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#lewis capaldi users
hungergameswho · 4 months
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Hiii,
Call me Nox.
My pronouns: They/Them or She/Her.
I'm Sri Lankan Tamil, a closeted Bisexual and a part time wheelchair user.
I'm a hopeless romantic.
I'm currently in my "babes" and "my love" and "y'all' phase.
I'll probably say the occasional dankeshun despite barely knowing any German.
FANDOMS - TV shows, movies, books
The Hunger Games & The Ballad of Songbirds and Snakes by Suzanne Collins
Doctor Who (have only seen Nuwho so far, not Classic Who)
Six of Crows duology by Leigh Bardugo (have yet to read the trilogy and KoS duology) (haven't seen the show yet)
Percy Jackson and the Olympians by Rick Riordan (been a while since I read them tbh)
Trials of Apollo by Rick Riordan (been a while since I read them tbh)
The Heroes of Olympus by Rick Riordan (been a while since I read them tbh)
The Sun and the Star by Rick Riordan
Harry Potter
The Fault in Our Stars by John Green
Good Omens (haven't read the book yet, only seen the show)
Ghosts (BBC)
A Court of Thorns and Roses (the whole series) by Sarah J Maas
Crescent City trilogy by Sarah J Maas (haven't read book 3 yet)
The Princess Bride (only seen the movie)
Little Women by Louisa May Alcott (2019 movie and the book)
Five Feet Apart by Mikki Daughtry, Rachael Lippincott, and Tobias Iaconis
Maleficent (the 2014 and 2019 movies)
Merlin
Our Flag Means Death
Bridgerton (haven't read the books, only seen the show)
Scooby Doo (any of the variations tbh aside from the movies - there's so many I can't keep up)
The Selection series by Kiera Cass
How to Train Your Dragon (the movies and TV show, I don't think I properly read/finished the books)
Anne with an E
A Series of Unfortunate Events (TV show and books)
Sherlock (BBC adaptation) (only read the first two books)
She Ra (TV show)
The Umbrella Academy (TV show)
Stranger Things (TV show)
Divergent by Veronica Roth
Totally Spies
Big Hero 6
The Pirates of the Carribbean
Bungou Stray Dogs (haven't seen the anime, have read the main manga)
MUSICIANS/BANDS I LIKE
Mainly
Taylor Swift
Jorge Rivera-Herrans
Anirudh Ravichander
Also
Ado
Anson Seabra
Sleeping at Last
AURORA
Banners
Billie Eilish
Fall Out Boy
My Chemical Romance
Harry Styles
Isak Danielson
Lewis Capaldi
Ruelle
Fleurie
Seafret
Hiphop Tamizha
Of Monsters and Men
Novo Armor
One of my fave THG posts below
Important TBOSAS post
DAILY CLICKS - 🇵🇸
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witches-unruly-heart · 4 months
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Thank you so much for the tag @dreamlover31 ❤️ I'll do it here even if you tagged both my accounts 😅
~~~
1. Were you named after anyone: I was named after two great great grandmas of mine. But my first name comes from a lot of women on that side of the family going longer back than that. So the name dies with me 🤣 I am not cursing my future daughter with that name.
2. When was the last time you cried: A week ago — was listening to music when «Wish you the best» by Lewis Capaldi came on — That song breaks me every fucking time!
3.  Do you have any kids: Not yet, but hopefully one day
4. What sports do you play/have you played: Currently don’t play. But I’ve been a gymnast, dancer and volleyball player. Also used to play football during free time at school. Not soccer like the Americans call it, but football!
5. Do you use sarcasm: ALL THE TIME! 🤣
6. What's the first thing you notice about people: Their smile. Really cliche I know. But it’s I think the first thing I notice. 
7. What's your eye color: I think it’s like greenish brown, with small hints of blue. I can never describe my eye color 😅
8. Scary movies or happy endings: I HATE scary movies! Can’t stand them! But I’m a sucker for happy endings 🥰
9. Any talents: I’m an ok writer, I think 😅 
10. Where you were born: I was born (and raised) in Norway 🥰🇳🇴
11. What are your hobbies: Writing, reading and listening to music, preferably with a delicious drink and something to eat.
