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#it's just a clusterfuck of bad shit
demynom · 1 month
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The thing about the ffvii remakes is that you will enjoy them more if you’ve played the original. You will also hate them more if you’ve played the original. It is impressive.
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unchained-hound · 9 months
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"Vivzie only donated 5000 dollars to Lackadaisy bc of PR! She's so fake lmao" Even if you believe the stupid baseless rumors that they badtalk other projects isn't it well known that Vivzie has been anticipating this project and has been good friends with the staff for years?
Even if she knew no one in it 5k+ as a PR when all you have to do to get good looks is say "I support this! lets all support this" is not the smoking gun you guys think it is. 5k for an indie project is insane money and Vivzie wins nothing by donating it that she couldn't get by simply tweeting.
Fuck man is almost like y'all demonized a rando so hard to the point where even saying "I like how this moves the indie animation sphere let me support it! Give it some love y'all" is proof she's evil is like, lol, lmao.
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the-kipsabian · 7 months
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i really need to read immortal fears back and get back to writing it huh
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raymend · 1 year
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work is killing me i cant believe i have to do it again tomorrow 😭 like ultimately its gonna be okay cuz it IS only 6 hours but im so exhausted. how tf do people work full time like hello.. imagine going into work like 5 days in a row 8 hour days i would snap and become the boringest man on earth like customer service raymond would fuse to me permanently :( like i need a shit load of me time personally otherwise i start dying 1000 deaths
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with mike it’s like- he loves veggies and lemonheads and lemon starbursts, but he hates pickles, pineapple, and probably tapioca pudding
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istherewifiinhell · 2 years
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okay i got side tracked.
have to. the processes they are doing to silver. he actually stops being out to save only himself. and wants to save the crew. he uses is vast power soft skills to work the crew to flints goals but really and truely they have a direct loyalty to him. he doesnt get that. he loses his leg. the whole crew (or a very large portion. whatever) swear that they are gonna take care of him. this is actually very threatening in direct context cause hes getting his leg cut off. hes hurting himself trying to project strength they didnt ask him to have. flints "they more they need you they more you need them". the ship carpenter guy saying he could never be useless. this the second time hes comforted silver in the face of certain death "does that mean where married" being told hes gonna be taken care of is was the scariest part...
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lukasagitta · 2 years
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nooelgallagher · 2 years
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ms-demeanor · 1 year
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So I've been seeing some discourse around the No Fly List leak that looks a bit like "hey everybody, we can't make jokes about this, the list is racist and there are children on the list" or "if you're talking about identity categories instead of the list you're missing the point" and I think that we CAN make jokes about a trans bi lesbian catgirl owning the US government while also appreciating the gravity of the No Fly List but what I think is troubling to me is the way that these discourse posts are treating the blatant racism and inherently fascist nature of the No Fly List as news.
It is news that Maia Arson Crimew was able to download a copy of the No Fly List from an unsecured public server.
It is not news that there are 1.5 million people on that list, many of whom do not belong on it for any number of reasons, and it is not news that there are children on that list, and it is not news that the list is a tool used to deprive people of their civil liberties. That's why the list exists.
I'm aware that I'm getting older. I'm aware that there are entire adults of legal drinking age who were born after 9/11. I'm aware that it's not super common to follow up on foreign policy or national security debacles from when you were in kindergarten, but there are people who have been mad about this shit for twenty years and if you're just now hearing about how bad the list is for the first time, hell, maybe that's on us and we haven't been yelling enough (though when I'm yelling about how the TSA is security theater meant to make us accept encroachments on our rights, this is at least a part of what I'm yelling about).
The No Fly List is a list of individuals maintained by the TSA who are deemed a threat to security for some reason or another.
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The TSA maintains the list, though they are given information for the list from the FBI, Terrorism Screening Center, and other entities. If you'd like to click this document, you can find 250 pages of FOIA'd documents about the No Fly List pre 2006. Much of this document is members of the FBI trying to justify why they need a copy of the list and lamenting that airlines have a copy of the list and they don't. This is very funny.
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There have been issues with mis-identifications and false positives for the list for as long as the list has existed. You can click here to read through an infuriating 200 pages about a Pfizer employee who was stopped at least a dozen times at airports and who retained a law firm to hound the TSA/CBP/ICE clusterfuck of interagency buck-passing for nine months to try to get the problem resolved. One of the three documents at this link includes a complaint from the president of the Terrorist Screening Center lamenting the way that the TSA would refer obvious non-matches to be detained, including infants and the elderly.
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At this point, the FBI/TSA/TSC/ICE/CBP claimed list was still relatively small, in the low thousands at most.
However a 2009 cost-benefit report by the Defense Technical Information Center found that in 2004-2005 30,000 people contacted the TSA to have their names removed from the list; 30k false positives suggests a list somewhat longer than a thousand names.
As long as the No Fly List has existed, criteria for being placed on the list has been subjective and selectively enforced.
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As the Crimew leak shows, there isn't a tremendous amount of biographical data, but there are hundreds of thousands of names and it is enforced at the discretion of the TSA in each individual airport in the US, which is how you end up with duplicates and toddlers and 100-year-old men on what is functionally a filter to keep Muslim people out of the US.
The list has expanded every year that it has existed, and has been defended by republicans and democrats alike since it became one of the tools in our arsenal to fight "the war on terror"
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And for just about that long, people have been talking about how it is unconstitutional, denies civil liberties, and also just doesn't really work.
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It has never been transparent, it has always been a tool of surveillance, exclusion, and control:
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And people have been documenting, protesting, and suing over the islamophobic nature of the list - and the security state's weaponization of the list as a threat - for two decades at this point because in the earliest days of the No Fly List it was OPENLY ACKNOWLEDGED that it was based on racial profiling and people made (shitty, cruel) legal arguments for why it should be:
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THIS isn't funny. These are not the things that people are joking about when they choose to stay silly :3 in this conversation.
But these things also aren't news. Nearly everything I screencapped here was listed as a source on Wikipedia, and what wasn't was available as simple searches on Archive.Org or easily looked up on news websites.
