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musicforants · 4 months

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Happy new year! Here’s my favorite albums & songs in of 2023. Click here to listen to my full Best Songs playlist* (100+ tracks) via Spotify or Apple Music.

FAVORITE ALBUMS OF 2023

Sufjan Stevens - Javelin

The National - First Two Pages of Frankenstein / Laugh Track

Lana Del Rey - Did you know that there's a tunnel under Ocean Blvd

boygenius - The Record

Yo La Tengo - This Stupid World

JPEGMAFIA & Danny Brown - Scaring the Hoes

Caroline Rose - The Art of Forgetting

Blur - The Ballad of Darren

Ratboys - The Window

Blondshell - s/t

Youth Lagoon - Heaven is a Junkyard

Caroline Polachek - Desire, I Want To Turn Into You

The Mountain Goats - Jenny From Thebes

Jeff Rosenstock - Hellmode

Wilco - Cousin

Jessie Ware - That! Feels Good!

Slowdive - everything is alive

Indigo De Souza - All of this will end

Wednesday - Rat Saw God

Romy - Mid Air

DJ Sabrina the Teenage DJ - Destiny

Billy Woods & Kenny Sagan - Maps

The Japanese House - In the end it always does

Yves Tumor - Praise a Lord who chews but which does not consume

The Clientele - I Am Not There Anymore

Roison Murphy - Hit Parade

Bully - Lucky For You

M83 - Fantasy

Jess Williamson - Time Ain’t Hospitable

Sofia Kourtesis - Madres

FAVORITE SONGS OF 2023

Sufjan Stevens - Shit Talk

Lana Del Rey - A&W

The National - Tropic Morning News

Feist - Borrow Trouble

Blondshell - Joiner

Blur - The Narcissist

boygenius - Not Strong Enough

MGMT - Mother Nature

Wednesday - Chosen To Deserve

Yo La Tengo - Aselestine

Caroline Rose - Miami

Ratboys - The Window

Roison Murphy - The Universe

Oneohtrix Point Never - A Barely Lit Path

Indigo De Souza - Younger & Dumber

Jeff Rosenstock - 3 Summers

Caroline Polachek - Blood & Butter

Sun June - Get Enough

Yard Act - The Trench Coat Museum

DJ Sabrina The Teenage DJ – Honey

Girl Scout - Weirdo

JPEGMAFIA & Danny Brown - Lean Beef Patty

Sofia Kourtesis - Madres

Overmono - Good Lies

Bully - Days Move Slow

Youth Lagoon - Idaho Alien

Katy Kirby - Cubic Zirconia

Andy Shauf - Halloween Store

Romy - She's On My Mind

M83 - Oceans Niagara

Yves Tumor - Echolalia

Big Thief - Vampire Empire

Olivia Rodrigo - get him back!

Fever Ray - Kandy

Jessie Ware - Begin Again

The Japanese House - Boyhood

Kelela - Contact

Jess Williamson - Hunter

Mitski - My Love Mine All Mine

billy woods & Kenny Segal - Soft Landing

Tennis - Let's Make a Mistake Tonight

Slowdive - shanty

Beirut - Hadsel

NewJeans - Super Shy

The Clientele - Blue Over Blue

Nation of Language - Sole Obsession

ANOHNI - This Must Change

The Last Dinner Party - Nothing Matters

Slaughter Beach, Dog - Engine

The Beatles - Now and Then

Link to full 100+ track playlist on Spotify / Apple Music

*playlist subject to change

#lists #music #best of 2023 #sufjan stevens #lana del rey #boygenius #the national #blur #blondshell #yo la tengo #caroline rose #ratboys #jeff rosenstock #youth lagoon #feist #spotify #apple music #Indigo De Souza

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gothcroissant · 4 months

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Hey! here's some of the music I liked most this year.