12. Do you have any pets: I had a dog growing up. But currently pet less 🥲 
13. How tall are you: 5 feet 1 13/16 inches or 157cm for my metric system users 🤣
14. Favorite subject in high school: English and History 😍 Oh and my elective class of scenography and costume 😍
15. Dream job: Writer and/or actor 🥰 If I’m lucky — Please hire me Dick Wolf, I’ll play a dead woman or a victim just please hire me! 🥲
tagging @plaidbooks @thatesqcrush @bullet-prooflove @storiesofsvu @beccabarba @butternuggets-blog @adowbaldwin @baldwin-montclair @chickensarentcheap @minim236 @birminghamshelbyboys and anyone else who wants to 😍
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deadcactuswalking · 1 year
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REVIEWING THE CHARTS: 25/03/2023 (Taylor Swift, Hozier, Lewis Capaldi)
For the 10th week in a row, “Flowers” by Miley Cyrus tops the UK Singles Chart. It may be its last considering Ed’s on the way, but for now, welcome back to REVIEWING THE CHARTS!
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Rundown
As always, we start with our notable dropouts – songs exiting the UK Top 75, which is what I cover, after five weeks in the region or a peak in the top 40 – and we have a pretty varied list this time, as we say farewell to “Snowfall” by Oneheart and reidenshi, “SPIT IN MY FACE!” by ThxSoMch, “Never Gonna Not Dance Again” by P!nk, “Afraid to Feel” by LF SYSTEM and finally, once again, “Someone You Loved” by Lewis bloody Capaldi.
What’s filling the gaps? Well, our list of new arrivals does not seem built to last and “Pointless” by Lewis Capaldi only returns presumably due to the three-song rule at #68, so we may have to look at our notable gains, and for this week we don’t have many, in fact we seem to end up with a lot more losses, which I don’t really cover. Regardless, we do see boosts for “Here” by Tom Grennan at #39, “Can’t Tame Her” by Zara Larsson at #38, “REACT” by Switch Disco featuring Ella Henderson and the late Robert Miles at #32, “Mother” by Meghan Trainor at #27 (kill me), “Whistle” by Jax Jones featuring Calum Scott at #25, “Anti-Hero” by Taylor Swift at #18 thanks to residual Eras Tour hype (more on that later), and finally, “Creepin’” by Metro Boomin and The Weeknd featuring 21 Savage back to #10 thanks to a Diddy remix that prompted an ACR reset; its time back up here is very limited.
This week’s top five on the UK Singles Chart should all be familiar now, but with some notable movement: “People” by Libianca is at #5 alongside its fellow Afrobeats track “Calm Down” by Rema at #4, “Die for You” by The Weeknd is at #3, “Miracle” by Calvin Harris and Ellie Goulding is up to #2 off of the debut, and of course, “Flowers” reigns at the top. And now, without further ado, let’s look through our... interesting batch of new arrivals.
NEW ARRIVALS
#67 – “DEATH” – Melanie Martinez
Produced by CJ Baran and Melanie Martinez
We’re starting with Melanie Martinez, huh? God help us. So this is a somewhat exhausting week overall when it comes to covering the stories behind these songs, and we’ll get more into that as we go on, but there’s no easy D-Block Europe jester here: they’re all out-of-the-ordinary songs and it’s honestly difficult to explain why any of them are charting. This one... well, I guess it’s easy enough. Whilst Martinez has never been much of a chart presence, she’s a big deal amongst a certain brand of Tumblr user that has naturally spread over into TikTok (a demographic that kind of fits a lot of this week’s new entries), so her newest single was probably going to chart in the bottom 50. Thanks to a weak chart, it got into my territory of the top 75 and I’d feel silly asking the rhetorical question of if it’s any good. I’m about as far as you could get from a Melanie Martinez fan, and this song seemingly about the cyclical nature of life and death is ridden with so much Melanie Martinez lore that I, as a non-Melanie Martinez fan, can completely Melanie Martinez ignore. Therefore, what do we have without it? Non-descript vocals coated in Auto-Tune that make the more nasal, childlike inflections even more annoying? A musical theatre set of strings and pianos that takes the most immature and memetic response to grief possible... that is then completely ignored for a set of gross, buzzy synths over complete ass drums that are mixed like a complete mess alongside some disgusting vocal mixing? Great, thanks, I hate it. When 100 gecs released a rock album just last week, what purpose does this serve? I didn’t even like that album, but a half-serious gecs record is much more rewarding of a listen than something as self-serious for no real reason. It’s abrasive, eclectic, sure, but it makes you wait and wait for a chorus that hits at a completely wrong note but it scuffs any remnants of emotional resonance by way of childlike mockery. I don’t care about the lore, or the character, this is awful.
