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#it's the way I actually got emotional
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Had this Headcannon that when Multi-Lingual Dick and Jason get drunk they start singing Ballads in Spanish. Yeah some classical shit like Vicente Fernandez but also the most wild Selena you've ever heard.
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junkanimate · 24 days
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I let the brain worms crawl around, so here's an art dump
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willowser · 7 months
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one thousand lonely stars, hiding in the cold—
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android!shouto x reader
wc: 2k+
tags: angst, cyberpunk dystopian setting, financial vulnerability, explicit language, minor mention of sex work + sex workers, reader has strong/conflicting feelings about their situation, and — as always — the question of true humanity.
notes: what a great opportunity this was for me to continue exploring this idea !! tysm to @shoto-brainrot for not only giving me the chance, but also for being such a support and helping me to figure out all this commission jazz !! i so appreciate you, and i hope you enjoy it ! 🩷
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You’ve yet to find out what caused the damage to Shouto’s faceplate.
By the time you discovered him outside the credit exchange, he had been busted open and left for—whatever the equivalent of dead is for an android. A gaping hole in the left side of his disturbingly human face exposed his inner circuitry to the rain and you think that should have finished him off, truly, but—he's still kicking. 
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Technology in the lower district is distinct. The most careful hands could have crafted him down in the best underground salvage yard and he still wouldn't have lasted half an hour with his face submerged in a shallow mud puddle like that. Wiring would have been shot, fuses blown.
Even if the Todoroki Corporation symbol on his wrist wasn't glowing, a blinking light in time with his would-be heart, you'd know what he is. You'd know he didn't belong down here, beneath the smog, in the industrial bones of your dying city.
And yet—
The left side of Shouto's face took the brunt of whatever blow he'd been dealt, and the scarring—if it's even called that?—has extended down over his cheekbone and backward, so violently that his ear had only barely been hanging on. Without the bandage you've wrapped him up in, he's quite a sight: half a tangled mess of wires and pins, a dull cyan light glowing in his orbital socket. With the wrapping, however, he’s almost exactly as he was meant to be: seamless.
The fate of his detached ear had been unknown. Until this morning.
It still works, much to your surprise, learning so only after wondering aloud the whereabouts of your data docket and hearing Shouto answer from across the apartment. Whoever put him together, you realize, took great care to make him durable, adamantine; the carbon nanotubes and polymer arrays that make up his cochlea were hardly affected by the assault.
Someone—or something—meant to harm him, and you know that for certain, now. Such wreckage couldn’t have happened naturally, not to a Skin-Puppet like him.
(When you look at him, you can’t help but consider his creator. How far he is from them and why. If the hands that made him and the hands that ruined him are the same, if he meant to leave or if he was cast out. You haven’t asked, but it’s odd that a machine could keep such information to himself—itself.)
(Given the brutality behind his mutilation, perhaps it’s best you don’t know the answers.)
Working tech from the richer district—KōkyōLuxuria, above the smog, built high into the clouds—could not only earn you enough to eat this week, but also to pay off all your debts to the League. Maybe even finance a decent apartment a few stories up.
And that’s why you’re here: racing through the slums in the rain, doing your damndest to make this sale before time runs out and you’re forced to find another buyer. Coming across a Hack with 1,640,254 credits in their docket is rare; who knows when you’ll find someone from the Trade in Musutafu sector again? You’re likely to sooner perish—either from your empty stomach or that broker that demanded payment two days ago.
Shouto, however, doesn’t see the urgency.
“Hello, handsome! Awful cold out tonight…care to warm me up?”
“Oh, hello.”
At the even, all-too-friendly lilt in his voice, you halt your sprint again, and spin around with a hiss. “Shouto!” You snap—but it comes too late; the Entertainers have struck like lightning, already scrambling his code. 
Out of habit, you’d pulled the hood of his sweatshirt up over his head before leaving the apartment, and now the material separates his image from view—though you can easily imagine the pleasant expression showing on his face, illuminated in pink under the NanotechNymph advertisement.
At his easily captured interest, two women strut from the open doors of the low-lit den, all allure and swaying hips, mirage flickering beneath the heavy rain. They only meet him halfway—too far from the emanator deep within the club—and you dash forward to stop him from wordlessly accepting their offer. You can’t afford to owe anyone any more than you already do.
“Shouto,” you say again, mouth twisting when he looks at you simply. Despite the hood, his bandage grows dark from the rain and—despite his framework, worry fluxes in your stomach at the thought of him getting too wet. “We have to go.”
