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#me when I’m homura
sellbotvp · 2 months
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ttr surlee is insanely homuracoded it’s not even funny
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archivvve-xp · 11 months
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(Wip) am in lvoe her….
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Ding dong, here’s the final chapter! I have an epilogue in mind so that may come later, but for now, Thanks  so so much for the response to this series and Enjoy!
Ch1 Ch2 Ch3
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[talking] [talking passes]
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Gai: You knew right away, didn’t you? Kka: Correct. I knew something was wrong when you weren’t trying to do situps or anything..... You little criminal, who smuggled that in for you? Gai: Naruto
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Kks: How did you get him to do that? /I/ cant even get Naruto to do things. The tear tracks and shit eating grin are cute. Kinda wanna kiss you. Gai: Don’t let me be a hindrance to-
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Gai: What are you giggling about? Kks: I just remembered
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Kks: I get to hold over your head that I held mirai before you. Gai: You what?! Your first baby hold and I missed it? Get off of me Kks: So mean! Near death made you crabby. Gai: I won’t give into this Kks: You will, you always succumb. [gai sighs annoyed]
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Gai: [Groans] When are they making you swear in as hokage? Kks: That’s not happening anymore thankfully. Gai: Huuuh?? Tenzou didn’t tell me that!
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Gai: He said Lady Tsunade was retiring and you were the only choice. Naruto even tried to- Kks: Where do you think i’ve been all day? I convinced her to hold out until Naruto or whoever  took over next. Gai: How did you smooth talk that one? Kks: I agreed to do her paperwork and cover for when she needs R&R. I also advised her to ditch the elders so she can actually run this shit show right. Gai: And they... took that well? The elders? Kks: No, not at all. Let’s just say I said some... things that made them backtrack on their decision.
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Gai: YOu cant just say that and not tell me now!! I gotta know! Kks: Well... Homura: Absolutely not! Kks: If I am appointed, I’ll be replacing you regardless. Naruto certainly will. It’s inevitable. Koharu: Those kids don’t know how this village runs!
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Kks:Those kids just won your war and this is how you speak of them. Or are “those kids“ only respectable to you when they’re eager to die at your beckon call and shut up. Elders: How dare- Watch your tongue! Kks: I won’t be someone who you can walk all over. Things will change. Just so my intentions are clear
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Gai: What next?! Kks: That’s is really. Kinda tuned the rest out and passed out for 3 hours. Gai: Rival, I was so invested Kks: Sorry Gai: So you agreed to essentially split the work of a hokage but not publicly take the title? Kks: Mhm Gai: So cool! Apologies, I had just assumes since you were gonna accept last time Kks:[hums] Things changed. Konoha’s not on the brink of war, Tsunade’s still here. The village can breathe and rebuild now.
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Kks: After a glimpse of the hassle and public attention the last time, I’m just... Not interested in any of that. I’ve never dreamed or desired to be the hokage. That was always something others wanted /for/ me. So I said no. I know you were happy for me so- Gai: Kakashi
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Gai: I’m so very proud of you for expressing how you truly feel. You and tsunade will do amazing work supporting the next generation. Even If you chose to retire today, I’d still be just as proud of you. Also a selfish part of me if happy to have more time with you. [kks huffs]
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Kks: I’m proud of you too, y’ know. All your hard work, you’re fucking incredible. Glad my dad made me talk to the cool kid in the green jumpsuit. 2nd coolest shinobi. Gai: Only took 25 years, but I’ve finally caught your eye! Kks: Yup, let’s move in together.
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Gai: WHAT?1 Whu-! Kks: I’m fixing up dad’s old house with Tenzou. you should live there with me Gai: Why? Kks: Why are yo suspicious? I’m serious. Space, accessibility for you... I want you around more. Gai: Ok Kks: Ok? Gai: An exciting change is just what my youthful journey needs!! Kks: So yes?
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Gai: I would love to share a home with you, Rival [kks giggling] What now?
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Kks: Did I just make you succumb, Gai-kun? Gai: When can we have a match next, I need to consensually slap you in the head [kks laughs] Why did you say it like that? Kks: I’m sorry! Your pout looks so cute.... You are still moving in with me, right? That wasnt a joke.
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Gai: I’m gonna let you sweat on that one awhile... [whimpers]
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Kks: Love you so much, Gai
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[gai snoring]
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[gai snoring]
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wolfofcelestia · 3 months
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Special nicknames were once thought to be only limited to the Chinese dub but after an update, people are starting to discover voiced lines for special nicknames for the JP dub (JP subs NOT required). Twitter thread
Here are all three boys calling you “honey” with ENG subs
Then there’s “nee-chan” (Seiya), “nee-san” (Rei), and “onee-chan” (Homura)
Someone posted Homura’s onee-chan line when they switched their nickname to “Darling” using JP dubs and ENG subs, so I’m assuming the ENG dub has a voiced line for “Darling” too
There’s also “Baby” as seen in this video of Homura. Here are videos of all three guys saying “baby” but the bgm is really loud lol
***All three guys calling you their girlfriend in JP dub, ENG sub. Xav mentions some nicknames that may be worth trying too
All three guys calling you “cutie”. The ENG subs plays over the JP dub for “baby”.
Some are speculating that you can try the equivalents of the Chinese special nicknames in the other languages
So in english, you could try
“Baby/babe” (works in both JP and I’m assuming CN, and is probably the most common english pet name)
“Darling” (confirmed as a stand-in for “big sister” in CN and JP)
“Girlfriend” (confirmed available in the eng subs)
“Honey” (confirmed available in the eng subs)
“Cutie” (confirmed available in the eng subs, but as a stand-in for the JP dub version of “baby”.)
If you’ve seen any more videos floating around, do let me know!
Edits to this post will be ongoing as more info comes out
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devoted-assassin · 9 months
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Ok now that Madoka Magica is gaining traction again, I need to make a promotion post for The Different Story, because it is a wonderful addition to the world that nobody has read and that makes me very sad.
If you don’t wanna read all this, just read the spinoff manga. Please. I beg. It’s the only spinoff that (imo) lives up to the original.
Now what is the Different Story?
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It’s a three volume spinoff manga (though this is the omnibus - all in one - version) that centres around Kyoko and Mami. There’s a piece of trivia that many people don’t know: Kyoko and Mami were once friends prior to the events of the TV show. This is canon, and there’s parts of the show that imply this too.
The first volume revolves around how they met, how their relationship grew, and what happened between them for the events of the anime to occur. This is pretty much canon, as it takes place before the time loops, and is adapted from a drama cd, which are directly written by the same person who wrote Madoka Magica. The next two volumes follow a potential timeline where Mami is still around when Kyoko comes back into town, and what happens from there is the rest of the story.
Why should you read it?
Because it is fucking awesome in the same heartbreaking and heartwarming way that the original show was. That’s the tldr, but if you want more in depth…
First of all, if you’re a fan of Kyoko or Mami, just stop right now and read it. You’re doing yourself a huge disservice if you don’t. They get so much development, which is nice for the two characters with the smallest amount of screen time (not that the anime doesn’t do a fantastic job). Especially Mami, who got…a bit cut off before all the big events really started happening.
Now, even if you prefer some of the other magical girls, they still get some time in the spotlight. Homura, Madoka, and Sayaka all get their moments that expand on their characters, and make you think “oh, it really could have gone this way.” If you’re a shipper, there’s also some nice content between the two big duos (so kyosaya shippers, I am one of you, please read this too).
Also the art style is a perfect match for the tv show + movie, which is a rarity for madoka magica spinoff manga.
How does this fit into canon?