#58 – “Christmas Kids” – Roar
Produced by Owen Evans
So this may need some explanation, or at least as much as I can grant it. Roar is the moniker of Owen Evans, who you may know as having drummed for AJJ (no relation to AJR). This song is from his debut solo effort, I Can’t Handle Change, from all the way back in 2010 and it actually touches upon a subject from even earlier, that being the relationship between Ronnie of the Ronettes, who has sadly died since this song released, and Phil Spector, who has fortunately died since this song release. Spector was a nutjob who tormented Ronnie psychologically, rarely letting her leave the house, and often threatened to kill her. In 1971, as an attempt to save their marriage, Spector brought her two adopted children out of nowhere on Christmas Day, hence the title. Naturally, Owen Evans wrote a song about it, and a bit less naturally, he decided to do it from Phil’s perspective, in the style of a Spector-produced Brill Building track. Oh. Oh, dear. Uh, well, the production is decidedly cheaper than Spector would have had it, and the claps in the chorus just feel like random clips rather than whole-hearted claps, it really hurts the momentum, as does the slogging bridge which I understand is supposed to be creepy but it makes the whole thing seem comical... especially when Evans changes perspective to Ronnie and slows the tempo down. For a song about such a horrible, horrible abusive relationship, it all seems rather gimmicky, and I’m not entirely sure why we’re okay with this.
#52 – “Baby again..” – Fred again.., Skrillex and Four Tet
Produced by Fred again.., Skrillex and Four Tet
It’s a shame that Four Tet finally has a lead credit on a UK charting hit and it’s this glorified remix. “Baby” by Quality Control featuring Lil Baby and DaBaby is a famously repetitive song, mostly just because Lil Baby says “baby” a lot, and it didn’t actually chart in the UK – for which I thank God, since it’s pretty bad. This remix is kind of a cool idea, as Baby definitely fits into the pockets of this house groove but... well, it’s boring as sin, guys. I like all three of these guys as producers, particularly Skrillex, but sometimes too many cooks creates a product way less unique than the sum of its parts, which was true for most of the cuts from those two Skrillex albums earlier this year to be honest. The wonky synths over a bubbly bass function perfectly fine, but it’s not like it’s interesting or really that driving, and there are absolutely no stakes here given that the sample never changes flow or says anything particularly catchy. They just took the “Baby” song where Baby says “baby” a lot, and transposed it onto a bassy house beat – I wouldn’t say it’s unfinished at all, since the minimalism absolutely is the point, yet none of the tricks they pull out feel all that interesting, mostly because having all three producers kind of silences out the unique properties of each DJ. This sounds like something that was improvised at a DJ mix, and with how long its build-up is, I honestly wouldn’t be surprised if it were. That doesn’t make it bad, but it sure doesn’t interest me, especially if by the time we get a climax, the sample is an annoying, badly-mastered vocal clip rather than, you know, the actual hook that has been there for the rest of the track. It just seems like a wasted opportunity.
#41 – “Hell N Back” – Bakar
Produced by Jake the Snake and Beach Noise
Jake the Snake is an awesome producer name. This is a 2019 single from London singer Bakar that got viral on TikTok, and it sounds even older with its vintage guitars and slick whistle over the mellow drums. This particular brand of UK neo-soul was something I at some point was more into years earlier when I was listening to like Tom Misch and Sampha, but I still like this quite a lot. It’s a chill track and Bakar has some delightful charisma, and the references to drugs kind of explain the charming sloppiness in his delivery, and why those horns are so watered-down. Maybe the lyrics need some work – “she had green eyes like Mountain Dew”, really? – but I like the sentiment about capturing the feeling where you’ve been in a bad place, and your partner really caring for you is what makes you get out of that rut, even if that leads to some worrying dependency. It’s not a song I have much to say about, almost by design, but Hell, it’s heads and shoulders above everything else so far, so I’ll endorse this.