All you have to do is just *look* at the sources on Wikipedia to see that people actually have been talking about it for quite a long time, very publicly, and that there has been a lot of public outcry about the list as it balloons and punishes innocent people with false positives:
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And when you've been looking at stories like these for twenty fucking years it feels wonderful to say "holy fucking bingle" and celebrate that for once someone did something VERY COOL in order to shine a light on this massive (and apparently underappreciated problem).
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iaure · 1 year
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𝗱𝗲𝗮𝗿𝗲𝘀𝘁; 𝘄𝗮𝘁𝗰𝗵𝗲𝗿
。゚•┈୨♡୧┈• 。゚the dearest collection - part one/beloved 𓆩♡𓆪 part two/prized 𓆩♡𓆪 part three/devoted 𓆩♡𓆪 part four/desperate 𓆩♡𓆪 part five/blind 𓆩♡𓆪 part six/watcher 𓆩♡𓆪 part seven/ardor 𓆩♡𓆪 part eight/fervor this is very heavily inspired by @//clusterfuck-yandere's yandere leon headcanons; please check out their works. this is something of a love letter to their puppy obsession series.
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yandere leon s. kennedy headcanons; reader is a survivor of raccoon city. tw: general yandere behaviour, stalking, harassment, ptsd, mentions of panic attacks, entrapment, delusional thinking, notes: Leon doesn't know Selia's name, nor does he care to; thus, she's referred to as 'your coworker'.
˚ʚ♡ɞ˚ aaa this took longer than i thought! i got caught up in things :( but no matter! there's going to be a poll coming out sometime tomorrow; please have such an enthusiastic response to this poll as you did the last one!! it will determine the fate of You and Leon!
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things were going great.
♡ Leon had been walking you home almost every closing shift you had.
♡ you'd been inviting him over more often, and even though you were having him in your bed anymore, this was just as good.
♡ he kept on trying to show just how good of a boyfriend he could be.
♡ he'd try anything for you, even stuff he sucked at.
♡ cooking? sure, he burned it every time (or had some other strange disaster), but he'd pay for something even better that he knew you'd like.
♡ every time, it was like he was jumping up and down, waving his arms; look, look! he was a provider! he could support you! you wouldn't even have to leave your house!
♡ flowers? for sure! he'd get the stuff that florists would point his way, and granted, it was probably a racket for him to spend money, but he didn't mind.
♡ cleaning? for sure! that's one thing he actually enjoyed doing, and he'd get it done in record time.
♡ he tried absolutely everything.
but that perfection couldn't last forever.
♡ your coworker got jealous.
♡ he never really liked her. she seemed too snotty and a bad influence on you, even if she made you laugh.
♡ Leon knew you were perfect. he knew others would want you.
♡ why was he so naïve to think that would never happen?
♡ but then the worst possible outcome began happening.
♡ you started pulling away.
♡ he knew you weren't doing it on purpose! you weren't doing it to break his heart!
♡ he knew it was that nasty, jealous, vindictive bitch was behind it.
♡ when he would come in, she'd lie about where you were or whether or not you'd came in. and he'd know she was lying because he saw you clock in!
♡ she'd say you were in trouble for something, but he knew you weren't because you were never in trouble.
♡ he'd leave, because how would he be able to work around that he knew?
♡ he, at very least, knew you had been working in the back more often, and he just knew it was your coworker hiding you away.
♡ he was bitter.
♡ never at you, of course. you were perfectly innocent in this entire situation.
♡ but your coworker?
♡ she needed to go. stat.
♡ he, truthfully, was ashamed how quickly he was ready to resort to dirty tactics.
♡ but he didn't start this war. he was just going to finish it.
♡ Leon started trying to intercept moments that your coworker would insert herself into.
♡ but he was foiled, every time.
♡ power conveniently went out in your building? he'd go rushing to your door, only to find you giggling at something your coworker was saying.
♡ you were closing tonight? he'd cut his workout short and haul ass to the bakery, only to find your coworker opening the door, shooting him a shit-eating grin.
♡ after the heavenly dream he was walking with you before, this was a downright nightmare.
♡ he couldn't feel you anymore, see you smile at him, or even stand nearby.
♡ he had nothing.
unfortunately, this also meant he had nothing to lose.
♡ he went from 'strange and unusual punishment' to 'illegal tactics used against journalists' in a heartbeat.
♡ he began editing faux police reports directed at your coworker. theft? robbery? harassment? assault? it had it all.
♡ STRATCOM resources were unparalleled.
♡ his plan was to slowly release the information to the owner of the bakery, steal some cash (which would appear conveniently in your apartment for your benefit), and the rest would write itself.
♡ she'd be out of your life, out of the way, and he'd be able to get right back on track.
♡ but then he had a terrible realisation.
♡ your coworker was still your friend, after all.
♡ a vision of your pretty eyes filled with tears came to him, and he (reluctantly) realised he would have to avoid the nuclear option. for now.
♡ he knew, then, what he had to do.
♡ he had to talk to you. one on one.
♡ the idea of talking to you after so long was thrilling, to say the least.
♡ he thought of every possible outcome he could.
♡ if you thought he was going to hurt you (he'd never!!) and you tried to bolt to the door, then he'd have to figure out how to block it.
♡ he'd have to ask you to let him in first, but would you really? maybe it'd be better to get in with the spare key again.
♡ he couldn't mess up his speech either, so he'd bring flashcards. he always found them helpful back in the police academy.
♡ he'd get dinner, he'd clean up the place, get candles, flowers!
♡ he'd go the whole nine yards to try and convince you that he was worth having in your life.
♡ he didn't want to wear a suit, in case things got complicated (what if you tried something crazy like diving out the window?!), but he still wanted to look nice, so he defaulted to a black turtleneck and some nice pants.
♡ if he was lucky, it would look just like you had an apologetic husband. give or take a couple of weights to block the door off of with.
♡ it only took two days to get everything ready.
♡ you had walked yourself home (you were so brave, he loved that), and when you walked into your apartment, you didn't even notice him in the kitchen.
