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93bratz · 1 year

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POTENTIAL

blue spring (2002) / this is not who i want to be, joanna sternberg / so far away (ft. suran), suga / the bell jar, sylvia plath / a different age, current joys / mirrorball, taylor swift / the book of light, lucille clifton

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vox-ex · 4 months

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…just some of the music that made me feel good this year… this post could be so much longer, but these are some of my most most played, most loved, albums all for different reasons.

#windows down feelings out #new friends and old favs #Ratboys #boygenius #feeble little horse #Palehound #yo la tengo #joanna sternberg #Greg Mendez #golden apples #u.s. highball #subsonic eye #slaughter beach dog

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madeofitzits · 5 months

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This is the cutest thing 😍

#andy samberg #joanna sternberg #andy just out there effortlessly spreading joy and kindness #i wonder if they know that andy also gave them a shout out during his doughboys appearance #i guess he just loves joannas

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hark-sounds · 17 days

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Joanna Sternberg - This Is Not Who I Want to Be, 2019.

#joanna sternberg #2019 #then i try some more #Bandcamp

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bandcampsnoop · 10 months

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7/1/23.

Joanna Sternberg (New York City) came to my attention a couple of times over the past couple of days, but it was the Pitchfork "Best New Album" tag for the recently released "I've Got Me" that really caught my attention.

Their music is a joy to listen to. It recalls the songwriting of Randy Newman, or Daniel Johnston. The voice and melodies also remind me a bit of Arthur Russell and Kimya Dawson. Sternberg added that they were influenced by the songs of Elliott Smith.

And finally, there is a storytelling here that reminds me of Woody Guthrie, and Kora Feder to name a few.

This is being released by Fat Possum (Mississippi). Their debut was initially released by Conor Oberst's label, Team Love.

#Joanna Sternberg #New York #Pitchfork #Team Love #Fat Possum Records #Randy Newman #Kimya Dawson #Daniel Johnston #Woody Guthrie #Kora Feder #Elliott Smith #Arthur Russell

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soundgrammar · 10 months

Audio

Listen/purchase: I've Got Me by Joanna Sternberg

#Joanna Sternberg #folk #Bandcamp #music

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themanofrennes · 3 months

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Top Albums 2023

Le traditionnel top albums, mes vingt disques préférés de l'an dernier par ordre de sortie (avec un petit rattrapage 2022 pour Cruel Country arrivé au format physique au début de l'année suivante).

Un extrait en écoute dans les playlists suivantes:

Wilco - Cruel Country

The Coral Sea - Golden Planet Sky

H-Burns - Sunset Park

The Waeve - The Waeve

Lisa O'Neill - All of this is chance

Anna B Savage - inFLUX

Lankum - False Lankum

Boygenius - the record

The Tallest Man On Earth - Henry St.

Lael Neale - Star Eaters Delight

The National - First two pages of Frankenstein

Anna St. Louis - In the air

Joanna Sternberg - I've got me

Blur - The ballad of Darren

The Coral - Sea of Mirrors

The Coral - Holy Joe's Coral Island Medecine Show

Wilco - Cousin

Sufjan Stevens - Javelin

The Mountain Goats - Jenny from Thebes

Beirut - Hadsel

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orpheusdrinkinga40inadeathbasket · 10 months

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#joanna sternberg #mountains high #music

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dustedmagazine · 9 months

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Joanna Sternberg — I’ve Got Me (Fat Possum)

Photo by Shervin Lainez

I've Got Me by Joanna Sternberg

Joanna Sternberg sounds both old and young in these songs, the hitch in their voice somehow evoking both childlike simplicity and wizened experience. This second album from the New York City native (they grew up in the Seinfeld building) likewise resonates as exceedingly fresh and Brill Building classic, with not much room for middle ground.

We often toss the term “multi-instrumentalist” round to connote guitar players who sometimes switch to bass and such like, but Sternberg is the genuine item. They wrote these songs, sing them and play all the instruments: cello, violin, guitar, piano, string bass and percussion, among others. Matt Sweeney helped out with production, but otherwise this is Sternberg all the way, 100% themself and eccentric as all get out.

This album’s persona, which I persist in imagining as Sternberg herself, is wise and vulnerable, tetchy but full of love. She’s been hurt in the ordinary ways and those specific to the music business but remains open to life and art and experience. There is nothing closed off or careful about the person who wrote these songs. “I’ll make you mine,” they confide with a cracked, worn-out optimism, strumming on an acoustic and slapping hard at a snare with a brush. It’s an old-timey sound with a modern dose of self-laceration, piano banging, melody lilting and honesty of the corrosive variety. The bright, positive architecture of “I’ve Got Me,” contains a nugget of biting insight. Sings Sternberg, “Between self-hatred and self-awareness is a very fine line.”

And yet while the self-examination is as brutal as, say, Alanis Morrisette or Courtney Love, the music is well-ordered, traditional and carefully constructed. The magic of I’ve Got Me comes in the way that brutal sentiment comes dancing in on skittery melody and how coruscating lines conform so neatly to classic song structure. Joanna Sternberg makes tales of betrayal and non-conformity sound like tunes from 1930s black and white musicals, and that’s an accomplishment.

