sometimes being aroacespec is confusing. what do you mean, most people can tell the difference between platonic and romantic and sexual attraction? what do you mean people don't "choose" crushes? what do you mean that people can imagine themselves in a physical situation with someone else?? isn't dating just Friendship Plus??? hell, isn't marriage just Friendship Plus?????????
what do they mean??????????? what are feelings???? why am i so confused????????
*edit: changed "aroace" to "aroacespec", since several aromantic people felt that this was not an Aromantic Feeling. i see you, i hear you, and so i changed it to be more accurate to me personally, since i am Confused About Feelings Always
torn between wanting to make all my ocs Specialest Little Guys and overpowered VS. the fact I just finished watching all three extended editions of Lord of the Rings and am deeply moved by the struggles and worth of the common man
I'm not gonna lie I've been pondering for the last 30 minutes or so on what a good animated Robin movie would look like and Im kinda coming up blank I'm even getting stumped on which Robin the movie would focus on and outside of that what story should be the main focus
follows a young immigrant woman in a fantasy Victorian city who runs a tearoom that doubles as an illegal bloodhouse for vampires at night
when their business is threatened, she gets a chance to save it by teaming up with her best friend, a rich girl with a talent for forgery, a vampire artist, and a mysterious city guard to do a heist to infiltrate high society and collect a logbook that may reveal the extent of the corruption in the city
fantasy city with a masked ruler, arthurian elements, themes of colonialism
the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭
morgan and elle's friendship is so severely underrated and i wish we'd gotten more of them. they go on vacation together! there are also some lines in the first episode that, at least to me, imply that they knew eachother before. morgan is introduced talking to/quizzing trainees, so that seems like the most likely way, but. i don't know. i love them and i would have been curious to see how it would have been elaborated upon had lola glaudini stayed on.
(side note: i love morgan's pose and face in the second screencap. he's so silly)
I just need people to give me fanfic to read bc I can't last a few pages of scrolling on ao3 without nearly losing my mind, one of the hardest things about dipping your toes in a new extremely well-established fandom is that there's already a billion fics out there and impossible to sift through them all to find the ones I can enjoy.
Anyway, if there are any Ace Attorney/ Wrightworth fic blogs or rec lists or just any fics that anyone wants to share, let me have it, I beg for it, please I'm going to go insane
the brilliance of jay's progression in countdown is that it gives you a promise of positive character development, and then it breaks it. and it does so intentionally, in the most diverting way, to emphasize jason's inability to escape the cycle.
or, another post breaking down the series, where i repeat myself a lot but also make a clearer argument.
there are three notable events that happen at the beginning: the subtle showcase of jay's internal conflict considering his approach toward killing (the very first encounter with duela and the monitor), jay reaching out to donna in crisis ("i guess I just wanted to be around someone else who might know how it feels…"), and finally – his helmet shattering. these scenes tell you: jason's direction as a character is changing, and it seems, for the better. he's about to abandon his trauma-based (no matter how ironic, it does remain tied to his trauma) identity, he is connecting with people, and he seems to be on a brink of understanding that his moral standing does not provide easy answers or solutions either.
and for the most part of the series, we see that narrative unfolding (even if a bit non-linear, still innocently convincing way). it is, in many ways, supported by bringing up features of his characterisation from the 80s. jason remains, of course, still unpleasant in ways typical for this era of writing, and is conflicted and disagreeable, which makes sense for his utrh/post-utrh personality. however, there are also details that bring us back to his original robin run and his cameos on ntt – we see him being responsible (e.g. #43 – suggesting to bring in other superheroes in crisis, even though he clearly is not keen on the idea of working with them), determined (#16: “isn’t that your super-power, stupid boy? too stupid to ever give up?” “maybe it is”), sensitive (half of the whole storyline, really), caring for gotham (gotham by gaslight) and people-oriented (as early as #51).
the issue that particularly signals that jason is an inherently good person and externalizes his internal conflicts regarding classic heroic vigilantism vs his cynical approach is #30, where we meet batman of earth-15 – alt jason, whom our jason attempts to punch in the face.
and on topic of batman – jason is always gravitating towards batman. in gotham by gaslight jay looks delighted to see (the foreign) bruce and suggests checking with the local bat. then, earth-51 arc arrives.