As already stated, the first volume is pretty much canon. It’s the past between Mami and Kyoko. Now, the manga isn’t written by the same person who wrote Madoka Magica, but it did get the officially seal of approval from him. As such, whether the alternate timeline actually occurred in canon is personal opinion. Pretty much everyone who read it considers it canon, since it fits neatly and there’s nothing that contradicts anything already established.
I’m still hoping that we will get an anime adaption, but that’s 100% delusion.
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And look. It’s on sale. That’s the whole thing, and it’s also in Canadian dollars so it’s probably cheaper for everyone else. Pleaaaseeee.
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prince-kallisto · 8 months
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This is potentially my last chance for my Crowley is Revan theory before the next chapter of Book 7 hits…clown on me when I’m wrong LOL. But Um what if Overblot Crowley had an angelic appearance and his Overblot is sad and angsty 👉👈 dialogue inspired by Homura’s witch transformation from Madoka Magica.
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its-gettin-weird · 23 days
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"I want to be an admirable person. Like Mother Fortuna, who’s my role model. Or Geuse, who’s so kind and strong. Like Archi, who kept smiling until the very end, just so I wouldn’t be scared. Or Puck, who always protected me and never left me alone. Like Ram, who wished to do the one thing that would be the most helpful for someone who’s truly precious to her. Like Otto, who does his very best for his friends. Or Garfiel, who never once uttered a word of complaint. Like Subaru, who says he loves me, and does reckless things even when he’s wounded and hurting. I want to earn the respect of each of them. From now on, I want to be the one reaching out to help someone.”
It’s Emilia!
I don’t really have much to say about her in regards to what her powers or wish would be in relation to her design since in my au she hasn’t made a contract (yet… ;) and talking about it here would be spoilers lol), but what I can say is that I wanted her outfit to be very reminiscent of Madoka’s magical girl form (you know, for the Homura x Madoka / Subaru x Emilia parallel) (also some Satella elements like the roses because, you know :) ). I also took note of the spin-off magical girl event in the game Lost in memories where they have magical girl designs for some of the characters, and they happened to have one for Emilia, so I took a lot of inspiration from her outfit used there. Since the majority of y’all voted for her to have the main color in her outfit be white, I went with that for her top and boots and made most everything else a different shade of purple.
A quick aside, I really want to thank all of you who voted on the poll and gave positive comments/ feedback on not just the designs that I’ve made so far but on the art that I’ve been posting here since last year. I know saying this is cliché (and even saying it’s cliché is too) but it really does mean a lot seeing so many people like my art and my ideas. I have been posting art for a while now (on Instagram but I’m pretty new here so bear with me 😂) but I have never really seen as much engagement with my stuff as I have on other platforms and I’m really happy about that :) I have a hell of a lot more to make and show you not only about this au but in general, and I am so glad all of you will be able to see it and I hope you like it to. Thank you for everything so far!
Now with the sappy shit out of the way, I’ll go over a few last thoughts I had about Emilia’s weapon and soul gem.
I didn’t know what to give her for a weapon since in canon she makes a lot of her weapons out of ice, so I just decided to give her a typical magical girl wand/staff since I thought it would fit her and it’s what she wields in the Lost in Memories spin-off. I made the staff look similar to Madoka’s bow (again, parallels) with elements of the concept art for the magical girl rings in pmmm and of Madoka’s soul gem at the bottom. The crystal star shape on top of the wand is also a Madoka reference because it’s the same star on her grief seed and Law of cycles symbol / witch kiss. I also made it crystal sort of call back to Puck’s crystal.
Now for Emilia’s soul gem I made it look like a certain key that appeared in season two… It was based on the comment by a certain someone that said something along the lines of “imagine you are the key.”… This character is very important to this au not just in the world of Lugunica… :)
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Doomed By The Narrative Showdown - Contestants List
Note: This is NOT the order of the brackets! I'm doing something different this time! All brackets and their orders will not be revealed. This list was randomized from the brackets I set up and does not represent who each character will be up against! The only thing you know for sure which side of the bracket they're on! When the polls go up, they'll be posted in order based on the list here, NOT based on where their brackets actually are!
Round 1 is finished. Round 2 will start on Saturday the 13th at 5 PM PST. All polls are tagged "tournament poll" for easy access. This post is also tagged with that for easy access.
If you want me to see propaganda you've made, please tag me! Yes that includes if you put the propaganda in a reblog of the poll, tag me anyways! It makes it easier for me to find!
(Full list of characters in text format is under the cut)
Side A:
The Narrator (The Stanley Parable)
Beatrice (Umineko: When They Cry)
Eden (In A Manor Of Speaking)
Anthy Himemiya (Revolutionary Girl Utena)
Primrose Everdeen (The Hunger Games)
The Hollow Knight (Hollow Knight)
Red Guy (Don’t Hug Me I’m Scared)
Rosencrantz and Guildenstern (Rosencrantz and Guildenstern are Dead)
Phosphophyllite (Land of the Lustrous)
Claire Elford and Noel Levine (Witch's Heart)
Five Pebbles (Rain World)
Jinx (Arcane)
Mordred (High Noon Over Camelot)
Ghost of Hallownest (Hollow Knight)
Spamton (Deltarune)
Carmen (Lobotomy Corporation)
Side B:
The Elric Brothers (Fullmetal Alchemist: Brotherhood)
Hiyoko Tosaka (Hatoful Boyfriend)
Hatchling (Outer Wilds)
Homura Akemi (Puella Magi Madoka Magica)
Yoo Joonghyuk and Kim Dokja (Omniscient Reader's Viewpoint)
Audrey Redheart (Wandersong)
Benrey (HLVRAI)
The Porygon Evolution Line (Pokemon)
Madoka Kaname (Puella Magi Madoka Magica)
Maria Robotnik (Sonic the Hedgehog)
Jackie Taylor (Yellowjackets)
Lyfrassir Edda (The Bifrost Incident)
Mike Walters (Woe.Begone)
Vanitas (The Case Study of Vanitas)
Akane Kurashiki (Zero Escape)
Ganondorf (The Wind Waker)
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loveselenade · 1 month
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Madoka 1.5
Since I’m watching PMMM for the first time (with a lot of it spoiled due socmed lol), I figured it’d be fun to write my thoughts so far, 1.5 episodes in. It goes without saying, but don't send me any further spoilers, as this is only fun if I can manage to remain as ignorant as I am now.
Things I knew before hand:
-Kyubey is a bastard.
-It has Shinbo Akiyuki's artistic sensibilities all over it (reason I started watching, tho I'm unclear what exactly his involvement in this is lol). Also, Urobuchi Gen is the main writer for this lol
-Madoka dies.
-Madoka is the paragon of good.
-Lesbian Satan.
-Homura has catholic guilt??
-Someone's backstory involves a brother or something.
-Guns
-Time loop.
-Jewel seeds but evil (this only makes sense if you've watched Nanoha, sorry lol)
-Witches
-Madoka saved a cat
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¯\_(ツ)_/¯
Illusory motion.
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[image id: top view of a monochromatic, distorted staircase that looks like a spiral.]
An upwards climb or a downward spiral? The irregular curving of the stories and the pattern alternance sure makes it look like it's spiraling inward. As our lace curtain lifts so the play can begin, this is our first look at the kind of world that awaits us.
