#i tried to keep most of this in the early 2000s because i honestly kind of dig that era being the setting

[thedreadvampy]

btw on the tangent of end of history ass bullshit I put my finger recently on why adapting Good Omens as a modern-day story bugs me

bc I Have Known. bc I was a comedy-fantasy afficianado in the 90s/early 2000s. that GO is one of many examples of a very specific genre of British comedy-scifi-fantasy popular in the 90s I would term "millennial apocalypse farce".

you know, they're a mix of biblical eschatology, Fortean Times conspiracy theory, cult tropes, and Y2K Rise of the Machines stuff, smashed together into an Adamsian comedy where a group of hapless protagonists bumble around while the world falls apart in comically overblown ways. imo, though a lot of authors bring their own spin to it, they're all heavily stylistically influenced specifically by Dirk Gently, which isn't Millennial Apocalypse Farce but I think did inspire a lot of it. Robert Rankin is on the edge of it, Good Omens is the most lasting example, but I read like 20 of these and most authors only wrote one afaict.

but the thing I was saying the other day is I honestly cannot think of a genre of popular English-language fiction that's more rooted in a specific time and culture. I tried for a while and really couldn't.

It just doesn't translate well away from the turn of the millennium, purely because the millennium was such a fevered touchpoint for Apocalypse Stuff. two things there I think.

Obviously, Y2K looming. Millennium Approaches. The turn of every century has often been accompanied by an uptick in interest in apocalypses and end times, but this was the BIGGIE. It's only happened on this calendar once before. People in the 1900s were talking about how close they were to a new millennium. The approaching millennium dominated the whole 20th century, and especially with how apocalyptic a lot of the 20th century felt in terms of war and technology, apocalyptic fervour really kicked up in the 90s. And there was a smorgasbord of apocalypses to choose from; divine, nuclear, digital, cosmic, alien, all stuff which on the millennial scale had really only just shown up in the last century or so. I was 7 in 2000 so pinch of salt but I remember all of us sort of holding our breath leading up to Jan 1 2000, not just bc of Y2K but bc it felt like something momentous HAD to happen.

The end of history. The cold war had subsided, and so had the economic depression of the 70s and 80s UK. There just was not a Singular Apocalypse hanging over a group of people who'd spent their whole lives in the shadow of a Singular Nuclear Apocalypse. I think stuff really rushed in to fill that gap, and Millennial Apocalypse Farce is a response to that sudden glut of possible apocalypses all clamouring for attention.

I think as well American end-of-days right-wing evangelism was really loud in the 80s-90s and that plays a part, cause the generally lefty and consciously self-effacing British comedy author milieu found that off-putting in a very mockable way

but the point is that glut of apocalypses was a real flash in the pan, the same way the End of History was. it was a like 10-15 year timespan where the world was definitely ending but nobody could say why or how, and it began around the fall of the Berlin Wall and ended on September 11, 2001.

Millennial Apocalypse Farce novels did keep coming out after 2001 but like everything else, the culture has changed really radically, and also, like, we were past the millennium. Those infinite possibilities of apocalypses hadn't paid off. Not saying that the public interest in apocalypse went away - 2012, obviously. The LHC. But the full on fervour for any and all crank apocalypses kind of petered off a bit bc the turn of the millennium was so much a flashpoint for it. and anyway we had really concrete apocalypses again - terrorism, totalitarian governments, plague, and of course the main 21st century apocalypse, Oh Shit We Really Fucked This Climate Change Thing Up.

and I really love the Millennial Apocalypse Farce genre. I really love stumbling on books in that genre. because it's such a time capsule for an incredibly specific period in recent cultural history.

but it does not translate into a 2020s setting. It's so 90s. it's so rooted in a really specific landscape of cultural anxieties and abstractions. it just doesn't make sense to me to translate it to the modern day, it's like setting Angels in America in 2023. it's just the wrong type of apocalypse. apocalypses are culturally generated and they change fast based on how a culture sees itself and the world. you can't pick up a 1990 apocalypse and put it unchanged in 2023, it's Wrong. if you're going to do that you have to be in conversation with it, you can't just update it.

like ok example of thoughtfully recontextualising an anachronistic apocalypse for a modern setting. War of the Worlds 2005. Why is it War of the Worlds? Because it wants to say some things about the relationship between post 9/11 America and colonial England, and how the specific common anxiety of invasion affects them as people in a nation of invaders. Idk if it's a good film cause I didn't like it when I watched it but that was a long time ago. But the intent makes sense.

what does putting a Millennial Apocalypse Farce in the 2020s actually. say? about the commonalities between now and then? I mean. Based on the TV show of Good Omens, to me, not a lot. It's pretty beat for beat in that sense, and we're not really far enough away from 1990 for it to have the obvious impacts that saying "now is very like then" does with, say, War of the Worlds, because the world of HG Wells was distant enough for a 2005 audience to go 'oh, Victorian colonialism, that's Not Like Us.' whereas like. I remember the 90s. It's not recent but it's in continuity with now. saying "then it's like now" is a) kind of Incorrect imo, the cultural anxieties are Very Different, and b) not...striking?

idk like. The genre is dated. The nature of that specific apocalypse idea is incredibly dated. And that's good actually. It's fine for art to be a time capsule of a specific cultural moment and to not make sense divorced from that moment. That's good! That's a good use of art!

