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#i was asked to post this on tumblr so im doing it
sabertoothwalrus · 13 hours
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OK PREFACING WITH IM SORRY IF I ALREADY SENT THIS EXACT ASK BUT MY WIFI KILLED ITSSLF AS I SENT IT SO IDK IF IT ACTUALLY WENT THROUGH. but in case it didn’t . i know youve gotten this countless times in the past because i blog stalked just in case youve mentioned something similar before but i need to know if you have any specific inspirations when you draw exaggerated expressions specifically like these two images of marcille. ive actually cried laughing over this comic and being able to communicate this type of visceral emotion is such an insane skill and ive followed your art for probably close to a decade through various fandoms so watching you develop this style has been fucking awesome and epic. like i cannot articulate how funny these are to me i just need you to understand i look at this comic to inspire me to draw now. the closest comparison i can draw to the feelings they evoke are like those mspaint reaction images and also mspaint tails i included for reference even though you probably know exactly what im talking about anyways but its actually so much harder to do that intentionally when you study art. also i lied you literally don’t even need to answer this i just had to let you know how obsessed i am over your silly comics and now ive written out a whole ass discussion post about it. im sorry if this is weird at all i think my daily prescribed amphetamines r wearing off and i know this is such a dumb specific thing to fixate on and im so sorry if its not something you want to hear about your art. ive just always seen that as an artist this type of expressive stupid silly style is something that comes after a significant amount of time and practice and study and style development despite being “simple” in theory. its just so cool to have worked with your own style so much that youre able to go “off model” from it and still maintain consistency with the rest of the piece. i said it already and im sorry this is actually rendundant now but the ability to communicate such raw emotion somehow decreases from at its height when someone is a beginner artist learning how to proportion and keep a steady line and what looks “normal” but somehow it all comes full circle because taking all that experience and using it to almost return to where you started but in a fully informed and intentional way so you can make choices to draw characters like this when the situation calls for it is just dhcidogakgoshfhw. i think i need to cut myself off or im going to talk in circles im sorry tumblr user sabertoothwalrus i just am fascinated by your style and progress and the years you’ve dedicated to art can be seen in so many places but this is just one that stands out to me specifically.
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MMMMM what a fun question!!!
I'm not gonna lie, I think it's just Letting A Drawing Be Bad. I definitely think the people that struggle with this the most are people who have genuinely very pretty art styles, to the point of being kind of perfectionist about it. and to Draw Funny often means Drawing Fast and Weird. Pretty is kind of the antithesis of funny (unless being pretty is the punchline). do drawings that make yourself laugh. tracing/lining funny sketches almost always makes them less funny.
one of my favorite types of humor is when it skews more deadpan, actually. This is one of the reasons I love Adventure Time. minimal expressions and flat line delivery + absurd context is a really good combo. the key to comedy has more to do with contrast! if your drawings are allllll crazy ren & stimpy all the time, they're not funny anymore cause it's just "normal". if it's all subdued UNTIL it's extreme, and vice versa, then it's funny. The reason this comic is so funny is because of the complete lack of any expression. I feel like the one you sent of Marcille shouting "WHAT" is funnier when you know how much she tries to be dainty and feminine and delicate, how much she values her appearance, and how averse she is to "gross" or "weird" things.
something I find really annoying (and this is with comics/animation in general, not the expressions themselves) is when the joke goes on for too long. Like you'll have the joke, then the punchline, and THEN the characters reacting to the punchline??? Like the author didn't trust that their audience would find the joke funny, so they basically drew in a laugh track. But, this is distinct from a character's reaction being the punchline (like how the examples you gave from my Marcille comic are). MY POINT IS sometimes expressions aren't as funny on their own as you think, and context can affect how you feel about it!
as far as inspirations go!
my own face! even if I don't have a mirror, I like making the expressions myself so I can "feel" where the points of tension on my face are, and it gives me a sense of what to exaggerate.
my brother's art, believe it or not! we've been trying to make each other laugh with our drawings since we were kids, and he's really good at it.
