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shitouttabuck · 19 days

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this could be the year for the real thing

buck/eddie | 1.7k | 7x06 coda(ish)

Eddie can count on one hand the number of times he’s been this horrifically hungover. His pre-teenage-pregnancy body bounced back blessedly quickly from tailgate parties and keg stands and beer pong tournaments, but after that? His cousins threw his bachelor party before he married Shannon, which involved a lot of mixed liquor, and then there were a couple miserable nights out after she left him, and now, last night, him and Buck the sole bachelor party members standing after Chim didn’t show up.

This is his worst hangover, because at least all the other times he wasn’t seized with worry about one of his closest friends and regret that he and Buck hadn’t noticed the empty hotel bed the night before. The nausea from hell doesn’t help, either.

Chim’s safe now, under the careful monitor of Cedars hospital staff and Maddie no more than three feet away from him at all times. The relief is a palpable thing, and Buck offering him a steaming paper cup of green tea soothes the churning in his gut a little bit, too.

He takes a sip and sighs gratefully, slumping against Buck in the hospital waiting room chairs when he takes the seat beside Eddie.

“Still queasy?” Buck asks, voice a rumble.

“Mm,” Eddie says, “back-to-back shots of tequila and sambuca are not it.”

Buck shudders beside him. “Don’t,” he begs, closing his eyes and tipping his head back. “I’m still very much in range of hurling.”

“Have you eaten anything today?” Eddie’d only managed half a banana when he went home to shower and change, but he knows Buck’s been with Maddie most of the day, and when it comes to taking care of other people, he sometimes forgets about himself.

“Had a granola bar,” Buck says, eyes still closed. “Can’t—don’t wanna think about food yet.”

His stomach chooses then to grumble audibly, with traitorously comedic timing, and Eddie snorts. Buck opens one eye to grin at him.

“Don’t listen to her,” he says, patting his belly. “She doesn’t know what she’s talking about.”

“She doesn’t, huh? Then I guess she’s not interested in stopping by the juice bar on Sunset on the way home? Some sweet, sweet smoothies, all that fresh fruit and hydration, don’t even have to chew…”

Buck’s stomach rumbles interestedly and they both laugh.

“That sounds—so good, actually,” Buck admits. “We can pick up the peanut butter one for Chris, he’s always hankering—”

He breaks off as Hen appears at the end of the hallway, looking around and hurrying over as soon as she spots them. Eddie doesn’t think anything’s wrong—she’s beaming—but he and Buck sit up quickly in their seats anyway.

“Ugh,” Buck says, and Eddie’s dizziness at the sudden movement wholeheartedly agrees.

“We’re having a motherfucking wedding,” Hen grins, tugging them both to their feet, uncaring of their delicate dispositions. “Right here, right now.”

“Hospital wedding?” Buck asks, eyes wide. “Holy shit, okay, what do we need—who do we call—fuck—”

“Calm down, Buckaroo,” Hen smiles. “Just get friends and family over here, Karen’s gonna pick up Maddie’s dress, I’m gonna call Bobby, and we’re having a wedding.”

Buck’s already pulling up a copy of the guest list on his phone, squinting at it and muttering names under his breath.

“You boys got this?” Hen asks while dialling Bobby.

“Yep,” Eddie gives her a mock salute. “We’ll split the list and make some calls.”

He types out half the names Buck reads off to him in his notes app, and the two of them work through them methodically, calling Chim and Maddie’s nearest and dearest for this impromptu ceremony.

“Chris will kill us if he misses it,” he says suddenly, and Buck looks up at him, mid-text.

“He’s with Isabel, right? Pepa’s place is only a ten minute drive from here.”

Eddie nods. “I don’t have my car, though. You drove me.”

Buck tosses him the Jeep keys. “I’ll finish calling people, you go get them.”

“Cool,” Eddie says, and nearly bodies himself with the instinctive urge to lean over and kiss Buck on the cheek as he stands. It’s surprising, even though it shouldn’t be, because it’s an urge he fought and failed about thirty times last night, Buck’s sweaty skin pressed to his, salty under his mouth every time he dropped an innocuous, friendly kiss to his face with nothing but alcohol in his veins.

It hadn’t seemed out of place then, everything shiny and bright, Buck leaning right back into him.

Now, under the fluorescents of the hospital, organising a makeshift wedding for their family? Eddie doesn’t think it would land quite the same.

“Back in twenty,” he tells Buck instead, and has to physically tear himself away from the smile Buck turns his way, warm and golden under the harsh lights.

Chris and Abuela are delighted to be included, and, true to his word, they’re back at the hospital as the rest of the guests begin arriving, too.

Eddie’s—okay, he’s not going to say he’s not a crier, it’s just that his best friend is Buck, who cries at anything remotely tearjerky, so in comparison, Eddie’s not a crier. Now, though, they’re both very much damp-cheeked, much like everyone else crowded into this hospital room, watching Maddie and Chim exchange rings and vows with little Jee between them.

They’re a family, have been and would still be even if they never got hitched, but the fact that Chim refused to wait another few weeks, another few days, another minute before marrying Maddie? Eddie’s chest aches in the best way, and he slings an arm around Chris, and, before he knows he’s doing it, he looks for Buck.

The ceremony’s over, and Buck’s grinning at his phone, and Eddie pats for his own automatically, anticipating a goofy text.

But Buck’s edging backward, slipping out of the room, still grinning at his phone, and the ache inside Eddie spreads like an inkstain, blotting his insides.

And then Buck reappears with Tommy, which Eddie knew he was going to do, because who else would have Buck smiling at his phone like that, leaving his sister’s wedding even for a minute. Not me, Eddie doesn’t think. He doesn’t.

He’s not ready to make sense of the churning inside him—he doesn’t think he can blame the hangover for this one—when he clocks Tommy’s soot-stained everything and the way Buck’s own smudgy face matches like a puzzle piece.

He sees the way Chim notices, and Hen and Karen, Bobby’s eyes going wide and then soft. He sees the way Margaret Buckley doesn’t even attempt to school her face into anything but distaste and he hates her, but Buck’s not even looking at her. He’s looking at Bobby, and then he’s looking at Chim, and he’s smiling, this wide, guileless spread of happiness across his face.

Eddie’s helpless to smile too, the churning too complicated to parse beyond easy joy at every step of Buck’s sexuality journey, and this second-hand relief he’s not sure he’s got any entitlement to—he doesn’t, does he? Sure, he can be relieved that Buck doesn’t feel like he has to stay closeted, that everyone who matters loves him just the same, but he doesn’t get to feel like any of the relief belongs to him. Not now.

Not—yet.

Tommy’s made his way to Chim’s bedside to congratulate them properly, and Buck’s squeezing through the guests to get to the Diazes.

“Hey, bud,” he says to Chris. “Hi, Isabel.”

