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gwently · 1 year

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2023 part 2?

So fountain pens. While I really got into them in 2022, it was not my first foray into them. My first pen was a gift from an online friend way back in...2017? For my birthday. It was a Pilot Metropolitan and I immediately fucked it up, spilled ink everywhere. I was too dumb to look up how to properly fill it, though i am sure I messed up the nib as well. Since it was a gift it stayed in my room for several years until I threw it out one day, for a reason that cannot be remembered. We laughed at my incompetence and she wasn't angry, so that birthday managed to be memorable.

I don't even know what sparked my current interest in fountain pens. Think I was looking at ink drawings? and remembered these things existed and well I am firmly down the hole. I brought a lot of pens last year, trying out different filling methods or nib sizes, going for cool colours, you name it. Having disposable income for the first time and not knowing what to do with it may be a factor. Sure, I definitely do not need that many pens, but don't judge me. I sure as hell don't judge that one person who tosses in random kanji in their name or bio that is probably google translated, because to them Japanese is a fun aesthetic, not a language used and enjoyed by real people.

I mostly got the reckless spending out of my system, while there are many different inks and pens I still want to try out there's only so many I can use short term, so now the focus is on getting use of what I have and maybe selling/giving away a few. Improving my handwriting and learning cursive properly are also goals of mine, as it is very awkward trying to write a signature and only being able to make the l and t in my last name look pretty, a thing I only know from diving into the bottom of my memory containing a mental image of my mother's handwriting that can no longer be replicated.

Journaling! Right that's the main reason why I use my pens now. I've always written things down on random scrap sheets of paper as little reminders or to do lists — a habit that happens more often due to my grandmother's influence in recent years — so getting a proper journal only made sense. With fountain pens certain inks or nibs respond better on good paper, so that means I also invested in some notebooks. You can quickly see how this hobby can become a money sink if you really wanted to. Thankfully after trying out Rhodia and feeling dissatisfied, Maruman (a japanese brand) stopped my search for paper that suited what I like. I prefer spiral/ring notebooks the most so it was a double win, similar to [insert fighting game reference 0 people reading this would understand]

I lost my train of thought but it's okay, no one will read this. Here's a pen I brought in...(checks amazon purchases) October.

(yes that is my hand, those aren't scratches it's lint)

The very famous and popular Pilot Custom 823, with a broad nib. It is a vacuum filler — one of my fav methods of filling — and managed to grab it while yen was very, very low so it was around $192 with tax, when normally it would cost me around $220-280. My most expensive pen and probably will be for a very long time. It's funny cause when I first brought it I was like damn. This is kinda mid. Like when you watch that super popular anime that's airing, only to be bewildered at what all the hype is about. Now it's one of my favourite writers, the gold nib has a softness that is fairly unique, making writing with it a breeze as it floats over paper. Sometimes you just need to sleep on things. If it wasn't for the cost I would consider getting a second one, the amber colourway in particular is gorgeous.

Right now though I am interested in vintage pens, there is definitely something nice about holding something older than my grandparents and looking up it's history, and the time period around it.

(Not my image, credit goes to redeempens/will vintage on reddit) Today I got myself a WASP Clipper in this marvelous brown/gold pattern that is commonly called "circuit board" by collectors. It's a "lever filler", a filling method mostly absent from modern pens.

WASP is a sub-brand by famous pen manufacturer Sheaffer. WASP stands for "W.A. Sheaffer Pen", because why bother with subtlety. This pen was made sometime during the 1930s, cool stuff. Usually pens this old have the risk of having it's ink sac disintegrated, so you would have to repair it yourself or get someone to do it for you. Thankfully the pen I grabbed was already restored, so now I'm waiting on my package of ink to come in the mail to test this bad boy out.

Uhh okay this post was long so bye! This is barely 2023 related but that's what happens when you don't plan things out in advance. Here's a song from an album I've been listening to lately, Spirit World Field Guide by Aesop Rock

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#2023

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mickvalencia · 4 months

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Devlog #000 - Welcome to the DGS Project!

Hello there!

I'm Mick, lead of the Detrayan team and this is my first devlog ever. Today, I'm here to tell you a little bit about myself, but mostly about my project, the Detrayan Gaming System. DGS is a project that has been hanging around in my mind, my notes and my thoughts for years at this point, although not in the same way that it can be seen today. You see, I used to think that I was a writer, a novelist, all that cool stuff, but in reality, my skills are closer to the ones of a worldbuilder, a systems designer and a scriptwriter than the aforementioned, and that's the main reason that this project hasn't been public until yesterday. I wanted to write a novel (a bunch of them, actually) I started designing the world of Detrayan on its most primitive form around 2019, and since then I had this desire to write an epic saga of novels that spanned through the ages and planes of my world, thinking about being the next Tolkien or Douglas Adams. You know, small, achievable goals. The thing is, me not knowing that I'm not a novelist, but a worldbuilder, extensively worked the details of the land, the creatures, characters planes and ages, and it was beautiful. The problem? I couldn't for the life of me to pick an angle to tell this story. I couldn't cover my favorite parts, heroes, villains, events and all the other things on a book, didn't knew where to start, where to finish, where to even put the first word to give it the meaning or weight that I wanted. The project became dormant, while I tended to other matters, until one day, a group of excellent friends (some of them members of the actual Detrayan team to this day) in between our daily talks and jokes, proposed the idea that we should play a TTRPG, and games are one of my biggest passions in life, besides animals and quality time with the ones you love. But, what to play? I love TTRPGs as a concept, but I never found one that really encompassed the aspects I liked about them, like the freedom and experimentation they offer, without using a bunch of number crunching or rules that were too loose to develop consistency with the world. So I went and decided to design something myself. The first beta was rough. I decided to skip the whole "IRL" setting, and go for a different approach closer to MUDs in a way, because we played through a Discord server via text, in this way avoiding some of the complications of most TTRPG sessions (people not getting enough into character out of embarrassment, scheduling conflicts, dice fudging, number crunching, and others) and with that, giving space to concentrate in the part I liked, that was the narrative and stories you can build around these games. The setting was not there the first time, we had a short adventure about a wizard who liked to torment a dwarf by stealing his potato chips and putting him in complicated situations against goblin junkies and orcs that came to his house. It wasn't great, but we had an idea, and we could make it work, the system was fun, intuitive and for a beta, I would even say "functional". And then it hit me. I had been building this world without an actual purpose to it except for a theoretical novel saga, but it was all there, years of work could be reused in a new idea, even if it was just for our personal fun.

Time passed, seasons came and went, and I kept improving on the systems with the help of my friends, we had to adjust many things, from combat, socializing, world logic, rolls, stats, all of it, but in the end we came up with our own flavor of TTRPG, that was enticing and fun because of the customization we gave to it, but also because we invested a lot of time in making it a unique experience.

Once the world was fully integrated with the system, we played for about a year consistently, and had a lot of fun with it, getting to that impostor syndrome moment where you say

"Hey! This is pretty good, it looks like someone way better than us made it!"

When I heard myself saying this phrase, I knew that something wasn't right, and I needed to do something to correct it, so then again, I got back to the drawing board (I actually have a drawing board now, they're very cool).

I started making a little trailer about the game as if it was an actual product, showcasing the book covers you can see in the gallery, and I got pretty hyped up about it. Why couldn't this be a thing? Why should I stop here? There was no actual reason for me to give a chance to this game I got to love while creating it and the world that has been with me for all this time, so I started creating actual rulesets and adapting mechanics to a "newcomer-friendly" mindset. This went great, and taught me a lot about system design and project management, but there was always something lurking in the back of my head, and that was that this project would only be an idea until I released it in one way or another to the public.

Couldn't stop thinking about it, I had to make that trade, and so I did. Being here holds me accountable on my progress, and while it's not perfect (nor done until it's actually done), just one day of leaving my fear of it not being "perfect" made me get to this point, where I can freely talk about it, receive feedback, and even deliver whatever is done to you, the "Dear Reader". What can I say besides, "This feels great"? I'm a little bit scared about what comes for the future of this project, but now that the journey has officially started, I can repeat the wonderful process that took me to this point, which was to share with others what at some point it was only an idea in my head, hear their opinions and questions, and build upon that what will be the next iteration of DGS and the deployment of Detrayan as a new fictional universe to enjoy. There's so much I'd like to talk to you about, from the game itself, the lore, the universe, my own journey to get to this point, but I also want to make a habit of this, talk to you often through this devlog, to receive your questions and comments on everything from the earthly to the divine, I want this creative process to be a constant dialogue, and I think this new work model where I keep adding up to what's already done, instead of waiting by myself for everything to be completely ready, is an excellent way to go forward. Before I go, there are three things I'd like to say:

1. I'm open to hear your comments, ideas, messages and questions, just send me a message through ko-fi, tumblr, or if you're more old-fashioned, throw me an email at [email protected], think of me as that friend you haven't met yet, that everyone says it's super nerdy and chill, you can even find me on Twitter if that's your thing, I'm kinda bad at social media, but I'm learning as I go. 2. The project itself has already completed some of the milestones I had for it from the beginning, we've already released our "Red Book" for new players and our "Blue Book" for Game Directors, they both will give you a good idea of where are we going with our project. They are in our shop, and��you can pick them up on a "Pay what you want" basis, being $0 the minimum, because I want you to have access to the game no matter what.

3. There's a lot more I'd like to share, but I'd rather not flood you with information, we have plenty of time ahead of ourselves to know each other, talk about many topics, related and non-related to DGS and Detrayan, and I want this to be a growing relationship between me and you, so please make sure to follow us, talk about the project with others, let us into your world and interests, so we can build this as something real and human, I'd like to know about you as much as I'd like to tell you about me and all of this.

Alright, I need to stop, or I'll end up writing a novel right here, and that's not the idea. I hope that you and the ones you love are safe, that you have an excellent day, and that we can get to know each other better over time. Big hugs! Mick Lead of Detrayan Team

#game design tabletop #dgs #devlog #ttrpg #worldbuilding #indiedev #ko fi

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spicycurrybread · 2 years

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Why Gamers Need to Give Star Wars Battlefront 2 Another Chance

From its pre-release marketing campaign right through to today, Star Wars Battlefront II has been marred by controversy. Crippled by a convoluted progression system and pay-to-win mechanics the game suffered critically and commercially with EA announcing it had failed to meet their sales targets. Despite this, it’s unfortunate Star Wars Battlefront II never had its time in the sun; although criticism of its microtransactions may have been fair at the time the game itself is genuinely beautiful to look at and mechanically engaging. It may have a bad wrap but with huge changes to its microtransactions and progression mechanics, I think it’s time everyone gave Star Wars Battlefront II a second chance.

I just want to get this out of the way: Battlefront II’s campaign is bad. Iden Versio is a flat character that represents a lot of the problems with Star Wars as a brand right now. She is insanely predictable and feels like a vehicle to revisit iconic Original and Sequel Trilogy characters and locations. Better Star Wars video game narratives carve their own corners in what is a really broad universe, while Battlefront II habitually colors within the lines. A lot of opportunities to develop the game’s characters in interesting ways are missed as if its writers assumed the Star Wars license was enough to make players invest in them. Obvious twists and stupid turns made for a campaign I don’t think I’ll ever return to.

Need a gaming chair? Be sure to read SecretLab Alternatives: The Best Gaming Chair Options for SecretLab Fans

However, the design of the locations in which the campaign and multiplayer modes take place is phenomenal. Environmental details like the individual leaves blowing across Theed’s stone roads and the explosive thunderstorm above Kamino’s voracious seas breathe life and urgency into what could have been empty worlds. Playing with other like-minded Star Wars fans finding easter eggs and hidden locations from the movies was a joy. Running around Star Wars Battlefront II’s maps feels like visiting the definitive realizations of these worlds, or at least the actual movie sets.

If you’re used to Call Of Duty or Battlefield Star Wars Battlefront II probably won’t feel great. It’s an arcade shooter first, placing fun and power fantasy ahead of realism. Team strategizing subsequently falls to the wayside while every character runs face first into a blaster bolt pretending to be Han Solo, but it’s fun nonetheless. Blasters feel as ‘realistic’ as you could want; Rebellion guns feel slapped together in a garage with scrap metal and rushed welding, while Empire weapons feel shiny and mass produced. Every team, be it the Clone Army, CIS, Rebellion, Empire, Resistance or First Order largely play the same way for balancing purposes, but slight changes in mannerisms and abilities make each side feel unique.

Despite its arcady nature, I would have preferred some more nuance in Battlefront II’s lightsaber combat. Lightsabers feel fine when you’re dicing up Clone Troopers and deflecting blaster bolts, but when another force user shows up to fight the ensuing duel mostly comes down to button mashing and special abilities. Characters hack and slash at each other, while the movies repeatedly emphasize the significance of lightsaber combat and a mastery of it as an art-form. Games like For Honor prove that thoughtful sword-based melee combat is possible, so I hope future Star Wars games take some inspiration.

Starfighters play as they did in Battlefront 2015, which for some is a negative. The controls are obtuse at first and require you to ignore years of conditioning for how a flying vehicle should operate, but once you overcome this hurdle they feel right. https://www.hangrygamergear.com/cool-desk-accessories-for-gamers/

What really shines in Star Wars Battlefront II is the sound design. From the whine of a passing TIE Fighter to the “ROGER ROGER” of a Battle Droid, every sound bite is perfect. The sounds of Star Wars are iconic and go just as far (if not further) as the visuals to immersing you in the universe.