♡ were you just that tired? poor thing. after all this, you two could nap together.
♡ you didn't come out of your room until he moved the bag to the door, as quietly as he could.
♡ but forty-nine weights weren't exactly quiet.
♡ you finally walked out, half-relaxed and perfect and freshly changed and comfortable and-
♡ your face.
♡ it was a strange mix of restrained joy, shock, concern, confusion-everything he expected. a little hurt, even, though he wasn't sure why.
♡ but as he sat on your couch, trying to keep eye contact for as long as he could, he swallowed.
♡ his hands laced together. his heart pounded in his ears.
"we need to talk."
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𓂋
ʚ♡ɞ taglist @theybotomy ⸜❤︎⸝‍ @kujosuke ⸜❤︎⸝‍  @je-suis-argent-miel  ⸜❤︎⸝‍ @xxacademy ⸜❤︎⸝‍ @gettingsilly ⸜❤︎⸝‍ @apollodarling-writes
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incorrect-nevermore · 10 months
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Au where Nevermore has multiple years or something and Theo is only like a year or two above Lenore (that timeline doesn’t work theo was dead for a lot longer than that- SHUT) and according to the dean’s he was the top of his class 
So now Lenore gets to pull the “I’m calling my big brother and he’s gonna beat you up.” Card. And it works. Cause Theo is VERY protective of his little sister upon finding out literally anything about her life after he died.
I wanna see siblings shenanigans with these two so bad.
Gimme Theo interacting with the misfits and the clusterfuck (which I always forget, is the actual fandom picked name for Annabel’s group). Gimme Theo beating the shit outta Montresor. Gimme Theo being a posh pestering, older brother to Lenore over manners and profanity. Gimme Theo meeting Annabel and 1- very thankful to her for “bringing Lenore back to life” and 2- HATING HER FOR BREAKING HIS SISTER’S HEART (and of course being English).
Just gimme me more about this funky little fella, he is so interesting as a character, and I can’t wait till we learn more about him.
Theo’s around au, i guess??
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missmarj · 2 years
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No one would have guessed how bad Gojo despises the titles put to his name since he embodies them well. He makes each one his own. He works hard for it, to truly own it and confidently claim it just as he was deemed by others. 
Six Eyes heir
Limitless Cursed Technique wielder.
The Strongest.
A mentor.
He plays it off like it's nothing to him, that he's just some smug bastard. But the reality of it all is that he despises it. Because with these titles, come the responsibilities that go along with them. And with each role he takes on, the greater the weight he feels on his shoulders. 
Yet as the nurse acknowledges his presence when he walks into the room, somehow, he feels stripped of his previous titles as he takes in this new one. Gojo stood frozen at first, not really knowing what to do with himself, a clusterfuck of emotions brewing in him. 
Fear, joy, distress, relief, excitement.. but mostly anxiousness.
Shit, he feels like he's going to puke. What had he just gotten himself into? He thinks idly, palms getting clammy. But as soon as he got a glimpse of his little girl, he felt struck. There is a wave of calm in him and suddenly she is all he sees. And he is reaching for his blindfold, tugging it down as he approaches, yearning to see this tiny human with his extraordinary perception. 
A sigh of relief escapes him as he detects no trace of cursed energy. He just sees perfection, although he might be a little biased. 
Strong arms honed to fight and defend opens with a slight tremor on them as he was handed over his child. He holds his breath, afraid he'll wake the little angel or worse, cause pain or distress. But the kid nestles comfortably in his arms, chubby cheek squishing against the swaddle blanket with every attempt to wag.
"Hey, kiddo." He greets, his voice has never sounded this soft in his entire life. Gojo exhales shakily, grinning wide as the baby coos as if in response. 
"You're so beautiful." He cradles her face in awe. "Just as pretty as your momma, aren't you?" Gojo could not help but lean in to plant a gentle kiss on her forehead, leaning back again before he could fully pull away to plant another one on her nose. And her cheek. And then the other cheek. And her chin. 
He then holds the newborn's tiny hand, marveling at how it looked significantly puny next to his own. Soft, fragile, trusting. A total opposite of his. 
"Nice to meet'cha." he murmurs, chuckling softly as he shakes her hand. The little angel grabs his pinky tighter making him laugh to himself again and say, "Yeah, hi, sweetheart. I'm your dad." 
Gojo then winces and makes a face. "Well, if your momma still lets me.. Because you know, I was kinda late for your birth-" he shrugs, laughing wryly. "But you have to know, your dad is a very important man. Saves the world and exorcizes ugly stinky curses for a living. Very cool-"
He continues to babble on, so engrossed with his one-sided conversation that he doesn't even notice his students who have come to visit enter the room. Megumi, Kugisaki and Yuuji laugh quietly among themselves watching their sensei endlessly talking to the newborn while feasting on the fruit basket Nanami and Shoko had asked them to bring for you. They know you won't mind anyway.
Gojo has always been a fast learner, quickly getting  accustomed to this new role as a father. Anyone who would see him cooing and holding the baby into a better position would think that this could not have been his first time holding a baby. 
Gojo doesn't notice but he smiles wider and wider with every small movement the baby makes. Eyes gleefully dancing across the delicate features of his daughter. He knows it's too early to tell but he can already see how much she takes from you, and he's so glad that she does. Gojo knows he's going to spoil her rotten and he's already mentally preparing himself for all the arguments he's about to have with you.
For the nth time this evening, Gojo sighs happily.
"I did not know this was possible," he purses his lips, grazing his daughter's cheek with his fingertip. "I only just met you but I already know you will own the rest of my days." Megumi smiles at this, proud and happy for him. Didn’t know his sensei actually had that in him. Megumi shakes his head thinking, Is this really the same weirdo who raised me? But then, Gojo continues to say, "I'm so glad I made your momma pregnant." Megumi rolls his eyes.
The trio's protest and gagging noises startles Gojo.
"God, sensei."
"Eww!"
"Gross!!"