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[image id: gif showing a close up to Madoka's legs and then a panoramic top view as she runs through a monochromatic hallway with a chessboard pattern]
I don’t have a lot to say about the witches’ labyrinths yet, but I’m always a sucker for dreamscapes (I loved them dearly in Flip Flappers, where they had the incredible work of Studio Pablo strengthening the storybook look), and I’m assuming the labyrinths symbolize something about the interiority or the difficulties the witch in question faced. I don’t have a lot to go by with the two labyrinths in episode one, but I did love the glimpse of the one we get in the opening sequence. I love the effect that it creates when alternating between panoramic shots or extreme close-ups to Madoka’s legs and back as she runs—respectively making her look too small against this overwhelming set piece or claustrophobically trapped in her impotence. As the camera moves along, there’s a sensation that the different patterns in the floors are moving. Because of the way we perceive depth via ascertaining the apparent parallelism or convergence of lines and value/color contrast, among other things, the pattern alternance in this monochrome set piece creates illusions of either motion or that each row is a step more elevated than the other. It’s a properly trippy place. I enjoy it. The straight white for the lighting and tiles creates an artificial and alienating atmosphere. The uniformity of its looks is disorienting. Is Madoka going the right way?  It’s really a fantastic introduction to the world of Madoka Magica.
The path you must follow has been prepared for you.
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[image id: A green, flourescent exit sign is centered in the screen, hanging above a dark path framed by silver chain fence]
Despite the disorienting feeling, Madoka follows mostly straight paths and there's a clearly labeled, correct exit. This brings to mind the predetermined paths present in Revolutionary Girl Utena's imagery.
Additionally, I find the way Madoka’s run is boarded reminiscent to Utena’s chase after Anthy in Adolescence of Utena:
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[image id: gif showing a panoramic view of of landscape shwoered in sunset lighting and red, square pillars towering over the space. Utena, looking tiny, runs further into the place.]
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[Image id: gif showing a top down view of a long monochromatic corridor with chessboard pattern that Madoka, a mere pink dot in the screen, crosses running. The corridor is right in the middle of the screen and surrounded by different equally black and white mandalas that turn slightly.]
We get panoramic overhead shots emphasizing the disorienting, geometrical maze and the impotence of our heroines' tiny figure against them.
Before reaching their destination, they both cross a stairs-bridges of sorts; Utena, towards the dueling arena where Anthy waits for her to continue the dueling cycle with Utena as champion; Madoka, towards the foyer where she can find her exit to where Homura is struggling against another hopeless, fighting cycle, one which Madoka choses to perpetuate when making a contract with Kyubey…
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[Image ids:
The image to the left shows shows a stich of two Adolescence of Utena's screenshots: the one on top showing Utena crossing a bridge; due the top down angle and the inclination of the bridge, the planks on the bridge look like stairwells. The image on the bottom shows Utena crossing the bridge against the creamy, pinkish sunset sky. The bridge railing is shown a black silhoutte in the foreground.
The image to the right is a stich of two monocrohmatic Madoka Magika episode one screenshots: the on the the top shows Madoka crossing a corridor, the foreground is dominated by abstract geometric shapes. The one on the bottom shows Madoka going up an ample stair well, and the surrounding walls have a similar geometric patterning.]
Absolute Reality.
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[Image id: Predominantly black and white screenshot showing a dark tree on the foreground and black debri flyaing around. A little to the right of the middle line stands Madoka, with Kyubey sitting on top of some fallen pillar. The subtittles are Madoka's dialogue and read: "Can I really do something to help?"]
The offer that tempts Madoka into a contract is the promise of agency. She can’t stand the reality where there is nothing she can do, thus it's the promise she does actually have power to influence the narrative and help others and stop their suffering what Kyubey dangles in front of her. Madoka feels deeply moved by the pain of others and has a strong empathetic response that makes it very easy for her to be preyed upon by our resident ugly cat here. It’s detrimental to her. Maybe Homura has a point in reversing her wish to be the divine embodiment of Goodness. 
It’s then interesting that she expresses disappointment upon waking up not only in the premiere but in episode 02, as well. Her waking up animation might as well become bank during this introductory arc (I’m betting it does, can’t wait to be wrong). When confronted with the thought the world her senpai Mami introduced to her, one of great danger but also apparently fulfilling and actualizing, Madoka expresses disappointment. Even though she has a happy, easygoing life full of friends and family that love her and that she loves in return, there is something else she is looking for.
Confronting your own humble plainness again.
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[Image id: Screenshot of Madoka's room dimly lit. Madoka is drawn towards the bottom left edge, hunching and hugging her huge body plush with a beleagered expression.]
Appearances, facades.
Trained confidence. 
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[Image id: Screenshot showing makeup labelled with numbers, as if to indicate the order of steps.]
Following Madoka’s "dream", we learn about her homelife anchored around her interactions with her mother as they talk about the love lives of the people around Madoka, contrasted to Madoka's own assertion that no one has an eye on her. Their whole bathroom conversation could be characterized as "girl talk": they go on about love and the need to maintain an appealing image as means to reach it. I could easily accuse this scene of being sexist (and it did rub me the wrong way initially), but the dialogue is naturalistic enough to paint a trusting, warm bond between mother and daughter; plus the repetition of the make-up motif in the second episode while interspersed with Mami's explanation draws attention to themes of appearance and desire.
A remark that can easily be taken as reinforcing gender essentialism lol
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[Image id: Screenshot showing the sinks at the foreground barely visible at the bottom edge, with Madoka and her mother in front of them. Madoka is holding her red ribbons with her left hand hesitantly, while her mother has her hands over her hips, talkig matter-of-factly: "A woman's appearance is the one thing she can't afford to get looked down at."]
The contrast in the way mother and daughter carry themselves is apparent. When Madoka relays her reports about her homeroom teacher's love life, her more experienced mother offers keen observations about the possible state of the relationship. Where Madoka takes things at face value, her mother can see deeper. The same applies to the image they project to the world— where her mother has a set (numbered) method to achieve her ideal image, Madoka fumbles and fusses about her ribbon choice and not being seen as too much. The frame pan showcasing the end result has Madoka standing timidly with her hands folded over her lap and her back reflection shown in three different angles in the background mirrors, as if she's being thoroughly scrutinized. While her mother confidently observes her reflection in the mirror, Madoka shrinks at being observed.
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[Image id: Screenshot showing Madoka in the middle with a dopey and hesitant expression and her arms drawn close. Her reflections are shown in the mirrors in the background.]
I can't say that Madoka’s self-confidence is worryingly low given what we’ve been presented with—while she lacks the self-assurance her mother possesses, she doesn’t seem particularly self-deprecating. While her affirmation that no one looks her way reflects that self-consciousness, Madoka doesn't further put herself down. Instead, it could simply be that she's a teenager only now discovering her identity, what she's comfortable with, what she wants and what place can she carve for herself in this world. Her mother advises her to train the image and behaviors of someone confident as a first step to grow more certain of herself. The scene places emphasis on the process of purposefully building the image you project, which becomes relevant as episode two's layouts play with a reflection motif around talks of desire. 
While thinking back on Kyubey’s proposal of granting them one wish in exchange of risking their lives, Madoka ponders about what she wants. Her waffling contrasts to her mother’s immediate, cutting  response concerning pragmatic concerns from her work life when Madoka echoes the question to her. Although, of course, her mother lacks the whole context that makes the decision heightened, Madoka’s roof talk with Kyubey and Sayaka reinforces that there isn’t anything she wishes for that strongly. Yet. 
Additionally, when Madoka proposes a bigger ambition to her mother (“Wouldn’t you rather become CEO yourself?”), the image her mother projects into the mirror changes drastically into a more fierce and dangerous look, complete with the repetition of her labeled make-up symbol. This ties a connection between the image people project and what they desire. And just like Madoka has a rather inhibited persona, so do her desires appear mild.