#red said

[kinnenvy]

i am having thoughts about brian and his parents (jack joan debbie). it's messy and chaotic but i need to take it out of my brain and put it somewhere

Jack and Joan

There's like a pattern that he must go through with his birth parents, especially in season 1 it feels as if brian likes to present his relationship with his parents in one way, when it's actually very different.

He feels troubled by his own fatherhood, by Justin's relationship with his dad and the first thing he does is search for his own dad. he tells justin he never sees him, but then at the end of ep 1x09 michael talks about brian's visit and heartbreak over jack like it's something that happens routinely (and it does for sure, considering that it seems like jack is depending on him for money). "When will you ever learn?" NEVER! HE WILL NEVER LEARN!

until s2 ig. to me his relationship with joan is the most puzzling. he visits her, brings her flowers, but it doesn't feel like he ever tries to indulge her in the same way he did with jack. i wonder if that's because he didn't grow up being scared of her, so there's no instinct to get into her good graces...? im not qualified for this kind of analysis i dont think

they've both surely put him under intense distress, in different ways maybe, but it's distress nonetheless. living in that house must have been like being taken apart constantly, nowhere to hide, no comfort, only pain.

im not sure what the timeline is, but it's possible that the first time brian felt loved and wanted must have been THAT DAY in the showers after school. it could be also why he has that twisted perception of what happened. (or maybe it's just early 2000s writing who knows)

Debbie

she honestly makes me kinda mad. she saw a 14 y/o break in her liquor cabinet, get drunk and thought "this kid's kinda troublesome idk :/". i think making big speeches and saying pretty words she doesn't fully understand is very much part of her character (ben), but the way she does it with brian in relation to his parents is horrible to me.

(surely without knowing) she uses Brian's need for approval from his parents and convinces him to come out to his dad, what does that achieve? brian has to hear his father tell him he should die. brian has an important, vulnerable moment with her after his diagnosis and she shares it with joan without him asking or even wanting her to. what does that achieve? we remember what it achieves.

I think it's fair that she thinks about michael first and then everyone else, but i feel like she's softer on everyone else (david????) compared to brian. sure he kept their relationship vague enough to make him believe they could become a couple, but he isn't doing it to have a laugh, they're codependent. when brian is forced to break it off by debbie, she's happy to let brian take the fall on his own. she understands what he did, so instead of maybe idk helping him get at least Lindsay's support, she keeps her mouth shut, calls brian a good kid, gives him a pat on the back and is ready to send him his own way.

which brings me to the way she acts like she understands brian. it feels like the writers are telling us she understands him, but does she? idk. she picks up on things he does in secret one moment and then gets him totally wrong the next. she calls him a selfish asshole in front of everyone, but when it's just the two of them she suddenly has always known he's a good person. why is she never saying good things about him when everyone's around? why does it have to be just the two of them?

"Brian would hate it" "Brian would cringe himself to another planet" Sure but maybe Brian would also get home and maybe for once feel like the adult he imprinted on approves of him with no compromises :// idk

#brian kinney #qaf #my babygirlest #queer as folk #meta #it's a rant folks #there's more ive forgotten for sure #also jennifer

[majorbaby]

as someone who has Feelings about House (I was watching it when I became disabled so oof), do spill the House takes?

Gregory House is a relic of early 2000s, vaguely Dane-Cookian, edgelord-style comedy so it's somewhat amusing to watch tumblr blorbify him. It gives me the sense that people are unaware that he's the type to unironically say, "I'm not racist, I hate all races equally". Blorbofication seems to to really rely on projecting on a character, or identifying with them, and House is a character who should be blorbofied with care. Of course you can identify with a character that makes poor choices and behaves badly while simultaneously condemning those actions IRL, but honestly, there seems to be a lot of irony-turned-sincere in the "asshole (affectionate)" sector of various fandoms these days and the push to rehabilitate House in fanwork so that he's a better person leaves me with a lot of questionmarks.

the rest of this is beneath a cut because it got super super long, sorry about that!

Here's one thing I do like about him: sometimes his unabashed assholery allowed House to do and say more progressive things than any heroic protagonist could ever say on television at the time, because radical speech is almost always an affront to the status quo. House could be pro-choice, staunchly atheist and practically allergic to any kind of traditional romantic relationship, and this was all acceptable to audiences because House is intentionally written as an asshole.

He's still an asshole though, in plenty of ways that aren't cute or excusable. The show and the character are plenty misogynist, racist, homophobic and yeah, House is disabled himself, but he's also ableist towards his patients. I'm not pointing these things out to say "don't watch this show because it's bad" but they're also unavoidable truths about the show. It's not subtle at all either, and it extends to production. House MD is famous for its wacky plotlines and doctors committing all kinds of medical malpractice or outright felonies, with the exception of Foreman who got less material because, as House would put it, "black guy". This kind of works out for Foreman because by virtue of getting much less material beyond "only sane man" or "voice of reason" or "endlessly patient with his racist boss", he's the most normal of the cast, and it made sense for him to succeed Cuddy at the end of the series. Every woman on the show exhibits saint-like patience towards him. Cuddy, Cameron and Thirteen could've collaborated to quietly murder this guy and I'd be shocked (well. would I??? this show did some truly wacky things) but I can't say I'd feel a terrible amount of sympathy.