#30 – “Set Me Free Pt.2” – Jimin
Produced by GHSTLOOP and Pdogg
BTS member Jimin released his debut solo album – if you can really call it that, it’s 19 minutes – and this was the lead single, serving as a bit of an accidental sequel to bandmate SUGA’s song of the same name, hence the “pt.2”, and, man, I have yet to really be impressed with BTS members’ solo output, bar that one j-hope song with J. Cole a couple weeks back. This single goes for some real intensity with the compressed orchestra and choir vocals alongside alarm synths before exploding into drums that hit hard, sure, but not as well as they could have because of all the fuzz that surround them. Jimin himself is just horrible on this, I’m sorry – he is way too nasal and floaty for this beat, and I don’t believe him for a second when he talks about my “opps”, or reaches into his Adam Levine falsetto on the mind-numbingly repetitive chorus over those plastic horns. The second verse just sounds like a joke, with the comical cartoon inflections and Auto-Tune, but I don’t have a reason not to take this seriously. As a comedy song, it’d be pretty funny if that chorus wasn’t as long, but as a lead solo debut... Jesus Christ, man. Hopefully some of that album is better – it did come out today as of when I’m writing this – but God, this is honestly embarrassing, probably because it’s a lane Jimin shouldn’t be near in the first place.
#24 – “How I’m Feeling Now” – Lewis Capaldi
Produced by Lewis Capaldi and TMS
No, sadly, there’s no relation to the Charli XCX album. This is Capaldi’s third single from that upcoming sophomore effort, and well, damn, he’s finally grown some teeth at least. The entire song is a self-critique about his own mental state, with a sarcastic chorus and biting verses about how unsatisfied he feels with his life despite the fact he has everything. It’s not really connected to a girlfriend either, only vaguely stringing it to a breakup to make it a bit more accessible, I suppose, because this is definitely a famous man blues ballad, and it’s pretty damn great honestly. Sure, it’s minimal and kind of just lets Capaldi sit there amongst the folk guitars, but he’s mostly downplaying the delivery here, even though out of all songs, this one probably deserves the melodrama. The swell in the chorus wherein Capaldi really does start going for it is actually much more bearable than his usual froggy belting. In fact, this is basically an emo-pop song disguising itself as an Ed Sheeran album cut, especially with Capaldi’s delivery, and if you know me well enough, you’d know that compared to Capaldi’s usual fare, that’s right up my alley. Once the strings come in during the bridge, which is seamlessly connected to the chorus through a monosyllabic belt, which is just a cool songwriting trick, it feels really earned and the only percussion at the end of the song sounds like a ticking clock, with the looming fear of his fame’s demise nearing closer and closer. It may be compressed to Hell like all of Capaldi’s stuff, and he doesn’t go into that much detail... but this just hits like a brick and I’m honestly not sure why. Maybe it’s the downplaying of his vocals in the verses, maybe it’s that he finally understand some sense of dynamics, but I’m really bloody impressed with this – it’s an excellent song, and if Capaldi would prefer to look further inward on some of this upcoming album, he may end up with an extra listener. Yeah, I didn’t think I’d even hint towards listening to a Lewis Capaldi album, but this is genuinely fantastic.
#22 – “Eat Your Young” – Hozier
Produced by Bekon, Hozier, Rappy, Pete G and Chakra
Hozier, huh? “Take Me to Church” Hozier? “I’ll worship like a dog”, “I’ll tell you my sins”, etc. Hozier? In the top 40? At this time of year? In this pop climate? Localised entirely within #22? I liked that sophomore album, but I didn’t think he’d chart ever again, especially since his last top 40 hit was “Someone New” in 2015. Well, it was initially promoted in a snippet in February, with lyrics that come off as kind of kinky out of context until the full song gets released and that viral TikTok snippet ends up being based on the third circle of hell – gluttony – from Dante’s Divine Comedy. Just, sure, okay, it’s 2023, there are no rules to getting on the chart. Just be Hozier and make a song based on an epic poem that takes its title from a satirical essay written by Jonathan Swift which sardonically claims that to solve poverty in Ireland, the rich should start eating poor children, sold to them by their parents. The whole song seems to focus on the chauvinism of the British Empire, using the imagery of making a feast, with a sensuality making the lyrics seem not too far from oral sex, in reference to how they treated their colonies which, I mean, Hozier is Irish, it wouldn’t be a surprise. The use of the word “carving”, the entire second half of the chorus referring to war, the way it’s addressed to a woman – the motherland, Britannia if you wish – it’s a reasonable interpretation. On a grander scale, it’s about gluttony, and it sounds fittingly evil. Over perilous strings and soulful drums, Hozier trades his voice between a dusty smoulder and a dusty falsetto that sounds like the high horse this Empire was on. With that said, it does stay somewhat samey outside of the gorgeous piano-led outro, and that sensual villainy may lose its lustre overtime, but that’s implying that this will last on the charts and I have no idea where this is going past its first week. It’s a damn catchy tune, a wonderfully-composed track and a unique historical message for a charting hit, so I wouldn’t mind seeing it last longer and reach further heights, but I also won’t put my trust in it.