This takes us to Mami, their helpful senpai.
A slightly distorted image seen from below the glass table totally screams trustworthy.
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[Image ID: Screenshot of Mami drawn in a low angle, showing her sitting with her legs neatly folded under her backside and her hands resting on her lap. Despite the sunset light filtering through the windows, she's very dimly lit. Most of her image, from the waist up, is shown slightly distorted as its filtered through the glass of the table. The table legs curve outwards and frame her the image in a strange way. The subtitles present her offer: "You should see for yourself what it's like to do battle with witches."]
Knowing the spoilers that Homura is trying to save Madoka from death via time loops and preventing her from forming a contract with Kyubey has an interesting effect— that is, it casts suspicion over other characters. Mami is the helpful senpai that shows up in the nick of time to save them from the witch, heals Kyubey, explains the situation to them and even promises to protect them from Homura at school. She also offers to show them the fieldwork so they can make up their mind about whether to become contracted! The earlier, careful portrayal around purposeful appearances and the reflection motif repeating during their talk can’t be coincidence. Clearly, she wants to be seen as someone who’s dependable, and whether this has more sinister implications or is stemming from personal wishes is unclear to me yet. Mami feels more like Kyubey’s sales associate than anything else. “You can come observe” it’s the pitch you give someone unsure whether to join a club so you can lure them further in. She’s encouraging them to take on a responsibility that can have rather grim outcomes, despite her early assertion that magical girls don’t necessarily work together to reap the rewards of fighting witches—a statement that further reinforces the narrative of Homura as an antagonistic force to our young heroines. Mami either is very upstanding and thinks it’s a duty they should take on since they were chosen or there is something deeply fishy going on here.
For all intents and purposes, Mami is a completely separate entity to our young heroines, not unlike Homura. She’s the one who’s a magical girl already, they’re the uninitiated. They sit on the same side of the table, opposite to her. This shot emphasizes their separation through the black leg of that foreground furniture.
There’s clearly a lot we don’t know about her.
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[Image id: screenshot showing Mami's living room. There's sunset light still filtering in, but the room is mostly dimly lit. Mami is on the side of the wall, so she's in the shade. They're sitting at the table, Madoka and Sayaka together on the same side and visually opposite to Mami. The black legs of a furniture are shown in the foreground, creating a strong visual barrier between Mami and her juniors.]
Isn’t it just so fun how this reflection shot obscures her face? Like she’s covering it with her hands in sorrow. Seems charged that it coincides with her explanation about witches causing suicide and murder, does she know of someone who was a victim of them? OR better yet, someone who became One?
I know that magical girls become witches in this series, which also poses interesting possibilities…
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[Image id: Screenshot showing Mami's lap with her hands resting on top of it as she sits in front of the table. Because of the top angle, the reflection of her face shows dimly on the glass table. Her face overlaps her hands. The subtitles read: Many of the inexplicable suivides and murders that occur..."]
Are my suspicions on Mami’s intentions totally off-mark? I have no idea, but it’s incredibly fun to doubt her  lol
Speaking of despair lore, I usually raise my eyebrow—think it’s full of shit— when there’s worldbuilding that links suicide and violence to supernatural entities; it’s a run-of-the-mill battle shonen explanation, Noragami also uses it with Ayakashi as amalgamation of negative feelings and energy from the people of the places they haunt. Now, this could still work on an allegorical sense of how oppressive environments lead to such emotional outcomes, since most stories don’t engage with the structural causes of such problems… It can be that, or end up attributing a metaphysical cause as the source of all darkness without even so much extending understanding and sympathy to the people who suffer from it. Where does Madoka Magica fall, I wonder…
Blessed fools.
A pained smile framed behind by bars, a surefire sign that someone isn’t totally trapped. 
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[Image ID: Screenshot showing Sakaya's back with her face turned in profile towards the right. She's smiling ambigously and her right hand is holding to the white chain wall that dominates the background against the bright daylight sky. The subtittles read: "Well... Maybe the pair of us are just fools?"]
Given our young heroines lack of direction, ardent ambitions or anguishing desires, Sayaka muses that perhaps the fact they don’t have anything they’d die for is a sign they’re blessed fools. This rings true for Madoka. She’s a happy kid with a supportive family and friends. Despite her longing for something more—her own agency? confidence? Romantic love?—, there doesn’t seem to be anything that is making her actively miserable. Her mild adolescent ennui is not necessarily something pernicious and would’ve likely resolved itself as she experienced and tackled more challenges in her life with the guidance and support of her family. This whole business paints more ill-fated for her (and I mean, I know it is. What a tragedy, hers).
But is this true for Sayaka? This brief shot with its ominous red sky and its bedridden figure shrouded in darkness begs to differ… The fact she feels guilty over being chosen, thinking there’s people who’d make use of a miracle much better than them makes me think it’s rather someone she knows… Is this her motivation to get into Kyubey’s magical girl agency? I don’t have a lot to go by…
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[Image ID: Screenshot representing a short-haired person in bed shown facing right . Most of the shapes are represented as black silhouttes, sans the translucent curtains and the ominous red sky framed by the window. The subtittles read "We've been so blessed.."]
Sayaka and homoeroticism.
Welcome back, Shinohara Wakaba. 
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[Image id: Screenshot showing Madoka, Sayaka and their irrelevant friend Hitomi at the park. Sayaka is hugging a slouching Madoka from the back, saying "You must be my bride, Madoka!".]
The Girl Talk in episode one continues as we follow Madoka’s commute to school with her two friends: the blue one, the to-be Magical Girl, Sayaka and this one random girl that I'm surprised it's even there. The banter and physicality to Sayaka and Madoka’s interactions is fun and warm, selling their chemistry as friends. And near the end, Sayaka playfully proclaims Madoka must be with her, which immediately brought to mind Revolutionary Girl Utena’s Shinohara Wakaba's own ambiguous, very physically affectionate date-play with Utena. 
Rather than being a maiden in the sidelines, however, Sayaka is positioned as Madoka’s protector against Homura. Given Homura is fighting to be Madoka’s silent protector herself, this is unbelievably funny to me. When Madoka finds Homura's staring off-putting during P.E., she hides behind Sayaka. When Madoka— with Kyubey in her arms— is alone facing the inscrutable, darkness-shrouded, threatening Homura, the one who shows up to save her is Sayaka. When they're alone within the creepy labyrinth, Sayaka protectively embraces Madoka. When Madoka is worried that Homura might try to attack them at school, Sayaka offers to punch Homura. This antagonistic placing of Madoka's two protectors is hilarious, and I'm curious to see if the dynamic fizzles out as we delve into Sayaka's innermost wishes and struggles or if the tension will boil over into something interesting.
'Get behind me, Madoka! I got the fire extinguisher!' 
Such a hilarious way to break the tension.
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[Image id: Screenshot showing Madoka and Sayaka in a dark parking lot, with most of the background shrouded in shadows. Sayaka is holding a fire extinguisher that she's shooting towards the left, and Madoka stands behind her, holding Kyubey.]
Even their sitting order in class positions Madoka behind Sayaka lmao Does Sayaka have a thing for Madoka or just a hero complex? 
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[Image ID: Screenshot showing Madoka and Sayaka sitting in their classrooom. Sayaka is shown sitting a row in front of Madoka, a column to the left. Madoka is holding Kyubey in her arms. The subtittles read: "If she tries anything on you, I'll punch her lights out!"]
The show acknowledges the homoeroticism between the two in a tongue-in-cheek manner during their commute in episode 2, when their normie friend feels put off by the apparent intimacy of their silent (telepathic) communication:
"You've been staring so intently into each other's eyes… What on earth did you do after I left yesterday?!"