ATLA has some great expressions
OK KO has been a reallyyyy good source for me lately. That show is so tailored to my sense of humor and the expressions and line deliveries feel exactly like the kinds of things I'd come up with. The tone, timing, and art style are all really close to the tv show pitch I'm working on, so when I feel like I've "strayed" too much from it (like after drawing a bunch of dungeon meshi, and my art feels tighter and... idk "manga-ier"?) I like to go and watch a couple episodes of OK KO to loosen back up
A lot of things like OG Spongebob, Calvin & Hobbes, the Simpsons, Chowder, etc etc
memes in general. if it makes you laugh, keep it in mind
and lastly, I wouldn't say I ever try to mimic funny expressions I see. Like if I watch a show for inspo, I'm not pausing it to copy specific drawings, I'm just trying to notice patterns and pay attention to what about it I find funny.
talking about being funny is really bizarre and I dunno if it makes it lose some of the magic. Ultimately it's something you can't think about too much, and just gotta go with your gut.
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echowithpain · 5 hours
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I just woke up so I'm still a little loopy and was scrolling through Tumblr and saw this post and it made me think of that time Maddie and Chim invited Buck and Josh to dinner at Chim's old apartment and Josh said if he didn't know any better, he'd think Maddie was setting them up. And honestly??? That actually would've been really fucking cute???
Can you imagine if Buck and Josh had started dating??? Buck going to the call center and using the excuse to see Maddie and take her to lunch only to "accidentally" run into his boyfriend and starting a happy flustered conversation with him before he has to go back to work. Oh my god I can actually see it so clearly:
Maddie’s typing away on her computer and glances up, looking over her monitor and seeing Buck in his civies walking through the door (cause he's all legs lol) and she stands up and goes over to him asking,
"Hey, what’s going on?"
And he's like "Nothing! I just thought I'd come by and treat you to some lunch." all while doing that thing he does with his hands and looking around the room trying to be casual about it.
And Maddie’s like, "Uh huh. So there's no other reason you could possibly think of that would bring you down here?"
And as Buck’s about to deny it then Josh walks over, having just finished a call and he sees him and is like, "Buck?"
And Buck perks up and turns to face him and is like, "Josh! Hey!"
And Josh is like, "Hey, good to see you. What are you doing here?"
And Buck starts explaining, "Oh, you know. I just came down here to see if... Maddie, wanted to grab some lunch with me. Y'know with the heatwave, people are probably going crazy out there." all while Maddie’s playfully rolling her eyes
And Josh of course finds this amusing and is playing along and starts telling him about a few calls they took, and Buck would be happily listening and nodding along and even giving a few comments here or there before Josh finally tells him, "Yeah, it's been a day. While it's finally slowed down, we're still a bit busy. But don't worry, I can cover for 'Maddie' until she gets back from her lunch break." While nodding at Maddie
And Buck would be like, "Oh, uh, yeah. Sorry, I should uh, let you get back to work."
And Josh would go, "Yeah, probably. See you later, Buck." and give him a wink while walking off and taking another call all while Buck's watching him go with his big puppy eyes
And then Maddie would put her hand on his shoulder, getting his attention, and be like, "Hey. I know you're just using me as an excuse so you can come down here and talk to Josh in person, but I just want you know... I'm holding you to treating me to lunch today."
And Buck would be like, "Yeah yeah, okay." and give a final look at Josh while Maddie’s laughing and getting her things and then they leave.
CAN YOU IMAGINE????? 🤩💖🤩💖🤩
Oh my god this started out as a sleepy ramble that turned into writing fanfiction and me actually getting upset over what could've been. Seriously think about it!
