The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.
Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.
Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.
In saving Marceline, Simon helped to not only to save the world, but also himself.
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also remember that this season started out with a time travel element and it could very much still be coming into play in the final battle… maybe the bad kids kill the rat grinders now and still have a chance at saving them before they’re corrupted
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processing ep 11 one day at a time and idk i was just really reminded of how fig’s an only child too
and this isn’t really all that significant considering the party (given that adaine and kristen are the only ones with siblings); fabian’s been talking to podcasts alone in the manor and riz has been locking in on extracurriculars and cases but like fig had her self-concept twisted in on itself right on the cusp of a new chapter in life. and i think it’s great that the doubt she felt when her horns came in, she thinks it’s sacred. a tool for rebirth. but does she have any reason to believe looking inward is productive? as someone who can literally change her reflection? she’s a wonderful and compelling person in her own right now but where are her friends from when she was a preppy preteen, who invited her to every party until she wasn’t a bubbly wood elf anymore? what did she carry over from that life? was she more introspective then? maybe she attached that to who she was. maybe she’s barred herself from it because she’s not that person anymore. maybe she can’t sit with all the selves she’s had inside her because the magnitude of all the personas she’s invented and reinvented have muddled her identity into this convoluted curdled thing. and it is by far the easiest thing to direct all the fiendish energy and power and personality outward, to her friends, to school, to solving the mystery. and so she disappears.
ANYWAY avoiding max falling damage into your bedroom thanks to the gift you gave your president is as good a start to self-reflection as any right????
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the take that “actually the blacks won the dance of the dragons because their bloodline got the throne hehe” has always been very funny to me because the entire point of aegon iii is to ask: who cares? what did it matter? what was it all for? misery and tragedy, pointless mass death, everyone alone and betrayed and caged, a king like his land and his people: ravaged, broken, a shell. and nothing was fixed. and nothing was solved. no revolution made, no justice served, just fields of dead and charred bones and a sad sad little boy. the point— if that’s what winning is, why play?
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Both c!slime and q!slime became murderers because of an accident.
Do with this what you will :3
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i’m aware i’m 100% alone in this, but i genuinely adore ascended astarion (especially when romanced) because of how—frankly—horrific it is. it’s simultaneously so cathartic in its brutality but so unsatisfying personally while managing to be narratively satisfying (just as his other outcome is, of course).
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coping with sports by drawing *doublechecks notes* art inspired by sports interviews
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going to the dentist tmr for the first time in 5 years. and at 8am no less
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through heavy , heavy tears : hawkeyes first instinct is to be KIND he’s so much less guarded than trapper and even bj when first meeting people ( even ones he probably won’t like ) he always treats them with respect . i’m going to be physically ill
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Realized I forgot to introduce Eileen again LMAO
My sea shanty interest was reignited and I was like “:O Boston is a coastal town I can make a sailor oc!!” And promptly remembered Far Harbour exists and so now she is there :)
She left the mainland after nearly destroying the entire commonwealth for her kiddo Eliza. Blew up the Prydwen, Railroad, nearly collapsed the Minutemen, and eventually destroyed the Institute when they created a synth version of her husband and she realized just how much they were manipulating her. She left Eliza with Nick and fucked off North, a good fifty miles past the Nakano residence, where she fixes up an old boat and fishes the days away in solitude. Nick eventually finds her a year or two later and needs her boat to head to far harbour to find Kasumi Nakano, and they get stranded there together cuz a sea monster basically ate her boat :)
Anyway she’s also from Newfoundland and Labrador, got military training from soldiers she helped guide through the Northwest Passage, and commonly goes by “The Lobstermonger” in Far Harbour due to her hiding her identity out of shame for all she’s done. I <3 her I’m sorry
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its that time of year: hand over your anime recs
about a year ago i asked for recs and you all had some great responses. i watched quite a few and even if some of them weren't my style i loved your enthusiasm. loved it.
this year once again i ask for your recs, underrated, super popular, super weird, doesn't matter. Drop them in the notes/tags. i love twists done well and plots that defy genre, but ill take anything.
(Edit: I’ll take manga recs too:)
please and thank you, peace
- L
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One of my favourite things about Taskmaster, and it really doesn't get talked about nearly enough, is the relationship between Greg and the panelists. There is the element that nobody wants to be there sometimes, including Greg and Alex. Nobody's having a good time, and everyone's suffering. It's a mutual case of Stockholm Syndrome, as has been mentioned on the show multiple times.
But the bit I like best is when everyone just becomes sick of one another's bullshit. It's expected for the panel to reach a point where they get sick of one another and threaten to throw down, or tell someone to stuff a satsuma up their ass.
I particularly enjoyed this series crossing a brand new line of Frankie threatening to sue Alex over his terrible wording of a task, and Greg offering to help with the costs. It reminded me of when Greg offered to put his own money toward counselling fees, because there is clearly something wrong with Rhod Gilbert.
But what I love best is that this is a show where the host will tell his contestants to fuck off, or flip them off, pull them to an unlit corner of the stage to give them a personal telling off because they have managed to uniquely irritate him. The moment of silence in series 10, because he's so fucking fed up with how awful all of them are at completing tasks still makes me howl every time I watch it. He instantly regresses five grown adults to school children as soon as he stands up in front of them.
In a vacuum, out of context, it's all dreadfully horrible and toxic, but that's what this entire character is. He's an insane tyrant, and the whole concept of the show hinges on that. What would that insane man want done? And I love how much he leans into it.
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Forget Joker and Harley Quinn, this is my villain origin story.
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That Dick, Roy, Jason, and Lian WFA chapter... it's on fucking sight.
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"King, once I learn where he is hiding , I will be able to bring my animator to this world so I can kill him. After that, you are free to go and I will help you get your child back."
"what the ACTUAL FUCK"
just a silly dialogue I thought of
NO BUT LIKE, FOR REAL.
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