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#just performer stuff
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“Geralt, darling…”
“Hmmm”
“I noticed your communication skills have greatly improved over the last few months. You use your words instead of just grunting far more these days. I’m very proud of you.”
“Thank you, Jaskier.”
“As such, I was thinking that perhaps it is time for another lesson in verbal communication.”
“Is that so.”
“Yes! It is so! Now, I realize this is a lesson usually given to performers, such as myself, but I think it is one you could greatly benefit from.”
Geralt sighs. Knowing that Jaskier will simply continue to pester him if he doesn’t agree, Geralt says, “If you think I would benefit from the lesson, I’ll to do my best to learn.”
Before, he would have told the bard to fuck off, but ever since the mountain, Geralt had been trying to put in an effort to do better. Doing better meant communicating better. The need for that had only increased when, a year ago, Geralt had finally gotten up the courage to kiss Jaskier and their relationship had been forever changed. In a good way. The kind of good way Geralt didn’t want to lose ever again.
“Excellent! In that case I see no reason not to start that lesson now.”
Geralt did. They were walking the path and Geralt was walking beside Jaskier; guiding Roach by her reigns. Ciri was away, somewhere safe with Yennifer and learning to control her magic, but that didn’t mean there weren’t still threats. He had to remain vigilant in case of an attack or a monster, and trying to focus on what Jaskier was saying would be distracting.
But, on the other hand, they were on a section of road surrounded by fields. For miles, there would be very few places for bandits or any monster too deadly to hide. Geralt would almost certainly see them long before they became a threat. So, he agreed.
“Alright. I’m listening.”
“Ok. So there are 5 organs of communication.” Geralt watched from the corner of his eye as Jaskier counted them off on his fingers.
The head
The heart
The gut
The groin
The arms
“You’re very good with the 1st and the 5th organs. The head refers to things you state. They are a matter of fact. No ifs ands or buts about them. You’ve proven to excel at this in the past several months. And the arms refer to non-verbal communication that is instead conveyed through action. Again. You excel at this.”
To prove his point, and to be an ass, Geralt raises an eyebrow at him and smirks while spreading the arm that is currently not busy guiding Roach.
Jaskier laughs and gently smacks the arm now extended towards him. “Yes. Exactly. However, you are lacking in the other three departments.”
Lowering his arm, Geralt asks, “so how do I go about fixing that? I’m not even sure I completely understand how the first 4 work. I’m communicating with my mouth and voice. Is that what you mean by head? And if that’s the case, I would have thought I was doing just fine with groin.”
Jaskier swats his arm again.
“Yes and no. In that regard, what you’re doing with your groin falls under arms.”
“Hmm.”
“Let me give you examples.”
Jaskier seems to take a moment to think.
“If I was going to tell you ‘I want you to come here’ there are 5 different ways I could go about that.”
“The 5th being arms. I could simply make eye contact with you. Point at you and then the ground. You would understand what that meant, yes?”
“Yes, Geralt exactly. The 1st one being head where I simply say to you ‘I want you to come here.’ And you would understand it to be a simple request.”
“Hmm.”
“But, if I were to make the same statement using my heart,” Jaskier’s eyes got bigger and his posture less ridged. When he continued, his voice was soft and breathy like when they’re lying together at night and just talking, “I want you to come here.”
Oh. Geralt had always been aware of how Jaskier would talk when it was just the two of them. How it would feel different, like now.
He’s tried to do that before, but it had never quite had the same effect. Like it was just… incorrect “I’ve tried that”, he tells Jaskier, “but it just doesn’t work right.”
“You mean when you look at me very intensely and get quieter?”
“Yes.”
“Well… that is part of it. But this isn’t about volume, or what your eyes are doing. It’s about what feeling you’re letting yourself have as you say it.”
Hmmm. That made sense. Even now, when letting his thoughts be known, Geralt struggled with the emotions part.
“So what’s gut?”
“But you haven’t tried heart yet!”
Geralt leveled a look at Jaskier that made it clear he needed to move on for now.
“Oh, all right. The 3rd is statements made in reaction. There isn’t much thought to them, like a gut reaction or when you have to make a decision in the moment.” Jaskier’s voice got louder and more rushed, “I want you to come here!”
Geralt moved closer to Jaskier on instinct. The almost fear in his voice had him going before he could remember this was an example.
“Ah. I think I understand this one. It’s fear.”
“Well,” Jaskier drawled, “it can be. It can also be excitement, or anger, or any other number of emotions. Much like heart can be hurt or longing and not just love. It’s just reactionary. Truth to the heads fact.”
