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#its frustrating as hell
saturated-soul · 5 months
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All great advice when they tell you to use your coping mechanisms etc etc and distractions and move and whatnot when having a panic attack, but lately I’ve been too paralyzed at these moments to even move a tiny bit. What do you do then? Let yourself get eaten away by the thoughts consuming you more with every minute? There’s literally not a single thing I feel I can do other than to be frozen all over.
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ricciaryoyo · 1 year
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You ever hyperfixate on smt and it has NO fandom activity whatsoever so there is nothing to hyperfixate with, making every grain of content even more awesome
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vattendrag · 4 months
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A lot of brain ghosts today
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lunaryhues · 5 months
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Me: "Can I please use all this energy to draw on an actual project"
My brain: "You will draw the same character over and over and you will like it."
Me: "Okay."
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somfte · 4 days
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Here is a link to the above post, just to cite the source. I don't really think OP is interested in what I have to say, but I felt compelled to write down my thoughts, regardless.
Sorry, stranger on the internet, but you seem to have mistaken a TV show for a Sunday school parable. Protagonists do not have to be morally pure. You do not have to agree with a protagonist's actions. Additionally, a TV show character being part of the main ensemble cast does not necessarily make them a protagonist.
You should, in fact, consider deciding for yourself whether a character is behaving in a way you agree with. There is a huge difference between media that glorifies a character's harmful actions, and media that simply depicts those actions and invites the audience to critically engage with them.
Sometimes, people do incredibly shitty things while thinking what they are doing is fine and normal, without even really thinking about what they're doing and why. It's important for us to see this in media, because it reminds us that we, ourselves, can be capable of participating in morally bankrupt systems (capitalism? anyone?).
Beyond that, a slaveowner being presented as a human who a viewer can understand and sympathize with is, in fact, critical to a nuanced story. This may come as a surprise to you but everyone who has ever participated in a morally bankrupt system has been a human who had friends and loved ones and complicated internal lives. If we dehumanize these people in media, we are again at risk of not recognizing when we or our loved ones are doing deeply harmful things. In fact, more TV shows should be like that.
Ignoring painful realities of history like slavery, or making slaveowners into fully evil cartoonish villains may be satisfying, but it is not more helpful or morally pure than presenting nuance.
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pocketramblr · 4 months
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Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom
you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....
1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)
2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.
3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.
4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.
5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)
+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.
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olivsie · 2 months
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Something I like about epic the musical is that it Gives it's changes to the original text an actual Purpose
( The first couple paragraphs are basically a rant regarding retellings. If you only want to hear about epic Skip to paragraph 4)
1. I am a bit annoyed by the lack of. Understanding as to why RETELLINGS aren't the most historicaly accurate things in the world. Sorry to break this to you, but that's both just how they work and I would guess how they reach success. Ancient Greece is a much different culture than our own, And most of us would be terrified to actually live back then. When you are Trying to create content That is based on ancient Greece And you want it to be successful/ At least reach a wide, and notably, MODERN audience. You're likely going to have to take some creative liberty And change a few things. Don't get me wrong, YOU DO NOT HAVE TO LIKE RETELLINGS KNOWING THAT FACT ( Me personally, I'm not the biggest fan of Miller's novels Even though I do like epic) BUT IT IS SOMETHING TO BE AWARE OF. And because of that I don't think I would ever expect a retelling to be perfectly accurate And I don't. I had interest in mythology LONG before epic the musical But I didn't actually read the Odyssey until getting into epic. I did not expect it To be just like the musical, I knew Odysseus was going to be much more of an asshole, along with other characters. The odyssey and epic are different pieces of media to me And I am not less of a mythology nerd for liking epic ( Though I will admit that sometimes I take tiny little fun facts of mythology And like to think of them in the context of epic, but that's just for fun.)
2. The Only time being a fan of retellings is wrong as if you genuinely believe they are perfectly accurate And refuse to listen to anything else ( Which has definitely happened, And mythology nerds have the right to be annoyed at that)
3. Some people only like to consume real mythology media, Others like both real mythology and retellings, Others only like to engage with retellings (I would hope they have the self-awareness to know It's not real mythology, From what I've seen some do and some don't, Unfortunately)
4. Ok. now on to what the title of this long ass rant says
I like that epic the musical Retells the story, Not only to both cater to modern audience But Also with its OWN purpose of man versus monster.