Buck and Josh are already good friends. If they started dating we could've gotten:
more Buckley siblings interactions
more scenes of the call center
more Josh, Linda, and Sue
Eddie and Josh "conflict/rivalry" (im still tired so idk the right word but I'm talking about when Eddie worked at dispatch and took over the call with the speed reference and Josh stepped up afterwards with the "You're a guest in this house" and how Eddie threw that line back at him when the place caught fire. Ever since, I like to think they have unserious beef, every now and then trying to one-up each other lol)
Buck constantly using Maddie as an excuse to visit the call center to see Josh until he's able to work up the courage to go up to him on Maddie’s day off and ask him out on a date (this could've been so fucking cute holy shit)
It could show a bi man and a gay man going out with each other and having fun and good chemistry, but ultimately deciding to break up and still remain good friends afterwards
HELL!!! YOU COULD EVEN HAVE JOSH BE THE ONE TO POINT OUT THAT BUCK IS IN LOVE WITH EDDIE AND HELP HIM REALIZE HE ACTUALLY HAS FEELSINGS FOR HIS BEST FRIEND AND HOW TO SORT THOSE FEELINGS OUT!!!
Honestly, fuck Tommy for leaving Buck on their first date. Josh would've understood Buck’s panic because he's been in Buck's shoes. Also knowing Buck and Eddie’s relationship, and how based on Buck’s reaction could piece together that he's not out to him yet, Josh could've played along and had a bit of banter with Eddie, and then reassure Buck that they would go at his pace, and NOT LEAVE HIM STANDING ALONE ON A STREET CORNER BECAUSE HE PANICKED WHEN HE SAW HIS BEST FRIEND WHILE OUT ON HIS FIRST DATE WITH A GUY!!!!
Damn, now I'm actually getting mad.
I've said before that I didn't like Tommy's character but accepted him as a way for the GA to get used to the idea of Buck being bi, but now I can't even say that anymore. Their scenes feel so awkward except for when they're making out, and they've only kissed twice, both kisses only to be establishing something. The first was to show the GA Buck was bi by having a guy kiss him and him liking it, and the second was to show the other characters he was bi by kissing a guy and getting soot on his mouth from it.
While I know they were gonna do the bi Buck storyline this season, I do think Tommy was shoehored in it. They originally said the person flying the helicopter to find the cruise ship was gonna be Lucy (miss her) but they couldn't get her actress because of scheduling conflicts or something, so they got Tommy and made him a pilot instead. I'm almost certain if they were able to get Lucy's character to fly the helicopter, Tommy wouldn't be here.
Josh actually would've been a great bi realization for Buck as well as a great first boyfriend. I've already listed reasons above but here's some more:
The GA already knows who Josh is and know that he's gay
He's an established character people already like
He's actually nice and funny but can be firm when he needs to be
He's really smart and is skilled at what he does (need I remind you of when Sue got hit by that car and he lead the police through a freaking maze with no helicopter support. bro's a badass!)
He's shown to be friends with the main cast (they all know and like him (except maybe Eddie lmao))
We already know part of his backstory (why he joined the call center and how he met Sue)
He can be vulnerable and cares about his friends
He's not above pulling pranks/getting pranked (when Linda and Maddie tried to make his schedule crazy cause he kept giving himself time off whenever there was a full moon, and he found out but let them think he didn't know until he tricked them into confessing)
Josh deserves to go on a date with a guy without getting beat up halfway through (still pissed about that storyline)
I could go on and on but I'd get even more upset and I've got shit to do today. So I'll leave you with this:
Fuck Tommy, Josh would've been a better choice
Oh, one more thing. For the people who are inevitably gonna bring up Carson or whoever it was and say Josh is dating him, we don't know for a fact if they're dating or not. Josh asked Sue if they do background checks for people working for them (again fuck that storyline) and when she said yes he went over to the ambulance and they have a small talk. We never see him again lmao. For all we know, they could've dated and broken up by now, or Josh could've asked him out and he kindly turns him down. We don't know cause we haven't seen him, and I'm not gonna argue with people who's main complaint is "What about that one guy Josh liked in season 5 that we haven't seen since that one episode?"
