapons loaded and ready to go to war at a moment’s notice.
What was its Cold War tasking?
It was in the bomber component of the United States nuclear triad consisting of land-launched nuclear missiles, nuclear-missile-armed submarines, and strategic aircraft with nuclear bombs and missiles. Each B-58 alert crew stood ready to launch within minutes of a confirmed attack on the U.S. to deliver five weapons on assigned military targets in enemy territory.
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What were you first impressions of the B-58?
In the Spring of 1966, my Wing Commander of the 509th Bomb Wing at Pease AFB, New Hampshire asked if I’d like to be reassigned to B-58s. For six years I’d flown as a navigator/bombardier in the B-47, but all B-47s were being retired so it was an honour to have been selected, because the Convair B-58 Hustler was the most sophisticated and technologically advanced aircraft of its day and back then you could not just volunteer for B-58s you had to be selected and recommended by your wing commander.
I was fortunate to be paired up with Major Al Dugard, an outstanding pilot who had been with the 509th for many years. Al successfully passed his F-102 transition training while I was at Mather AFB, CA for B-58 Nav training. Al and our Defensive Systems Operator (DSO), Major Bob McCormack then went to Bunker Hill AFB, Indiana, for flight training in the TB-58.
When I arrived at Bunker Hill (later renamed Grissom AFB) I was quite amazed at my first sight of a B-58. This baby looked fantastic. It was much bigger than I had imagined and you could tell it was built for speed with those four brute-force J-79 engines strung beneath its delta wing. With a sharply tapered needle-nose, it looked ready to break the sound barrier while still on the ground. This racehorse was itching to get out of the stable and run with the wind. I found it hard to believe that I’d be riding this beast in that second cockpit.
Al and Bob had already logged a number of hours in the plane with an instructor pilot, but my first flight meant going up with Al on his first solo ride. It would be a normal mission – high altitude navigation, inflight refuelling with a KC-135 tanker and high and low altitude nav runs with simulated bomb drops being scored by radar bomb scoring sites.
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I had some hesitation as we headed out to the aircraft. Something didn’t feel right. I had my helmet and oxygen mask and my Nav kit – but something was missing. My shoulders felt light. Then I realised I didn’t have a parachute. After ten years of flying in tactical and strategic bombers wearing a fairly heavy parachute for hours on end, I suddenly realised those days were over – no parachute required in the Hustler. The escape capsule had its own installed parachute, so this would be shirt-sleeve flying.
The B-58 was also the only bomber aircraft I know of that had a single pilot with two navigators on board – the DSO was a rated navigator. The crew sat in tandem, one behind the other in three isolated cockpits – no standing room available.
I’ll always remember the take-off and climb-out of my first mission. We were sitting on the runway with four engines in full afterburner. Then at brake release I felt pushed back in my seat as we made a rapid roll to lift off and then a climb at 425 knots until we reached altitude. Of course, after takeoff we had to throttle back out of afterburner to prevent this racehorse from running wild.
Its four J79 engines produced 62,400 pounds of thrust, so the B-58 with an empty weight of only 55,650 pounds had an outstanding thrust-to-weight ratio.
People often asked, “Did you become claustrophobic sitting in such a confined space for hours on end?” My reply was always, ”No. I was just too darned busy during the mission to have any time to think about being claustrophobic.”
Describe the B-58 in three words?
Fast, Accurate and Survivable. Let me explain:
Fast: The B-58 was fast and had a range of airspeeds. At its maximum speed of Mach 2.2 (1,452 mph) it was 2½ times faster than the muzzle velocity of a .45 caliber bullet. Although it was a strategic bomber it could outmaneuver, outturn, and out-climb most fighter aircraft of its day. But it was also fast while flying at low level. On the deck we would skirt the treetops just below the speed of sound. This amazing bomber captured numerous international speed records winning five aeronautical trophies: The Thompson, Bleriot, Mackay, Bendix and Harmon trophies. The B-58 Hustler also set 14 world speed records in international competition; and in 1962, a Hustler carried a payload of 11,000 lbs. to an altitude of 85,360 feet.
Accurate: It was unbeatable in navigational and bombing accuracy. Its Doppler, Stellar, and Inertial navigation system was quite unique for its day. Before it was fully combat-ready, a B-58 crew, competing against more experienced B-47 and B-52 crews, did the unthinkable. It took first place for bombing accuracy at the 1960, Strategic Air Command, Bombing Competition. I would often fly “radar silent” going from standby to radar-on just for the few seconds required to position my crosshairs on navigation checkpoints, however the Bomb/Nav system of the Hustler was so accurate that quite often the crosshairs would be laying directly on the checkpoint when radar was turned on.
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Survivable: In the 1960s, improvements in Soviet surface to air missiles (SAMs) forced the B-58 from a high-altitude supersonic penetration of enemy airspace to a low-level penetration and a high subsonic speed run to its targets, just below Mach-1. The Hustler adapted to this new profile exceptionally well. The B-52 was also forced to go in at low-level but it had a huge radar image and its lower speed held no comparison to the B-58 whose radar image was virtually undetectable. Flying low and fast it was hard for radar sites to pick us up amongst the radar ground clutter and its ability to fly ‘silent’ with no electromagnetic emissions made it virtually undetectable in enemy territory. I can attest to how the B-58 was like a stealth bomber on low-level bomb runs. Quite often when we approached a Nike bomb scoring site, we were asked to pop up so they could obtain a radar lock-on.
What is a particularly dangerous aircraft?