This girl is too homophobic to become a magical girl, smh. 
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[Image ID: Screenshot showing Sayaka, Madoka and their friend Hitomi drawn in profile at the park. Sayaka and Madoka are positioned on the left side of the screen, with a tree in the background subtly serving as visual barrier between Madoka and Sayaka. Madoka is slouched and halfheartedly reaching to Hitomi. Hitomi is positioned on the right side of the screen, with her hand to her heart and running towards the left. Her dialogue reads: "Don't you see that it's a love that can never beeee?!"]
Madoka points out that their normie friend's remarks sound a lot like what Sayaka tells to her on a regular basis, lending credence to my Wakaba comparison lol This gag could simply be an acknowledgement of the charged homoeroticism present in the series, but it still amuses me so far a lot of it has circled around Sayaka and Madoka. 
Akemi Homura
Her soundless, despaired scream as she catches sight of Madoka with Kyubey was so cinematic ❤️
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[Image id: gif showing a zoom out of Homura's face as she screams. She's resting on a tree branch that's represented as a black silhouette, with debris floating around represented in the same way.]
Speaking of homoeroticism, it's time to talk about Homura. I actually felt a little sad that I already know about her motivations because she's so incredibly off-putting, I'd have had a lot of fun speculating about the meaning of her actions, the way she's framed and the meticulous way her micro expressions are portrayed. However, it's not like there isn't still some room to have fun reading into them. She enters the picture via the classic transfer student trope. From her introduction alone, she creates an awkward atmosphere with the way the standoffish silence lingers due her laconicism. 
Despite her aloof demeanor, and in pure transfer-student fashion, Homura still stands out both in academics and physical feats (she even breaks the regional high jump record lol!); as such garners the attention of her peers. Nonetheless, she couldn't be more uninterested in them, as the one she can't keep her eyes off is Madoka. Her taciturn, blank-faced and cutting demeanor can paint her staring as downright aggressive. This is further reinforced by being color coded with the darkest values in the cast so far: black and purple are her signature colors, classic villain palette. 
Her conversation with Madoka as she rehashes the "could you show me where the infirmary is" routine is the big standout of hers in episode one —the tropey nature of this encounter makes it very easy to imagine how their first interactions went down the first time—. The low angle that emphasizes her head tilt and the accentuated shadows on her face and body make her look haughty and intimidating.
She's literally staring down Madoka lol Worth noting this same framing is repeated as she warns Madoka in a few minutes, complete with rotating animation for gravitas, contributing to Homura's bad vibes. 
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[Image ID: Screenshot showing Homura's face and shoulders slightly turned to the right side of the screen. The right side of her face is heavily shadowed and so are her shoulders. She's looking down on the viewer. Her dialogue reads: "May I ask you to accompany me?"]
While one could think that the reason she approached Madoka was to issue her warning, I'm actually not that certain. It could be due the way her anguished reactions to being around Madoka make her look quite erratic as she tortures herself with these distorted echoes of her memories—but I also have to point out the abrupt way she brings the interaction to a halt, stomping and suddenly turning. The way she behaves through the whole interaction feels quite impulsive, which gave me the impression of Homura purposefully trying to recreate the past (whether out of indulgence or to torture herself, I'm not really sure).
It's really fun the way this obscured close-up to her profile hiding her eyes— making it difficult to parse her emotions— paired to how the next highlighted extreme close-ups have her clenching her teeth led credence to the "Homura is a hostile party" narrative. Personally, the timing is what gets me. She reacts deeply upset to the fact Madoka politely yet impersonally addresses her as "Akemi-san" lol This girl was in the trenches. 
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[Image ID: Screenshot showing Homura's shadowed profile facing left. She is holding her face up, seemingly imperious and her mouth is tightly shut.]
The way the timing makes it seem like she's really pissed at Madoka’s remark that her name is weird + subsequent fumbling is very funny lol I wouldn't say she's not upset from it, but mostly in the "it's painful to be around you" way. 
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[Image ID: Screenshot showing a extreme close up to Homura's clenched mouth, as she lowers her face. There's heavy shading on the left side of her face and lens flare coming from the right side of her face.]
There's a lot of natural verticals in the panels of their classrooms and the windows they transverse that create visual divisions between the two. I found it particularly noteworthy that while there's a natural sense of distance and awkwardness between the them, Homura is the one who accentuates it and fully brings herself to the other side of the threshold when she suddenly skips forward ahead from Madoka. The idea she's intentionally cultivating a distance between the two is very intriguing and appealing…
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[Image ID: Screenshot showing Homura and Madoka facing left as they walk through the corridor with blue window panes. There's a particular wide vertical division in between Madoka and Homura, placed more or less in the middle of the screen. Homura is on the left side of the screen, but closer to the blue vertical division. Madoka is falling behind, with more white space between her and the middle.]
Their sitting order reinforces this idea, situating Homura all the way to the front, completely out of reach. 
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[Image ID: Screenshot showing Homura sitting in the front row, looking back at Madoka's seat.]
They look fully at odds with each other thanks to the high contrast between the bright windows and the shaded frames. The dark values to their visual barriers fully bring out the tension brought by Homura's sudden halt-and-turn as she issues her warning. Homura is framed as thoroughly oppositional to Madoka, and she herself doesn't bother to correct any misunderstandings. It's pretty interesting she's fine with being vilified if it might grant her any slight chance to get what she wants.
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[Image ID: screenshot showing Homura and Madoka drawn in a symmetrical composition, separated visually by the regular window panes. Homura is drawn towards the left edge of the screen, facing right and standing imperiously. Madoka is drawn on the right side of the screen, towards the edge as well, slightly slouched and in a timid pose. Subtittles show Madoka's dialogue: "Yes, really! I couldn't lie about that."]
Homura's dead-eyed ominous warning vs Mami's personable, smiling offer of support, fight!  But this is truly why I can't trust Mami lol Should you really be tacitly encouraging them, Yellow Senpai? A cutting warning really seems more befitting here…
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[Image ID: Extreme close up to Homura's blank left eye with the right side of her face being heavily shaded. The subtittles read: "Because if you do, you will end up losing all of those things.]  
Odd ends. 
There's a lot of small gestures that really bring out charm to the interactions and feelings, but if I pointed out absolutely everything, I'd never finish this lol 
There's one thing from the Madoka-wakes-up Bank I do want to point out, though: the odd feeling Madoka’s head turn with the hard shading gives me. Now, I know it's a Shaft™ thing, I've watched another TV series directed by Shinbo that was produced there and I've heard of it. But I still find the timing peculiar— after the opening sequence with her running to the rooftop in episode one and the brief recap with Mami's transformation in the second, just before she wakes up. Of course, this reinforces that sense of being at the verge of waking up from an odd dream, which Madoka fully believes, but it can also get a sense of deja vu. Typically, one would assume that Madoka’s run towards the rooftop is a glimpse to an event that will happen later down the line. But given the nature of this being a time loop and Homura's insistence on preventing Madoka’s death via preventing her contract altogether, which it's implied to happen in that sequence, I don't think there isn't any reason to think that it's not something that didn't already happen. If this ends up being the case, I'm curious how that'd affect further loops.
Tell me your secrets, you pink little one. 
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[Screenshot showing a extreme close up to Madoka's eyes facing towards the left. Her face is drawn almost facing front, leaning towards the right. There's heavy shading on her face and a black background.]
Expectations for the rest of the introductory arc:
-Second half of episode 2 will end in a cliffhanger that'll destabilize routine while they fight a new witch. 
