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#i'm REALLY sorry that i exist...
yaboirezzy · 10 months
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rewatching little witch academia and the madagascar franchise at the same time is a mistake
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dedusmuln · 5 months
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yeah you support trans people but are you normal about trans men who choose to get pregnant
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gunsatthaphan · 3 months
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"I'm not afraid."
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the-shrimp-alchemist · 7 months
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Anyone else think Ed and Ling should've been a little more. I dunno. Drenched in blood during this arc? :)c (for the sake of the blood showing up on their dark clothing let's just say there's So Much Of It)
I didn't draw this for October 3rd btw, but now's as good a day to post as any!
Bonus, by the time they emerge:
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dramatic reveal ruined, more at 11
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royalarchivist · 5 months
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For folks who missed today's QSMP Movie Night or want to rewatch it with the original audio intact, I've uploaded the Movie Night portion of several members' VODs to a public Google Drive. I will keep these files up until Monday, December 4th, so be sure to watch and/or download whatever you need before then!
UPDATE: The lovely folks at @mcyt-archives have added all Movie Night 2 VODs to the QSMP Archivist VOD Masterlist. If you're still having trouble finding an unmuted version of the VOD you want to watch, check out their archive!
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[ As a side note: thank you to everyone who left such kind comments & messages on the previous VOD Archival post. You're all so sweet, it made me feel really happy and appreciated :') ]
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egophiliac · 10 months
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We ARE going to bring up Captain Amelia. You have good taste! GOOD TASTE I SAY! *aka I just rewatched Treasure Planet and got hit with, "Oh yeahhhhh... that explains a lot!"*
honestly, the Meg/Jasmine/Amelia trifecta tells you 90% about me as a person. (the rest is covered by Sailor Jupiter and Sailor Uranus and, uhhh, I'll stop baring my soul to the world now)
and speaking of Amelia, this is tangential, but like -- there's one Twst comic I have been kicking at for a while where I needed an RSA sports/flight teacher and, uh, well
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someday I will wrangle this stupid comic into coherency and she'll get to make an appearance (in the background of a single panel, half-obscured by a tall hat) (but I will know she's there and that's the important thing)
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mspaint-flower · 18 hours
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Flower as an isopod
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creature
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thelaurenshippen · 5 months
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ah yes, the sweet sting of rejection from a billion dollar corporation who believes that "action stories don't appeal to romance audiences", welcome back my old familiar friend
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kelin-is-writing · 3 months
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In Japan it's already the 18th January, so lemme just wish
HAPPY BIRTHDAY TO THE STAR OF BNHA AND GOAT HIMSELF 🐐💙
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seyaryminamoto · 1 month
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Fic-to-Art #39: Gladiator's ELEVENTH Anniversary! (+ BONUS: Fic-to-Art #36...)
And here we are! March 26th arrived and I did not forget about it, but I paid for my ambitious madness with my wrist and forearm. Somehow, I finished my intended pieces on time, but I do not advise that you ever try to make 9 artworks in 3 days. No, sir. Bad life decisions, that's what that was... but this fic, as anyone knows, moves me to do things I never thought possible, starting with writing the fic itself!
It's really crazy every time it hits me that I've been doing this for as long as I have. It's been a complicated, chaotic journey, with its many ups and downs, but ultimately, it has been our journey. For some people, this is just one more fic in the pile: for me, it's been the best adventure of my life so far. Everyone who has ever been touched by Gladiator, who has ever cherished this story, who's looking forward to the big conclusion, who wants to see how the chaotic war is going to end... you're all part of this crazy adventure along with me, and I can only thank you for joining me.
This year, I had no time to make as big a project as I usually go for. Thus, I did a sort of free-for-all edition of Fic-to-Art over at Patreon and challenged myself to draw as many scenes as I could, out of their suggestions. I even sprinkled in a few scenes I impulsively wanted to draw because I loved writing them or because I look forward to writing them... and this is the result!
In order, the scenes are as follow:
Sokka combing Azula's hair, a common occurrence throughout the story.