#boygenius #paramore #newjeans #be your own pet #bad books #troye sivan #victoria monet #ratboys #bully #jungle #Youtube

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vox-ex · 4 months

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…just some of the music that made me feel good this year… this post could be so much longer, but these are some of my most most played, most loved, albums all for different reasons.

#windows down feelings out #new friends and old favs #Ratboys #boygenius #feeble little horse #Palehound #yo la tengo #joanna sternberg #Greg Mendez #golden apples #u.s. highball #subsonic eye #slaughter beach dog

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geeses · 4 months

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🔥🔥🔥

#music #dim wizard #Spotify #ratboys

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emergingghost · 2 months

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finally started listening to Ratboys and i loooove it. not what i expected at ALL, its a lot softer (just based on their vibes, i also dont know what i thought theyd be like either lol) but i love!

#ratboys

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swimmingback · 22 days

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and HOW IN THE NAME of he who made creation……DID I BREATHE A SECOND without u by my side?!?!?!?

#ratboys

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confessionsofabargainbinaddict · 4 months

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My Favorite Albums of 2023*

*not necessarily from 2023

Last year, I decided that, instead of limiting my "favorite" list to just the past year, I would broaden the scope to include any CD I acquired that year, whether it was released that year or not. Over the past 12 months, I've added 155 CDs to the already over-burdened collection (which may seem like a lot but it's down from 260 last year, so I believe some praise is due). These are my favorite 9, in alphabetical order by album title.

Foo Fighters - But Here We Are

"Times Like These," whether he intended it to be or not, was one of the very few, great post-9/11 songs. And while I might expect that from Springsteen, Grohl didn't immediately spring to mind as a voice of comfort and empathy, so the song's impact may have actually been a bit greater than something akin to "The Rising" (which, don't get me wrong, is an amazing song). And now, a couple decades later, it shouldn't be surprising that a Foo Fighters album dealing with intense and intimate grief would also be stunning, but, like before, I certainly wasn't expecting it and also, like before, I've turned to it a hell of a lot more than I would have thought.

Caroline Polachek - Desire, I Want To Turn Into You

You know those albums where you really like a bunch of the songs but not all of them but you also know that, with each repeated listen, you're going to find ways into the songs you didn't like as much on previous listens and come up with reasons why you actually do like those songs and therefore, think the entire album is brilliant? Yeah, this is one of those albums.

billy woods and kenny segal - maps

Let me preface this by saying that I am years late to the billy woods party, so I do not have any way of comparing this to his previous, abundant discography, but if it is at all indicative of the rest of his work, I have some major catching up to do! woods is a top notch lyricist with a clear love of language and the ways in which it can be structured. His metaphors and imagery are complex and layered but never so obtuse that they alienate the listener. And all of this verbal brilliance is nestled comfortably on segal's inviting but never settled production. I'll come back to this one often.

Stevie Wonder - Original Musiquarium I

I'm not normally a fan of "best of" compilations but this one, with the addition of the four unreleased tracks capping each "side," is so well put together and clearly thought through, I'm thrilled to have it as a part of my collection. Plus, it's really hard to ever go wrong with Stevie.

Laura Mvula - Pink Noise

Roughly 5 years ago, I heard "She," and was blown away. I added Sing to the Moon to my discogs want list but never got around to snagging a copy. About 3 years ago, I heard "Got Me" and decided to be a bit more active in trying to acquire a copy of Pink Noise, but I think there were some transatlantic issues because nothing seemed to be remotely affordable. Fast forward to midway through this year, the album miraculously pops up on Amazon for under 10 bucks and a day or two later, I'm finally blessed with these 10 fiercely intelligent yet uncompromisingly catchy pop bangers.

Pool Kids - Pool Kids

It's mathy, it's tappy, it's stupidly technical, but if you strip that all away, at its heart, these are 12 solid pop-punk/emo songs. So while the base effort is already worthwhile, the tremendous musicality turns them into something truly special.

