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gaylorlyrics · 4 years

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Folklore Songs - what are they about??

This is a developing thread, but I’ve been listening all day so I’m taking a stab at it.

1."The 1"

Common consensus is that this is about Dianna Agron and what they could have been. Telling lyrics are the general idea that the relationship wasn’t truly given a chance (”it would've been sweet, If it could've been me”) and “Roaring Twenties”, referring to the below circus themed party pics with Diana dressed like a flapper

tbh im not totally sold on this - most because it seems more recent with lyrics like, “In my defense, I have none for never leaving well enough alone” sounds like a reference to ME! and “Roaring twenties” sounds like a reference to something that happened this year (2020). Also “throwing pennies in the pool” could be a reference to throwing Penni (Karlie’s agent) in the pool. Finally, Route 1 is the road along California’s coast, where Tay & Karlie drove on their legendary road trip...this makes my lil Kaylor heart worry.

2. Cardigan

This is the first installment in the Teenage Trio, which also includes August and Betty, and is told from the perspective of Betty. It’s about feeling so loved by someone but then being betrayed by them (”Chase two girls [Betty + August’s narrator] lose one”). The line ”And you'd be standin' in my front porch light” foreshadows to James professing love in “Betty”. Potentially Taylor is Betty - but I’m still thinking about that theory.

3."The Last Great American Dynasty"

We <3 a Rhode Island throwback. Here Taylor tells the story of her house in Rhode Island that Rebekah “Betty” (??!?!??!! more on that later) Harkness used to live in. Rebekah married an heir to Standard Oil which made her one of the wealthiest women in the USA at the time. She was also known for making a scene (”She had a marvelous time ruining everything”). Additionally, she founded the Harkness Ballet (”And blew through the money on the boys and the ballet”). After Rebekah’s death Taylor purchased the house and it is now best known as the place of many epic 4th of July parties.

4. Exile

Such a sad song! This is a duet between Taylor and Bon Iver, telling the story of a failed relationship that they have tried to mend many many times. Interestingly, this is also about a love triangle (like the teenage trio) - "I can see you starin' honey/Like he's just your understudy." This line specifically feels like it could be about bearding, and seeing someone else with the person you love, but feeling like - or knowing - it’s fake. “You were my town Now I'm in exile seein' you out” references and end to the relationship Taylor discussed in False God “Staring out the window like I'm not your favorite town I'm New York City”. To me this indicates that it is about Karlie and them breaking up or going through a rough patch - continually trying to fix things - and eventually being unsure that it could ever be repaired.

5."My Tears Ricochet"

This is pretty clearly about Scott & Scooter - “And if I'm dead to you, why are you at the wake? Cursing my name, wishing I stayed” and “You had to kill me, but it killed you just the same” seem to be a reference to them trying to exploit her work and how her leaving Big Machine really ruined the business - plus there’s some LWYMMD imagery. “You wear the same jewels that I gave you as you bury me” also seems to be a clear reference for trying to use Taylor’s own work against her, taking the profits, and pushing her out of the deal. As if we needed more evidence “You hear my stolen lullabies” clearly references her stolen masters.

6."Mirrorball"

Big 80s prom vibes from this song. Mirrorball is about being famous and all of her work - her most personal thoughts and dreams - just becoming different ways for other people to see themselves once she releases her music into the world. Part of being an artist is knowing that your work will reflect more of who the viewer is than who you are yourself. Here she uses the metaphor of a disco ball to explore that idea, and worries that she is losing her own identity through it “I'm still trying everything to keep you looking at me”. She also alludes to her fears that she will age out of relevancy “I know they said the end is near”, something she discussed in her documentary Miss Americana. Obviously this is internalized misogyny because we love Taylor and will listen to her music always and do not subscribe to the belief that women need to be young to be relevant because if they were a man then they'd be the man, and tay’s the man <3

7. “Seven”

Personally, this is one of my favorite songs on the album. It’s so sweet and pure and lovely. This is about young love, with imagery of summer, toys, and child’s dreams to runaway together. Many people have speculated that it is about the same girl that the two unreleased Taylor songs “Sweet Tea and Gods Graces” and “Me & Britney” are about.