Shush and think about how cute Buck and Josh would be.
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quodekash · 3 days
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im rewatching the we are ep bc on Wednesday night I was half asleep and also sick and I have to say
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mick is the ONLY ONE with some COMMON FUFCKING SENSE in this show
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THE FUCK YOU MEAN ITS NOT THAT SIMPLE??
I get that sometimes it's complicated, I do get that.
but lets weigh in all the factors here:
they made up
they MADE OUT in a HAUNTED FUCKING HOUSE
q was jealous of chain being with TOEY, not milk frappe boy
q asked TOEY if he could hit on him
q asked TOEY if he could KISS him
later, q asked toey to a meal
toey leaned in towards him, q very much thought it was a kiss. Evidence: he closed his fucking eyes and PUCKERED UP
HE WAS SO READY TO KISS THAT BOY AND LOOKED GENUINELY CONFUSED AND DISAPPOINTED THAT THAT WASNT WHAT WAS HAPPENING
but "oh no q never faces his feelings, hes not gonna do anything about it so the idiot of the friend group needs to come up with a complicated plan that has like a 30% chance to get them together" NO U FUCKIN DONT GUYS
its as simple as: toey walks up to q. toey asks q out on a date somewhere. q says yes. they go on a date. they kiss. problem fucking solved
because q likes TOEY for TOEY, he just also happens to have liked milk frappe boy who happens to be toey, which only strengthens the connection they have with each other. but even if milk frappe boy weren't in the story at all, Q WOULD STILL FUCKING LIKE TOEY
I know everyone reading this post knows all this already, but who knows, maybe the characters themselves can plane shift into this reality and have a Tumblr account and stumble across this post somehow and realise how fucking stupid they all are
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BITCH ITS NOT THAT THE TARGET ISNT YIELDING, ITS THAT THE TARGETER CHICKENED OUT (which is FINE, by the way. im not saying he needed to ask him out immediately, I do agree that they probably need a bit of time. but just give it like two days, and then all toey needs to do is FUCKING ASK HIM OUT and then we're SORTED)
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sonarsunbeam · 6 months
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gogong
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cringelordofchaos · 2 months
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// for even if I'm far away, I hold you in my heart //⟩ 💙💜
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mossy-paws · 2 months
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Biograft on the Splatoon drawbox!
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WOOHOO I cooked this up in about 6 and a half hours! Really happy with the result honestly + I learned a bunch about stuff like midtones and such! Hyperlaser is gonna be next once I figure out how to bypass his phinisher dialogue/when I get some other projects done!
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Here’s the higher quality version as well SINCE NINTENDO NERFED IT AHEM.
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daily-basil · 3 months
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hes one of the girls
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arundolyn · 2 years
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more trans brisket showcase i actually REALLY like this one
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emilyartstudio-s · 1 year
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Style (Stan x Kyle) please?
Here's a doodle I will finish for patreon :,)
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midnightclover · 4 months
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Summon Night: Swordcraft Story (ATLUS, 2003)
#my actual posts lol#haha what if i made a daily diary post thing like nico#..i was just thinking#today was a good day#and i thought of this song#ive been playing summon night swordcraft story a lot as of late.. though none today actually#its still on my mind though#i considered using dweller empty path's song flying through a stary sky instead.. but this is what i thought of first#i think it fits best to use it#i actually had to jump through some hoops to upload music!#cus my tumblr app is kinda old.. i cant properly upload music. i could only put a link#which isnt exactly ideal#so i tried in my web browser.. but maybe its cus i havent updated it in a while or maybe just cus its tor.. it didnt work#so i downloaded firefox and did it on there lol#now im editing it in my drafts back on the app#dont ask why im not just doing it on my computer... shes having some technical difficulties. we're working on it#but not today#...#today was pretty eventful.. even if not very productive. but ive never been a very productive person#we went and saw some light festival thing! it was rly nice.. a little simple at times but it was fun#we went and got some yummy snacks earlier too! tho ive already eaten them all hehe#and i started up animal crossing new leaf. i hadnt played it in ages! its startling how much better it is than new horizions.. imo at least#only problem is i couldnt make it the same as my island.. and i didnt remember why i named my last town#we searched for a while for some reference or somfin to name it after.. but we ended up just going with ''faraway''#cus i liked the idea of being asked where im going.. and just saying far far away#and as beth said it has a kinda fairytail vibe!#...only after i named it did i realize i accidentally named it after the town in omori. oops!#...im about to hit the tag limit. so whoevers still listening i just want u to know..#i love you. ok?#goodnight
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ickyguts · 2 months
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couple ah sillies for the soul
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starredforlife · 8 months
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if it depends, hit yes and explain why.