Atmosphere - Sad Clown Bad Fall 10

Okay, so it's only 5 tracks but hear me out. I was introduced to Slug and Ant through their brief stint with Epitaph Records and their, imho, brilliant album, Seven's Travels. Over the years, I've picked up an Atmosphere album here and there, but my takeaways have been lackluster and I started to wonder whether they were just a one-off in my book. And then I found this at a used record store in Seattle, and it not only reignited the flame but made me want to revisit the rest of my collection. That's pretty impressive for only 16 minutes of music.

Triple Fast Action - Triple Fast Action

Triple Fast Action were probably the favorite band your favorite 90's alt-rock band (The Colour and the Shape was, apparently, greatly influenced by Broadcaster) and with only two albums to their name, it was a wonderful surprise to discover this treasure trove of unreleased and rare tracks, most of which were recorded in their rehearsal studio. While not everything is great, there's a general bittersweet air hovering around this 2-disc compilation - they could have been big, but for whatever reason, the stars didn't align. At least we now have so much more music.

Ratboys - The Window

Ratboys aren't reinventing the wheel here. They pull upon most of the major indie rock tropes of the past couple of years (Americana, pop-punk, prog rock...) but even with the genre hopping, the album shifts seamlessly from track to track and always feels authentic. What would we do with a new wheel anyway? Wouldn't you rather just get the top-of-the-line version?

Other assorted 2023 stuff

Favorite Albums NOT acquired in 2023:

Proper. - The Great American Novel

Tigers Jaw - I Don't Care How You Remember Me

Elvis Costello - Brutal Youth

Face to Face - Face to Face

Florence + The Machine - High As Hope

Beauty Pill - The Unsustainable Lifestyle

Favorite Live Bands seen in 2023:

The Verve Pipe (City Winery - 4/23)

Home Is Where (Elsewhere - 7/8)

Four Year Strong (Rocks Off Concert Cruise - 10/15)

The Hold Steady (Brooklyn Bowl - 11/30)

Favorite Movies watched in 2023:

Soft and Quiet

Poor Things

Shotgun Wedding

Pearl

Favorite TV Shows watched in 2023:

Alice in Borderland (Season 1)

The Fall of the House of Usher

The Curse

This is Pop

Channel Zero (Seasons 1 and 2)

Evil (Seasons 1 and 2)

The Last of Us

Favorite Books read in 2023:

Lonesome Dove - Larry McMurtry

In the Dream House - Carmen Maria Machado

Wraith - Joe Hill and Charles Paul Wilson III

Favorite Podcasts listened to in 2023:

Fearful Symmetry

Love and Radio

Detoxcity

U Springing Springsteen on My Bean?

"Finn and the Bell" episode of Radiolab

"Wake" episode of The Memory Palace

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orpheusdrinkinga40inadeathbasket · 8 months

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#ratboys #morning zoo #music #why are the lyrics literally my last journaled thoughts im 👀

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kentuckyanarchist · 3 months

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Songs of 2023

Here we are, a bit late, not quite as late as last year. 2023 was a busy year but somehow an uncomplex one for me—there’ve been worse years, there’ve been better. If the songs spoke to the times, they did so in obscure ways. Nonetheless: 50 favourite songs, 50 fuzzy thoughts, I hope you like them too.

1. Fenne Lily, “Lights Light Up”

Just the right amount of confidence and the right amount of caveats; just the right amount of magic and the right amount of realism.

2. Boygenius, “True Blue”

I love the matter-of-factness of Lucy Dacus’ diction here, putting friendship to words like it’s the most obvious thing in the world: “I can’t hide from you like I hide from myself, duh.”

3. ANOHNI, “Sliver of Ice”

Somehow, amidst the wreckage, it’s the elegance of ANOHNI’s rhymes that get me: view/blue, tonight/light, more/before; if only death was so simple.

4. Caroline Polachek, “Billions”

All I can say here, and it’ll sound silly, is that what’s happening in this song is an attempt to block off the curve from hedonism to cynicism.