earth-51 arc (#16 - #13) is a culmination of a promise of catharsis for jason. we have already seen him as batman, as a confirmation that a different life for him is possible. and here he has a chance to come to terms with his past and overcome it. he meets a version of bruce who has done exactly what he wanted him to do in utrh: killed the joker and the rest of the rogue gallery. what is most important – he is disappointed with this version of his father. we realise that jason, deep down, has an intimate and intuitive understanding of what batman stands for; and that he shares most of his values. this is a truth that you can't ignore especially since jay is the one to inspire this hollow, cynical version of batman to go out and fight in a seemingly lost battle.
and then batman dies. right in front of him.
this is a central moment of the narrative, for many reasons, most strikingly:
the symmetry:, a premise known from the lost days, becomes literal. this "the father had lost a son, and now the son had lost the father" is a cruel parallel to a death in the family and bruce's grief. jason's death created a gap between them that jay has been desperately trying to close, with no avail – because in bruce's mind, jason remains dead. now that jason is grieving bruce, the connection closes on both sides, and there's no way for either of them to reconcile the mourning with the reality of the other being truly alive. in this sense, the arc solidifies that jason can never come home.
no good deed goes unpunished. as i have mentioned before, so far jason is established as someone good at heart, but confused; and the reader intuitively assumes that his better, honest side will win. yet, the moment jason gives in to hope, it victimises and retraumatizes him. this event, again, brings to mind his own death, when he tried his best to save sheila and ended up paying the highest price for it. so, narrative-wise, jason is always punished for his kindness.
perhaps because of the nonchalant act that jason pulls off, many readers seem to miss that everything that happens after that arc is an upshot that follows logically from it.
jason's immediate determination to leave – and later a short period of indecision that ends up with his dramatic exit, pushing his team away, makes perfect sense when you consider what intense trauma he has just gone through. admittedly, i'm not a fan of the notion that he would give up at all (i think he's always ready to give up on himself, but not on the world), but then on the other hand, if there's anything that would cause it, narrative-wise, witnessing batman dying does sound like a good incentive for that. (it also has to be pointed out that jason seems to be confident that the rest of the team can go into the final battle without him anyway; it's not like he would go back to his earth not even knowing if said earth will exist tomorrow).
it's crucial to notice that following that crisis of faith (faith in fighting for the world) is followed by him raising up for the challenge again, but now... worse and even more confused. in the final confrontation with donna, jason antagonizes the superhero community, and when we see him at the end of the series (#1) his monologue indicates that he believes the capes to be naive. (significantly, he also focuses on bruce and offends the memory of 51 earth-bruce by calling him crazy; an action that can be seen as suppression of his own guilt and invoking, once again, a cruel symmetry considering bruce's engagement in victim-blaming after jason's death). this, once again, is consistent with the "no good deed" reading – jason diminishes superhero values because he has been continuously punished for living by them. (and unlike other superheroes, he doesn't have a support system nor skills in compartmentalization that would help him deal with this trauma) every leap of hope re-traumatised him. hence, it seems to be no surprise that jason decides to abandon the mask, and in the closing scene we see him without it. the promise of the shattered helmet is pushed to an extreme – jason does not get a new alt identity. he denounces the idea of superheroism completely.
and yet, what is ultimately subversive about the ending, is that jay is not truly a civilian and he does not abandon vigilante ways. he does the same thing. we see him without a mask, but he is clearly working a case. he might have rejected the symbolic dimension of the vigilante work, but he still carries the same delusional hope for bettering the world and protecting people that the superhero community does. only now, he is even more isolated and doesn't have any identity to go by (as he is still legally dead).
as such, the ending opens a new question regarding jason's understanding of himself and vigilantism, or rather the lack thereof. is it possible that vigilantism is really at the core of jay's trauma? and why, potentially, is it something that is so destructive for him as a character specifically? (and i have some answers for that, but i'm not going to get into it here, as it's already a very long post)
so, tldr; the genius of countdown is that it establishes jay as sensitive, determined, and fundamentally good (this is what the purpose of seeing him as batman is!), and then it brutally reminds the reader that jason’s tragedy is that on this specific earth, in this specific timeline, his love doesn't matter in the grand scheme of things. the story goes on as it did; one way or another, jay is trapped in the cycle of his care ironically creating rifts between him and the others, and bringing him to his own downfall.
I loved the cowboy comic so much that I wrote a oneshot for it. https://archiveofourown.org/works/50934235 🥺 your art is BEYOND amazing, ty for the food
(And I got my blood test back and it was normal. More testing needed but at least that's okay.)
"Hey, Rulie, mind giving me a hand?" Wild called from off the hiking trail.