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I would describe a dangerous aircraft as one where you risked life or limb at a much higher probability compared to other aircraft. I flew for six years in the B-47 six-engine jet bomber and never felt comfortable on take-off and landings because I knew if I had to eject at that low altitude, in my navigator’s downward ejection seat, my chance of survival was close to zero.
Tell us about the escape pod.
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It was quite a relief to find out that the Hustler, not only had upward ejection seats for all three crew members, but we would also have our own escape capsule. This capsule was amazing. The pilot’s capsule is shown in the closed position. His capsule included the flight control stick allowing him to control the aircraft while encapsulated up to the point of ejection. The B-58 was the first Air Force aircraft to have a capsule ejection system to allow safe ejection at supersonic speed. And it worked at any airspeed from 100 knots to above Mach 2 and from ground level to 70,000 feet. This capsule would get you out of the aircraft safely. It had an independent pressurisation and oxygen supply system, shock absorbers to ease the impact on touchdown, and it even floated on water.
Do you think it was more survivable than the B-52?
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It was much more survivable than the B-52 for a number of reasons. If we had to go to war, it could take off much faster than the B-52. At low level, it could penetrate enemy defenses at a much higher speed and coped much better in heavy turbulence. Most of all it was much harder to detect on enemy radars.
The Studies and Analysis Directorate at the Pentagon ran computer simulations comparing the B-58 with the B-52. They concluded that the B-58’s speed advantage and its very low radar signature gave the Hustler a higher probability of evading detection by enemy radars. This held true even when the B-58 was programmed to fly at a higher altitude than the B-52 during low-level penetration to the target. In comparing radar signature differences, I remember one of the evaluators saying, “The difference between the B-58 and the B-52 was like comparing a postage stamp to a barn door.”
Here’s how my former B-58 pilot compared the two aircraft when I asked him which was more survivable. “I have over 3500 hours in the B-47, close to 1,000 hours in the B-52, with 350 in combat missions in Vietnam, including flights over Hanoi and Haiphong. As a weapons machine for use in both peacetime deterrence and war conditions, the B-58 was exceptional.”
He went on to say, “Having flown the B-52 into a highly defended enemy target complex, it is apparent to me that the B-52 was highly vulnerable to enemy defenses. Having survived the onslaught of surface to air missiles (SAMs) due only to electronic countermeasures and seeing missiles fired even before our initial turn to target, I am convinced that the B-52 for all its great capability was a large detectable target, easily identified and vulnerable to the SAM complexes. The B-52 at low-level had this same huge radar image and due to its lower speed held no comparison to the B-58 whose low-level speed was much greater and the B-58’s radar image was virtually undetectable.”
You may also enjoy interviews with pilots of the following aircraft: F-104, F-106, F-4, SR-71 and B-57,
Why was it retired, and was it too early?
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By 1967, all major improvement modifications had been completed on the B-58 and like its big brother the B-52, it could have remained in the inventory for many more years. Congress, the Joint Chiefs of Staff, and even the Office of the Secretary of Defense, despite initial misgivings about the Hustler, came to realize its value as a strategic bomber and by January 1969, it had been given a new lease on life. It was certainly a weapon system feared by the Soviets. But because of an indisputable blunder by Strategic Air Command, during a time when they were under pressure to cut costs, they decided to trade off all of the B-58s in hopes of retaining some older model B-52s. They got their trade off from the Office of the Secretary of Defense. Then, within months, they were also forced to phase out those older model B-52s they had hoped to keep.
What was special about the B-58?
It was an airplane you could fall in love with. It was a pleasure to fly. Among all the pilots I’ve known in my three years of flying in the B-58, none thought the B-58 was hard to fly. In fact, they thought it was the smoothest airplane they ever flew. Especially those who had flown fixed-wing B-47s and B-52s. Its delta wing gave the Hustler a smoother and more stable ride than other aircraft. Responsiveness to controls was instantaneous and you didn’t wait for a wing to respond to control movement. Formation flight i.e., Air Refueling was much easier due to the stable platform.”
Your most memorable mission?
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I actually had two very memorable missions. I had mentioned earlier that the B-58 had a range of airspeeds. The following illustrates how slow and how fast the Hustler could fly.
There’s no doubt that the B-58 had an amazing high-speed capability. Now, let’s take a look at the Hustler’s slow speed ‘floating leaf’ capability.
I had my share of ‘shacks’ i.e., putting a bomb directly on target with zero error, and never had a bad bomb score in my three years of navigating and bombing in the B-58. But came close when I was running high altitude simulated bomb drops on a Nike site one evening over Chicago. We were in a racetrack pattern and getting excellent scores from the Nike radar bomb scoring unit. However, we were flying in one humongous jet stream, well over 200 mph. Our inbound run to the target was very slow and our outbound on the racetrack was like a ‘Bat out of Hell’ with that ferocious tailwind kicking us in the rear.
Nike sites scored bomb runs by acquiring the inbound aircraft on radar. The aircraft’s track was drawn in ink on a large horizontal whiteboard. The track was based on the aircraft’s ground speed and true course. Ten seconds before bomb release, I would transmit a constant tone. At simulated bomb release the tone stops and the pen on the plotting board lifts up. At that point, the Nike site operators would extend the track based on the time of fall for the bomb type and the best-known wind data. Altogether, this determined how close the bomb came to the target.