Now, the point on everyone’s minds: microtransactions. How do they impact the game? How can you have fun while some nerf-herders living it up with 5 hours gameplay time and every top level unlock? To put it simply, they’re all gone. EA disabled microtransactions the day before the game released back in 2017 and completely overhauled in March of 2018 as not to affect gameplay. Microtransactions now buy Crystals: an in-game currency only used to purchase cosmetic items. Loot crates earned through gameplay and daily logins only grant you cosmetic items and Credits, which pay for upgrades and are earned in larger quantities through gameplay. If you buy a copy of Star Wars Battlefront II the only high-level players you will come across are those who have earned their stripes and value the game. https://www.hangrygamergear.com/hyperx-cloud-ii-headset-review/

As a big Star Wars fan, I was pretty unsure of Battlefront II before its release. The trailers looked cool enough and the prospect of exploring the much-maligned prequel era tickled my fancy, but my history with the dull and lifeless Star Wars Battlefront in 2015 and the never-ending controversies with EA set my expectations somewhere in the negative zone. But once I set aside all the negative buzz perforating the conversation and actually played it myself I realized it’s not a bad game. So I implore you, if you’re on the fence about Star Wars Battlefront II, play it for yourself. For only $40 you will get a complete and well-crafted experience with free future DLC on the way. If you love Star Wars give it a go, you won’t be disappointed.

The Good

Excellent Visuals

Great Gameplay

Sound Design

The Bad

Uninspired Campaign

#star wars #star wars battlefront 2 #gaming #games #video games #xbox #playstation #pc gaming

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helena-thessaloniki · 3 years

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Hi Helena! Big fan of your writing here🥺♥️ Your rivamika fics are my safe space 😭 (if you have time to answer) i’d love to know when you first started shipping them, why, and what made you continue to love this ship (or anything else to do with your journey as an RM shipper)? i love your characterisation of both levi and mikasa individually, but even more so, your portrayal of their dynamic as a couple, which is why i wanted to ask so badly ☺️ x

Hey anon! Oh woah, first of all, thank you so much. Second of all, oh god, you probably shouldn't have handed me the mic. heh 😅

I’m afraid to look at the word count of this response, I’m sure it’s much more than you bargained for, but I appreciate the question and enjoyed thinking through my response (: Most importantly, I’m so glad you find my stories as a safe space. It’s really an honor. Thank you for sharing with me 🖤🖤

TL; DR As a longtime reader, writer and lover of stories and story-telling, by being someone who pays attention to how stories are crafted and deliberately developed from beginning to end, I sincerely thought Isayama was setting up rivamika as an endgame relationship. So, I read into and interpreted meaning out of ALL their interactions and became deeply invested.

I don’t necessarily ship them cause of the parallels, age gap, enemies to lover trope, height difference, or some of those common reasons and/or kinks. I’m more basic and boring than that. I love the concept of them coming together as though it’s inevitable.

They both are unbelievably strong, selfless, and have suffered so much loss— so, no one else could truly understand them as well as they can understand each other. They both probably would have always settled for a stable, simple life, and been alone and lonely even without realizing it— instead, they find each other, and realize what it means to actually no longer be alone, to do more than just survive. It’s this understated bond, as opposed to a dramatic and passionate romance, that I envision in them and that I love so much.

Then, the passion, heat, the romantic "spark"— I think that’s an added bonus, the cherry on top, the perfect final puzzle piece. They’re both so physically capable, can speak through their actions, and don’t show much need or capacity for emotional/ verbal communication, so the ability to connect with each other through physical intimacy and mind-blowing sex seems like another given.

Still, at the end of the day, for me it comes back to their ability to fully depend on each other, to the inevitability. Not like some soulmate trope where they 'have no choice' in it, but like the stars aligned to prove it's right. How each of them have only one other person on the whole planet who could see and understand them, to be on par with them, to make them realize there’s more to life than settling and surviving, and they happen to find it in each other.

You asked, I rambled 😅 Here’s a breakdown of my thought process in my rivamika journey. For those who make it to the end or want to skip to the end, I'll finish with the excerpt of the very first rivamika scene I felt compelled to to write.

I've tried before to re-watch and remember the exact scenes, exact moments, that initially captured my full attention, but I guess it was all of them, the gradual and cumulative compilation of their earliest interactions.

Mikasa always appearing cool and indifferent, and paying no attention whatsoever to others fawning over, like Jean initially falling for her, but then her strongly reacting over Levi in the courtroom showed how uniquely capable he was at getting under her skin.

Of course, the scene in the forest chasing the Female Titan was a critical one. I think of that as the first time both Levi and Mikasa were truly able to see the other's strength, mental and physical. And for them, orphans and trauma survivors who have suffered extensive loss, I think that seeing strength in another person made them feel less alone. Less alone in a deep, quiet but cataclysm, life-altering sort of way, even if not a romantic one. Like they didn't know it was something they didn't have, something they didn't expect to get from life, but then found it with each other.

(Even when we found out Levi was an Ackerman, I was disappointed if it meant they were immediate relatives, but willing to accept it wouldn't be a romantic end to loneliness, it would be a familial end to loneliness. But... the author never explored that. Not once.)

In that forest scene, manga and anime, the way that Levi pauses to really look and see Mikasa and think about who she is, what she’s gone through, and how strong and dedicated she is now— that was a defining moment. It was also a visual demonstration of Levi breaking character, from aloof and ruthless, to considering and curious. I thought Yams was showing both of them do that on purpose.

Then, Levi getting hurt because of Mikasa in that scene felt like another clue. Sure, it was while saving Eren, and sure, it could have been meant to humanize super-soldier Levi, or sure, it could have been another aspect of how Mikasa rushing into things over Eren ends up hurting other people that later changes in her character development, but it felt like a very pointed statement about Mikasa being a vulnerability for Levi. And that's swoon-worthy, right? Most of us have been exposed to and conditioned by stories about how special and romantic it is to be the one and only girl who can make an otherwise disinterested or unattainable guy actually pay attention to her, and so admittedly I fall right for it.

I’m sure I’m forgetting plenty, but the opening of season 3 felt like confirmation. When Levi figures out Kenny's behind things and entrusts Mikasa with instructions to share with the others, instructions about fighting people instead of titans that ultimately everyone else besides her struggles with, and when Mikasa lets Levi hold her back from chasing after Eren, her most important way of trusting and having faith in Levi, I honestly took that as cues from the author that rivamika was endgame. I let myself get truly invested from then on. That’s that understated bond I was referring to. To me, that unspoken but undeniable trust is the most important dynamic.

Seeing them fight together or fight similarly has always been fun and powerful and fulfilling.

I'm newer to the snk club. I was originally an anime-only fan and started watching in fall 2019, I think. I wasn't on tumblr, twitter, or anything else to see fandom discourse. So, I didn't know that the rooftop scene of Mikasa fighting Levi over the serum was such a staple for our ship until much later. I love the scene just like many do for all the reasons we do, but I don't think the actual scene was pivotal for me, so much as it's aftermath. I thought it represented two things.

One, it was an important marker in Levi's characterization. Hands-down one of the most striking scenes to me is the one where Levi is in the alley, somber and alone, listening in on Eren, Armin, and Mikasa talking together. It artfully shows his longing for hope and connection. So, when Levi chose Armin for the serum, that represented Levi choosing hope. And when Mikasa ultimately gave up fighting Levi and didn't choose Armin, which Armin finds out about later on, I see that as an important marker in Mikasa's development. It puts a wedge between her and Armin/Eren [Armin, because he knows she would have let him die, and Eren, because Armin is too special to him and he couldn't look at her the same way after realizing she would have let him die]. That distance between her and her childhood friends is one I don't think could ever be healed completely, one of those painful lessons in growing up. By doing that, it then also puts a distance in Mikasa's own childhood self to her current self. I thought that matured her and separated her out in a way that was another clue toward eventual rivamika developments.

That's a whole other conversation on Mikasa, but I’ll stay on track. Her love for Armin was absolutely authentic and fierce, but at the end of the day, at the core of her being, she chose survival over hope. Meanwhile, Levi chose hope over survival. To me, that was soft, fertile ground for the reasons why eventually, if/when Mikasa found hope and chose hope, that could directly tie together with her inevitably in coming together with Levi. Again, less butterflies and fireworks, but more natural and in a way that was just a given.

I wrote Beyond the Walls before reading the manga from the Marley Arc and on, so that's why most of that story is her journey into embracing that hope. *manga spoilers* There's a lot of meta, criticism and talk about Mikasa's silent, off-screen and subtle style of character development in the Marley Arc and afterward. I won't go down that road, I'm still processing the end of the manga to be honest, but I think it's fair to say she does eventually end up choosing hope over survival when she lets go of Eren and saves humanity instead. I love the “Stay with Me” line and think it’s perfect; a simple but profound display of trust and their deep-rooted bond in a really understated way. *end manga spoilers*

Here's something I always wanted to talk about in full but haven't. It honestly reads to me like Yams was building toward rivamika, and didn’t do anything to stop that until too late. There are tools authors can use to ensure we stop shipping a pair or start shipping a new one; love triangles are commonly used in every artistic medium and we’ve all been persuaded by these tools. But Yams didn’t use these tools to make sure readers didn’t feel convinced by rivamika. For all the reasons I listed above, more I'm forgetting, and for the following:

If he wanted us to think they were family and it would be incest, he should have added in a conversation between them realizing they were (close) family and that they weren't the only ones left in their biological family like they thought. But he didn't.

If he wanted us to think it was completely inappropriate between a child-and-adult and student-and-teacher, then he could have done something to ensure Mikasa looked childish or Levi looked older, but no. They barely look ten years apart. I do think it's unacceptable and that there's a power imbalance between a child-and-adult relationship regardless of that, and that there can't be true consent when one is a superior and another a subordinate, so I personally age-up Mikasa in my head and try to handle his position of power responsibly in my writings... but the point being, by the end of canon, there's no inappropriate or non-consensual romance between them, yet there's a lot of history and chemistry that could naturally lead to an age-appropriate and consensual relationship. If Yams didn't want us to think so, he could have made it more clear that there were reasons it wouldn't happen.

The only thing that makes sense to me is the author planned on rivamika endgame but was shamed/pressured out of it (either internally or due to others) OR that the author somehow accidentally created such vibrant chemistry and an incredible dynamic between them. Like, he didn't put enough convincing substance of eremika in, didn't make Levi look old enough, didn’t have one of them do something unforgivable in the other’s eyes, etc. Those are some of those tools he could have used. Romance was never a key component in snk. And since we now know Yams planned or needed eremika endgame for sake of plot and the conclusion of the manga, I personally think he didn't know what to do with the riveting rivamika substance and chemistry being much more convincing to readers. Once he had them so well built-up, maybe the only option he felt he had was to just stop putting the characters together. We get little-to-no rivamika interaction, platonic or practical, after season 3 all the way up until the very end. But there was so much of it beforehand ?? So, it simply doesn't make sense. I think the author just straight-up cut any and all interactions out between them because it was too convincing and moving, more convincing and substantial than eremika. But, as the end of canon shows, we needed to have some eremika buy-in. It's messy writing and unskilled in the romance department, but considering for how long and how complicated snk has been in a creative process and how lackluster the eremika romance (the main and apparently pivotal romance) is developed, I think it’s plausible to say the author effed up.

As far as writing fanfiction goes, there's just so much room to explore them. In canon, we aren't given enough insight into their individual perspectives, let alone their dynamic together, so it feels like a blank canvas to work from. I think that's part of why I love to write them, and also why I don't necessarily read much of them. When I first started shipping them while watching the anime, I read a few of the classics that were canon-verse, but I haven’t really read much since. For me, exploring and discovering them as a writer is the most fun. (It's one of the reasons Naruto and Harry Potter have such large fanfiction collections. There's so much world-building and so many characters, but there's also so much left to the imagination.)

In general, I'm drawn to strong characters, especially women, who are multidimensional enough to be real, vulnerable and soft. Mikasa is the pinnacle of that. I don’t necessarily like to write about her love or infatuation with Eren, but I do respect and admire and consider it integral to her character and her amazing capacity to love. We can have strong, kickass women who falter when it comes to love but are still considered strong for it. The two don’t have to be mutually exclusive and Mikasa is a beautiful example of that.

And Levi is strong, but real and vulnerable too; he’s honestly a fantastically developed character, from Petra explaining to Eren in the beginning how he’s not the amazing hero he’s painted to be to the public, to how Levi genuinely cares for Erwin and others and chooses hope despite all he’s suffered.

The end of the manga wrecked me a bit. Kind of like Games of Thrones. You have something that was so epic and well-done for so long, a rushed ending that isn't immediately sensical and isn't fulfilling is hard to stomach. Eventually, I'll move on from the denial of that and process what I think and feel about it. The whole reason we have fanfiction is to expand on canon, but it's made me put rivamika on the back burner until I figure it out. So I'm a little less hyper-fixated on the pairing right now even though interacting with you all and asks like this remind me what brought me here in the first place. 😊

To conclude, I’ll share that the very first rivamika content I wrote was a compilation of moments I thought could be inserted into season 3. These are still moments I plan to edit and publish one day. For anyone that actually read this far, I’ll put a rough and unedited excerpt of the first scene I ever wrote about them.

Thank you again anon 🖤😊

BEGIN EXCERPT [after the rooftop fight for the serum, immediately following the ceremony where Eren touched Historia by kissing her hand]:

Part of her was embarrassed at such a flagrant act of disobedience to a superior, especially to one who saved her and countless others' lives in the past. But mostly, she was anguished by the situation Captain Levi put her in once he revoked the serum meant to save Armin and planned to use it on Commander Erwin instead. Her current ostracization and self-loathing was not entirely her own fault. Anger she felt toward herself was just as easy to wield against him.