“Aww,” an Entertainer says to you, girlish pout pulling down her full lips. “You don’t want to come inside and play with us?”
“No,” you try not to look at them any longer, just in case that racks up a charge, too. Rock solid as he is, Shouto allows himself to be steered away, much to your relief. “Buzz off, holo-ham.”
“I’d like to play.” Shouto pipes up, peeking behind his shoulder when the girls squeal in excitement. “Can we come back once we’ve finished?”
“Not for that kind of play.” You put a hand on the back of his head and swivel it, all while shoving him down the sidewalk. You almost remark on how man-like he’s acting, before chasing the thought away.
“What other types of play are there?”
“Just—hush.” 
And he does, finally, when you loop your arm through his: a presumably innocent gesture that draws his attention fully back to you, as physical touch seems to do, with him. Beneath the material of the jacket, he feels natural, all muscle and bone, even leaning into you as if the weather has made him cold. You can feel him tracing your face with his one-eyed gaze—scanning you—and you pretend not to notice.
“Your heart rate has gone up. Have I made you angry?”
“Yes,” you tell him, though he hasn’t, really. “You and your curiosity are gonna make me late, and then we’ll be in some serious shit.”
He looks away then, down to the soaked pavement, a mimicry of disappointment. From the corner of your eye, you can see his manufactured Adam’s apple bob, and the muscle beneath your hand shifts.
“They seemed nice, the holograms.” He says, and you can’t help the soft snort such a comment merits. 
“Yeah, they’re nice, alright, until you can’t pay them.”
Shouto looks at you once again, stride threatening to falter until you tug him along. “Do you know them?”
You already know where he’s going with his question, and the corner of his lips quirk up when you cast him a filthy look. “Well, no, but—”
“Then how do you know—”
“I just do, alright?” You frown at him and he accepts it in full, studying once more. Whatever he finds in your expression amuses enough that he’s placated for the moment, though you know it won’t be long before he’s piping up again.
He does it often—studies you: body language, physiological changes, speech patterns, vocal cues. Human behavior he catalogs and streams to someone back at the Corporation headquarters, finding the miniscule details he can use against you, some day. Whatever the reason behind his damage, he is still a product of his evil overlords, made for reasons you can only imagine. 
This is what you tell yourself. 
As his fingers shift until their smooth pads are brushing the delicate veins in your wrists, as he tightens his arm around yours when another stranger on the streets knocks your shoulder, as he leans into the warmth of your humanness: this is what you tell yourself.
You’re overcome with a sense of loss and you don’t know why, and you clear the strange lump hardening in your throat. “Life lesson number six, Todoroki,” you murmur it closely to him, nearly into the fabric at his shoulder, though he doesn’t react to the name. “Everybody wants something from someone, holo-hams included.”
Shouto seems to process your words, for a moment, and his face is expressionless when you steal a peek up at him. Technicolor rains down on your both, swathing him in a wild array as advertisements dance on the buildings that tower above you, and again you think of his creator. The careful hands that crafted his smooth cheeks, the sharp line of his nose, the leanness of his body. You wonder if he’s ever been deemed precious.
Nearly all of the residents relegated to the lower districts owe the Todoroki Corporation in some way. Be it through credit loans or applied interest rates on subsidized housing or hidden costs and high premiums on mandatory, shit insurance—Enji Todoroki sits in the lap of KōkyōLuxuria, has probably never even stepped down from his pedestal. 
There’s no good reason a product of his could have found its way to you: this is what you tell yourself.
“And you want my ear.” Shouto says, looking back down at you as your shoulders tense. There isn’t a byte of hostility in his voice, but he must understand the sharpness to what he’s saying.
“Yes,” you admit with a nod, and some underlying, rogue streak of guilt has you pressing into him, as if your proximity could make up for your selfishness. “The sensors in your ear are gonna pay for our dinner tonight, handsome.”
His stride falters once more, and despite the time clock ticking in the back of your mind—you let him stop you. Maybe you want him to. Nothing ever goes unnoticed by him and you know that and maybe it’s cruel of you to say such a thing, to offer a comfort you can’t admit to, but Shouto looks down at you in all his ruination and—
Before he can say anything, a fat drop of water hits the tip of his perfectly manufactured nose. It makes him flinch, delayed, and the surprise he wears and the scrunch of his brow seem so—human, there before you. Shouto tilts his face to the dark, smoggy sky, and again that worry bites you, about too much water trickling into his core.