Obviously, this is not the point of the original text. Mythos Odysseus does not give a single fuck About the stuff that epic odysseus does. I don't know why the creator Decided to rewrite it this way, (If he's ever said why let me know) But I would assume he wanted to make something about the oddessy And this was simply a very creative way to Translate that for modern audience.
I like this because, yes, holy damn. It does have changes from the original text. But it's not JUST changing it. It's changing it with a purpose
It feels reminiscent of some kind of Dramatic play. the way that epic characterizes.
Polites' kind nature is Representative of the Concept of being merciful Represented in his lines such as " This life is amazing when you greet it with open arms" /"There is so much guilt inside your heart, So why not replace it?"
While in contrast you have eurylochus with more ruthlessness and cautious nature, this is Found in some of his lines such as "You rely on wit, and people die on it" /"we don't know what's ahead" / "I say we strike first. We don't have time to waste so lets raid the place-" /"Let's just cut our losses, You and I and let's run"
And then you have Odysseus, the man/monster. The first act of this Musical is his internal struggle With what He should be On that scale. And the other characters Represent this struggle in the song monster
" Is the cyclops struck with gilt when he kills, is he up in the middle of the night? Or does he end my men to avenge his friend and then Sleep knowing he has done him right?
When the witch turns men to pigs to protect her nymphs, is she going insane? Or did she learn to be colder when she got older and now she saves them the pain?
When a God comes down and makes a Fleet drown Is he scared that he's doing something wrong? Or does he keep us in check So we must respect him and now no one dares to piss him off"
He then Applies this to himself
" Does a soldier use a wooden horse to kill sleeping trojans cause he is vile? Or does he throw away his remorse and save more lives with guile?"
And this marks his turning point of deciding that Ruthlessness It's ultimately worth it if it means Getting home, as aeolus says "The end Always justifies the means"
It's in my opinion, a very creative way to go about retelling a myth. Is it accurate? Absolutely not. For example, circe (From what we know) is not protecting When she turns men into pigs, For all we know, she could just do it because Shits and giggles.
Her character and most others in epic is changed from the original. But it's not ONLY changing for the sake of apeling to the modern Western audience and being successful like Many other retellings. It is also and mainly changing for the sake of influencing the plot that Jorge Rivera herrans crafted For the sake of Retelling epic. It is creative and I enjoy it despite knowing it's not accurate.
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gwyns · 3 months
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sjm is literally known as the fated mates author of today's fantasy space. she loves the trope, nearly every single one of her endgame ships are mates, and if they're not confirmed it's highly speculated they are (manorian). hell, even her human ships can have magical bonds that tie them to another person, for better or worse (chaorene). she likes her characters to have this connection, for them to find their own, special person that was meant for them and to help them grow and flourish. even if she has elain reject the bond, i can totally see her making her fall in love with lucien anyway, because that would be playing with it, right? and giving readers something unexpected, something e/riels claim they want
but at the end of the day, it's not about the bond, that's just a device to get characters closer to each other. sjm has always been about choice and like it or not, lucien is a choice for elain. she's been making choices, no one has stripped that from her since hybern kidnapped her. stop acting like shippers are taking away a fictional woman's rights for wanting her with her mate
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chaos0pikachu · 3 months
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So @doyou000me sent me an ask about the film making of Love for Love's Sake (which I have learned is based on a novel and now I'm very interested in reading it lol) so having watched the currently available episodes the big thing I noticed was the shows use of Aspect Ratio.
"In simple terms, the aspect ratio of a movie is how wide the frame of the movie is versus how tall it is, usually expressed as a ratio. For example, most TVs and computer monitors are 1.77:1 (more often expressed on consumer packaging as 16:9), which means the screen itself is 1.77 times as wide as it is tall. The higher the first number in this ratio is, the wider the screen will be." (source)
I know, nerd math.
Basically you know those black bars you sometimes see on the top and bottom of the screen when watching a film or tv show? That's a director filming in a specific aspect ratio:
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(source)
Film makers use aspect ratios in a ton of ways, there's a lot of examples out there from Hateful Eight (Quentin Tarantino), and Dark Knight (Christopher Nolan) where the former used aspect ratio to invoke the film making style of old westerns, while Nolan used a taller aspect ratio for fight/action scenes to give the scene more physical impact.