It must have shown in the grit of her teeth or defiant tone, because he turned to look at her, more aloof than curious.

Like a flint struck to steel, it ignited the fury she felt toward him.

“I shouldn’t have hesitated. I should have just killed you,” she answered him at last, piercing him with eyes darker than the night.

He wasn’t concerned. “You’re good, but not that good.”

Her hands fell to her side, fists clenched as she stood with a single, fluid movement. Before she could let loose a threat, he sighed.

“What’s the problem, Ackerman?” He was dismissive, his shoulders relaxed and posture loose.

The fire too furious to contain, she went sailing for him with the same speed from the battlefield. Her fingers already curled, she tightened her grasp as she swung her fist into his gods-damned apathetic face.

Levi wasn’t unprepared. He easily side-stepped her, then snatched her wrist to steal her momentum. Though he tried to toss her aside, she was no less fast; Mikasa dug her heel in and spun, her other arm shoving hard into his chest.

Too graceful to stumble, Levi used the chance to hook her second arm too. He caged both her wrists in a grip so strong, she was sure it bruised her bones. Still, he only looked at her warily, almost bored.

“Shouldn’t you be grateful? I chose Armin.” If his reminder was meant to ease her anger, it had the opposite effect.

Fury and desperation gifted her additional strength. She shoved into his chest hard. Levi shifted backward, nearly forced into loosening his grip; within that split second of an opening, Mikasa slammed her elbow into his chin, rocking his head backward.

“You did,” she seethed, but as fast as the fire inside her exploded, it was doused. Her next words came out broken and damp. “But I didn’t.”

Levi remained stern and otherwise unmoving as he attempted to flex his jaw through the spasm of pain. As the momentum of the fight died down, he loosened his hold on her wrists and evaluated her distraught frame.

Mikasa immediately released her own hands and turned away from him, eyes stinging from tears she refused to shed as she focused on the stars ahead. Admitting the harsh words aloud hurt her far more than any injury she could inflict onto him.

Not only was Armin one of the only friends she had, but he’d been a steadfast one throughout almost all she could remember of her life. After the trauma of her childhood, it was Eren and Armin who embraced her, whom she learned to love. Now, though, there was a wedge between her and Armin she was not sure could ever be removed. What was worse, as deplorable and selfish as she knew it proved her to be, was the painful wedge it now put between her and Eren too.

Once again, she found Levi standing at the peripheral of her sight, close enough to see but far enough to be a blur at the edge of her watery vision.

“You almost killed me.” Levi repeated his earlier words, but he said them with an odd bite, torn between frustration and patience. “You would have killed me to save him.”

Too late, Mikasa realized he hadn’t meant these words as an accusation, but an odd form of validation. She bit her bottom lip, teeth puncturing too hard; the tang of metal was sharp on her tongue when she swallowed blood.

“You thought about letting your closest friend die,” Levi said quietly, tiredly. “But I did let mine die. I left him for dead, when I could have saved him.”

Mikasa was startled from her selfish reverie, for the first time acknowledging the sacrifice he made on that fateful afternoon. She’d been too absorbed in her own relief, and then, her own regrets to consider what the decision had done to him.

For a brief moment, she considered turning to face him, but the stark reality of the matter made her refrain. How could she feel pity for his loss, when his loss enabled her gain? An uncomfortable knot tightened in her stomach.

“Tch,” Levi sighed. He was only one notch less taciturn, but for him, that was soft. “You’ll live with your guilt, and I’ll live with mine.”

His words granted Mikasa’s tears the permission to spill. She buried her face further into her scarf, both hands trembling at the worn threads. As quietly as he arrived onto the roof, Levi disappeared from it.

It was rare for him to indulge in alcohol or celebrations, but Erwin’s absence felt more tangible than his presence ever did. Levi distracted himself with the chaos of the few remaining Scouts that Erwin had died entrusting his legacy to, and attempted to drown the pain with whatever drink Connie Springer shoved into his hands.

He found Hanji with their ale long-forgotten about on the table as they half-stood from their seat, frantic while explaining some morbid experiment in great, vivid detail to an unsuspecting and slightly horrified MP officer.

Though Levi wordlessly took the seat beside them, Hanji paused their rant to slap him hard on the back, an enthusiastic greeting flying from their drunken lips. The MP took this chance to excuse himself, a pathetic attempt at politeness, but Hanji either didn’t care or didn’t notice.

“Ah, Levi,” they smiled at his drink, though it didn’t entirely reach their one eye. “Where you been?”

Levi didn’t answer. “You know, shitty-glasses, you’re even more unbearable about your experiments when you’re drunk.”

Hanji waved dismissively and reached for their ale. Years spent in battle and command together had gifted both of them with an eased familiarity, and sometimes, genuine friendship. In the same manner he ignored their question, Hanji ignored his lack of response and went on with their original inquiry.

“Careful, Captain,” Hanji warned lightly. “Now that there’s far fewer Scouts, you having a favorite might cause some division.”

Even though Hanji meant the words, there was a glint of mischief that twinkled in their remaining eye.

“It’s not favoritism,” Levi countered bluntly, turning his vision toward the young man on the far side of the room. “Eren is simply the best chance that we have in this war.”

Hanji laughed as if he’d made a joke and Levi looked back to stare at them, unable to be surprised at their quirks or oddities any longer, but still a touch curious about what spurned this current demonstration.

“I wasn’t talking about Eren,” Hanji said at last, a pointed nod toward his injured chin.

Levi blinked. He didn’t realize he was nursing his injury with the hand not on his drink. As though it were too hot to touch, Levi dropped his hand.

Hanji was not judgmental, nor inquisitive. In a war-torn life of losing too many cadets entrusted to him, the fact that Levi found a soldier with the strength and skill to remain safe was not only rare, but worth special attention. Still, it made him too lenient.

“Sometimes I think you’d let her get away with murder,” Hanji chided halfheartedly.

When he thought of Erwin dead in his grasp, sometimes he wasn’t sure if he already had.

#my asks #my thoughts #rivamika #rivamika fanfic #lena writes

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ram-reads · 2 years

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Review Summary: While I may not have given this a whole five stars I can understand why this book blew up on BookTok. It has a unique premise that drew me in and I love the way the story gets laid out. I know some people feel like Monique’s parts are boring, but I liked seeing her insight and how she grew from her interactions with Evelyn. The characters had a lot to offer with how complex they were and I’ll always be a sucker for a found family. My favorite part is that this book emphasizes the importance of platonic love by showing how Evelyn’s friendship with Harry was as vital to her as her relationship with Celia. Yes, I may not have stayed invested in the story the entire time, but the messages this story conveyed will stay with me for a while.

Evelyn Hugo is a retired actress who started her career near the end of the Golden Age of Hollywood and continued to blow audiences away for decades after. She wasn’t known only for her acting and beautiful body though, she also had scandals galore mostly revolving around the seven husbands she had throughout her life. People want to know everything about her, especially since she hasn’t had an interview in decades. That all changes when in 2017 she reaches out specifically to a small name writer called Monique to write a biography about her life. Monique is confused about why Evelyn is adamant that she is the one to write her biography, but that only intrigues her more so she agrees with the hope that she will soon find out why that is. The book is mostly told in flashbacks of Evelyn’s life as she tells Monique her story, but it’s not told in interview format which was a relief for me. These flashbacks are broken up with moments back in the present timeline with Monique. Monique is dealing with problems of her own that include an impending divorce and figuring out how to not lose her job since she is essentially stealing the Evelyn Hugo story from her boss. I liked these little breaks from Evelyn’s narrative because I find stories mostly told in flashbacks rather dull. I thought the setting was fun and unique. A book based on old Hollywood isn’t something I see often, and as someone who had to take a lot of film classes in college it was cool to see what I had learned about reflected in the novel (the first time it has really come in handy tbh). The little snippets of tabloid articles readers would sometimes get between chapters helped sell the idea that these characters were famous and hence unknowable to the general public. It was both satisfying but also sad watching Evelyn effortlessly use the tabloids to get what she wanted and protect her true self. As for the plot, I did enjoy it for the most part. One of the biggest questions going into the book was who was the love of Evelyn’s life and that hook kept me engaged for a while. The answer to that is given early on though and I’ve always been the type of person who is more interested in reading about a romantic relationship as it develops than reading about the drama that unfolds once they get together. Because of this I started to find myself growing bored around husband number four, and halfway through husband number five’s chapters I found myself impatient for the story to start wrapping up. At that point the number one thing keeping me reading was to find out the connection between Evelyn and Monique. I think the main reason the book started to drag for me is because I just found it to be predictable. That’s one of the downsides of writing a story mostly told in flashbacks when the reader already has inside knowledge into how everything is going to end. Once I was halfway through the book it was easy for me to piece together how Evelyn’s story would likely wrap up, and my guesses were pretty much right on the mark for the most part. Despite my feelings on the plot I still think this is a really good book. Part of why that is is because the writing is phenomenal. Taylor Jenkins Reid sure knows how to write. She wove so many good messages into her story. Mostly about relationships with others, but also about self-confidence and fame. On top of this she also tackled many important topics like the history of the queer community, the effects of grief, physical abuse in a relationship, sexism, and even physician-assisted suicide. I’m not typically one to mark passages in a book, but there were too many great quotes that spoke to me that I wanted to reference for later so now my copy has a lot of tabs in it. Even if I was no longer fully invested in the story I still loved the writing. There were times it had my emotions all over the place, especially at the end. I’ve been reading too many books that have made me cry this year and this is one of them. I would go more in depth with my thoughts on the queer representation, but I feel like talking too much about it will spoil the book and it will pack a bigger punch if you go into it practically blind. I was super happy with how diverse this book was though and I think it did a good job portraying the struggles queer people faced back then and still face today. The characters are another reason why I enjoyed reading this because of how complex they were. There were a lot of them but only four that were important throughout: Evelyn, Harry, Celia, and Monique. Evelyn was a very nuanced character. She wasn’t exactly bad, but she wasn’t good either. She’s the type of person who is willing to do whatever it takes to get what she wants. She’s also the type of person who deeply cares about her family. My feelings about her were complicated, but I will always have respect for someone who can own up to their mistakes. Harry was the one who got Evelyn into acting and he was also her best friend. He was definitely my favorite character because he was so kind and cared about Evelyn so much. I wish more guys like him existed in the world because he was such a sweetheart. Celia was a fellow actress with Evelyn who became her friend when they did a movie together. I liked her because of how hopeful she was. I always like when there is at least one optimistic person within a found family. Monique was my second favorite character. She has the conflicting condition of having low self esteem but also high ambition. Even though you don’t get to see her much it was still fun watching her character grow as she interacted with Evelyn and was influenced by her. My absolute favorite part of the book though were the relationships. I know a lot of people love this because of the relationship between Evelyn and her significant other, and I do too. I thought their relationship was very sweet and intimate, and I was rooting for them the entire time. That wasn’t the main relationship that stood out to me though — that would have to go to Harry and Evelyn’s friendship. Their friendship was so pure and they understood each other perfectly. I can’t stress how happy I am to read a book that truly shows the importance of platonic relationships and how meaningful they can be to people. That shows that you don’t need a romantic partner to live a fulfilling life. That there are all types of love out there and not one of them is more important than the other. The Seven Husbands of Evelyn Hugo was a good read. While it wasn’t a five star read for me I can see this book staying with me for a long time because of all of its important messages. I definitely think it has the best ending I’ve read all year. I can see why so many people like this book, and I’m glad to be one of them.

#book review #book reviews #the seven husbands of evelyn hugo #lgbt+ books #queer books #queer lit #historical fiction #diverse books #booklr #book recs #book recommendations #4 stars #2021 reads #my reviews

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annikasafternoonread · 3 years

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Hello all! It’s been a few days (okay it’s been a whole ass week) -- I’m sorry for the wait, but I had a surprisingly hard time starting this wrap up. Part of that was just being busy with life, but I also just… felt like I didn’t know what to say. Or maybe I didn’t know how to say it. These books are deeply complex, which is part of what makes them so captivating, but it also can make it hard to describe or respond to or explain. So much is left unanswered or unexplored or unknown. How can I sum up something so multi-faceted, that I know I’m only scratching the surface of understanding?

So, Harrow the Ninth. I want to preface this post by saying I did enjoy this book a lot, and I’m glad I read it. Tamsyn Muir is a very talented writer, I love the characters and the world, and the story is really cool. But although I liked the reading experience as a whole… I seem to have a lot of things I wasn’t totally happy with in the book itself.

Tamsyn Muir’s books are fascinating, but they are also challenging. I’m sure that description doesn’t come as a surprise to anyone who has read them. It is both a strength and a weakness, part of what makes these books so intriguing and surprising, but also something that I know can turn off potential readers. I remember shortly before I started reading Harrow the Ninth, someone told me that the book itself is really hard to read, especially at the beginning. I remember that during the book, someone else told me that they had read Gideon the Ninth and started Harrow the Ninth, but wound up not finishing because the second person was too confusing.

Neither of those was my experience. I didn’t mind the second person, or the confusing nature of the first sections. It was what I expected from this book at this point, and while it was unusual, it worked. The world they exist in is incredibly complex, the writing style is quite unique, but none of that really fazed me. For me, the ending was what felt... a lot of things. Confusing, incomplete, unresolved… and for me at least, a little unsatisfying. Again, I get that it’s kind of the point, but I just… 😒 is the best way I can describe the emotion. Like, okay I guess, but also no.