“We’re going to be late,” you repeat, though it’s much weaker than it was earlier. This is one those moments in which he overrides all your defenses, uploads something warm and hopeful and frightening into your chest cavity; you can’t tell if you want to run because you have to, for the sale—or if it’s a result of watching him now, haloed in neon.
He’s not one to ignore you, but he doesn’t respond, instead retracting his arm from your grip in order to push the hood back off his head. Raindrops soak into his bandage and the excess pools, dripping down over the line of his jaw and the column of his throat. So close to him, you can see the goosebumps that break out across his skin.
(You wonder if he’s ever been deemed precious. You wonder if he meant to leave, or if he was cast out. You wonder if he was created for continued corruption—or if someone out there wanted him to experience life, no matter how rusty.)
(You wonder if he feels as human as he looks. If he can blush, or if the soft skin below his ear can bruise.)
A small sound bubbles out of him, like a light laugh of disbelief. 
You found him face down in the rain; you’re not sure why it could cause such a reaction now, but he turns to eye the commercial playing behind him, before watching the path of a man walking by the two of you. Rain collects in his perfect cupid’s bow until he licks it away, and his hair slicks to the side when he pushes it out of his face. 
Shouto turns his attention back to you rather plainly, though the edges of his smile pull up a little higher than they usually do, enough that the apples of his cheeks round. He asks you, “What’s going to be for our dinner?” and the question is oddly worded, but each one is intentional. 
Maybe it’s not the rain that amuses him—and maybe it is. Maybe it really is that simple, that innocent. Maybe it’s the microtremors in your voice and your increased heart rate, all the little details that could never go unnoticed. 
There isn’t a way that this could end well: this is what you tell yourself.
You nod once and turn to face back the way you came, resigned, before looping your arm through his again. You trace the delicate veins on the inside of his wrist, careful not to cover the slow-blinking symbol embedded there, and you decide it doesn’t matter what his creator did or didn’t want. Because he has wants of his own, just like anyone.
“Okay,” you sigh, and when you slosh through the puddles collecting on the sidewalk, Shouto seems happy to follow along, this time. “I can probably sweet talk Toyomitsu into buying us some takoyaki, but you’re gonna have to play it cool.”
“Is this the kind of play you were talking about?”
That lilt has returned to his voice, even and friendly and amused.
“No,” you swat at him to hear his little huff of laughter, “now stop asking about that.”
Of course he doesn’t.
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p4nishers · 1 year
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with eddie confirming he only married shannon bc of chris and his disastrous relationship with ana i think it's pretty safe to say that he's gay. he is SO gay and i was right.
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gojoest · 5 months
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haikyuu hype come back please
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the-words-we-sung · 1 month
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Season 3 ending
So... It's been almost a week since the last episode, almost a week trying to wrap my head around the end of the show, trying to manage my feelings about it all.
It's hard to end up feeling the complete opposite of nearly everyone on my dash but I've come to terms with the fact that I didn't love the ending. I didn't love this last episode. (I shouldn't feel ashamed or weird for saying so but you guys loved it so much that I feel a bit like an outsider right now 😓)
I haven't been a fan of the show for as long as most of you, but it means so much to me. These characters carved a place in my heart and in my head, and they've made me happy for months now. They helped me get through some stuff, made me discover some amazing artists, meet even more amazing people through this fandom. And I loved the story. Even in its darkest, saddest parts, I loved it. I was invested.
I love Wilhelm and Simon, together and separately. They mean so much to me. And I loved season 1 and 2. It made me happy, and sad, and frustrated, and exalted. But overall, I trusted the show and I was not disappointed.
Season 3 was a lot. I liked the first 5 episodes. I can't say that I loved everything about them: I was not expecting things to get so hard for Simon, with no reprieve in sight. I was not worried about Wilmon being endgame (I know it was a big stress for the fandom but honestly I never doubted that they were endgame), but I was wondering how the show would go about tying all the knots it made (I should even say all the knots it added during this last season).