Azula watching over a convalescing Sokka in the Chase of Jeong Jeong arc.
The outcome of Sokka's final battle in the Superior Gladiator League, namely a moment where Sokka and Azula more or less gave away their relationship's true nature to the public by raising their hands towards each other...
And now, spoiler territory! Some were by my choice, some by Patreon requests:
An important moment shortly after Sokka and Azula reunite.
Azula confronting her father, with a LOT of backup.
Xin Long's long-awaited freedom.
The aftermath of the final battle.
The full-blown confirmation of their relationship to the general Fire Nation populace.
Sokka, Azula and Hotaru's first night together
And the big final one is ACTUALLY Fic-to-Art #36 but hahaha woops I didn't post it here on time because it was super hard to finish since I had a LOT of things going on... but here it is now! :'D it's a glimpse VERY far into the future of this fic's timeline!
Alright, that should be enough talking and explaining. Some things are vague, some things aren't, but ultimately I really hope you guys will be looking forward to the scenes you haven't seen yet, and to Gladiator's eventual outcome.
So now... with all this being said and done, I'm gonna go take a trip down memory lane and watch my Tenth Anniversary video once more! Feel free to do the same thing if you'd like to commemorate the fic, I think it's a good way to experience Gladiator all over again, hahaha.
Thank you if you read all this, and if you read all THAT: 5 million word landmark, here we come! Thanks for hanging out with me across ELEVEN years of Gladiator!
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starlene · 6 months
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Since there's a wave of panic on my dash about Tumblr going under, here's a reminder that our best chance of stopping (or at least delaying) that from happening is to buy ad-free subscriptions, checkmarks, and other badges from the TumblrMart.
So if you're worried about the future of this blue hellsite, maybe check out the selection and get yourself a fun badge, or whatever. Badges start from $4/€3.75. You can also gift them to a beloved mutual if you don't want them for yourself.
That is all!
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littlestinkyy · 21 days
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Falling in love and embarrassment
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bidisastersanji · 5 months
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i had thoughts of a canon-adjacent Zoro (nonbeliever ambitious swordsman) and Death-God!Sanji who keep meeting because of how close to dying Zoro always gets during his fights and oops now it's a messy drabble written in between breaks at work and here ya go.
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In all his years as the god of Death, Sanji has never seen such a stubborn, strong willed human- he’s honestly half amused every time he's brought to a wounded, bleeding Zoro. He doesn't expect him to survive that giant slash attack from the warlord, nor the myriad of injuries he collects after that- and if he feels a bit of pride every time he escapes him Death, well, no one will know.
It takes him a while to realise that, in those fleeting moments, when he's loitering and waiting around as Zoro approaches the point of no return, Zoro can see him as well. Sanji's a bit mortified at first. All this time, he's just been voicing his thoughts out loud like he always does, who knows what the reckless man overheard! It's pure force of habit, since it’s not like there’s ever someone to hear to him- his family chose this domain for him on purpose after all; they took all the great, bright, good, worshiped domains of life, war, medicine...and left him this one to punish him, break him with eons of witnessing and bearing human grief in solitude.
It's barely morning and Zoro is dripping with blood, resolutely standing against all odds in a beautiful display of absolute devotion and conviction, and Sanji feels like maybe today will be the day he takes him- that this is the end for the stubborn swordsman. He comes closer than he ever has to the man, walks right up to him, readying himself for the weight of another soul's voyage, when Zoro's lidded eyes snap up and meet his own. His fiery gaze doesn’t go straight through him, but actually settles on him. Sees him.
It's unnerving. Sanji shivers at this feeling of being perceived.
Humans usually only see him once they fully passed on, when he’s guiding them, cold hands gripping onto him, begging, crying, frightened or even sometimes full of wrath and fighting to stay by their loved ones.
“It’s you again.” His voice is weak, raspy.
Sanji doesn’t answer.
“Why're you always here for my big battles?” A pause. “You like me or somethin'?”
Confusion. Shock. Embarrassment. “You think I stalk you and show up for you battles!?”