The good news is, this book as a whole answered a lot of my questions from the previous book. Not all of them, but a good few. We know a lot more about this universe, about the history leading to this point, about who and what they’re fighting against, about what Lyctors are and how they work and what they do. And we know why Gideon didn’t die from the gas 🤯

This book also hit a lot of the themes I was hoping for, many of which are concepts I’m quite interested in. In my opening post, I guessed that we’d be seeing a lot of focus on the ideas of: identity, duty, loyalty, morality, and truth. Granted those are kind of generic and open-ended, but I think they were all pretty on the nose. Harrow’s identity shifts with her memory, with her sense of who she is and what she is supposed to do and be. We explore duty and loyalty through her relationship with Lyctorhood and especially with the other Lyctors’ actions. Morality is a constant undercurrent, never really brought to the surface by most of the characters (well, I guess with regards to becoming a Lyctor it’s explicitly explored, but with regards to killing planets and the BoE and such it isn’t really touched much) but always there and very intentionally so. The narration doesn’t engage with it because the characters don’t question it, but it’s clear that we the reader are supposed to. And truth -- well, there sure are a lot of lies on that ship. I was even spot on that truth circles back to identity, though granted not in the way I initially expected.

But while this book answered a lot of the questions from last book, it of course introduced many more of its own, and many of those weren’t resolved either. Some of those I expect to be answered later, like: How did Mercy and Augustine connect with the Blood of Eden? Why did they want to break open the Locked Tomb? What’s up with Original Gideon (OG) and did he (or someone else) fuck with his brain? Some of these it makes sense to leave unresolved to heighten the drama, like: What exactly is God and why and how? What exactly is the Blood of Eden and what do they want and how much should I trust or distrust them? What exactly is up with the Body? Some of these are small but still bother the heck out of me, like: What was up with Ianthe’s arm after all? How did the Commander get into that sword? Did Harrow hallucinate before she became a Lyctor, or was that a false memory too, part of the dreamscape?

But some of them are big. Some of them matter. Some of them feel like I’m supposed to think they’re answered, but I just… don’t. Like, why did Mercy and Augustine break with God? I get the surface level reason that they’re talking about, but it doesn’t make sense to me, there has to be more to God or Lyctorship or the Resurrection or something. Or at least, I have to believe that, because honestly if there isn’t, I think that would be more unsatisfying to me. I’m also deeply curious about how all the different souls and ghosts inside of Harrow interacted -- did they fight each other, layer with each other, influence each other, braid each other’s hair? For instance, who told Harrow to keep the two-handed sword close -- was it Gideon or the Commander or Harrow or some other reason?

And then there was the scene with Camilla and Judith and Coronabeth. Like, I get that this scene served quite a few purposes -- introducing the idea of a River Bubble, letting us (sort of) meet the Commander, getting to see some of Harrow’s letters, setting up the next book (as per the epilogue), and let’s not ignore the value of getting to say hi to some favourite characters, but at the same time it just… it feels so out of place. Like a weird crossover, except these characters actually do go here? But they’re not supposed to? They show up once, their presence is not explained, and then they disappear into the plot of the next book. A cameo within their own world.

There were of course plenty of things I liked. This world is fascinating and we got to know a lot more about it, about history and necromancy, about how this society views death and destiny, about their conflicts and challenges and triumphs and fears. We got to see a lot of new party tricks. Like in the previous book, we got plenty of unapologetic queerness and enjoyment of titty fiction. The writing style is engaging and makes me laugh at the most unexpected moments. I love a lot of the characters and seeing how they think and interact. I want to know more about this world and these people and this story.

But if I’m being completely honest, I’m not sure I’ll read the next book. Not because it’s challenging to read, but just… I don’t know if it’ll give me the payoff I want. Especially given the amount of effort and brainpower these books do take. I want to know I’ll get something back for my investment. Not eventually, when the series ends, but in the book I’m actually reading. Maybe the incomplete ending is supposed to cliffhanger me into desperately wanting the next book. But I don’t want to jump. I just want to land. And with this book, I guess I just don’t feel like we stuck the landing here. I don’t feel like we landed. I feel like we’re still in freefall. I’m definitely not ruling out reading it, I’m sure I’ll be drawn to it and like I said I do want more from this universe. But I just don’t know.

I feel like this is one of my more critical wrap up posts, and I feel a little bad for that because I know so many of you guys love these books. And I’m glad for you! They’re great books! Well worth loving! If someone asked me if I recommended them, I’d absolutely say yes. I enjoyed them a lot, and my lukewarm response to the conclusion doesn’t take away from all that I did love. It just means I’m wary of that happening again with the next book.

But that’s a problem for next year! In the meantime, I’m going to have to read something else :) The contenders for our next read are An Absolutely Remarkable Thing by Hank Green, Most Likely by Sarah Watson, or Wild Magic by Tamora Pierce -- any of them are still in the game, so let your voice be heard! I hope to start reading on Saturday, so see you then!

And as always, thank you for joining me on this journey. It means the world to have you along, and you guys make it so much fun. I love doing this, and I love sharing it with you. Thank you. I hope to see you on the next journey :)

#annika reads #Tamsyn Muir #Harrow the Ninth #The Locked Tomb #bookshelf #book outro #what's next?

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hopeymchope · 3 years

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Godzilla Singular Point

I came into Singular Point with some trepidation because Godzilla’s history in anime is both very recent and extremely bad. The three anime movies released between 2017 and 2019 are easily the worst work of famed writer Gen Urobuchi and honestly contain more bullshit than I can even get into here. Those movies and this series were both Godzilla anime properties commissioned by Netflix, which didn’t get my hopes up very much. Thankfully, Singular Point is a very different beast from the anime trilogy. One could argue it’s very different from most Godzilla media, actually — at least from my perspective. And I’m still a pretty entry-level fan of Toho’s Big G, all things considered.

Let me just warn you right up front: This smartphone-based virtual assistant is basically the breakout star of the series.

When you think “Godzilla,” you probably don’t think “incredibly dense sci-fi concepts,” but with the big G’s first-ever anime series, the writers clearly set out to change that perception. Before the first kaiju even appears, the lead characters are plucked from obscurity and dropped into a mystery that involves fourth-dimensional time travel, physical objects that look different from all sides, theoretical math concepts, self-propagating A.I., and a whole lot more. And it’s NEVER made clear how all of it connects to the rampaging kaiju! Although we spend a lot of time investigating a red dust or sand that is very obviously tied to the monsters in SOME way, no one ever makes a connection that explains the relationship. Maybe we’re supposed to wait for a later season to connect the threads... but let’s get into the idea of “another season” later.

I like to think of myself as someone who typically enjoys hard sci-fi, but even with the characters spending loads of time trying to explain the high concepts driving the story, I was never able to fully wrap my head around what was going on in the mystery at the center of GSP. I rewound and rewatched a few explanations, but I still walked away feeling lost. I eventually settled on some vague, loose understandings of most of the ideas mentioned, but those understandings were subject to being ripped apart in subsequent scenes when I was shown or told something completely at odds with what I thought I knew. I can’t say I was ever bored with the thick, dense scientific concepts on offer — trying to find purchase with these far-out ideas kept me glued to the screen — but damn, I sure wish I was able to comprehend them.

What do we want?! DENSE SCIENTIFIC DISCUSSION AND DEBATE! When do we want it?! AFTER THOROUGH RESEARCH, TESTING, AND PEER REVIEW!

Another weird thing about this show is that the lead characters remain in separate locations and on separate tracks for the entire duration. We have Yun — a mechanical engineer and programmer who has an amazing grasp on physics and human behavior. And we have Mei — a grad student who is deeply invested in theoretical science, UMAs, cryptids and other far-flung concepts. Both of them are basically geniuses in their fields, and even though they take opposing views of just how flexible reality is, their shared ability to think “outside the box” becomes the crucial component in solving the mystery at the core of the series. Because they don’t even know one another (despite being separated by like, ONE degree), they only ever interact via text messages and behind screen names, which feels pretty damn weird. At least I immediately liked both of them, with Yun being the standout to me because of how his lowkey reactions to crazy shit generates a lot of humor.

This soundtrack cover LIES; you will never see these characters in a room together like this.

Alas, we don’t get to know the characters a whole lot beyond what we learned of them in the first two episodes. It’s not long before they’re trapped in a series of complicated exposition dumps, endlessly attempting to explain the high concepts of the show to other characters as well as my dumb ass in the audience. The fact that I liked them in the first couple of episodes carried me through more than half of the show, but I was always hoping to see them share more of themselves or just display more emotion. Anime as a medium excels at emotional storytelling. But despite the major, world-altering events the characters are constantly warning us about, none of them seem to have many emotions about said events.

Further complicating matters is how, when major events finally occur in this show, they are often kept off-screen. One character shockingly dies, but the portrayal of that death is so piss-poor that I didn’t even realize it’d happened until someone mentioned their death in the next episode. After that vague death, I was particularly sensitive to anything that looked like it might possibly be lethal. Yet a later event that is played up as a tragic, fatal occurrence ends up... fine, somehow? It’s not clear how the character survives, because — even after one of our heroes is left screaming their name in despair as they seemingly die — nobody ever talks about or explains how he’s just fine a couple of scenes later. And near the end of the series, there’s a major transformation that occurs for one of the characters, and we never see it happen nor do we understand HOW it happened. It’s just that suddenly, this character is extremely different due to off-screen reasons that are only vaguely verbalized.

I guess these two really bonded at some point for some reason? And what you are seeing here is literally the height of emotion shown in the entire show.

Even though the overarching story of the series so far pretty clearly wraps up in episode 13, we then get a post-credits tease for a potential second season. So the question becomes: Would I watch that?

Well... Godzilla Singular Point is a series with a lot of issues that kept me at arms’ length from it — tons of extremely confusing dialogue, highly frustrating choices in direction that lead to baffling storytelling, characters who are mostly exposition-dumping — and yet there’s still some foundational work here that I appreciated a lot. When the action occurs, it’s pretty cool/fun. And when urban destruction occurs, it can be awe-inspiring. The human characters, though little-explored, have likable and interesting foundations to them that could be expanded upon. And I didn’t even mention the soundtrack, which features a variety of musical styles combined with the classic Ifukube theme music and an OP that is an absolute banger. (I have a weakness when it comes to music; a good soundtrack can carry me through even the blandest series sometimes.) Even the core idea of centering a Godzilla series around hard science and mathematical concepts is a compelling one, I think! I just hated the execution of it; they went waaaaay too far on poorly explaining incredibly complex, mind-bending concepts for my pea brain to handle it. They spend so much time trying to explain things, yet somehow they never succeeded for me.

Ultimately, I’d probably give the show another chance. But if I do give another season a chance, it’ll be on probation. I wouldn’t watch the entire season unless I could see within four episodes that they’d definitely improved things.

Would I recommend that anyone watch the series as it currently stands? I mean... not really? I guess if you really dig complex math, hard theoretical science, and/or Toho’s stable of monsters, then maaaaaaaaaaybe give it a shot. But otherwise? Naaaahh. It’s not good enough at anything to make it stand out from the anime crowd. I didn’t hate it like I hated the Godzilla anime films, but Singular Point is still something that both casual viewers and most fans can comfortably ignore for the time being. It’s not a complete disaster, and it’s not without its highlights... but it’s definitely disappointing in my opinion.

OKAYOKAYOKAY, so let’s talk about the kaiju for a bit!

Below will be SPOILERS revealing all of the kaiju that appear in Godzilla Singular Point and giving my feelings on them.

Godzilla — It’s interesting to see a version of Godzilla that borrows some ideas from Shin Godzilla. Shin G has been incredibly unique until now, but this Godzilla manages to fold some of Shin’s distinctive aspects in with the more classic/typical versions to build a fun new depiction. Be forewarned that Godzilla doesn’t show up until the series is halfway over, and he doesn’t get a ton of screen time, either. He’s used quite sparingly and kept in hazy settings, often framed from the neck-up when they show him. It’s a little frustrating that they felt the need to shroud him so much, but I respect the fact that whenever Godzilla is shown, the destruction he causes is on a scale far beyond anything that the rest of the kaiju ever do. He is pure devastation.

Rodan — He’s easily the biological kaiju with the most screen time in Singular Point. Rodan is first introduced as one gigantic pterosaur, but if you’ve seen ANY trailers for this show then you already know that his depiction transitions into an asston of smaller pterosaurs, all of whom are also called “Rodan.” (Apparently the word Rodan is both singular and plural, like the word “buffalo.”) Although he looks kind of cool at first, pretty soon Rodan showing up isn’t special or threatening anymore. Rodan appearances go from “a big goddamn deal” to “some bland background noise” before the series is even 1/3 finished. The design might be a little too far removed from the original for my own taste, but even if I didn’t think that, I wouldn’t be able to care for this Rodan simply because he’s rendered so unimportant and unimpressive.

If you go out in the woods today, you’re sure of a big surprise...

Anguirus — Now check this guy out! Anguirus gets one of the coolest fights in the show and also demonstrates some powers that are well beyond anything we’ve seen him do before. Because he sticks to unpopulated areas, we never see him do much damage to Japan, but he is definitely holding all the attention when he’s on-screen. He’s a highlight for me — a total badass who is very unique in his abilities. And the stated origin for his name is goddamn adorable.