(Under a read more because it's a bit long and I don't want to bother those who don't wanna read more of my frustrated thoughts ^^')
And unfortunately the last episode was a huge let down for me. Yes, it's partly because nothing I was hoping for actually happened, but mostly, it's because the choices they made did not feel very satisfying to me: ⁕ Simon was barely there. We went from him being bullied online/offline non stop for 5 episodes to almost nothing. It makes 0 sense to me. ⁕ Kristina suddenly feeling better: she was having break down upon break down for an entire season, could barely look at her son or even just talk normally and all of a sudden she's back, smiling and agreeing to everything Wilhelm says? I'm sorry but I don't buy it? Where did this Kristina hid during the entire show? ⁕ Wilhelm deciding to not be king, talking for 3min to his parents about it, them agreeing and him running into the sunset with Simon. I'm sorry, what?? I love that they end up together of course, but it makes very little sense to me? It won't change any of the issues they had this season? They're still gonna be famous? And bullied online/offline? (Probably even more so now?). I'm not obviously saying that Wilhelm staying in line to become king was the only or the best solution, but I wanted more from this storyline. I wanted to believe it. And right now, what we got? It feels a bit cheap (and I feel bad for saying that because the ending was cute and romantic and all, but it felt too disconnected from the rest of the show for me ><)
And apart from these few points, the big issue I had with this episode was: The Angst. So that might be a me-problem, but it was too much for my poor little heart (I haven't rewatched the episode yet, and I'm not sure I'll be able to anytime soon ><). I spent like 40min of the episode with a huge knot in the stomach because the heartbreak between Simon and Wilhelm was too much to handle for me. I can see how it was beautifully made, that having lots of throwbacks to the previous seasons, the Wille song, all of that was great cinematography. But it was just too much for me. I got in the season spoiler-free but for this episode? During the lake scene I had to take a break and check online if they were actually endgame because it was starting to actually give me a stomachache. So yeah, this part might be me being too sensitive but I did not like that they made me see them fight for each other for 2 seasons and 5 episodes, but then just giving up for 40min before finally running back to each other during the last 10min. It was just too much sadness for me ><
So yeah, maybe my expectations were too high? But I feel sad, and kinda cheated. Too many things are left wide opened. Too many things make zero sense to me. And of course I'm happy we got our Wilmon endgame, but I'm less happy about how it happened.
It's a bit hard being on Tumblr right now and seeing everyone who thought it was the perfect episode >< And I don't want to "yuck anyone's yum" (as the saying goes), but I still wanna be able to share my thoughts! I probably won't write super angry/unhappy/complaining posts about the season/the finale, but I still wanna be able to chat about it. I did see some posts on my dash from people not being entirely satisfied with this ending so it's a bit comforting. And I hope we can share some nice headcanons, or just discussions about different plot points.
But yeah, I guess that's why I haven't really been active this week! Trying to get over the double heartbreak of the end of the show + being disappointed with the ending! I'm gonna come back though! I miss hanging out here, I just need to strengthen my heart a little bit more :p Gonna get back to writing about my thoughts episode by episode for this season (I can't promise I can rewatch the last one though 😖 It might take me a bit of time to get there). And I want to continue my song analysis of the show!! I'm not even done with season 2 yet, I have some work to do there ^^
So see you back here very soon 😘
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hephaestuscrew · 5 months
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I go back and forth on whether I think Securité was the first time Minkowski and Eiffel hugged. Because on the one hand, I think that by the end of season 2 Minkowski and Eiffel are friends who are deeply important to each other, and that Eiffel is a physically affectionate person, and that Minkowski gives really good tight hugs when she wants to. And if Minkowski and Eiffel didn't hug before Securité, then it seems probable that neither of them would have hugged anyone at all in 864 days. 
But on the other hand, there are still emotional barriers between them by the end of Season 2. Eiffel isn't expecting Minkowski to hug him in Securité and he doesn't initiate a hug himself. And if you don't expect to hug your friend after you've been presumed dead in deep space for over 200 days, then when would you expect to hug them? 
Minkowski apologises after hugging Eiffel in Securité. And it's not completely clear if that is just for the tightness of the hug and the lack of warning, or if she's apologising for hugging him at all. Eiffel says "it's all right. Don't apologize for hugging", and that could mean it isn't a big deal because they've hugged before, or it could be giving her permission for a new way of interacting. He could be telling her that it's all right, they can be people who hug each other.
We don't know whether Minkowski and Eiffel ever hugged before Securité, but we do know that she carried him to the lab during his Decima attack in Do No Harm. We know that as he convulsed after collapsing, she told him "It's okay, I've got you", which I think implies she was holding him. And going all the way back to Cataracts and Hurricanoes, we know that when he nearly drowned in his spacesuit, she brought him inside. There's just something so emotional to me about the idea that before Securité, Minkowski might have only ever touched Eiffel in a gentle or affectionate way when he was unconscious and at risk of dying. And then, after he gets stranded on the shuttle, for a while she thinks he is dead, or as good as. He's lost in deep space where none of them can reach him. And when he returns, this time she grabs hold of him and she doesn't want to let go.