This was getting confusing. How could it be fear but also other things? Geralt decided he’d need time to think about this and it was probably better to keep going. “So what is groin?”
“Ah,” Jaskier’s demeanor changed once again. It was one Geralt was very familiar with, he’d watched Jaskier adapt it with men and women all over the continent for decades. He’s been on the receiving end of it as of late and had grown fond of the change in Jaskier’s stance, the sway of his hips, the light in his eyes. He’d even seen Jaskier adopt it with a particularly good meal when they’d been getting by on what Geralt could hunt for too long.
When Jaskier spoke, it was low and gravely, and sent a shiver down Geralt’s spine. “I want you to come here.”
“Desire. And not just lust.”
Jaskier’s stance and voice changed once again, the change almost jarring, “Yes! Exactly. The wanting something so badly you can feel it.”
“Hmm. That one makes more sense.”
“Yes, you aren’t terrible at groin, but you tend to only use it when you’re horny and I insist you use your words. You could be using it for so many other things. And don’t give me the you want nothing speech again. I know that’s bullshit.”
“I wasn’t going to.”
“Good!”
“I’m going to need some time to think on all of this, but in the meantime,” Geralt wrapped his free arm around Jaskier’s waist and gently pulled him into his side. Then, putting as much groin into his voice as he could, “telling me you want me got me hard. There’s no one around for miles.”
Geralt enjoyed watching a blush creep up Jaskier’s neck and hearing his heart speed up.
“Not going to say ‘no’ to that, dear witcher.”
Thanks @0dde11eth for telling me to write this
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vaguely-concerned · 5 months
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when obi-wan said 'I won't kill anakin' and then spent the entire rest of his life following through on that. fuck everyone else obi-wan I respect you yoda should've taken you at your fucking word
'boohoo why did he walk away and not kill anakin this time either even with all the suffering he'll go on to cause if he lets him go' he's told you why very clearly you just didn't believe him I guess!! desperately not killing anakin is obi-wan's main export. it's his universal constant, his life's work, his magnum opus. he gets creative about not killing that guy. he tries to send anakin's teenage twink son to do the job for him because he simply can't. he fucking... peaces out and dies to avoid killing anakin. that's like his whole deal. whether he's right to be like this is another entirely separate conversation but it is what he is
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asteraws · 29 days
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my clown college grad project from december last year 🎪
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wheretheresawyll · 6 months
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What's happening with Theo Solomon is so, so frustrating and needless and disgusting (more info can be found at this post), and I also want to acknowledge the treatment of Wyll's original voice/mo-cap actor, Lanre Malaolu.
Malaolu gave an excellent performance! His delivery and the way he incorporated mannerisms and posture into Wyll's physicality was amazing. The original characterization of Wyll was written very well and matched the general tone of the wider party/narrative.
And to suddenly have Larian, years into the project, rewrite the character entirely and then re-cast it? To have other actors talk about how Wyll just 'wasn't working' as a character? All because of fan criticism that places ridiculous (and often contradictory) standards and expectations on black characters. Even if the re-cast resulted from scheduling conflicts (as Malaolu couldn't come in to re-record), we lost Malaolu's entire performance because of a rewrite that was simply not necessary.
And after disregarding Malaolu's years of work into this character, the same criticisms that Larian caved into are thrown at Wyll's rewrite, and the same disregard is being seen with Theo Solomon again and again. As someone who started playing early access when it first came out, fans' treatment of Wyll and his actors hasn't gotten better. It's actively gotten worse.
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your headcanon abt peppino performing while he cooks reminded me of that scene in kiki’s delivery service where the chef guy does a cool spin with baking pans solely to impress kiki’s cat
peppino’s in the kitchen with brick and he’s like check THIS out. does a sick pizza flip or smth. brick’s like :O!!!
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hes so talented !
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trashyshrew · 7 months
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rattusn0rvegicus · 9 months
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Man I feel like a lot of leftist activists would do a lot better to just use common fucking language to talk about things rather than dense academic shit that's only understandable to people with PhDs and people who spend 95% of their waking life on Leftist Twitter lmao
Like, you're talking with other academics? Great, use academic language. You're a social media account trying to interact with the general public? Don't say "decarcerate", say "find alternatives to imprisonment". Don't say "collective liberation", say "freedom for all". By GOD don't say "bodymind autonomy", say "the ability to have control over our own minds and bodies".