Manda — Yup, Manda is in this series... but I don’t have much to say for him. It seems like the creators of the anime didn’t have much to say about him either. His role amounts to little more than a repeated cameo, and in most of those cameos you only ever see his tail. When we finally see his full body, it’s done so briefly and kept at a distance, leaving me with no real impression. I had to look up his design online and... yup, that sure looks like Manda. Final score: MEEEEHH.

Kumonga — I definitely did not see this appearance coming! Kumonga is much smaller here than you may be used to, but she gets to star in the most suspenseful sequence in the series and easily earns the most exciting cliffhanger moment at the end of an episode. I was utterly glued to the show during her screen time, which comes with a lot of icky twists. Good ones! I honestly like Kumonga here more than I ever have previously.

NEW PHONE WHO DIS

Salunga — Uh, who? This is the one monster that isn’t based on a classic Toho kaiju but instead is a brand-new creation. I suppose that everybody who touches the Toho Kaiju franchise wants to make their own mark on it in some regard. But a big part of the fun of this series for me personally was the anticipation of seeing new interpretations and designs of classic Toho monsters. And so, given that he kind of resembles both Baragon and Gabara, I never stopped wishing they’d just used one of those guys as the basis and namesake. Taken on his own, however? He’s... pretty neat. Not unique or exciting, but solidly above par. He resembles a cross between a lizard/dinosaur and an ape, plus his head has some nifty coloration.

Our Jaguar!

Jet Jaguar — I guess Jet Jaguar isn’t exactly a kaiju in the traditional sense because he’s a Giant Robot. However, if you want to consider him one, then I wager he probably gets even more screen time than Rodan! We meet him almost immediately when the series begins. Initially an odd pilot-driven robot that was constructed at the whim of a quirky old factory-owner with too much disposable income, Jet Jaguar grows and changes over the course of the show, ultimately undergoing a transition in episode 7 that makes him pretty damn impossible to dislike. In fact, I utterly adored him by then. This is definitely the best Jet Jaguar I’ve ever seen. His design is recognizably similar to the original yet utterly distinct, too. Like many of the other kaiju here, he’s not nearly as big as he was when he was first introduced to the movies, but his size is ideal for battling the smaller-scale monsters that we spend most of the series on.

#godzilla #godzilla singular point #anime #anime reviews #kaiju

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joekabox · 3 years

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Haven’t posted my thoughts on Magic: the Gathering in a hot minute, so how about I do that, given the buzz surrounding the new Innistrad set.

Honestly, the stuff we’ve been shown as upcoming has me really excited. Innistrad legit feels like a return to form for the plane, while still keeping the events of Eldritch Moon canon and a big lingering threat in the background, without having the eldritch themes overtake the classic feel of Innistrad this time.

Kamigawa seems like a fresh idea for the franchise, being the first real sci-fi adjacent setting we’ve really ever gotten, and the idea of seeing how a plane evolves in 2000 years has me invested, especially when there is promise to respect the canon of the plane, and that there are real Asian writers working on the set.

And the story, from what I understand, actually seems to be not half bad at the moment, which is always a great thing.

Now the bad.

For every cool thing that seems to happening in regards to lore and care given to sets and stuff, Wizards of the Coast has done nothing to curb the idea that all they care about is money, given how they are creating and distributing product, and I’m still not looking forward to Universes Beyond creeping into non-standard formats, which given I only ever play Commander, bothers me.

UB doesn’t bother me near as much as it did at announcement, but I think there is a fair and legitimate argument to be made about my following thoughts: I got invested in the game for the lore of Magic: the Gathering, for its characters, its settings, and its themes. I sit down at the table, and expect to see those things, because that is how the game was advertised to me when I got into it, and how it’s been for over 20 years and my entire time as a player. “You are a Planeswalker.” That is legit the sentence that sold me on the game, the idea that I could play as my own planeswalker, and for a bit, pretend I’m someone I’m not. While the game on its own is amazingly put together, the rules and gameplay are utterly dwarfed when it comes to my love of the flavor within the game. That is why I play.

While there is absolutely nothing wrong with crossing over with other franchises, I don’t personally feel like sitting down and experiencing that. That is not why I bought or play the game. When I put money into this game, I want the experience I paid for, which had been the same up until basically now. I want to be a planeswalker, within the setting sold to me at the start. There is nothing wrong with my opinion on this, just as there’s nothing wrong with people that want to play with those cards. Both ideas can exist in tandem.

I think a good analogy is, well, any other piece of media to exist. While there are absolutely people that bought Skyrim to mod in Thomas the Tank Engine, there are definitely people that didn’t, and they have the choice to play their way. If someone likes Iron Man but not Thor, they aren’t required to enjoy and watch the Avengers. The only difference is that Magic is a multiplayer game, so the opinion of my potential opponent matters as well as mine. If I legit just want to play a game for the game and ignore the lore, I don’t really care what cards they play with, but if I want to play for the reasons I got into the game in the first place, to feel like a planeswalker, if only for a moment, then I’m not going to disrespect my opponent by sitting down to a game I won’t enjoy and not being a fun opponent for them. There’s nothing wrong with that, and if I can’t find people to play with because of my feelings, that’s my problem, not theirs.

Really the only people I feel like blaming are Wizards of the Coast, not because they’ve ruined the game, not that at all, but because they once again seemed to care more about the money here. Something I’ve stated in the past is that, honestly, I like the potential from crossovers. Magic has the best rule set of any tcg I’ve played, and I want to see other properties use it, and how they can play with the themes and ideas the rules allow them to. My issue is that Universes Beyond feels like an afterthought, in a way. It feels like they were so preoccupied with the potential money they’d get from both brand holders and interested players that they didn’t think about how these mechanically unique cards would affect non-standard formats, and did nothing to prevent them or limit them within those formats. Or how players invested in the lore and “You are a Planeswalker” branding might feel, but I realize we’re a minority so that’s not the biggest deal.

I’ll go ahead and back Mark Rosewater up in his belief that making these cards silver border would have made the general fanbase treat them as lesser or even fake cards, because given how people I know personally have treated silver border cards in the past, I feel he’s absolutely right. However, I honestly don’t understand why it wasn’t possible to have a specific Universes Beyond format for things like Commander, that just says anything goes, and then Standard Commander (not sure if that name works, given the standard format), where Universes Beyond cards aren’t legal.

Anyway, Wizards of the Coast has yet to do anything to prove they aren’t capitalist, money hungry people, and my issues of poor representation, queer, racial, or otherwise within the game, while improving ever so slightly, are still not improved to a degree that feels more than peppered in to shut people up. So, while I’m interested in what’s coming out within the game, I still don’t feel super comfortable giving WotC much money. I’m interested in these things because the lore seems fun, which as I’ve hopefully made clear, is what I enjoy in the franchise. Let me openly support the things I do enjoy, in hopes I can see more of it going forward.

I might dust off my fanwalker to engage with the improving lore soon, but I still don’t plan on jumping headfirst into Magic for the reasons I’ve listed and others I’ve listed in the past.

#magic the gathering #wizards of the coast #wotc #mtg #venting #ranting #my opinions are my own #absolutely no judgement on those that disagree or feel differently #long post

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khtrinityftw · 3 years

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Honest KH2 Appraisal

Continuing looking at Kingdom Hearts II from a moderate standpoint, here is a post looking over all the good of the game's tumultuous narrative, because accentuating the negative as described in this post without looking at all the positives does it no justice. Here are the ten major things that went right with the game's narrative:

- The Characters: Even if much of the character writing is a downgrade from the previous two installments, one vital quality is still retained: you like these characters, you feel for these characters, you are interested in these characters and invested in where they end up. As this video points out, it's still a story about Sora and his friends, not about the increasingly incomprehensible Xehanort and his increasingly uninteresting followers. In fact, it's the story that ends the larger story they've been a part of ever since the original game. It's the true end of their journey, and you're with them all the way.

- The Emotion: I find that "melodrama" is something that is very unfairly maligned. It's bad in the wrong place, sure, but in the right place it is highly effective at going straight for our hearts and giving us something memorable, possibly even formative, that will last us our whole lives, more than more "seriously" written things do. And KH2 piles on the melodrama to superb effect, exactly in the way you would want and expect in a Disney JRPG. The convoluted nature of the plot falls by the wayside when you are wrapped up in the emotions - to paraphrase Ansem the Wise, you don't need to wrap your mind around things when your heart already knows them.

- The Balance: KH2 might just be the crowning achievement in the series when it comes to balancing Disney, Final Fantasy, and KH-original elements. Each receives more than their fair share of spotlight, and each is able to interact with one another in perfectly natural ways. So as out of sync as the forces behind the narrative were, the forces within the narrative have never been as much in sync. The KH universe has never felt as unified as this ever again.

- The Tone: Similarly to the unfair rep that melodrama gets, there are many who instantly judge the "early 2000s shonen anime" tone (meaning style, flashiness and Rule of Cool takes precedence over serious subject matter) that KH2 goes with, often upset either because they wanted the first game's tone again or they wanted something darker as suggested by the famous secret ending video from the first game. But there's so much that's good and fun about early 2000s shonen anime when it's done right, and KH2 is an example of doing it right. I honestly think that this tone really works for the series and wish it had stuck to it, rather than deteriorating into the bad, pretentious, self-important shonen anime style that it did.

- The Themes: While continuing the themes established in the prior entries such as hearts, connection of hearts, darkness within hearts and light within darkness, and the power of memories, KH2 brought several new themes to the table such as the nature of existence, what your place in the universe is, the importance of keeping the promises you make, and perhaps above all reunion with friends. And even if the story's writing was wonky, the themes always shine through and are explored and wrapped up perfectly.

- The Visuals: Masaru Oka's lackluster Event Direction can't detract from how visually grand Nomura's story is, with the imagery on display still remembered by all who played the game even today. Of special note has to be the World That Never Was, which is positively dripping with atmosphere and filled with unique structures, doing full justice to what was glimpsed in KH's legendary secret ending.

- The Sense of Humor: As much as I harp on Nojima for his writing problems, I would be remiss to not praise his excellent sense of humor that he filled his scenario with. Nomura even confirmed a lot of comedic touches like Sea-Salt Ice Cream being a running gag that runs so long that it becomes an important plot point was Nojima's doing. Also notice how the Halloween Town stories are written in a hokey manner like a Christmas special - don't think that wasn't intentional, that's the whole joke and it's hilarious. In fact, a lot of famous "KH2 out of context" moments and lines like "we totally owned you lamers!" seem to be conscious, tongue-in-cheek choices, and done in a way that doesn't offset the emotional sincerity of the dramatic parts of the story. With the KH series often being unable to lighten up these days, this kind of comedic touch is sorely missed.

- The High Points: This story's high points aren't just high, they're goddamn iconic. "Looks like my summer vacation is...over". The Hollow Bastion war sequence and the battle of 1000 Heartless. The stories of Beast's Castle, Olympus Coliseum and Space Paranoids. Timeless River in its entirety. The tough, climactic boss fights against the members of Organization XIII, Disney villains like Hades, and powerful Heartless such as Groundshaker. And of course almost everything that transpires in the World That Never Was. I believe I speak for many when I say that the low points like Atlantica or that weirdo subplot with Cloud, Tifa and Sephiroth are entirely forgivable when high points of this caliber are packaged along with them.

- The Finale: Like I said above, the World That Never Was gives us one of the best finales in video game history. From going through the dark city streets, to the mental duel against Roxas, to scaling the Castle That Never Was and taking down the rest of the Organization, to seeing all the heroes reunite, to the verbal battle between Xemnas and Ansem the Wise before the latter’s heroic sacrifice, to entering a physical manifestation of Kingdom Hearts itself where you slice through buildings, dodge laser fire from a flying mechanical fortress, fight hordes of Nobodies and take down Xemnas, to the final boss fight against Xemnas in the Realm of Nothingness, and finally to the sheer perfection that is the ending sequence. Every character gets a moment, every plot thread is wrapped up in a bow, and the happy ending you've longed for since the first KH didn't have it is finally achieved. There are flaws, but in the grand scheme of things they're nitpicks. This is the most satisfying conclusion the KH series has ever given us or ever will give us. There's just no topping it.

- The Collaboration: Tragically, Nomura took the wrong lessons away from KH2's success and from the criticism its narrative received. Here is what he admitted after KH3's release:

By axing professional scenario writers like Nojima and collaborators beyond Masaru Oka since they get confused by his concepts and stories, Nomura has traded one style of narrative mess for a much worse one. With his name under the "Story" credit, the stories are now even more convoluted, pretentious and badly paced, and now with far less sharp dialogue, less humor, less balancing between Disney, FF and KH-original elements, less emotion and thus less emotional investment, and less characters to be interested in or care about. Just...less FUN. This old post nailed it. Kingdom Hearts III came as close as was possible under the circumstances, but when compared to Kingdom Hearts II, it’s still a noteworthy step down. Regardless of its faults, KH2 is clearly where the KH series peaked.

#Kingdom Hearts II #Anti-Nomura #Anti-Series Beyond

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probablyottrpgideas · 3 years

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Tabletop Asks

In reference to the previous post: 1.) Game Master, Player or both? Why?

I am currently lucky enough to be player in one game and DM in another (both 5e D&D), however ordinarily I am overwhelmingly the DM/GM.

2.) When did you start role playing? How old were you?

My first start with published tabletop adventures was actually quite late, in my second year of university when I was about 19, so 11 years ago now, with D&D 4e. However, I think my first freeform roleplaying experiences were with a mate of mine all the way back in primary school, where we had this quite extensive worldbuilding and characters. It was my first introduction to the idea that I wanted to be a writer.

3.) What was the first role playing book you ever owned?