Hyrule slid down the embankment a little, wandering further into the woods where his friend was sitting. It looked rather like he was wrestling with something with the way his torso turned, and--
Was that a raccoon he was holding?!
"What... are you doing?" he asked as he stared at his friend struggle to hold the creature. The raccoon, for its part, wasn't too upset, but it certainly seemed perturbed enough to wiggle.
"I convinced him over with some food," Wild explained. "Because I always thought it would be great to get a picture of a raccoon wearing a bowtie. Twi said it was ridiculous and impossible. Do you mind taking a picture?"
Honestly, the first question that came to mind was why did you even think of this but it was pretty funny. And Wild was bribing the raccoon with more snacks, calming it. Hyrule shut off the part of his mind that was over analyzing and saying injuries/rabies/wild animal and laughed, grabbing his phone to take a picture.
Hi, am thinking about Harley and Ivy gardening and setting up Ivy's greenhouse together because they should be allowed to embrace each other's passions and build each other up and help with the other's plans 💖💖 instead of it being an unnecessary sexist and ooc hurdle
Cause really, Harley would love doing anything with Ivy and would 1000% count gardening with her as dates. It's daily dates! 💞🥺
She loves everything about her enchanting, plant obsessed lady. Ivy sees cool moss and is like !! Moss!! ❤️❤️ And Harley matches her enthusiasm not cause she loves moss but because she loves Ivy. And Ivy being happy and excited about something inherently is gonna make Harley happy because she loves it when her partners are thriving.
If she can help in that, she jumps at the chance. She may mess up and get distracted, but she loves and listens and notes what little things makes them tick because they're special to her.
Harley Quinn: Make 'em Laugh (2020-) #2 "Housewarming"
Like this!!! More of this!! She knew that the Bonsai tree was something Ivy would want to save if she went there and she knew it was something that would be in better hands in the care of Ivy anyway. And then in the end, even though she wasn't able to obtain the tree because of the guard robot, her snake swallowed a couple of rare seeds and hacked them up on Ivy's floor. A bit gross, sure, but Ivy's delighted!
"These--These are gargantua seeds! Some of the rarest in the world! Stolen from their rightful homes centuries ago, and all but extinct! Genuine man-eating trees! This is better than anything I could have dreamed of! Thank you!"
Lots of exclamation points when you write out the dialogue but skdjsksks like they're just so 💖💞💖💞💖 special to me
Omg and the "My Harls" 💞💞💞
And the loveliest "Garden" trope of them all for Harlivy, the Paradise/Eden/Utopia 💖🤌 my Fucking Beloved,,,, I've posted the bits here 💖 but like these ones ?!?
Batman (2016) #97
"She built this paradise for me in a cave system under the park, after a rough time with Mr. J... I wasn't ready to let go of him then, but he'd poisoned me....
This was kinda sorta my rehab clinic. That's why I wanted to bring you here."
"Ivy's usual rules are No Clothes In Eden, but I don't think you and I have that kind of relationship.
And if any of these plants have her residual personality, they'd probably try harder to eat you.
This is where I used to go with her to get my brain in order. To a point, anyways..."
Like the months they probably spent together throughout the years in Eden, their own secret safe haven, a place that Ivy would take her when she needed to get away from it all. And the way she says "if any of these plants have her residual personality, they'd probably try harder to eat you."
the plants probably reacted to Ivy's emotions whenever they were there before, there together. Just the two of them, nude, vulnerable and completely and utterly alone besides the other, far far beneath the world above.
Just the idea of casual vines, grass and ferns brushing lovingly against Harley's legs and arms as they walk together, a perfectly bloomed flower and it's stem wrapping around her bicep.
The two of them spending each night together in the bud of a rose Ivy grew, entrained and intertwined for warmth and comfort. The two of them gently washing each other's backs in the river, skinny-dipping in the dark and getting lost in the feeling of each other's skin against their own.
Ivy creating this perfect escape for them where they didn't have to worry about anything, money, food, cruel and vindictive ex's.
"Trying to cut my throat open was one thing, but then you come to burn down the only place I still like in this stupid city?" Batman (2016) #98
And if Harley ever did get too cold, if they happened to venture down in the colder months, the No Clothes Rules could always be fudged to mean no Human World clothes. She could craft her clothes just like she makes her own outfits.
But, really, they both enjoy the freedom and intimacy that comes from being fully exposed and naked around each other, the inherent vulnerability and trust.
