After moving as much stuff as possible from the side of my room my bed is on (literally every inch of my walls are blocked by furniture in this tiny ass room) and vacuuming everything and spraying real bug spray and spraying massive amounts of the mint spider repellent and washing all my sheets and vacuuming all my stuffies and then leaving it all to air out while I took all my blankets to my parents to wash overnight and coming back tonight...
I am currently sitting in my bed for the first time since Wednesday night. 4 whole nights that I avoided my bed and my room....
All because a spider randomly appeared on my arm while I was sitting in bed.... after weeks of seeing anywhere between 2 and 12 spiders on my ceiling a day and being in a constant state of panic because of it and waking up to them coming down from the ceiling above me and lots of other awful things...
I do not want to be anywhere near this bed..... Both my brain and my body are freaking the fuck out cause they know the last time I was sitting here a spider randomly appeared on my arm from who knows where. I don't even wanna be in this room.
I hate this so much 😭😭😭
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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I was looking at reddit comments about Carol & The End Of the World and I got so frustrated with people completely misinterpretating what the show was about and hating on Carol because they found her unrelatable. Or "her monotone voice is annoying". The show itself wasn't perfect and I was a little unsatisfied with the ending but I loved it so much for the premise and the choice to focus on a character like Carol. It's a really unique angle.
The world will end in six months and everyone on earth has gone carpe diem mode and are living out their wildest dreams. They're partying, they're rioting, they're traveling the world, they're eloping, they're having orgies, they're picking up new daring hobbies, they're doing all these crazy hedonistic things that life has never given them the opportunity to do until now.
And Carol, poor Carol. Carol's parents are worried about her because she has not felt inclined to do anything like that. It's just not how she wants to live. Carol is quiet, she's awkward, she gets overwhelmed at parties. So intense doomsday chaos is not her scene at all. She finds peace in normalcy and routine. Simple things like a boring desk job and grocery shopping and doing laundry and eating at her favourite restaurant are what make Carol happy.
But when society has collapsed, all sense of structure has gone with it. So she has to hunt to find meaning in a way that suits her own personality.
And is she not entitled to finding joy during the end times on her own terms?
Carol has also felt unfulfilled in her life. But not because she's disliked the rigid routine she has built for herself, but because her socially awkward demeanour has prevented her from really connecting with other people. She's lonely. She's 42 years old and she doesn't really have anyone that she feels she can open up to.
The show is about Carol's tiny victories and her own spin on seizing the day on a much smaller scale than the rest of the world. She doesn't need to travel. She doesn't need to find the love of her life. She doesn't need to jump out of a plane. Maybe all she needs in order to feel whole is a few close friends that she can bake banana bread for. All she wants is the calmness of routine and the warmth and reliability of friends. She doesn't want to feel alone anymore. Carol's desires are simple and mundane, and she might be judged for not choosing to live a little louder when the clock is ticking down. But it's what will make her happy. Is that not beautiful? I think it's very beautiful.
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