[Side note: initially I wondered if Me & Britney was about Britany Maack, Taylor’s long time friend who recently got married, but the names are spelled differently. Also the line in Seven “I can’t recall your face” indicates that this is about someone who Taylor is not currently in touch with.]

Both M&B and STAAG seem to be about the Seven relationship because there are general parallels with outdoor scenery, childlike wonder, and ( in the case of STAGG) sweet tea. Also all three songs indicate a gay relationship: STAGG - “And you can love like a sinner and lose like a winner”, M&B - “That boy she went ran off with, well, I thought he was crazy. Maybe I was just jealous that he'd come between me and Britney”, and Seven - “You won't have to cry or hide in the closet And just like a folk song our love will be passed on”.

8. “August”

This is the second installment in the Teenage Trio, told from the perspective of the “other woman” who James meets while on summer vacation. The other woman (she doesn’t seem to have a name...unless it is August...which it could be? idk) is in love, but realizes that James isn’t in love with her - “Will you call when you're back at school? I remember thinkin' I had you”. The line “Remember when I pulled up and said "Get in the car" references the same incident which is retold in Betty, but this time with James telling Betty it was just a summer fling that didn’t mean anything.

9. This Is Me Trying

Here we have a break up song, about Taylor trying to win her lover back and feeling completely lost without them, unable to concentrate or be around people, and turning to self sabotage. It’s about the general loneliness that one feels when they’ve lost someone they truly love, and the miscommunication that can happen in a relationship when you’re not understanding each other or receiving love in the same way (hence the song’s title). I think this could be about Karlie, it seems clear that their relationship has not been smooth and that they have had many on-and-off times. It could also be serving a purpose of building the Joe break up narrative, but only time will tell for that.

10. “Illicit Affairs”

Taylor loves her secret love - this song reads like a sad version of “I Know Places”. It seems clear that this is about Karlie Kloss. “Tell your friends you're out for a run” is one of my favorite lines because Karlie started Klossy run club, where you commit to running a certain distance in a month - and she posts about it on instagram CONSTANTLY. But overall, the song details a relationship of a woman being with someone she doesn’t love (kushnerd) and sneaking around to meet up with the person she does love (tay!). The line “Tell yourself you can always stop” is so sad to me, the idea that Karlie got into this and keeps telling herself that it will only be a little longer and she can leave when she wants, but staying in her fake marriage anyway.

11. Invisible String

This is pretty much the only pure love song on the album - about feeling connected to someone throughout your whole life, knowing that that somebody is out there, and then finally finding them. Taylor talks about being in Centennial Park in Nashville as a teen, and then eventually showing her lover around. The song is really self referential, with lots of easter eggs for her past work, including Bad Blood and Delicate. She also references Joe Jonas with the line “Cold was the steel of my axe to grind For the boys who broke my heart Now I send their babies presents”.

Some people have pointed out that there is a similar idea presented in Jane Eyre - when the protagonist says to her love interest “I have a strange feeling with regard to you. As if I had a string somewhere under my left ribs, tightly knotted to a similar string in you."

12."Mad Woman"

Another Scooter one - “It's obvious that wanting me dead has really brought you two together”. “The master of spin” is word play referencing the masters records scandal. “Watching you climb over people like me” points out that agents and labels are making money off the performers they find and pushing them around. There’s also a reference to Scooter’s wife Yael and how he cheats all the time, but she doesn’t do anything likely because of her own internalized misogyny - “has a couple side flings. Good wives always know. She should be mad, should be scathing like me”.

13. “Epiphany”

The first verse of this touching ballad is about Taylor’s grandfather in WW2, storming the beaches at Normandy - “Crawling up the beaches now "Sir, I think he's bleeding out"”. The second verse is about a nurse helping patients with Covid-19 - “Holds your hand through plastic now "Doc, I think she's crashing out"”. The bridge here talks about wishing there was some great epiphany, some magical solution for the suffering in the world. The chorus refers to experiencing trauma with others and staying loyal even in the hardest times, even if it means literally dying. Although this seems like a departure from the themes of rest of the album, the whole album examines loyalty and considering what you would do for the people you love - so I really don’t think it’s a departure at all.