5. Ratboys, “Black Earth, WI”

How is it that, with the mushroom cloud above and the ground opening up before them, Ratboys seem to have all the time in the world?

6. Julie Byrne, “Portrait of a Clear Day”

There’s a particular vocal style, smooth and blue like a lake surface, that you find in some English folk music, and in 2023 Julie Byrne was its sharpest, wisest practitioner.

7. Feist, “Hiding Out in the Open”

Homespun, delicate; thrillingly, almost uncomfortably intimate.

8. Slaughter Beach, Dog, “Strange Weather”

One for cataloguing, inventorying, totting up, working out where you stand.

9. Yo La Tengo, “Aselestine”

“Aselestine”’s two songs: the instrumentals so serenely flowing, circling, generative; Georgia Hubley’s vocals so clipped, terse, holding back.

10. Billy Woods & Kenny Segal ft. Samuel T. Herring, “FaceTime”

Could Billy Woods be our foremost imagist? “In a Station of the Metro” but the train’s derailed, bones snapped, screaming kids, twisted metal? I’ve already said too much.

11. Doja Cat, “Agora Hills”

The year’s best pop song, a delicate dedication from (is it fair to say?) unexpected quarters, smut and bravado doing the bare minimum to conceal its softness.

12. Mitski, “Bug Like an Angel”

This song doesn’t have a chorus in the sense of a refrain but has a chorus in the Ancient Greek sense, a set of voices that interrupt in unison, sometimes using dramatic irony.

13. Big Thief, “Born for Loving You”

Sometimes we speak out of the sides of our mouths and sometimes we dissemble; Big Thief could never.

14. The Antlers, “I Was Not There”

The word sweep is a good one for songs by the Antlers: conveying breadth and inexorability, it’s cosy and domestic too; to sweep like they do is to upturn, to wreck, but to renovate, to welcome.

15. Lana Del Rey, “The Grants”

Philip Larkin said poetry was a matter of experiencing a vision then “attempt[ing] to express the whole of which the vision is a part.” For Lana there’s no whole or part, just vision.

16. The Pines of Rome, “I Am a Road”

Gnomic, wry, lamenting, ground-down but still kicking, a bit ornery but if you sit down at its feet you’ll learn something.

17. Bonnie “Prince” Billy, “Willow, Pine and Oak”

Stolid and unsappy, this tripartite scheme isn’t quite right, but it certainly is one way of looking at the world.

18. Lande Hekt, “Pottery Class”

This song says it’s about missing someone, but all those sighs, all those “again”s, all those “buts” make you wonder.

19. James Yorkston, Nina Persson and the Second Hand Orchestra, “A Forestful of Rogues”

“If I say so myself, and I damn well do”—when you start a line like that you can follow it up with almost anything.

20. M83, “Amnesia”

Big as stars and glistening like them; who, in 2023, does it better?

21. CMAT, “Vincent Kompany”

CMAT sometimes seems to want to be “relatable” but then snaps out of it and takes joy in being idiosyncratic, or a bit off, or, basically, really fucking odd.

22. Mannequin Pussy, “I Got Heaven”

Let it be known that in 2023 we snarled sometimes.

23. Shit Present, “More to Lose”

Shit Present, in the best of traditions, use monotone as a weapon: here Iona Cairns drags down what could be a soaring chorus in the most politically astute of ways.

24. Fever Ray, “Kandy”

The word could be skeletal: minimal, of course, but also spooky, schlocky, body-horror, prone to decomposition.

25. Girl Ray, “Hold Tight”

“Hold Tight” says it wants simple sedentary situations, “talking shit on the grass,” “get a Coke and sit on the wall,” all while it bounces and hops non-stop.

26. Charlotte Cornfield, “You and Me”

I’ll admit to preferring the more pensive Charlotte Cornfield, but no one’s surprised she can do affirmative too.