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kelocitta · 5 months
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What why??
Theres a few reasons! I do want to clarify that I do like Saint and their campaign in a bubble, and still like downpour as a whole, they're just the most 'off' in terms of overall.
This is going to be very messy, and I haven't fully yet made up my mind on a lot of things
For starters Saint themselves... Downpour is for-sure less grounded in naturalistic biology than RW vanilla- and thats fine. The base game slugcats are all relatively mundane for a reason, but that also means their overall variety is limited- so downpour mixes that up with a bit of a fantastical slant and then tries its best to re-ground it various ways (Spearmaster is genetically modified, Gourmand is just very smart and very big, Artificer is implied to have been mutated by a toxic environment, rivulet is just fast and evolved for increased flooding). The issue with Saint here is that they are, by far, the most ungrounded in any sort of reality and a bit more 'magical'- but that aspect isn't really explained past maybe a short nod in the general direction of something. This isn't exactly a flaw in itself, but it does mean we have something immensely powerful in a way that's very... contradicting to the general vibe of the world. Especially as a little animal. Something like that can work, but its hard to make work, especially in a world set up like RW is. And then the campaign itself... for starters, I think its one that naturally going to be very polarizing depending on the way you read various things about RW- the characters in it, the things it touches on, and your own personal outlook on life. I'm a nerd for evolution and 'life finds a way' type stuff, and for me Saint goes a little too far in direction I don't really vibe with. Its really hard to explain here, but I'll try. For probably the most minor thing, the environment. There's a sort of undercurrent that the frozen over tundra of world as is a 'dying' environment. The undergrowth echo does add a counter to this mindset (By pointing out there is still life and beautiful blooming in a increasingly barren world) so its not the biggest thing, but its a outlook a lot of people tend to hold to begin with, so the ways it reinforces this is a little... sour? I suppose. Deserts and tundras and areas of low life are not dead or dying environments- they are their own ecosystems. They exist and are needed. Many things can not survive them. Many things can. Worlds and ecosystems are naturally always shifting and changing, and ecosystems like deserts and arctics stand equal to rainforests and coral reefs. We see some creatures have failed to adapt and died off, but so many others have begun to carve out their niches and are changing with the world- I think a tundra is a great metaphorical 'the world is shifting away from its old self' type thing. Everything being broken down and changed once more and a lot of things aren't surviving, some are, but changed. Metaphorically that is great. But Saint is there as a big, literal kill switch on the world (Small aside that yes, kill is an inaccurate descriptor. Ascension is by nature 'something else' than dying.) Its just a little... wrong, that the implied shift in what the world is- the last stains of the Ancient's being washed away into something new and independent, is being done with the literal removal of those remains rather than the natural clockwork of the world. Even without Saint there things would die and shift, iterators would crumple into nothing, buildings would break and become dust and rust- and from all that things would still claw their way to the next day. Their offspring and offspring's offspring would grow ever more different from them, until they hardly match. Something new would be borne from the dusts of an old one forgotten. Tundras would freeze over into something else, a change in the atmosphere would trigger a shift, and ice would melt into water once more. Thats another great big thing everything is a small part of. (For some reason if this space isn't here this whole post breaks?)