Gojo scowls at them, just realizing he wasn't alone with you and his baby in the room. "When did you three get here??" He hisses at them, eyes widening when he sees the basket nearly empty. "And why are you brats eating that! Those are for Y/n!!" 
Let's just say you pretty much kicked them all out of the room when you wake up from all the bantering.
Gojo pouts by the door, begging you to let him stay.  Already missing his daughter's warmth as he longingly watches you feed her.
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autisticlancemcclain · 10 months
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prev chapter
-- -- --
There is, honest to God, a coathanger butler and a duster French maid.
“Well, that confirms it,” Lance says, clapping his hands together. “I fell off my horse on the way here and I’ve gone insane.”
“I think you’re just smart, kiddo,” Shiro says, amused. “Perceptive.” He has yet to stop his tour, hopping along rather quickly as Lance follows. 
Lance opens his mouth to deny that particular claim – Lance is many things and smart is sure as shit not one of them – but there’s a bellowing shout that interrupts him before he can. 
“Ta-kashi!”
Shiro-the-candelabra startles, then goes pale, which is a hilarious thing to witness in a face of wax. 
“Fuck fuck fuck fuck fuck,” he curses. He makes an effort to hop behind a random sidetable placed against one of the farther walls of the massive corridor, but he’s not nearly fast enough. Rapid, angry clanking sounds precede the appearance of an ornately carved grandfather clock, the face – literally and figuratively, man this castle is fucking weird – twisted in a heavy scowl. 
“Takashi,” the clock hisses again. “What part of ‘united front' is hard for you to understand?”
Caught completely red-handed, Shiro straightens himself up and attempts to look dignified. “You were busy with Keith! What was I supposed to do, let this one wander around? I was –”
“You were supposed to wait for me, Takashi! Last time –”
It would probably be prudent for Lance to continue listening, as any information he learns is for the better. But as soon as Shiro says Keith’s name, Lance’s ears check out, the world in front of him goes blurry, and he starts to feel like he’s deep underwater. 
It hits him, all at once and intensely, that this is really happening. He is, sometime in the frighteningly near future, going to meet his future husband. His future husband who is known across the country to be one of the most vile men in temper ever to exist, who is impossible to love. His future husband who has money, money that Lance can send back to his family that can never manage to get food on the table for every mouth on every day of the week. The future husband who Lance cannot leave, unlike the people before him, because if he does then the family farm will sell and everyone will be homeless and it will lie on his shoulders. 
If he fails, his family will never look at him again, the shame will be so strong. The kids – they’ll be uprooted if they have to sell the farm and move away. He can’t do that to them. And yes, his family’s betrayal still aches like a gaping wound in his chest (they didn’t want to keep him Mamà didn’t want to keep him only three wanted to keep him and he doesn’t know who they sent him away the town sent him away his family sent him away everyone he’s ever known decided they were better off without him), but he doesn’t – he can’t let their saving grace slip between his fingers. If he fails then his greatest fears are confirmed – he is the failure that he’s always known he is.
But If he succeeds, he will be locked for life in an enchanted castle that feels as if it doubles as a tomb. 
Suddenly Lance is sick to his stomach. 
“–ance? Lance? You okay, kiddo?”
Lance shakes himself from his thoughts, eyes focusing on the concerned faces in front of him. He clears his throat, straightening his shoulders and plastering a smile on his face. 
He will not fail. He will not. It is the lesser of two evils, to succeed, so he must. 
“Yeah, sorry. Just remembered something, is all. I meant to look for something to feed my horse when I came in here, there’s no hay in the stable, but I forgot with all the –” he glances at the clock and candelabra, wondering how to phrase the clusterfuck that is now my life tripped me up, my bad delicately – “the… hubbub.”
Hubbub. 
Alrighty. That’s the word he’s going with. That’s fine. He’s totally cool with suddenly becoming a bitter senior citizen loudly complaining about the youths. All is well.
Despite his strangeness, the two people (??) in front of him visibly soften. 
“Sorry, dear,” the clock says. He clanks forward and extends one of his arms – shiny, carved gold decals of the sides of a grandfather clock – to shake. Lance does. “My name is Adam. I imagine you must be exhausted. Would you like to see your room?
That sounds excellent. Lance sags at the suggestion, shoulders slumping forward and sigh escaping his lungs without his position. His own room in the castle…what will that look like? He’s always shared a bed with someone, back home. And sometimes he is kicked and sometimes people snore and sometimes people squiggle around and hog blankets and talk in their sleep. Sometimes people even pick their toes, completely unconscious, and refuse to believe him when he complains about it in the morning. Such is the life of a large family in a small house. 
Lance will have a bed to his own, now. A room, even! It’s almost unfeasible. He’s expecting something huge; giant windows making up a whole wall at least to let the sun it, impossibly high ceilings, a bed as big as his house once was, with a canopy over the sides of it. As plush as goose down and soft as Kaltenecker’s – his favourite of their family’s cows – fur. Cream walls, maybe, prime for him to paint. 
Paint! He’s sure he’ll have paint here. The richest of colours, even, and paintbrushes he doesn’t have to make from kinky horse hair. And he’s sure he’ll have time, here, outside of whatever chores he’s expected to do, to ride Blue around the grounds. Maybe, for once in his life, he can enjoy his day outside of fleeting moments with the animals, or Veronica, or the twins. Maybe there will be more time outside of fleeting minutes when he watches the sun rise. Maybe he will have freedom here, to explore what he likes, and in luxury, no less. 
Wait. 
His brow furrows. Freedom…he won’t be free. He may be surrounded by more opulence than he ever expected to see in three lifetimes, but freedom is still a luxury he can’t afford.
“What about Ke –” he stumbles over the name – “the Prince?”
Shiro and Adam exchange the least subtle look Lance has ever seen on a human, let alone a grandfather clock and a candelabra. It would be funny if it weren’t so troubling. 
“What about him?” Shiro says carefully. 
Lance blinks at him. “Is his royal highness too busy to meet the guy he’s literally about to marry, or…?”