Well, on this particular evening, I was getting somewhat bored on my fourth inbound to the target. We were fighting that tremendous headwind and it seemed like it was taking forever to get to the target. So I decided to try something different. I computed an indicated airspeed (IAS) for Al Dugard, my pilot, to fly that would make our true airspeed equivalent to the speed of the jet stream. If Al could hit that speed, then our groundspeed would be zero. We had just flown a seven-hour mission and the Hustler was real light with just enough fuel, plus some reserve, to get us back to Bunker Hill, 15 minutes away. Al was not sure, he could hold such a low airspeed for too long, but he was willing to try.
He started throttling back on the engines, careful to keep the Hustler above the stall speed and I kept my eye on the groundspeed indicator. Son of a gun, we were approaching zero groundspeed.
Al said, “George, I can keep this airspeed and angle of attack, but I’m beginning to lose some altitude to maintain it.”
“OK, Al, we just hit zero groundspeed. Hold it a bit longer and then we can accelerate to keep the bomb run going.”
Then we started getting panic calls from the Nike site because the pen plotting our track, inbound to the target, had stopped its forward motion. That meant only one thing to the Nike bomb plot people on the ground—we must have either blown up in the air or crashed to the ground.
“Delta 23 this is Nike bomb plot. Do you have an emergency? Come in Delta 23.”
Al came over the interphone, “George, I’ll respond to Nike so they don’t get too panicky and declare an emergency on us.”
“Nike bomb plot. This is Delta 23. Sorry for the delay. We just stopped for a while to open and eat our flight lunches. We’re now continuing into the target.”
“Roger 23” – a long silence and then, “Your pen plot has started to move again.”
They probably could not believe what just happened and never asked for an explanation. I was just lucky they did not retaliate by giving me a bad bomb score.
Now let’s take a look at how fast this beautiful lady could fly. Here’s a mission I was on in March 1967, out of Fort Worth, Texas:
B-58 Taxi (AFMUS).jpg
“Foxtrot one five, this is Carswell Tower, you’re cleared for takeoff. Center has cleared an unrestricted climb to 24,000 feet.”
“Roger, tower.”
“OK, Crew, we’re ready to roll. Advancing power to 100%, engines stabilized, kicking in AB, and releasing brakes.”
I felt the afterburners kick in and said, “Al, I’ve started my stop watch, let me know when you level off at 24,000 feet.”
“Roger that. S1, passing the 1,000-foot marker. S2, rotation, lift off, climbing.”
“Al, my altimeter is spinning like crazy back here.”
“Mine, too. We’re approaching 15,000 feet and I can see the end of the runway below us.”
“Ft Worth Center, this is Foxtrot one five, passing through 15,000 feet.”
Center didn’t believe us. “Foxtrot 15, say again altitude?”
“Flight Level 19 Zero, and now leveling off at 24 Zero.”
“Al, you won’t believe this but my stopwatch reads 48 seconds and that was from brake release.”
“I believe it, George. It’s the lightest fuel load we’ve ever had. That climb was like sitting on the head of a rocket. I couldn’t level off quick enough and finally hit the top of the parabola at 26 thousand feet and dove back down to the assigned altitude of 24. That was a blast. What’s our heading to The General Dynamics rehab base at James Connolly?”
“Pick up a heading of one seven four degrees.”
I was the Navigator/Bombardier in that one-minute conversation with our pilot, Major Al Dugard, as we departed Carswell Air Force Base, enroute to James Connolly Air Force Base. Our Defensive Systems Operator, Major ‘Mac’ MacDonald was also on board.
Convair_XB-58_Hustler_during_takeoff - public domain.jpg
Our mission was to ferry a B-58 “Hustler” to James Connolly for a modification on the wing root and other mods to extend the life of the B-58 well into the 1970s. While at James Connolly, we picked up an aircraft that had already been modified and flew it back home to Bunker Hill Air Force Base, Indiana.
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Was Mach 2 possible, did you reach it?
Mach 2 was more than possible. The thrust of the four J79 engines could push the B-58 well beyond Mach 2. The limiting factor was aircraft skin temperature. When a B-58 crew set a transcontinental speed record in 1962 they monitored the skin temperature gauges to ensure they did not exceed 125 degrees centigrade (125°C = 257°F.)
I’ve often been asked, “What was it like when the B-58 went supersonic?” Unlike the loud boom, someone on the ground would hear, my first experience passing through the sound barrier was remarkably quiet. Unless you were looking at your instruments, you would never know you had gone supersonic. There was not even a small shudder within the aircraft—nothing, except a fluctuation on the altimeter. The reading would drop around 500 feet and then bounce back to the proper altitude. The B-58 was capable of delivering bombs at Mach 2 but it could be tricky. Travelling at 23 miles per minute. You had to acquire the target as early as possible and once your crosshairs were locked on target any further movement of the crosshairs could result in very steep bank angles as the aircraft turned to reacquire the target.
How fast and smooth was the ride at low levels?
The B-58 was very fast and very smooth and quite stable even when flying in low level turbulence. When other larger bombers on a low level route aborted their mission due to heavy turbulence, we would come in behind them and successfully complete the mission experiencing only light to moderate turbulence. That’s the advantage of a delta wing design. The B-58’s wingspan was short, solid and stable, unlike aircraft with large wingspans where turbulence can induce oscillating forces on the wings. It was much faster than the B-52 at low level.
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How good were the weapons and sensors?
