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#i'm dramatic lol
thekittyfox2999 · 4 months
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"I'm in my warrior cats era! :3♡*☆<3" <- is actually in a depressive state
Update: i feel okay
not good, but better
Update 2:
Nevermind
Update 3:
I'm getting better
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askfordoodles · 7 months
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I just noticed when Ozzie appears behind Fizz, the initial explosion shows his sigil for exactly ONE frame (replacing Mammon's sigil we've seen plastered throughout the episode). I just thought it was a neat little detail, Asmodeus essentially summoned himself in that moment.
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confessedlyfannish · 2 months
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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chalkrub · 3 months
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son we celebrate wellyboot wfriday in this household
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oodlyenough · 10 months
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also i watched season 1 of the anime. what the hell was this. can't you just hug or shake hands or something. you guys are so weird.
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ink-ghoul · 1 year
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. . . you have 24 hours to live, good luck! ^-^
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idk-bruh-20 · 10 months
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Irondad fic ideas #151
There is a LOT of Iron Man merch out there. One day, Stark Industries comes out with a line of Iron Man themed night lights that look like arc reactors. The marketing? "For kids who are scared of the dark: Iron Man will protect you."
In completely unrelated news, a whole bunch of child abusers across the country have recently been arrested as a result of  anonymous tips to local authorities.
Bonus:
It's an open secret at some point. Teens who are being abused start buying the night lights. Hell, adults start buying them. Charities pop up to cover the cost for anyone who needs it. Kids who are newly safe often send their night lights on to others ("I'm not scared of the dark anymore," they say).
Even with all of this, nobody snitches to the media or government. They all know grown-ups tend to complicate and ruin precious things.
It helps that the night lights clearly can distinguish between different types of situations. Kids whose parents need mental health or addiction support suddenly find they're being contacted by free services that actually help. If ICE is a concern, the people knocking on the door are not cops but immigrant rights activists. Kids who are hungry get food. Families who need housing support coincidentally find it.
"Iron Man will protect you," indeed.
This fic idea was inspired by this post from @fotibrit!!
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a2zillustration · 2 months
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We lived.
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[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
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sysig · 5 months
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Puts the “plates” in “Fellplates” (Patreon)
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francy-sketches · 1 year
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Rhaena and her pink barbie dragon 🎀
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eggdrawsthings · 1 year
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now there are more of us, but there was only one of you
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andy-clutterbuck · 8 months
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4x02 | Infected
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willowser · 1 year
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katsuki jumps, startlingly, when you rub a hand up his back.
he's leaned too far down, bent over the counter at an angle that will give him an ache he'll complain about later, and his head whips up as you come to stand beside him. an e-mail on his phone is what previously had his full attention, but now he looks at you, eyes softening as you lean into his shoulder.
he's never been a very touchy guy. even after a year into your relationship, it's most often you reaching for his hand as you walk down the street; you pressing a kiss into his cheek while watching a movie on the couch; you running a hand through his hair as his breath steadies out beside you in bed.
it's not something you really complain about. you know how he is, knew before anything developed between the two of you, and you can't say it's a deal-breaker. there's little you know about his previous relationships or if he even had any, but you have the painful-gut feeling that affection just isn't something he's used to.
you press a smile into the sleeve of his shirt and his spine relaxes under your hand, finds that awful curve again. he watches you like he's waiting for something, tracing the tender details of your face.
"love you," you say, because do and you want to voice it aloud, put it into his mind even though you know he knows. as expected, his lips flatten into a wavering little line, shy suddenly, and your teeth wet the fabric of his shirt when you smile.
all you get is a little grunt in response and he dips his chin down in a wordless nod, accepting your lovey-dovey assault. it makes him feel a little helpless, you know, but you bring up an arm to wrap around him as he turns back to his phone, ears pink.
katsuki straightens with a dull pop!, stretching his arms up and allowing you to shuffle closer, so that your head is resting on his chest. you press your ear to it and wait, eyes closed, until the heavy promise of his heartbeat echoes like a drum in your ear. it's loud, and after a moment, your own falls into sync, right where it belongs.
"'s'wrong?"
"hm?" you glance up at him, the frown on his pink face, before breathing in the clean scent of his laundry soap. your laundry soap. and then you shake your head. "nothin'. just missed you."
"been home all day."
