I’m sorry you’ve had to deal with so much Iranian hate and drama <:[
oh anon. hate to break it to you (a lot of people make this mistake) but iran and iraq are two entirely separate nations.
and also i think reducing it to the words "hate and drama" kind of doesn't cover it, anon.
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https://x.com/MERCL4REN/status/1743286121973555513?s=20
find the difference level impossible :D but seriously, this tweet gave me a stomachache from laughing so hard.
THERE'S MY TWO CREEPY TOO SIMILAR VESTAL VIRGINS THAT MAKE ALL THE MEN ON THE GRID (except lewis) GO HUUUHHHHH???
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Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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the kyoshi flashback in Avatar Day and the sheer scale of ba sing se in comparison to…. literally everywhere else in the world really has me thinking about the politics that lead to such distinct “nations”. it makes way more sense for a land as vast as the earth kingdom to have once been earth kingdoms with local land disputes between feudal lords - as we see with the conflict kyoshi ended - only for a world-spanning war to have driven first the lords to unite under ba sing se’s banner for protection, and then as the war continued, increasing waves and waves of refugees and oma shu standing as the only remaining hold out due to their unique position (top of a mountain - most other earth kingdom towns we see are in valleys) such would explain how many ruins and ghost towns we see throughout s2 but also the improbability of a land that big to be unified under a single leader for that long
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I was looking through the tags in that "are you White" poll, and it was really interesting how many people said they were "technically" half & half but only considered themselves to be White.
And thinking about it, most of the mixed White-and-non-White people I know irl (especially White-and-East-Asian people) also identify only as White. My sister looks very similar to me and says she doesn't feel comfortable identifying as PoC, even though I use the term for myself. Although culturally I'm not very Asian, I have had people assume I'm not from the US, assume I can speak other languages, and assume all sorts of Asian stereotypes about me such as that I'm nerdy or care a lot about food. I think White and Asian people alike see me and understand that I am "their race", but also know that I am "other" in some way.
Idk I just find it really interesting and I wonder how common an experience that is... I feel like I've fallen a bit into the trap of thinking that all half-White people (in the US and Canada anyway) have somewhat similar experiences to me, and it's both disorienting and pretty cool to be reminded how incorrect that is.
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fun potential what with so much of the ds9 cast being nonhuman people for worf to mention some relatively obscure human cultural thing offhand and kira/jadzia/quark/odo/etc assuming it's a klingon thing
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"Detienne, taking as his key the well-known myth that Adonis' pregnant mother Myrrha or Smyrna (both Greek words for myrrh) was metamorphosed into a myrrh tree, from whose trunk the newborn in due time emerged, sees Adonis as essentially the fruit of an aromatic shrub, a perfume, an anti-agricultural product. His method is to find a counter-phenomenon in Attic society, in response to which the Adonia can take their significance: surely the Thesmophoria, the autumn festival in honor of Demeter at which the women of Athens celebrated the growth of food crops. Detienne finds a further, sociological opposition here: the Thesmophoria were celebrated only by the wives of Athenian citizens; the Adonia were notoriously celebrated by prostitutes. He positions Adonis and the data of his cult within various oppositional codes discernible in Greek culture-each illustrated by a diagram-that parallel one another quite precisely, replicating the same meaning in different terms: aromatically, Adonis stands for heady perfume; botanically, for profitless agriculture; socially, for seduction and extramarital pleasure. The Adonia, Detienne declares, were a celebration of infertility and fruitless sex, a spectacular illustration of the dangers of untrammeled female sexuality, serving to balance and emphasize the autumn celebration of fruitfulness and legitimate connubiality in the service of the polis.
