something i've been thinking about:
Wally is set up as a sort of "main character" by the whrp. he's said in the site's description of the show to have introduced the main theme/lesson of the day's episode, and then the rest of the neighbors join him on his escapades. but then we have our first glimpses of everyone's actual dynamics and characters through the audios and you look at Wally and its like
first of all, thats an npc. second, nearly everybody else has severe main character syndrome
but its fascinating how Wally is just kind of... There. he doesnt talk much. he doesnt contribute beyond a couple of lines. its more like he joins the others on their shenanigans. he fades into the background. he's off to the side while everyone else holds conversations & leads the moment
Wally, despite being described as Thee character, is borderline background.
& whats even more interesting, within his individual secret audio files and interactions - he's almost chatty. not only that but the way he talks is more confident and faster paced. he's taking initiative. he can be kinda pushy. when talking to the qa/whrp/Us, he acts more like the character his descriptions portray. he acts more like a person instead of a puppet waiting for his next cue
I cant tell if - when around the neighbors - his tepid milk behavior is a purposeful act or if he's masking. and if he's masking, is it deliberate or involuntary? and in regards to both, why is he acting so different? It could be tied to what he's trying to accomplish. if he's trying to "restore" Welcome Home, it would make sense for him to act as he does around the neighbors - he wouldnt want to clue them in that he knows so much more than he's letting on, would he?
but then that begs another train of thought - what if he isn't acting or masking? if there is a time discrepancy between Wally's interactions with the qa/whrp/Us & the more 'official' audios, that could explain the difference in behavior. we could be getting glimpses into "future" (read: current) Wally, who's had much more time to figure himself out since we can safely assume he started out as a blank slate. we could be seeing a more experienced Wally than the one seen with his friends.
of course that line of thinking loses some merit when considering the 14 "bug" audios. or it could lend to it... if we're seeing a more experienced Wally but his friends are only seeing what he allows them to. it's still him, just... a carefully curated version.
in general it could really tie into the themes of identity and change and being other, to me. when you're so different - or you feel so different - that you can't bring yourself to be your most authentic you around your friends. when you feel like you have to hold back and be who you think they expect you to be, or what would be most palatable. most normal. will they accept you as you really are? there's always the fear and terror that the people you consider closest to you won't. or when you're so scared of change that you'll shove down & lock away parts of yourself so that you can keep things as you are. because once they know you've changed, so will they. and really, do you want to even accept that you've changed? what if that's what scares you most of all - that you're different, you've metamorphosized, you can't go back to the way things were because you yourself are no longer the person you were before. there is no reversing this no matter how much you try or pretend
218 notes
·
View notes
Something about the Hatchetfield trilogy villains being able to break the fourth wall only after they gain the power of the Lord(s) In Black.
In TGWDLM, Paul and Emma acknowledge the audience as a shrub-lined alleyway, while the apotheosis addresses them throughout, specifically in the opening and closing numbers. And only then does Emma acknowledge them, as she's been infected and is screaming for help.
In Black Friday, the audience is addressed by that one Joey-played villain whose name I don't remember rn when he has one hold an apple (and maybe more I don't remember).
In NPMD, Max interacts with the audience after coming back, including telling them to shut up. And then Grace interacts only after it's revealed she kept the book ("did you think I'd stop with him?").
Yet another convoluted reason for me to say I like the stage version over the soundtrack.
Edit: Whoops. Nvm
131 notes
·
View notes
So like one thing I'm afraid of is for when the musical comes out and we (hopefully) get new fans, is fanon!Johnny. Like Johnny often infantilized in fanon which is annoying as fuck and I despise it, but a trend I see with these type of characters like that is that all of the sudden the fandom will be like 'omg why is this character being to woobified' which is good, but then they'll take it to the next extreme. Like in the ST, Will Byers is the sweet and sensitive character (he's also canonically gay) but in order not to fall into the 'feminine gay' stereotype, a lot of the fandom would make him hypermasculine (emphasis on him being muscular and broad, make him more sarcastic and done with everyone's bullshit, making him over-competent) which completely changes his character. Like seriously there's got to be some nuance here. Some middle ground maybe?
20 notes
·
View notes
This is completely brought on by the last post but it really bugs me when people are so insistent that a story needs Monsters or Extra Terrestrial Beings to be scary.
The two examples used were Infinite Ikea and the Backrooms but like. At very least to me the addition of monsters just makes the story go from really good to fucking boring so quickly.
The horror is being stuck in an overly familiar place that you would expect to have an exit and being unable to find one. It's being seemingly infinitely lost in a place you would normally be able to traverse with no issues. It's like... weaponizing the familiarity of places you know and making what was once thought to be safe, possibly dangerous.
You put a monster in it and you just turn that whole idea into just "What if you were in the Minotaurs labyrinth would that be fucked up or what"
18 notes
·
View notes
❥𝟓 𝐒𝐎𝐍𝐆𝐒 𝐓𝐇𝐀𝐓 𝐑𝐄𝐌𝐈𝐍𝐃 𝐘𝐎𝐔 𝐎𝐅 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐄.
i. beautiful and bad - nicole dollanganger.
i don’t give a fuck about love / never did, never will / wanna take you out on a date with death / kiss you with a power drill / ‘cause beauty don’t mean shit to me / only when it’s a weapon and deadly / think you’re big and bad but you got nothing on me
ii. sleep awake - mother mother.
out on the street i keep a started car / who only waits for me / conveniently
iii. if i had a heart - fever ray.
this will never end ‘cause i want more / more, give me more, give me more / if i had a heart, i could love you / if i had a voice, i would sing / after the night when i wake up / i’ll see what tomorrow brings
iv. snake - nicole dollanganger.
in the hazy blue, you look so sweet / i almost forget what you’d do to me / if i let you / ‘cause even blood will run / like the tears of a saint / with a face like that / you could get away with anything / and i know you know that
v. fucking crazy - skylar grey.
who knows why i did it, baby / i’ve been told a thousand times / that i’m just fucking crazy / who knows, it’s the way god made me / and i’ve been told a thousand times / that i’m just fucking crazy
stolen from: my other blog ^o^ / tagging: @virtusdemonte, @ofgentleresolve ( mana or yoojin :pleading: ), @eternasci, @temsikfates and you reading this ! ♡
3 notes
·
View notes
Had a dream that a being with a personality of Bill Cypher and Wheatley gave me basically infinite powers after I signed a contract and I knew they'd betray me because I knew what they resembled but I started to fall in love with it anyway. I woke up before the betrayal. The whole time I was hopeful they weren't actually evil. Maybe they weren't. I miss you strange charismatic dream demon.
16 notes
·
View notes
I wish just once at a concert they'd shoot picks and shit up into the nose bleeds instead of throwing them into the pit
12 notes
·
View notes