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#gotta love the protective monster boyfriend trope
askfordoodles · 6 months
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I just noticed when Ozzie appears behind Fizz, the initial explosion shows his sigil for exactly ONE frame (replacing Mammon's sigil we've seen plastered throughout the episode). I just thought it was a neat little detail, Asmodeus essentially summoned himself in that moment.
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who-talks-first · 3 years
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Okay I'm having trouble finding everyone's posts from Friday. But I just watched chapter 9 and I have some thoughts.
Opening the episode with Din saying he doesn't gamble then ending it with him making a massive gamble was interesting. Although I genuinely don't think he ever does anything he doesn't believe he can do.
The fights in this episode are amazing. Just stunning:
The fight at the arena. The Child ducking when he sees the Birds activate. "I'm not." Really. Din, stop being so goddamn fucking hot, I'm trying to watch the damn show! The whole dangling the gangster part. "You won't die by my hand." (one of the best parts of the character Din Djarin is he is both viciously ruthless and honorable to a fault. I love it!)
The fighting at the end. Both men flying in sync to kill the beast. The Raiders and townsfolk grudgingly working together. But it would have worked better just leaving the loaded bantha in the valley, luring the best out, and detonating it. Fewer civilian deaths but what do I know, I wasn't raised in the fighting corps. And god at the end when Din soars out of the monster's mouth! I that was how the episode would end as soon as I saw the explosives. But still so fucking cool! Is there a name for that trope? I call it the Hercules.
Can we talk for a second about how Din looks in this ep? The strides, the poses and posture. He exudes so much bde that it physically hurts me. Clearly a lot of that is Mandalorian in nature, if those images of Boba Fett from the comics tell us anything (Fett sitting spread in his ship and Din doing it on the wagon at Sorgan have p much the same energy). Just looking fine as hell through the whole thing, even covered in deadly dragon stomach acid.
And can we talk about how much he says this episode? He explains the Tuskens' behavior, translates, plans, barters, smooches doggies, etc. He talks a lot. And I think that's interesting. Din has this reputation as being awkward in social situations and quiet. And like, it's one thing feeling shy around the beautiful widow who's hitting on you. But he says what he means clearly and more or less concisely, including some one-liners and sarcasm. I think he could be described as "laconic" (my character does describe him as such in the thing I'm writing), which means they use as few words as possible to get their point across. Din has no hesitation in speaking, he just prefers to only speak when he has something to say, if that makes sense.
So happy to see Aunt Peli! And Din being like "eh let them work" That's what we call growth.
The casting. I nearly lost my shit when Timothy Olyphant was under the helmet, looking like a whole ass meal. Like that is the most flattering haircut and beard combo I've ever seen on him. Don't @me but he could get it. And poor typecast Leguizamo. Still great tho. He was fun little asshole.
I love when this show doubles down on the western themes:
Vanth's name, accent, role, and general appearance all line up with a small town wild west sheriff. Just showing up and saving the town, so they're like, you're the Lone Ranger now! Olyphant has played western roles before, including voicing The Spirit of the West (an avatar of the legends and ideals of the wild west modeled on Clint Eastwood's western characters) in the animated film Rango (a lot of the Mandalorian's aesthetic comes from Eastwood's movies).
The Mandalorian theme but softly strummed on a Spanish (nylon string) guitar is very evocative of a border town.
The tuskens represent an Indian tribe. The abandoned mining town. The mysterious stranger who comes to town and saves it. Vanth and Din nearly have a quickdraw shootout! The child is hiding in a spittoon for chrissakes!
It really echoes the 7 Samurai theme of chapter 4. I know it's an overlapping, repeating theme in western film. I guess I was surprised to see it again so quickly.
I don't know how I feel about Din speaking Tusken. Signing was one thing. But I just giggled uncomfortably the whole time feeling it was kinda silly (and I had assumed the reason he signed was because humans couldn't speak Tusken). Was that our big hero, heartthrob, and favorite actor Mr. Pascal sitting in the studio making those noises? Rrrhehh rheh rrhehh! I dunno I'm just. Reeling.
