Tumgik
#it’s just straight up hate
davidtennan-t · 1 month
Text
Istg if I stumble on one more of those ‘I never meant to start a war’ Doctor Who slideshows on TikTok that is filled with nothing but Fourteenth Doctor/60th Anniversary slander I’m deleting the app
21 notes · View notes
Text
Tumblr media
Everyone “hates” Mike in the FNAF movie..
6K notes · View notes
tanblaque · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
15K notes · View notes
hilacopter · 2 months
Text
conflating diaspora jews with the actions of the israeli government is not okay, yes, but have you considered it's not okay to conflate israeli jews with them either
3K notes · View notes
redysetdare · 9 months
Text
A character looks straight into the camera and says "I'm not interested in romance" and people will still say "No, it's not confirmed they're aromantic!!!" "They could change their mind!!!" "it's a challenge for them to overcome!!!" "They'll have character development that makes them fall in love"
It's like they are given the most blatant answer to a character romantic orientation and they actively ignore it. all the while all it takes is subtext for people to speak as if it is fact for a character to be any other sexuality.
2K notes · View notes
puppyeared · 9 months
Text
Tumblr media Tumblr media
axolotl
3K notes · View notes
miafeystits · 5 months
Text
truly one of my favorite things about the klapollo dynamic is that yes klavier is a world-famous rock star with tons of fans and probably a grammy or something, but apollo truly Could Not Care Less. it's the least interesting thing about this guy to him. he doesn't even like his band's music. he went to one of their concerts and decided he'd prefer to hang out backstage during the last 3rd of the show. he likes one (1) gavinners song and its an acoustic ballad collab that klavier doesnt even sing on
801 notes · View notes
scalpho · 5 months
Text
bill seacaster thinks that other pirates on leviathan were intimidated by him but in reality it only seemed that way because cathilda was always standing behind him. like this
Tumblr media
631 notes · View notes
clingyduoapologist · 5 months
Text
Just like… Annabeth being so adamant that she loves her mother while Percy declares that him and Poseidon “aren’t on speaking terms” just like, Percy who always had his mom to confide in and thus considers Poseidon’s silence to be willful neglect vs how Annabeth grew up never really feeling especially loved by her father or stepmother, and so has built up this idealized version of Athena in her head, like they are so so so different and yet once you get past the superficial their situations are so heartbreakingly similar, just children trying to make their way through a world they only barely understand likeeeeee ughhgghhhhh
621 notes · View notes
demilypyro · 6 months
Text
Tumblr media
I like Surge so much you guys.
453 notes · View notes
bacchuschucklefuck · 6 days
Text
okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is
#dimension 20#fantasy high junior year#not art#fhjy spoilers#its!!! gods I will Be My Ass in the tags rn. but thats so like. deliciously setting typical#like porter's desire is to transcend and his contempt for the world he's in feels. idk Real#like he plays the game bc he wants to win and be done with it. how do I word this#yknow. being a god would like. be his win state. when he gets that happening thats it his story is done he checks out#meanwhile the bad kids do actually just like playing the game lmao. like they love adventuring!#theyre so solidly Of This World. they carry the values that can only be born of it and they like having mastery over it#its a meta angle that I think is very fun specifically for d20 being in such a unique position in the zeitgeist when it first started#the rat grinders are from DnD Writ Large. porter wants to escape. but this is the bad kids' home its Their Actual Play Show#which makes it so fucking excellent to me that porter's question is somewhat of merit! its their show and it tries very hard to punish them#and they just straight up dont listen to him here lmao bc they hate him but! since the moment the academic track ended its been clear#that they save the world bc they Like Playing. With Each Others#thats what riz thinks the core of adventuring is! thats why fig stayed! and I also think thats why this hovers over elmville now and#a dead god is coming back in the school gym. porter is a shit evangelist but even if hes a good one I dont think it wouldve worked like he#wants it to. the only way he couldve escaped is if he'd not involved elmville at all. thats where the bad kids met dude#its a shitty place that fucks with them but they all come back here bc they wanna play with each others#and in that regard I think thats what the stress tokens ultimately means. Is This Game Still Fun To Play. ITS A RAGEQUIT LIMIT#Im literally running from one end to another of this conspiracy board Ive pulled out of nowhere#Ill draw after this I just wanna get this out. gods this episode has done nothing but furthering my delusion of grandeur actually#Im the hottest smartest manthing on earth Im king fucking midas over here. anyways uh! great ep!