All bombs were dropped with a drogue retarded parachute to allow safe escape from the bomb blast. The Defensive Systems Operator (DSO) controlled a powerful electronic counter-measures (ECM) system to blind enemy radars, including an active jammer and a chaff dispenser. The defensive armament of the B-58 had a six-barrel, 20-mm rotary cannon (Gatling gun) with a maximum firing rate of 4000 rounds per minute. The radar for the tail gun was located in a bullet fairing above the tail cone. The gun was aimed remotely by the fire control system in the tail, but there was a radar (automatic) fire control panel and a manual fire control panel located at the DSO’s station. The firing zone was any target within a 60-degree cone. The defensive ECM system gave early warning of enemy radar systems to deceive, confuse, or jam them. The system also had radar track-breaking equipment, that generated deceptive radar jamming signals. When radar tracking signals, locked on us, the track breaker generated and transmitted deceptive angle and range information back to the hostile radar tracking system. A chaff dispensing system was also installed in each upper main gear fairing, with chaff being ejected through mechanically actuated slots in the tops of each wing fairing.
What should I have asked you? How about: Have you published any books about the B-58?
I have published a couple of books about the B-58. My best seller is “The B-58 Blunder – How the U.S. Abandoned its Best Strategic Bomber.” It details much more of what has been presented here and is available on Amazon where it has sold over 6,000 copies and received over 260 reviews. In it I describe how the B-58 came to a premature death, largely because of infighting among military and civilian leaders, who failed to understand the value and full capabilities of this fantastic airplane. It was a technological marvel, years ahead of its time and it should never have been sent to the boneyard.
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A History of US Bear Subculture
Selection from “A Concise History of Self-Identifying Bears,” by Les Wright, published in The Bear Book: Readings in the History and Evolution of a Gay Male Subculture, edited by Les Wright, 1997.
Roots In his 1991 introduction to The Bear Cult: Photography by Chris Nelson,[1] Edward Lucie-Smith attributes iconographic sources of bears to the 1950s gladiator movies starring bodybuilder Steve Reeves. Gay “physique studios” of the time reflected the predominant fashion of closely shaven faces and bodies. “Old Reliable,” a Los Angeles-based photographer of homoerotic wrestling, specialized in “natural” men, soliciting hustlers, punks, ex-cons, and other truly “rough trade” types off the streets (from the 1950s-1990s) to pose for his camera. Old Reliable’s models were street-smart scrappers, perhaps shabby, perhaps defiant, unquestionably blue-collar, or lower, class. A fat cigar in one hand and the middle finger of the other hand thrust into the camera’s face is the signature pose for Old Reliable’s models. John Rechy’s novels, especially 1963 best-seller City of the Night, serve as a record of gay male engenderment of this particular type in the urban subcultures of the late 1950s and 1960s.
Another informant, living in the Miami, Florida area during the 1970s, reports that when he first started coming out into the bar scene in his mid-twenties he encountered a cluster of “bears” that congregated in the Tool Room, a back bar area of Warehouse VIII, a “disco place.”
“[i]n the meantime, some counter-culture tabloid I read occasionally ran a cryptic personal ad for a Bears party, which would gather at a men’s bar called The Ramrod on a particular evening and time, so I bit. Not knowing the bar’s whereabouts, then learning the address and trying to find the unmarked place in the downtown darkness, I was late but not too late. A dozen of so men with beards, most of them husky, were piling out of the bar door as I was walking in. Two of them grabbed me by each arm, and one said “Great! You’re the even number!” Now I was just in the first stages of coming out, even to myself, but I let myself get swept away (with an alarmed smile on my face). I thought I was headed for my first orgy (gay or straight), but it turned out to be a real party at a home on one of the causeway islands between Miami and Miami Beach. Real men having a hell of a good time without a woman in sight. Imagine!! We watched the second half of the Dolphins game, played some cards, then sat outside under the moonlight, slowly pairing off and disappearing back indoors or off into tropical hiding places behind the patio.
I was out. I started hanging out regularly at the Ramrod, where any bearded local was greeted as “Hey, Brother Bear!” I checked out The Rack, a leather saloon, but the bear camaraderie was not present. A few Rack regulars were good-looking, beefy, bearded guys, but their bikes and image were their focus, not the bears among them. The bears continued to patronize the Ramrod and the Tool Room, or a larger bar in Fort Lauderdale called Tacky’s, but could be found in lots of neighborhood bars, too, like The Hamlet and The Everglades. Not only did we refer to ourselves as bears, but the term caught on among non-bears too.
It was too early in beardom, I guess, to have a Bears club or organization of any kind. Nobody thought of it. There were spontaneous parties arranged by word-of-mouth, picnics, beach volleyball. We even loaded three vans full of bears and invaded Key West.
You might think of Florida as an unlikely place to find bears, but bearded men were very common there in the 60s and 70s. When the disco era streamrollered fashion for straight and queer alike, it became less common. Many bears kept our beards, many left only a moustache. The Ramrod faltered and closed, 13 Buttons and The Copa flourished, as did all the big discos of the day. I became more private whit three bear affairs over five years, then finally met a cowboy in New Orleans on Mardi Gras and left Florida forever. We moved to Colorado in 1981 and had five great years together. I've been in Denver since 1986 and was later a founding member of one of the oldest bear clubs in the country, Front Range Bears.
But that’s another story.”[2]
Larry Reams has unearthed the first documented apparent uses of “bear” in the current sense. He has found among records of the Los Angeles-based Satyrs’ MC club the formation of a “bear” club mentioned in two entries from 1966.[3] Another source cites anecdotally a group of lovers of a “Papa Bear” in Dallas, Texas, as the start of the “bear community” “well before 1975.”[4] Several undocumented sources have related similar anecdotes of private circle or bar circles of self-identifying bears.