“We just figured you would prefer to settle yourself, first.” Adam says it quickly, practiced, obvious; confirming Lance’s suspicions. 
There is something afoot. 
“I’m pretty settled, actually. All good in the hood. Checked off most of the list, tick tick tick. I just need to meet Prince Temper-tantrum.”
Both royal attendants laugh nervously. 
“Ah, we’ll get there,” Shiro assures. He hops forward, pointing his candle to the hallway, indicating that Lance should follow him. “We have time, no? It’s late. Dinner will be ready soon. No need.”
He and Adam are very persistent, all but shoving Lance out of the front entrance and to a massive staircase. One of them must have sent the word of Lance’s arrival, because one of the branched-off hallways of the staircase – a wing? Is that what it’s called? Why must rich people label stupid things – is illuminated, clearing the path Lance is meant to take to his new room. The other is as dark as the rest of the castle, cold and isolating, reeking of angst and cowardice and a smidge of superiority, too, because reputation or not, what kind of jackass doesn’t at least introduce themselves to their future husband?
Suddenly, it all kind of boils over. Lance roots himself in the middle of some grand marble hallway and, ignoring Shiro and Adam’s frantic pleading, cups his hands around his mouth and shouts: “Hey, Prince of Darkness! Is it too beneath you to say hello to your future husband, you beastly man?”
His voice echoes throughout the castle, shout bouncing off the carved stone walls and getting louder, somehow. Lance stands, glaring at the dark hallway, fists clenched at his sides, fury still lighting up his veins. But then a minute passes, and another, without so much as a peep of movement, and rage starts to trickle out of his body in favour of something like regret. 
He has one job, here. He is to make nice and play the silent husband so he can get funds back to his family, and no one goes hungry. He is supposed to avoid Prince Keith at any and all possible moments, keeping his head down and living his life as separately and as well as he can given the circumstances. And Adam and Shiro were perfectly happy to let him do so, too, guiding him to his room before he even had to breathe in Prince Keith’s direction. 
Him and his big fucking mouth. Clearly, there is more than one person in this castle with a temper. 
He turns to the candle and the clock. “Sorry,” he mutters, averting his eyes. Hopefully they don’t call this whole thing off. He doesn’t think they will – from what Shiro implied, they seem kind of desperate – but still. He shouldn’t push his luck. 
When Shiro and Adam don’t respond, he looks up, expecting to find them disappointed, but instead finding them not looking at him at all. He frowns, taking in the way their faces have dropped, the way they’ve both gone pale. As pale as bloodless things can be, anyway. He follows their line of sight, shifting his body to face the farthest end of the dark corridor, and squints, trying to make out what they’re so white about. It takes him a moment to pick it out, but eventually he sees it, almost glowing in the darkness – a pair of large, yellow eyes. And…
Teeth?
Lance blinks. He rubs his eyes. He looks again. 
Where the mouth would be, under the eyes, are massive, fang-like teeth, glowing white in the dark shadows. They are not human. They are not even animal. Lance is not sure what they resemble, aside from monstrous. A chill runs down his spine. 
Slowly, silently, the way a wolf might stalk towards prey it knows it has trapped, the shrouded face comes closer, slinking in the shadows. Lance follows it, head tilting higher and higher as he begins to realise how tall this face sits on a still-invisible body; how large this…thing, animal or man, truly is. Closer and closer it steps, until Lance can hear its breaths, until Lance can feel the heat from its body from where it stands, in the last stretch of the shadows. 
Lance swallows. 
“Who are you?” he asks. His voice is surprisingly steady, although his hands tremble. 
Finally, the figure steps out into the light. Dark purple fur is all Lance can see; covering the figure in thick, uneven swaths; large brow drawn tight over his slitted yellow eyes, mouth twisted in a snarl, fangs pushing out from his lips, clawed hands clenched in fists, talons clinking on the floor as he steps closer. Ornate clothing covers his body, heavy red cloak draped over his shoulders, materials Lance can recognise as sturdy and well-dyed and rich. 
The figure bends low, close to Lance’s face. “I am as you say, dear future husband.”
“You’re a – an actual –” Lance stammers.
Prince Keith growls, low in his throat. 
“A beast.”
———
next chapter
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beautifulblooms · 1 year
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Leon S. Kennedy Headcanons+Drabble
Male reader in mind with these, he/him pronouns used, kinda set in Re2 cause I've been playing it and I can't get that specific version out of my head, might do another one like this but Re4 remake cause uhhh, they did him right with that one. Anyways, enjoy this clusterfuck of gay thoughts about the best rookie in all of Raccoon City.
CIS Women and Female Aligned people, please DNI, this story and all of my others are for non-binary, masculine-aligned, and male readers!
He is honestly adorable
So sweet, very kind-hearted, definition of a lovey dovey boyfriend right here
Definitely the kind of person to try and stay up late to watch movies with you but ends up falling asleep halfway through
Not that you mind cause that just means you can play with his hair and he won’t complain
On the topic of his hair
By the grace of the gods is it soft as fuck
Please, play with it, even if he whines about it, he loves it (definitely not cause he wants you to pull it, never, how could that possibly be a possibility)
Loves cuddling with you
Doesn’t matter the context he just loves it
Early in the morning before you two have to do anything
Late at night before you go to bed 
Hell even in the middle of the day when he needs to recharge
He has a tendency to be very quiet when he’s walking around the house
Neither of you know why he does it, but it does provide him with a lot of good opportunities to scare you
Standing at the kitchen counter, you were mixing up some batter for pancakes, hoping to surprise Leon with breakfast in bed. Too focused on measuring out the next ingredient you didn’t hear or sense Leon walking into the kitchen, eyes half-closed to avoid the sun’s bright light flooding the room. He slowly walked up behind you to see what you were doing, resting his head on your shoulder and wrapping his arms around your waist. The sudden touch scared the absolute shit out of you, making you fling the teaspoon you were holding across the kitchen and jump up in his arms. 
“Fuck me!! Christ Leon, you’re way too good at scaring me,” He merely chuckled and buried his head further into your shoulder, once again trying to hide his eyes from the sun.