-Said cliffhanger will involve Mami (I HOPE IT DOES). I'm suspicious of her and hope she does something terrible, but I think it's equally, if not more, likely that something terrible happens to Her lol
-🤷🏻‍♂️
Hmm that's it. I'm not very good at imagining scenarios lol 
I'm also half-expecting to be wrong about nothing making Madoka miserable, mostly because I've been obsessing over Takamachi Nanoha, another seemingly well-loved, normal kid who turned out to have Important Baggage lol
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jmgangel · 8 months
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So Sayaka has obviously been silenced from speaking out against Homura but also it seems oddly malicious? Forcing Sayaka not to speak when she knows what’s wrong with the world is kinda messed up. Like why was she not made to forget everything like we can assume Nagisa was. They both worked for the law of cycles. Also, Sayaka is more of a threat since she knows Homura did something. Like Homura wouldn’t have to worry about Sayaka if she was made to forget everything.
To me, there are two possibilities. One, there’s something about Sayaka that makes it impossible for her to forget everything (maybe her connection in Madoka in life). Two, Homura did it specifically to torment Sayaka. I’m not sure how I feel about that cuz obviously we don’t have a lot of characterization for Homucifer so it doesn’t really feel in character. I feel like that tips the scales towards evil pretty hard so I’m not sure. Interested to find out what’s going on in any case.
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flightfoot · 3 months
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ML Fanfic Recs for 2023: 80K - 125K Words
So I’ve been going through and adding particularly good fics I’ve read throughout the year. Only Complete fics, of course. Enjoy!
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Tell Me Why You Love Me by @linnieluna
“Anyway, that piece of paper contains the name of this texting app. It’s completely anonymous, so you can download it, make your account with no attachments to your personal life, and communicate with me outside our suits. I included my username on the paper, too, so you can add me once you’re done."
Her partner skimmed through the words on the paper and nodded his head. “Brilliant as always, M’lady. I’m surprised we didn’t figure this out sooner within our superhero careers.”
“Yeah, it would’ve been nice to have this before, but hey, better late than never. Make sure not to have your phone screen on the messages if you’re going to leave it somewhere. We don’t want anyone reading our texts. Also, this is for emergencies only. No jokes or puns. I can only deal with you for so long.”
“I don’t know if I can agree to that last one,” he said.
Now 22 and working full-time, Marinette and Adrien seem to be getting busier and busier, which means fewer opportunities to keep track of akumas and show up on time. With the idea of using a messaging app to communicate with each other without revealing their identities, their lives immediately grew to be easier... until it wasn't.
This starts off as a mostly slice-of-life fluff fic, but about halfway through things turn dramatic when Monarch learns some things he really shouldn’t and takes action. I had a lot of fun with it as it was coming out, it’s worth a read.
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Kwami Magi Homura Magica by Crossoverpairinglover
After eighty-four loops in time, Homura Akemi takes a new path to Paris to save her friends.
The sixty-third loop after that, Homura arrived at the Agreste Mansion.
After clash after clash with the heroes of Paris and its greatest menace, events have reached a tipping point.
Ladybug faces someone verging on a second wish, a wish that endangers space and time to save a friend.
This was an absolutely AMAZING story that crossoverpairinglover dropped out of NOWHERE. Seriously, if you like Puella Magi Madoka Magica and Miraculous Ladybug, this is a real treat - but be prepared to sit down and binge, because it’s over 100,000 words and only has three chapters. 
Anyway, I adore the care that’s taken with going through Homura’s mindset here, she gets a lot of character focus. And the lore! There’s some good explanations here for the history behind kwamis and Incubators’ interactions, and the Order of the Guardians normally treats Magical Girls, and why the Incubators are wrong in their assessment of the universe needing more energy to stave off entropy (hint: it involves Plagg), and just... there was a lot of love put into this.
And the action! Most Miraculous fics don’t have much in the way of fight scenes, and what they do have is mostly just functional. This is one of the rare exceptions. There’s some really long, detailed fight scenes in this (roughly the entire second half of the second chapter has one between Ladybug and Homura), which are a treat to read! 
We also get some glimpses into a variety of other universes here, other timelines, alternate ways things could have gone down - I’m especially partial to the rather detailed view we get of one where Homura sent a message asking for help to the Ladyblog on her third time loop, and how things progressed from there. 
The ending I also thought was really good, a happy ending that generally made sense and dealt with the issue of the Incubators. 
If you can’t tell I’m really happy with this fic, it was incredible and unexpected. The length of the individual chapters can be daunting, but if you’re up for the task, I highly recommend giving it a shot!
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If I Let Myself Love You by @uptoolateart
It’s hard to be a normal girl with a normal life when your mother has terminal cancer. And when fashion model Adrien Agreste moves back to Paris and wants to be Marinette’s friend – or maybe even more – her life is turned upside down again.
How can she risk opening her heart to love when her whole world is falling apart? Especially when Adrien is hiding a dark secret of his own….
- COMPLETE FIC – updates on Sundays
*** No kwamis AU - 100% Adrinette. About half of it is fluffy and half heavy. Please read tags for trigger warnings. ***
This fic can be rough, definitely pay attention to the tags. There’s no villains in this story, it mostly centers around themes of dealing with illness - both being sick and having a loved one who’s terminally ill - and death, grieving someone who’s lost, and how difficult that can be. It can get pretty gut-wrenching at times, especially as you slowly discover more layers of what’s really going on, what both Adrien and Marinette are hiding, both from others and from themselves in order to help cope with their circumstances. But they still move forwards together, regardless.
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Eventually by @lucid-ao3
Adrien’s life has been dictated by rules, monitored, and controlled for years. He has learned to compartmentalize. It’s not that bad. It always gets better, eventually. Doesn’t it?
Recovery can be an unexpected obstacle when you didn’t realize you were being hurt in the first place.
OR: How Adrien lives and copes with the emotional abuse inflicted on him over the years, and how he ultimately could overcome it.
If you want a good “Adrien doesn’t realize how abusive his father is but slowly buckles more and more under his tyranny, until things come to a head, and he actually gets the HELP HE NEEDS” fic, this is a good one!
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Between the Heavens and the Embers by @readersmoon
Everyone in Paris remembers the fateful night of January 16, when the city was attacked by the most powerful and destructive akuma ever created. The assault, which lasted for hours, resulted in the death of 439 people.
Marinette Dupain-Cheng was among the casualties.
Years later, Adrien hasn't been able to move on, haunted by the memories of her broken body. So, when the opportunity to leave Paris for a while presents itself, he doesn't hesitate. But this trip might end up giving him more than he ever dreamt of.
This is a fantastic fic, though a serious and a dark one - make sure to mind the tags, and it’s M-rated for a reason. Vee - or rather, Marinette - is going through a horror story here. Imagine finding out that your life is a lie, that everyone you thought you could trust was manipulating you, that you were just being continually gaslit for years. 
As for Adrien, Alya, and Nino... well, none of them took Marinette’s “death” all that well, especially Adrien. Finding out that she’s been alive all this time, in these horrible circumstances, and they had no clue... it’s hard on them as well.
I love how this fic goes into how much trauma everyone has even after the immediate danger’s dealt with, you don’t just walk off this kind of experience, especially with how many years this lasted.