#11 – “All of the Girls You Loved Before” – Taylor Swift
Produced by Louis Bell, Ging and Taylor Swift
To celebrate the start of her massive Eras Tour, Taylor released re-recorded versions of three songs – none of which charted – as well as this scrapped track from the Lover era, which had some residual hype after a demo leaked, which she must have caught onto as she released it less than a month later. I have probably ranted on this series before that I don’t like Lover, and honestly this is nothing different for me, especially now that we have Midnights to compare it to: it’s like a more pastel version with way less interesting writing, meaning there’s basically no justification for the clunky inflections or straightforward melodies that just sound mindlessly slapped together on this pink cloud of mist that is an instrumental. The drums are stilted and anything melodic just gravitates into a must of nothingness, and apart from the chorus and bridge, Taylor doesn’t really write like herself either. It’s a worthless leftover love song, Taylor must have thought that initially anyway, and it probably should have remained as such until it found its way on “Taylor’s Version” or some B-side compilation, instead of being forced to single release by a leak. It’s honestly just kind of sad, if anything.
Conclusion
Huh, this was kind of a garbage week, wasn’t it? I mean, Best of the Week is nice and easy, with Lewis Capaldi taking it for “How I’m Feeling Now” and I was torn between the two options for Honourable Mention but I think I’ll actually give it to Bakar for “Hell N Back”. As for the worst... God, it’s like picking the worst out of a rotten bunch, but I honestly think that Roar gets it for “Christmas Kids” for just putting a disgusting taste in my mouth, and whilst I absolutely think a song from the perspective of the abuser is possible, it’s just an icky, misguided effort and honestly pretty terrible song even without the subject matter. Dishonourable Mention is  a toss-up between Jimin for “Set Me Free Pt.2” for just being comical, “DEATH” by Melanie Martinez for being aggravating and honestly, “All of the Girls You’ve Loved Before” by Taylor Swift. I didn’t like the new Jimin or Taylor Swift or Melanie Martinez, and I’m posting this on Tumblr: it’s like I’m tempting fate. Regardless, thank you for reading, and I’ll see you next week!
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lindsaywesker · 1 year
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Good morning! I hope you slept well and feel rested? Currently sitting at my desk, in my study, attired only in my blue towelling robe, enjoying my first cuppa of the day. Welcome to Throwback Thursday!
On this page, ‘Throwback Thursday’ is about memories. So, what do you remember? If I was to say the word SCHOOL, what immediately comes to mind?
For me, the first thing that comes to mind is my very first day at Highgate Wood Secondary Modern Comprehensive, at the bottom of Wolseley Road, Crouch End. I had gone through some kind of massive growth spurt, so I was literally more than a foot taller than most of the other kids. (They all caught up to me pretty soon after!) I was not a trousers, shirt and jacket kind of kid, more a T-shirt and jeans hippie type, so my school uniform looked baggy and untidy. All and all, I looked like an unkempt freak and I’m shocked that I was able to make any friends but, thankfully, there were lots of great kids in there and I had a good time. We moved from the annexe to the main building on Montenotte Road the year after and there I discovered teenage girls! (OMG!) As a 12-year-old boy, I was in Heaven (a.k.a. the beginning of the end.)
On this Throwback Thursday, what kind of memories does the word SCHOOL conjure up for you?