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rushingheadlong · 3 months
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You know something I don't think I've ever seen people talk about is how Freddie changed the lyrics for Big Spender.
Because in case you don't know, all original versions of the song are sung by women - and it is made very clear that they are singing to men:
The minute you walked in the joint I could see you were a man of distinction A real big spender [....] So let me get right to the point: I don't pop my cork for every man I see Hey, big spender Spend a little time with me
Probably not too surprising, then, that when Queen performed this song in 1974 Freddie had to do a bit of a gender-switch on it:
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Though, it would probably be more accurate to say that Freddie made this song gender-neutral because he didn't change it to be about a woman. He eliminated the first use of "man" entirely and then sang "I don't pop my cork for everyone I see" (instead of "every man").
And honestly there's probably a whole dissertation you could write just about those changes alone, but what I really love is when Queen brought the song back in 1986 and Freddie changed the lyrics again:
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Because yes he still dropped the first "man" but the "everyone" is changed and Freddie instead sang "every guy" with just the barest hint of a "-rl" sound at the end to give him plausible deniability if anyone asked about it.
So much of Freddie's music speaks to his experiences as a queer man but, because of the nature of the times in which he lived, he couldn't always be directly open about that fact. Most of his love songs are intentionally vague, and he sang about "somebody" or "you" to avoid having to use gendered terms as much as possible.
Freddie singing "I don't pop my cork for every GUYrl I see" wasn't just an adjustment to the original lyrics, it was a specific change from how Freddie had sang it before in order to make it more gay in a way that he could rarely be with his own music, and that is what I adore about this. It's such a little thing, but it gives such a unique insight into how Freddie balanced his sexuality and his stardom, and how the relationship between those two changed over the nearly 12 years between these performances.
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sysig · 3 months
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Gift (Patreon)
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xysidhequeen · 7 months
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I know in your Red Knight AU, Jason when on the rampage in another realm, after finding out that Batman replace him with another Robin.
Did Danny manage to be there for him during that time?
He did! Danny was always there for Jason. He actually wanted to chase after Jason immediately, but luckily, the first thing he did was panic call Jazz, absolutely out of his mind. Jazz promptly told Danny to let Jason have some space for a little bit to process.
Which was for the best, really. Jason needed to not feel like he was trapped and that he could be angry. He never really got that before. But the most important thing is Danny came after him and brought him home. Jason needed to feel like he could be angry, but also, like his anger wouldn't mean he'd be punished or abandoned. It was a very delicate time for him, but Danny, Jazz, Sam, Tucker, and all our favorite ghosts made sure Jason knew he was very much wanted still. And that he was utterly irreplaceable.
Skulker handled this by breaking all of his weapons and suits overnight and saying he didn't know how to fix them. (Jason very much knew what he was doing, but the time spent on fixing things helped ground him)
Ember handled this by announcing that she couldn't possibly ever sing ever again unless her only other band member was there (Still very obvious, but music time with Ember usually devolved into very necessary crying time. A lot of ice cream was consumed)
Johnny and Kitty handled this by getting into a MASSIVE fight and refusing to speak to each other unless Jason mediated. (This actually was far less obvious, as the two tend to get into fights often. No one is actually certain if the fight was fake or not to this day, but they also haven't broken up once since and Jason is incredibly proud of that)
Fright Knight handled this by.... well, actually, he took the blunt approach and told Jason there was no one in any realm dead or alive he'd ever consider worthy to be his apprentice besides Jason. (This was highly effective as Frighty has always been bluntly honest with Jason. He didn't wholly believe it but it was a comfort. Frighty then beat his ass in a spar and he didn't think of much else)
Basically, everyone was there for Jason. Not just Danny. Jason was made to feel like his anger and hurt were valid, because they were. But he was also not just told, but shown how precious he was to every life he touched. He didn't get it, not at first and he struggled to really believe it.
It wasn't until later, after Danny opened up more about his own trauma and the effects it had on him that Jason actually began to somewhat understand more of what Jazz meant when she said Danny was getting better. He pieced more of the story together from the others to paint a better picture, and that's when it clicked for him. As much as he needed Danny, Danny had needed him just as much. (Clockwork may have had a hand in this as well, but whatever those two talked about, no one will ever know)
Also, as an aside, once everything calmed down, Danny was very pleased to learn the rebelling realm was now back under control and quite terrified of the Ghost King and his Knight. It saved him so much paperwork.