14. “Betty”

Obviously this is the gayest song on the album and an early fan favorite. It is the final song in the teenage trio, told from the point of view of James, going to win Betty back after betraying her and sleeping with someone else (August!?) over the summer. The line "Will you kiss me on the porch in front of all your stupid friends?”, a line that is very clearly about wanting to kiss a woman, is especially striking (& gay!) when sung by Taylor. The clearest version of this plot is someone begging for forgiveness after betraying the person they love.

There is also a bit of a nod to a line in “Picture to Burn”, a break up song off Taylor’s first album. In PTB Taylor says “So go and tell your friends that I'm obsessive and crazy that's fine, I’ll tell mine you’re gay”. This lyric has since been changed in versions available online, but on the original album that's what it was. This is interesting because she’s calling attention to knowing that someone is gay and hasn’t told their friends...which you would definitely know if you had dated them.

The names “James” and “Inez” are both mentioned in the song, which are the names of Blake Lively and Ryan Reynold’s daughters. James was already featured on a Taylor Swift album, as the lil baby voice at the beginning of “Gorgeous”. Worth noting that “James” is traditional a male name, but that this character is named after a female.

ALSO I have this theory I’m working on that Taylor is Betty and this whole album is in the same world with the same people, but WILL POST MORE ON THIS LATER.

15."Peace"

Ok - this is Archer 2.0 for me, about how she is worried about how no one will ever love her or stay with her because its too much work - “the rain is always gonna come if you're standin' with me” and “No, I could never give you peace” are pretty telling lines about her concerns that people will think it is not worth it to be friends with or in a relationship with her due to all of the baggage that comes with it.

The opening lines - “Our coming-of-age has come and gone Suddenly this summer, it's clear” feed into my emerging theory that all of these songs exist in the same universe and are about the same three characters...but I’m still figuring that one out. The line “And you know that I'd swing with you for the fences Sit with you in the trenches” reference Seven and Epiphany, respectively - further supporting that all of these songs are in the same world.

16. “Hoax”

Out of all of the songs that make my little Kaylor heart ache - this is the most heartbreaking. Specifically the line “My eclipsed sun” refers to Karlie, who Taylor has called “sunshine” on multiple occasions, and her light being covered up by her contract with Kushnerd and Scooter. The line “Don't want no other shade of blue But you” makes it clear that this song is in reference to the muse for the album “Lover” - aka Karlie.

However, this is a song about betrayal and completely trusting someone, only to find that they stabbed you in the back, as is clear by the line ”Your faithless love's the only hoax I believe in”.

Additionally, the line“You knew it still hurts underneath my scars” seems to again feed into the idea that all of the songs on the album involve the same characters. This one is a bit more clear, it seems that - if this theory is correct - Betty is the narrator of this song, as she referenced her scars before “Drew stars around my scars” in Cardigan.

OK- I'm going to go deep into song by song later, but I just wanted to get something out there!!! Also def interested in hearing what everyone else thinks!

EDIT: I just found some lyrics from The Lakes in an article from Billboard. I wanted to add them in even though we don’t have the full song because I felt like we really ended on a sad note with hoax and then when I saw these I was like there is hope!!