His face is still a smear of soot, and Chris giggles. “Buck. Your face.”

Buck frowns in confusion and Eddie steps over to him, hand already reaching to wipe the soot off his face, just like he has a hundred times at work. Except Tommy’s already there, licking his thumb and rubbing firmly at Buck’s chin, a gesture so familiar to Eddie that watching it happen separate from him feels like getting punched in the throat.

And beside the joy and the second-hand relief, there’s—this sense of profound loss. This emptiness, a space inside him he didn’t realise Buck had been occupying all this time. And now it’s like Eddie’s entered the room, finally, but the door is swinging shut on the far wall and Buck’s footsteps are echoing softer and softer as he leaves. Eddie’s late, he’s missed something he didn’t know was waiting, much less had a timeline on it.

The room empties out slowly, everyone giving the Buckley-Hans some space to rest, and Buck disappears down the hall hand-in-hand with Tommy.

“Y’all ready to go home?” Eddie asks Abuela and Chris. “We can get take-out.”

“Is Buck coming?” Chris asks.

“Uh, I don’t think so, mijo,” Eddie glances down the hall. “Although—” he pats his pocket, retrieving the Jeep keys, and startles when Buck appears by his shoulder.

“You have my keys,” he informs Eddie, stretching his hand out for them. Eddie drops them in his palm dutifully. “Juice bar? The fancy one on Sunset.”

Chris whoops excitedly, and Eddie smiles, even as his brow furrows.

“You’ve not got a hot date?” he asks Buck quietly as they walk to the exit.

“I drove you,” Buck shrugs.

Eddie rolls his eyes, stopping Buck with a hand at his elbow. “I think we can manage getting a cab.”

“I seem to recall you promising me a ‘sweet, sweet smoothie,’” Buck says, raising an eyebrow at Eddie. “You tryna stiff me, Eds?”

“Wouldn’t dream of it,” Eddie lifts his hands in surrender. “Uh—do you wanna ask Tommy along?”

“Nah,” Buck says easily. “Maybe another time. He’s just gotten off shift. I’m seeing him tomorrow, anyway.”

“Okay,” Eddie nods slowly, ache bittersweet. “Just us, then.”

Buck beams. “Me and my boys,” he crows, wrapping an arm around Eddie’s shoulders and tugging him forward so he can wrap the other one around Chris. Isabel makes a noise of offense, and Buck hastily amends, “Me and my boys and Abuela. Dream team!”

Christopher groans at the very public embarrassment and Abuela smiles indulgently at Buck and Eddie lets himself get pulled along, safe in this room in his heart that won’t ever be empty, even if Buck’s not filling it in the same capacity as Eddie’s getting ready to allow himself to want.

It doesn’t matter. The door on the far wall’s not quite swung shut after all; it sits ajar, crack of light and Buck’s love spilling through. Maybe one day he’ll come back through it. Maybe one day Eddie’ll follow after him enough to ask.

#i got too excited after the episode at 5am and tired myself out so much i fell back asleep at 8am lol #buddie #911 #buddie fic #911 fic #writing tag #mine #also i agreed to go out for drinks with high school friends tonight and im going to be so badly behaved because they’ll want to catch up #and all i want to do is think about these damn firefighters

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sevensoulmates · 16 days

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Buddie 7x06 Meta

HURRAH! It's not a four-parter this time!! Just a one-parter! It's a Madney/Chim-centric episode (which by the way I loved) but the buddie we got was AMAZING! I'm so excited for the rest of the season. We're just gonna dive right in!

First, I want to say that with the hindsight of this episode, we now know that the bachelor party was not ACTUALLY something that needed to happen, narrative-wise. It didn't actually contribute anything to the Chim plot, as that would've happened with or without buddie going crazy in the hotel room. So, all of the Bachelor Party was written purely for the purpose of watching Buck and Eddie have a good time. Maybe for comedic relief, maybe for the purposes of furthering their story at a later point in the series. Time will tell.

First, I've seen other people point out that Buck expected Eddie to be early (even though he's the first person there) because he wanted Eddie to help him set up for Chim's party. To Buck, Eddie is the person who helps him with everything. This is Buck's idea, yes, but Eddie is the proverbial co-host in this married dynamic. So Eddie being "late" feels more like Buck being disappointed his partner wasn't there to help him behind the scenes to make everything perfect. It really does make the whole scene feel like Buck-and-Eddie (the bro-in-laws) throwing the party. So of course Eddie's breaking the unspoken rules by being late.

I love how Eddie walks in completely ready to be fawned over by Buck with their couple's outfit. It's hilarious to me because 1.) Tommy was planning on coming, Buck could've told Eddie he wanted to do a couple outfits with Tommy instead?, and 2.) Eddie was fishing for compliments and it just makes me giggle. If Buck wasn't so stressed out over this bachelor party, he likely would've reacted how Eddie wanted and given him a bunch of compliments on his look. It was jaw-dropping. If most of us (the audience) were blown away seeing Eddie in a pink suit for the first time in the bts (to the point where most of us were like "no way he's in character, this has to be Ryan's wardrobe choice"), I know that the other characters were too. It's not Eddie's typical wardrobe choice. In fact, it's such an out-of-character fashion choice for him, that it's unlikely that Eddie just had this lying around in his closet to throw on. He probably had to go and buy a suit like this just for the occasion. Eddie had to put in a lot of effort to do this couple's costume with Buck, and he did it all happily and enthusiastically. We'll come back to this in just a second because...

CLIPBOARD BUCK IS BACK! sans clipboard but you get my drift. I love how this visually connects Buck to his sister and harkens back to a lovely Buddie moment "This is Eddie's house, I'm not really a guest" back in season 3. This time around, we have Eddie assuming he would get special husband privileges and is pouty when Buck doesn't allow it.

BUT at the same time, he's not getting on Buck's case too much about it beyond the initial pouting. He may not know why Buck's so insistent on throwing a party, but he knows it's what Buck wants, so he moves on, and even watches with somewhat amusement when clipboard Buck gets turned on Ravi for doing the same thing later.

I also want to point out that Eddie has never once, ever, been upset with, annoyed by, or irritated with Buck when he's in Clipboard Buck mode. Most of the time, Eddie either finds it amusing cute, or is just generally accepting of it. This is no exception, however, this later devolves into Buck and Eddie going absolutely wild. This further exemplifies how Buck and Eddie accept and support each other, even when the other is being lowkey stupid (everything they do at the bachelor party) or unreasonable (clipboard Buck). It's all very much partner in crime coded.