“I didn’t mean to, but you left the bed and you know I can’t sleep without you,” Right, he always finds comfort in sleeping with you, he struggles any time he has to go out of town and you can’t go with him. You sighed and shifted around in his arms to face him, holding his hips lightly as he was still gripping onto you. 
“Well if you want to go back to sleep, I’ll be done with these in a few minutes, then we can lay back down together, how’s that sound hm?” He looked up at you for the first time, those beautiful blue eyes staring back at you, half-lidded with sleep. 
“Can we go back to sleep now? I wanna cuddle you,” Sighing again with a small smile you kissed him gently.
“Let me get this in the fridge so it doesn’t go bad on the counter, guess I’m making pancakes later.” Leon smiled and let go of you to head back to your shared bed, awaiting your warmth to comfort him back into slumber. Making your way into the room, he opened his arms and lifted the blanket to let you into the cozy embrace of your beautiful boyfriend. Cuddling up next to him, his head rested against your chest, arms wrapped around your middle while he slowly fell back asleep, taking you into a lovely slumber with him. 
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Is It Really That Bad?
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I don’t think I’ve ever felt like the universe actively conspired against something until I witnessed the production of The Flash.
Since 1991 there have been quite a few proposals for Flash movies, but they never really got off the ground for whatever reason. Following Barry’s debut in Justice League, a movie finally was announced before multiple delays due to rewrites, in particular to cut Ray Fisher’s Cyborg from the story after he went public about the awful shit he had to deal with under Joss Whedon. Things seemed hopeless until It director Andy Muschietti came onboard, at which point production on the film finally started to go smoothly. Sure, there were rumblings about Ezra Miller having episodes on set, but that’s just typical actor nonsense, right? Surely it couldn’t get any worse!
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Look, I’m here to review a movie so I’ll keep this brief: Miller committed crimes. Lots of crimes. So many, in fact, you’d think they were method acting for the role of Reverse-Flash. The thing is, despite all of this, Miller was basically given a slap on the wrist by the studio, being forbidden from doing promos and press tours (oh no! The horror!). And as if the situation wasn’t already a fucking mess, while Miller’s crime spree was ongoing WB canned the nearly-complete Batgirl movie that featured Michael Keaton and Academy Award-winning actor Brendan Fraser while simultaneously inflating The Flash’s budget to nearly $300 million with reshoots. It seems baffling to cancel a movie that was nearly done and that people were marginally interested in for the sake of a movie that people were losing interest in quickly due to its star’s erratic behavior, but remember: Leslie Grace isn’t white, while Ezra Miller is. WB is never beating those racism allegations at this rate.
With a normal movie, this is where the nonsense ends. BUT WAIT, THERE’S MORE!
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This film was meant to smooth out the clusterfuck continuity of the “Snyderverse” with a soft reboot, with Henry Cavill filming a end-of-movie cameo alongside Miller, Gal Gadot, Keaton, and Supergirl’s actress Sasha Calle to establish the new direction of DC going forward. Unfortunately, the hierarchy of power at DC changed, and Gunn shot that down. While this meant the ending would probably not get people confused with regards to upcoming projects, it also meant the movie wasn’t going to really have any closure for the old universe. Affleck, Cavill, and who knows who else are just gone, and the future is just a big old question mark. At least Aquaman is safe, maybe?
Literally none of this news was very reassuring to fans. Nothing above is any good for a film’s perception to audiences under normal circumstances, but here we have all this news coming to a fanbase that genuinely did not want this fucking movie. The DCEU was already divisive when the film was announced, and Miller’s portrayal of Barry doubly so; the fact it was adapting Flashpoint was seen as lazy and uninspired, not to mention its not really a story that lets Flash stand on his own merits, making it seem more like this movie was just an excuse to reboot; it was a multiverse story in a day and age with an abundance of such stories, and it was releasing around the same time as Across the Spider-Verse to boot; and Gunn’s reboot plans meant this story was likely a narrative dead end. This movie had an uphill battle the likes of which haven’t been seen since Sisyphus.
But much like that mythological figure, the boulder came crashing right back down when the numbers came in. The movie would likely need to gross $500 million at minimum to break even after factoring in the reshoots and advertising, and it only managed half of that with a pitiful opening weekend followed by a massive 73% drop. It now sits alongside films like The Lone Ranger and Mortal Engines as one of the most expensive bombs in history, to the point where WB would have saved more money by cancelling it like they did with Batgirl. And despite glowing praise from the likes of Tom Cruise and Stephen King, it received middling reviews from mainstream critics.
Audiences haven’t been any less mixed, but considering most people weren’t particularly excited or invested in this film’s existence this is basically a miracle. Sure, there’s plenty of people out there saying this is the “worst comic book movie ever” like they do every time a new superhero movie drops, but even more people are saying they enjoyed the film… although even they tend to have some severe criticisms.
Even though I knew most of what was going to happen in the movie going in, I wasn’t really sure what to expect given everything surrounding the movie. But you know me, I’m willing to give almost any movie a chance, and bombs this big don’t happen every day, so even before it was voted on I was trying to make time to check it out. So sit down, microwave yourself a snack—
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—and watch as I try and determine if The Flash is really that bad.
THE GOOD
The biggest shock of this film is that Ezra Miller is actually really good here.
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Their Barry is still a bit of a goofball, but he’s clearly matured as a character since his precious appearances. They managed to make him much more charming and likable than he ever was, and this gets compounded when he interacts with the younger Barry and gets confronted with how annoying he was before. I think young Barry could have come off as really insufferable, but the fact he annoys everyone around him and also ends up maturing makes him a lot more endearing.
Miller really kills it with the emotional moments, particularly the ending encounter with Barry’s mom and the scene where old Barry snaps at young Barry. The film is really carried by the dramatic, emotional moments far more than any of the superheroics, and Miller manages to sell a lot of it very well. It was to the point where I started thinking, “I really wouldn’t mind if they stick around.” Then a scene where Barry says the Justice League has no real psychiatric help or where his younger self ends up repeatedly exposing himself in public by accident happens, and then I remembered, “Oh yeah, aren’t they a mentally unwell criminal?”
