Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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seeing kenji muto, the director of trigun stampede, reading an article about the portrayal of women in media made me want to take a little bit of a closer look at the women in trigun and as i was rambling about this earlier to my partner, they told me to write it down LMAO
as most of us know, in a lot of fiction, women are mostly characterised through common tropes, leading to a lack of complexity and a one-dimensional portrayal: as the doting wife, the femme fatale, the mistress, or the virgin. Their role only amounts to an Other, an extension of the male hero. they’re either the whore or the madonna.
for female characters in anime that usually means they’re either the sexy femme fatale, big badonkers and all to be gazed at, the mother, the helpless damsel in distress, or the child (yet, still sexualised despite the fact that it is a literal child); they’re portrayed through the way they are being perceived by men and mostly sexualised beyond belief.
tristamp doesn’t do any of that.
in fact, the female characters in stampede achieve something that you don’t often see in anime: they are people. and stampede makes that clear in its very first episode by decidedly not going the route that you would usually take with the female characters they introduce:
of course, the biggest example here would be meryl, who i’d argue is the biggest driver of the plot, despite the fact that the plot of stampede is technically determined by vash - vash is an entirely passive character, he doesn’t make things happen, things happen to him and they mostly happen to him because of meryl. she’s the one who unties him, she drags them to the city, she makes them stay with him after ep3, she drives over wolfwood (rip my man), she stops for them to find rollo, she makes them follow the steamer.. you get it. she does all of this, despite being introduced as the newbie, the innocent person who would usually be the damsel in distress, who is helpless and shy and easily manipulated and who will probs be sexualised in her role as the “virgin” (sexually naive young girl who just doesn’t get all this adult sexuality yet hehe)
but she’s not – she wears a non-sexualised outfit, she only gets called out for being a newbie, or for being small height-wise by wolfwood, but not for being a “girl”, she determines the action despite the fact that she does have a mentor figure and is therefore still in a position of a student – she still isnt an extension of roberto, vash, or anyone
in fact, the other characters – Rosa, Elendira, Luida, Rem – all take up roles that would in other media be portrayed in very specific ways: Rosa could just be a pregnant mother, who is also a divorcee, Elendira could be an innocent child beholden to her caretaker, Luida could be the loving motherlike figure and rem the Madonna figure, symbolising all the virtues a woman should aspire to have. – Rosa is a leader, her pregnancy is mentioned one single time and never made a bigger part of her character, Elendira is young but powerful, making choices by herself that are not inherently based on any kind of innocence, Luida doesn’t coddle Vash or prioritise him over her own work and mission (which also serves to inspire another woman, meryl!!), and rem is also just a non-perfect person, with secrets and questionable morality
none of these women are judged on the basis of their gender, none of them experience gender-based violence, none of them are made into a joke, none of them are sexualised (or desexualised – if you compare them to the male characters, who also do not ever make jokes about sexual promiscuity or similar stuff), they have different body types (rem has a very pronounced chest, and yet stampede doesn’t ever focus on it or give her cleavage) – note also that when presented with the perfect opportunity to call a female character a “bitch”, they chose to go with a “witch” instead, in both original japanese and english dub
their femininity is not used as a weapon against them, nor are stereotypical hypermasculine elements used to define characters’ positive traits (vash not being our traditionally hypermasculine hero for example) - the only time we see a semblance of gender-based violence is, you guessed it, at the very end, when knives forcefully takes control and bodily autonomy away from vash and inseminates the plants against their will (also interesting to note that knives, as the character that does exhibit that kind of violence, is the only character to be shown incredibly buff and all muscle)
the women in tristamp are written for women, with the goal to be women that we can recognise, that represent the women that we are and know
anyways, i love all women in tristamp and have not once felt uncomfortable or said “oh look, a panty shot” and honestly i just find that pretty neat
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"why would you ship mizu and taigen together they're sooooo toxic ugh taigen is AWFUL and mizu should be with ME instead!!!"
of course they're toxic they're both deranged and terrible and that's why they're perfect for each other.