SO the lyric Billboard included in their review was “A red rose grew up out of ice frozen ground / With no one around to tweet it” which is a continuation from the line from “Hoax” - “ This has frozen my ground”. What I’m taking from this is that in the final song Taylor finds hope <3

#folklore #kaylor #Taylor swift #Karlie kloss #betty

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missrandomdreamer · 5 years

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Overwatch Character: ‘Gator’ Gaston Barbeau “

Hey here is some info about my Overwatch Oc Just thought I would post it here for fun. There is some details I’m also still working on about his abilities too so might update with that and a better picture as well

“Bonjour Motherfuckers”

Name: Gaston Barbeau

Nickname: Gator Gaston or Garrote Gator just a mix of those words together for a nickname

Hair: Dark brown nearly black, curly goes to shoulders

Eyes: gold

Age: 35

Height: 6′

Gender: Male

Ethnicity: Cajun Babe

Birthplace: New Orleans, Louisiana

Sexuality: Pan-sexual

Affiliation: Whoever he wants but mainly drug cartels

Occupation: trumpet player in a jazz band and assassin primarily for drug cartels

Body Modifications: Tattoos everywhere lots of them on his hands and knuckles, gauges and multiple piercings on both ears, nose piercings: nostril piercing and a bridge piercing, belly button piercing. Canines can be shown despite his mouth being closed (vampire look really)

Weapons:

Blow darts-filled with poison (depending on what he is in the mood for it could be a slow death or a quick one. Has known to put some in his trumpet at concerts to kill his victims either for fun or due to his Business with the cartels ) darts disintegrate because they are bio degradable (lol dont know if its a thing but it is now)

Garrote Wire: will use it for close combat to sneak up people if he wants to get his hands dirty. Strangles people in the form of a dance

His Cane: the cane itself can be transformed into his blow dart weapon but dues have a bayonet to use for harpoon or slicing in combat.

Other:

Considers death an art form

enjoys killing people for the hell of it

loves jazz music and swing dancing

has a pet alligator named Sugar

loves nature and environment

loves art and fashion

Practitioner of Voodoo

a very dirty birdy

Inspired from: Dr. Facilier from Princess and the Frog and Dorian from Dragon Age Inquisition

Thinks Overwatch and Talon are hilarious and stupid, loves to trip both of them up when he can

You touch or hurt Sugar then you will experience the worst torture of your life. Also you hurt an animal you’re a dead man

Personality:

charming

generous

manipulative

very laid back

a player

flirt a holic

vain as heck

delusional

prideful

He has that Southern Charm: can smile while he stabs you in the back.

Quotes/Song Lyrics that are basically him:

“ I don’t do drugs. I am drugs.”-Salvador Dali

“Giving a fuck doesn’t really go with my outfit”

“When you truly don’t care what the fuck anyone thinks of you’ve reached a dangerous level of freedom.” -Jim Carey

“ I love Jelly, Fats, Fes and King They were the ones that taught the world to swing I consider myself lucky to have fallen in love With the music, a city and the river of mud .” -Save my Soul by Big Bad Voodoo Daddy

“ The brim of my hat hides the eye of a beast I’ve the face of a sinner but the hands of a priest Oh you’ll never see my shade or hear the sound of my feet While there’s a moon over bourbon street .”- Moon Over Bourbon Street by Sting

#overwatch #overwatch oc #Gaston #Gator Gaston #agf #writing bleps

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eurosong · 7 years

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Eurosong's ESC '17 ranking and commentary

Good afternoon, folks! The clock is ticking down to the final and it's now about that time of the year where I unleash my commentary on all the songs. I tried to limit myself to a few sentences per song, but since there´s 42, this will doubtless be considered by some as a big read. Tongue in cheek in part but very candid about my views on some of the songs - don't proceed if you don't want to see a few songs savaged. As the ancient Romans said, de gustibus non est disputandum, and these are just my views and tastes.