Unsurprisingly, Michael Keaton absolutely kills it in his role as Batman, but much more shockingly is that Ben Affleck's brief return as Bruce is pretty great as well. I always thought Affleck, much like Henry Cavill, was desperately trying to give a great performance while weighed down by bad writing; here, he gets an actual poignant scene where he talks to Barry about how dwelling on tragedies isn't the way to do things, and you should try and move forward instead. It shows he really could have been great if given better material to work with.
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Okay, enough being nice to Affleck, I wanna talk about Keaton again. As much as the marketing hyped him up and as much as he is obviously the most blatant fanservice possible, it's still so cool to see him in the suit again. I am not immune to nostalgia pandering, and as corny as it could have been from anyone else, the zoom into his face when he says The Line really is a highlight of the movie. Keaton has a great deal of charisma, and while there are issues with Batman they aren't his fault at all. Most impressively, he doesn't steal the show away from Miller like I thought he would; he enhances the scenes he's in without stealing the spotlight completely from their performance. I feel like this is a problem in a lot of movies like this, where the lead gets overshadowed by a hyped up character, but somehow The Flash of all things managed to avoid this.
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And as bad as the cameos could get, this movie gave two of the greatest cameos ever put to film with the return of the GOAT George Clooney Batman and, best of all, Nicolas Cage Superman from the unmade Superman Lives, fighting a giant spider to the death just as God intended. I am not immune to the charms of Nicolas Cage.
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Overall, this movie presents us with a solid story, plenty of fun moments, great character dynamics, and more... for the first two acts, anyway.
THE BAD
Once this movie hits the third act, it basically just loses any and all focus and becomes a big dumb video game-esque battle against Zod and his forces in a bland desert landscape. While both Barrys admittedly get some pretty cool moments sprinkled in and Keaton’s Batman’s second death is actually a well done emotional moment, Supergirl ends up being completely wasted, with her sole role being to angrily scream and then die repeatedly.
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This actually highlights the problem with Kara in this movie: She’s basically nothing but a plot device and has zero personality, and a good 80% of her dialogue is just angry screaming. As hot as Sasha Calle is and how much she obviously wants to make Kara compelling, she is given so little to work with that her efforts end up being fruitless. She does nothing of consequence after helping Barry get his powers back, and could be replaced or written out of the story and it would still make perfect sense.
Zod’s inclusion is pretty baffling as well, especially since they chose to water down one of the only good things from Man of Steel into a boring, generic doomsday villain. You can really feel that poor Michael Shannon would rather be doing anything else, and his bored performance just highlights how poorly implemented Zod is in the plot. Like, the Fladh has some of the best and most colorful DC villains in his rogues gallery, one’s that are often overlooked because Batman’s villains sell more toys. Why not highlight some of them instead of taking a Superman villain and stripping him of all personality to the point the actor clearly has no passion for the role? Cutting Zod would make cutting Supergirl even easier, and then two of the biggest problems with the movie are gone!
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The third act does manage to mostly rerail itself once it goes back to Barry trying to unfuck the timeline, with only a disgustingly egregious bit of fanservice that I’ll discuss in the next section hampering it. But at the end, despite the incredibly based George Clooney cameo, there’s just so many unresolved and unanswered questions, with the biggest one being who killed Barry’s mom? Considering her death is what kickstarted the whole plot, you’d think this might come up, but it never does. A lot of other things come up and get dropped too, like whatever was going on with Batman in the opening, but maybe I’m just crazy for wanting elements introduced in a plot to have significance beyond just being there to be cool.
Even beyond that, there’s the fact that Supergirl and Keaton!Batman’s final fates are never really resolved, something that apparently wasn’t a problem in early versions of the film since they showed up alive in the final scene. As much as I loved seeing Clooney, I think trading him for getting some closure for Keaton and Calle would have been more satisfying.
Everyone harps on how bad the CGI is—and it absolutely is, don’t get me wrong—but for the most part I found it endearingly bad. Like the opening with the CGI babies? That’s too goofy for me to hate. But once the movie revolves into bland grey and black CGI bad guys and creepy deepfake celebrity cameos, I stop being quite so forgiving.
Oh, and on the subject of cameos, I’m not sure I’ve ever seen one as pointless and unfunny as Gal Gadot’s Wonder Woman showing up out of nowhere (complete with theme music) to make Bruce and Barry look like dumb assholes. Imagine thinking this was a good idea.
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THE UGLY
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The biggest point of contention surrounding this movie is the CGI necromancy used in the aforementioned cameo clusterfuck from the climax, which gives us George Reeve, Christopher Reeves, and Adam West posthumously reprising their DC roles in non-speaking appearances (there’s archived audio from West, but his cameo isn't really focused on to the point you can barely tell it's him) where they just stand there before the camera swoops around like in that Saul Goodman gif.
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I think this is one of the very few times where I actually think the outrage is mostly justified. To be clear, I’m not getting mad on behalf of dead celebrities I never knew, and as long as the filmmakers went through the proper channels and the estates of these stars were properly compensated, I don’t have any legal objections. All of my distaste is coming from a subjective, moral standpoint.
I have never liked this CGI necromancy ever since Rogue One popularized it. I find it really gross and distasteful, and in most cases I think finding a lookalike actor would be preferable than playing Weekend at Bernie’s with a computer generated facsimile of a dead person. In The Flash, I understand having lookalikes would diminish the wow factor of the crossover, but there was an extremely easy workaround to this: Have cameos from all the living DC stars.
Was Brandon Routh not available to put on the Superman tights? Would it have been so bad to let Grant Gustin pop in for a cameo? They acknowledge Helen Slater, so why not Melissa Benoist? Hell, if you want to reference bad, campy movies, have Shaq show up as Steel or Josh Brolin pop in as Jonah Hex! Or even Ryan Reynolds, I’d bet he’d be down to return if you gave him a real suit this time!
