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#lyric*connections
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heartswrath · 1 year
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on becoming your father
my old man, mac demarco / white trashing, nicole dollanganger / fantastic bastards, death spells / copy of a, nine inch nails
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In the TSU, cruel summer comes before mastermind which comes before I think he knows.
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mortellanarts · 5 months
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I've found the path my heart will walk today
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ursiday · 1 month
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There's a mean bone in my body
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esotericswiftie · 1 year
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1. anti-hero, taylor swift / 2, 19. “taylor swift’s ‘sexy baby’ lyric is more than a ‘30 rock’ reference,” sophia june for nylon magazine / 3, 4, 12, 22. taylor swift ages 14-16, photographed by andrew orth / 5, 23. dominique swain age 15, photographed for lolita (1997) / 6, 17. “the fetishization of girlhood,” m.c. easton / 7. lolita (1962), dir. stanley kubrick / 8. 22 (mv), taylor swift / 9. anti-hero (mv), taylor swift / 10, 14, 18. nothing new, taylor swift ft. phoebe bridgers / 11. “2008’s country lolita: taylor swift,” gavin edwards for rolling stone / 13, 21. lolita (1997), dir. adrian lyne / 15. okcupid dating chart: age preferences by gender / 16. all too well (ten minute version), taylor swift / 20. university of pittsburgh 2021-2022 undergraduate catalog / 23. would’ve, could’ve, should’ve, taylor swift
apologies for this ridiculously long megathread, but i found a ton of these photographs of taylor from when before she was famous, around ages 14-16, and ooh boy, did they get me thinking…
sometimes i wonder if she just really lucked out with the mostly desexualized “innocent girl-next-door” persona becoming her brand throughout her early career, because it looks like things could have gone in a very different direction for her in another universe.
like you can literally see taylor being de-aged between her debut and fearless era as her public image cemented…the posing, the makeup, the hair, the clothing…it’s all very deliberate and sinister.
and now, all these years later, no one knows better than taylor herself that the most desirable thing a woman can be is not a woman, but a girl…a sexy baby, if you must.
her heart-shaped sunglasses, nothing new, the ten minute version of all too well, would’ve could’ve should’ve…she knows all about society’s sickness, its simultaneous fetishization and destruction of girlhood. she knows because she’s lived through it.
we don’t often categorize her or think of her as one, but she was a child star, and she barely escaped its curse. just barely. but unlike so many other child stars, unlike dolores haze, she survived with her voice and her pen, and she can see it all now, it was wrong.
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ohgaylor · 6 months
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All Of The Girls // ivy // Say Don’t Go // So It Goes… // Lover // august (all lyric connections)
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shivroyalty · 7 months
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tomshiv / i'm your man - mitski.
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kingofmyborrowedheart · 5 months
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Thinking about Taylor prefacing “The Lucky One” during the Eras Tour by saying “this is a song about how horrible being famous is” and the lyric “and your lover in the foyer doesn’t even know you” knowing what we know now.
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Stop. Stop defending taylor swift for things she did. Stop defending her for associating herself with a racist, sexist, antisemitic piece of shit, and CONTINUING to surround herself with people like that. Stop trying to make excuses and put down the feelings of poc fans during that time. Stop blaming people for holding her accountable to the words SHE said.
If you sit at a table with 10 racists, there are 11 racists at that table.
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heartswrath · 2 years
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TELL ME
demi moore, phoebe bridgers / bojack horseman, 2015 / scheherazade, richard siken / kiss it better, rihanna / fleabag, 2019
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dumblr · 1 year
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I've been wondering, did you miss me?
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wisellamawerewolf · 1 month
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Heaven has a point and it's ruining the show's entire premise
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*rant under the cut*
It has probably been said before by other people who can articulate their thoughts better, but considering the way VivziePop chose to tell her story, Hazbin Hotel's premise just doesn't work.
At first the show's main idea was presumably about how it's never too late to become a better person. The themes of Hotel and providing redemption to damned souls if they CHOSE to become better was fitting for that concept and it could've worked well without much involvement from Heaven. Yearly extermination (although arguably not necessary) added stakes and a sense of emergency, but making Heaven fully involved in the situation was a very questionable choice. Now the main theme of the show is less about "self-improvement" and more about "Heaven is hypocritical", and it just doesn't work well for one (main) reason: every single sinner we have encountered are absolutely horrible.
I already sense some that people might bring up the "They're in Hell" argument, but here's the thing: it would've worked fine with the initial premise, but you can't say "Heaven is bad for exterminating souls" when these souls a.) killed, hurt and ruined people's lives when they were alive; and b.) kept killing, hurting and ruining people's lives in the afterlife. Is there a better solution than just killing these people? Probably. But that doesn't make Heaven seem hypocritical and unjustified. At worst it makes them look stupid, because if they knew most people would find extermination of souls abhorrent, they could've just send someone to rearrange hell and completely isolate the most vile sinners from others in order to prevent them from hurting people, instead of just letting them continue doing their shit but in a slightly worse place.
Another argument that comes in mind probably sounds something like "well obviously not EVERYONE is irredeemably bad in this place, and Heaven is surely unjustifiably sends people Hell for stupid reasons if it's overpopulated". And if this statement is true, I have a couple of questions:
Why then literally none of these people are in the Hotel? Surely Charlie could've find at least some of such people and convince them to participate in her experiment. This is probably better to live under the protection of one of the strongest beings in hell than being potentially killed in the streets, so what do they have to lose? If none of these people believe in Charlie's idea, why every time we meet a non-resident, they are always murderous assholes, with almost no exceptions? If Hell is full of wrongfully condemned souls, why doesn't Charlie address them in the seventh episode, instead of going to the cannibal town to ask for help?
I think I've said it somewhere before, but VivziePop wants to criticize religion for scaring people with eternal punishment for doing arbitrary and harmless stuff, but also wants to treat said punishment as a playground for her edgy OCs most of whom are the exact people who by all logic should be in hell.
She wants her story to be about redemption but then turns around and says "actually, my homicidal OC's did nothing wrong, the SOCIETY that condems them is a true villain. Please ignore corpses my faves piled up in the corner". Viv wants to have her cake and eat it too, which results in a sloppy writing.
The most frustrating thing about this that it could theoretically work if handled more carefully: Charlie is already naive and Vaggie is a freshly exiled angel so just make them believe that all sinners have a legitimate reason to be in hell and need to be "fixed". Let them run into Angel Dust and try to make him improve, only to later learn that better people were turned down in heaven and send to hell because of the arbitrary reasons.
It could've both drived the message of "you can always chose to be better" and provide a valid critique to the religion in regards to what counts as a "sin" and wether it deserves such a hursh punishment or not, but ut VivziePop just can't decide what she wants to do and talk about so she just throws in everything at the same time.
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venice-1987 · 9 months
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When Hozier said "How the mouth must be employed in every corner of itself" in a song (butchered Tongue) about the pain of losing culture through the specific imagery of loss of language after he said "The unemployment of the mouth" in Through Me (The Flood) in a verse about trying to measure loss
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ohgaylor · 1 year
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gorgeous // It’s Nice To Have A Friend // Mastermind (all lyric connections)
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