27. Shannon Lay, “From the Morning”

I love Shannon Lay’s confidence: there’s something ever-so-slightly irreverent in this Nick Drake cover, just the slightest smirk.

28. Jeff Rosenstock, “HEALMODE”

The sort of song you find under rotting wooden pallets in derelict parts of the city.

29. The Mountain Goats, “Fresh Tattoo”

The Mountain Goats grow old no worse for wear: still telling meandering parables, still making us feel right at home.

30. Samia, “Charm You”

“As You Are,” Samia’s paean to unconditional familial love, was my favourite song of 2021. “Charm You” works up the same giddiness about a new relationship but introduces a smidge of reticence.

31. Alex Lahey, “The Answer Is Always Yes”

A big year for affirmations in pop (see#4, #26, #46), but (1) this one’s so intricate too, and (2) this one knows what it’s up against too.

32. The Hold Steady, “Grand Junction”

Metronomic, “Grand Junction” declines to shift its swing, which is no problem as it keeps on hitting.

33. Arlo Parks, “Dog Rose”

Arlo Parks writes pop songs with an undercurrent, love songs that threaten to get a bit weird.

34. Holly Humberstone and MUNA, “Into Your Room”

A late entrant: one that toys with overstatement, knows it sounds a bit overblown, but wants to say what it has to say anyway and see how it goes.

35. Young Fathers, “Holy Moly”

This sounds like 2006 to me, a sticky floor and cigarette smoke.

36. Heather Woods Broderick, “Seemed a River”

This song’s weirdly verbose, maybe it’s indecisive? Maybe it’s keeping secrets?

37. Pearla, “Flicker”

Circularity like the seasons, like the sunrise-sunset, like fresh starts, like the worms.

38. Sparklehorse, “The Scull of Lucia”

A grandiose sort of lullaby, making short work of squally seas.

39. Joy Oladokun, “Changes”

I go back and forth on this one: it feels tailored for the Obama playlist, but it still charms me; sometimes it seems too smooth for the ugly world it describes, but there are more egregious sins.

40. Quinnie, “Security Question”

A missed connection that spirals from a whim into a crisis: the entire problem of other minds “at some party I wandered to.”

41. Black Country, New Road, “Laughing Song (Live at Bush Hall)”

On Live at Bush Hall BC,NR continued to be our best worriers, biters of nails, pickers of scabs.

42. Blink-182, “More Than You Know”

If there’s nostalgia here, and there may be, it’s for “Easy Target” or “Stockholm Syndrome,” the careful use of melancholy, the harmonies, Travis Barker drumming like a submachine gun.

43. Vagabon, “Lexicon”

Vagabon’s a rare songwriter who’ll admit to speechlessness, dumbstruckness, stagefright. But some things are unsayable, some thoughts do need to be expressed in deeds.

44. Subsonic Eye, “Machine”

Go on then, make it seem effortless!

45. The Milk Carton Kids, “Star Shine”

I suspect this one’s too hard on itself—there are big lies and little lies, gentle ones and harsh ones, after all.

46. Sufjan Stevens, “Shit Talk”

Somewhere in the ’10s Sufjan became a permanent presence: a waystation, a landmark, a totem, and on Javelin you feel he cautiously started embracing that.

47. Indigo De Souza, “Losing”

It’s one thing to say “less is more”, it’s another to model brevity like this, to just fill two minutes and nineteen seconds with five- or six-word lines that describe all the details of one thought.

48. Fred Again.., “Winnie (Rosslyn Crescent)”

I’m still captivated by Fred Again..’s soundscapes, his windows into London kitchen-sink scenes, and how much he leaves unsaid.

49. Sofia Kourtesis, “Moving Houses”

Fractured images, shards of life, but Sofia Kourtesis seems confident things can be put back together.