But much evidence slips through Detienne's grid. In several versions of the birth of Adonis myrrh has no place: in our earliest his mother is one Alphesiboea ([Hes.], fr. 139 M-W); in another she is one Metharme ([Apollod.], Bibl. 3.14.3). Philostephanus of Cyrene made him the son of Zeus alone (ap. [Probus] on Verg., Ecl. 10.18).22 As for the carnival of whores, the Adoniac festivities in brothels in Diphilus, fr. 42.38-41 PCG and Alciphron 4.14.8 (based on fourth-century comedy), are to be supplemented by Aristophanes, Lys. 391-96, and Menander, Sam. 35-50, in which wives and daughters of citizens celebrate the Adonia. Most surprisingly, Detienne's theory takes only passing account of the ritual lamentation, which ancient sources make the most conspicuous feature of the festival, and in general ignores what the celebrants themselves thought of what they were doing-unless we are to imagine that the women of Athens climbed onto their roofs once a year deliberately to celebrate their own failings to the community. There was probably another reason, one which feminist studies of the cult have begun to seek.
Another assumption, however, more fundamentally flaws Detienne's interpretation. While proposing to tease an inherent meaning from Athenian cult practice by identifying the inherent correspondences and oppositions within it, Detienne fails to define a perspective more specific than a homogeneous Greco-Roman society. Adonis, for example, must have meant many things to many people at many times (even different things to the same people at different times), but Detienne's formula assumes that he meant essentially the same thing to everybody, no matter how many borders of nation, culture, language, gender, or time he may have crossed-as if any detail of the myth of Adonis tapped into one immanent meaning and could be adduced for the significance of the Athenian cult. Rhetorical motives are undifferentiated: a line of Sappho is treated equally with a line of Philodemus; the testimony of Aristophanes is put on a par with the testimony of St. Cyril. This method is programmatic and derives from Levi-Strauss, who articulates the principle thus vis-A-vis his interpretation of Oedipus: "[W]e define the myth as consisting of all its versions; or to put it otherwise, a myth remains the same as long as it is felt as such." Combining details from diverse myths of Adonis, regardless of date or provenance, Detienne treats the resulting conglomeration as a single sacred tale holding a precious key to the meaning of the ritual. But for whom does it hold meaning? For Detienne alone. Purportedly context-based, his method actually isolates phenomena from their diverse cultural uses and recontextualizes them into an artificial code that transcends the messy inconsistencies of Greek thought."
- The Sexuality of Adonis by Joseph D. Reed
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no words make me more upset than "you live in america, speak english." my great-grandparents were forced to assimilate and now a century later the same bullshit keeps getting pushed on folks... i felt so much joy in high school when all the asian kids across different cultures realized they all never spoke english that much at home, so they didn't need to speak english with their friends either. i feel so much joy when im just out at the grocery store and hear so many different dialects and languages, it's mostly spanish i think, and that's just good. and now im jealous. i wasn't born to be monolingual. im mourning something that was taken from me decades before i was even born. im supposed to know italian, i was supposed to be at least bilingual, and now im stuck monolingual throwing myself at language learning resources as an adult, desperate to try to wrap my brain around something that should have been there since before i spoke my first words. and its a slim chance i'll actually be able to walk along side someone and have a conversation in anything other than english, at least for a long time, because its not just knowing another language that i need, its speaking it, not as an exercise, but in mundanity.
i wasnt supposed to be monolingual, and now im struggling to fix that as an adult
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I want the white people using sk*nwalkers and w*ndigoag as fodder for their horror youtube channels trend to be over so fucking badly
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the way that adult men working both in the x-men office and “influencer” fan-adjacent spaces always behave so performatively extra about gambit will never stop being weird to me. it’s such a nasty underhanded way to gatekeep his (mostly female lbr) fans under the guise of (repeatedly asserting) mere personal preference
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well. that was........everything i expected and yet i'm still massively disappointed
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discourse rambling lol i doubt im going to be dropping many hot takes here given my experiences w receiving anon hate for the most tamest of criticisms on this site but im using the tag "disk horse" for anyone who wants to blacklist
i understand that shipping isn’t that serious™ but given hetalia as a source material, i think we need to be more aware about how we frame relationships between characters.
problematic/dark history is unfortunately emblematic to almost all significant bilateral relationships, so that’s something you personally get to reconcile with to an extent — seeing as there’s no workaround with what hetalia fundamentally is.
but can we not use current day pro-imperialism narratives and propaganda as shipping material lol
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related to the previous ask you answered, if you’re up for it - incredibly curious about how you research stuff for your writing. I feel like you’re so good at capturing all these little details of a life with such humour that I’m always going ‘how is yellow meg caballero not x identity’ (which is obviously not true & just the sign of a good writer, etc etc but still). Are you just out here talking to five million different types of people?? And understanding them??