“Sure seems like it.”
Sanji scoffs.
He can’t believe this! He wants to chew the bastard out- who the hell does he think he is? but he bites down on his words, certain that these are the man's final moments. There's no way anyone could survive such wounds- it's a miracle he's even conscious or standing.
He doesn’t want to add insult to injury.
“I’m the god of Death, you idiot.”
Oops.
“I don’t believe in gods.”
The absurdity of that statement when literally in conversation with one doesn’t escape Sanji, but he's not really there to argue.
The green-haired man continues. “So, what, you’re into me or something? Just ask me out like a normal person.”
This cocky asshole...Sanji's heated reply is cut off by Zoro’s nakama arriving on the scene in a panic. Sanji trails after them, hovering, ready for the now unconscious body's heart to stop beating at any moment- but the moment doesn't come.
Under the attention of their talented doctor, Zoro escapes him once again.
Sanji's definitely not relieved.
It's out of curiosity that he stays around a little longer. He returns from time to time to check in on the mysterious man and his recovery, still a bit unbelieving that he managed to survive such grievous, traumatic injuries and intense blood loss. By all means he should've died the instant he made contact with the red, concentrated bubble of pain and stress that Kuma expelled from his captain's body.
His friends weep and berate him when he wakes. The ginger woman who found him screams at him to “stop flirting with death” and Sanji chuckles- she doesn’t know how technically accurate that statement is.
Later, Sanji guiltily looks forward to feeling that tug from Zoro once more, that pull on his power he feels when someone is nearing his domain. He's admittedly curious to learn more about him, this idiot swordsman who can see him, hear him, and yet isn’t at all scared of him. It's so rare for humans to accept him without a hint of fear.
He doesn’t let himself dwell on that tinge of nervousness at the back of his mind- what if the next time is the time he steals him away- from his friends, his dream, his captain? What if this time he doesn’t get back up?
But he does.
And when he lingers in the cold, empty room of Kuragaina castle where the bandaged swordsman is laid to rest, content to stare at his mossy head of hair, Sanji notices something weird. From his bedside seat, he can feel the ghost of body warmth.
He tentatively leans closer, his fingers reach out, expecting to go right through Zoro's arm. They recoil, as if burned by fire, when instead they meet soft flesh.
Huh.
Zoro's eyes blearily crack open, immediately finding his hovering form.
"You're... back."
And Sanji knows something changed, that day, on Thriller Bark. He's been on this earth for a long, long time, and he knows Zoro should be dead. Unequivocally so. And yet he isn't. Whether by the sheer strength of his willpower or his fervent defiance of the gods and the laws of this universe, Zoro is still...present. Alive enough to have warm, red blood flowing through his veins and air filling his lungs. Dead enough to perceive him, touch him, feel him.
__
War brews and Sanji has a lot of work on his hands. After the carnage, he wearily returns to Kuragaina, and Zoro, sullen, heavy with guilt, asks him if it's true. Asks him if the eye of this particular storm, the man known as Ace, is truly dead.
Death has long worn away at Sanji, a constant wave beating at the his endless empathy his father called a weakness, wearing him down with each soul he takes from this world. But he's never become numb to it. He openly, lovingly feels the sorrow with every loss, with each reaping, with every last breath rasped from trembling lips. He embraces it, cherishes it for all of its bittersweet taste.
So he tells Zoro of Marineford. Of the epic battle that occurred there between Whitebeard and the marines. With each somber word he feels just a little lighter- an unfamiliar, happy feeling blooming in his chest at getting to talk to someone after what feels like a forever of solitude.
Time passes, and Sanji visits him more and more, grateful for the rare company. It'd been so long since he last was able to have a decent conversation with someone. Joke around. Banter. Flirt? They grow closer, never really voicing the...whatever it is that passes between them. Zoro eventually returns to his crew, and Sanji avoids approaching him unless he's alone. Wouldn't want people to think he's seeing things.