The first published description of gay “bears” appeared in a whimsical article called “Who’s Who in the Zoo: A Glossary of Gay Animals,” penned by George Mazzei in the Advocate, July 26, 1979. Larry Reams reports that he and his friend, the author,
“were standing in Griffs’, a Los Angeles leather bar, one evening discussing the types of men we were and those to whom we were attracted. We decided we were Bears and continued on to formulate what we thought constitutes a Bear. Once we had described Bears it was an easy step to look around the bar and create the rest of the article.”[5]
Because the type so strongly suggests aspects of both bear attitude and bear image, it is worth quoting in its entirety:
“Bears are usually hunky, chunky types reminiscent of railroad engineers and former football greats. They have larger chests and bellies than average, and notably muscular legs. Some Italian-American Bears, however, are leaner and smaller; it’s attitude that makes a Bear.
General Characteristics: Hair. Their tangled bears often present no discernible place to insert a comb. Laughter. Bears laugh a lot and are generally good natured. They make wonderful companions since they are prone to reach for the check, buy the next round and keep abreast of when the Trocadero is dancing this season. Their good humor can turn threatening if you attempt to cruise their trick and you will hear about if for weeks afterward. [...]”
Jack Fritscher was creating and documenting a similar impulse in San Francisco contemporaneous to this Los Angeles subculture. Those pre-AIDS years in the Castro and South-of-Market subculture are documented in the roman à clef Some Dance to Remember. Recorded in the novel is an account of Fritscher’s short-lived underground magazine called Man2Man, a direct precursor to the first incarnation of BEAR magazine. The “homomasculinity” of Fritscher’s philosophical quest was summed up in the magazine’s subtitle: “What you’re looking for is looking for you!”
First-Wave Bears of the Zeitgeist, 1986-1989
The energy that called itself “bear” appeared as one of the signs of reemerging gay communal life following the arrival of AIDS in the 1980s. After several years in a state of shock, emotional devastation, eating more, perhaps exercising less, continuing to age, and ready for a somewhat slower and more compassionate pace of gay sex and gay social life, “hibernating” clones, leathermen, and many other self-identifying types came back to gay public spheres as “bears.” AIDS led many of us to put on extra padding and to eroticize (or publicly admit to our erotic desire for) male bulk. Feminists, such as Andrea Dworkin and Mary Daly, had articulated the mechanisms of patriarchal/capitalist subjugation through the “beauty myth.” The tyranny of the “Castro (or Christopher) Street clone” had been breached.
Since the late 1970s, in counterpoint to the “endless party” spirit of gay life, increasing numbers of gay men were burning out on the alcohol and recreational drugs. Alcoholism has been, and remains, a serious problem in the gay community. The drug experimentation of the “love generation” had turned into a nightmare before AIDS arrived. Now, for the first time, many were experiencing another sense of self, a “sober self,” a discovery of self-respect, which allowed them to bring to a halt these self-destructive behaviors. Across the country sobriety became not only fashionable, but even “politically correct.” Discussion of the uses and misuses of the principles of Alcoholics Anonymous belongs elsewhere. Relevant to bears is the rise of self-esteem among gays--whether through sexual “liberation” or adoption of cultural norms of the moment.
The self-empowerment movements of the 1970s, the nurturance and “safe space” strategies of 1970s feminism, the ever greener alternative impulses of rural gays, Radical Faeries, and nongay-identifing men-loving men (as disseminated, for example, through RFD magazine), and the fundamental strategy of Stonewall politics--coming out--prepared the way. For gay men, who had come out as gay, as sober, as HIV positive, as leathermen, it would seem “natural” to come out--yet again--as a bear. On the one hand, Stonewall-era identity politics shaped the Zeitgeist. On the other hand, for many men-loving men who did not identify with any of the images of gay men in the gay press or with (usually) urban gay men they had encountered on trips to a city, their first encounter with the idea or an embodiment of a “bear” would strike pay dirt. Many have reported immediate identification, sometimes after years or decade of not “fitting in.” Twelve-stepping and two-stepping were new venues for socializing, for being in community without an explicit exhortation to sex. It gave us another chance, a utopian moment, in which to reinvent ourselves and our community.
“Bears” have been emerging as successor to the “clone” and as transmutated variant of “leatherman,” as an integration into gay mainstream social life of “girth-and-mirthers.” In many ways, it was a humanizing response to what clones had been. Martin P. Levine, in his study “The Life and Death of Gay Clones,” focuses on the urban enclave of West Village clones (Manhattan), noting that “AIDS, gay liberation, male gender roles, and the ethics of self-fulfillment, constraint, and commitment”[7] were the sociocultural shapers, creating and destroying this gay male subculture. Bears, during the 1980s, represented a break with the competitive and objectifying tendencies which had alienated so many Stonewall-era gay men. Bears continued the tradition of masculine identification, the social identity politics of gay liberation, and basic Enlightenment values of equality, self-determination, and self-fulfillment. Bears sought to ameliorate between socially isolating cliques and creating safe social spaces, comingling social and sexual spheres, merging rough, unkempt masculine iconography with the emotional nurturing lacking in the clone subculture and the caretaking many gay men felt called to as a direct result of the AIDS epidemic.
The point of titration came in 1987. The “Bear Hugs” parties, the advent of BEAR magazine, and developments in electronic communications were the catalysts that sparked the concept of the self-aware, self-identifying bear across communities. First, computer bulletin boards and then listservres and moderated mailing lists made communications instantaneous and were collectively dubbed “cybearspace.” All three significant events took place or are tracable back to San Fransisco, independent each other but with an unexpectedly synergistic effect all together. All three represented, each in its own way, a “safe space” for bears.