Framing. Jesus Christ the FRAMING. Tommy walks in and not even two seconds into the interaction, the camera frames Eddie FRONT AND CENTER between them, watching Buck and then watching Tommy. Buck and Tommy hug and when they pull back, there's Eddie watching them with an odd look on his face. I'm not going to go so far as to call this jealousy/pettiness, but it is odd. There's an intimate physical moment between Buck and Tommy, and then Eddie, who constantly haunts their narrative, is just there. And he's actually objecting to Tommy's presence there. Not in a mean or hostile way, but just a second ago he was high-fiving Tommy, welcoming him in, but once the physical special relationship between Buck and Tommy is established, Eddie starts to bristle a little bit.

This entire exchange is just odd. Eddie knows that Tommy is friends with Chim. He has every right to be there for Chim alone. He's also aware that Buck now has a closer relationship with Tommy, and Buck's the only one who wants this bachelor party, so it should be obvious that Tommy would come. And yet...Eddie is questioning Tommy's presence there. He's reducing Tommy to Buck's "date", not Eddie's friend or Chim's friend, or someone who's slowly integrating into the group. No, it only becomes a problem when Tommy is there as "Buck's date".

This is then proven by Tommy, who's actually known Chimney longer than either Buck or Eddie have known him. He has all the right to be invited. But what's especially interesting is Buck's face when Eddie starts expressing objections to Tommy's presence. He looks shocked, a little worried, loss for words. Like he's worried Eddie is disapproving of them. It could be worry lingering from last episode, where Buck was afraid of his queerness pushing Eddie away. It also showcases a bit of awkwardness between Tommy and Eddie too. Eddie has been established as enjoying spending time with Tommy, and now he's hesitant to have Tommy in spaces with Buck as a romantic partner. It demonstrates that maybe Eddie isn't as comfortable with Buck and Tommy together as he led Buck/the audience to believe. But where is that uncomfortablity stemming from? That's yet to be determined canonically.

Buck then goes on the deny that Tommy is his date (for the bachelor party) and insists that Tommy is only his date officially tomorrow at the wedding. I personally don't understand why Buck would need to clarify that Tommy isn't his date to the bachelor party. If they're dates for one, it's usually assumed they're dates for the other, especially given how close the events are. I get that Buck wants to make the night about Chimney, but it can be about Chimney and still have Tommy there as a date.

This is also an interesting line that I've pondered over. Because while it's true that taking Tommy as a date anywhere would be hard launching both Buck's queerness and his relationship with Tommy, which could draw attention away from Madney and to Buck, but it also shouldn't be that big of a deal (and is proven at the end of the episode too). If the wedding had gone to plan originally, then Buck and Tommy going together wouldn't have had to have drawn too much attention. He could've told Chim, Hen, his parents + everyone separately before the ceremony even began. It didn't have to be such a huge deal, so I was wondering why Eddie brings out the usual phrase the show tends to use when they want to remind Buck that not everything is about him. But Buck wasn't trying to make it about him. Eddie should know this. As much as Buck has had issues in the past of taking things far too personally, and believing things to be more about him than they actually are, that's not what is happening here.

I actually think Eddie saying this line is more revealing of Eddie's feelings than it is about Buck making it about him again. It's revealing that Buck, his relationship with Tommy, and Buck's queerness are a big deal to Eddie, enough so that he believes it will draw a lot of attention. And maybe Eddie's not as cool with the idea of everyone knowing about Buck and Tommy as he tells himself. I want to reiterate that I don't believe any of this stems from legit homophobia towards Buck and/or Tommy, but more so a discomfort Eddie harbors about Buck's queerness, what it means for Eddie, and what Buck being with Tommy takes away from Eddie. All of this is unconscious, confusing, and frustrating for Eddie, and therefore what comes out of Eddie's mouth is a barb at Buck's expense. And it's why his reaction to BuckTommy at the end of the episode is kind of muted but mostly positive. He's confused.

Buck had told Tommy previously that it was an 80s theme party and asked him to dress up. This brings me back to my previous point that Buck could've asked Tommy to dress up with him. Instead, Buck and Eddie are framed as the literal "couple" here visually, and Tommy is framed as the odd one out. Not only that, but what he is wearing is a Henley, which as most of us know, is a staple of Eddie's wardrobe. (General author's note: I don't usually harp on about wardrobe choices in the show because that's not my specialty but I will here because it is a textual part of the plot).

We've previously established in the last few episodes that Tommy is a narrative mirror to Eddie. Tommy's meant to be like Eddie in almost every way, same interests, similar personality types, etc. He's even paralleling Eddie here by dressing the same way Eddie normally dresses. But it's being juxtaposed by Eddie standing right beside him (once again Eddie is framed in the middle throughout this entire exchange with Buck/Tommy when Eddie very easily could've just stepped off to the side to let them have some privacy). EDDIE is dressed way differently than he usually is in a bright pink suit, going out of his way to make Buck happy even if it brings him out of his comfort zone wardrobe-wise. And in contrast, Tommy did not take the time to dress up, even though he knew Buck wanted him to. I'm not saying that this makes Tommy a bad person, or inconsiderate of Buck, but it's just one of those little things. One of those forethought things that Tommy just isn't aware of because he's only been dating Buck for a few weeks at this point.

Others have pointed out that Tommy would've had to change out of his clothes and into his uniform regardless if he was on standby, so why couldn't he have at least just added a little bit of 80s flair to his current outfit? It wouldn't have been any more time-consuming. Maybe it would've put Tommy out of his own comfort-zone, or maybe he would've been a bit embarrassed, but that's the kind of thing that one might reasonably risk in order to make their partner happy.

Tommy isn't aware that by not dressing up, he's hurting Buck's feelings. That's just one of those things he wouldn't know about Buck because he does not have the lived experience of what Buck needs emotionally from his partners. Eddie, on the other hand, has years of experience with Buck and knows that if he really wanted to he could be just like everyone else who didn't dress up and that Buck would put on a face of being fine with it, but deep down inside, it would make Buck feel ignored and hurt. Eddie doesn't want to ignore Buck, and as we've seen from his last line about "making it about you", Eddie can't ignore Buck. So even if it means pushing himself out of his comfort zone, Eddie's going to show up in full costume, ready and enthusiastic to be with Buck.

All of this is being done for a purpose. It's to show us that while Buck and Tommy are still learning and developing their relationship, something is off, specifically in comparison to Eddie. The show is purposely framing Eddie as a better partner to Buck than Tommy is being in the current moment. Which is kind of unfair, if you think about it. If the show was setting Tommy up to be Buck's newest love and future endgame, they would instead be giving them opportunities to grow together, to get to know each other. Instead, the show is telling us in every subtly way it can that hey, wouldn't Buck fit so much better with Eddie instead? It's contradictory and doesn't further the plot if BuckTommy growth was the purpose. These bachelor party scenes as plot devices only work if the purpose is to show the audience that something isn't fitting with Buck and Tommy, but whatever that missing piece is, it does fit with Buck and Eddie.