The issue I have with a lot of the recent fic and headcanonry around the show is this "healed by love" trope that I keep seeing pop up. House's most basic traits are that he's 1) brilliant and 2) an asshole. The show asks over and over whether or not House will ever change, and the answer is always no. If he's rehabilitated, he is no longer Gregory House. Like, write what you want but why write House if he's not going to be an asshole? Or if you are going to rehabilitate him, understand that there's 8 seasons of television that deliberately, consistently portray him as being a lost cause in terms of positive character development. I've seen the claim that he's "good disabled rep" and like, on its face I agree with that. House is in pain 24/7, his brain functions differently from other people, he struggles in social interactions, he wants to be loved in spite of knowing he is hard to love, he tries to do better but he repeatedly fails. All of these experiences have a place in fiction, but rehabilitating him revokes that place.

More specific to my own blog, I've encountered a few posts comparing beejhawk to hilson and that's on its face ridiculous. Even if we disagree that Hawkeye is a good person, MASH frames him as a good person whereasHouse is a bad person who is framed as a bad person. I'm more ambiguous towards the Wilson-BJ comparison, but at least Wilson is canonically shown to possess some of the traits that are commonly assigned to BJ within fanwork. House and Hawkeye on the other hand... like Hawkeye and Wilson have more in common with one another, Wilson being compassionate and communicative towards his friends and patients, including House when House isn't being particularly likeable (there actually might be a bit of BJ in House, lol).

imo, it's part of a trend of homogenizing ship and character dynamics, molding characters/ships/settings to certain popular tropes rather than the other way around across fandoms... to what end, I have no idea. I'm of the opinion that nothing in fanfic presents any kind of real-world "risk" in comparison to mainstream media, but it seems to me that presenting all the big gay ships as being "the same", essentially inventing new gay stereotypes is something we maaaay want to move away from. Or at least ask ourselves why we do this with gay men specifically.

okay MASH/perils-of-gay-fandom tangent over. basically, House is a mediocre show, albeit with some very good acting. it offers great fodder for fanwork because the characters are all some kind of hot mess (except for Foreman), it's got plenty of sex and drugs, and despite the fact that every medical drama to ever exist has contained all of these elements setting each other off, there's still a societal expectation that doctors and nurses have their shit together. these are people who are responsible for human life, so they can't possibly be sex-having, substance-abusing, hot messes, right?

#re: house md #replies #i would love to hear what you like about the show too!!!!

[tathrin]

3, 19 and 28 for the fic writer asks!

Questions taken from this ask game.

3. how you feel about your current WIP

Oh my stars I'm freaking obsessed with it, I love it so much. I have deliberately pushed everything else to the back-burner or further in order to keep focused on it, and I've never been able to (or interested in) maintaining that level of focus for so long before.

It's extremely difficult (and genuinely exhausting) to write in a lot of ways, in part because it requires a very specific Tone that can be hard to maintain, but mostly because even I've never tried to juggle THAT MANY details before, but it's also so damn much fun.

I have to constantly resist the urge to just post everything I have at once immediately because I so desperately want to share it all right away, but I know that with the amount of logistical STUFF going on in this story, I absolutely need to leave myself a buffer for adjusting things—so I can't. But it's very very tempting!

19. the most interesting topic you’ve researched for a fic

Okay I honestly can't come up with one that sticks out particularly (I've been writing for a long time, you kind of get inured to the idea of looking-up weird stuff lol) but the results of said searches that amuse me the most are the time that google-ads started showing me nothing but ads for a dragon-dildos website as a result of whatever I had been researching at the time for like three weeks...

Said research, btw? might have involved googling dragons once or twice, but definitely have nothing to do with sex toys. Or sex at all, actually. So that was quite the leap to make.

Also, I learned that there was at least one website that specialized EXCLUSIVELY in dragon-themed dildos (which in the early 2000s was more surprising than it would be today, tbf).

28. your least favorite part of the writing process

Hmm honestly probably coming up with the titles tbh! It's sooooo hard, because you can't just slap any title on a story, right? It has to FEEL RIGHT. Sometimes (on extremely rare occasion) a perfect title or chapter title will just pop into my head—but more often than not, this part of the writing-process involves grumbling around for a long time trying to scrape something half-decent out of the ether.

Also waiting to see what people think of the results but that's more a part of the post-writing process shh.

Thank you for asking! Those were very fun choices.

#more fic writer asks #my writing #me #writing

[gray-dun]

TLDR: Some songs have a deeper meaning than most people think would be great if people could read between the lines and where more media literate. But I get it art is subjective and thinking is hard.

Also fuck the person that said "high school is the best time of your life".

OVER SHARING TIME. Trun back while you can

I've been thinking about Green Day because they are apparently relevant again...

The year is 2006

Months before the student council had asked for students to submit songs to be voted on. My friend group hummed and hawed about it for a few days, and we eventually decided that Float On by Modest Mouse was a good choice. We all went around to other friend groups and tried convinced a few people to go along with us.

The early to mid 2000's where bat shit crazy (although compared to the 2020's haha fuck...) it was the height of "the war on terror", and I feel lead vocalist Issac Brock summed it up perfectly that time in an interview.