So yeah, this was a bit all over the place, but hopefully, it answers your question. Team Phantom and the ghosts are basically a very large family, and they might fight and bicker, but they seriously pull through and muster together if anyone is hurting. They're a bit clumsy sometimes with it, but the love they all feel is very obvious. I really, really wanted to give Jason a much more healthy origin story into becoming Red Hood than he got in canon. The poor boy went through enough. It was past time for him to get to heal.
Jason still has some hangups. His abandonment issues are still there, and his fear of rejection. But it's not as bad as it was, and because he'd been allowed to express his anger without being punished(or enabled, anger is a fine emotion to feel. But you should never let it consume you) for it, he figured out how to manage it.
He might still slip now, and then, he has trauma, and that won't go away. But Danny will never, ever let him fall. Neither will the rest of the weird little eclectic family they've built.
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ganondoodle · 11 months
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since i cant stop thinking about things i care about and also i cant shut up ever im gonna say my bit about the "well of COURSE they destroyed everything shiekah after botw bc it nearly killed the entire country DUH do you not understand basic worldbuilding??" type of comment i had directed at me (mostly on twitter to no ones surprise and almost exactly worded like this)
--how would you even destroy it, the only thing you can actually damage with anything are guardians and nano-guardians, anything else cant even get scratched, hell you cant even climb the darn things, are you seriously trying to tell me they somehow completely pulverized not just the shrines but titans (divine beasts), the shrine of life and the pillars holding the guardians in storage around hyrule castle and the dome beneath it (whereever that went lol) when it was built to and DID last over 10 000 years ... and if you did somehow find a way to dismantle literally all of it why would you not ... use its parts for something else and also research it (lets be real here, purahs new towers are just the sheikah towers but more impractical and would by all means not need all of the material from all the missing stuff and the purahpad is just ... literally the shiekah stone but looking more like the switch and also worse bc its got almost none of the functions the shiekah stone had) they were so integrated into botws landscape removing them and their chambers would have been so much effort better spent in other places and just so unnecessary (think of the shrines at the twin mountains, removing all of that would be so dangerous and difficult to do), removing the pillars and the dome under the castle would endanger it collapsing no? there also would have needed to be a giant mechanism down there to make the pillars rise up, why would you go and try to destroy that instead of focusing on rebuilding the most important infrastrucutre
(on a sidenote, yes there are holes to the underground in the place of some shrines but its by far not all of them .. .even so there at the very least should be some rubble of them lying about at the bottom plus in most of their places its just plain earth, or sometimes even a cave locked by some puzzle which is.... so weird)
really the only explanation would be that it all just ... disappeared after zelda sealed ganon, which wouldnt only be hella unsatisfying as an answer but also again pose the problem that i would have caused the castle to collapse considering how shiekah tech was so integrated into it... unless it turned to earth somehow ... which would explain that but still be as satisfying of an explanation as 'it was all just a dream uwu' additionally, the zonau stuff under the castle wasnt even that far down so it must have intersected with the shiekah stuff, like the pillars or the dome?? but no its all just zonau ruins now wahoo
if literally all traces were gone and totk was a paralel to botw but with zonau instead of shiekah OK, they still called it a sequel tho, they still talk about the events of botw but in a way that sounds like it was just another lost legend, the tapestry exists as well, and there are a few old guardian parts on top of the hateno institute (still feels like an oversight considering how cleanly everything else was wiped off the map), plus purahs towers and the purahpad are clearly based off of it, so it cant really be some time fuckery either, some things still remain; it just doesnt add up and its frustrating as hell .. ... especially if you were like me completely thrilled and intrigued to learn more about the ancient shiekah, what WAS that dome under the castle for?? what WAS ancient energy really and why was it found in these specific places only?? did they know about ganondorf?? if they built stuff down there shouldnt they have inevitably come across the old tunnels?? the monks literally talk to link in botw why would they withhold that info, what reason could they have?