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Like there’s just no excuse for ghoulishly parading around dead guys when there’s so many alive guys you could use instead. People can complain all they want about the fanservice and cameos in the past few Spider-Man films, but at least they only had returning characters played by living actors. And when this movie already has the niche, out-there Nic Cage Superman cameo, proving they were down to do things as out there and inoffensively creative as reference unmade movies, it’s really just inexcusable. It doesn’t ruin the movie for me, but it makes me lose a bit of respect for the people who okayed this over less offensive cameo ideas.
IS IT REALLY THAT BAD?
To my surprise, this film actually turned out to be pretty good. Not “great,” not “the best superhero movie ever,” but genuinely mostly good and enjoyable.
My opinion is that the movie is good in spite of itself. The third act is truly a hot mess, the stupid desert battle against Zod is awful and boring, Supergirl is depressingly pointless, so many plot points are just dropped or otherwise forgotten, and the CGI necromancy is nothing short of ghoulish. But the rest of the movie is truly a lot of fun. Barry and his younger self have a fun dynamic, Keaton really manages to take what little he’s given and show that he’s still got it as Batman, the Clooney and Cage cameos were delightful, and most importantly the emotional moments are actually effective.
I think with a bit more polish this film could have actually lived up to the hype around it. There is a great movie in here being suffocated by fanservice and CGI but still managing to get a few gasps of air regardless. I think if they’d kept the conflict more grounded or made Reverse-Flash the primary antagonist, things might have turned out better.
I think its score is pretty fair. My friend @huyh172 described this as “the worst good DC movie,” and it’s an assessment I fully agree with. It’s not as good as Aquaman, Wonder Woman, The Suicide Squad, the Snyder Cut, or Shazam!, and it’s definitely not as bad as stuff like Wonder Woman 1984 or Josstice League. It’s also a bit too enjoyable to be mid. It’s just a really solid movie held back from true greatness by some damning flaws… and really, that makes it the perfect capstone to the "Snyderverse," a cinematic universe that had some solid movies but was held back from greatness by incredibly bad ones.
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wazzappp · 3 months
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I have this. Extremely specific scenario. I like to pull off the daydream bookshelf quite a bit.
After Robbie kills Ivanov, everybody there still like. KNOWS WHERE HE LIVES. So I'm thinking some new motherfucker rises up and is like 'alright were gonna hit him where it hurts. protect future business ventures n' stuff' and sends someone to take Gabe as leverage. Lisa and Robbie have actually managed to TALK about things and once theyr'e on friendly terms again she is once again babysitting Gabe.
Anyway this mob guy shows up and attempts this kidnapping. Lisa manages to get the upperhand with a kitchen knife somehow and just. GOES HAM. LIKE. 'GETS ON TOP OF HIM AND STABS HIM TILL HES NOT MOVING ANYMORE AND THEN JUST A LITTLE EXTRA FOR GOOD MEASURE' GOES HAM. Naturally calls Robbie afterward because WHAT. This guy is clearly MOB AFFILIATED she has NO IDEA what will happen if she calls the police SO PLEASE JUST FUCKING GET HERE AND MAKE IT MAKE SENSE.
It's a complete and total clusterfuck all around. For EVERYONE.
Lisa is IN THE MIDDLE OF A CRISIS OK. SHES EARNED A LITTLE FREAK OUT. SHE JUST FUCKING KILLED SOMEONE. Jesus christ why didn't she stop after he was down why did she keep fucking going god what does that say ABOUT HER. Does she feel the right amount of bad about this? She doesent really REGRET it she just wanted to keep Gabe and herself safe. But did she really need to go that far why did she take it that far and SHE WAS READY TO DO IT AGAIN IF SOMEONE ELSE BAD WALKED THROUGH THE DOOR is something wrong with her? please dont let there be something really wrong with her shes tried so hard to be good shes tried SO hard please please she is. spiraling. bad.
Gabe is having... a fucking time of it. This is the second time in two months that someone has been killed right fucking in front of him. At least the first one he was only semi conscious for but still. @moosemonstrous helped develop two GLORIOUSLY, BEAUTIFULLY angsty directions this could go. 1. 'WOW the world is dangerous I'm so lucky that I have people who can protect me. Those guys must have really deserved it.' (bonus points if him and Lisa are still not on the best of terms but this like. endears her to him. jesus christ I love your brain moose thats so cutely fucked up). OR 2. he can go the self blaming route of 'This is the second guy to die. And he died because people were protecting me. Is this?? My fault?? Is there something wrong with me? if people keep getting hurt because of me maybe it would be better if I just wasn't around.' (<- ROBBIE GET YOUR BROTHER NOW.)
And Robbie. Jesus christ. His brain is being pulled in SO MANY DIFFERENT DIRECTIONS BY THIS. Eli is elated, naturally, 'OHHHOHOHOHO ROBBIEEEEE I KNEW YOU HAD TO HAVE GOOD TASTE IN SOMETHING OTHER THAN CARS! See!!? I TOLD you killing is a perfectly natural part of being a person! Look at all those stab wounds she CLEARLY had a good time!' Robbies part of the brain is going 'HOLY FUCK' and IMMEDIATELY jumps to problem solving. He needs to get rid of the body first and formost at least that shouldnt be too hard oh god getting rid of bodies is something hes GOOD at what the fuck. HOW MANY?? OF IVANOVS MOB?? KNOWS WHERE HE LIVES??? Oh fuck does he have to go kill them ALL ?? (<- que Eli doing backflips out of absolute joy at that possibility) Also, brother. You cant tell me. that demons don't have weird social structures and expressions of affection. And Robbie is like. HALF DEMON. AT LEAST. So this shit for him is at least a little bit like when a cat brings you a dead animal (SHE IS SHOWING!! THE LITTLE ONE!! HOW TO HUNT!! SHE KILLED FOR HIM!! FOR US!!). IT IS. CONFUSING. FUCKING CONFUSING AS ALL HELL FOR HIM!!
Idk man this is just the particular brand of clusterfuck that is like my own personal brand of heroin to quote one sparkly boy.
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