"It was a completely conscious thing. I was just kind of fed up with how bad shit had been going, and how dark everything was, with bad news coming from everywhere. Our president George W. Bush is just a fucking daily dose of bad news! Then you've got the well-intentioned scientists telling us that everything is fucked. I just want to feel good for a day."

At the time, it felt like the song was saying "yeah shit sucks, but just keep pushing forward. You'll get there" and that resonated with our teen brains that were constantly bombarded with fear mongering, blatant racism, homophobic raving, and the looming economic recession. (So about the same as now I guess) Christ, I thought I was closeted and socially withdrawn now. Back then I was constantly told to my face I looked like a school shooter/drug dealer or asked (called) if I was gay (or other slurs of that nature) by "friends" and "family". Only for them to then turn face and day shit like "I should be more open about my feelings and talk more" or "you feel distant". Hmm I wonder why.

Anyway

Lo and behold the day the ballots were handed out Float On was there. However, so was Time of You're life by Green Day. That lunch we cast our votes and a sense of dread hung over our group as we sat around the lunch table. We all wondered if people knew that the full title of the track is Time of your life (Good Riddance) and what it was even about.

For those that don't know or are too young, the song is about the lead of Green Day masking his anger about an ex moving away and being a passive-aggressive man child about the whole situation.

The class of 06 graduation came, and I somehow received my diploma. As the ceremony wrapped they played us out to Time of your life (Good Riddance). My friends and I all gave each other a quick knowing cringed glance, and after the celebration we headed over to a friend house to play 3.5 ed D&D for the entire weekend before our last summer together.

Since that day I have never gone back to that high school, or spoken to the majority of the people i graduated with. I remember one of my friends at the time said "as you get older you'll miss them and the times we shared" and honestly... Good Riddance.

[apples-of-apples]

I get irrationally angry when people call Pokémon “a timeless franchise” because it’s not.

It’s worse when they go to other franchises like digimon, compare them to Pokémon, and then say this isn’t a timeless series or it couldn’t compete with Pokémon.

It’s so annoying and incredibly incorrect.

Pokémon cannot be called timeless at all. If anyone tried to compare gen 1 to gen 9 they would realize that early Pokémon is something that most kids, hell even most adults nowadays would criticize for being grindy and boring.

Like I get it’s probably meant in the way that the brand of Pokémon will go on forever, but why is it that other franchises aren’t timeless then??? Just because you don’t keep up with a certain series yourself doesn’t mean it failed or it itself isn’t “timeless”

Take yu gi-yoh for example. Everyone knows what yu gi-yoh is. It’s a card game. But nobody (at least to my knowledge) calls it timeless. Why is that? It’s lasted for over 20 years at this point and there are many dedicated fans of it, so why isn’t it called timeless but Pokémon is? Because it doesn’t permeate almost every kind of market?

Then there’s digimon. As a big fan of digimon myself it really annoys me to see people say digimon “failed” or something. Digimon has had a lot of ups and downs yeah, but it’s never like completely ever died?? Just because a series isn’t in the west doesn’t really mean it failed or something.

It’s especially weird when people bring up “cringe” parts of media from franchises like digimon, and yu gi-yoh to try and prove that they aren’t able to be “timeless”. The digirap for example I’ve heard it be called “early 2000’s corporate”. Is it great? No, but there’s the pokerap and it’s “charming”?? When it’s basically the same thing??

Honestly digimon, yu gi-yoh, and other franchises like them are arguably more “timeless” than Pokémon is! There media like the anime are very self contained and can be enjoyed by pretty much anybody! There are messages that adults are able to enjoy in those animes along with messages for kids! Pokémon is an anime just for kids. Are there things adults can enjoy? Yeah, ig? But if an adult were to watch the original Pokémon anime now without nostalgia I feel like they wouldn’t like it.

It’s just weird to me. How Pokémon is such a boring franchise that has so many fans and gets called timeless… while being anything but. And better franchises are called timeless or just ignored because of a few things that are cringe or something.

#idk this was a rant #I think it ended up coherent #I just… hate when people put franchises down because it’s not the exact same thing as Pokémon #or they do think it’s the same as Pokémon because it has monsters #or shortens monsters to mon because Pokémon is so original for shortening words to get a message across

[biglazybeez]

Championship Surfer - 2000

The next game I dropped into is a pretty big leap forward, Championship Surfer on the Dreamcast, released in November 2000. I didn’t have a DC when they were first released (I was one of the people responsible for its failure, knowing about it but deciding to wait for the PS2), but I’ve had this one for a few years and I have to say, I like the Dreamcast. 

This is one of the first games I bought for the system when I got it, and like most people probably did (based on the ratings this game got when it was new), I tried it for a little bit and then moved on. Once I decided to write the one surfing videogame series to rule them all, I started putting some serious time into the game.

It does look pretty good - water is something videogames have had trouble with from the beginning (same thing with hair). The waves in this game have direction, and all have size and shape variations. Honestly the more I played it the more I was impressed with whatever engine was generating the waves.

This level, for example has a wave that breaks early, so you have no choice but to start your ride in the green room. Try to ride up too high on this wave and you fall, just like the steep parts of overhead waves like this. 