"i know," you sigh, letting your eyes fall shut again. the sound of his phone locking clicks and you can feel the slight down-slide of his sweatpants when he pockets it. "sometimes i miss you even though you're right here."
you expect — something; another grunt or laugh through his nose, a raspy little noise that voices his confusion. things like this can be hard for him; you know how he is, knew before anything ever developed between the two of you — but you don't think it makes him any less deserving.
katsuki steps back from you a little, and you feel the hesitant rise of his arm before you feel it. his hand comes up to your face — pink and scarred in your peripheral vision — and he tilts your head up, waits until you open your eyes.
when you do, it looks as if a million things are running through his head. his poker-face is good, it has to be, but you can see little bits of his vulnerability shining through. you wonder how long it's been since he showed it to anybody. he almost looks sad.
katsuki squeezes your cheeks until your lips pucker, and his frown deepens when you laugh. "y're so...damn weird."
that's along the lines of what you were anticipating: one of his teasing little insults, warm with a fire he's still learning how to kindle. you don't get the chance to say anything before he's kissing you, eyes shut tight, lashes brushing against your own.
you expect something soft, because affection is a fickle thing, from him — but his hand never falls from your face and his tongue is sliding with yours suddenly, a heated gesture that throws your heart out of whack. you let him kiss you as deeply as he can, until your back arches painfully backward over the counter as he leans into you.
when he pulls away, his lips are a little swollen and his cheeks are burning, as he presses one into yours. "i—jus'—" katsuki tries and then abandons it, a hand curling into the material of your shirt. "i get it." he murmurs, there, into the heated skin of your face, heart beating in time with yours.
things like this are hard with him — but he makes them so, so worth it.
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natelia-aldelliz · 1 year
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Guys imagine, Roach died, before the creation of 141, but Soap is able to see his ghost. He was originally following Ghost around, really annoyed that he was using his death as an excuse to not get close to anyone, but when he found out Soap could see him and talk to him he started following him around instead.
And they get really close, like two peas in a pod, except they have to be discreet about it because no one else can see or hear Roach, and they'd think Soap was crazy if they saw him talking to no one.
They use that for shenanigans too: Roach will go follow someone else and report back to Soap, Gaz is genuinely starting to believe Soap has superpowers or something. It's really useful on missions as well, and Soap managed to successfully rescue team members thanks to Roach being able to move through walls and everything.
(Roach is not the only ghost Soap is able to see btw, just the only one he's talking to.)
And then Roach is witnessing his past lover trying really hard to not fall in love with Soap, and Soap trying really hard to not do anything about the love he already feels, and he has to try and convince Soap that he is dead. During that conversation he finds out that something else that keeps Soap from doing something is that he feels very confused about everything because he also has feeling for Roach.
So now Roach has to try and convince him that even if he was still alive he wouldn't have a problem with that. He's known for a while that he was polyamorous, but he hadn't really dared talking to Ghost about that because he thinks he's jealous and possessive.
And Soap is like "oh yeah, you want me to go say to Ghost 'don't worry about your dead lover that I'm not supposed to know, he's actually polyamorous and also in love with me, I know because his ghost told me!' ??? I'm sure he's gonna take that well!"
But Roach is nothing if not resourceful and he manages to put Soap in situations where he's forced to interact with Ghost, and eventually they kiss and their relationship is beginning to be something. They're not really sure what.
And Roach is sad, because he has to watch the two men he loves being in love without him, yes, but at least they're both happy, and it makes him feel a bit better. And then during a mission Ghost almost dies.
Because he was alone and Soap and Gaz were together, Roach was following Ghost this time, ready to fly to Soap in an instant if there was any problems. But there was and he didn't have time, so he instinctively grabbed the gun being pointed towards Ghost's head and moved it as the person was shooting, saving Ghost's life, giving him enough time to shoot the enemy himself.
But even as the threat is eliminated, Ghost is still looking up from where he's on the ground, staring right through him, looking shocked. No, not right through him, he realises when he moves to the side and Ghost's eyes follow him. He also realises that he grabbed the gun. He's never grabbed anything before, in all his years of being a ghost.
Then suddenly Ghost's eyes move wildly around, and he figures he disappeared from his view. He can still go through the walls, but he's kept the ability to grab stuff when he wants. It gives him a ton of new possibilities, to fuck with people and, of course, to touch Soap.
"I wish you were actually alive," Soap whispers to him, holding his hands against his face as he's falling asleep.
"What the fuck," comes Ghost's voice the next morning, waking both of them up - wait, since when could Roach sleep?
Soap doesn't understand immediately, because he's always been able to see Roach. But Ghost is standing in the door, looking straight at dead past lover.
Turns out Soap is a necromancer and he had no idea, though the whole 'I can see dead people' should probably have told him sooner that he wasn't normal... The more he wishes Roach is alive, the more he actually is. And they all end up happy and together. And Gaz is very happy to have won the bet that Soap indeed has superpowers.
The day Roach says, in a wondering voice, "I... I think I'm hungry" is the day they understand that something is really happening and he's actually coming back to life.
(Also, Soap has no control at all on his abilities, he has no idea what does what and why, he knows nothing. No one knows.)
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sensitiveheartless · 1 year
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milkbreadtoast · 5 months
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o yeah btw i liked these guys from the latest crk update..... detective gays.... macaroni and cheese....🤭
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