--by far my biggest annoyance with that excuse is that ... if you are so afraid of tech you dont fully understand being taken over by the bad guy again to the point you destroy not just the titans you basically worshipped as divine protectors but also immovable shrines that literally couldnt do shit to harm you even if they were pumped up to the brim with malice/miasma after they have already become non threatening/non functional anyway... HOW could you just go and fully trust and personally play around with new tech that LITERALLY rained from the sky out of nowhere, from a group of people no one knows shit about (like at least the shiekah were still existing and had a small part of recorded history) and never cared either until now that they are suddendly everywhere, even if it cant get corrupted somehow (kinda disproven by the spirit temple) how the hell would anyone know that?? if anything this would be a reason to be MORE afraid of it
even the ancient king that persecuted the shiekah bc he was afraid of their tech when they invented it didnt order them to destroy it, just bury it, despite them of all people knowing the best of how to completely destroy it??? and zelda doesnt seem like the type that would order old history and relics to be destroyed liek that??
it would have been such a golden opportunity to show that hey, the ancient shiekah based their tech on that of the zonau, they found the mines and tech and reasearched it to built their own from it, strucutres that show they were down here building the shrines from underground, titan prototypes, you cant do anything with it, its old and broken, but its there, environmental storytelling and all that
the shrine of life especially pisses me off bc thats like .. ok it was kinda not the best maybe but it still saved links goddamn life, even if it all became useless for some reason at least leave it there as a sign of respect, if there needs to be a cave have it be half collapsed after the cataclysm or something wheres the problem
(also idk if im the only one with that but in botws true ending when zelda says that vah ruta, i think, has stopped working it seemed like a good setup for more? and that she wanted to investigate that in the sense of ah shoot i want it to keep working tho and not in the sense of hell yeah lets smash it to pieces i know this is theory territory now but it seemed like it somewhat confirmed that the titans need a pilots strong spirit to work since they are not connected to the ancient energy network and the spirits of the champions passed on at the end ... the idea that ancient energy was spirit energy either gained from luminous stones or directly spirits is so neat, and i loved that idea of hey the reason why all of the energy went out all of the sudden is bc ganondorf is breaking free after having been kept in a stasis to use either his malice or his strong spirit to fuel it all has never left my mind since i first read about it bc its such a good setup for intrigue, like oh heck the ancient shiekah werent so coolio and 100% perfectly good either, maybe they knew about gans 'future' or history and hey why not trick him or sth into being sealed against his will so that problem is out the way and whoop hes pretty much an infinite source of energy nice lets use that for our research and not tell anyone oh no we created a monster (calamity gan) l guess we are gonna use the tech we fuel with his own life against him lol, OR you could have connceted it to the zonau maybe doing the sealing first and the shiekah discovering him later and being like oh neat an endlessly rich powersource we arent gonan tell anyone about weehoo
it would have tied into the ancient shiekah stuff, explained why it doesnt work well anymore, give a reason to explore the underground and discover it all, give a reason to why it was kept a secret bc no one wanted to admit yeah we made this monster ourselves whoops, give ganondorf a reason to be this angry and make it all more nuanced bc yeah ok maybe the zonau knew about gan and in their effort to prevent it caused it instead by sealing him before he became a problem and it all started a domino effect of disasters leading into all this mess that now poor zelda and link gotta solve
im not saiyng this is the better version or that i am better but again you can literally do so much with the setup for it all and what totk ended up doing with it feels so ... not even underused but straight up backwards treading you had it right on front of you INFINITE POTENTIAL AAARGH)
theres only so much fun gameplay and fantastic music can save and man can you imagine what could have been if the story got the same polish as the gameplay and music ;__;
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azurechicken · 11 months
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I find it curious that people who end up disliking Anders usually list their reasoning as him being snappy. Well, yeah? He is snappy, he is loud, he is fiery, and he doesn't know how to stand down most of the time. If he was not the way he is, he would be another Circle Mage. But that is not really the point, is it? He does not start out as this fiery mage who cannot shut up about anything injustice. He starts out as this jokester even the fans always look back and say "I liked this Anders better". Between the jokester!Anders and fiery!Anders, is there really that big of a difference though? Don't get me wrong, I do see the way years changed him, as well as the merging of course. But who he was and who he is are just a reflection of how he reacts to the same problem he always faced; being unheard. This man spent his entire life trying to make points that never really reached their destination. At first he joked about them, and everybody waved him off. Then he got serious, and he was shut down or ignored. From the point that we meet him, between dead templers, he already looked like he lost the argument about having anyone just listen long ago. So he jokes about it. Now, Awakening!Anders is young, not yet faced the unending taint and darkspawns, he is just starting. He didn't yet see the mess Kirkwall is, didn't help anyone who needs it in a sewer selflessly until drained. Didn't have an ethereal being of justice push him towards righting the wrongs done to his kind. He still had Ser Pounce too, if that helps. And in a way, Karl, of course. But the Anders we see in Kirkwall has seen and done all that. He is now all that he suffered. He changed, he didn't have a choice against it. But one thing did not change; he continued to make his points, and he continued being unheard. And at this point, I think it is already a bit late to hear him out. Because he has been unheard for so long, he feels unheard. And feelings are louder than facts, always. And, yes, he is snappy. He snaps because who would hear if he didn't? He is fiery because he has people to stand up for. It is not just his voice anymore, it is of many more like him. So yes, he is loud, with many voices hidden behind his own. Yet, even then, 'he is just an abomination.'