Its sad, but theres a beauty in the way things lead into each other- erased in anyway meaningful way but their ghosts still etched imprinted into the shell of the new. Both insignificant and yet strangely important. I don't think Saint is implied to 'succeed' at all, of course. I think its very much hinted at that they'll be at whatever mission they have forever. But is also feels implied that this mission is supposed to be the intended end of the Ancients' 'era', pieces bit by bit ascended, finally removed from this cycle they can't perceive themselves as even a part of- and that even with this there will still be something new that takes their place. Their whole goal is ascension, so it makes sense ultimately. But it just feels... something is off about it, and maybe thats entirely on me. There's something I just don't like about it. A long time ago I was asked about Saint and the void worms (you can read that here, although note this was pretty early into DP's release) and I do think at least part of that is the idea that Saint pulls control from things. The worms, buried deep in the void sea, the last step to ascension... Crossing yourself out feels like a weighty choice, but one you have to seek. So a sort of mobile ascension that does it for you, these lizards and bugs that couldn't possibly comprehend what ascension is, creatures that mostly just know survival and all its ills... it feels like it skips all that weight behind that choice. The underground Ancient, stuck midway, says it was never something they really wanted anyway, seemly contended to be in the in-between. An outlier for sure, but an outlier none the less- one that makes it clear that things can comprehend the weight of ascension and what it offers and understand the world and its ills and still want to be a part of it. What does that mean of Saint, a system that brings that to you, without say? Sure most of the creatures they ascend are simple things, the others are iterators- Beings designed to seek that solution and even want it for themselves but to barred from being able to achieve it. These are all things that it should feel good to grant the blessings of ascension too, that final peace that is neither living nor dying, but I just think about that echo and the way it makes it clear that many, if given the choice, would not want to be crossed out. I like it in a bubble, removed from those things, but I don't know how I feel about it in the greater scheme of things, as a sort of end to rain world. If there is one thing I do like a lot though, its the finale- with the worm. It gives Saint's place in the world a distinct sense of wrongness, something capped at the void worms. The void worms are just... still at the center. Something ancient and unbreakable. A rule of existence Saint doesn't- can't, bypass.
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intotheelliwoods · 6 months
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if I had a nickel for each rottmnt trend I set I would have 3 damn shiny nickels
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diorkyeom · 5 months
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favourite pretty boys <3
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serenit-teas · 8 months
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This is the product of too much brainrot and an almost concerning level of needing to ramble.
Major spoilers for Lies of P under the cut!!
Okay but just imagine, someway somehow being young friends with Carlo, sweet and darling childhood friends. Being his partner in crime, an unwilling (so you say) accomplice to any mischievous schemes he's cooked up. Racing about the streets of Krat, dodging this way and that, weaving through the alleyways and corners with a second natured ease due to each and every prior antic you two have had.
I imagine that only after narrowly dodging the poor soul who gave chase to you both has finally given up, does Carlo turn to you, a cheeky but rosy grin thrown your way. You can only huff and turn your head, complaining at once again being dragged into another one of his hair brained plots. 'This is the final straw', you think to yourself, 'no more of these chases'. Always the voice of reason you called yourself, the only one who cares enough to keep the two of you out of scuffles and minimizing consequences. The other half of your duo would simply angle his brows, matched with a boyish smile, brown eyes warm, a teasing call of, 'Worry wart', aimed your way.
You'd stay firm in your silence.
Seconds of the silent treatment turns to minutes, and you truly could have lasted longer, but the floor is uncomfortable and your legs are going numb, and it certainly doesn't help that Carlo keeps shuffling around in the already cramped space. You know what he's doing, trying to goad you into breaking your 'punishment' and demanding he knock it off. It takes all you have not to heave a sigh. It truly makes you wonder how you've both become such good friends.
Finally having enough of your hiding spot and the scuffing of Carlo's shoes, you turn your head, relenting. And he's close. Far to close. Clearly he's never once heard of personal space, face in your personal bubble. A startled yelp is ripped from your lips and you scramble back, knocking your back into the wall.