Waves are the part of surfing that most people don’t talk about much, other than noting when one is especially big. Reading how they break and which ones are ridable is probably the hardest part of surfing with the steepest learning curve. Of course there are breaks where the waves form and break very consistently, but since these are easier to read, most of these places are very crowded. I’ve spent a lot of time floating around in the mush at beach breaks, trying to figure out what is going on. It was a tough early lesson for me in surfing - no two waves are ever the same (duh), but of course I was trying to be methodical about improving my skill. It took more than a year for me to realize -- a lot of the time you can predict what a wave is going to do, but a lot of the time you can’t. Sometimes they break early, sometimes they crumble down, sometimes they close out, and sometimes they make it almost all the way to shore before breaking -- and this can be at the same place at the same time over the course of 15 minutes or so.

At any rate, this game clearly had a surfer talking to the guys programming the waves. They are all catchable, but some come in early, others late. Some of them have flat spots, and some of them are very violent, sucking you up on top of the falls if you get too close, or throwing you out in front of the wave if you are in the wrong spot. Some of them have a stepwise drop, just like some of the weirdo waves out in the world.

So the waves are impressive, even if the water effects are pretty dated. The character models are pretty limited, so they gave everyone different colored wet suits to differentiate them. Learning how to play this game took a while, and I have to say I really had to apply myself to getting the controls down. I play(ed) and play a lot of Tony Hawk, so figuring out tricks and scoring is not a new thing for me -- I did finally get proficient, but it seemed like every time I unlocked a new beach, there was a new learning curve to climb. The pic above is the first example. Not enough that you have to catch the wave and start carving it without wiping out or falling off the back, the arcade mode puts all kinds of crap in the way to keep things from getting repetitive (it still does). Here you see floating naval mines (one of those will take out more than half your board life -- the surfboard icon at the bottom of the screen is the ‘life meter’), a helicopter that tracks you and drops bombs, and a super rude guy on a jet ski. To this you can add buoys (they look like beach balls), surf photogs with cameras (nice touch) and SHARKS!

Whether or not you are the victim of a shark attack is really irrelevant, they are like huge logs in the surf and are a much bigger hazard because of their size. There is a very cool attack animation to these guys, and they will track you around the wave face (they kinda pivot, but they can’t really chase you much). Here’s another look that is not so close.

The fact that I am still on my board in this picture must mean I jumped the shark! They don’t submerge enough to be able to surf over them, but if that is Shane Beschen (and assume he’s somewhere between 5′6″ and 6′ - that is at least a 12 footer. HUGE shark. One addition I have to take exception to is the dolphin hazard.

They burst up out of the surf and twirl a little bit. Easy enough to dodge, but dolphins? I’ve shared waves with dolphins in real life - they hang out with surfers. They even let their babies get close to surfers as the little guys are curious. They would not be caught in this anti-surfer chicanery. So, one has to suspend belief a bit. 

If you look at the scoring, I think the idea here was that tricks are somewhat limited (there are supposed to be 40 tricks, but I assume that is including all the combos), so the game awards you points on how well you executed the trick? I’m not sure if this is how real surfing competitions are held, but it seems a bit arbitrary here.

This is the overhead view that you get right before you are given control - the white thing in the middle is your surfer. Notice that the clock has already started ticking down, and I’m still there waiting for the wave. All those white smeary things to the right are obstacles, lined up to get in your way while you try to shred. You can see the helicopter on the far left just starting to bank over so it can hover over the wave face and try to blow you up.

All this crap shows up in Arcade mode, and once it started getting stupid (the jet ski guy is like a missile trying to run you over) I thought - ‘Hey! I bet I can get that guy to run into the mines and clear a path, or bait him into one of the bombs from the helicopter, or at least trick him into getting wrecked by the wave.’ And then I tried all this and found my biggest issue with the game:  Everything in the surf is not only not impacted by what the wave does, they do not interact with each other. 

So the jet ski will go right through a mine (or a shark, or a photographer), and both remain hazards. Bombs from the helicopter make these huge explosions but they won’t detonate mines. There is a very intricate set of animations where the photographers dive under the wave right before it crashes, but their fins stay above the water line so you will still wreck if you hit them. The Shark, the mines and the jet ski treat the crashing wave just like a hump in that they will change elevation (and will get sucked up to the crest), but the only thing that can go over the falls is your surfer. Above you can see the jet ski actually turning on the face of the wave while upside-down to keep coming after me.

You can see the bomb explosion here, but that gray blob in the white is actually a shark I just jumped over. In the actual ocean, no shark is ever going to get this close to the crest of a wave and if they did, they would get rolled. In Championship Surfer, the sharks are immortal, and also magic? One other item that makes things difficult is the camera seems to change angles at random, and the controls get tighter the close you are zoomed in - great for setting up tricks but horrible for trying to not get blown up -- you can’t see any of the obstacles until your are running into them in several of the angles. 

Each wave starts with a wide angle view, which is great for looking at what is coming up, but this means you have to catch your first wave before you adjust the camera - every single time. Even after this, the angle you choose may be discarded by the game, or maybe not. I have no idea of the logic behind the camera moving around.

One nice touch is the idle screen, which is great product placement for O’Neill.

I have a couple of O’Neill wetsuits and some other neoprene goodness from them. High quality, and from what I have read this game was originally announced as ‘Billabong Pro Surfing’, but something must have gone wrong with the ‘bong because O’Neill is kinda tacked on here.