50. Oneohtrix Point Never, “Nightmare Paint”

Not an album where you can pick out one song, of course, but if I had to it’d be this pew-pew space opera, brightly lit and smoothly running, letting the unknown in through the airlock.

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theghoulboysblog · 3 months

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Shane Madej AND Sara Rubin both being Ratboys fans?!? More likely than you think! :)

#watcher #watcher entertainment #shane madej #sara rubin #ratboys #ALSO GUESS WHAT?!?#THE NATHAN K FROM THEIR SONG GM???#HE FOLLOWS ME ON TIKTOK!!!#SO I THINK IM WINNING 💅

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unbornwhiskeyy · 3 months

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I get stoned Driving home Looking out the window

I turn up My favorite song Wishing I could call you up

But I’m not gonna think about that now No, I don’t wanna talk about that I’m not gonna pick my brain apart I’m not gonna do that to myself, no

#ratboys

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dontlookdown · 3 months

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Nick’s Favourite Music of 2023

It’s that time of year again (three weeks into January because to hell with arbitrary deadlines) where I look back at the music I enjoyed from the previous year. Once again, I’m sticking with the single post, capsule review format I used last year, because it turns out working full-time leaves you with less time to spend on other stuff (seems pretty fucked up if you ask me).

It never feels like my listening habits are changing year on year, but it’s interesting to note the differences in hindsight. For instance, this will be the first time I don’t crown an “album of the year”. Ultimately, there wasn’t a full-length release that broke through my admittedly ridiculously high standards. That said, 17 of the songs on this list come from albums I really enjoyed listening to, and the other 3 are standalone singles, so it’s fair to say the overall quality of 2023’s music was pretty good. I had to put in the time and listen and re-listen to a lot of different artists to come to that conclusion, but it feels like I’ve gone on a similar journey for the last four years in a row now. And, because I always end up discovering plenty of new acts and settling on 20 songs that I truly love that I’m excited to share, I never feel like that time and energy has been wasted!

Below, you’ll find the list of my 20 favourite songs of 2023 (YouTube links in the headings, Spotify embed at the bottom), along with a few words about why I love each particular one. Let’s go!

Foo Fighters – “Under You”

I wish it had been under happier circumstances, but I was seriously impressed with But Here We Are. I’ve never thought of Foo Fighters as an album band (great singles though), but this might the strongest, most-focused one they’ve done. “Rescued” was an instant knockout, and the title track is a potent reminder that Dave Grohl is still probably the best yeller in rock (as anyone who’s attempted to shout along with “The Pretender” in a crowded club will attest). But the song I kept coming back to was the simplest, and probably the most straight-forward rocker they’ve ever made. Something about the chorus of “Under You” really tugs on my heartstrings, even beyond its clear intention as loving tribute to Taylor Hawkins. I always tend to start these lists with a big bright firework of a song. This was the biggest and brightest of the year.

Ratboys - “Black Earth, WI”

I love a big rock song that wanders off into the horizon and takes its time to get where it’s going, slowly growing before your ears. It seems like we’re getting more bands lately that specialise in that kind of thing, in the wake of The War on Drugs’ breakthrough, and apparently the kids on TikTok are getting into shoegaze so there’ll be more to come. Good!

Big Thief – “Vampire Empire”

Another Big Thief classic to add to their growing pile. This is apparently one they’ve been workshopping in live performances for a few years. That work has paid off beautifully.

Geese – “3D Country”

Another rock stroller. This one has some strong Exile on Main Street vibes, with the soulful backing singers and steely guitar touches really making it stand out from the crowd. The video is just as fun as the song.

Yard Act – “The Trench Coat Museum”

I've commented before on the small explosion of post-punk bands we had in the UK a few years ago. In many cases, it felt like the bands were yet to reach their full potential. Some are beginning to get there. Both Black Country, New Road and Black Midi blew me away last year with bold and unique evolutions of their respective sounds. Yard Act might be the next group to level up, this time by flirting with dance music while keeping the ironic point of view from their previous work. “The Trench Coat Museum” is another track that allows a band to stretch their musical legs, and I love that the song has been stretched to 12” remix length, with all the little shifts in tone you’d expect from dabbling in Madchester town.