244 notes · View notes
little-pondhead · 1 month
Text
Rick Astley Is Haunting You
-
Someone bets Tucker he can’t hack into a hero’s patrol playlist and sneak a Rick Roll in there. He does, easily, and finds that said hero has horrible music taste.
So he sets out to hijack every hero’s music playlist he can find and rate their music tastes on a chart, sometimes adding in his own music or joke songs he thinks they’d like. It only gets back to the heroes when Tucker posts a video with his rankings. Up until then, they thought it was another hero or new villain messing with them. Not a civilian??
(Nightwing’s playlist is sixth on the list, and he’s furious about it.)
266 notes · View notes
stuckinapril · 2 months
Text
It’s never overstated to me when people are like “work out bc it makes you feel better” bc it literally does. I think what I used to get hung up on is making the perfect schedule / wanting to know what I was doing right away. But it’s also okay to flounder at first and experiment w things and figure out what works for you and your body. The important thing is you’re starting out bc your body really will thank you for it later down the line. You cannot keep pushing it off it will add up
281 notes · View notes
smultronviol · 1 month
Text
Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.
God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"
2. bro just WAIT until you hear about season 1 jon lol
#the magnus protocol#tmagp#season 1 jon was obnoxious and sometimes a straight up ASSHOLE and you were supposed to find him kinda grating!!!#yes alice IS a bit annoying and too much sometimes (esp in the first episodes) and i love that <3#like. its p obvious that she uses the over the top-thing as a shield (to push ppl away/as a defense mechanism/to avoid being vulnerable)#we see her drop the act sometimes w ppl like teddy and sam who she actually feels comfortable around (and who know and understand her)#but like. she's stuck in a job she hates and is kind of afraid of (she KNOWS smth abt the horrors and is keeping her head down to survive)#(shes obviously afraid of sam going to far bc she KNOWS its dangerous)#so yes her act gets too much sometimes and yes sometimes she crosses the line into straight up mean (esp against gwen)#(but their dynamic is a whole other can of worms)#but like. i'm pretty sure its supposed to be seen that way. the audience isnt supposed to just find her kooky funny#the facade is supposed to be dismantled by the viewer etc etc#kind of like SEASON 1 JON the obnoxious bastard!!!!!!!#like. if you ever think alice is too mean towards gwen pls listen to s1 jon again and how he speaks abt martin??#from a position as his boss no less? ngl i wanted to throttle him sometimes#you kinda forget abt it in the later seasons and if you only engage w fandom content. but like. go back and listen to the shit#he actually says. jesus christ man. i remember kinda hating him in the beginning#and to be clear i love jon! i think hes a great character!#and like. its almost as if his early season personality and facade was an important setup for his character development#and relationships with the other characters???#but anyway 'alice is kind of annoying' is not an unpopular opinion its literally the FUCKING POINT#and both her and jon are my sweet baby angels <3#alice dyer#jon sims#(and obviouslyyy you're still allowed to dislike a character ppl can have their own opinions etc etc etc. i just personally find it funny)
190 notes · View notes
comradekatara · 2 months
Text
notes on “the runaway”
Tumblr media
the more i see people discuss how strangely sokka’s character is portrayed in “the runaway” the more i cannot help but feel that all my ad hoc rationalizations and justifications as to why he would contradict himself so greatly might actually be meaningless. why would he allow the gaang to endanger themselves for foolish reasons when he is the overly paranoid voice of caution in literally every other episode? why would he be so easily swayed by toph’s manipulative promise of buying him a fancy atlas when he’s literally holding her wanted poster? and most crucially, why would he say that he sees katara as his mother when no other episode in the show indicates that this is remotely the case?