You can pick from 8 different surfers and a bunch of different boards, but I didn’t really notice much of a difference between any of them. You can also pick from several different weather conditions - a nice touch in that you can select Hurricane - the water is black, it is pouring rain and the waves are super choppy.

There are several modes of play, you can compete in a tournament or do trick attack, and there is even a rumble mode, where you try to knock other surfers out in single combat on the waves! Didn’t expect that. In tournament mode, I experienced the only time I will beat John John Florence in anything (he’s just a kid, but he is in this game) As far as unlockables and secrets, the only real way to progress is to complete challenges in Arcade mode, which has Beginner, Amateur and Pro. You unlock more beaches with every success, culminating in Dead Man’s, which took a while to beat. Once you do this, you get a Polarman who looks like Ice man in the arctic. He surfs, but other than trying for a high score you can’t do much.

There are a bunch of cool fmv files you can watch, but a lot like the Tony Hawk games, you can do a lot more in the game than real life, so while they are impressive, they don’t stack up so well with unreality.

In conclusion, I have some conclusions:

1) The reviewers of this game 20-some years ago probably didn’t play the game very much. They were also correct in rating this game low, as the learning curve doesn’t have much of a payoff - so why make it so difficult?

2) Even though I have only reviewed 2 surfing games so far, this one is the clear top of the heap. Though it didn’t translate to success for this game (or any surfing games as far as I can tell), the wave behavior introduced in this game is pretty true to life in that there is a certain randomness to the waves. This is especially harrowing when you are very close to getting the required score in arcade mode, and the only wave it gives you feeds you right to the shark.

3) If the developers would have spent a bit more time on the collision mechanics with all the obstacles, the arcade mode would take on a new character. Man, I would have loved leading the jet ski guy into a mine and watching him explode (he points at you after he wrecks you, the nerve!). Somehow the helicopter can knock you off your board on the crest of the wave with its skids, but the jet ski flies right through it when you line them up?

First time in a while my thumbs hurt from playing a game so much. I had a good time with this, and I expect I’ll revisit it now and then just like THPS2, which is high praise.

#surfing video games dreamcast surfing retro games

[transgender-scout]

Personal Maximum Ride Headcanons

•the E shaped house was an old vacation home that jeb had, and he began remodeling it when he started planning to take the flock there

•it was a four bedroom house, so angel and nudge shared a room (canon), iggy and Gazzy shared a room, and max and fang shared a room. Jeb had a room to himself. The flock didn't really mind sharing rooms because they were pretty on edge/were kind of scared to be alone anyway

•After Jeb disappeared, Max would go to his room and just lay on his bed, mostly just trying not to forget how he looks or smells or sounds

•for the first few weeks after he disappeared, Max's grief was starting to get to her so she practically moved into his room

•and a couple months after that, she DID move in, and having her stuff in there helped a little. They moved most of Jeb's stuff to the office and just kind of. Left the room alone once everything was in there

•the "tv" Max mentioned couldn't actually get reception, so most of what the flock watched were VHS tapes that jeb had brought with him. New VHS tapes were the most popular wants for birthdays and gift giving holidays

•jeb also had stacks and stacks of cds of (mostly his favorite) music, which most of the flock didn't really care for. Iggy liked more than the rest of the flock, but he just enjoyed sitting against the speaker to feel the vibrations

•most of the flock isn't particularly religious, but max is Jewish

•the entire flock has adhd, ptsd, and anxiety. Max and Iggy have depression.

•Jeb had internet filters on the house computer, but removed them the night he left so that the kids could continue to learn after he was gone.

•Nudge got her name because after they left the school, she was practically mute, so she would nudge the others to get their attention. She started coming out of her shell and becoming more comfortable with talking, but the nickname stuck.

•once Max got older, she went through that "god I hate anything and everything girly with a PASSION" phase, but saw how much it made Nudge and Angel upset, so she toned it down a lot.

•she pretends to only watch Disney movies for the kids, but she actually really likes them. She hates live action disney movies though. The only one she can stand is Holes.

•fang hates to be restrained in anyway. If he wears anything tighter than a Tshirt, he goes into a panic attack. This goes double for tight sleeves. He's also lactose intolerant

•Iggy loves any and all Miyazaki movies. Ponyo and Kiki are his favorites. He's also a huge Naruto fan and the flock definitely made him a headband for his birthday

•nudge has sketchbooks upon sketchbooks of clothes and outfits she's designed. She only turns about one out of every twenty into real clothes, though. All of them are clothing that accommodates people with wings.

•Despite his destructive nature, Gazzy loves growing plants. Every surface in his and iggy's room is covered in plants. His favorites are succulents and bamboo. Iggy has tripped over an out-of-place plant on more than five occasions. The whole room smells like fresh earth.

•Angel has brought in dozens of wild animals over the years, insisting that they're nice and she knows it because she can read their minds. Fang and Max have had to, more than once, scramble to release a wild badger in the middle of the night without waking Angel up so they could tell her that he went back to his family in the morning

•every member of the flock is queer but we already knew this.