Play Parties A group of friends began organizing private “play parties” in Berkeley and San Francisco in 1987, as safe and warm gatherings--social and sexual for their friends and friends of friends. Private, invitation-only “jack-off circles” became popular during the AIDS sexual freeze, but these were an alternative social and sexual space for gay men who felt “left out”--out because they did not fit, or felt like they did not fit, the gay media images of “beauty”--young, tanned, smooth-skinned, blond LA surfer boy “twinks.” Their “difference” was both physical and perceptual, and was expressed through a social and sexual inclusiveness--men in their thirties, forties, and fifties, ranging from slender to stocky to chubby (though generally on the heavier side), usually with beards and perhaps body hair, and from a range of social classes. The common mold was a warm, nurturing, affectionate attitude toward each other. The intimacy of the early days changed, however, when the gatherings grew to over 100. By 1989, a larger space and a more formalized “guest list” became necessary.
This San Francisco group was the spawning ground for several later developments. Among them were Bear Fax Enterprises, a business privately owned by Ben Bruner and Bill Martin. The International Bear Expo, which ran for three years in San Francisco (1992, 1993, and 1994), the effort of dozens of local bears, was overseen by a steering committee, many of whom later founded the Bears of San Francisco and the International Bear Rendezvous. The “International Mr. Bear” competition and title were introduced at Expo ‘92; John Caldera, the first title holder, eventually acquired ownership of the tile, and the contest has been held annually ever since.
“Bear soup” became a widely adopted idea. In many places it refers specially to hot tub parties, though often with the implication of an orgy or private sexual pairings later in the evening. Sometimes “bear soup” seems to refer merely to a crowded space full of bears. The Bear Hugs group in Great Britain is a strictly social organization.
Similar groups, such as the OzBears of Sydney, Australia, and the Bear Cave parties in Manhattan, had started up for purposes of private socializing, and formed the basis of new groups that developed into bear clubs dedicated to social activities or even community work. As organized bear clubs have arisen and sex clubs started advertising a weekly “bear night,” these play parties have all but disappeared.
BEAR Magazine At about the same time, Bart Thomas began putting together a small, photocopied underground magazine he called BEAR . The magazine was, at first, local to San Francisco. It consisted of jack-off photos and personal ads. The reader could send in appropriate photos of himself or stop by the BEAR office and pose for the magazine. In some ways, BEAR may be seen as the direct successor of Jack Fritscher’s Man2Man underground magazine of nearly a decade before. Before he could actually launch the magazine, Thomas succumbed to complications form AIDS, but not before passing the torch to his friend Richard Bulger.
Bulger’s vision of a lifestyle magazine, articulating this masculinity, with a leftist sexual political slant, and embedded anthropological underpinnings, not to wax abstractly, but to act, to embody the principles through practice and a level of discourse clear to any blue-collar man. In a few years’ time the magazine expanded in size and status, and from word-of-mouth circulation to international commercial distribution, with a full line of videotapes, photo sets, and accessories.
In this 1993 study of BEAR magazine, Joe Policarpio describes the dual aspects of image and attitude stressed by publisher Richard Bulger through his choice of models and editorial content. The general profile of a “bear” includes at least some facial hair and some body hair (”usually the more the better”), a “musky animality,” a blend of traditionally masculine aggressiveness and (feminine) desire to cuddle, muscles by Nautilus or physical labor, and a tendency to be older than the models found in most other gay male porn magazines. “The most important point is these men are presented as fitting an ideological pattern the magazine espouses. This is one of freewheeling, playful and positive attitude toward sexuality between men. He is comfortable in his body and exudes a sense of self-assurance.”[8]
Because of personal ties, BEAR magazine was from the start intimately connected with the South-of-Market bar scene. The original Lone Star Saloon was the first “bear bar,” and followed the tradition of the Ambush and the Balcony, both of which had gone out of business early in the AIDS epidemic. These “sleaze bars” all developed an international reputation. They all offered a free-spirited, anarchic, anything-goes ambience, drawing in blue-collar types who disdained the middle-class pretensions of mainstream gay culture, those who sensibility combined social rough edges with the loyalty ethic of the American lower classes, and misfits, eccentrics, and other “rugged individual” types historically drawn to frontier towns and their saloons.
“Cybearspace” Direct electronic communications over the Internet developed and proliferated during the 1980s and 1990s. Word-of-mouth knowledge of bears spread very rapidly across the Internet. The preponderance of bears on-line or in computer fields is traceable back, in part, to this. One of the most often used private or personal uses of the Internet, regardless of sexual orientation, is for communications of a sexual nature. The lines of communication are numerous and diverse: live chat lines (IRC), BBS (electronic bulletin boards), unmoderated (echoed) an moderated mailing lists, websites, CU See ME (live video transmission), and e-mail. Altogether an individual can transmit or receive text, images (such as gif or jpeg), sound, and video images (nearly) instantaneously. The Internet allows for establishing and maintaining contact anonymously, for uncensored communication, for the exchange of visual images (yourself, your friends, your favorite sexual icon), and for echoed messages (broadcasting to all subscribers of a mailing list of a global mailing to everyone in your e-mail address book). Certain mediums (such as the IRC) can guarantee anonymity (no clues as to personal identity or physical appearance). The question of subverting prejudgment on the basis of appearance becomes moot, however, when we consider the proliferation of visual mediums, such as webpages, archived gif and jpegs, or CU SeeMe, which permit blatant self-advertising based on one’s appearance without revealing one’s name or location.
