here's the thing. laudna would have stopped it. if she knew delilah was about to fracture the gnarlrock. if she could parse her own feelings from hers.
and here's the thing. imogen has been plagued by nightmares for a decade. and this rock is the first bit of solace outside of her trust in laudna that she has ever had.
and laudna was just involved in shattering it. this tiny bit of solace.
and. here's the thing: laudna would've stopped it.
and. here's the thing. imogen would've stopped it. the only reason imogen didn't go is because she was specifically afraid that she would attempt to intervene and ruin their relationship with the volition before it ever began.
and here's the thing. liliana set out 25+ years ago specifically to spare her daughter. and that seemingly has not ever wavered as her core motivation. but people keep being drawn to the moon. kids keep being drawn towards the moon. and liliana is a mother. she was a mother before she ever knew she was an exaltant.
for 25+ years she has worked to "cure" imogen. the only solace she probably ever received was in at least attempting to console the kids who found themselves lured in by her same pull.
liliana begs imogen not say that they may have to kill each other. she breaks at hearing imogen's resolve. but there's kids, imogen. there's kids here. imogen. she can't leave. she's a mom.
and, here's the thing: imogen's her daughter. the daughter liliana left. or tried to leave. the daughter she only had through dreams. and imogen is working with the volition. and imogen has been her sole drive for 25+ years.
and imogen might have just been involved in shattering the little solace she might have ever had.
and, here's the thing: imogen would've stopped them.
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also. amber gris as a character is really important to me as an appalachian.
not just her accent or the specific type of person justin based her off of but like
the feeling of losing someone to addiction/overdose while the government does nothing to help, just criminalizes and stigmatizes and makes things worse. which obviously happens in more places than just around here, but we have one of the highest rates of overdose death in the whole country and that whole set of scenes felt like they were really informed by growing up around that
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Shazam: Fury of the Gods is obviously about Billy and his journey as a hero and he's the main character or whatever but more importantly the movie is 100% centered around Freddy.
It's about Freddy's self-worth and struggles with being a hero and with how Billy acts about the hero thing(because neither of them understand the underlying reasons that they make the decisions they do) and it's about how unbelievably strong Freddy is and how he doesn't think he is strong even while he is doing things no one else can.
Freddy is constantly doing things that should not be possible for a person to do and he does them anyway but he doesn't think it's enough. It's not fixing everything so it's not enough and all he can focus on is what he can't do.
Even the final act which is very very centered on Billy is about how Freddy can't do anything about this whole situation. Where he is actively pulling off incredible feats but he isn't saving anyone so what good is this.
In conclusion: I am very normal about this movie
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do you ever think about the fact that throughout the entirety of stranger things we’ve always seen mike practically shout his love for will from the rooftops by throwing his everything into believing, protecting, and helping will no matter the stakes, and how a majority of byler moments are initiated by him, and how will has always loved him back quietly despite being the one canonically confirmed to be in love, and how will is almost always on the viewer’s right in iconic byler moments but in season four we find him on the left in what used to be mike’s spot because their “roles” have switched AND when we’re taken out of the viewer’s pov and put in jonathan’s pov we see jonathan Come To A Realization here because while mike has always made it clear how special will is to him and how different their relationship is, will has always managed to keep the true depth of his feelings a little closer to his chest and it’s only when he publicly takes up that support role that mike has played for him previously that the audience is purposely made to realize, too, how romantic it truly is, because coming from mike everyone might have thought it was his usual overzealous theatrics but when the same tenderness and earnest love comes from will they realize oh. this is... this is actually something more. this is how they are this is mike and will like nothing has changed and no time has passed but it’s now that we realize just what it is, and now that will is starting to slowly but surely come out from this curtain he’s hid behind his whole life and voice that yes he loves mike of course he does he’s always loved him and loves him in precisely the way that mike expresses he needs to be loved there is simply NO conceivable way that they can come out of this hellish slow burn miscommunication trope not in full acknowledgement and eager acceptance of this love they have for each other and have always had and always will !!!!!!!!
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I'm still heartbroken, that's not gonna change because this never should have happened, but no, now I'm really fucking angry too, WHEN WILL THERE BE REPERCUSSIONS???
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