no, actually, where is the whimsy?
my ex had a best friend named larry who asked me once: what do you think comes after irony?
we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.
earnest positivity, i said, while my ex said, art self-destructs.
i stared at my ex. he stared at me.
his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!
it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.
and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.
my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.
which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.
but here's the thing: i wasn't wrong either.
the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.
so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.
and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.
where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.
it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.
this knowledge: where he said nothing comes after, my only instinct was what comes after is love.
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[ID: Three digital drawings of Sam and Alice from The Magnus Protocol on gray backgrounds. Sam is a fat South Asian man with warm brown skin, short curly black hair, and a mustache and chin scruff. He is wearing small black earrings, a black cardigan, cream turtleneck, dark red trousers, brown and gold loafers with cream socks, and a lanyard with a white and red card on it. Alice is a lanky white woman with pale skin and freckles, fluffy light brown hair with faded pink tips, and crooked teeth. She is wearing snakebite lip piercings, three pairs of silver earrings, bright pink cat-eye glasses and painted nails, a black wrist cuff and a red and gold bracelet, a pink and grey flannel shirt, a black zip-up hoodie, a tiered flannel skirt with different colored tiers, dusty pink converse and brown socks, and a lanyard with a white and red card on it. The first two images are drawings of a bust and full body of both Sam and Alice respectively.
The second image is a drawing of Sam stumbling while Alice leans back over him, resting her head upside down on his shoulder with her arms crossed. In this image, Alice is wearing a pair of ripped jeans and berry colored socks instead, and Sam also has a pink and grey bracelet visible on his wrist. Both of them are smiling. end ID]
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it is time for the thems <3
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There's something so funny about the fn*f creator (Scott) being an openly unapologetic pro life, republican, Trump supporter while still having big YouTubers play his games AND having a movie being made, meanwhile JKR is critical (not even doesn't support) of one thing and nobody can even talk about Harry Potter anymore. She wasn't even in the fucking anniversary special of her own goddamn series. Scott literally donated money to trump's campaigns. He is an open republican. I have heard zilch against his movie. Nobody is hating on Josh hutcherson for being in it. No YouTubers is being slammed for playing his game. It may as well be like it never happened. Meanwhile there are posts on here with thousands of likes talking about how if you so much as think about Harry potter then you're a bad person and should kill yourself. Everyone is bummed about the fact M*rk*pl*er won't be in the movie, meanwhile there are people who are giving earnest pleas not to hate on the children cast in the HBO version of HP. Why does nobody care? What fucking gives? What the hell is this? Scott literally openly supports Trump and he's more beloved than a democratic woman who thinks maybeeee taking people to court for saying 'sex is real' is a bit far? Why aren't fn*f fans labeled as bad people? Why isn't their support of fn*f seen as support of Scott and his views? The fuck is this double standard.
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Steve could always see the dead, since his grandma died when he was six and his papa when he was seven. He’d have conversations with them at the side of his pool about his day until the breeze swept them away. He’d always liked the dead more than the living, not that people would understand if he’d told them.
He’d sometimes go out and sit in his pool chairs to talk to Barb, the girl that hated him alive and even more now that she’d died. She never blamed him though. She’d rant and she’d rave about the injustice of it all but unlike Nancy, she never blamed him for her death. She just let him listen to her dreams and hopes that would never occur.
After Vecna and their last encounter with the Upside Down, Steve would talk to Eddie. They’d lay side by side in his bed surrounded by plaid and talk about what could’ve been. Big metal tours, traveling, dreams being made, guys, girls, even the kids on occasion. They’d even talk about what they could’ve been, once upon a time. But when night turned to day, Eddie would fade away and Steve would be left all alone again.
He might be able to see both alive and dead but through it all, he was alone.
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Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.
Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.
Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.
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