--
It becomes a dance. A well oiled machine. Zoro cutting down the enemies before him, Sanji right behind him and guiding his fallen foes into the afterlife. Cut after cut, his blades sing in the air, accompanied by the groans and cries of the people Sanji welcomes into his waiting arms.
After a big battle Zoro is laying in the rubble, chest heaving from the effort. Sanji sits with him, solemn. Accepting. Enjoying his company, the only company he can keep.
Zoro still hasn't admitted that gods are real, even when he sees Sanji trail after the path his bloodied swords carve out, hard at work. Even when he sees Sanji's dark, draped silhouette raise into the skies, untethered - that’s just skywalk, he says.
--
Sanji grows fearful. Shaken by the feelings, the attachment he feels for the swordsman, like a tether to this world. It makes him feel more alive than he ever has, yes. But nothing good can ever come of it, and he knows the universe isn't kind enough to give him such happiness without the promise of a subsequent fall, a return to reality soured and made worse by what came before it.
It's a dark, rainy day when Zoro corners him on the Sunny. Sanji hasn't visited him in a couple of days- not much death without opponents around.
They're at the back of the ship, obscured by the mikan trees, and Zoro's hands are bracing him against the wall, locking him in. Sanji knows he could go through the wall, but Zoro's eye has him pinned, frozen where he stands. His arms lay lifelessly by his sides.
The swordsman leans in, cups his chin, and Sanji doesn't think- his eyes flutter shut, he's open and wanting as warm, chapped lips press delicately against his. They don't need words. They know. Can feel it with every tender touch as their bodies work together to deepen the kiss. Sanji loops an arm around Zoro's neck, hand digging into his hair, while the other bunches up the fabric of his kimono to bring him ever closer. He's pressed so tightly against him that he can almost pretend the beating feeling near his chest is his own heart, can almost feel the rushing sound in his ears, the warmth seeping into his skin, up his chest, his neck, cheeks, ears.
Zoro breaks apart for air, and Sanji hears himself mirroring his pants, so enamoured with the swordsman he feels like his breath was stolen away.
"Curls." Zoro's looking at him odd, nearly awestruck, eyes flitting across his face, his body, his hands reach out to take his hands in his, lightly massaging his flesh.
A stern feminine voice rings behind them, snapping their heads to attention.
"Zoro, who the hell is this man you're kissing behind my mikan trees?!"
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sciderman · 6 months
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I’m sorry you’ve had to deal with so much Iranian hate and drama <:[
oh anon. hate to break it to you (a lot of people make this mistake) but iran and iraq are two entirely separate nations.
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and also i think reducing it to the words "hate and drama" kind of doesn't cover it, anon.
#i think if people were. just a little bit more informed. then maybe people would see that the people from this region are humans actually.#so anon. please. like... look at a map and do some reading maybe. if you care just a little.#i'm sorry anon but i'm a little bit at a loss for words over this message. like it rendered me speechless for a little.#but it's so common in my life that i've been called iranian and i constantly have to correct people on it. c'mon man.#i mean i have SO many iranian friends even though iraq and iran you know. aren't exactly bedfellows. politically.#but those politics don't really follow me. like in my day to day. iraqis and iranians in the uk of this generation. are again.#pretty divorced.#but it's kind of really frustrating that people Without Fail make this mistake over and over.#it's like how people just refer to “africa” as a whole. instead of recognising there are seperate nations there and.#it's not just a homogenous “other”#please. there are humans there. it's not just “foreign”.#i don't know if you're american anon but i see it a lot that anything outside of america is just “foreign”#and i mean#even as a brit. americans are constantly surprised i'm british because they forget anything exists outside of america.#i think it would be so so so so sexy of you anon to take a look at the globe tonight. give it a spin.#look at the world. it's so full and so beautiful and there are So Many Nations.#i'm going to look at my globe tonight too. i have a really cool old one. it spins so good.#and i'm going to pick some countries i don't know a lot about and do some reading about them. for funsies.