Jessie Ware – “Freak Me Now”

Speaking of songs I’d want to hear in the club, Jessie Ware adjusted the disco recipe she was serving in 2020 to add a French house flavour this year. The result was even more delectable.

Olivia Rodrigo – “love is embarrassing”

It seems like I’m going against the grain with this pick. Not that people were disappointed with Olivia Rodrigo’s second album (quite the opposite, she delivered on GUTS), but I haven’t seen anyone else highlight this particular track. I’m not complaining. I’d normally expect a song like “love is embarrassing”, with its fast tempo and new wave-inspired guitars and gated drums to be a perfect pick for a single. The fact is isn’t one (yet) is testament to how good this album really is.

Fireworks – “Veins in David’s Hand”

I’m a simple man. If you start a song with a loud, ringing solo guitar riff, you’ve got my attention. Everything else Fireworks do on “Veins in David’s Hand” holds onto it. Exhilarating stuff.

Model/Actriz – “Mosquito”

As I mentioned at the start, I’m not declaring an “album of the year” this time around. Instead, I want to recommend one specific album that I’d like more people to check out: Dogsbody by New York noise rock band Model/Actriz. When it came time to put together a shortlist from all the 2023 tracks in my collection (trimming down over 400 songs to around 50), I ended up putting five tracks from this album on it, the most from any act by some distance. That’s quite an achievement for a debut release. “Mosquito” is the most attention-grabbing track, due to its pounding industrial chorus, but there is so, so much more where that came from. Check them out.

King Gizzard & The Lizard Wizard – “Supercell”

Since getting my socks blown off by “The Dripping Tap” in 2022, I have now listened to everything King Gizzard & The Lizard Wizard have released. Good band! I will confess that I prefer the harder, more rocking stuff that they do less frequently, but that means I was eagerly awaiting PetroDragonic Apocalypse after hearing it was a return to the thrash metal sound of Infest the Rats' Nest. It did not disappoint!

SOFT PLAY – “Punk’s Dead”

In 2022, having been on hiatus for a few years, the band Slaves changed their name to Soft Play. Being a punk band these days comes with the baggage of people projecting their own weird ideas of what “punk” means onto you, and some of their fans (the kind that like to use words like “snowflake” as insults) had did not like this change. So, Soft Play did what any self-respecting punk band would do in that situation: take all of that bad-faith criticism and hammer it into a red-hot poker of a song. For what it’s worth, I think "Soft Play" is the better name for this band. While some punk bands do have lofty aims about sharp political commentary and challenging discourse, this band has never really had those aspirations. Their biggest song on streaming is about forgetting where you parked. Musically, they’ve always sounded like rowdy kids on a bouncy castle copying moves they’ve seen on WWE (I say this as a compliment), and based on the video for “Punk’s Dead”, the band might agree. At its core, “punk” is just about airing frustrations. Sometimes that just means having fun while making a racket. Which is exactly what this band has always done. Isaac Holman stills snarls like a wolf and pounds the shit out of his floor toms which, combined with Laurie Vincent’s chainsaw guitar work, gives the song the impact of a steam-powered sledgehammer. Blunt? Sure, but “Punk’s Dead” is not a song that’s aiming for subtlety. It’s a purposeful spit in the eye of people who cling to a narrow view of a genre that outgrew them a long time ago: “JOHNNY ROTTEN IS TURNING IN HIS BED! I WAS GONNA SAY ‘GRAVE’ BUT THE FUCKER AIN’T DEAD!” Welcome back, lads.

White Reaper – “Fog Machine”

Speaking of things not being dead, any old fart complaining about the lack of rock music being made these days needs to listen to White Reaper and shut the fuck up.

