Just a small thing I noticed while being totally normal about the gay pirates:
I've watched The Kiss™ way too many times a normal number of times and my favorite moment is the series of microexpressions Rhys cycles through while Stede is reacting to "what makes Ed happy is...you" because it's just so lovely and masterfully done. While trying to find a good gif of just that moment (no luck so far!) I noticed something that happens while Ed is pulling Stede in.
Stede, darling honey light of my life, clueless useless "oblivious" gay that he is, tilts his head a bit and leans into the kiss too. Before it's even started. On some level he registers that This Is Happening in time to react in a positive way, even before their lips have touched.
Our boy is a creature of instinct, and when he acts on his emotional instincts without thinking too much he knocks so much shit out of the park. Instinct is part of why "you wear fine things well" hits as hard as it does. Instinct is how he can woo Ed as easily as he does. Instinct is how they were able connect so deeply so quickly, because his instinct is to be open and non-judgemental to this beautiful man waiting beside his sickbed and asking about fine fabrics.
Stede's thoughts are still too clouded by his trauma and self-loathing to be useful for him, and he can end up thinking too much about what he "should" do or what other people do. Thinking is part of the reason he's so quick to believe Chauncey in the woods. Thinking means succumbing to beliefs about his perceived worthlessness, which leads to his biggest mistakes. Thinking tells him to adjust what he says about Blackbeard in that tavern of townies, when his instinct was to say how "absolutely lovely" Ed is.
Obviously man cannot live by instinct alone, like he definitely should have thought for a minute about making a deal with Geraldo to fence the hostage. Stede needs to learn to balance the two and when to listen to either/both of them. But I was just so excited to see him leaning in the way he does because it underlines a feeling I've had for a minute, which is that Stede's instincts are those of someone crushing and then falling in love, and that never wavers.
He lacks the context and vocabulary to identify what's going on without outside intervention, but he also deeply gets it in a way that's extremely queer and that I hope starts showing up more in the fanon. I do a little happy dance every time I see this in people's fics and I just need so many more of them! Give me more eager Stede who is Ready To Go once he's given the right context for his feelings about Ed!
589 notes
·
View notes
I’m curious about the onesie now
also @pizzaplex-stargazer cuz you noticed too!
here's what Moon was rocking before Clip started making clothes:
after their PizzaPlex went under, the DCA bois had to figure out a lot of things, one being: clothes. unfortunately, Moon's really big, so he struggled to find things that fit him and were comfortable. the onesie is the first thing he found that fit him and made him feel really cozy. so he still wears it at home (he prefers comfy clothes at home anyways) when he needs a pick-me-up.
of course, he can't work at the salon in a bunny onesie, so here's what Clip made him (under Sundrop's direction):
Moon does prefer comfy clothes, but he has to admit, sometimes he likes the attention these clothes get him. he's iffy about them though, he feels that they show too much of him and he prefers the specific kind of comfort that comes from being an amorphous bundle of coziness.
279 notes
·
View notes
I've been thinking lately about Vanitas and Noé's first "what is salvation" fight at the bal masqué and what it means about their individual definitions of the concept, and I've realized something about Vanitas.
Noé's definition of salvation is the obvious one. It feels natural. To save someone is to keep them from dying. But in a way, his understanding of salvation is also almost selfish. Noé's foundational trauma is the constant loss of his loved ones. He is the eternal sole survivor. So of course he wants to keep people alive—he wants to "save" the people he cares about in the way that keeps them by his side this time.
It's not wrong to want that, of course. I don't mean "selfish" as a condemnation. It's just that the definition of salvation that Noé starts the series with is inarguably the one that best serves his own happiness.
And it's the same with Vanitas.
When Vanitas kills the little girl Catherine by restoring her true name, he tells Noé he doesn't know what salvation is. He might be lying there, or he might be telling the truth in that he's never put his definition of salvation into words or acknowledged it on a conscious level. Either way, though, I do think he has a definition of salvation somewhere in his mind, and it's a very personal one.
Vanitas sees salvation as the preservation or restoration of one's true self. You're saved so long as you can preserve your essential self, uncorrupted by outside forces. Even if the price of that selfness is death.
While Noé's foundational trauma that informs his worldview is the loss of his loved ones, one of Vanitas's foundational traumas is the loss of his bodily autonomy. Through Moreau's experiments and Luna's mark/bite, he has been transformed into something no longer fully human, and he hates it. From the moment Luna told him he was dying, he said he wanted to die as himself rather than live as their kin, and he has been denied that opportunity.
Nothing is more important for Vanitas than being able to dictate the destiny of his own body, and malnomen are the ultimate corruption of bodily autonomy and selfness. Altering one's true name warps not only their physical body, but their very being on a metaphysical level. The curse takes everything a vampire is and changes it, and doing that to an unwilling victim is the ultimate horror for Vanitas.
Given that context, of course Vanitas thinks that killing a child to restore her true name counts as saving her. He's restoring her essential self and un-corrupting her body and being, and even if her self is only returned for an instant before she dies, it's preferable to living on as something warped by an outside force.
Vanitas absolutely starts the series with a definition of salvation, and like Noé, it's the one that best serves his own happiness. He wants to be saved. He wants to be returned to his human self, and failing that (since he knows it's impossible), he wants to wipe out all traces of the force that changed him and then die without going any further down the path of inhumanity.
Vanitas might not be able to admit that definition out loud (or even to himself directly), but it's there, and it guides him early in the series as much as Noé's own definition of salvation guides him in turn.
184 notes
·
View notes
Who initiated the relationship between the Lamb, Narinder, and Ewe?
I would say the lamb, initially; after they and Narinder found Ewe, the lamb took her recovery and happiness as their responsibility, wanting to make sure she had the life that she deserved - that they'd BOTH deserved. And while romance wasn't on their mind in the beginning, as she began to emerge from her shell (she was pretty much catatonic and non-verbal at the beginning), they eventually fell head over heels for her~
Narinder wasn't against Ewe's presence, and he couldn't blame the lamb for their enthusiasm in taking responsibility for her, but he did work to keep the lamb grounded throughout the whole ordeal (at first, they wouldn't leave her out of their sight for a moment). Once the lamb returned to crusading, they left Narinder as her watch, and he soon found out why the lamb had become so taken with her, particularly by her eagerness to learn and (albeit reluctant) connection with death.
From Ewe's point of view, once she'd exited survival mode, she soon felt like a burden: encroaching on the lamb and Narinder's established life. It didn't help that the followers in The Flock were at no loss for gossip, filling her ears with even more reasons why she had no place on the cult grounds. She tried avoiding the lamb and Narinder, excusing herself from their conversations and gently refusing their requests to help her with whatever she was busy with.
These tensions came to a head eventually, though, forcing the three to confess their intermingling feelings for one another. They took things slowly after that, wanting each member of their throuple to feel comfortable and seen, eventually creating a rather tight-knit bond.
148 notes
·
View notes
The unequivocally funniest thing season 3 did was bring in Hilda's dad and then just. Not answer any follow-up questions. Where's he been? Idk, off somewhere. Is he deadbeat? Not really? He clearly cares about Hilda a lot and moved to Trolburg to be closer to her, but it's also implied he ran off from being overwhelmed when she was little. Does Hilda know him? Apparently. What's his deal with Johanna? Good fucking luck figuring it out.
370 notes
·
View notes