The 4e PHB, DMG and MM all at the same time. I had a job then, missed playing, decided “fuck it, I’ll start my own” and dived in.

4.) Describe the first game you ever ran or played in.

A 4e Starters Box run on Keep on the Borderlands. I played a Dwarf Fighter out of the box, which I named Xzienne (which some of you know is my regular online handle). He was fun; in my oh-so-extra way, I kept my game notes as In-Character journal entries.

5.) Which system did you grow up with?

D&D, all the way. Fourth edition and then Fifth, with a look at Third in between. But I’ve played about a dozen or two different systems all up.

6.) Which system do you play now?

Predominantly 5e

7.) Longest campaign you’ve run or played in?

My D&D “Empires Intelligence Services” campaign ran from 2016-2020.

8.) Where did you meet your current gaming group?

I tend to throw my groups together from among various people I know from all over. My favourite group ever was the one formed entirely of cast members from our local theatre company production of Wicked.

9.) Strategic combat or dramatic plotlines?

Does it need to be either/or? I feel like good drama gets you invested in the character’s outcomes, good combat (or puzzles or traps or whatever) gets you invested in the character’s actions. You want people to achieve their goals with emotional satisfaction but without just narrating to them; they need to feel involved in the process of making those goals come about. Challenges are not just there for the Power Gamers and the Slayers, they make the plotlines feel satisfying for everyone.

10.) Favorite RPG genre?

I love Science Fiction and I love Fantasy, and my own work so often smashes the two together. I write a lot of Contemporary/Urban Fantasy, and my D&D world is a magepunk magitech setting with spacefaring aircraft and so forth.

PLAYER CHARACTERS - Describe:

11.) Your first character.

Xzienne the Dwarven Fighter, mentioned above. My first character I made though, on the other hand, not including NPCs, was much later. I think it was probably Tetsuo, my Shin-jin from a Dragonball RPG

12.) Your favorite character.

Definitely Ortlinde. An Aasimar Witch who was the granddaughter of a Valkyrie, and was mad that the gods would be so callous as to bar her mother from Valhalla just because she wasn’t a warrior, and so tried to stage a coup against Asgard. Fuck she was cool.

13.) Your most ridiculous character.

If not Ortlinde, then possibly Parian, my 13th Age Bard whose “One Unique Thing” (a 13th Age mechanic that I love) was that he could modify his spells on the fly by casting the verbal components as full poems, which I would write and perform in-session. I once got to add a Fear effect to a Thunderwave because I made it sound like the trumpets of judgement day, and I managed to cast Charm Person but with an allied player as the focus of the target’s charm by making the poem about their character.

14.) The best in-character line you’ve ever had.

Not a lot of what other players have said have stuck with me, really. Possibly my favourite was Alice’s ranger in Castles and Crusades who said a whole lot of buckwild shit until my halfling begged her not to talk.

Whereupon she shortly thereafter discovered a secret Dryad home inside a tree, and didn’t mention it to the party. When asked why?

“You told me not to talk.”

15.) Your most epic death.

I haven’t died that often, to be honest. Probably the most memorable death was Parian, who got crushed in a moving wall trap and had to be scooped up in a bag and carried around as “bard soup” until a True Resurrection could be cast.

16.) Your most disappointing death.

See above.

17.) Something that shouldn’t have worked, but did.

Meliorn Metcalfe, Tiefling Spellbinder, orchestrating an ambush in a town square against the people who had been sending thugs to attack the party in their beds and stealing shit from the townsfolk. I set up traps (clay pots filled with caltrops and poison), used sunrods to blind the attackers while we had our backs to the light, and we greased the buildings around the area so that they couldn’t climb to safety. It went perfectly, even after they rocked up with a gargoyle.

18.) Something that went hilariously awry.

Just recently I was playing in a Wildemount game which saw the party running Benny Hill style around an ancient lab from a Wight. In the process I got nearly killed by both flying knives and a very angry carpet.

19.) Your most memorable in-character moment.

Ortlinde’s speech to Frigg, lambasting the Gods for their mistreatment of mortals.

20.) The coolest item you ever got and how you came to possess it.

The Masque of Clavicus Vile, from the Elder Scrolls games, pulled from Niddhogr’s treasure hoard and buffing my Spell Save DC to 27 (including other stuff like class features for the Witch and another item which synergised with those).

GAME MASTERS - Describe:

21.) Your favorite NPC and how the party reacted to him/her

By far Celia Sapienza, Eladrin Kensai, who became the party Mum even though she was younger than a few of them. She’s now the head of the Empires Intelligence Services Northern Branch.

22.) A game you wish you could run or want to run someday.

I’ve been eyeing off Dread, Skullduggery and Leverage for years, but I also recently got the Dishonoured game which looks sick as, and Blades in the Dark, and...

23.) Something you made up on the spot.

So so much, but most recently I had a Marid sailor NPC who I had to improvise and entire story of his previous voyages. I did it in a Brian Blessed voice and the players, no shit, fucking applauded.

24.) Your most successful game.

The Wild Huntresses, finally figuring out who had killed the town alchemist and facing off against her and her pet Water Elemental in the caves beneath the hills. Such an epic game. God I miss that group.

25.) Your least successful game.

Paranoia, but that’s just built into the premise.

26.) The craziest thing your players have ever done, and how it affected your plans.

I had a player walk straight out the front doors of a castle under siege. I hit him with 2 dozen crossbow bolts. That guy was an asshole.

27.) Your favorite setting or game location.

I massively love the idea of Eberron, and I love the MTG crossover settings like Ravnica and Theros.

28.) Your creative process when you plan a game.

Typically write about a page of notes for every 2-10 hours of gameplay, depending on the amount of combat expected. Things like important NPCs and what they want, where the party are expected to go in general terms and some ideas for things to throw at them when they inevitably wander off the path, that sort of thing. If it’s really plot important, though, I’ve been known to write pages and pages of lore and character info to hopefully seed into conversations. I also once wrote a full script that we did as a table read for a big conversation between a bunch of NPCs that the party were there to listen to but not be involved in.

29.) The best / worst character concept you’ve ever heard.

No character concept that fits within the rules is ever really bad, although sometimes the execution isn’t great. Some are very, very dumb, like say every character ever built or played by the asshole player I mentioned a few entries back.

30.) What makes GMing fun for you.

Players getting invested in the world and in each other’s stories. Nothing makes me feel better as a GM than being able to sit back while the players have a full in-character conversation with each other.

#tabletop #asks

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lizacstuff · 3 years

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Sen Cal Kapimi / Edser / Turkish Dizi asks

Asks under the cut

i love that in sck world, i love you means i love you, but also i hate you/our feelings are mutual means i love you. edser have a unique love declarations thats for sure 😂

YEP! In Edser world “I hate you” means I love you... but ONLY when you use the full name.

Çok romantik when done properly, I can’t hardly wait to see what Serkan might be remembering when he repeats the line back to Eda! It’s their thing!

Anonymous said: Hi! How you doing? Have you ever watch Şeref Meselesi? Is it good? Do you recommend?

Hello, I’m well! No, I have not watched it. The Kerem fans on twitter seem to really dig it, though. Personally, when I’m THIS invested in shipping, it’s hard for me to see one half my OTP in other roles. Particularly when were in the middle of the show. Maybe I’ll check it out some day. If you do watch, let me know what you think.

Anonymous said: I will give SCK this, they sure know how to keep us guessing between the next episode photos, summary and the fragman. Not to mention all the spoilers that are floating around Twitter. I have no idea how episode 31 is going to be super romantic for Edser with Selin still hanging around but let’s bring it on. For episode 30, at least Serkan’s interest in Eda has returned based on the fragman because that lacking in the last episode just felt so wrong after everything. He was attracted to her for sure but understandably fought it every step of the way. Eda was trying to reconnect with a brick wall because of the amnesia, trauma and Selin’s influence which was crushing to watch. Going to be interesting to see how Serkan responds to getting a few memories back and his growing interest in Eda combined with his engagement to Selin. Seems unlikely he would within one episode switch from being purely logical about everything to totally in love with Eda & throwing caution to the wind but I could be totally wrong.

I think he was attracted to her in 29. If he wasn’t the man who has no intention of ever marrying wouldn’t have freaked out and stumbled and bumbled his way through an impromptu proposal to a woman he doesn’t love just to put some distance between him and the crazy, beautiful, “evil” “manipulative” woman who changed him and took half his company!!!!

Also, remember episode 1, where he tried to pretend he wasn’t attracted to her as a woman.

So he always tries to deny her allure at first, and he’s always lying.

I don’t think we’ll see him go to “totally in love with her” in the next episode. I think we’ll see him, once the immediate threat is neutralized by his little stunt, becoming more and more intrigued by her. And her little stunt is going to bring out his innate, primal jealousy when it comes to her.

Also, from the fragman, I’m not entirely convinced he’s really engaged to Selin. The way he said, “I want you to wear this (tiny) ring.” Didn’t smack of a real engagement, even a loveless one, it more sounded like what you would say for a fake one. Also he’s not wearing a ring in the pictures. Old Serkan was very adverse to marriage and his relationship with Selin broke up over that fact, so I wouldn’t be shocked if after he made his shocking proposal and he and Selin left he was like, “Thanks for playing along, obviously we’re not really getting married, lets keep up the ruse so Eda stays away from me.”

We’ll see. I could see the story going for matching fake engagements. Though if he doesn’t disclaim his intent to marry her this episode, he will soon. So no worries there.

Should be fun!

Anonymous said: I'm all for them making Selin completely batshit psycho if she does end up going to jail; it would be entertaining, but you're right, I don't think I've ever seen it in a romance dizi. Some villains have done fucked up things and the protagonists just tell them to go away and that's kinda it. I think with some rumored things like drugging and implying they slept together, that would be treading a very fine line if the writers were to go there and not show proper consequences.

How have they implied they slept together? The show went out of their way to show Serkan on the couch and Selin going home to sleep in Istanbul. They didn’t have to do that, but they were very clear. I’m cool to follow the text and not neutronic fan’s fears.

My biggest trepidation about this storyline is that there will be no satisfactory repercussions for Selin. It needs to be more than her slinking back across the continent in shame. She needs to face real consequences.

Anonymous said: you know, if i was serkan (and especially with how even more robot-y he is now) and heard their story from engin i would probably call it "cok sacma" too.. like from the outside looking it, their love story and journey is quite crazy lmao. i've always wanted a fic from a third-person perspective of some regular ass artlife employee from the beginning just observing their boss and the crazy antics that ensue after he quite suddenly gets engaged to a woman he's constantly fighting with lol.

YES PLEASE!!! Someone write this!!!

It is quite a crazy story... which is why it was enough to sustain 60+ hours of story telling all on its own, lmao.

I’m sure everything being thrown at Serkan at once, the ways he grew and evolved, what he was able to tolerate and participate in, is quite shocking to him. However, Robot Bolat has never been in love so he just doesn’t understand the transformative nature of love. He’ll learn, and quickly! Also, I’m a big proponent that Serkan didn’t change. It’s just that under the influence of his love for Eda, he healed and he opened up and grew into the man who was always there, deep inside.

#sckask #sck 1x29 #asklizac #anonymous

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ordinaryschmuck · 3 years

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Top 20 BEST Animated Series of the 2010s-6th Place

…

Can someone please explain how it is possible that #6 can somehow be one of the best shows in the 2010s, yet somehow it can also be one of the worst?

#6-Rick and Morty (2013-)

The Plot: A nihilistic scientist named Rick Sanchez returns to his daughter and joins her family to the dismay of...well, everyone else. The one who gets the most anxiety is Rick’s grandson, Morty, who ends up getting dragged alongside Rick on adventures across the cosmos and even the multiverse. From there, they face dangerous aliens, Rick’s old enemies, and even evil alternate versions of themselves. Not because those threats are a danger to the universe. It's because they’re just a pain in the ass to deal with.

Now that I got the plot out of the way, I want to take the chance to briefly rant about why Rick and Morty is one of the worst things that could have come to television. It has nothing to do with the show itself (far from it, in fact). The real reason why Rick and Morty is the worst has everything to do with its fandom. I know, I know. I shouldn’t use a show’s fandom to judge it. Because if I did, then half the series on this list would be blasted into the sun. But the Rick and Morty fandom is the one exception to that rule. Because unlike most toxic fandoms that stick with being a-holes to other people on the internet, the Rick and Morty fandom actually affects real life. They take quotes from the show that were fun to say and repeat them so much that those quotes become the most annoying words created by man. This fandom also drove McDonalds up a wall because Rick briefly mentions how delicious the Szechuan sauce was, and the “fans” ended up breaking McDonalds when they briefly brought it back. But nothing, and I mean NOTHING, is more annoying than how these people react when someone says they don’t like the show.