(Max, trans asexual lesbian

Fang, nb demisexual aromantic

Iggy, nb gay

Nudge, pangender bisexual

Gazzy, trans

Angel, bigender)

[ID: a black banner which reads "James Patterson do not interact!" in off white text, with "do not" underlined twice. On either side of the text is a colored edit of Nudge from the manga. End ID]

#i tried to keep most of this in the early 2000s because i honestly kind of dig that era being the setting #but yeee! #maximum ride #terrifiedofjudgement

[hwrryscherry]

 The one where the reader meets Harry as Jack

characters: HARRYxREADER!FEM

blurb: Harry is filming Don't Worry Darling in Palms Springs while Y/N is moving in in her new house in the neighbourhood where the movie is being filmed. Turns out the fate wanted to cross Harry and Y/N's way as a box full of books is very intriguing to Harry and Pride and Prejudice becomes Harry's new favorite.

word count: 2.7K

author's note: Heyy guys, it has been SO LONG and honestly I don’t think this is best work yet lol but anyway, I had the worst writer’s block of my life so it was so hard for me to write a single word. Honestly, I felt kinda pressured to write. I felt like I was pressuring myself for that so I had to take advantage of this block and take this idea out of my mind. I want to say something important too; I really want to say that the only story of mine that I’ll keep the face claim is HARRYxMODELY/N, just because I like to use the photos to make instagram posts sometimes. I will no longer describe types of hair as I used to say ‘’long strands of hair’’, it will be neutral for you to imagine yourself in the story. It’s all about you guys and how you can visualize the story and the character, if you want to imagine a face claim that’s cool but if you don’t want to it’s cool too. Feel free to read and visualize, it’s all about you. Thank you for the support on my account and my writing. I’m aware that I’m not the best lol, but I also think that I have so much to learn from you just as I have to teach. I’m so grateful for everyone who reads and like my stuff. Never forget that you’re unique, you’re loved, you’re so golden and treat people with kindness always.

   "Why is it so hot in here? It's fucking December!", you'd think to yourself as you drove your new car through the streets of Palm Springs. The thing is that after you moved from Columbia to reside so many years in New York while you were studying English Language and Literature in Yale, you just got so used with the usual colder weather from NY and it's just a different vibe from California. You had such a hard time to decide what you wanted to do after graduating, though. And after a few weeks and some long conversations with your family, you decided you would go to California. Palm Springs, to be more specific. You decided that because you remembered all the times you went there when you were a kid because your grandmother lived in there before she passed. You remember spending your summer vacation with her and how cool it was. It was in the early 2000′s and there was many kids on your age that lived on her street. You remember playing with them all day and then getting back into your grandma’s house and feeling that cinnamon scent that for some one only her house had. It wasn’t a usual cinnamon scent. It had something special in it. It made you feel so warm and welcomed. You remember helping her to bake the most delicious cookies, brownies and cakes in her kitchen. You remember the kitchen had a yellow counter, but the entire kitchen was white. All very pale and then the cheerful yellow in the kitchen that colored everything. You remember going to play bingo with her and how it made her happy to having you around. You both were so close and you had such a hard time when she passed, but the most important was she taught you so many things during your time together, and you’d never forget those things and her.

    As you drove, you’d remember those streets vaguely. You’d pass through the soccer court you typically used to go with the other kids and spent hours playing in there. You were vibing with the song in the stereo as you started getting closer to your new house’s street. It was Carolina by Harry Styles; you have to admit you’re not the biggest Harry Styles fan in the world, but you were definitely a One Direction fan when you were around 16, but you couldn't be considered a directioner either. You just listened to a few songs and thought it was good. But anyway, this specific song is one that you particularly like. It may have something to do with the fact that you’re from Carolina, of course. But it’s more about the vibe and the melody that by being animated it could actually cheer anyone up and the lyrics were undeniably good though, a little sexual, but good. It’s more about the vibe and the melody that by being animated it could actually cheer anyone up and the lyrics were really good though, a little sexual, but good.

    When you turned the right way into the street of your new home, you came across much more than you expected to see on your moving day. There were, as it seemed, paparazzi. Apparently they were shooting a movie right in your street, and it had also many people with many cameras and trailers that probably were dressing rooms. Naturally, you knew that thousands of films were shot in California, that’s obvious. But you didn't expect one to be shooting exactly on your moving day and specifically in your street, let alone that the street would be this crowded since the world is experiencing a global pandemic, ironic. You observed some of the people walking down the street, or should you call it a set? You don't know, but there were many people and many cars, at least they were all wearing masks. It had many classic cars, probably in the 40s or 50s style. They were colorful; vivid colors, though. Colors like yellow, blue and lilac was really present. To resume, the whole street looked like a movie from the 50s and for sure that was the intention because you could notice some extras walking around the set dressed up as 50s people used to.

    As you carefully drive through the street, you’d notice that from what seemed like a divine miracle, there was a vacant parking spot right in front of your house and you can’t help but smile when you see it. The first time you came here to see the house. You were with your family, and that was about four months ago. You just loved the house completely as it had such a different vibe from the place you used to live in New York, and honestly, just the thought of the house made your creativity activate as it had some really cool colored walls and you bought some colored mobile as well. Anyway, you stopped the car right in front of your house finishing the engine and grabbing your mask and putting it in your face as you'd use your hand to get rid of the seat belt and your other hand to open the car door and get out of the car.