Tommy then doesn't understand that they're supposed to be dressed up as the Miami Vice characters. He instead assumes The Wedding Singer (1998). First, I want to say that this is the 2nd Adam Sandler/Drew Barrymore romcom that's been mentioned in canon in relation to Buck (the first being 50 First Dates in the season 5 finale) and as a huge fan of those movies, I'm fangirling. Second, it aligns with Tommy's s2 characterization where he loves romcoms (Love, Actually, and now The Wedding Singer). Third, it's an interesting choice from the writers here to pick The Wedding Singer as the movie that springs to Tommy's mind. There are plenty of 80s movies with bright colors that could've been name-dropped. They instead purposely went for a movie about the 80s but made in the late 90s, for the express purpose of having Eddie point out that Tommy's wrong. This is all very subtle, but it definitely does feel like Eddie is trying to lowkey one-up Tommy. But why would he feel the need to do this?

I've seen others point this out as well, but The Wedding Singer is about two people who are engaged to other people who are very obviously not right for them, though they might try to convince themselves differently. I rewatched the movie yesterday morning and I found it very enlightening. Adam Sandler's character is very much in love with Drew Barrymore's character, and almost tells her to leave her fiance for him, but in the end, he assumes incorrectly that she's happy with the other guy, and leaves them be. Drew Barrymore's character was ready to settle with someone she didn't fully love for security, and the only reason she doesn't tell Adam Sandler's character the truth is because she thinks he's still in love with his ex. It's all very miscommunication-y, but at the same time, it's reflective of Buck and Eddie's characters currently too given that neither of them really knows what they're looking for, they're just seeking a feeling, and may or may not be finding it in their current respective partners. But in the end, even after all the miscommunications, there's a HEA in The Wedding Singer.

Something else of mention was how in the movie, Adam Sandler's character was asked how he knew that things weren't working out with his ex and he said something along the lines of "It was the little things. Like, one time we were going to the Grand Canyon, and I had never been there before and she had, and instead of letting me take the window seat in order to see the beauty of it from above, she took the window seat for herself." This reminded me of this scene with Tommy, where it's just the little things that aren't fitting between him and Buck. I will come back to the topic of BuckTommy and misalignment later.

There have been many posts discussing how Crockett and Tubbs are another one of those "manly" buddy-cop pairings who were very queer-coded best friends who obviously never got together. Many people believed Crockett to be bi-coded as well. What's interesting to me is that this marks the second/third time in the last two episodes where they argued about who is the bi-coded character. I just find it interesting meta-textually when you think about the fact that fans used to argue incessantly (still do honestly) about whether Buck or Eddie could be queer and now that Buck is confirmed to be queer, people argue that Eddie can't be queer now. Additionally (I don't watch Miami Vice but I looked at a lot of the pictures) it seems that visually, Eddie should be aware that he is dressed as Tubbs, since most of pictures of them feature Crockett in blue/green semi-casual and Tubbs in pink/elevated suits. Visually, their roles should be obvious to anyone who is familiar with the show. Just like how Buck's queerness is now obvious. But now, the argument is well, there's an argument to be made that Eddie could be Crockett, and subtextually, also queer.

The narrative continues to hint with every single episode that passes that it's very likely Eddie will discover his own queerness at some point in the show. Just like there's no need for Buck and Eddie to argue over who gets to be Crockett, they can both be Crockett for christ's sake, they're both gonna end up queer. Of that I am certain.

So not only was Eddie totally down to clown with Buck at this karaoke bachelor party, but he was the one who suggested the couple's costume. We see more instances of Eddie not trying to tell Buck "hey, Chim said he didn't want a party, so don't do it", instead he goes along with it and finds a way to be even more enthusiastic about it. And I don't think that that was just because Eddie really wanted to party. I think it was because Eddie realizes that Buck must be wanting to do this for a reason. Possibly Buck might be doing this because he wants to show Chimney just how supportive he is of him and Maddie, maybe it's because Buck never got to be too involved with Maddie's last wedding because Doug hated him. Maybe this is his way of trying to make up again for his actions in season 5 when Maddie left and Buck didn't tell Chim. Or hell, maybe it's just now hitting Buck that he's going to have a brother, for real now, after realizing all he lost with Daniel, and wants to make this day special for Chim to showcase his appreciation of their brotherhood.

Buck is obviously overcompensating for something, and Chim and the rest of the gang don't realize why the bachelor party is so important to Buck. Hell, Eddie might not know entirely either, but he does sense that there is something more than just "I want to party" going on with Buck and this bachelor party. And so, as always, he is ride or die for Buck.

Then, when everyone else gets up to leave karaoke, Eddie doesn't even get up. He doesn't make it look like he's also considering leaving either. He doesn't check his watch or phone or make it seem like it's a burden or an inconvenience to be there or like there's somewhere else he'd rather be.

Once again, this scene with Tommy and Buck is framed with Eddie clearly in the picture, to show how he's just chilling, drinking, and ready to stick it out with Buck regardless of what happens. And then Tommy is the last one to finally leave and disappoint Buck that night.

And now I want to bring it back to BuckTommy, misalignment, and the ever-present Screaming Universe. If this was real life, it would just be a coincidence, but it's not. This is scripted fiction and everything is done with a purpose. What purpose did the writers have to get rid of Tommy but keep Eddie around to party with Buck all night long? If the writers wanted, they could've had Tommy stick around, more so to show a juxtaposition between the three of them hanging out. Or the writers could've had Eddie leave, and Tommy stay. It would've served the same purpose. Tommy still could've left the next morning for work and come back sooty for the kiss. Instead, the story/universe wanted Tommy to leave and this undeniably creates a micro-conflict between Buck and Tommy. It's undeniable that Buck is disappointed that Tommy's leaving and that he didn't really seem all that enthused to be there in the first place. Tommy then leaves, he's gone for the majority of the episode and comes back at the end. This is now a pattern for the third time in a row.

In Tommy's introduction episode 7x04, he and Buck have a moment at the beginning of the episode, a conflict between Buck and Tommy is introduced, Tommy is there a couple times throughout but he and Buck do not have any one-on-one scenes again until the end where their "miscommunication" is resolved by their kiss. In 7x05, they have their date at the beginning where weirdness happens and Tommy ends it, is gone the rest of the episode, until he returns at the end for Buck to make up with and rekindle. And now in 7x06, Tommy is there at the beginning, there's a misconnection, Tommy leaves for the rest of the episode, and they reconnect at the very end.