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lavenderr-starrs · 2 months
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I’m sorry to my mutuals who are watching me like disappear for a week or a month and then reappear reblog stuff and post stuff from fandoms you’ve probably don’t even know about (A lot shit on my plate that’s been burning me out lmao! I’m fine though just been busy dw!! It’s nothing bad I promise even though it probably sounds like smth bad XD)
but I’m gonna make this post before I literally lose my marbles
It’s about twisted wonderland and Madoka magica so strap in fellas this is gonna be hella targeted to probably me and me alone and maybe like one other person
Anyways HEAVY AND I MEAN HEAVY SPOILERS FOR BOTH FRANCHISES and A REALLY LONG RAMBLE UNDER THE CUT LMAO
So don’t click keep reading if you havent finished or started either (ESPECIALLY MADOKA MAGICA, Trust me the show and movies are so good walking into blind I’d kill a man to watch it blindly again) also warning for potentially shit grammar incoming lol
First things first-
HOW HAVE I NOT SEEN SOMEONE NOTICE THE SIMILARITY BETWEEN OVERBLOTS AND WITCHES?
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The similarities is the over-use of magic and negative energy polluting the energy source they use to performing these magical abilities turning them into abominations that go on a rampage and effecting the lives of those around them.
The difference though is that for witches, it’s specifically middle school girls who become witches and them becoming witches have the chances of causing world ending atrocities- and in the world of puella magi most Natural disasters are due to the fact a witch is the cause of those disasters and only incubators and other unsuspecting naive magical girl know of
Whereas in twisted wonderland *So far* we’ve only seen Teen high school boys overblot and that didn’t(Besides chapter 6 and 7) have any world ending consequences in my opinion
Says alot huh? XD
Anyways that’s a point I wanna get to another time
You know what I’d love to see? a reader-insert or just a yuu from puella magi in the world of twisted wonderland!
Now this is when I start getting real self-indulgent with this XD but I wanna see like a Homura!Yuu! :)
basically a reader-insert who takes the role of Homura Akemi, right?
And the entirety of the first anime happens and Madoka goes from a 14 year old girl who made a wish to save a cat from dying by unknowingly trading her soul to become a magical girl as an energy source to a higher being
to end up becoming an omnipotent concept that saves magical girls when their gems over pollute and are about to become witches
But instead of the Rebellion Arc happening and Homura!Yuu becoming a witch and demon and all that pizazz! let’s say they “try” to keep going and just Bans themselves from going back in time again and trying to go forward for Madokamis sake and deals with those weird wraith things in the new universe
and maybe a little cherry on top they try to learn and expand the magic abilities Yuus other magical girl friends had.
Later on we move to let’s say, 17 Year old Homura!Yuu, and guess what? You’ve been isekaid bestie have fun!
During the prologue introduction, when Homura!Yuu wakes up into the coffin grim doesn’t get a moment to even open the coffin as you just kick it open ready to transform believing this is some form of a witches labyrinth and are ready to jump into a bunch of conclusions
Now, in comes a poor unsuspecting Grimm
And the first thing Homura!Yuu does upon notice of him? The same thing Homura did to Bebe in rebellion-
just one Quick grasp onto his neck and just instantly slamming him into the nearest wall before he could even say a word. Questions being shot left and right over this potential Witch-like being or a being that seems to be similar combination of a witches Familiar+ Kyubey. A thought you do not like the sound of.
Grim is quite fairly, terrified out of his mind (I’m sorry my son) But! Lucky for him in comes the headmaster to witness this display of aggression! And school hasn’t even begun yet! The nerve!
Now this can go from here in Multiple ways, but for now, how id see it going is Crowley using his whip to tie up Homura!Yuu and just yoinks up a scared grim similar to what Mami did in rebellion
you’re only reaction to this is “Ah shit, here we go again.”
Now I can see Crowley ends up kicking Grim away still since you’ll obviously deny any association with him and just questions Crowley like there’s no tomorrow and just like in canon those questions fall on deaf ears! Lol
Crowley believes that coming to night raven college has frazzled your young hormonal teenage mind into acting so aggressive and since he’s such a kind and generous headmaster does not hold you accountable for it, isn’t he so wonderful c:
Homura!Yuu ends up quietly playing along to whatever the hell is going on to get a better and proper assessment on the situation you’ve been put in. So everything continues on as normal while the students of NRC give you a strange look until it’s finally your turn to approach the mirror.
How I’d see the mirror react to a Homura!Yuu is once you give it your name, I feel like he’d go “their soul is..Missing?..” Because as you know your soul has been turned into your soul gem and the mirror has no knowledge of this so you’re not gonna be assigned any dorm, sorry not sorry c:
This, understandable, freaks everybody out.
This is when Canon plays out a usual in the story for the prologue with the headmaster taking you to Ramshackle and you’re Re-encounter with Grim.
When you do encounter grim again you transform again and start to chase after him to continue where you left off back in the mirror chamber. This leads to Homura!Yuu discovering grim to be innocent in your arrival here and just simply… wants to be able to grow stronger.. hmm why do you feel like you’ve heard that before
Upon Grim proving his innocence and quite frankly become official scared of Homura!Yuu in comes the ghosts to scare him some more! They watch you chase him down and wanted to join in on the fun.
Mind you, you aka Homura!Yuu are still on guard and still transformed so you obviously attack the ghost with grim ending believing you attacked them for his protection! You didn’t, but if it makes up for scaring the piss outta him sure 👍 well go with that.
Now we continue with canon from here with Crowley calling you a beast tamer and hiring you as a janitor yadda yadda, but Grim ends up referring to you as his Bodyguard instead of henchman in this one! Which if Homura!Yuu was going to be honest, Grim was 1,000 percent a bigger improvement then kyubey.
I totally wanna make a side writing blog and make more stuff like this if it gathers the attention of others lol, I already have it made I just need to edit it along with my other side account where I used to post art until I took them down due to tumblrs Ai update lol
Once I’m done fixing up those two I’ll make a master post with the users of all three of my blogs and my ao3 too lol
Anyways thanks for reading my weird ass ramble :) I have so many ideas I wanna talk about for this and so many story scenarios that probably no one’s gonna be interested in XDD
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endless-season · 25 days
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9 Fandom Peeps to Get to Know Better
tagged by @defeateddetectives /o/
3 ships you like: *looks into void* do I even have 3 proper ships
1) MikoIzuTotsu (Suoh Mikoto x Kusanagi Izumo x Totsuka Tatara) - K
And no one was surprised. I MEAN ITS BEEN OVER TEN YEARS. BUT A GOOD CHUNK OF THOSE TEN YEARS WERE DEDICATED TO HOMURA TRIO (well technically... the real answer is Totsuka Tatara however we will ignore that for the sake of this meme). Get yourself two others who will go through it all with you thick or thin. Get yourself a leash i mean what. Get yourself a Kusanagi-san! Settle down in a bar and raise i mean gather a gang family!
2) Qin Jiu x You Huo - Global Examination
Felt obligated to include them since I'm currently trying to drag ppl to read this lmao. Also bc i have no ships to answer with, help. BUT THE CHEMISTRY! I mean, this is probably the first time I clearly see what people mean by the word ~ chemistry ~. Qin Jiu is such a chaotic menace, You Huo is such a chaotic menace, they are similar but also different and then put them together and everyone suffers, it's beautiful *wipes tear*. But they are also so so so soft together (i was going to say, in private.... but also in front of people's salad so!!!) *clutches heart*. The author, 木苏里 just does a create job exploring the two throughout the story, READ GLOBAL EXAMINATION! THERE'S ALSO AN ONGOING MANHUA THAT COVERS LIKE A THIRD. DO IT. and then send me liveblogs pls and thanks.