Isn't interesting that Din would annihilate the entire populace of Jawas without batting an eye, but he would do almost anything to protect the Sand People? I know there's something to that, about marginalized/eugenicized groups versus like colonialism and whatever vulture like construct you would attribute to the Jawas. But I'm not smart enough to articulate it.
Okay, so the obvious: Boba Fett. Really shocked to see his armor on someone else. I'd already seen the casting of Morrison, so I wasn't like, "is he dead?" and I knew right away this hick didn't take it off him. I wonder if the Jawas stunned him and removed it. Either way, there's going to be hell to pay. I can't wait to see Din and Boba interact; I wonder how they'll respond to each other. And even though Fett should be in his early 40s (I think) he really looks like hell. I mean, I know he's seen some shit. But I wonder what's been up with him in the last decade or so.
Some stuff I thought I noticed, but I need y'all to help me confirm:
Was that Anakin's podracer engine?
Was that C-3PO graffitied on the wall in the dirty city?
Were we supposed to recognize R5?
There's a couple others but I forgot em. I gotta watch it again.
Some questions:
What was the spherical thing the Tusken Raiders recovered from the beast's remains? The scene mirrored the Jawas and the mudhorn's TSUGA! Tsuga tsuga! Tsuuuga! But that didn't look like an egg. If I didn't know better I would swear it was a pearl. (which almost makes sense if you take into account that this guy eats dirt for a living and could have an organ or extra stomach in there like those gross hard balls they used to pull out of ox bellies) Or was it mentioned earlier and I didn't catch it? There was a lot going on.
What are the sand doggies? They're so cute! And that totally establishes our mans as a dog person. Writers, start your fics!
I'm a bit confused about the town's history. How have the people survived for so long with the beast there? Was it the Krayt dragon that wiped it literally off the map? How does the slaving mining guild fit in there?
It really looks in chapter 4 that those krill are native (it's not explicitly stated tho). If no one even knows where Sorgan is and it doesn't have a big export economy, how do these people in the middle of buttfuck nowhere have spotchka?
On that note, how did that city gangster hear about Fett/Vanth? I mean, I dig that he's a collector of beskar'gam, but like, that's still way out there.
The jingling spurs sound in chapter 5 is deliberately obvious when that mysterious figure comes upon Fennec Shand. Can we assume that's Cobb Vanth there? Because clearly, Fett has been without his armor for a while. If it was Vanth, what did he do with her? I don't believe for a second that she's dead. He's not a bounty hunter and he wouldn't have any idea she was valuable since the Guild had abandoned Tatooine. Barter for help/transportation /goods/labor /etc? Also, if it was Vanth, did he witness the whole thing? If so, he knows who Din is. Maybe knows Toro. I dunno. Lots of thoughts. Did he just stumble upon her while traveling back to his village? I forgot the name already lol Mos Pelegrino?
Okay it's nearly 4 am. I genuinely can't remember if I had anything else to say. Please continue to tag your spoilers cuz I will again not get to view the episode until after y'all do next week. But until then, please come yell at me about our favorite show and space boyfriend. I like crazy theories too.
Love y'all. 😘😘😘
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ettadunham · 5 years
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A Buffy rewatch 4x10 Hush
aka Tara Maclay has done nothing wrong ever in her entire life
Welcome to this dailyish text post series where I will rewatch an episode of Buffy and go on an impromptu rant about it for an hour. Is it about one hyperspecific thing or twenty observations? 10 or 3k words? You don’t know! I don’t know!!! In this house we don’t know things.
And today’s episode is one that I’d easily recommend to first time viewers as their introduction to what Buffy can do - but one where I’m also starting to notice my own fatigue about trying to hyperanalyze the show on this rewatch run. Sometimes you just gotta sit back and take a moment to appreciate the nice things in life. And by nice things, I of course mean Tara.
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Hush was nominated for an Emmy for its writing, and that’s significant, because it marks the show’s only Emmy nomination in what people consider to be major categories. I guess it’s also sort of an ironic twist that it’s the episode that lacks any dialogue for most of its run time that gets nominated for best writing, especially on a show that was largely known for creating its own language and voice… But that’s sort of the point. (And it’s the kind of ironic twist that Buffy would certainly appreciate.)