That's three whole instances of conflict with BuckTommy all written in a very similar way back to back to back. All of these conflicts revolve around the theme of misalignment and not knowing what they want personally nor what the other person wants. All of this harkens back to that first little moment with Buck and Tommy in 7x03 where Buck pats Tommy's arm, Tommy reaches to connect their hands and misses. I predicted that this would be a metaphor for the rest of their relationship, and so far I've been right. Because it seems like no matter how hard both of them try, they aren't quite connecting, not to the fullest. There is always a conflict that pops up that pulls them apart every single episode and they have to find ways to resolve this at the end. Again, if this was irl it'd be a different story, but as part of a narrative where they're not only trying to showcase Buck's first-ever queer relationship but also strongly comparing it to his "platonic" relationship with Eddie, it feels pointed and poignant. Buck and Tommy's constant misalignment feels like the "universe" trying to tell them something but they're not yet at the point of understanding what.

I highly doubt Buck would've wanted to party with a bunch of strangers if he wasn't feeling so disappointed by both Tommy and Chim. Eddie too, I'm wondering why he didn't want to go home or go be with Chris and visit his family. Or maybe go and see if maybe Marisol wanted to hang out. In fact, Marisol not being in this episode at all, or even mentioned, after the last episode is telling as well.

Many people have pointed out that the karaoke scene parallels Maddie and Chim, and this is even more pointed when the song that is playing when Maddie and Chim get married is Island in the Stream which is the song they first sang karaoke to. Buck and Eddie we know sing "What I Like About You" by the New Romantics, which Oliver, Ryan, and Tim all described as the best song for them to sing to/with each other at this point in time. I still think of it as canon even though we didn't hear it (I get why, they had little time and also licensing is expensive). This song is a romantic song, that's undeniable, and it also makes me think of Shrek and Fiona so it's double iconic. It's also an interesting choice in the moment where Buck is at a low emotional point, and Eddie chooses to stick around with him, indulge with him, and have fun together. It really is a great moment to show how not only are they there for each other in serious and emotional moments, but they also just enjoy spending time with each other, and would choose to spend time with each other any time they can.

Now I wanna talk about just how close physically Buck and Eddie get in this episode. For a lot of us, it's kind of whiplash because while Buck and Eddie have hugged and touched before, never so much in this way, or this much, or this intimately. Buck has his arm around Eddie's neck, their faces closer than they've probably ever been before? Buck is literally whispering into Eddie's ear ("keep on whispering in my ear, tell me all the things that I wanna hear because it's true, that's what I like about you") pulling Eddie into his chest. Eddie's leaning his entire upper body onto Buck, resting most of his weight on Buck. They're pressed together thigh to thigh, leaning their knees on each other. All of this demonstrates not just an emotional closeness, but a physical closeness (thank you, ABC, fuck u Fox), and not only that but an intimate physical closeness. All of this coming right after an episode where Buck came out. I love this because it shows a lack of Eddie being weirded out by being physically close to a queer man as a (seemingly) straight man. But it's also just so telling because Buck and Eddie have not been this physically close before....like ever...in this show. And now they are at the turning point of Buck's queerness being made textual and Eddie's queerness being STRONG subtext? Oh my goodness it's such strong storytelling.

This might be reading into it, and I acknowledge that, but this dialogue exchange felt to me less like they were talking about all the nameless people who were around them and more so like they were talking about each other. These are strangers, they don't know Chim, let alone love him. Neither do these people know/love Buck or Eddie. Instead, this conversation reads to me more like Buck talking about how Chim should be here because his friends (Buck, Eddie, Hen, etc) love him, and Eddie agrees. Looking even deeper, given that Chim didn't show up and the rest of their friends left them for the night, this feels more like Buck and Eddie talking about themselves. Because why is Eddie here? There's no reason for Eddie to be here partying it up except for the fact that he loves Buck and he wants to make him happy and enjoys spending time with him. This exchange is Buck recognizing that, and Eddie agreeing that he really, really does love Buck. And that's why their shenanigans continue as they all move on to Chim's hotel room.

They could've given up/left once Chim's door was locked, but Eddie encourages Buck to keep on going. Touching Buck like how Eddie loves to touch Buck, in the way that's most appropriate for them, on the shoulder like this. Then he kicks the door in and when Buck is ready to go wake Chim up to party, Eddie's like "Eh let him sleep", because, for Eddie, he doesn't really need Chimney around to have fun. Despite what they were just saying about bringing the party to Chimney so that Chimeny could feel the love too, Eddie's perfectly content just partying it up with Buck and only Buck.

These three clips in the bachelor party montage....I'm just gonna be frank with you, they're so obviously meant to look sexual. So CONTENT WARNING**** for me about to talk about sexual positions and such.

I don't have to tell you that although Buck and Eddie are technically partying with a bunch of other people, none of them are actually important. They're NPCs there to give Buck and Eddie an excuse to do all of this stuff with each other. So everything they do in this scene is more so a reflection of their relationship with each other, as well as their metaphorical queerness than it is about just general partying.

We know (due to bts) that at some point Eddie was leaning over to pour alcohol into Buck's mouth. It looks like Buck is leaning back on the couch in his most favorite/frequent canonical sex position (girl on top/riding) that we've seen in the past. This time with his mouth wide open with a phallic symbol pouring a liquid directly into his mouth. It looks like a blowjob/cum shot. Then we have Eddie with his clothes being pulled off and torn away. From the bts, we know that Buck is behind him and helps the girls pull off his sleeves. Other than the obvious "ripping each other's clothes off" metaphor, there's also the "orgasmic" look on Eddie's face as well. Others have also discussed how Eddie appears to be recreating the "crucifixion pose" /Jesus on the cross with his arms out like that in a reference to his catholic guilt arc and how before he's very much let that guilt control him and now in this scene with his close being ripped off, it can also be a metaphor for Eddie's eventually freedom from compulsory heterosexuality and guilt.

The last still with both Buck and Eddie vigorously shaking champagne bottles near the crotches (mimicking mutual masturbation) and then both of the champagne bottles "explode" mimicking both of them reaching a mutual climax, which then cuts immediately to both of them waking up the next morning. It's very very obviously a metaphorical gay sex scene.

Separately from that, I want to discuss this specific still, with both Buck and Eddie in between 2 very clear-as-day drag queens. This inclusion elevates the scene subtly yet very clearly to represent both Buck AND Eddie in proximity to queerness/the queer community. It further cements the queerness of this entire montage scene.

Finally, to conclude the bachelor party scenes, I just want to reiterate, that Buck and Eddie could've figured out Chim was missing any which way. They could've gone over the next morning w/o partying there. Buck could've gone by himself, etc. There were many ways the "Chim is missing" plot could've been done without needing to go this route for Buck/Eddie. Which means that this plot was not for any necessary reason other than to bring Buck and Eddie together.

Then while they're going on their chase to find Chimney, Buck and Eddie are paired up together the entire time, working together as a team, once again looking more like an established couple than anything else.