Early on, circa 1985-1988, there were several bear-dedicated bulletin boards, such as the PC Bear’s Lair (sysop Les Kooyman). The bearcave chat room on the IRC has been a very popular site in cybearspace for live conversation. While the option of remaining anonymous is always available (everyone uses a “handle,” or pseudonym), cyber-communities have evolved over time. This may range from sexual encounters to personal friendships to life partners.
By far the most popular cybearspace is the Bears Mailing List, or BML. Founded by Steve Dyer and Brian Gollum in 1988, it grew from a small, friendly, safe-feeling cybergathering of several dozen bears to a heavily subscribed, largely anonymous, and often fractious, moderated exchange of over 3,000 subscribers. Since 1995 Henry Mensch and Roger Klorese have been moderating the BML and introducing changes to accommodate the dramatic shift in tenor and purpose of the list. Subscribers are drawn from all fifty states and several dozen nations worldwide. English is the lingua franca although everything, including whether to have and who should determine a common language (and how), has been brought up for discussion. Bob Donahue’s somewhat tongue-in-cheek rough guide to “bear codes,” which was accessible from the BML archives, is the source of subspecies terminology within the bear community, such a cub, otter, behr, and the like. Numerous individuals have taken the code in all seriousness and this has become a source of contention, quoted by both sides in disputes over what is a “real” bear. [...]
Although not the only cybear group to do so, the BML has staged several informal, in-person gatherings of its subscribers  During Stonewall 25 in New York City, for example, some sixty to seventy BMLers gathered at Bethesda Fountain in Central Park on the day before the parade. Consensus determined the group should form a spontaneous contingent and march in the parade. And thus on Sunday, Stonewall 25 included a sizable contingent of mostly bearded, bearish-appearing gay men from all across the country and from abroad.
Second Wave: formalizing, 1989-1994
Bear Clubs As the concept of bear circulated between gay communities across the country and “news of recent developments in the gay capital” was drawing more comers to San Francisco, localized efforts to promote and organize bears appeared everywhere. The Bear Paws of Iowa, co-founded by Dave Annis and Larry Toothman in 1989, was the first bear club. By 1992, Bear Expo organizers were aware of four such clubs. Two years later, there were forty. According to the International Directory of Bear Organizations, maintained by The Tidewater Bears (Virginia), as of January 1996, there were 137 bear clubs or explicitly bear-friendly (girth-and-mirth and leather) clubs worldwide.
Bear clubs have generally followed along the lines of their older cousins, the lather motorcycle clubs. In some places this means an informal club that schedules periodic social events. In other places, this has translated into a great deal of fundraising and gay community civic activities. As the club model has gained wider acceptance, it has drawn long-standing problems endemic throughout the gay community into its sphere.
A formal club membership structures creates automatically an insider/outsider division, even if membership is “open to all” (usually defined as “bears and their admires”). Having a club also invites quibbling over definitions of who is a “real” bear. (This is borne out by regional differences, whether emphasis has been placed on body hair, on body weight, or on “attitude,” though a beard or moustache seems to be universally required). Clubs and organizers of events, such as the OctoBearFest (Denver), Orlando Bear Bust, Bear Pride (Chicago), European Big Men’s Conference, or the International Bear Rendezvous (San Francisco) have created bear contests, which engenders the very hierarchical system the earlier bear impulse had been resisting.
Finally, the disjunctive ideals of bears as working-class masculinity and bears as an increasingly distinct subculture within mainstream gay culture bring into sharp relief the larger issues of gay community. If bears began in a spirit of inclusiveness and egalitarian-mindedness, sex positive and relatively “anti-looks-ist,” then what is to be made of the increasingly conformist, consumerist, competitiveness that has take over? As the idea of bears has spread, the opportunities to travel far and wide, to purchase ever more and ever more costly bearphernalia, to update an expand one’s computer sources are generating another, unanticipated dividing line-between bear haves and bear have-nots. to what extent does having money now calculate into the formulas of who is a “real” bear?
Expanded Print Media As BEAR magazine rapidly grew in format, production values, and circulation, reception among gay mainstream media remained very lower. The first published serious essay on bears was a piece I wrote in 1989. It appeared in its entirety in Seattle Gay News, an abbreviated version in the San Francisco Sentinel, and Drummer magazine carried the “Sociology of the Urban Bear” as the first bear cover story in 1990. (It was reprinted in Classic Bear, February 1996.)
What became known as bear types had been featured, in one way or another, in RFD (rural), in Chiron Rising (”mature”), in leather/SM-oriented, and girth-and-mirth publications. Numerous niche-crossover magazines sprang up in the early 1990s--Bulk Male, The Big Ad, Husky, Daddy, Daddybear, GRUF. Bearish models began staring back at the reader from the pages of Advocate Men, Honcho, In Touch, and other gay mainstream glossies. BEAR magazine’s direct competitor American Bear, published by Tim Martin (Louisville, KY) took advantage of a lacuna left by BEAR magazine’s retreat from Bulger’s philosophical lifestyle magazine publishing. With the establishment of the bear icon in the gay community and the world of mainstream-gay print advertising, gay bears had become a local presence everywhere (not just in San Fransisco). And with interests, at least sometimes, beyond immediate sexual gratification, this translated into new niche markets. While American Bear Features a regular column on dissonant (HIV-positive/negative) couples (Bulger adamantly refused to mention AIDS in his magazine), a how-to column on accessing the Internet, and other features, none of the bear magazines have attained Playboy-calibre intellectual content.