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funkyphonophorae · 24 days
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yeah "character goes to their archenemy's house out of desperation because theyre severely injured and have nowhere else to go" is fun and all. but "character goes to their archenemy's house because theyre bored and frustrated and they dont feel they can be open with anyone else" is such a fun iteration of the trope
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charcubed · 6 months
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Look, I personally lose nothing if Lokius doesn’t become explicit canon. And if that were to become the case, I’d also have no regrets for saying for years that that would happen in the show by the end ¯_(ツ)_/¯
I’ve said it before, but by now it would be Disney/Marvel’s loss, NOT mine. Whoever wasted or limited the potential would be the idiot, not me.
I’m simply never gonna feel crazy for noticing what’s happening in a story or silly for daring to hope it’ll be brought to fully satisfying narrative completion. That's just a me thing. Maybe this is because at heart I’m stubborn! But I’d like to think I’m not unreasonable. I can’t control whether writing stays consistent or censorship is overcome... But I just do my best to construct solid arguments, and as long as those arguments remain solid, I stand by them :)
I know not everyone would say the same, or they consider this to be "hope" or "optimism," but I see it as logic based in noticing what the text of a show/story is doing. And personally I also consider blatantly evident subtext to be "canon enough," so if we get my personal minimum, my happiness may still outweigh any potential disappointment for me.
However. Here's what I've come here to say today, in reaction to things I've seen floating around in the fandom:
While I do understand on some level why people worry that Lokius won’t be more explicitly canonically romantic because it could be censored by Disney.... At this point, I don’t understand how people can think Loki/Sylvie will still happen.
As of right now, there’s no way to argue for that in my opinion. (I'd like to see someone try.)
The show has set up a fun but very simple situation from basically the start:
They made romantic love a point of relevance in the show’s story. More specifically, they pointed out Loki's desire for a "real" romantic love, and had him learn the lesson that he doesn't deserve to be alone. They didn't HAVE to do all of those things and tie them together. They CHOSE to make romantic love relevant – and they have actively continued to choose to do that, to the point of including a mirrored dark love triangle in s2 ep3. That narrative thread simply has to be fulfilled.
So if they deliberately established that Loki wants and needs a “real” love, and his relationship with Sylvie was referred to as "fiction" so she cannot be a real love for him.... Who does it have to be?
Obviously it has to be Mobius. And of course, the whole show points to Lokius also, for countless more reasons than just this simple breakdown. But pointing this element out is the simplest argument one can make.
So either...
1. They take Lokius to full narrative completion with explicit canon, as they should and as I expect them to,
or
2. Loki's desire for a real love is left unfulfilled, open-ended, and/or made clear through subtext that it's Mobius.
Those are the options, if you ask me!
This is aside from how Lokius’ love story is now even at the core of the show’s themes and plot, which is an insanely strong vote in favor for their future canonicity.
But for the purposes of this post, I’m talking about whether we'll get explicit romance specifically, like a love confession or a kiss – and I do actually genuinely think we'll get both of those things. I'm not trying to force you to agree with me, but just to be clear, that's where I'm at with it and have been since 2021 lol.
So in regards to worrying about Loki/Sylvie...
They were never really a romance (yes, even in season 1) and they sure as hell aren't now. I can’t imagine they'll become one even IF Lokius is left subtextual.
So what actually remains to be seen is if the writers got to go all the way with Lokius, or if that central queer love story was censored on some level in the end.
My hot take is no one should be ~worrying~ about Sylki at this stage of the game. Free yourselves, people.
If the story starts abruptly going in a Sylki direction, even with only 3 episodes left, I will certainly be the first to say so lol. But I simply sincerely, truly doubt that'll happen.
(Hot take in the footer: this is not the post to get into this at length, but in case this comes up… In this house we do not use the word "queerbaiting." It is a useless, nearly-meaningless, insufferable term that devalues the legitimacy of subtext and queercoding more often than not; it's rooted in the idea that media must hit arbitrary and inconsistent checklists often set with cishet approval in mind; and it perpetuates a focus on the false and harmful myth that many creators are "cowards" instead of leaving room for nuance and the fact that industry censorship still exists.)
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