this episode is great for katara and toph, whose hangups are compellingly explored here. i won’t get into the common misconceptions about katara being “motherly” or why they’re even at loggerheads to begin with, as i’ve discussed this at length in the past, but it’s actually undeniable that the assumption that katara is the de facto “mom friend” stems primarily from this episode, where toph all but outright accuses her of fancying herself their collective mother. however, katara becoming “the mother” of the group is very much a post-toph shift in her character, and you see her femininity being accentuated in contrast with toph’s deliberate lack of femininity also being linked to this sort of maternal role that she occasionally adopts, especially around toph. but i don’t actually think the issue is one of katara being a smothering, maternal figure towards toph, but rather a miscommunication regarding power, gender, class, and community vs independence. when katara and toph fight, it is for far more complex and nuanced reasons than the notion that katara is simply too overbearing. if anything, it’s the way in which she is overbearing that irks toph, just as toph’s rudeness is not the central issue, but rather that toph’s values (those of total independence and freedom) are misinterpreted as malice by katara (who values community and collaboration), and vice versa.
something very crucial to understand about this episode is that katara is not actually mad that toph endangered their group by pulling fun scams. katara has endangered their group countless times in the past to satisfy her own impulsive desires (and yes, she wants justice, but toph similarly rationalizes her scams through the lens of achieving moral vindication). katara would be all over toph’s scammery, would come up with scams of her own, would be having more fun than anyone—had she been included from the start. which is exactly the point. it is her exclusion that foments her critique, not the subject of their act itself (and the reason that you could not replace katara with sokka in this scenario is simply because toph would never exclude sokka in the first place). but katara would never admit that she is hurt by toph’s exclusion aloud, because katara is an extremely proud person. and a prideful, wounded fourteen year old is not going to thoughtfully use “i statements” as if in a group therapy session with the equally prideful twelve year old who deliberately excluded her; no, she is going to lash out. (lest we forget that in their first real episode establishing their group dynamic, katara literally mocks toph’s blindness. hardly an okay thing to do, in my opinion!) their conflict stems from their differences, but also from their similarities. they are both proud, angry, powerful, stubborn, and must assert their dominance at all times. it’s clear they both want to be friends with each other, and at times they are, but it is really only in this episode where they are able to cross a threshold that allows them to be truly honest about more meaningful insecurities than simply their looks (although i do of course find their exchange in “tales” beautiful as well). and you know who is instrumental (albeit reluctant to interfere) in facilitating that growth? sokka.
i’ve gone more in depth in the past analyzing why sokka’s speech in this episode regarding his mother and katara isn’t exactly as it sounds. i personally interpret his admission, that katara has always been there for him and that her face is all he sees when he tries to picture his mother, as an illustration of his codependent attachment to her, as she is the very locus of his identity. this interpretation is compounded by the fact that when kya’s face is finally revealed later in the season, she does bear an uncanny resemblance to sokka, which to me signifies the way in which sokka sublimates his own face for katara’s—which is also deeply unhealthy, but in a different way than an older brother parentifying his younger sister would be.
the fact is that there is simply no indication throughout the entire show (including this episode) that sokka views or treats katara as a parent. there are of course moments wherein she supports him emotionally or materially, but most of the time she is in fact teasing, tormenting, undermining, yelling at, or otherwise making life harder for him, at which point he is far more likely to act as her guardian figure and admonish her while simultaneously helping her get out of whatever mess she’s caused. and considering that sokka’s defining moment is when hakoda stakes his identity to protecting his (ontologically special) sister (which, as we know, as the bearer of kya’s face, in fact means dying for her), this dynamic makes far more sense than the other way around. i know that people commonly portray katara as the voice of reason who cleans up sokka’s messes, but besides a couple examples, it’s consistently the other way around. yes, it’s very easy to assume that sokka’s speech indicates that he sees katara as his replacement mother, but we cannot take this speech at face value if we are also to take the rest of the text into account, which we must.