Militarie Gun – “Never Fucked Up Once”

The thing about punk singers is that they don’t so much “sing” as “chant”, as in the vocals are more designed to be sung along with, rather than just heard. So, if a punk band slows things down a bit (but keeps it loud) and gets everyone involved in belting out the chorus? Instant anthem. Despite its title, “Never Fucked Up Once” is a song about regrets. But, somehow, yelling along with it makes those regrets disappear.

boygenius – “Not Strong Enough”

Words can barely express how happy I was to see Julien Baker, Phoebe Bridgers and Lucy Dacus regroup as Boygenius and break through to the mainstream this year. Having previously sung the praises of their debut EP, my expectations for a full album were high, but the ladies dropkicked those expectations into the sun and scored a boatload of Grammy nominations in the process. As all three members have distinctive voices, people tend to pick apart the songs to identify who wrote what. That’s missing the point, as the songs on the record are stronger than the sums of their parts (regardless of how good those parts are), and it’s the songs that are clear results of the three of them working together that are the strongest. “Not Strong Enough” is one of them, and it just fucking soars. It sounds exactly like the cover art, with Baker, Bridgers and Dacus all extending their reach to the sky. I’m excited to see them rise even further. Song of the year.

Anohni and the Johnsons – “Rest”

By contrast, “Rest” feels like Anohni is digging into her soul for some real catharsis. It recalls the Muscle Shoals soul sound of “Fistful of Love”, but a thousand times rawer. You can feel every cubic centimetre of the studio it was recorded in as the guitars and drums smash into each other and echo off the walls. Spiritual and spellbinding.

Nation of Language – “Spare Me the Decision”

An echo of a different kind, now. I last spoke about Nation of Language back in 2021, when they were specialising in the kind of upbeat synthpop tunes that I enjoy a lot. In 2023, they got darker on their third album Strange Disciple, with sparser arrangements that sound more unsettled. Single “Weak In Your Light” was a genuine shock when I first heard it. “Spare Me the Decision” is brighter than that, but still carries a deep sadness with it. It deliberately holds back from giving too much. Even as multiple synths start to build up, they mostly only play single sustained notes, giving everything a sense of trepidation that befits the title.

Julie Byrne – “Portrait of a Clear Day”

It’s hard to add anything when the title of a song tells you everything you need to know. This is atmospheric and beautiful and the most graceful thing I heard all year.

Sufjan Stevens – “Will Anybody Ever Love Me?”

The incredible thing about Sufjan Stevens is that, despite working for decades within his own specific niche to the point where you could’ve guessed that “Will Anybody Ever Love Me?” was a song of his based solely on the title, he’s still finding ways to push the boundaries of that niche. Like all of his albums (even the ones that are supposedly about specific American states), Javelin was full of beautifully delicate songs of longing. But these songs were more direct than usual, and supported by expansive arrangements that allow them to grow and blossom into much larger statements on life.

Indigo De Souza – “Younger & Dumber”

There’s plenty of great moments across these 20 songs, but none quite as meaningful as the 2:50 mark in “Younger & Dumber” where Indigo De Souza spreads her wings and sings “And the love I feel is so powerful it can take you anywhere”. This is a slow burning fire that will leave your soul singed.

Joanna Sternberg – “I've Got Me”

I hesitate to call this one “cute” considering how much it focuses on self-deprecation, but that is my first thought when hearing songs as understated as this. It feels like every line should be punctuated with an exclamation mark that is both ironic and earnest at the same time, especially as a bouncing bassline makes an appearance and Joanna’s grows in confidence. It’s a song that can be interpreted in opposing ways depending on your mood. As a closer, I think it’s pretty perfect.

Thanks for reading! If you fancy reading more from me, I’ve done similar lists/series for every year going back to 2011 (and basic lists for 2008-2010). Just copy and paste this link (https://dontlookdown.tumblr.com/tagged/best-of-20xx) and edit the year to see them!

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