A recent example that I've seen that I think applies really well to Love for Love's Sake is Marry My Husband:
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See how the first scene has black bars above and below? The director is using a different aspect ratio than in the second shot (these are both taken from ep01). What does this signify in the story?
Flashbacks. Flashbacks in Marry My Husband are always filmed in a different aspect ratio than scenes in the "present" storyline of the show. Perfect Marriage Revenge also uses aspect ratios this way.
Love for Love's Sake does something similar but instead of flashbacks it uses aspect ratio to denote between "worlds".
The game world is filmed in a longer aspect ratio than the "real" world which is filed in a different ratio (not a standard full screen but it does have a taller ratio than the game world):
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This, so far, has been consistent in the four episodes that are out. We have another return to the "real" world in I believe ep03 and we see this same aspect ratio dynamic.
Another thing I noticed is the "real" world's color saturation is much higher and warmer than the "game" world, but it's also (ironically) much more enclosed - this could honestly be a story choice or a budget issue - and boxed in. Something I don't see discussed a lot in terms of cinematography in BL is the use of Lines and Shapes in film and how they add to the composition of a shot.
I really like this video on the subject though it focuses mostly on animation it's still relevant:
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Now if you look at the "real" world scene in Love for Love's Sake we see that the protagonist, before we even know who he is, or anything about him, is in a highly saturated room, warmly lit, but also boxed in:
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The warmer saturation denotes a sense of intimacy, which makes sense in a bar setting, but the boxed in frame around him gives us a sense of tightness, tension even, maybe a sense that he feels trapped. We later learn through dialogue he's unhappy with his life and unhappy with the way the novel story he read has played out.
Then, when the scene transitions into the "game" world, the protagonist is in a different aspect ratio, the color grading is now more desaturated and has a higher blue hue to it, the character is also in an open space and filmed front forward facing instead of from behind:
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This all works well because the audience knows, even before the character does, they are in another "world" and its very different from their own. It creates to specific aesthetics which help set the worlds apart from one another.
For more on color theory, this is one of my favorite videos on the topic which has more to do with like, hue and saturation rather than "the blue curtains mean xyz" which is a singular and narrative heavy way to focus on color theory instead of how color adds to the tone, emotion, and world building of a piece of media.
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I think the first episode of Love for Love's Sake is the best filmed of the episodes so far, the budget starts to chip away in other episodes but I do want to give them their roses b/c they do work within their budget well. There's a lot of interesting visuals used especially with the game pop ups that I really like, and some nice camera work. The editing is a bit weak at times but there's been some good choices too.
I also really liked the scene with Yeo Woon running and how his feet lit up and how that aligned with his affection points going up. The editing for that was well done.
So yeah, those are my film making thoughts on the show for now lol
Check out other posts in the series:
Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI
[like these posts? drop me a couple pennies on ko-fi]
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iffasart · 21 days
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Little fcg doodle i made to motivate myself to study :/
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sneeb-canons · 5 months
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mind swears more than anyone else. soul comes close in competition, but they do it within reason, while mind swears so much, so inconveniently, that "fuck" doesn't even sound like a real word anymore
Headcanon #259
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transmasccofee · 7 months
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Unrequited mikosai hits diff sometimes
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idolomantises · 1 year
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there's something so comforting about artists you admire talking about their own struggles and insecurities
#txt#was watching supereyepatchwolf's video on chainsaw man again and listening to fujimoto express regret about things he didnt learn#and how he's clearly envious of his peers is so... comforting?#i think about my own strengths and flaws and often times i get so frustrated with my shortcomings#im not good at drawing feet; my backgrounds are purposefully simplistic and lack a lot of detail; sometimes my designs have a tendency to#overlap or feel very 'safe' in terms of what i really want to do#its why; despite my love for clowning on media and animated works. i never want to feel like its from a place of malice#the joy of art is always seeing those little mistakes and nuances. its also noticing the achievements other creators have made that you#still lack#even for a certain hell-based show i love to poke fun at for its many. many issues. its undeniable how incredibly passionate the work is.#and i do respect anyone who is willing to get their flawed media out there (myself included)#i see stuff about people calling me their inspo or how flattered they are when i compliment their work and its like. gee. i hold myself at#such a high bar and even still im always surprise when people tell me how much my work moved and changed them#i really love writing just little fun things that i just dont really see anyone else touching and its kind of fun how despite my own#personal grievances with my own flaws and mistakes#people really do find things that they love within them.#anyways I know this is getting long but I’ve just been getting sentimental abt the creation of art#sometimes people make fun of me for love of drawing women and lesbians and bugs and so on#and while I will never let me deter me from my process. sometimes it does get to me#but then I remember that I love doing this and could ever see myself holding back#and knowing despite how other people feel. I have so many followers who resonate with my weird ass shit#that it’s all worth it. ya know?