Through Hush, Buffy successfully challenges its own tropes and boundaries while maintaining its tone throughout. Quippy dialogues are replaced by visual gags, thanks to acting, editing, and some fantastic musical score choices. This is easily a top 5 episode contender for most of the fandom, and many people’s favorite of the entire show.
That being said, it did bring to the surface my aforementioned critical fatigue thanks to scenes like Xander thinking that Spike killed Anya. The ensuing fight, and the relief upon realizing that Anya is alive is supposed to prove that Xander truly cares about her… and then is immediately undercut as the two very unsubtly leave for a quickie.
I find that I have a much harder time getting into Xander and Anya’s relationship now, but that scene also tells me that the show is aware of how dysfunctional this relationship is still. Much like the swelling romantic music that played during Xander and Cordelia’s early make-out sessions, here, it feels a purposeful exaggeration to lampshade the romanticization of certain tropes.
Needless to say that at the time I interpreted all as romance played straight, but I enjoy discovering the nuance in these stories now. It’s far from being a subversion, and there is very much a genuine relationship build-up happening between the two, but there’s also a level of self-awareness about where they are now, currently.
I’m also still overthinking Buffy���s dream opening. “When I kiss you, it’ll make the sun go down.”
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Is this a foreshadowing for Buffy about Riley’s hidden side, and who he is in the dark? Is this referring to how she talked about having a boyfriend in the daylight now, and does this line then mean that after kissing Riley, she’ll have to integrate him into the Slayer part of her life as well? Or is it just about her fully letting go of Angel and how that day has now truly passed?
What does it all mean???
And if the Wicca group is also the Lesbian Alliance that Riley put up the banner for in the other episode (I’m like 99% sure that that was the actual intent here, even if it’s not a textual equivalence), what does it mean that Tara feels uncomfortable expressing herself in that very environment? Is this a social commentary about silencing the most vulnerable in a community of those it’s supposed to represent?
See, this is why my brain is a mush trying to interpret all these themes and metaphors and probably foreshadowing. I need more processing time.
So instead let’s go into a lighter theme: communication.
There’s an obvious thesis here about how language often makes a barrier to communication. As a result, going non-verbal actually helps Buffy and Riley get over their little dance of blabbery, and even Xander and Anya get their groove back because… Actions speak louder than words? I guess?
But admittedly my favorite thing about this concept is that it’s essentially what informs Tara’s entire character. She stutters. She has valuable input, but she either gets ignored and is spoken over, or she’s put on the spot where she has trouble expressing herself.
Think about that. A character that will become an integral part of the series over the next two and a half seasons, and she was written with this specific episode’s themes in mind. That’s kinda neat.
We also see her running away from the Gentlemen, unable to speak, as her frantic knocking and non-verbal cries for help get ignored by the rest of the dormitory. A fellow student in danger who the rest of her peers are too afraid to open their doors for. What if they become victims too? What if she is the monster?
Everyone except Willow. (Fortune favors the brave and all that.) And while individually they’re easy targets, together, combining their powers, they’re strong enough to protect themselves against the threat. A community of two.
And then they have that adorable talk by the end of the episode, and Tara tells Willow that she’s special. Which is Willow’s catnip, so she’s probably already in love.
I was also wondering about Tara looking up Willow’s room in the dorm directory. (Kinda like Spike did Buffy’s in The Initiative? That’s a weird parallel.) She seemed rather convinced that Willow had powers based on a rather short group interaction… but then I also remembered, that Tara’s magic is pretty intuitive. She’ll spot Faith being in Buffy’s body right away later in the season based on her aura, despite never meeting Buffy. So of course she senses that Willow’s like her.
Alright, so it’s a gaydar.
And I’m just so excited that Tara’s here??? In a show that’s full of flawed characters who will each do some questionable shit, Tara is like an actual ray of sunshine who you can always count on to not be terrible. I love her and I can’t be held responsible if I end up talking about her in most of these posts from now on.
You’ve been warned.
(Fun Fact: the first room we see the Gentlemen visiting is Room 118… So I looked it up, and I know you’re wondering it too, but no, Seeing Red is not the 118th episode of the show. It’s the 119th. 118 is Entropy where Tara and Willow get back together. So there’s that.)
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