cuz like omg you think mizu would treat you well? mizu would abandon you. look at how she left ringo multiple times. ringo who treats her so well and is nothing but patient and caring and loyal. if you are insecure she will laugh at you because she has no social tact. look at how mikio said "it's a stupid dream" talking about his ambitions of regaining his honour and mizu straight up chuckles and tells him he's right because it IS a stupid dream. and at this point their relationship was cordial and she was even warming up to him!
like. arguably, taigen would be a better romantic partner (per the ideals of his time and culture of course), or at least he would be on paper. cuz i mean as a husband, as he is now, i think he'd be awful. but i'm talking about if you and him were dating or courting or just seeing each other romantically, he would be good to you. like we saw how he behaved with akemi and he was nothing but sweet and gentle. the very reason akemi wanted to marry him so bad was because she KNOWS without a doubt that he respects women and would treat her well. "oh but he cheated on her with the prostitutes while celebrating his engagement!" yeah but per the norms of the time and place, it was not considered cheating and akemi (as well as any wife or romantic partner of that period) would not have minded or even cared.
and yes taigen IS an asshole and he IS obnoxious but come on. so is mizu, if she is allowed to act like herself around you. mizu will tease you and mock you and challenge you and even poke at your insecurities (see:her goading mikio on even though he clearly did not view her teasing as light-hearted banter and took it all very personally). she would tell you to your face if she thinks you're being annoying (see:mizu rolling her eyes and telling akemi to straight up just "shut up" when she'd believed mizu had killed taigen).
mizu is not merely a hot and talented badass with a sword and the insane hyperfocus on her desire for revenge which literally drives her to withstand like, extreme amounts of damage and survive it. mizu is also flawed and the show does a good job at showcasing this, and showing us that she's not merely a victim but also a multilayered person. we see throughout that mizu is blunt and sarcastic and prideful.
oh what's that? oh right, very similar to taigen, who is also hot and talented with a sword and with insane hyperfocus on his desire to duel mizu and regain his honour. taigen who is also flawed (though, arguably, more so) as he is blunt and sarcastic and prideful.
the only thing that sets mizu and taigen apart is the fact that taigen is a man and is not mixed race, which thus affects their positions in society and how people perceive them. these are external factors. taigen being a boy who is not blue-eyed allowed him to easily mingle with the other kids in the village, all of whom were similarly fed the same prejudiced values which led them to gang up against mizu and bully her.
but take all that away. strip them down to the bare essentials. suddenly it's like they are the same person copy and pasted.
and that's what makes them even more interesting. yes absolutely they would be toxic. whatever souls are made of, mizu's and taigen's are the same (derogatory). and we literally see them fight all the time!!!! but the thing is they are both deranged when it comes to this.
do you get me. they both literally get turned on by sparring. mizu's whole spar with mikio was her way of flirting. just look at how she smirked at him and said "unsheathe it" like it's clear that this is an innuendo of not just unsheathing his weapon but also what's in his pants. then during the chopsticks fight with taigen in the snow, despite mizu literally being injured and taigen trying to attack her, mizu gets attracted to him. meanwhile taigen got a boner after wrestling with her in the forge.
taigen goes around saying he wants to kill mizu to regain his honour but he still literally risks life and limb for her constantly. mizu gives ringo stomach ulcers by going around flinging herself into near-death situations 24/7. she ups and leaves her beloved swordfather with barely a goodbye twice to pursue her batshit far-fetched quest for revenge (against people she doesn't even KNOW btw because she literally starts off with practically No Leads and not even knowing the NAMES of the white men who are her maybe-fathers).
these bitches are crazy and you know what good for them. that shit needs to be contained and quarantined though and that's why in that sense they would be good together.
i want to put them both in a jar and shake it very hard and see what happens. personally i think they will argue and insult each other while working perfectly in sync with each other to break out of the jar and then proceed to kill me and make out sloppy style over my dead body while they're both covered in blood.
like that's it that's the dynamic. send post.
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