Although I was very happy with my phone call to BT yesterday, their ‘call waiting’ music was absolutely horrific! What was it? A selection of tracks from the top of the pop charts. As you know, commercial pop, commercial dance, commercial R&B and commercial rap all sound the same. Four TOTALLY different genres but hit-orientated record companies and hit-orientated radio stations force songwriters, artists and producers to follow whatever is popular. The end-result is as bland as lift music. Same drum sounds, same keyboard sounds, same song structure, some vocal sound. The days of iconic British songs such as ‘I’m Not In Love’ and ‘Bohemian Rhapsody’ are long gone. Because of this over-cautious A&R policy within record companies and at radio, we are left with both songs and acts that have no personality. In fact, most TikTok users don’t even know the name of the act they’re listening to (and don’t care), so this A&R policy of conformity makes launching a new act even harder. How are you going to launch a new act that has no character? Traditionally, British music has always been full of mavericks and colourful characters. Many probably view Lewis Capaldi and Adele as big, eccentric personalities but their music is very formulaic and MOR. (Makes you yearn for the days of Oasis vs. Blur!) Listen to ‘I Know What I Like’ by Genesis, ‘Stay With Me Till Dawn’ by Judie Tzuke or ‘Can’t Be Sure’ by The Sundays to hear what British pop music should sound like!
Have you ever noticed they are always digging up the road and always repairing pavements? Always! For some reason, they ALWAYS needs repairing! I suspect there are dodgy dealings between the council and local contractors. And don’t get me started on Scrubbs Lane, a very busy road connecting Shepherds Bush and Harlesden! I’ve seen remote country lanes that have a more even surface! The quality of the workmanship on these roads and pavements is little short of sh*t! You can see (and feel) how poor the work is when it rains and some paving stone comes loose and a big splash of water drowns your foot!
Have a throbbing and thrusting Thursday (with hopefully a few thrills through your thoroughfare?) I love you all.
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trashland-llamas · 1 year
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Gift; Webweave
And here be the webweave. This one is HonkQ & revolves around loving someone who’s losing their memory.
Link to first part (SamPonk & Charlie moodboards)
— — —
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Pablo Neruda | Chris Hemsworth | Carla Volpi | Kingsman: The Golden Circle | Stargate Atlantis S5E6 | Walt Whitman | Before You Go—Lewis Capaldi | Tumblr User llamabird-tweets | The Hunger Games | New Divide—Linkin Park
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ussers · 3 years
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lewis capaldi & camila cabello
forcapaIdi
lewisstanx
luvcapaldis
ilylewisc
camila cabello
flwalesscmila
souIcamila
cmilalegnds
arrtcmilas
credit on twitter
meu canal do youtube, vão lá dar uma olhadinha e se gostarem se inscrevam e curtam os vídeos 🤍
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kooblue · 3 years
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lewis capaldi users
like or reblog if u save/use
@fvcapaldi
@cpaldis
@capaldr
@bruisrs
@lewsoul
@luvcpaldi
@lewisfvr
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castawayusers · 3 years
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lauren jauregui + lewis capaldi users
capaldilaurenj lewislaurs lmjcapaldi beforelmjgo laurenbruises lentolewis
créditos no @fivsosniall 
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alextblue · 3 years
Audio
So, I’m trying something new. I don’t often share my music so please be kind. (also i can get quite loud sorry headphone users)
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nickelkeep · 3 years
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30 Questions
tagged by @transnebulas
Rules: Answer 30 questions and tag 5 blogs you are contractually obligated to know better
Name/Nickname: For all intents and purposes, I am nickelkeep. nickel is fine though. There are some who know my IRL name, they’re sworn to secrecy.
Gender: Non-binary. They/Them.
Star sign: Taurus, on the Aries Cusp. Yes, I was born on the Cusp of Power. Behold my might. *flexes*
Height: 6′
Birthday: Earth Day.
Time: It is 6:38PM EST. I should be writing or drawing.
Favorite bands: Rise Against, Sleeping Wolf, 10 Years, the Offspring, Dropkick Murphys, Fall Out Boy, Foo Fighters, Panic!, X Ambassadors
Favorite solo artists: Hozier, Kesha, Lady Gaga, Lewis Capaldi, Lizzo, Taylor Swift, Barns Courtney, Ben Folds, Ani DiFranco
Song stuck in my head: History Maker by Dean Fujioka
Last movie: Black Panther
Last show: Uh... Oh! Ghost Nation! We were watching Discovery+ and it was the Psych Hospital in Harrisburg.
When did I create this blog: May 2018.
What do I post: I probably lean heavy on the Supernatural side, but this is a multifandom blog, so all my fancies. And Politics. And the Gay. I spread the Gay.
Last thing I googled: How to spell Dean Fujioka’s last name.
Other blogs: uh... I have to admit to what other blogs I run? Well, there’s the blogs for the Cage, SQZine, and SPN Regency Big Bang - but I’m an admin/mod for those groups. Uh... The other two are secret. Sorry.
