You claim you want to be free
We were something but now we're not
So something is what we won't be.
You picked me out the front door and didn't change the lock but you didn't ask for my key
You want the whole world to see,
Look at you so pretty and free.
Your after the clout fake emotions to spout,
Look at you so pretty and free.
Look what will never be
Your true feelings under lock and key.
You know what I see is your dishonest to me
Your escape is your fate
As you go on your next date
Your making it come to be.
Show nothing but fake is a huge mistake
Stop living OnlyFor clout
Will you ever let your true self back out?
Your living so free next time you think of me,
you'll get what I got,
all that's left is an after thot.
-H.OG.
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most of you will not understand the agony of this outfit. but hey here's fantasy au Howdy!
rambles:
yes. i know. he looks like a gunslinger. but I think it'd be funny if Howdy shows up and he minorly tweaks the genre simply by Existing! plus, he has to make himself useful beyond being a traveling salesman - he doesn't have a scrap of magic in him! so! alchemist gunslinger!
due to much of this "final" outfit design being Miguel's (@indigopoptart <3 thanks for your help homeslice <3) influence, i have less to say than usual! i'll talk about the things i Kept from the first terrible, terrible draft!
i wanted him to have full-coverage gloves because One, gloves fuck, & Two, shooting gloves! plus, he regularly works with dangerous materials! gotta keep his hands as safe as possible! speaking of his guns, they were a Ton of fun to draw. i wanted to make them ornate... Howdy seems like he'd enjoy nice things? fancy stuff perhaps? anyway the guns have his tavern "logo" on them!
the "second safety" mentioned triggers a magic-oriented mechanism that allows him to piece the guns together! they "unfold" into a big ol clusterfuck of a powerhouse weapon! unfortunately, using this immediately breaks the guns and they have to be repaired, so it's a "break glass in case of emergency" ace up the Neighborhood's sleeve!
i like to imagine that his bandolier, while cool, stresses everyone out a little bit. each bullet is full of pressurized weaponized magic. If they break while on the bandolier, well! Howdy would probably be very much Royally Fucked! i also drew the bullets too large here, so imagine that there's a lot more than shown and they're a lot smaller. I didn't realize this mistake until right now! oopsies!
i want to keep elements of the canon outfits in these fantasy ones. hence why his vest is striped and blue, he's still got the reddish brown pants, and! why his cloak clasp is shaped like a tie! and why the inside of his cloak resembles his apron!
i like to think that Howdy got his magic pack by swindling some poor soul out of it! when the buckles are undone, it unfolds into a vendor stand that looks Much different than the tiny scribble provided! said scribble is there to ah... what's the word. Demonstrate? get the point across? it's actually quite a nice stall! he has space to sell, and a workbench to tinker on! the pockets on the bag actually do function as pockets, though.
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This is such a tangent btw but on the topic of guilt tripping and reblogs... I remember a few years back there were some terrible fires in Greece (and again this year, entire island villages are gone now) and at that time I had family who were caught in them. I can't describe the desperation I felt with these horrible things happening to my family and loved ones in my country. And I remember being frustrated and desperate with how no one around me in America really seemed to give a shit. I remember blogging asking people to PLEASE care please share something please reblog this link for mutual aid please think about the stories and fires etc etc etc. And the thing is I was very much in a state of grief myself, maybe not every word or action was perfectly reasonable, because I don't realistically expect everyone everywhere to care about every tragedy in the world. You can't. Emotionally it's just not possible, especially with all the stuff going on in the states rn too. Yeah it's a lot. It's not like I blog about every tragedy that ever happens either. I understand.
HOWEVER what I also remember was at this time there were a couple mutuals very clearly making vagueposts along the lines of "remember not everyone has the energy to care about everything in the world uwu" while I was posting about family who died and family who were drifting in the ocean for hours as their homes and loved ones burned. Listen. You have to understand sometimes that when a person in grief and frustration with things going on in their countries and communities impacts them very personally beg you to care... It's coming from a place of needing to see that care in the world in general. They're not holding a gun to your head Specifically saying you have to reblog the posts, if you don't have the energy just ignore it.