Then, as if fitting with the BuckTommy "beginning and ending only" episode pattern, Tommy comes back only at the very end of the episode, and he and Buck kiss, transferring soot onto Buck's face and providing a very quick and easy way to come out to all the rest of the people who haven't yet known about Buck. Most people look surprised, others smug (Henren, we'll get to them) and Eddie gives an interesting close-lipped smile. This moment in and of itself isn't very loud. His face is purposely vague here (hats off to Ryan, king of microexpressions). Of course, Eddie's going to look happy for them, he's not going to look jealous. But his smile could be brighter, his eyes could be warmer. There's again just something off about his expression there. I think it's confusing for a reason, because Eddie too is confused about everything he's feeling.

Hen is incredibly smart, so I'm not surprised that she clocked Buck's queerness a while ago. Her telling Karen this, and Karen's agreement means that this is something they likely discussed in private as well. In my opinion, if she was able to clock Buck, there's no way she hasn't also clocked Eddie. She just isn't saying anything because she's a respectful and empathetic person.

Hen wasn't really there for most of Buck's Tommy-arc, but she WAS front and center for all of Eddie's "performance anxiety" around dating women. Trust me, when Eddie figures it out and he and Buck finally get together, Henren will say something along these lines again, I'm certain of it.

And that's the end of this episode! It was such an emotional ride! I loved everything they did with Maddie and Chimney, and the Buddie plot was so fun! I had a blast, and I'm so excited for next week! I get the feeling the latter half of the season is gonna dive deeper into Eddie's storylines. Yay!

#911 abc #buddie #911 analysis #911 meta #buddie meta #BuckTommy #buck x eddie #meta

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hippolotamus · 18 days

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Who would I be if I didn't come barreling in with queer feelings??? Inspired by this post from my wife @bidisasterevankinard, this morning's therapy session and a few too many listens to Cleopatra by The Lumineers 😘

late for this, late for that | 7x06 coda | 757 words | G

“Not late. Right on time,” Evan sighs, content and sated, turning in his arms so they’re back-to-chest. It allows him to settle into his newly discovered love of being the little spoon. And Tommy’s new found love of indulging Evan.

“Good to know.” He presses a kiss into Evan’s mussed, disheveled curls, chuckling at the light snores his – boyfriend? Date? Guy he’s seeing? – is already making.

If he’s being honest, ‘right on time’ is the furthest thing from what he feels. Evan hasn’t said as much, but Tommy suspects he’s started to question things about himself. About his life in general, past interactions, romances, friendships, crushes. Eventually he’ll likely face one of the biggest, if not the biggest, questions. How could I not know?

As someone who went on a similar journey, he’ll do his best to guide Evan through. He wants to wave the proverbial magic wand to produce easy, matter-of-fact answers and soothe any wounds, but Evan will have to do that part on his own. Eventually it becomes a rewarding experience, making those discoveries, but he knows as well as anyone that it can be a bitch of a road to travel. An often dark pathway loaded with unexpected landmines. Full of monsters that go ‘boo’ at the very worst times, usually just when the dust of the last jumpscare has settled.

Not for the first time – and likely not for the last – the notion makes Tommy wish they could have met earlier. That he could somehow turn back the clock to meet himself earlier so he could be there for Evan. He’s already put himself through the wringer, in therapy and in his own mental torture chamber, about why he lied for so long about who he is. But, as his therapist reminds him over and over again, these things are never truly done. There are often new layers unveiled, triggered by different circumstances. Sometimes big and loud, sometimes ordinary and everyday. Tommy thinks Evan might be a bit of both.

Either way, here he is, wondering how his own life might have been different if he hadn’t denied himself for so long. If he could have been brave like Hen and said ‘this is who I am’. Because it’s not as if he didn’t know. Tommy knew exactly who he was, who he is. He’s known since the first time he kissed CJ, his high school football team’s defensive tackle, behind the bleachers after practice one late summer night. God knows he had been questioning for a hell of a lot longer.

However, he can’t time travel and change things. He can’t give past versions of himself options that didn’t exist. Well, technically they did, but it meant blowing up his entire life and being ostracized. While Hen didn’t have anything to lose, because she was already being isolated by that era of the 118, Tommy did.

He had what he thought were friends, though, really, most of them were alliances. People he accepted as friends for the high cost of burying his identity. Paid for with girlfriends and the occasional male sex worker when he really needed to let go. With living an empty, lonely, fraudulent existence, constantly saying no to the things and experiences he craved. Because saying yes - to ‘just one’ gay club, one pride event, one secret boyfriend willing to be called girlfriend for appearances - meant risking being found out. Meant taking a wrecking ball to the carefully curated macho persona he’d built for protection. Meant having all of his ‘meaningful’ supports and relationships ripped away. It was bad enough that his own parents couldn’t be there for him. He didn’t need the camaraderie of firefighting taken away, too.

Evan snorts and snuffles, pulling Tommy back to the present. He turns in his sleep, somehow burrowing closer as he throws an arm across Tommy’s waist. His mouth is slack and parted, breathing calm and even.

A wave of fondness washes over Tommy as he watches his… Evan sleep, blissfully unaware of all the things tumbling around in his brain. It’s an emotion he hasn’t felt in a while, not like this, but he’s grateful for how naturally it seems to want to return.

Maybe they couldn’t meet earlier or change their histories, save themselves or each other from pain. But they’re here now with their combined battle scars, ready for something, whatever that looks like. And isn’t that better than never? So, perhaps what Evan said was true. Maybe he’s not too late and they’re right on time.

part 2 (Eddie's POV) here

#911 spoilers #bucktommy #tevan #bucktommy fic #hippo writes #coda fic #911 7x06 #tommy kinard #evan buckley #the cleopatra series #christ i'm such a sucker for queer feels

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ihavebeenwinchestered-spn · 18 days

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Soo I just saw 7x06 and WHAT THE HELL? (aside from everything that happened and a lot happened) I WASN'T IN ANY WAY PREPARED FOR BUCK TO WALK BACK INTO THE HOSPITAL ROOM ALL SMILEY WITH TOMMY IN TOW AND SOOT COVERING HIS MOUTH🥹

#the kind of cute coming out I never had #bi buck #911 show #evan buck buckley #tommy kinard #911 spoilers #911 season 7 #oliver stark #lou ferrigno jr #coming out #911 7x06 #911 abc #tevan #weewoo show

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ofspacecrafts · 18 days

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Didn’t know if I was going to wade into this territory but you know what , why not ?

I have thoughts about why Buck & Tommy are so appealing to some of us (me) , more than Buck’s other relationships.

I’m going to break it down .

Abby

Abby is introduced first on the show , so the audience has a connection with her. I like Abby & having familiarity with Connie Britton made me like her more.

I enjoyed Abby’s relationship with Buck at first.

I liked both characters separately so on my first watch as a casual viewer of a new show I was like ok this is cute but that’s all it was.

