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#la madama
conjuremanj · 1 year
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The Mystery Of La Madama. With Altar Set-up And Offering
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A peculiar figure has recently become very popular in Rootwork. This person is La Madama. As you look around on different websites, or online blogs about rootwork or hoodoo you find more and more people are speaking on La Madama. But the conversation on her has become more misunderstood and that people are just repeating the same misinformation they are getting from websites and blogs and I'm no way a expert on her but I talked to some priest and practitioners in Espiritismo so I'm writing this post for the people who may be interested in La Madama or just want to learn about how to work with this type of spirit.
Who is La Madama? (Let's say, Who ARE Las Madamas?) Well, what she is not is part of hoodoo nor a hoodoo Saint as it is written online. She is not a slave women. These are dolls that are made out of porcelain or plastic and dressed in a particular color and this is a misconception that it's a specific spirit. This is totally incorrect. A Madama is a category of spirits - to which many individual spirits and guides belong to.
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Again the question is who is she? Madamas are spirits of the dead, spirit guides that were slave women (or the descendants of slaves) round in stature, who has the stereotypical look of a house servant from the 1800's. Now Madamas are NOT conjure women (as in false American root workers what have you believe). La Madama isn't considered a the patron of playing card readers and bone readers or divination at least in hoodoo. Madama originated in the Latin community I believe Cuba not the US. These women are typically either women who practiced Espiritismo and maybe Santeria. When these Cuban and Puerto Rican women were alive they are depicted wearing gingham skirts (aprons) in the colors of the spirit which they worked with (red gingham for Chango or Siete Rayos, Blue gingham for Yemaya or Madre de Agua, etc.) They usually have their hair wrapped and there clothing in the same color. There are countless "Madama" spirits out there and they are NOT just one spirit.
Where did Madama Spirits come from? These spirits comes from the latino countries lik (Cuba, Puerto Rico, the Dominican Republic) and has spread to many other countries including Venezuela, part of Mexico and even the southern parts of The United States and This type of spiritualism works differently than the more formal "white table" version of spiritism found in Europe in the late 1800's. There have many categories of spirits including (but not limited to): Madamas, Indians, Gypsies, Nuns, Arabs, and even Pirates. There is not ONE spirit of La Madama, just like there is not ONE spirit of The Indian, nor is there ONE spirit of the Gypsy.
La Madama type spirits is NOT native to Rootwork and has actually never ever been a part of Hoodoo at all until maybe the last 15 to 30 years.
In the south southern root workers used other spirit's such as (Black Hawk) or other spirits or not native to hoodoo but were only found in Spiritualist Churches in the south and some would argue and I read that Christianity, praying the psalms and working with Saints, Indian Spirits, etc. is a rather new to Hoodoo that's incorrect hoodoo in the south has all ways use Christian prayers and Psalms in their practice. The spirit like Black Hawk plays a part later because of what he did and what he represents to us the south especially in Louisiana. Just like Marie laveau these spirits in the South like Louisiana has become important to us, and has become a part of our practice. (See post on Black Hawk)
Can I Work With "La Madama"? This is an interesting question. The answer isn't that simple. It isn't whether you CAN work with La Madama -because you can, The question actually should be "Do I have a Madama to work with me?" In (Spiritism), you don't go out seeking spirits to work with. Instead, you work with the spirits in your Spiritual Court that already surrounds you. The Spiritual Court is a group of the most intimate guiding spirits you have around you that protect and teach you. They are your "inner court" and they defend you when you cannot defend yourself. They guide you, teach you and inspire you. Each person's Spiritual Court is different than the next's. Similar to being initiated in Vodou we get our loa who wants to work with us and be a guide to that person we don't pick or choose which. Madama is the same you must have your own already in your court and a medium can help with identifying your spirits on your court.
Before you can work with her. "Madama" type spirits you need to find out IF THERE IS ONE IN YOUR SPIRITUAL COURT! This is the most crucial element that people don't take into account. You must first find out if you have such a spirit in your court with which to work and identify who is there for you. You can then work with to strengthen your relationship with those guides through prayer, meditation and contact with these spirits at your Spiritual Altar.