Jennifer Kelly

#joanna sternberg #i've got me #fat possum #jennifer kelly #albumreview #dusted magazine #folk #pop #songwriter

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teoriaespacial · 10 months

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creo que tidal esta diciendome algo

#therapy #new music #tidal #sweeping promises #grouptherapy.#joanna sternberg

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bryanb · 1 year

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youtube

#documentary #music #musician #joanna sternberg #fat possum #nyc #brooklyn #no one really knows you #stereoactivemedia #Youtube

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thejoyofviolentmovement · 1 month

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With Spring just around the corner, that means Summer Festival announcement season is upon us. So let’s get to it. Founded back in 2006, Pitchfork Music Festival has proven to be one of the most welcoming, accessible and rewarding festival experiences in the global festival circuit, hosting 60,000 music fans of all ages from across the globe in Chicago, one of my favorite cities in the world. Each year, the festival prides itself on a distinct blend of discovery and tradition through showcasing the best up-and-coming acts, touring stalwarts and legends like. Through a collection of its varied vendors and an annual specialty record fair, the festival works to support local businesses, while promoting Chicago arts and food communities as a whole. The 18th edition of the Pitchfork Music Festival returns to Chicago’s Union Park, and will take place Friday, July 19, 2024 through Sunday, July 21, 2024. Yesterday, festival organizers announced the festival’s headliners and its full lineup. Pitchfork Music Festival’s first day will feature headliner Black Pumas, along with sets from Jai Paul, 100 gecs, Jeff Rosenstock, Yaeji, Sudan Archives, Amen Dunes, billy woods & Kenny Segal, Tkay Maidza, Doss, ML Buch, Rosali, Angry Blackmen, and Black Duck. The festival’s second day will be headlined by Jamie xx and will feature sets from Carly Rae Jepsen, Jessie Ware, De La Soul, UNWOUND, Bratmobile, Wednesday, Water From Your Eyes, Sweeping Promises, feeble little horse, Hotline TNT, Kara Jackson, L’Rain, and Lifeguard. The festival’s last day will be headlined by Alanis Moriseette and will feature sets from Brittany Howard, MUNA, the legendary Grandmaster Flash, Les Savy Fav, Crumb, Jessica Pratt, Mannequin Pussy, Hailu Mergia, Model/Actriz, Nala Sinephro, Maxo, Joanna Sternberg, and Kenya. The full lineup is below: Full lineup: FRIDAYBlack PumasJai Paul100 gecsJeff RosenstockYaejiSudan ArchivesAmen Dunesbilly woods & Kenny SegalTkay MaidzaDossML BuchRosaliAngry BlackmenBlack Duck SATURDAYJamie xxCarly Rae JepsenJessie WareDe La SoulUNWOUNDBratmobileWednesdayWater From Your EyesSweeping Promisesfeeble little horseHotline TNTKara JacksonL’RainLifeguard SUNDAYAlanis MorissetteBrittany HowardMUNAGrandmaster FlashLes Savy FavCrumbJessica PrattMannequin PussyHailu MergiaModel/ActrizNala SinephroMaxoJoanna SternbergAkenya Tickets are on sale right now, and they include single and three-day passes in three tiers — General Admission, PLUS and VIP: General Admission tickets are $109 for a single day pass and $219 for a three-day pass. The Pitchfork PLUS upgrade, which includes a range of exclusive amenities is $199 for a single-day pass and $399 for a three-day pass. The Pitchfork VIP upgrade, which includes offerings such as side-stage or front of stage viewing at the two main stages, unlimited access to backstage lounges, complimentary beverages, daily catered meals, mobile charing stations, tarot readings, massages, access to reserved parking and more. The Pitchfork VIP upgrade is $379 one a one-day pass and $699 for a three-day pass. Payment plans are available for all ticket types. More details are available here.

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olaskoolkitchen · 2 months

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Ola's Kool Kitchen podcast 497 a breath of sonic fresh air from MUTAGÉNICOS, Hot Pink Sauce, Charlestoner, Parsnip, Charlotte Adigéry and Bolis Pupul, Matthew Squires, & Joanna Sternberg.

#ola's kool kitchen #Mutagenicos #Hot Pink Sauce #Charlestoner #Parsnip #Charlotte Adigéry and Bolis Pupul #Matthew Squires #Joanna Sternberg

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seymourmusicclub · 2 months

Video

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Joanna Sternberg - I've Got Me (Official Lyric Video)

#Joanna Sternberg #I've Got Me #doseiring

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silvernoisez · 3 months

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#joanna sternberg #folk #Spotify

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altamontpt · 4 months

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Os melhores discos internacionais de 2023

Estas são as nossas escolhas internacionais de 2023

[vc_row][vc_column][vc_column_text]Este foi um ano no qual as opções dos escribas Altamont mais se dividiram, já que batemos o recorde de discos nomeados para o top final – 117 discos diferentes apareceram na soma das listas individuais. Mostra isto que houve poucos discos consensuais e unânimes, daqueles que eventualmente ficarão para recordação em anos futuros. Falando em recordação, importa…

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