Do I get asks: Yep. I’d like more though. I do like my distractions.
Why I chose my url: I've been nickelkeep for like.. 20 years, okay? What story do you want me to make up for my User Name this time? LOL.
Following: 600.
Followers: 836. I just had a giveaway for hitting 800. I am working on those fics.
Average hours of sleep: Good, solid sleep? 5-6?
Lucky number: 4
Instruments: slappin’ the Bass. (I’m probably rusty as hell at this point) I sing mostly. I used to play the drums.
What I am wearing: Torn jeans, camisole, binder, sweater.
Dream job: So, I went to school to be a scenic designer. Expanded into lighting design as well. My dream would to be able to use those skills.
Dream trip: Ireland.
Favorite food: Pierogis
Nationality: American. Woo. 🙄🙄🙄
Favorite song: Savior by Rise Against
Last book read: The Time Traveler’s Guide to Medieval England by Ian Mortimer
Top three fictional universes I’d like to live in: 1) Shadowrun. 2) Dragon Age. 3) Mass Effect.
Tagging!: @one-more-offbeat-anthem, @alicethrutheburrows, @thewolfatmydoor, @moonweaver30, @raeofsoleil
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emoree-tumbls · 4 years
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10 Song Challege
Top 10 songs you can't stop listening to
Tagged by the beautiful @theatre-steph 💕
1. Words Fail by Ben Platt from Dear Evan Hansen
I've literally been listening to this song on repeat for a week.
2. Dance Monkey by Tones and I
3. Before You Go by Lewis Capaldi
4. The Man by Taylor Swift
5. Someone You Loved by Lewis Capaldi
6. Burn The House Down by AJR
7. loneliness for love by lovelytheband
8. Kids In The Dark by All Time Low
9. This Is The Best by USS (Ubiquitous Synergy Seeker)
10. I Think I'm OKAY by Machine Gun Kelly, YUNGBLUD, Travis Barker
All of these songs have inspired concepts for my 7+ fan fiction ideas. I have SO MANY more, but these are the ones I've been really attached to recently.
If you'd like to check out my playlists for, well, everything: https://open.spotify.com/user/1273801918?si=ZTYmMc6FRti2NeDFvLSruw
Tagging @the-barefoot-cxntessa @enduresurvive12 @nakey-cats-take-bathsss @theswordofpens @theladyofsupernatural @tributes-vamps-and-ginnyweasley @onlythegoodieyoung
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i-am-a-bitch · 4 years
Audio
(via https://open.spotify.com/user/dac61s1w5s3kmapjg5z4xlode?si=YXVXVgeOShiEYjIc8w7BXw)
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wdwbabes · 5 years
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tag game🥳
rules: spell out your username letter by letter and recommend a song that starts with each letter of your user✨
i was tagged by @shiningseavey ☺️
w - what am i by why don’t we
d - die a little by yungblud
w - wow. by post malone
b - blind by prettymuch
a - air of the night (smooth step) by why don’t we
b - boyfriend by justin bieber (or big time rush)
e - easer by 5sos
s - someone you loved by lewis capaldi
i tag anyone who wants to do it !! please tag me in yours
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ussers · 4 years
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lewis capaldi songs users
gracwes
Iosttonyou
beforreugo
bruwises
headspacces
daysgonequiet
letitrolIs
(c) @ishabtual
avise se salvar/ let me know if u save
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k-aleidoskop · 5 years
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approaching autumn.
like real people do: hozier naeem: bon iver if i go, i’m goin: gregory alan isakov no right to love you: rhys lewis nests: keaton hanson clean eyes: syml kitchen door: wolf larsen superhero: lauv take on me (acoustic): a-ha stubborn love: the lumineers party favor: billie eilish wild world: cat stevens apocalypse: cigarettes after sex sleeping sickness: city and colour michelle’s song: shawn james golden slumbers: elbow the heart is a muscle: gang of youths naked as we came: iron and wine fade: lewis capaldi exit music (for a film): radiohead fenn: tom rosenthal https://open.spotify.com/user/1133909921/playlist/7poC4EhNou4bx99CjRfMGp?si=bzC2kx29SyuKVDTUn9yXSw
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castawayusers · 3 years
Note
Oiê, pode fazer users da Lauren Jauregui + Lewis Capaldi, por favor?
posteii
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