I didn’t really feel chemistry there.

But they never compelled me. I was indifferent to her leaving and wasn’t sad to see their relationship end. (Only felt bad for Buck)

On my rewatch , the relationship felt weird to me. I’m not sure if I was biased knowing how it ended or not but I enjoyed it less the second time around.

Ali

The flirting was cute but we didn’t see enough of them actually together.

Her character existed to be saved by Buck and date him . When it’s obvious that that is a character’s role and they don’t have any individual arc, it doesn’t create a relationship I care about.

I appreciated her honesty in why she broke up with him instead of ghosting or leading him on.

But it was a half hearted portrayal that I don’t think anyone expected to be endgame .

Taylor

Taylor and Buck actually had some chemistry. I loved their flirting and their banter.

I don’t hate Taylor the way a lot of people do.

I thought she was an interesting character and liked how they played off each other.

Taylor was fleshed out and a real fully developed character and I enjoyed her arc.

But as Buck’s love interest I think the seed was planted early on that her ambition would always come first.

And honestly, after he kissed Lucy I’m not sure I blame her?

There was some chemistry but it still wasn’t ever enough for me to root for them .

I wish they stayed friends because I did love their dynamic.

Lucy

There’s not much to say here except that I actually think Buck and Lucy had great chemistry and if their relationship started differently and the show had decided to go that direction when she was introduced I definitely could’ve seen myself rooting for them .

Natalia

Honestly her character just felt so flat to me and it was very very obvious she was filler.

There was no chemistry and I never considered her a legitimate option.

Which brings us to Tommy.

To be honest, before my rewatch I didn’t even remember who Tommy was. So watching 7x03 I thought he was brand new.

He was compelling right away, on his own . The deadpan humor, the fake mouth static , flying into a hurricane for his friends.

In 7x04 right away I was like wait… are they flirting ??? The chemistry was so there.

We find out about Tommy’s interests , see little tidbits of his personality throughout 7x04 culminating in the conversation at Buck’s apartment and the kiss.

The way 7x05 and the date was handled was so interesting to me. The situation was so well thought out and the way we see Buck act here is something I don’t think we’ve seen since Abby. Buck acknowledging his feelings in a very real and nuanced way.

Ever scene Tommy was in from 7x03-05 made me want to get to know him as a character, separately from his relationship with Buck .

In order to actually care about a relationship you have to care about both characters separately first !

The chemistry during their kiss and the coffee scene is so so strong.

Viewing it all again under this lens, knowing who Tommy was and is, honestly made me like him more . Seeing a character grow and change to be able to build better relationships is so entertaining!

The hugs in 7x06 and that kiss just attest to the insane chemistry Lou and Oliver have .

#listen it’s just an opinion #don’t have a melt down kids it’s all made up #might delete later #evan buckley #bucktommy #tommy kinard

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aromanticbuck · 1 month

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Tommy was nowhere to be found when Buck was in the gym though. That was 100% about Eddie. As was the Christopher thing because he didn't want to be replaced in Eddie and Christophers lives by anyone, for any length of time. The only time I really felt him trying to get Tommy's attention was their first scene together. But that was purposeful by the writers. They wanted to have it both ways and needed Buck to want both of their attention but have no idea why.

I've sat here for almost a full day wondering how to respond to this, and honestly, I very nearly deleted it without responding because... I barely go here. I just shifted over to 911 as my main fandom. I was a One Chicago blog a little over a week ago and yeah, one well timed rewatch might put me back on that train.

I just came over here because I watched the show, enjoyed it, and wanted to have fun with other fans. My posts are my opinion and my observations, and are obviously not meant to speak for all of canon or even any faction of the fandom besides myself (and maybe Kit, but our opinions vary sometimes too, and we live together). I just pointed out what I noticed, and the trends that I picked up on, and how I thought they were intending to establish Buck wanting Tommy's attention - which, in my opinion, they did really well.

So, I'm just gonna put a screenshot of the post this is referring to right here:

Here's the thing. If you watch every single episode of the show looking for Buddie moments whenever Buck or Eddie is on screen (and I saw a lot of that after last night's episode to the point that I'm getting exhausted and annoyed), then that's all you're going to see, even if that's not what they're trying to show us.

It's been especially bad since 7x04 and the BuckTommy kiss. Everyone is looking at his canon queerness through a Buddie lens and ignoring everything else around it. They're making his coming out to Maddie about Buddie, and they're making his attraction to Tommy about Buddie, they're making episodes we haven't even seen about Buddie.

In reality, none of that is about Buddie or confirming future Buddie or anything of the sort. He and Maddie mentioned Eddie in that scene because the conversation started when he said he felt like he was lying to Eddie and he didn't like it. Yes, Eddie and Tommy are similar, and I understand joking about Buck having A Type, but that doesn't make his attraction to Tommy any less genuine. And we don't know anything about 7x06 yet, but everyone is talking about Buddie getting drunk and sleeping together, or Tommy seeing them interact - as he's already seen because the three of them have had scenes together and he's canonically spent time with Chris - and immediately stepping back from the relationship because there might be something there.

Buck is going to his sister's wedding with Tommy. Buck told Maddie and Eddie about Tommy. Buck wants to dance at the wedding with Tommy. He wants to try for something with Tommy. Eddie encouraged him to go call Tommy and work things out. Buck is going to be out to everyone at the Madney wedding because he wants to be there with Tommy as his date.

I don't know. It's just frustrating to see this really good queer relationship tossed to the side because it's not the Popular Ship. Just because you don't ship it or you aren't looking at it directly, it doesn't mean it's not still there.

#answered #anon #anonymouse #alex says things #evan buckley #eddie diaz #buddie #tommy kinard #kinkley #bucktommy #911 #911 spoilers #maddie buckley #buckley fam #I still want buddie endgame #but i forgot how exhausting big ship fandoms can be

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wikiangela · 15 days

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It didn't take much time, forever's more than crossed my mind

bucktommy rating: G words: 6.3k 7x06 tommy's pov coda

[read on Ao3]

___

He sounds and looks so surprised, so astonished, as if someone simply showing up for him was uncommon. Tommy really wants to show him that he’s in, and if they’re really doing this, and it seems like they are, he’ll always put Evan first. He doesn’t half-ass anything, if he’s in, he’s in, one thousand percent. It’s scary that he’s so sure of this so early on, and he really needs to tread carefully. He doesn’t want to rush it, rush Evan. “I’d understand if you just went home, really, I get it. You must be exhausted. It just- it means a lot that you made it anyway.” he shrugs, averting his gaze. Tommy grabs his chin and makes him look him in the eyes again. “Baby,” he starts, the pet name just slipping up, but judging by the sharp inhale, widened eyes, a growing smile, and cheeks getting even redder than they already were, Evan likes it. “There was no way I’d bail on you, ever. Couldn’t leave you dateless at your sister’s wedding. And couldn’t miss my friend’s wedding, of course. Even if I’m really, really late.” he smiles apologetically. “Well, not like you didn’t have a good reason. And you’re here.” Evan shrugs, an adorable smile on his face. Tommy kisses it off, just because he can.