Yes hello hi <3 <-- catching up on ask
I really do have the awful habit of swerving dramatically out of my lane and talking about shit I have no business talking about. I don't even do a lot of research, or at least not as much research as I should. I'm genuinely a terrible person to emulate here. But as for like how it tends to happen.
One half of it is. Patrick Stewart voice Writing fiction.
jaklsjdflksadf the other half is like...yeah, I talk to a lot of people. I like people a lot. I find everybody really interesting, and even if I don't like somebody then it's still interesting to have learned about a new kind of person. Over the internet especially is so much fun - everybody has at least one thing super interesting about them! Everybody has a unique trait or has had an experience totally unfamiliar to me. I also just really have an eclectic knowledge of a shitton of extremely useless stuff, I watch a lot of random-ass YouTube essays, all of it. Baby I got information even I don't care about for days lol.
Some of my characters are based lowkey off people I know. Sometimes they're based off me at different points in my lives, or the kind of person I used to think I was. I think most often they fit into a category of people I've met in my life - for example, for an OC I'm writing right now, she's based off this type of person I know. And in there I look for what I always liked about those people, what I always related to about those people, and how I always interacted with them. They're often kinds of people I don't even necessarily like. You never really want to do "well im writing [marginalized group] so I'll just make them [friend from marginalized group]", but for me once I meet and talk to enough people from that group kind of the experience and perspective that being in that group gives you emerges. The 'why' of the experience stands out, and you can go deep into that.
All that said, I look for the similarities instead of the differences. My MK stuff isn't about being a system (cuz not that.), it's about having a highly stigmatized mental illness, and somebody's relationship with their identity as a mentally ill person, which is something I can understand. Lots of my SW stuff was about...existential dread, lol. I do just know a fuckton of neurodivergent and trans and etc people. And I think we do just project - I'll interpret a character as having my experiences instead of another's, because I'm SUPER loose with characterizations lol. But yeah I'm just constantly talking to people about their experiences and if you do that enough then a bigger, more relatable experience emerges lol. Everybody knows that there's really only like five emotions.
That being said I made a joke in a recent Moon Knight fic about how baby Marc liked baby Steven at first just because he would wake up and his bed would randomly be made. And my sys friend was like "HOW did you know about chore ghost??". So. Lucky accident a lot of the time I think. Thanks for the Q though, I'm happy I succeed at this!
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on a whim i'm looking through the blogs of everyone i follow and realizing just how important this aspect of tumblr is. it's your space! your own little room in this ever-expanding house! customization is the heart of tumblr. rearrange the furniture and paint the walls whatever colour you like! that's why combing through these blogs and seeing all the themes made me realize how much this site means to me. it's the last place where i can be myself. so if they remove this precious element... i'm outta here.
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I miss forums but specifically, I miss how forums have specific areas for things. like if you weren't done reading a series yet but you wanted to talk about it, chances were there was a spoiler-free section specifically for the first book. if you just wanted to chat with people about whatever, there was an off-topic section. if you wanted to discourse about vriska, you went to the vriska quarantine threads. now I take one step into a fandom tag and am barraged on all sides by 20 different tangentially-related conversations and arguments that I care nothing about
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I miss when Hulu used to have a comments section under every video, there was always something interesting (in a human behavior curiosity kind of way) about scrolling down to see usually an absolutely ridiculous collection of people having a rowdy open forum discussion about something you just watched that you had a completely neutral non-reaction to
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the japanese-korean stuff is always just this weird elephant in the room.... idk. a lot of the times the stuff like in that one orv arc is just really uncalled for but at the same time it doesn't feel right ignoring all the bad blood there just to say oh this is hashtag problematic or whatever. idk it's not a topic i know as much about as i maybe should what with being a usamerican with parents that have made no great efforts to keep me super tied to korean culture other than just like. the food. but it's hard to get good information on it with all the polarized uninformed biased opinions out there. my parents themselves aren't the most impartial sources either. idk idk. whatever
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