but then there’s also the other glaring question that must be taken into account: why would sokka even allow all this? considering the first thing toph bartered was the sword he has painstakingly crafted just an episode prior, why didn’t sokka just pull the plug then and there? it really doesn’t make sense that sokka wouldn’t take katara’s side just for practical, logistical reasons. even if she doesn’t really care about the own point she’s making (as demonstrated by the fact that the scam she devises literally lands her in jail), sokka would see the logic in it. but... he does. he is the one to first discover the wanted poster, and he immediately points out to toph that their scams are drawing undue attention to her, and that they should put an end to it now that's it's putting them at risk. and yet, toph successfully bribes him, and so he continues to participate. why? what about the prospect of having money is so appealing to sokka that he’s willing to risk his precious rationality and caution for the potential of acquiring more of it? well, it’s actually quite simple.
toph is scamming for the thrill of the game. she loves proving the kind of men who undermined and demeaned her all her life wrong. she loves humiliating the people of the world who had once humiliated her. she’s not someone who values earthly possessions or really even understands that money is a finite resource. to her, these scams are a matter of ego. aang is also scamming for the thrill of the game. he loves a prank, a bit of mischief, getting into some tomfoolery. he loves spending time pulling hijinks with his friends. it’s funny, it’s fun, and it’s lucrative on top of that. but it’s clear that he views it as a game. now, sokka similarly enjoys pulling these scams. he adores toph and clearly finds it nearly as satisfying as she does to watch her destroy the egos of men thrice her size. but even more potent than his adoration for toph, is his appreciation for money.
when katara put them all in danger countless times in the past, it may have been to enact righteous justice, but it was never materially beneficial to sokka. sokka is a very practical person, and growing up in a state of colonial abjection taking on the role of provider for a couple dozen people mostly comprised of elderly women and small children makes you appreciate the value of goods and resources in a way that an aristocrat and a monk do not. you may be asking, "are you really arguing that sokka would undermine his own values and endanger himself and his friends so readily for the prospect of financial security?" to which i would argue that you underestimate how truly cynical sokka is. of course he loves money and food he doesn’t have to catch or forage – see: his appreciation for the immediate luxury of ba sing se that everyone else finds so stifling. he is not spiritual; he is attached to earthly possessions and the immediate physical needs of those around him. so of course he loves a material object. in his own words: “i do believe in the power of stuff.” because even when sokka is supposedly being uncharacteristically foolish or naive, he is in fact nonetheless promoting the cynic’s agenda every step of the way.
“the runaway” is a good episode, perhaps even a great one. however, it has also lent to some of the fundamental misinterpretations i see of katara, sokka, and toph that are constantly thrown around (including the occasional citing of this episode to justify that aang apparently “sees katara as his mother”). so in some ways, i do resent this episode for begetting those strange and incorrect takes, even if i think that in a vacuum, it is well-executed. it is an episode that complicates our characters, adds nuances and shades of grey to their pre-established characterizations, but does not actually rewrite them. sure, if this was the only episode of the show i had ever seen, i too might assume that katara was the maternal and responsible figure of the group, toph was a careless and rude little bitch, and aang and sokka were idiots who relied solely on katara’s infinite well of long-suffering guidance. but even within this episode, that is clearly not established to be the case, and if that notion is not sufficiently undermined by the episode’s conclusion, it is quite clearly by the episodes bracketing it, which provide crucial context through which to inform our understandings of the choices made in this episode, and why they are indeed interesting, but nonetheless do not reflect the characterizations established in the series as a whole.
212 notes · View notes
onemightygoldfish · 2 months
Text
People being convinced that "Too Sweet" by Hozier is a love song is like the "Anything But" situation all over again
189 notes · View notes