1 Portugal From which planet did this extraterrestrial talent come and why do his people want to break our hearts so exquisitely? I cannot speak highly enough of these three perfect minutes of melancholy, longing, and yet, at the same time, love and hope. This performance speaks to the soul so intimately. It is a pure and timeless composition that I feel like I've known all my life, but have been waiting all this time to hear. Extraördinary and twelve cuts above everything else in the contest in my eyes. 2. Hungary How I love the fearless Magyars and their tendency to dance to the beat of their own drums, sending things that sound like nothing else in the contest. This is one of the most emotional performances in the contest and certainly one of the most meaningful lyrics - talking about the prejudice he faced as a Romani and the salvation he found in songwriting. The music is a sui generis blend of rap, traditional folk and other elements - and the pure passion invested into the lyrics and their delivery gives me goosebumps. 3 Belarus This is what three minutes of unshackled, care-free joy sounds like. Naviband are adorable, their chemistry pure, and their song is so full of joie de vivre. I feel like I’m out in the primordial forests of Belarus hearing the call of the ancients. 4 Armenia Another nation keen to exhibit its traditional music in curious new blends is Armenia, who this year bring us something that sounds at once distinctly Caucasian and East Asian. A curious mélange of genres and influences make this almost as far as you can get from the tired "Melfest reject" mould. I love the non-linearity of this song, and the æthereal feel that makes the song feel like a forgotten psalm to the gods. Great effort. 5 Iceland If you combine dark but infectious electro beats with some of the most subtly meaningful lyrics of the contest, you get this, in my book, one of Iceland's best contributions to the contest in some time. Svala's song is very personal to her and, through an extended metaphor, talks about struggling with accepting yourself for who you are. A very underrated track in my eyes.