3) H-h-help... ships... are hard... I... don't ...
first ship ever: IzuTotsu (Kusanagi Izumo x Totsuka Tatara) - K Shamelessly links to that post where I sobbed over everything #Actual Marriage Goals The trust! The intuitive understanding! The communication! (sorry Mikoto, your grunting fails you) The ~ G o S s i P i n g ~ ! The mutual support and comfort ;_;! The domesticity of it all! The quipping and doting! The we're all in this (this = Mikoto doom but with matching wing tattoos) together! The seemless division of labor haha
last song you heard: i turned on my playlist when i saw this question so that by the time i finish answering the meme and come back to this question, i will have an answer… Anyways, so the answer is…. ~ wHAT A coINcindENce ~ Dark Night Fireworks, Lucien's season 1 theme from MLQC.
favourite childhood book: Uh........ idk.... Deltora Quest? Alex Rider series? If manga counts then maybe Detective Conan? lmao.
currently reading: I’m Not Shouldering This Blame (这锅我不背) Current novel in my danmei binging spree. 40 chaps in, enjoying it so far. Synopsis gives a pretty good idea of what to expect. Hordes of book transmigrators trying to derail or benefit from knowing the plot, military dealing with the supernatural mess and notifying MC and ML who are supposedly the villains, MC... just trying to work in peace cmon, ML... just trying to seduce MC cmon.
currently watching: Frieren: Beyond Journey’s End Just finished it over the last few days hence why there's a few posts in my queue. It’s nice and chill. I admit I was eyeing Himmel the moment he appeared in the first episode and didn't know whether to laugh or cry at his instant transformation / flashforward to old bald man. Was pleasantly surprised to see him appearing constantly in flashbacks haunting the narrative ethereal dead wife style lmao.
currently consuming: I waited for dinner to write this! Was lazy tonight so just a bunch of easy to prep in 5 min sides. Rice, Prawn dumplings, Chilli Bamboo (Fu Chi brand), Century Egg + Tofu + Pork floss, Smashed cucumber salad that I managed to ruin :/
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currently craving: A reason to live A shiny new satisfying fandom obsession... Motivation and energy and wisdom to adult... A yakult and WangLaoJi... ... ...... *walks to fridge and grabs yakult and wanglaoji*
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A rare meme where I'm gonna actually tag!!! See what ppl are up to and eating these days >:)
@qserasera @chiaki-c @nervous-sheep @alice-chan-chan @jelly-cooperation
@laxmiree @caesurables @pu-san @vanishing-apples @dijeh
@ittybi @ellie-winthrope @bloomingmitsuri @a-justaway-is-just-a-justaway @constastan
As usual feel free to skip if tagged or do even if not tagged :> Edit: why is tagging not working *squints*
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kiwisandpearls · 8 months
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honestly, I think the reason I’m not huge on defending homura’s decision in rebellion is because I care a lot more for Madoka way more. I understand why people say what Homura did was good, she did let Madoka become human again…but is that really madoka would’ve wanted? And before you point the flower field scene, madoka then didn’t have her memories of previous timelines nor why she made the decision that she did.
it should be noted I don’t madoka hates or will hate Homura for what she did, I’m sure that if/when she gets her memories back she’ll love Homura as she always has. I think my problem is more that a lot of people seem to never consider Madoka’s feelings. It’s entirely possible this is exactly what madoka wanted but it’s also possible that this is the exact opposite of what madoka wanted and I wish people would just acknowledge Madoka’s feelings more, I stg lol.
also, I don’t think Homura’s some evil devil like she claims she is, like we all no she’s just putting up this front to make the other girls hate her when really nobody hates Homura more than Homura herself. And I think her becoming Akuma Homura is perfectly in character for her, she loves madoka, she wants madoka to be safe and happy and in her mind becoming a god wouldn’t allow that. And it’s so beautifully bittersweet because she herself knows this world will not last, madoka will once again become a god one day and I’ll again be at risk of being used by the incubators. And I absolutely love that. But while I think being Akuma Homura is perfectly in character and makes sense as a natural progression of this, it’s just more for me, it doesn’t feel like a happy ending many people portray this as because madoka gets to be human, it’s a bittersweet ending because for madoka may not have wanted this and for madoka and the rest of the girls (well except for Homura I think she knows deep down she isn’t happy at all with any of this lol), this happiness they get to enjoy is temporary, and for madoka that means she’s going to become a god again and be at the mercy of the incubators which is exactly not what Homura wants lol.
I guess I’m more trying to say my problems lie more with some pmmm fans than than the actual story and characters
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miki-kaname · 1 month
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So since people have been asking your opinions on characters, I’m curious. What’s your opinion on Homura? I’d ask Mami too but uhh…maybe that’s too much…
(Sorry if this is annoying too…you can ignore this if you want)
No that's alright. Just for you, I'll answer both.
Homura never bothered me the first time, even though her actions were put into question. And when I mean that, I meant that she refuses to let Madoka to become a magical girl, even talking down on her. She even let Sayaka to become a witch, painting her as the villain. And yet, for some reason, I don't have anything against her. When we finally got her backstory, it all started connecting. She's been through this for so long that she's given up on everyone except for Madoka. She has never given up hope, and you know what? I appreciate that.
Her roll in Rebellion? Well I gotten some flag when I addressed her actions there. All I said was I'm indifferent about that, I knew she would do something like this.
She's very complex and possibly one of the best written characters I've seen in years.
I give her a 9/10.
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Now for Mami. The first time? Believe it or not, I completely forgot she existed.
Because of her small role there, I completely blocked her out of my memory. It took me months for me to try to learn more about her. I forgot why she became a magical girl, and I didn't remember her backstory.
The only thing I did remember is her death scene became a meme and she's suicidal (that last part shocked).
Overtime, I begin to analyze more about her and... she was more unique. After my rewatch, I have a full understanding of her character (it took me a year to do that). It does upset me that I completely ignore her the first time. I didn't hate her nor I find her forgettable, her screen time was minimal. Thankfully, she lived in the end and had a big role in Rebellion.
Overall, I give her a 8.5/10.
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tothepointofinsanity · 6 months
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Howdy, hope you dont mind my intrusion in this lovely ask box but I would like you to rate this strange sayaka figure i found. (yes it is official)
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personally i'd give it a 3/5. her eyes clearly have knowledge we cannot comprehend behind. i also feel if i incur her wrath she will bite me and it will be a big ouchie :(
[sorry if being silly here is banned i just wanted the opinion on this from the 1# Sayaka expert]
No worries, we all like to receive and discuss the silly here. That’s half the fun of opening mail from the Internet anyways, me thinks.
Right, the rating. I have actually seen this Sayaka figure on Shopee (orange hellsite that drove me broke) before, and the version I saw was even slightly sillier. The poor photo quality makes the toy appear like clay, at least with all the shininess of it, lacking severely in its final polish. The pose they chose for this Sayaka figure to be in looks acceptable on a normal, flat surface [ref: image 1], but then you look at the second picture and all of a sudden Sayaka isn’t just Madokami’s angel, but her feral bloodhound. It is undoubtedly one of the goofiest Sayaka merchandising to exist out there on the figure line. One must imagine what Homura whispered in their ears when this idea was conceived.
Overall, I think it’s very silly, in a cute sort of way. I would not mind having her join my existing collection despite the apparent oddity she presents herself with. 3/5 is a pretty accurate rating, falling in the lane of ambivalent judgement. Although, with how unique it is from the rest of the typically gorgeous Sayaka merchandise, I’m willing to bump it up to a 4/5 given it made me laugh. She’ll survey the surrounding for enemies as you sip your drink! What more could one wish for, really.
Thank you for the ask and kind words 🙇‍♂️!
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