It is up to each person to learn as much as they can about their Spiritual Court. These spirits will act as the conduit for divine inspiration and guidance for that person. If you have a Madama type spirit you would need to find out where she's from, her name, what she practiced in her life and how to work with her.
Working and Petitioning La Madama: I would often see photos of people putting offerings to La Madama and petitioning her as if she was a saint. This is absolutely incorrect. She is not. This is not the manner in which Spiritists would ever work with a Madama-type spirit. Because there are many of her so who are you praying too exactly.
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Not my photo
Setting up an altar to La Madama: people like to have depiction of her on their altar, like a statue, picture, doll or prayer card. This object acts as a physical container in which her spirit can manifest so when you call opon her for guidance and support. What a glass of water.
Making offerings to La Madama: Madamas enjoy receiving offerings thanking them for their assistance. This could be bouquets of flowers or a cup of coffee or a cigar. If you do leave her offerings, they are offerings of gratitude. Remember she's not a saint. These are given because she came through and helped you with an issue or to keep your connection with her strong.
Ultimately she will help you with reading, perceiving and psychic abilities as well as giving you inspiration when you do a spell or ritual. After all, she was a priestess in her time and knows how to work spells, (but she will tell you how to do it HER way, not the Hoodoo way) (because she was not a conjure woman, she was an Afro-Caribbean *spiritual worker).
One must understand very clearly that God is who we worship. A Madama-type spirit is not a saint to be petitioned. She is a spirit guide. She is there to give you guidance, inspire your spell work, guard you from harm, cleanse you when you pick up something nasty, and to be a teacher and mentor. You do not worship your teacher right so you would not worship La Madama.
If you don't have a Madama-type spirit in your Spiritual Court, that's fine and normal. You may have countless other spirits who are very powerful and close to you. But this internet fad of La Madama really needs to be handled with respect and people should have a better understanding so they don't waste their energy and money trying to petition a spirit that's not even accessible to them. Focus on the spirits that do surround you and keep those bonds strong, and you'll be much better off in the long run.
"Madama" is something originating from Latino countries, not the USA,
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iamwinklebottom · 1 year
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Dear Devotees and Practitioners, This Is Important
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princesssarisa · 6 months
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The Top 40 Most Popular Operas, Part 1 (#1 through #10)
A quick guide for newcomers to the genre, with links to online video recordings of complete performances with English subtitles.
Mozart's Die Zauberflöte (The Magic Flute) (Wolfgang Amadeus Mozart)
The most frequently performed opera worldwide: Mozart's fascinating, philosophical fairy tale opera, which appeals to both children and adults.
San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklosa, Georg Zeppenfeld; conducted by Donald Runnicles)
Verdi's La Traviata
Tragic romance with social commentary, based on Alexandre Dumas fils' novel The Lady of the Camellias, which was also the basis for the classic 1936 Greta Garbo film Camille.
Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazon, Renato Bruson; conducted by James Conlon)
Bizet's Carmen
The fiery tragedy of a seductive, free-spirited Spanish Romani woman and her loves, with some of opera's most iconic music.
Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann, Ildebrando d'Arcancelo, Norah Ansellem; conducted by Antonio Pappano)
Puccini's La Bohéme
Relatable slice-of-life romance that blends comedy and tragedy. The inspiration for the popular musical RENT.
Studio film, 1965 (Mirella Freni, Gianni Raimondi, Rolando Panerai, Adriana Martino; conducted by Herbert von Karajan)
Mozart's Le Nozze di Figaro (The Marriage of Figaro)
The best loved of Mozart's Italian operas, a great comedy of class conflict and sexual intrigue.
Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt, Marie-Ange Todorovich; conducted by Bernard Haitink)
Puccini's Tosca
Political intrigue, lust, and bloodshed amid the splendor of Rome – some call it a "shabby little shocker," others call it thrilling.
Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato)
Mozart's Don Giovanni
Arguably the greatest retelling of the legend of Don Juan, with comedy, drama, and Mozart's glorious music.
Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Anton Dermota, Lisa della Casa, Erna Berger, Walter Berry Deszö Ernster; conducted by Wilhelm Furtwängler)
Puccini's Madama Butterfly
Puccini's iconic "Japanese tragedy." Controversial from a racial standpoint, but a tearjerker nonetheless, and the inspiration for the musical Miss Saigon.
Feature film, 1995 (Ying Huang, Richard Troxell, Ning Liang, Richard Cowan; conducted by James Conlon)
Rossini's Il Barbiere di Siviglia (The Barber of Seville)
The lighter and more madcap prequel to The Marriage of Figaro, known as the quintessential comic opera.
Vienna State Opera, 2019 (Rafael Fingerlos, Juan Diego Flórez, Margarita Gritskova, Paolo Rumetz, Sorin Coliban; conducted by Evelino Pidò)
Verdi's Rigoletto
A richly melodic tragedy of a hunchbacked jester, his daughter, a lecherous duke, and a self-fulfilling curse.
Studio film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly)
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iloveopera9 · 4 months
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Renata Tebaldi
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talaok · 11 months
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Just had to call the police for the first time in my life. 3/10 would not recommend.
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sofysta · 5 months
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Puccini - Madame Butterfly
Un bel di vedremo
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Un bel dì, vedremo levarsi un filo di fumo sull’estremo confin del mare. E poi la nave appare. Poi la nave bianca entra nel porto, romba il suo saluto. - Vedi? È venuto! - - Io non gli scendo incontro. Io no. - - Mi metto la sul ciglio del colle e aspetto, e aspetto gran tempo e non mi pesa la lunga attesa. - È uscito dalla folla cittadina, un uomo, un picciol punto s'avvia per la collina. - Chi sarà? Chi sarà? - - E come sarà giunto che dirà? Che dirà? - - Chiamerà ***Butterfly*** dalla lontana? - Io senza dar risposta me ne starò nascosta, un po' per celia e un po' per non morire al primo incontro. Ed egli alquanto in pena chiamerà, chiamerà: ***Piccina mogliettina, olezzo di verbena*** i nomi che mi dava sempre al suo venire.
Butterfly rivolgendosi poi a Suzuki dice nella sua battuta finale :
Tutto questo avverrà, te lo prometto. Tienti la tua paura io con sicura fede l'aspetto.
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tenorissimi · 7 months
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GIUSEPPE CAMPORA 🌹
Copyright ©️ Teatro La Fenice, Teatro alla Scala di Milano e RAI & Metropolitan Opera House NY; for details please consult ALT over images. Thank you very much 🌺
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opera-ghosts · 1 year
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January 21. 1925 at The Metropolitan Opera.
A Puccini Memorial Performance after the dead of the great Composer November 29. 1924.
Click on the pics for see the cast in that special program. Take also a look on the full program in that week and see that at the same day in the evening was a performance of Wagners “Walküre”.
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strazcenter · 14 days
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You Can Cry If You Want To: The Triumph of Tragedy
It might seem odd, doing all the things one does to have a night out – buying tickets, hiring a babysitter, finding parking – when it’s preordained that the evening will end in tears. In some cases, though, tears are part of the package. When the curtain falls on Opera Tampa’s production of La Traviata, it’s a safe bet the audience will contain several red, tear-moistened eyes, and that the…
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the-tenth-arcanum · 2 months
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I need a new opera I can listen to on a loop while I work or I'm going to ruin rigoletto for myself
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artiemestieri · 4 months
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swanishdynamite · 1 year
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Puccini is the Marvel Comics of opera.
No, I won't elaborate.
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princesssarisa · 1 year
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Where do you watch operas?
There are plenty of complete filmed opera performances available on YouTube, which you can watch for free. Unfortunately, not all of them have English subtitles, but if necessary, you can always find a translation of the libretto online to follow along with.
In fact, just for fun, as an example, I'll provide some links to complete filmed performances of the world's top 10 most popular operas, with English subtitles.