And Harley always feels okay and loved in her presence, never feels like she needs to cover up her body, because Ivy has and would never make jokes about her body (she's not him.)
And Ivy's affection and sometimes shy nature when it comes to that direct deceleration is always evened out by the connected plants easy nature to show exactly how she's feeling. Like,, If she feels nervous about holding Harley's hand, well she better get on it because those pretty ferns that look purple and blue in the right light will not stop wrapping around her and tickling Harley's palms.
Even in the night, they'll wake up curled together, most of the time in the spooning position, but Harley always has a little visitor or two attempting to warm her alongside Ivy. It makes Ivy flush every time as she wills them away, but Harley loves it and she treasures the fact that Ivy trusts her so much, and loves her so deeply that her connection to the plant life around them is tuned in to the sheer overwhelming emotion she feels towards and about Harley every time she lays eyes on her silly little clown.
Harley wouldn't mention it, but she'd know. She is trained to notice those things 💞
Like, y'all, I am totally a-okay sobs hysterically
btw sexuality labels do not have to be super specific with strict boundaries of what "qualifies" as being that sexuality. you do not have to base how you define your sexuality on the first description that comes up on google; history, culture, the nuances of personal experience, and what you feel connected to are just as important a part of how you choose to identify!
@dianadeadwing’s recent art of Tina getting into a fight made me think about how Gene really is the sweetest Belcher family member. Okay, yes, I am biased because he’s my precious baby boy, but there is legitimate evidence for this.
Now, Louise is Louise, and would love to throw down with someone (though I doubt she would do it very often, as she’s a big fan of spectacle and long-term revenge and not actual fist-fights).
Linda was ready to fight Cynthia, and in general, if someone annoys her, she’s more than willing to go out of her way to upset them. She’s very similar to Louise in that regard. Don’t even get me started on how she was while driving the food truck.
Bob has his whole rivalry with Jimmy Pesto, and even though he’s more lowkey about it (usually too tired to fight someone or hold a grudge), he will throw down in the right situation. For example, in Burger War when Jimmy Pesto insulted his kids, he didn’t even hesitate before pouncing on the guy.
But Gene is different. He prefers to solve his issues in other ways. Such as in Drumforgiven, where he wanted to settle his dispute with the store owner by simply having a music battle, not an actual fight. And his response to getting kicked out of his own band in The Itty Bitty Ditty Committee was to almost give up on music!! He was barely even mad at everyone who kicked him out. Sure, he was upset, but he hardly held a grudge against anyone, and forgave them immediately when they approached him at the end of the episode. If Tina or Louise had been kicked out and cared as much about the band as Gene did, I can guarantee they would’ve been planning some sort of revenge.
Revenge never even crosses this boy’s mind—as another example, he even straight-up refused to cheat in the race in Torpedo!! He’s just so sweet 🥺 He also didn’t even want to prank anyone in What A (April Fool) Believes!!
Maja Ma follows Pallavi Patel (Madhuri Dixit), a closeted lesbian who gave up her beloved, Kanchan (Simone Singh), decades ago and has since become a devoted mother, housewife, and adored member of her community. While making preparations for her son's (Ritwik Bhowmik) wedding, however, Pallavi is outed to the entire town--and subsequently must deal with the consequences to herself, her former beloved, and her family.
Madhuri Dixit discusses her role in this movie, how movies like this are more possible now because of OTT streaming, and the "unexpected reactions" to the story here.
Madhuri Dixit discusses this movie coming from "a place of love", wanting the LGBTQ community to "feel seen", and "accepting people for who they are" here.
The actress Madhuri Dixit has been in multiple gay and gay-coded media, both as a supportive character and as the gay character herself. She has also been supportive in real life of the LGBTQ community.
"It’s Not Too Bad When You Get Used to It" by IneffableDoll
T, 8 chapters
CHAPTER 1: 3.3k
Following Armageddon’s failure, Aziraphale and Crowley perform the bodyswap, prepared to be captured by Heaven and Hell. But after both factions fail to show up the next day, the angel and demon must pretend to be the other for much longer than anticipated…
Hilarity ensues, feelings are felt, and no one anticipated so much breakfast being involved. But that’s ineffability for you.
*
Prewritten; will update every three days until completion. Come back on December 29th to binge!
A silly romp of Aziraphale and Crowley poorly playacting as each other, with fluff and feels because I can't help myself. Queerplatonic, aroace, lots of banter and humor! Book vibes and characterization with season one canon.