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raviollies · 22 days
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Was rewatching a cutscene from Diablo 4 and *man* am I still disappointed with what they've done... I really enjoyed the art direction, the story (Give me any story centered on motherhood/evil mother who loves you in a fucked up way and I genuinely eat that up, yum yum - Lillith unironically best demon in that franchise), the soundtrack and the honestly up until endgame the gameloop was fine.
I gave an honest effort to endgame (I think i got to level 80 something?) but it just got less and less fun with the constant nerfs....I Loved Diablo 3 endgame because it was fun to just make bonkers builds and speedrun the rifts, and their decisions (greedy) to nerf enemy density/build dmg/drops is just...man. What squandered potential....Diablo was never about being balanced it was about what bullshit you can break in endgame to get revenge on that second boss that was spanking you in the beginning of the game (Duriel)
I will say I haven't touched D4 since S1 so if that's changed lmk!
I hope that this follows the redemption path of Diablo 3 & yeah I'm a sucker who'll buy the DLC because Diablo is a franchise near and dear to my heart, but I just get sad at how they massacre it...please...I believe in you....make DLC good...Reaper of Souls was good...please
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cringecannon · 7 months
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you wanna know what im a huge fan of? edging, intense edging with zero climax . whoever the hell you want
I think ascended Astarion fits best for this. Before he ascended, he was used to being used for pleasure. Now? Now he gets off on depriving you of it.
He’s tied you up, obviously. Can’t have you thinking you have any bit of control. Fine silks are tight around your wrists, holding them high over your head. Your ankles are similarly bound, but tied spread apart to the bed frame. Your thighs shake and your chest heaves as he brings you closer and closer to the edge. You lost count of how many times he’s denied you. His fingers, his mouth, his cock, none of it has brought you relief. You’re practically incoherent, delirious. Your skin is hot and everything hurts, so sensitive you think the slightest touch will drive you mad. You whimper and whine and he clicks his tongue, dark red eyes glancing over you. Hush. He already told you, begging won’t work. Not this time. He’ll take you right to the edge, again and again, until he bores of it. Maybe once more, maybe an hour, maybe never. Just lay back like a good pet and take it.
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boylikeanangel · 10 months
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ok yknow what else. I am so glad they're acknowledging the 180. I haven't really voiced this cuz I was otherwise so excited for this season but I really was on the verge of indignation about them just deciding to make gabriel a goofy sidekick after he was literally the biggest villain of season 1. it really felt like they weren't willing to acknowledge just how much pain he's actually caused aziraphale and crowley and, to be honest, it seemed a little out of the blue that aziraphale would try to help him. but no. they're actually talking about it. it's a central point of conflict for them that crowley rightfully wants nothing to do with this because it's GABRIEL, he tried to kill aziraphale, he's still understandably terrified that heaven will try to hurt him again, and now he wants this guy nowhere near either of them, and cannot understand why aziraphale would have him in his bookship after what he's done. and as for why aziraphale wants to help him, that seems like it's actually going to be explored rather than just accepted for the sake of the plot moving forward. not only have they not forgotten just what gabriel did or tried to do last season, they're placing that lasting fear and apprehension towards him front and centre and are going to have aziraphale and crowley conflict over whether or not he deserves their help. I'm honestly so relieved because I had always been staunchly anti-gabriel and never really enjoyed the fandom's overly jovial attitude towards him, and was genuinely really skeptical when it seemed they were going to make him a sympathetic character in the new season, especially since the trailer played the comedic angle for all it was worth. but it's not just absurdity for absurdity's sake. it's actually something for our main couple to work through. the writing knows this is a difficult shift in dynamic to contend with. and they're directly employing it as an obstacle for aziraphale and crowley. it's really good and it's put a lot of my worries about the overall tone and messaging of this season to rest
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