[read on ao3]

#bucktommy fic #bucktommy #wikiangela writes #911 fic #my writing #evan buckley #tommy kinard #fluff #911 fanfic #bucktommy fanfic #evan x tommy #911 spoilers #911 7x06 #911 7x06 coda #buck x tommy #idk what this is tbh but i love it lol #also gonna write a buck pov but without all the dialogue to not repeat myself lol #tevan #kinley

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extasiswings · 2 months

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too tired to keep lying

7x06 spec...no I can't explain myself. On ao3 here.

Buck hates hospitals. He’s spent far too much time in them, sent too many patients to them, seen too much loss—he hates hospitals. But the part he hates the most isn’t the antiseptic smell or the fluorescent lighting or the smug doctors who act like they’re so much better than the lowly paramedics. The part he hates the most is the helplessness. When there’s nothing else to do but wait and see.

Wait and see.

Buck watches from several feet away as a doctor speaks with Maddie. Chim is still in surgery, has been for hours, and Buck knows he should be trying to do more, should at least cross the room and wrap an arm around his sister, help her stay standing, but he can’t make himself move in that direction. Because he can’t bear to see her look at him right now, knowing that he wasn’t able to stop this from happening, wasn’t able to protect her from this.

Buck’s stomach lurches and his feet unstick, sending him in the opposite direction from Maddie. Sending him to the exit.

His shoulder bumps someone as he passes through the door, and a hand grips his bicep for balance—a familiar hand. He exhales in a heavy gust of air as he steadies himself, then looks up into Eddie’s face.

“Any news?” Eddie asks quietly.

Buck shakes his head. “He’s still in surgery.”

Eddie nods once, then follows Buck as he keeps moving towards the main doors. Once they cross the threshold into the parking lot, the sun high in the sky is a reminder of how long he’s been waiting for news. There are messages on his phone—from Bobby, from Hen, from Tommy even, which is a tangle he can’t even begin to think about right now—but he can’t think about them, can’t return any of them. He can’t—

“They’re supposed to be getting married today,” he whispers. “In four hours. They’re supposed to be getting married, and instead—instead they’re—and I—I can’t—I don’t know w—what I—”

Eddie’s hand closes tightly around his, and Eddie’s arm closes around Buck’s waist to keep him standing. And Buck can’t help himself—he turns his face into Eddie’s neck and breathes, he lets Eddie take his weight, lets himself lean into the support that he hasn’t allowed himself to accept from anyone else.

“I should be making calls,” Buck says as Eddie’s warmth seeps into him, burning away the icy chill of numbness. “There are things to cancel—the caterers and flowers and—someone has to—”

“You don’t,” Eddie assures. “You don’t have to do anything.”

“But someone has to tell everyone that there’s—” Buck’s voice cracks. A shudder wracks him and Eddie’s hold tightens. “—that there’s not going to be a wedding today.”

Eddie stiffens for a moment, but before Buck can ask why, Eddie turns his head, his mouth grazing the edge of Buck’s jaw.

Buck freezes, then goes hot. An accident, he tells himself. Eddie definitely wouldn’t have done that on purpose, right? Eddie is—Eddie isn’t—Eddie wouldn’t—

Against his will, a hazy vision rises in the back of Buck’s mind—one that he’s been trying to figure out whether it’s a dream or a memory since Chim’s bachelor party a week ago.

Eddie’s hands on his bare chest, Eddie’s tongue in his mouth, the kiss broken by both of them laughing when Buck knocks over a glass of wine onto his pants—

Buck shivers, and almost misses it when Eddie says—

“There could be.”

“What?”

Eddie swallows hard, pulling back enough that his eyes can meet Buck’s. “There could still be a wedding today.”

“Considering the groom is unconscious on a surgical table and the bride is stuck waiting for news in the waiting room, trying to keep their child calm, I’m pretty sure that’s not—”

Eddie cuts Buck off with a kiss, swallowing the shocked noise Buck makes. And this kiss, Buck can’t ignore. This kiss, Buck can’t write off as a dream or a drunk hallucination. This kiss—this kiss is real, and right, and Buck feels like he’s been hit with lightning all over again, but he also feels like he’s come home, like he finally understands—

Fuck. Buck breaks the kiss with a gasp, wrenching himself back. “I—I—I—Eddie, I have a boyfriend.”

He doesn’t want to say it, he doesn’t want to stop, doesn’t want to think at all. But he’s not 26 anymore—he knows better than to avoid difficult things by burying himself in sex. So he knows that he has to say it. He has to—

“I know,” Eddie replies, and his voice is soft, his eyes are gentle. His hands are warm and steady and sure as they slide up Buck’s arms to his face. “I know you do. Right now. But I’m saying—I’m asking—”

Uncertainty flickers for the first time in Eddie’s gaze, and Buck would give anything to take that away. So despite the fact that he knows better, despite the fact that he’s supposed to be so much more responsible now, despite everything—he leans in and kisses Eddie again.

Eddie murmurs something into the kiss that Buck misses in the haze of heat that floods him.

“What?” He breathes as the kiss breaks again.

Eddie’s thumb passes over his cheekbone and Buck shivers again as his eyes flutter shut.

“Marry me,” Eddie repeats. “Marry me today. Because tomorrow isn’t promised to anyone and I know—I know it sounds crazy. Because yes, I know you have a boyfriend, but I’m saying—I’m saying you could have a husband. I’m saying that I could be your husband. Because I’ve loved you for so long and I think maybe you love me too, and I know I’ve been a coward—I know. I should have told you years ago, I should have told you so many times, I never should have waited so long. But if you let me—if you let me, I will spend the rest of my life making it up to you, because I am in love with y—”

Everything around Buck disappears. Everything narrows to white noise and Eddie’s face and those words repeating on a loop as the last several years of memories play back like a flipbook. And it’s like a puzzle piece clicks into place, like a key turns in a lock, everything making sense in a way he hadn’t thought was possible.

“You love me?”

Eddie blows out a breath. “More than anything. Do you—” he clears his throat. “—do you love me?”

And it’s right, so very right, when Buck pauses as the flipbook of their lives keeps playing back, and he says—

“Yes. Yes, I love you.”

The smile that breaks over Eddie’s face is brighter than the sun, and steals the breath from Buck’s lungs.

“So…you’ll marry me? Today?”

Buck kisses him again. And when he pulls back, he takes a breath. And gives him an answer.

#chapel writes #buddie #evan buckley #eddie diaz #buddie fic #911 fic

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