He doesn't have the decency to even attempt to hide his snort of laughter. 
A menace to the core, mischievous Carlo.
You want to be peeved, annoyed at his inability to take anything seriously. But you see the joy in his smile and hear the way his laugh rings loud and true, gaze fond and sweet directed your way and soon enough you're laughing as well, giggling and smiling. Stomach aching, 'It hurts' , echoing somewhere in your head. It doesn't matter though, not when your head feels light and your cheeks warm. Tears welling at the corners of your eyes as you gasp for breath.
It's a simple and sweet bond, crafted out of trust and comfort, familiarity and warmth.
-
The news of his death rattles something terrible in you. A hollow, numbing feeling pools, spreading like tar, thick and heavy in your body. Fog building in your head, an anchor on your tongue. He's died, and with that has taken something of yours with him. They call it 'mourning', you've learned, something people do when a great loss is suffered. Meant to process grief and what was taken far too early. To cope, live on despite. 
Whispers of sympathy and prayers permeate the streets, details of the accident are few and talk of honoring his life are fewer. Carlo and his fate hang over the city of Krat.
Haunts you. 
Far too young are you to feel such a cruel twist of fate, the unsettling truth of what happens to everyone and everything. Something changes, curdles in your chest when made way to grieve. He's left you behind with the knowledge of the irrefutable.
Hours turn to days which bleed into weeks, and soon tragedy is washed away with the  rainstorms that berate the city. Between the haze in your mind and the bustling murmur of the crowded streets, it's a miracle that you hear the call of your name.
He approaches you in the streets little more than a month after the news broke out, a light spring in his step. For a corpse, he seems plenty lively. Bright grin plain as day on his face, freckled cheeks scrunching with that familiar mischief swimming in his blue eyes. 
But Carlo is gone. Cold and dead, mourned and missed, and you don't know who this is. You look a little harder, gaze sharper.
Blue. Wrong. Fake. 
Get away.
You reel back with your heart thumping wild, ignoring the confusion that shows on his face, tears forming with a barbed response on the tip of your tongue and an awful ringing buzzes in your ears. What a sick joke. 
Eyes still glued to the stranger, you step back. Slow at first, timid and careful, all before bolting away, ears picking up on the squawk of surprise sounding behind you.
You don't know where you're going. There's no plan in escape, you just have to get away from whatever that was. You barely have it in you to call out apologies for the people you nearly bump into. Your legs carry you between tall buildings and hidden corners of the streets, ducking and weaving, narrowly avoiding clipping your shoulder on the hard stone and splintering wood. Before you know it, you recognize the similar darkened streets that you had used in your own escapes with Carlo so many times before.
This part of the city was always dim, secluded and safe, street lights had not yet been installed around these areas, much to the frustration of those who lived in these parts. It never took long for a blanket of darkness to fall over the buildings and homes when the sun began it's descent and shadows would set just right.
Heartbeat drumming in your ears and chest aching, you reach blindly, feeling for a wall to lean your weight on. Panting, hunched over and gulping air down like a fish desperate for water. Head numb and mind humming with exhaustion.
'What was that? Some elaborate scheme? A prank?'
Any further thoughts are halted when you notice the pounding of footsteps behind you. Calculated and heavy, he, it, knows where you are. Probably followed you the whole time.
It's close, and with dread making it's home in your veins do you realize that you've nowhere left to go, you've lead yourself to a complete dead end. That fake will round the corner any minute and you'll be a sitting duck.
The sound of footfalls slows the closer it gets, you'd almost call it hesitant if you weren't scared out of your wits. Steps echo between the corridor walls, that awful, full body shake inducing panic shoots through you once more, an ice cold fear nestling deep in your bones.
'Leave me alone. He's gone. Please stop.' Stress plucks at your fears like an instrument, each strum yanks at your heart, leaves you anxious and paralyzed.