Die Zauberflöte (The Magic Flute)
Studio film, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; directed by Sir Peter Ustinov; conducted by Horst Stein)
La Traviata
Studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; directed by Mario Lanfranchi; conducted by Giuseppe Patané)
Carmen
Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann, Ildebrando d'Arcangelo, Norah Ansellem; staged by Francesca Zambello; conducted by Antonio Pappano)
La Bohéme
Studio film, 1965 (Mirella Freni, Gianni Raimondi, Rolando Panerai, Adriana Martino; directed by Franco Zeffirelli; conducted by Herbert von Karajan)
Le Nozze di Figaro (The Marriage of Figaro)
Teatro alla Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orsatti Talamanca, Pietro Spagnoli, Monica Bacelli; staged by Giorgio Strehler; conducted by Gérard Korsten)
Tosca
Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; staged by Nuria Espert; conducted by Maurizio Benini)
Madama Butterfly
Theatrical film, 1995 (Ying Huang, Richard Troxell, Ning Liang, Richard Cowan; directed by Frédéric Mitterand; conducted by James Conlon)
Don Giovanni
Zurich Opera, 2001 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli, Liliana Nikiteanu, Roberto Saccá, Oliver Wimer, Matti Salminen; staged by Jürgen Flimm; conducted by Nikolaus Harnoncourt)
Il Barbiere di Siviglia (The Barber of Seville)
Metropolitan Opera, 2007 (Peter Mattei, Juan Diego Florez, Joyce diDonato, John Del Carlo, John Relyea; staged by Bartlett Sher; conducted by Maurizio Benini)
Act I, Act II
Rigoletto
Studio film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; directed by Jean-Pierre Ponnelle; conducted by Riccardo Chailly)
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leporellian · 2 months
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thesis vii. the monster stands at the threshold... of becoming.
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jeffrey jerome cohen, “monster culture” / backstage at the magic flute at the metropolitan opera house, NY, circa 1905 / "opera house" by thomas rowlandson and auguste charles pugin / the philadelphia metropolitan opera house before and after renovation / porgy and bess in rehearsal at the met, dir. james robinson / tosca act 1 original set design by adolf hohenstein / tosca at the san fransisco opera, dir. shawna lucey / wozzeck at the opera bastille dir. william kentridge / carmen dir. juan guillermo nova at the sng maribor / kids music cafe at the sydney opera house / don giovanni dir. robert carsen at la scala / madama butterfly dir. matthew ozawa at the detroit opera / the isango ensemble's edition of treemonisha dir. mark dornford-may / m. butterfly dir. james robinson at the santa fe opera / die meistersinger von nürnberg dir. barrie bosky at the bayreuth festival / rigoletto dir. david mcvicar at the royal opera house / the view from the stage at the margravial opera house, photographed by klaus frahm
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thycursed · 29 days
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Why is Opera music so slept on?? Where is more???
I just had the most mind-scrunching, toe-curling, eye-drenching, stomach-dropping experience as I listened to the climax of "Un bel dì vedremo"
Anyway, opera recommendations - they may be basic but don't be a snob add your own instead. Also only partial title because they can be too long for me to type out.
Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo"
Barcacolle (the one with the lady's face on the cover)
Celia: Adriana Lecouvreur, Act 1: "Ecco, respiro appena...."
Puccini: La boheme, Act 3: "Donde lieta usci al tou...."
Les Contes d'Hoffmann, Act 3: "Belle nuit, o nuit d'amour"
The Flower duet (you'll probably recognise this one)
Yes, I do have a Maria Callas bias. Listen to her songs though, she has pipes.
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vintagestagehotties · 14 days
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Hot Vintage Stage Actress Round 1
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Liza Minnelli: Luisa in The Fantasticks (1964 National Tour US); Flora in Flora the Red Menace (1965 Broadway); Babe Williams in The Pajama Game (1966 National Tour US)
Gabriella Tucci: Violetta in La traviata (1951 Tuscany); Glauce in Medea (1953 Florence); Floria Tosca in Tosca (1960 ROH); Cio-Cio-San in Madama Butterfly (1960 Met)
Propaganda under the cut
Liza Minnelli:
A gay icon!!!!!!She is so sexy!!!!
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Gabriella Tucci:
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