As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.
For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.
But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.
Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.
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Did not realize polls were timed...no wonder y'all be asking for rebogs
Anyway tell me about ur jewelry in the tags if u wanna!!
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Broke: Batman has the most complex passwords imaginable because he’s paranoid that a supervillain will infiltrate his tech or the batcave and steal sensitive information.
Woke: Bruce has the most complex passwords imaginable because his kids won’t stop hacking into the bat computer so they can throw themselves into even more danger unsupervised.
Bespoke: Bruce has the most complex passwords imaginable because he’s personal friends with literally half of the rogues gallery, and they keep fucking changing his wallpaper every time they come over for game night.
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The funny thing about the PJO cabin system is that everyone's always all 'oh the twelve' this and 'the twelve' that but that's absolutely not even remotely accurate. To start, right off the bat it's thirteen, not twelve, because they don't count Hades. But not really because before Percy, there were no big three kids, so we're down to ten active cabins already but it's actually eight because Artemis and Hera don't make demigods.
And of those eight, Mr. D is stuck at camp (thus not really making new demigods all that often) and his only two kids don't even sleep in a cabin, they sleep in the Big House with him.
So, pre-Percy, there are seven active cabins at Camp Half-Blood:
Glee club, the Jocks, the Nerds, the Geeks, the Farmers, the 'Sketchy Kids' and the Popular Kids.
Or, in other words, the Apollo, Ares, Athena, Hephaestus, Demeter, Hermes (and the unclaimed kids) and Aphrodite cabins.
What's cool is that you can already see the cabin dynamics in the show. For example, the Athena cabin allies with the Hermes cabin for the numbers. The Hermes kids plus all the unclaimed kids? It's the biggest cabin in the camp by far. It's a battle strategy. Luke and Annabeth's close relationship is just the cherry on top for Annabeth. It'll be really cool to see how the show develops the differences in the cabins during the series.
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it’s very easy to tell the good satires and pastiches from the bad ones because the bad ones are too afraid to live within the form. like if you are doing work with fairy tales and you are refusing to look closer at the underlying logic and unspoken rules of what can seem at first to be a senseless form, you are not going to create meaningful work. to borrow a turn of phrase originally used by maria tatar, if you refuse to enter “the house of fairy tale” as anything more than a gawking tourist, you will miss the particular order to the way the table is set, the rooms that are locked vs the rooms that are simply difficult to enter, the set of the floorboards and the position of the furniture. whatever you build will then be a gilded imitation of how you believe the house of fairy tale ought to look, the table set according to your educated specifications and every door open. there can be no interrogation of themes from a writer who views the form as beneath them!
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I know sometimes it makes folks nervous, so…
I promise we love and appreciate you and your enthusiasm and it’s not weird or creepy at all 😭😭😭💕💕💕
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I love how in doc's episodes, he's this mastermind. In everyone else's episodes, he's the petty villain. But in etho's episodes, he's a big softie.
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