You see, according to the fandom, “Rick and Morty operates on a higher form of intelligence that far exceeds all shows known to man. If you don’t enjoy it, then you’re just a big old dumb fjdlfjkdlfjoidsahjipfojewoitufd9gt9geijo parwfu9--” SHUT THE F**K UP! Ok?! Shut up! Just shut up! Because Rick and Morty is NOT the smartest T.V. show on the planet. It’s not even CLOSE to the most intelligent show on television. It’s smarter than most shows. I’ll give it that. But if you want to ask me which show was the most intelligent, I will more than willingly say Futurama. You know. The show is actually written by people with three PhDs and seven master's degrees. Hell, I’d be more willing to say that The Amazing World of Gumball is smarter than Rick and Morty. That’s right. I wholeheartedly believe that the show aimed for children-F**KING CHILDREN-is smarter than the show aimed for adults. And guess what, Rick and Morty fans! It doesn't require Stephen Hawking's levels of intelligence to enjoy the show. You can easily be a C+ high school student and still think the show is good. I should know because I’ve caught classmates who are C+ students watching the show while IN CLASS! AND THEY ENJOYED EVERY MINUTE OF IT! NOT BECAUSE IT WAS BRILLIANT! NOT BECAUSE IT WAS A MASTERPIECE SENT BY THE BIG GUY HIMSELF! BUT BECAUSE IT IS LIKE EVERY OTHER SHOW THAT IS AIMED FOR ADULTS! WITH LOW BROW AND HIGH BROW HUMOR, GRATUITOUS VIOLENCE, BUTT UGLY ANIMATION, AND CHARACTERS WHO ACT LIKE A**HOLES TO EACH OTHER BECAUSE THAT’S WHAT ADULTS LIKE TO SEE ON TELEVISION!

>SCREAMS WITH INSANITY<

>Huff<

>Puff<

Man, that’s twice in a row when a show has nearly driven me to the brink of insanity. That can’t be any good.

…

Aw well. Not that I’ve got that rant out of the way, allow me to actually talk about the show itself and why it actually is pretty amazing.

First and foremost is the show’s comedy. While the jokes aren’t “brilliant masterpieces,” they are jokes that get you thinking from time to time. They also come pretty fast, so even when one dies, another funnier joke immediately comes after. This show also dabbles in two different senses of humor: Absurdity and being super dark. The way absurd and dark humor works are by giving viewers no other reaction other than laughing at a situation. Because how else would you react to squirrels running the government or the idea that Hitler cured cancer in an alternate dimension? I mean, other than being confused and disgusted by things such as that. This is why humor, like most things, is subjective. Not everyone will find the same things funny, and, understandably, they don’t. I personally can’t stop laughing in most episodes of Rick and Morty, but I would never verbally attack another person for saying something different. So chill the f**k out when a person says they don’t think the show is funny! Besides, other cool pros that come from Rick and Morty.

One spectacular thing is the show’s attention to detail. And I don’t just mean in terms of animation. The stories are pretty airtight most of the time, and rarely do I find a plot hole within. The best example is the twist in “The Ricklantis Mixup.” The episode itself is already pretty good, but having prior knowledge of the final big reveal leads to looking at specific scenes in a new light. As for the animation, there’s also great detail within it. Like in the background, to be more exact. The show goes out of its way to make each new world that Rick and Morty visits look as unique as possible, which should really be the goal for a sci-fi series if you ask me. And can we give a round of applause to whoever designs the characters in this show? I mean, the characters look hideous (which is something I never understood in adult animation. Seriously, who was the idiot that thought it was a good idea that you have to make your characters look as ugly as possible to be considered for adults?), but each character in this series--background and foreground--looks unique. Usually, most shows stick to having similar models reused and redesigned to give the illusion that the background characters are different. But in Rick and Morty? There is rarely a time when one creature looks the same as the other. And when they do, it’s usually for a purpose such as an alien species that looks the same or making an identical alternate version of Rick and Morty.

Speaking of, what is by far the best thing about Rick and Morty is...well, Rick and Morty. These two not only have a great dynamic, but they even have great chemistry with each other. Because whenever a show advertises its central hook being its dynamic duo, the same pair must have perfect interactions. And boy, is it hilarious seeing these bounce off of one another. Their synergy is always hilarious, and at times it can be surprisingly heartwarming. In fact, what I love most about these two is how they sort of learn from each other. Rick is still a nihilistic a-hole to those around him, but he seems to back off the most when he’s around Morty (most of the time). And while Morty still puts his foot down when it comes to Rick’s pure unadulterated...Rickness, he also has moments where he seems to share his grandfather's nihilistic views. I rarely ever seen this, as most dynamic duos keep their intended personalities to keep audiences entertained. And while I’ve heard fans complain about how the show makes Rick more human and Morty more like a Rick, I personally enjoy how much of an engaging character study these two represent.

Unfortunately, while Rick and Morty are easily the most intriguing characters in their series, they are also the only characters worth mentioning. Summer is fine, I guess, but most of the time, it feels like the writers aren’t sure what to do with her. Is she a slacker? A cliche teenage girl? Rick’s number one fan? I don’t know because most of the time, it feels like her personality is dependent on what the writers want in an episode. She isn’t bad, but some consistency would be nice. As for other characters, there really aren't that many who are worth mentioning. Most of them are either bit characters who serve the purpose of making a joke or are just one-off villains that our “heroes” face. Now there isn’t anything wrong with that, especially considering the latter. After all, when you watch Bugs Bunny screw around with someone who's wronged him, it’s always that Wascally Wabbit you remember the most. Still, I wish there were a couple more characters the show could invest in. And I know, last time I complained about a show that had too many characters. However, the opposite extreme isn’t that great either. Personally, I feel as though a series should have a moderately sized cast, where there are enough personalities to work off of, and you won’t have to recycle ideas you’ve used with the characters you already have.

And seeing as how we’re on the topic of characters, there are two individuals that I need to talk about. In fact, these two characters are easily the worst thing about Rick and Morty (aside from the fandom). Those characters are Beth and Jerry. Sweet mother of all that is holy, these two are downright insufferable! For some reason, the writers think it would be entertaining to have a married couple always argue and bicker with each other. It isn’t. In fact, every time an episode moves away from Rick and Morty and decides to focus on these two, the show’s quality plummets on a lot of notches. You’ll want to see them get a divorce. You’ll PRAY that they get a divorce. And (actual spoilers) when they finally get a divorce in season 3, do you want to know what the worst part is? They are somehow worse apart than they are together (spoilers over). And you can argue who you think is worse all you want, but to me, the worst character is easily Beth. I personally don’t mind Jerry all that much. At his best, he’s hilariously pathetic, has a great dynamic with Rick, and I legitimately feel bad for him when the universe seems to kick him when he’s down. Can he get a little grating at times? Yes. Absolutely. But while Jerry can be annoying, Beth can be a downright psychotic moron. She will willingly endanger her family, all in the efforts of pleasing a narcissistic a**hole of a father who consistently has a god complex. And when a person points this out to her, she will insult them and point out how “great” it is to have her father back again. Even though Rick didn’t seem like that great of a father anyway. It is physically and psychologically unhealthy for Beth to have these disillusions, and it isn’t until four seasons does she actually tries to show some backbone. Which I still don’t believe because it feels like it won’t last by how quick it is.

And seeing that we’re on my own personal hang-ups with the show, there’s one last topic that I want to cover. And it’s a topic that, to my knowledge, nobody else is bothered by. This problem affects me personally, and I want to give a word of warning to those who might not actually feel the same way. And that’s the fact that Justin Roiland is not the great of a voice actor that he thinks he is. This doesn’t mean he’s a bad voice actor because he's far from it. In fact, I can’t even hear the similarities between his voice for Rick and for Morty. But there is a problem: Justin Roiland has two modes. It’s either his normal voice or his high pitched voice. Both with minimal modulation, and it’s the latter that he seems to focus on the most when he voices 80% of the characters. The problem is that I not only think his high-pitched voice is annoying but with how consistently Roiland uses it, it will always break the immersion for me. Because I’m not hearing a unique character. I’m hearing Justin Roiland doing the same high pitched voice for nearly every character he voices. Just look at Seth Macfarlane and the characters he voices. You can tell it’s him, but he at least offers different modulations for each character (If you don’t believe me, then compare some of his famous roles with Justin Roiland’s).

While we’re still talking Justin Roiland’s acting, it’s also his improv that could use a little workshop. Now, for the most part, the improvisation is pretty good in the show. Like actual good improv, it feels natural within the dialogue exchanges, and you wouldn’t know until someone else points it out. However, there are times when Roiland’s improv can feel like verbal barfing. It’s fine when he voices Rick’s drunken rants, but for the Interdimensional Cable episodes? Yeah, needless to say, it can get a little noticeable. So noticeable that even the characters point out how blatant it is within the episode. Again, this is something that bothers me personally. To my knowledge, there isn’t anyone else who complains about this aspect of the show, which is perfectly fine. I just feel like other people should get a word of warning before they dive right in.

So is Rick and Morty the godsend of a series that surpasses all other television shows? F**k no. No series that has ever been made is 100% perfect. Not even the good ones. And if you disagree, then you are in denial over how many faults a show has. For instance, Rick and Morty have plenty of issues. There’s not that many likable characters, it has the worst cartoon couple ever with Beth and Jerry, and Justin Roiland needs to work on his acting despite being an already good actor. That’s everything wrong with Rick and Morty in a nutshell. But despite these problems, the show still has phenomenal attention to detail, hilarious comedy, and the best dynamic duo in recent memory. So while it isn’t the perfect show that its fans believe it is, it is still pretty damn good. And that alone is good enough for me.

(Just do yourself a favor and avoid joining the fandom. It’s already too late for those poor bastards who are already in too deep, but it isn’t too late for you!)

#top 20 of 2010s #rick and morty #what i thought about

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linkspooky · 5 years

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Your analysis on shigaraki's worldview is 😍😍😍. Who's your fav bnha character btw, and what kind of manga are you into? (i mean as in genre, but my phrasing is terrible at times so idk how to put it all in the last sentence)

My favorite manga in the whole world are the manga that run in Weekly Shonen Jump. I read almost everything that runs in the magazine from week to week. I know that’s not technically a genre, but let’s not arguen semantics.

And now because no one asked for it, my opinion on all of the manga currently running through Jump that I read.

Demon Slayer: Kimetsu no Yaiba usually manga in shonen jump slowly get worse over time as they try to stretch their stories out, but Kimetsu no Yaiba is a story that continues to develop on itself and improve the longer it runs.

The art is phenomenal and has a good balance of when to be silly and when to be drop dead gorgeous. It’s more of an ensemble piece tied together by a big brother trying to save his little sister, and because of that almost every character Tanjirou interacts with is fun and really immediately attention grabbing.

It’s also a pretty heavy story that deals with death, grief and loss and trying to find life beyond a world that has suffering like that. I’m actually planning to make some meta of it soon, especially with the interactions between Domi and Shinobu. My only real complaint is that it’s deep but not too deep. Usually the demons are always bad and the demon slayers are always good in the end, even if sympathy is expressed for some of the demons. Once again though it does so well in the technical aspects of telling the story it wants to tell.

My Hero Academia it’s pretty obvious that I like it. The biggest draws for me are the art style and the characters, specifically the villains. Also the idea of a reverse X men world where what are basically the mutants now outnumber normal people and dominate society is a fantastic idea for world building with a lot of options.

I’ve actually followed Horikoshi’s work for a long time. His two previous works, Oumagodoki Zoo and Barrage both ran in Shonen Jump for a short time before they were cancelled which I find really unfortanate because they both had a lot of potential as well.

I love both the hero kids and the villains, though sometimes I feel like the villains are more connected to the central conflict of the story than the heroes. It would be nice to see Deku evolve a more radical philosophy then just wanting to save people right in front of him, or protecting the status quo. The heroes should ideally act in response to the villains to create a better world and resolve a problem the villains brought up, but if say the League of Villains were wiped out now another League would be created later because the central problem of the story has not been dealt with.

Dr. Stone this is a series that almost got cancelled, but was saved by a main character switch. Senku is really likable and unique as a character, kind of a mad scientist archetype who turns out to be the good guy and the hero of the story.

He reminds me a lot of Yoichi from the writers previous work, Eyeshield 21. In that they’re both laughing mad eccentrics who seem like they have little scruples for how they use and treat other people, and yet are surrounded by friends and act as the leaders of their team. They also both have a tendency for strategy over brute strength and like to outwit their opponents.

The only thing I can say about Dr. Stone is that while the characters are a fun little group of oddballs, they rarely get any deeper than that. The most interesting thing is still figuring out the central mystery of the world and what happened to turn everybody to stone, which is why having Senku as a main character was a really smart move on the series part.

Yozakura Family This is a new series that I actually really like and hope beats canellation at the two week mark. It’s kind of your basic romantic comedy characters get married in the first chapter promise, but also there’s some really strong character writing with the older brother. He’s one of the few examples of the obsessive and overprotective brother type that was portrayed as actually abusive and damaging for seeing his younger sister that way.

The premise also reminds me a lot of Katekyo Hitman Reborn, just suddenly getting sucked into the underworld of spies and crimminals when you’re an unlucky loser with no social skills. If the character writing is as strong as it is for the brother I can definitely see a lot of improvement and staying power.

The Promised Neverland the smartest written series in Shonen Jump write now with the best ideas. The Promised Neverland is all about theme, theme, theme, theme, which is why someone like me who devours stories for their nutritious value and content loves it.

While there are only about three major characters with arcs that matter to the plot, Norman, Ray, and Emma they are some of the deepest characters in shonen jump currently and the complexity of their relationship and the way they all foil each other is superb.

It’s a story about children trying to escape a neverland where they can never grow up, and live in a world that never wanted them alive. Not only is it just about them though, it’s also about adults who are still inside the system and gave up at one point or another and decided to just live in the evil world rather than change it. It’s a deep story but it’s also undeniably shonen jump, the central theme is about not giving up even in a world that is determined to deny your existence.

Act Age If you’ve read Chihayafuru this manga has a lot in common with that, because both of them are about very singleminded girls with complex emotions that they themselves don’t understand, finding themselves completely enveloped in a niche hobby to the point of obsession.