6 Czechia Speaking of underrated, we have the perennially undervalued Czechs sending us one of the most understated and sincere offerings this ESC. Czechia's is a very subtle song about strength in adversity and human connection. The music is very pleasant, and the lyrics are sung with heart. 7 Belgium No matter the disastrous reaction to the rehearsals, City Lights remains for me one of the most unique and meaningful pieces in the contest this year. Whilst last year they sounded like a 90s girl group trying to emulate the 70s, this is year 3000, futuristic cool. There is a powerful minimalism in the lyrics that lets their many nuances sink in. "Are we going to lose it all?" 8 Romania You get instant ESC-snob credit by disavowing this Romanian effort, which on paper - a yodel-rap about breaking away from the 9 to 5 - sounds like it should be a ludicrous mess. But you won't see me doing anything but praising it as it is an instant ray of sunshine in a song. I love how much Alex and Ilinca, an incredibly cute pair, love their song and how they put their heart into each performance. I feel lifted up to the Alpine heights by each listen. 9 Azerbaijan For the first time ever, Azerbaijan stand to get into my top 10. They’re still raising my hackles by importing music from Sweden, but this time they’ve picked a credible and glacially cool artist with a mystifying and dark composition about obsessive love. A step in the right direction. 10 Italy The bookies’ favourite by far, and I can understand why - Francesco exudes cheeky chappie charisma and his song is one that can appeal across generations. Why only 10th then from this bonafide Italophile? I always found the chorus of the song to be very dated, sounding like the theme tune of an early 90s quiz show, whilst the verse and bridge has a much more monumental, anthemic air. I was more able to overlook the repeats of the chorus before they made disastrous cuts and excised most of the first verse and all of the second verse, leaving a song that is still fun, but a lot more repetitive. 11 Netherlands I’m honestly amazed that O’G3ne, a band with such a ridiculous name and a dubious pedigree, are on the cusp of my top 10 this year. They sing songs that are so dated that they wouldn’t have counted as fresh even in the early 90s. And yet, their song has a certain child-like naïveté in its lyrics about their ailing mother that it makes it unbelievably moving. 12 France A nice enough song from France this year, but nowhere near as good as Amir last year in my eyes. What really took the song down a notch was the clunky addition of unneeded, comparatively cacophonous English lyrics, which replaced the existentialist French chorus of the original with some throwaway clichés. 13 Macedonia Some fans consider the Macedonian entry fresh despite its reminding me of 3-4 different 80s’ songs blended together. What it is though is catchy and kitschy in a fun way. I have doubts about the live performance given her scandalous playback in London, though. 14 Finland As Holly Brewer sang, “I wish I loved you more.” I should love a song like this, but instead I don’t enjoy it as much as I might because I feel they put a distance between themselves and the audience not fitting for such an emotional song. 15 Ukraine It’s no secret that I’m a rocker, but unfortunately, a lot of the rock at the contest has been sub-par in recent years - or has been “rock” in inverted commas. This is not a bad effort from Ukraine, but nowhere near the britrock-inspired heights of Georgia last year. It’s a bit too repetitive for my likes. 16 Latvia Something less to my typical tastes is this unexpected piece of 90s rave revival, a step away from the cool Aminata-penned electronica Latvia has sent in the past two years. It’s a welcome stylistical oasis in a desert of identikit pop ballads, but qualitatively isn’t great, and her nasal, oddly pronounced vocals are an acquired taste which I am yet to acquire. 17 Bulgaria Very nice, relaxing background music but I don’t think of it as much more than that. 18 Ireland This starts out so promisingly with a gloomy and mysterious beginning, but soon degenerates into an early 2000s B-side that was not only rejected by Westlife but also by an assortment of C-list bands imitating Westlife. It’s even complete with the obligatory key change that launches young Brendan into a register so high that it could shatter contact lenses while they're still on your eyes. Yet, I do find some charm in it, and this would be a contender for places 11-15 for me were it not for the god awful last minute. 19 Albania For once, Albania don’t completely destroy a song in its revamp - they maintain most of the rock-ish edges of the original, instead of neutering them like they did with Përallë. As is typical, though, they lumbered Lindita with a bewildering and clunky English translation that takes a lot of my enjoyment away from the song. 20 Germany This couldn’t be more middle of the road if it tried - so it’s apt, I guess, that it has a position almost precisely in the middle of my ranking. Levina was the best of a bad lot in Germany’s insane format of a national final and she soldiers through a song even she seemed like she preferred not to sing. The riff ripped from Titanium is so blatant - and the song is brought down too by some ridiculous lyrics. “Almost a sinner, nearly a saint.” So you’re almost exceptionally holy and almost someone who frequently sins at the same time? *Head explodes* 21 Switzerland An innocuously bland mid-tempo pop ballad. Not much to say about this one. 22 Croatia A man singing a duët with himself, giving a motivational message - to himself. One half in the quivery, syrupy upper ranges of an R&B tenor, the other half in a booming operatic baritone. It’s as ridic as it sounds and yet this Jeckyll and Hyde act is saved from the very bottom by its endearing barminess. 23 Denmark Disposable pop with a shout-sung chorus, albeit by a performer with some charm and connection to the audience. 24 Australia Musically, not so bad at all, but there’s something offputting about a chap young enough to almost be fœtal putting on a drippy voice and ridiculous puppy dog eyes, singing a song of a life of broken hearts and lost love more befitting of an old man. 25 Serbia Serbia used to be one of my favourite countries in the contest. They stuck to their own language and sang songs imbued with Balkan rhythm and tradition... now they send someone sending a poor rip-off of Katy Perry’s Firework. Каква срамота. 