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theseventhveil1945 · 3 months
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JANE FONDA in KLUTE (1971) Costumes by Ann Roth Dir. Alan J. Pakula
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fayegonnaslay · 2 months
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Jane Fonda photographed by Bill Ray, 1971. LIFE Magazine.
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petersonreviews · 3 months
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Jane Fonda on the set of Klute, 1971
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quitonly · 1 month
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KLUTE 1971, dir. Alan J. Pakula
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woahcoolbear · 1 month
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going to keep doing movie studies maybe.. ..
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stylecouncil · 5 months
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Candy Darling and Jane Fonda in Klute (1971)
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gotankgo · 2 months
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Roy Scheider and Jane Fonda in Klute (1971)
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earlysummer1951 · 2 months
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KLUTE (1971) dir. Alan J. Pakula
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gone-by · 2 years
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chicafinal · 18 days
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klute (1971)
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aprilsangel416 · 2 years
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Jane Fonda, 1971. Filming the motion picture “KLUTE”, wearing designer Ann Roth.
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theseventhveil1945 · 2 months
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KLUTE (1971) Dir. Alan J. Pakula
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fayegonnaslay · 2 months
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Jane Fonda and Donald Sutherland behind the scenes of Klute, 1971.
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bitter69uk · 19 days
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“If Shirley Stoler shows up in something you’re watching, chances are at the very least it’s not going to be boring - and she shows up in the damndest places, impossible to ignore when she shoulders her way on-screen. There she is, for example, dubbed into Italian to play the zaftig commandant in a German concentration camp in Lina Wertmüller’s Seven Beauties (1975), where she’s serviced by prisoner Giancarlo Giannini. And as nasty neighbor Mrs. Steve on the television show Pee-wee’s Playhouse, a toxic character axed after the first season in 1986, apparently because Stoler so rubbed Paul Reubens the wrong way. And in Frank Henenlotter’s Frankenhooker (1990), of which little more needs be said than it’s titled Frankenhooker. And as the pawnshop proprietress who whacks off Alec Baldwin’s digits in Miami Blues (1990), George Armitage’s adaptation of Charles Willeford’s blackly comic detective novel, in which her casting, per Armitage, was a homage to her breakthrough role in The Honeymoon Killers (1969), Leonard Kastle’s road trip through an all-American hellscape.”
/ From “All-American Medea: Shirley Stoler in The Honeymoon Killers”, Nick Pinkerton’s astute essay for The Criterion Collection, 22 March 2017 /
Born on this day: fiercely charismatic, menacing and memorable American character actress Shirley Stoler (30 March 1929 – 17 February 1999). If all Stoler did was star in vicious 1969 cult classic The Honeymoon Killers, her legacy would be secure. In addition to the credits Pinkerton cites above, she also crops up in Klute (1971), The Deer Hunter (1978) and Desperately Seeking Susan (1985) and (on TV) Charlies Angels, Miami Blues and soap operas The Edge of Night and One Life to Live. What a résumé! A persistent urban myth: that Shirley Kilpatrick – leading lady of el cheapo sci fi b-movie The Astounding She-Monster (1957) - and Stoler are one and the same person. To complicate things considerably: Kilpatrick died in 1971. Portrait of Stoler by John Deane.
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Oscar Nominee of All Time Tournament: Round 1, Group A
(info about nominees under the poll)
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JANE FONDA (1937-)
NOMINATIONS:
Lead- 1969 for They Shoot Horses, Don't They?, 1977 for Julia, 1979 for The China Syndrome, 1986 for The Morning After
Supporting- 1981 for On Golden Pond
WINS:
Lead- 1971 for Klute, 1978 for Coming Home
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TOM BERENGER (1949-)
NOMINATIONS:
Supporting- 1986 for Platoon
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cry-bastion · 1 year
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DONALD SUTHERLAND as JOHN KLUTE in Klute (1971)
Well, tell me, Klute. Did we get you a little, huh? Just a little bit? Us city folk? The sin, the glitter, the wickedness, huh?
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