Act-Age is a story that’s primarily about storytelling and the nature of stories themselves, with each arc focusing on an adaptation of either a movie made up for the sake of the story or a pre-written play ie, Journey to the West, Night on the Galactic Railroad. However, it’s also bout the nature of stories, as understood by the perspectie of an actor.

There are only a few major characters but they all get intensely developed in their arcs. My absolute favorite relationship is that of the main character, quiet on the surface but with deep emotions that she uses for her acting talent with her rival an actress that’s much more like a pop star or idol. Rather than having deep talent she instead uses her ability to read people to appeal to them. She is cheerful and lively on the surface, but empty inside. The way they envy each other and learn to grow from each other because each of them has what the other one desires.

Jujutsu Kaisen reminds me of really early bleach that was just Ichigo and his teenage friends fighting Hollows. This is one of the manga I definitely reccomend, because it’s one of the lesser known manga in jump currently. The art style has this scratchy look about it which really adds well to the horror aspect of the series. It’s a demon fighting anime with some of the best demon designs, more attention is put on making them look grotesque and scary then in series like KNY where the demons for the most part are pretty good looking still.

The main trio is very solid, a reckless idiot who swallowed a cursed finger in the first chapter and is continually dealing with the consequences of that, the shadowy, quiet type cool headed one who almost never talks about his past or his true feelings on the matter, and between them the cheerful girl whose a tad on the merciless side.

Not only are the characters good, but it’s one of the few series where the fights and lore are super interesting. Rather than dealing with demons directly Kimetsu no Yaiba style we deal with curses, which are generated from the human subconscious.

For exmaple one of the villains Mahito is the embodiment of the fear humans have for other humans, that is the anxieties of life, and the fear and suppressed feelings that go hand in hand with humanity. Because that he’s much like a child curse quickly learning and progressing with a human intelligence.

The fights, the powers of characters, they’re all used to further develop a really interesting world of curses and the people who live dealing with them that it feels like we’re only scratching the surface of right now and desperately makes you want to figure out the system they have in place for this entire world.

Yui Kamio Lets Loose - I find it to be a really sweet romantic comedy about a stuck up boy obsessed with appearances and what other people think of him falling in love with two sides of a girl, the uncontrollable Yui that beat him up and constantly gets into fights and trouble, and the perfect demure girl who can only ever be helpless and kind and needs to be protected. It has a feel of a lot of classic 80s high school romantic comedies. The only real problem is that it needs to acquire a plot fast, because it’s at risk for cancellation which makes it hard for me to get invested in a series that might end soon.

Double Taisei - One of those shonen manga that had a really interesting beginning chapter, but then failed to do anything with it. I think it would work well as a character piece between two personalities who act like brothers in the same body, but the characters aren’t strong enough quite yet to work that way. I do like the character design…

Tokyo Shinobi Squad - It looked like a ripoff at first but the main character is actually fairly different from Naruto, and the manga itself is uniquely its own thing. I just hope it learns to utilize it’s cyberpunk setting better, because ninjas fighting in a cyberpunk dystopia is a very tropey premise and the story needs to utilize those tropes in order to work. I do like the fact that the main character starts out pretty powerful so it’s not a typical shonen formula about a main character slowly learning to gain power, instead it’s him taking in and being responsible for a kid.

Manga I don’t read - One piece, Yuuna of the Haunted Hotsprings, Chainsawman, Samurai 8 the tale of Hachimaru, Beast Children, Miitama Security Busters.

#anime-freakchow #weekly shonen jump #shonen manga #my hero academia #dr. stone #jujutsu kaisen #act-age #the promised neverland #act age #black clover #we never learn #kimetsu no yaiba #spooky speaks #askspookies

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hlupdate · 5 years

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Louis’ Interview with 1883 Magazine

Everybody knows One Direction - the band which was formed through The X-Factor in 2010 and went on to become the world’s biggest and most acclaimed boy band. Sold out tours, millions of international fans, and high-charting albums - Niall Horan, Liam Payne, Harry Styles, Zayn Malik and Louis Tomlinson created history.

However, in 2016 it was announced that One Direction will be on hiatus until further notice, which then led to each member launching their solo careers. Yet, they maintained strong from their loyal fanbase throughout the break-up and their individual journeys. 1883 Magazine sat down with Louis Tomlinson, the member who always saw himself as the outcast of the band - even though his fanbase is growing as strong as ever!

Having released collaborative singles with the likes of Steve Aoki and Bebe Rexha to being on the judging panel of The X-Factor - ever single laughing his solo career, Louis has been actively working on being the greatest version of himself to date. The past three years he has spent a lot of time in the studio working on his debut album, and recently released a taste of what we can expect from it sound-wise - his brand new single ‘Two of Us’ is a beautiful yet heartbreaking ode to his late mother and represents Louis’s unique, raw style of songwriting. During our interview at Beach Blanket Babylon in London’s Notting Hill, he spoke more about the meaning behind the single, a One Direction reunion tour and being robbed in LA.

Interviewer: I’ve had a listen to your brand new single ‘Two of Us’. What a heartfelt song about your mum! It must have been so emotional to write it.

Louis: I’ll be honest, I kinda needed to get this song off my chest really and I knew going into these sessions and writing about different things I knew I wouldn’t feel complete. So I got it off my chest. But I wasn’t ready to write that song because in my head I wanted to be four, five years into my songwriting because it is such an important song to me. Then a few writers got in touch and I went to a session with them and told them my idea, and straight away it felt perfect. I haven’t felt the confidence to write this song by myself from scratch but they gave me the confidence I needed. And then the next hours we delved into it, changed things and now the end result is something I am really proud of.

I: So you were only able to do it alongside the other songwriters?

L: Yeah, they heard the song and asked what had happened. It just made so much sense with them. It evolved and I told them the background story. And then it just kind of came together and I managed to deliver the message that I wanted to deliver. I don’t want people to be exhausted after listening to it, I don’t want people to feel weighed down. I want them to be hopeful, just like the collaborative song I did with Steve Aoki. Just getting that message across felt really liberating.

I: I really like the song; I think you delivered the message very well. Generally, do you prefer writing alone or with other songwriters?

L: Both, really. Obviously, sometimes on my own but I think where I’m at, in terms of my songwriting stage, I don’t consider myself as a proper professional yet. When I’m in these circles, it helps to be around that experience.

I: Why don’t you see yourself as a professional?

L: Because as a songwriter I am quite unique, some of these pop sessions have more structure and I am less precise in my writing. I like to not have too many limitations of what a song should be, do you know what I mean? Especially a song like ‘Two of Us’, which is biographical.

I: Do you ever have to deal with any overly obsessive fans, as in groupies?

L: I mean, there are fans everywhere I go. But you kind of start recognizing faces. In London, for example ,there are about 20 individuals who are always somehow there when I’m doing something. And they don’t know how much confidence that gives me. Like, when I do a TV show - and I’m scared of that - and the minute I see a familiar face of my fans, I feel like what I do is important. My side stuff felt like a leap of faith to me and it’s all driven by the belief of the fans who keep me going.

I: So without fans, you wouldn’t have done a solo career?

L: Oh, no! When I was in the band, everything went so amazingly. It’s very hard to have a relative way of an example of where you stand in the industry. So the fans constantly gave me reinforcement.

I: If there hadn’t been that incredible support, where would you have seen yourself after the band’s hiatus decision?

L: In my head, I would have just gotten better at songwriting, and write for other people. I hadn’t given it too much thought because us as a band didn’t have too much time to think about what we were going to do. But honestly, it sounds so generic, I wouldn't have had confidence without my fans. Now I feel empowered and it’s giving me strength. You find yourself in these do-or-die situations, and it’s been amazing so far.

I: do you think there’ll be an end to One Direction’s hiatus? Like a reunion tour or something else?

L: There’s gotta be! One hundred perfect. As far as I’m concerned, we are all good at doing our individual stuff right now and it’s great for yourself as an individual but the day we do get back together will be a magical day for all of us. I think everyone is in the same boat when it comes to this; it’s inevitable and the question is just when are we going to do it. Now that we are on this break, I can look back and say it was massive but looking from the other side you can see the influence and important. That’s really cool, just seeing our positive influence. we were such a powerhouse. It’s a no-brainer, I’m the first to sign the sheets to get back together.

I: Let’s hope so! Do you still keep in touch with the others?

L: Yeah, we’ve been through so much. Obviously some speak more than others but that’s normal. Without it sounding condescending, I was always the oldest and still feel like a duty of care. I constantly check in with all of them. We always had each other when there was stress in the band, and we don’t have that anymore because we are doing solo careers.

I: On another note, how was your X-Factor experience, and why did you decide to be on the panel?

L: Well, obviously we came from the show and it kind of feels like home. Although I didn’t have experience on that side of TV. I felt confidence because I knew what it was like. What I wasn’t prepared for, though, was how emotionally invested I would be. I felt a bit of guilt as well because there were contestants who’d participated the same year we did, and I remembered them from boot camp. So that was a weird dynamic. It was humbling, definitely.

I: What were the biggest challenges?

L: The first day of audition I was terrified, to be honest.I was proper nervous but once I had done a couple I knew I didn’t have to become this character, this TV version of myself. I realized I could just go on and look after the contestants. It’s given me great experience that I wouldn’t have had elsewhere.

I: What was it like being part of the winning team?

L: The winner stood out clearly, from the first live show he had everyone say that he is going to be a winner, and there was a lot of pressure.

I: Would you ever do it again?

L: Maybe, I loved the experience. I never say never! I’m so determined to prove a point with my music so if it interrupted that process it would be a very hard decision, to be honest. Music comes first every time for me. Maybe one day!

I: You said you are all about developing new artists, would you ever mentor one?

L: I have an imprint at Syco and I think I’ve got good music taste. I’ve always been interested in finding new bands because that seems kinda cool to me, and I had a list of a couple of bands I really liked. And since then I had that imprint deal, I’m constantly on the lookout.

I: Where do you usually lookout for these new bands?

L: BBC Introducing is great. Other than that, it’s just these tedious ways of using Soundcloud and YouTube. I think in terms of what I’m looking for is a little bit of rock, defiance, and everything instead of this clean-cut we’ve got a lot of.

I: Nothing wrong with Rock, which are your favorite Rock acts?

L: I love Oasis, I love Liam Gallagher to be honest! He’s unique and different, love him or hate him. He is a breath of fresh air. As I was growing up, and that is the reason I struggled to place myself on the radio, it was the time where guitar-driven pop really got big on the airwaves. You know, bands like The Kooks, Oasis, Two Door Cinema Club. Now, Hip Hop and R&B are taking that spot and it’s hard to relate to that. I don’t want to be too pretentious, I’m [well] aware of where I come from but I have a mission where I want to be.

I: So how would you classify your genre?

L: Oh, that’s a big question. Wow, that’s hard. In terms of what I’m looking for from a production point of view I want things to sound organic and live. Not too many programmed instruments. I want it to feel authentic. From a lyric perspective, almost like indie-pop, very conversational. All these sexy metaphors people put in their music? I ain’t got time for that. I like it straight to the point. It’s hard to classify it as a particular genre.

I: After your album release, would you go on tour again?

L: Definitely! Hopefully, I will get some dates locked in before the end of the year because I haven’t been on the road for a good three years. I miss the routine, it’s the Rock ‘n’ Roll lifestyle. You wake up at 3pm, do the show on a high, go to bed and do it all over again. It’s definitely super fun.

I: Would you ever consider performing at a festival?

L: Yeah! I did Ultra Festival with Steve Aoki in Miami. It was so good. It was a proper performance and hoped for the the best but I loved it. EDM fans are proper fanatical, they party hard! I don’t remember too much, but I came off buzzing. Those moments, going out on your one which is a different experience, just move you.

So one day, being on a festival bill would be really amazing, but I have to make that transition music-wise before approaching festivals.

I: You are also constantly jetting between Los Angeles and London, do you have plans to settle down in one of those cities one day?

L: I’m kind of used to traveling, a lot of sesions make me travel between those countries anyway...I’m just used to it now. I actually got robbed in LA, though.

I: What, how did you find out?

L: I saw it on CCTV, these f*ckers. They didn’t take anything sentimental. I haven’t actually been robbed since I was 10 years old.

I: Wow. But do you refer LA or London? I suppose LA due to the better weather?

L: I much prefer London. I feel like I’m a very British character so when I’m in LA for too long I feel too different. There are a lo tof people there who are f*ke as fuck, and they’re cold. But the locals are the cool ones, it’s the ones from the outside who try to snake you.

I: One a different note, what are you watching on Netflix right now?

L: This may sound creepy but I’m proper into Psychology so I watch sinister, dark stuff. Lots of murder mystery on Netflix, and I watch many documentaries, such as David Attenborough’s stuff. What I don’t like is Stranger Things. I can’t get into it.

I: How did you deal with the additional grief over the past few months?

L: I’m so grateful for all of my fans worldwide for their love and support, but especially over the last few months. They are always there for me and I appreciate every single one of them.

I: Are you still planning to release your album this year or have you got an other projects coming up?

L: I’m really looking forward to releasing more music in the next few months with my album coming early next year. I’m really excited to get this record out and getting back on the road too. It’s been a long process, but I’ve finally got everything into a place which I’m really happy with. I’m going to feel so relieved and proud when the fans get to hear the album!

I: Are there going to be any features on the album? I don’t think so. I think it’s important that people can see and hear a body of work and try to see who I am as an artist.

Single ‘Two of Us’ is out now.

#louis tomlinson #1883 mag #080819 #we removed a stunt mention #where the ... is

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