Had your heart not been hammering in your chest and pulse thrumming in your fingertips, you'd probably feel much more self conscious about the whimper that leaves your lips, weak and pitiful. Loud. Palms fly to your mouth, your hands clamping tight with a sting. Eyes screwing shut in fear.
The steps halt altogether, the only sounds you can register is the beat of your heart and the shallow, rapid breaths leaving your lips. It's cramped and cold where you are, jagged stone digging into your back.
A few feet away you hear a breath catch in someone's throat, and like earlier, a call of your name, only this time it's said with as much tenderness as a lullaby. Gentle. Soothing. Your eyes twitch just for a moment. It's unfair, using Carlo's voice like that. You know if you look there will be no going back, no denying what's happening. 
You hear the call of your name ring out one more time, small and fragile, and you open your eyes. 
There he stands, confusion clear on his face, brows loosely raised and lips set into a small frown. Taking your subtle acknowledgment as encouragement it looks as if he intends to close the distance between you, though the hope is quickly dashed when he sees you scramble at his advance, pushing yourself as far as you can go into the corner furthest away from him. You remind him of a wounded animal, an uncomfortable feeling clambers in his chest at the thought and his frown deepens.
A different approach is what he goes for this time, slowly, at a snail's pace, does he reach his arm out. Even in your manic state you still manage to toss an incredulous look his way, taking every bit of his common sense and resolve to not laugh at the expression. He'll gladly take whatever he can get, he'd do anything to prevent that fearful gleam in your eyes, squash any chance of being the cause of it himself.
You both stay in this standstill for what feels to be an eternity, eyes locked and unwavering, waiting to see who will crack first. A genuine gasp leaves his lips when he sees you reach out, shaking fingertips lightly brushing against his own. This is your call, he will follow your lead in this dance. 
Finally, you stand to your full height and at a much slower pace does he do the same, and then you're back to staring at him, eyes flicking about his person this way and that, analysing everything. Normally he'd say you're overreacting, call you a 'worrier ' and be done with it, but he knows better. You've changed, something has happened to you in his month's absence and he doesn't like it one bit, you stare at him like he's a stranger, ran as if he'd flashed a weapon from underneath his sleeve.
So wrapped up in his own thoughts, he barely catches what you've said to him, mind struggling to put the puzzle pieces together. Ever the merciful out of your duo, you repeat yourself,
"What are you?".
'Huh.'
-
(Basically!!!! What if Carlo still perished, and P was still built to replace him, and Geppetto, in a frantic and guilt ridden haze builds a new son at an astounding speed, and with using such a, uh, 'fresh' Ergo leads to P 'waking up' nearly instantaneously. So rather than being a puppet becoming human, P is a 'human' coming to terms with what he actually is.
This is all over the place, but I imagine Geppetto would keep P's interactions with others to a definitive minimum, if P ever asked about it Geppetto would chalk it all up to his son being weakened so severely by his accident that he would need near constant supervision to maintain his health. Tells P that Ergo is what is keeping him alive, it's why his eyes are now blue and how he can wield the weighty legion arm with such ease.
Only a trusted few are allowed to know of his existence. I mean? The entire city mourned his son, he can't exactly have an almost carbon copy strolling about the streets. Reader is probs not at the top of Geppetto's 'can tell list' lol. I'm fully leaning into the idea that Carlo/P snuck out and went absolutely wild looking their bud lmao. Poor fella doesn't know that visiting reader is gonna come with a side of confusion and an unwanted existential crisis/soul searching😔
And final thing! I have not finished Lies of P, nor have I even reached a single ending (but I'm making progress every day! <:) ), so I apologize if any details are choppy, confusing, or don't align with what is canon! I don't know how Carlo died, and I do not wish to be spoiled, this was just a fun sort of AU(?) thought that just kept snowballing ^^; Thank you everyone for your time, I sincerely hope this wasn't too much of a mess, and that it was at least an entertaining read! <:) )
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