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kicktwine · 5 months
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oh so alisaie’s exaggerated bully behavior is 80% fanon. saying this she casually picks up a large rock
#say one thing wrong to me and you will have a wonderful few days with the rock#if angry silly girls have 100 fans etc if they have 0 fans i have died#sorry i saw a YouTube meme i vehemently disliked on principle and got mad at the only child behavior-#kipspeak#she is just short tempered and uses anger to mask other more ‘shameful’ emotions!!! alphy did the same thing with just deciding not#to express them. which is still not good and I think why he breaks and ends up teary so often now#this shortness does not translate to actually being mean to people. she only uses being mean as a shield for herself and being snarky#Is just fun for her. it’s fun for Me. you have to inconsequentually tease people or they’ll never learn to laugh at themselves#the twins and thancred 🫵 do this thing where they have big emotions but they don’t want anyone to SEE they have big weird emotions#so alphy pretends he doesn’t have them under a veneer of dignity and alisaie pretends the emotions are Something Else. thancred is#just so emotionally constipated he has trouble expressing anything. he’s got enough baggage for a flatbed#anyways. alisaie is such a compassionate and kind girl and she learned how to make snarky jokes and went ham. and she hates appearing sad o#weak or vulnerable so she blocks it off with an unapproachable emotion so no one pities her and they maybe get on with the plot#it is in fact also great at getting ppl to move away from the sad or embarrassing topic. even if the tradeoff is being more offputting#she would never (grabs youtube meme) she would never seriously bully her brother. this is sibling ribbing only. Cain instinct#just leave her be she is learning how to snark humor and she loves it she loves being sharp. alphy has wit he just keeps it close#my brother didn’t learn how to tell or receive a joke until he was 14 he took everything so seriously. he can do it now though and he’s#HILARIOUS. Don’t tell him I said that. my man knows exactly where the funny points are even if he hasn’t learned when to stop yet#too many tags. Whatever. jokey snark alisaie who sometimes compliments is happy alisaie grouchy snappy angry alisaie is way too stressed#very easy way to tell between the two. even alphy can tell between the two I believe! He tends to rib back in protest if they’re having fun#and try to stop her if they’re not having fun. case in point ‘what is that supposed to mean?!’ vs ‘alisaie ryne was only trying to help.’#I know they’re twins but that’s such an intensely older sibling thing to do that it reels me#LONG TAGS AND THREE EDITS TO ADD ON SHORT I resent this stereotype taken too far into ooc behavior. it happened with nya#It will happen again and as a postscript let me regale you with Things U Can Notice About Character Motivation and Actions—#I’m not done let me s#she and raha are friends now I decree. ‘haha you like me’ SPUTTERING PROTEST FROM BOTH
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univemma · 9 months
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Leo and Raph consistently being at odds with each other in every TMNT adaptation since 2007 vs Mutant Mayhem Leo telling Raph to "use your anger" oh im faint oh i need to lie down.
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tibli · 6 months
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people really act like johndirk murdered their entire family or smth
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Been reading Law Novel 👍
(super legally and not at all from a Google Docs English fan translation 👀)
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WOLF ONE PIECE I KNOW YOURE NOT CANON BUT YOU REMAIN FOREVER FAMOUS TO MEEEE!!!
(Handwriting translations under the cut)
1-
Law: Junk-ya this is Bepo. He’s a polar bear and he’s going to live with us now. Be nice
Bepo: He brought me here without explaining anything..sorry….
2-
I like this sad old man :)
3-
Wolf: I swear, I let ONE kid stay - out of pure convenience - and they just kept multiplying!
Dadan: Tell me about it…
Both of them, thinking: I LOVE MY FUCKIN KIIIIDDDDSSSS!!!!
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