You don't have to go out of your way saying "um actually I can't care about the horrible stuff you and your family and your country are experiencing rn. I'm too busy focusing on my own stuff so can you be quiet or more reasonable with your grief thanks." Like. Just keep it to yourself then??? Have some fucking sympathy for other people and understand that maybe it's not always logical. The same way you don't have the emotional energy to think about every tragedy in the world, people who've been impacted by them often don't have the emotional energy to handle that alone and may seek somekinda community or solidarity. Idk. It's not about forcing shit on you sometimes it's not about you
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Hey so also have Sir Crocodile brainrot and have recently reread Impel Down. This is probably nothing at all but it made me question the artistic choice made. Like we dont see Crocodiles full face until Luffy recognizes him. Before that tho he joins in on Jinbei & Ace's convo about Whitebeard and is shown to (non-)react to Boa Hancocks visit. But we only get his face in shadows or see the hook. Which. Why. Oda we know what he looks like and who the guy with the stitches on his face and the hook is. WHY OBSCURE HIM.
My friend, this is what we call a "cocktease"
Okay jokes aside, yes it was an artistic choise. More specifically, a storytelling technique Oda masterfully used to build up hype and excitement to Crocodile's eventual reveal and re-introduction into the story.
So thanks to Ms Goldenweek's cover story (which ran back during Water 7/Enies Lobby) we already knew Crocodile along with Daz, Bon-chan and Galdino had all been sent to Impel Down, when we also learned about Impel Down, Marineford and the Gates of Justice (+ the giant whirlpool between the three locations) to some extent. ((Now of course, if you were an anime-only then you would've had no idea about the former BW members being in Impel Down. And even if you had read the manga you still would've had to actually pay attention to the cover story and its lore, and not forgotten all about it))
So even before Luffy decides he's going to head to Impel Down to save Ace, we know Crocodile's going to be somewhere down there. The second Luffy arrives there, we are immidiately reminded of the fact when Domino mentions Crocodile taking the traditional "bath" new inmates take at the entrance. And as we descend deeper and deeper into Impel Down, with those cuts to what's happening down at Level 6 every now and then, as well as with the Baroque Works Countdown, Oda time and time again keeps on reminding of us of Crocodile's looming presence in the background.
This is all absolutely deliberate. Crocodile was arguably the most iconic (maybe not most popular but iconic) One Piece villian at the time, if given an opportunity of course the readers wanted to see him again. But just letting us see him right away would be anti-climactic, and distracting from what's actually important (Ace, and Luffy getting to him as fast as possible). So keeping him hidden could serve multiple purposes:
For one, Crocodile doesn't get to steal the spotlight from the other characters (at least not too early). We can focus on Luffy, Ace, all the new Impel Down characters and the other returning characters in peace, while Crocodile waits for his turn.
Another thing is that Crocodile's presence being downplayed gives off the impression that perhaps him being there isn't that important to the story. Thus, him teaming up with Luffy to break out isn't such an obvious twist (and so when that happens, it's ever more hype as a result)
But indeed, the most important part is that by teasing us constantly through out Impel Down, Oda creates hype. He makes us the readers excited if/when we might get to see the bastard, even if it was just a quick little cameo. So when Luffy finally reaches Level 6 and we finally do get that reveal, everyone loses their fucking marbles over the HISASHIBURI DANA MUGIWARA when we finally get to see The Motherfucker Himself. (And indeed, then getting to see him fight alongside Luffy is cool as fucking hell, completely unexpected and absolutely delightful)
But there's also another thing building up to Crocodile's reveal does. Compare his original introduction to the re-introduction
Compare Crocodile at the height of his power and influence, to the absolute rock bottom he has hit. No longer happily laughing while looking down on people (literally), he's filthy, he has given up on life, with sunken eyes and a hollow look on his face, only moved by a thirst for petty revenge (/an opportunity to go out with a bang). He doesn't even get the whole page for his grand reveal anymore, he's been shuffled to the side so the plot can progress on the same page.
Oh, how the mighty have fallen.
And to some degree, this is kind of meant to be a shocking realization to the readers. That this is not the same Crocodile we remember from Alabasta, that Crocodile died when Luffy defeated him. This is just the husk that remains, a shadow of what was once there. It's a sad sight, and probably not what the readers who loved Crocodile The Villian wanted to see. It's not the epic Return of the (Evil) King they wanted.
And that juxtaposition helps, because Crocodile doesn't return into the story as a villian, but as a frenemy/ally-on-thin-ice. And that idea is easier to signal to the readers in a lowkey manner when you do his re-introduction like this.
So yes, Oda refusing to show Crocodile's face until Luffy found him was 100% a deliberate artistic choise. This is fantastic storytelling
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