26 Moldova Evidently, meme status can open doors and can gift you a return ticket to the ESC. It’s a shame, as even in Moldova, there were better options than this rather misogynistic effort that seems to have been Bing translated, not even Google translated, and which sounds like it was based off a MIDI ringtone. Apparently bound for the final just because it’s upbeat. 27 Austria This exudes that relentless forced cheeriness that makes my blood run cold. It’s such a plim-plom song that bounces along whilst saying nothing. Most songs aim for the top and I can admire that, even if they have no chance - this aims for mid-table mediocrity in the final. 28 Israel Generic dance track with words plucked at random and thrown onto the paper. 29 Norway Robotically cold. Most songs make me feel something, even if it’s annoyance. This just leaves me numb. 30 Poland An oppressive dirge with lyrics that rely on a rhyming dictionary a little too much (rhyming fire, desire, wire and higher in the space of ten words!) and a bizarre song structure with an anti-chorus and no real progression, which make these 3 minutes feel very long indeed. 31 Sweden Predictable, repetitive pop with one of the most laughable performance routines (blokes trying to act “smooth” by doing very silly gestures) and lyrics that read as though written by Jay in the Inbetweeners. Let’s not romanticise uncontrollable lust. 32 Cyprus A rip-off of Rag and Bone Man’s “Human”, but without a message. Instead, some incredibly daft lyrics written by someone who failed physics even in primary school. Hovig likens himself to gravity because he will catch his paramour when she falls - when it is in fact gravity that pulls her down to her grizzly death. 33 United Kingdom Turgid rent-a-ballad delivered in a hammy style with not a whisker of sincerity - compare that with the virtuoso performance of her rival in the final, Holly, who sang like she felt the pain. I’ve been saying since the contest that it will do well, though, but I’m not sold one bit. 34 Spain Many of us Eurovision fans in Spain wasted money voting for other songs in the national final, only to find that the jury - 2/3 comprised of people with vested interest in one of the candidates - was able to override thousands of televoters when it came to a draw. They put the televote’s 3rd place, Manel, first, leaving a considerable bad taste behind. And what for? One of the most inane songs the contest has ever seen, in which either “do it for your lover” (do what?) or “just do it” are repeated on average less than every 4 seconds. It sounds like a homebrand Lazy Song and the songwriters sure were lazy. Playing this on a loop for just 15 minutes could make even the toughest commandos cry for their mammies. 35 Estonia Part of me wants to put this at the very bottom of the pile, but sadly, there are worse horrors yet to come. It’s really disappointing when your favourite ESC country in recent years throws aside a bunch of daring possibilities to represent them in 2017, in favour of something so aggressively bland, a cynical Eurosong by numbers with hackneyed, ultra-repetitive lyrics that mostly consist of entoning “á-a-a-a-à-a-a-a-á-a”, performed by a duo who have as much chemistry as two inert gases and spent most of the time hammishly gurning. 36 Montenegro How does one interpret it when one of the European countries with the biggest problems of homophobia - with 71% of the populace thinking homosexuality is a sickness and where a number of hate crimes have been registered just against people who support LGBT rights - sends such an OTT act with lyrics that are packed to the brim with single entendres? For me, it seems a cynical move. Slavko himself seems a cool guy but the song itself is a hot mess. 37 Lithuania And this is a hot mess, frozen then microwaved, then frozen then set on fire with a flamethrower. Be careful of watching this with pets or small children or they may well end up traumatised for life. Whilst unbelievably sweet in interviews, the lead singer of this act seems like a banshee possessed by demons whilst singing. Her bandmate seems like her creepy “keeper.” They sing a song with about 180 instances of the words “yeah, yeah” and some trumpets that sound like they were taken from Windows 95 sound effects. 38 Slovenia This has to be one of the most overblown and pompous entries in many a year. Omar claims he was waiting to unleash this on the unsuspecting public for over a decade - even back then, this grandiose attempt at a Broadway-style number would have sounded dated. 39 Greece I will never forgive the genius lyrics “rain falls from abooove!” Neither can I forgive the fact that such a completely generic track with lyrics written on the back of a Cornflakes box is probably destined for the final with the help of some gimmicky staging. 40 Malta This song fills me with all the energy of someone who’s been in a coma for 15 years. 41 San Marino Some folk are happy to see Valentina Monetta back for the fourth year. I’m sad to see a talented performer come back for scraps of infamy no matter how bad the song she’s offered. And my god, is this disco rehash fever dream bad. 42 Georgia Georgia is typically one of my favourite nations in the contest, because of their willingness to break away from the mould, to enter things that are very atypical of the contest and often do well with them - like the exhilerating psychadelic-Britrock of last year or the trippy folk of a few years before that. This year, they couldn’t have gone more off into the other direction, into the methane-scented hinterlands of mediocrity. I find this song disasteful in so many ways. The overt and ham-fisted political nature of it. The creepy music, like the soundtrack to a cheap straight-to-VCR horror movie, which creates an oppressive atmosphere that makes me feel like the music is holding my head down under the ghoul-infested waters of a frigid lake in a winter forest. The ghastly, cliché-ridden lyrics, where “keep the faith” is repeated so many times that by one minute, my faith that the song will ever end is already shaken. Ugly composition.

#eurovision #eurovision song contest #esc 2017 #eurovision 2017 #review

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