In the early 1990s “bear war” broke out when Bulger, then owner-publisher of BEAR, sought to gain sole ownership of the word “bear” as his company’s trademark. Needless to say, this led to a lot of bad feelings and was widely followed and criticized in cybearspace. The Advocate even mentioned it in print. At the time, the Bear Hug group’s informal newsletter the Bear Fax had been expanded into a full-fledged magazine by Bill Martin. The lingering legacy of this “war” was a schism, based on a difference in basic body types typically portrayed in each magazine, between “fat bears” and “skinny bears.” Since this time, personals ads have proven far more profitable, and the bulk of the magazine currently consisted of personals ads, photo spreads, and commercial advertising.[9] The magazine was sold to Bear-Dog Hoffman in 1994 and is currently under Joseph Bean’s editorship. It is not clear which direction the magazine will go. It is clear that BEAR is the voice of authority in matters of bear community and sensibility.
Print media as gone a long way in generating a prototypical bear icon--full-bearded, fairly to very hairy, beefy to chunky GWM baby-boomer, probably of Irish, Jewish, Italian, Scandinavian, or Armenian heritage. In reality, the question of race, presence or absence of body hair, body build, social class, or outlook on life is anything but so neatly compartmentalized. BEAR magazine introduced the serious photographic work of Chris Nelson (as Brahman Studio) and Steve Sutton (who succumbed to complications from AIDS in 1994). Lynn Ludwig has established himself as the documenter of the San Francisco bear community. And, perhaps, the most gifted photographer of bears is Los Angeles-based John Rand, whose work is included in this book.
Bear Contests The bear calendar includes many regional gatherings, as mentioned above, as well as annual bear contests as the local club level. The highlight of such events is often the bear content. As Lurch, a popular bear icon, stand-up comic, TV actor, and psychiatric nurse, has put it, “I prefer to say ‘titleholder.’ ‘Winner’ implies ‘losers,’ and none of us are losers.”[10] Successful bear contest titleholders may be expected to organize or work a number of fund-raisers, go on public speaking engagements and represent their hometown or club on the road. In other places, the local bear club may be one of the few, or even the only social outlet, and merely being a known presence in the local community is the extent of the titleholder’s “duties.”
The emergence of bear contents has tended to straddle the fence between two sides--parodying traditional gay ideals of beauty while striving to establish a new, legitimate bear ideal. The International Mr. Bear contest, a component part of the San Francisco-based International Bear Expo, evolved in its first three year from poking somewhat self-conscious fun at traditional gay values to striving in an increasingly serious manner to project an image of a self-confident bear ideal, a new icon assuming its place among the archetypes of male beauty. From the beginning there has been an emphasis on personal warmth, a compassionate nature, civic-mindedness in the gay community, and spiritual playfulness. Titleholders John Caldera (IMB ‘92) and Steve Heyl (IMB ‘93) worked hard during their “reign,” and have remained genuinely and deeply committed to the bear community. Yet, in the progression of titleholders and the proliferation of bear contests in recent years, here has been an increasing tendency toward consolidating a bear image, and away from qualities intangible or at least invisible to the camera.
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ljones41 · 4 years
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Top Favorite Movies of 2019
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Below is a list of my favorite movies of 2019 (list subject to change):
TOP FAVORITE MOVIES OF 2019
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1. "Once Upon a Time . . . in Hollywood" - Quentin Tarantino wrote and directed this excellent tale about a fading actor and his stunt double struggling to regain success in the film industry during the final year of Hollywood's Golden Age in 1969 Los Angeles. Oscar nominee Leonardo Di Caprio, Oscar winner Brad Pitt and Oscar nominee Margot Robbie starred.
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2. "Ford v. Ferrari" - James Mangold directed this exciting movie about the Ford Motor Company's feud with Ferrari, which led to a showdown at the 24 Hours of Le Mans in 1966. Matt Damon and Christian Bale starred.
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3. "Men in Black: International" - Chris Hemsworth and Tessa Thompson starred in this entertaining, yet underrated fourth entry in the MEN IN BLACK movie franchise. F. Gary Gray directed.
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4. "Knives Out" - Rian Johnson wrote and directed this comedic whodunit about a private detective's investigation into the suspicious death of a wealthy crime novelist and his greedy family. Daniel Craig and Ana de Armas starred.
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5. "Harriet" - Kasi Lemmons co-wrote and directed this well done biopic about the early career of Harriet Tubman as an Underground Railroad conductor. Oscar nominee Cynthia Erivo starred.
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6. "Hustlers" - Constance Wu and Jennifer Lopez starred in this interesting tale about New York City ex-strippers who steal money from their wealthy clients. Lorene Scafaria directed.
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7. "Captain Marvel" - Brie Larson starred in this solid entry in the Marvel Cinematic Universe (MCU) about the amnesiac Human member of the Kree commando unit called Starforce, who discovers that she is a former U.S. Air Force pilot and super-powered. Anna Boden and Ryan Fleck directed.
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8. "Aladdin" - Guy Ritchie directed this surprisingly entertaining remake of the 1992 Disney animated film about a street urchin who finds a magical genie in a bottle. Will Smith and Mena Massoud starred.
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9. "John Wick: Chapter 3 - Parabellum" - Keanu Reeves reprise his role in this non-stop action film as a former hitman, who finds himself on the run from a contract, due to his actions from the second film in the franchise. Chad Stahelski directed.
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10. "Toy Story 4" - Josh Cooley directed this Oscar winning fourth installment in the Disney animated film franchise about the new adventures of Woody, Buzz Lightyear and their other toy friends during their owner's vacation with her family. The movie starred Tom Hanks, Tim Allen, Joan Cusack and Annie Potts.
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