What are some of your favorite fan fiction writers for Call of Duty?
in no particular ranking/order (and letting you know A LOT OF these authors write extremely explicit p0rn. read the tags):
queeniegalore (literally noone writes ghostsoap like queenie man, her fic called The Spaces Between The Light is my forever comfort read)
MildLimerence (literally the GOAT of this fandom, i swear she's written a solid 30% of everything i've ever read in cod, and i've read her entire catalog maybe 3 times over at this point)
noxmajor (their Seven-Year Itch fic broke my heart and put it back together again)
ANTchan (*coughs* iykyk)
applepieces (*coughs harder but in bottom!ghost*)
surveycorpsjean (writes for a ton of fandoms and is generally just an incredible witer, but their cod fic Poison Apple i think has the most kudoses in the entire tag and it's for good reason)
prettyunhinged (bestie)
congee4lunch (wrote solemn prayer, poppy in my hair which is so painfully domestic and lovely. they've moved on from cod and write for rw&rb now, so don't bother them and ask them for more)
thirteenbullets (writes a lot of ghostsoap hurt/comfort, my favourite is side by side)
kaijusalad (fell in love with i like you alive, continue to fall in love with every additional fic they write about these freaks)
highlonesome (for all your catholic soap and asshole ghost needs. the pain kink is strong with these two.)
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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most of you will not understand the agony of this outfit. but hey here's fantasy au Howdy!
rambles:
yes. i know. he looks like a gunslinger. but I think it'd be funny if Howdy shows up and he minorly tweaks the genre simply by Existing! plus, he has to make himself useful beyond being a traveling salesman - he doesn't have a scrap of magic in him! so! alchemist gunslinger!
due to much of this "final" outfit design being Miguel's (@indigopoptart <3 thanks for your help homeslice <3) influence, i have less to say than usual! i'll talk about the things i Kept from the first terrible, terrible draft!
i wanted him to have full-coverage gloves because One, gloves fuck, & Two, shooting gloves! plus, he regularly works with dangerous materials! gotta keep his hands as safe as possible! speaking of his guns, they were a Ton of fun to draw. i wanted to make them ornate... Howdy seems like he'd enjoy nice things? fancy stuff perhaps? anyway the guns have his tavern "logo" on them!
the "second safety" mentioned triggers a magic-oriented mechanism that allows him to piece the guns together! they "unfold" into a big ol clusterfuck of a powerhouse weapon! unfortunately, using this immediately breaks the guns and they have to be repaired, so it's a "break glass in case of emergency" ace up the Neighborhood's sleeve!
i like to imagine that his bandolier, while cool, stresses everyone out a little bit. each bullet is full of pressurized weaponized magic. If they break while on the bandolier, well! Howdy would probably be very much Royally Fucked! i also drew the bullets too large here, so imagine that there's a lot more than shown and they're a lot smaller. I didn't realize this mistake until right now! oopsies!
i want to keep elements of the canon outfits in these fantasy ones. hence why his vest is striped and blue, he's still got the reddish brown pants, and! why his cloak clasp is shaped like a tie! and why the inside of his cloak resembles his apron!
i like to think that Howdy got his magic pack by swindling some poor soul out of it! when the buckles are undone, it unfolds into a vendor stand that looks Much different than the tiny scribble provided! said scribble is there to ah... what's the word. Demonstrate? get the point across? it's actually quite a nice stall! he has space to sell, and a workbench to tinker on! the pockets on the bag actually do function as pockets, though.
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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Y'all need to be fucking nicer to men/masc queers
I was talking to an old friend/short lived boyfriend from highschool and the topic of sexualities came up. He identified as bisexual throughout highschool but told me that recently he doesn't know what he was and just preferred to remain 'unlabeled' until he figured it out. I told him to his face "thats valid man and being unlabeled doesn't make you any less queer than when you were labeled"
God you should've seen his fucking face, he looked so happy and also like he was about to goddamn cry. He told me that no one ever told him that. That he tried to join queer spaces but they said he didn't fit in cause he wasn't 'gay' enough. Told me that I was the first person to ever confidently tell him he was queer and that he didn't need to change himself to 'fit in'.
I gave my friend one of my mini pride flags I had lying around and the dopey grin he had on his face while waving that thing around for the rest of the night made me smile too. When he finally went home he thanked me for the flag and for reassuring him when he felt insecure for 'not being gay enough'.
I want y'all to know that whole time he telling me about people not accepting him for "not looking queer" made me fucking pissed. Oh, because he's not petite, feminine, and white he can't be queer? Because he doesn't look like a fashionable and conventionally pretty gay on you'd find on your TikTok homepage he can't be queer?
THIS ISN'T EVEN THE FIRST TIME I'VE HAD THIS CONVERSATION WITH A FRIEND BEFORE
In highschool I had ANOTHER friend who had this same problem but in a different font. He liked cute things, he liked flowing fabrics and skirts, he even liked being called princess! But because he was fat and not conventionally attractive he felt like he couldn't be queer. Because from what he saw, queer people don't look like him.
If you're one of those people who would gatekeep ANYONE who doesn't fit into your Pinterest board ideal version of queer from the LGBTQ+ community, you can fuck right off because anyone who would just shut of someone out of our community for something so petty and dumb and ignorant doesn't deserve the keys to the fucking door in the first place.
Start treating people who don't fit into your saturated and commercialized view of queer with more respect and kindness before I start biting off your fucking arms
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