Yes it takes a little more effort to explain shit in common language but I promise you people will stop looking at you like you have two heads and dismissing everything you say as Woke Bullshit if you like, actually get on their level, goddamn it. Not everyone has the privilege to have a graduate-school level understanding of this type of language or spend so much time reading leftist theory that they can perfectly understand this stuff.
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bashzzey · 5 months
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Sky COTL fanarts I did on two aggie sessions! My fav spirits <3 I'd love to have their cosmetics, but oh well ;v;
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cattimeswithjellie · 3 months
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The First Rule
So just a reminder to everybody: the first rule of Hermitcraft fandom on any platform is DO NOT BE AN ASSHOLE TO THE HERMITS!
I will repeat it for anyone who was skimming the first time.
DO NOT BE AN ASSHOLE TO THE HERMITS!
I'm not sure why this is so hard for some people, especially on Twitter and Reddit, but we on Tumblr are not immune either. The Hermits are people and they are artists and they are entertainers. They are not your punching bags, their are not your parasocial therapists, and they are not mouthpieces for your political causes! Using them for any of these things is NOT OKAY.
The mental health of all the Hermits would probably be improved if they could just go completely private on their social media, only engage with their real-life friends and people they like, but they can't. Social media engagement is required for their work. That means that bellying up to the comment section and demanding they agree with your political opinions is like doing that to the barista at your coffeeshop while they're trying to pull you an espresso. It's totally inappropriate, it's bullying (especially in large numbers) and it's not going to get you what you want, if what you want is good Hermitcraft.
If you want to strike on your blog, that's fine. If you want to try and have nuanced political discussions on a format that only rewards lightning-fast bite size takes, no matter how bad they are, go for it. But the moment, the very instant you start badgering other people to do the same, you're wrong and you need to stop. This applies _especially_ when you know that the people you're badgering are reliant upon their social media for their livelihood. Nobody ever became morally good from what they do on Twitter or Reddit or Tumblr or Tiktok, but a hell of a lot of people have become worse.
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simplyavatrice · 1 year
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I’m overwhelmed...with gratitude
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unluckyprime · 1 year
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guys they’re LITERALLY will they/won’t they partners .
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atopvisenyashill · 5 months
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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lavenoon · 9 months
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reblog art, goddamnit
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yuridovewing · 22 days
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outrageous idea. a "better fathers than fernsong" trend that lists some really questionable characters who do fucked up stuff, but they still make it on the list bc at least they do the bare minimum of "having a visibly good relationship with their kids"
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actualaster · 2 years
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Something that fully healthy people don't really seem to understand about chronic health issues is what running on an energy deficit is like long-term.  It's more exhausting than you can possibly imagine if you haven't experienced it.
How does that work? Well, it's sort of like this. Everybody has a certain amount of energy.  When you're healthy and well-rested, you feel pretty good.  There are artificial boosters that give you more energy, too.  You can do all sorts of stuff.
When you get tired, you can still do some stuff but you can't do as much and what you can do might suffer from lack of energy. Except that's essentially your every day existence with chronic health issues.  You go to sleep tired, and wake up tired--sometimes more tired!
Your energy levels rarely reach "full"--that is, there's few points where you are in a "well rested" state where you feel pretty good and have "normal" levels of energy.  You're *always* operating in "low battery" mode rather than being fully charged, and you drain *fast*.
This makes doing basic tasks much harder than need be--things that drain a little energy you notice a hell of a lot more when you're already dead tired than when you're well-rested.  Like how when your phone drops from 10% to 9% you notice more than from 100% to 99%.
You can do some stuff--but you have an upper limit of what you can do that's a lot lower than other people. And functioning while running against a deficit at all times means a *lot* of careful, conservative planning to husband your strength for when you need it most.
It means sometimes spending 30 minutes deliberating what you should buy when you reach the store because you're trying to guess "will I have the energy to prepare this food after shopping?  Will I later this week?"  You hedge your bets when you can.
It means skipping out on a lot of stuff you'd otherwise love to do because you just can't be sure you'll have the energy to do it without landing yourself in bed for the next 3 days by pushing yourself to collapse. It's depressing. And it's exhausting.
EDIT: This post is for people with physical AND mental health causes for their fatigue and exhaustion, by the way! I know there are posts that really are meant only for one or the other and it's rude to hijack them, but if you find this resonates with you then you're welcome to it regardless of the cause!
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ijustwannamakeemojis · 2 months
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[ID: A single pixel heart of the Palestinian flag. End ID]
>Link to a guide on how to help<
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