    After closing the driver's seat door, you go around the car walking to the trunk where you use the car key to open it. When you open it, you are faced with two cardboard boxes. One was full of books. Books of all kinds, books of period novels, books of suspense, books of investigation and etc. Books that piqued your curiosity and made you want to finish reading it as quickly as possible. The other box was already full of clothes, those last clothes that you would finally be taking home. Your mother has done the biggest job in the moving issue; she was the one who was bringing the furniture and your things while you finished packing the rest of your things to leave New York. You try your hardest not to pay attention to the set of recordings and the people who walked back and forth, at the same time that you tried hard not to make any noise, because if you accidentally disturbed a scene, you would feel extremely embarrassed and would probably not even show up at the gate until the end of filming, but that was not the case. You removed the two boxes from the trunk just before closing it completely. You chose, perhaps, to enter the clothes box first. You bent down taking the box in your arms and walked to the door of the house where you used the key you received from the real-estate agent to unlock it before entering. You immediately noticed that some sunbeams reflected on the living room floor due to the white linen curtain that covered the glass windows. You observed the contrast of the sofa in such a light tone with the lilac wall just behind it. You walked with the box in hand by the door extension to the room where you placed the box on the small coffee table in front of the sofa. Returning out of the house, you can see the figure of a tall man dressed in a brown suit crouched in front of the box of your books. He had brown hair and properly cut. It didn't look like he was messing with your books, but he was definitely looking at them and it seemed like he was trying to read the covers of it for some reason. You slowly got closer to the man's body without making too much noise while you analyzed him, you crossed your arms upon your chest as you noticed the book cover he was looking at: Love is a mixtape by Rob Sheffield.

— This one is amazing! — You said, surprising the man that stand up fastly with the book in his hands connecting his green gaze with yours. He was tall, really tall by the way. His suit seemed perfect, just as his hair. He had a black mask on as a protection but the 16 year old teenager inside of you could never mistake those eyes. It was Harry fricking Styles. You considerated being quiet as you, yourself were pretty surprised now, but then you took your gaze to the book in his hand and then back at his face — It's like comparing love to a popular song that we usually search to define love. Just to find out that love is like oxygen, or love is a kind of drug, or a battlefield for some... — You said referring to the book with a tender smile on your face that Harry couldn't essentially see, but talking about a book that you loved caused this on you. And as you talked you didn't notice that Harry had a smile on his face as well. Maybe it was because you completely ignored the fact that he is Harry Styles and he was messing up your books as he's on the set filming a movie, or maybe it was the fact that he loved this book just as much as you did. He'd use to say this is probably one of the books that if he had to read just one book to the rest of his life, he'd chose this one and he usually had so much to talk about this book and so much to put on an argument about it but now he was completely speechless. He was just tongue tied. He was tongue tied about your reflection of one of his favorite books and how it looked so identical to his own personal reflection. He was tongue tied for the number of great books that he always wanted to read that was on that box. He was tongue tied at the owner of those books and her beauty, her intelligence of her voice and her voice as well so he just chuckled. A nervous chuckle as he leaned his head to look at the floor for a second before looking at you and holding out the book in his hands to you that calmly took it from his hands.

— I know! It's one of my favorite books! — Harry'd ultimately manage to say it as he observed you admiring the cover and running your fingers through it as a truly book lover would do — It's very interesting the interpretation you have of it.

— Don't you agree? — You'd interrupt him rising your head to examine at his face. He seemed paralyzed by some way, little did you know that Harry was mesmerized. He enjoyed the informal way you were speaking with him, and it genuinely felt like you already knew it each for years.

— That's the intriguing part. We have the same interpretation! — He'd say serenely, and then running his hand through his hair as he frown a little because of the sun that just hit on his glowing eyes.

— Well...Maybe you're just trying to imitate me to impress me! — You'd joke, with a mocking expression on your face making Harry giggle at your words and your face. It was the sense of humor to him.

— Oh really? And what makes you think I'm trying to impress you? — Harry'd say back with the same mocking tone that you formerly used. He'd observe your face go from playful to thoughtful in just as you to come up with a response.

— I mean...you were the one looking through my stuff, mister! — You say raising your eyebrows as you utilized one of your hands to take some strands of hair out of your face.

— Right... — Harry said with a defeated voice before as he compressed his lips together and moved his suit away from his shirt a little as he places his hands on his waist — I'm sorry about it, though. There was this box hanging here and I guess I was just intrigued! — He said shyly making you start walking towards the box walking closely to him causing him to feel a hot warm from your body as you passed. You'd bend over to grab the box but was stopped by Harry taking the heavy box from your hands — Let me help you with this! — Harry said as he held the box on his arms.

— There's no need for that. It'll ruin your splendid suit! — You'd say gently to him as he was standing up in front of you carefully holding the loaded box. Legitimately, he looked hot. He properly looked like a 50s husband helping with the moving with this outfit — And if you piss off your costume designer because of me I'll die! — You'd complement receiving a loud laugh from Harry's lips that shook his head while looking at you.

— She’ll be fine! — Harry'd argue back, then get a sigh from you before nodding at him as a statement.

— My house is right there! — You'd say using your right hand to point at your house, watching Harry turn his back to you and start walking towards it. You followed him through the door that was already open. Harry looked at the house immediately. It had a good vibe, and he wouldn't deny it. The choice of colors was exceptional, but he also noticed it was not very tidy, which would probably indicate that you were moving today.

— Where do I leave it? — Harry asked, referring to the box as he went farther into the living room.

— You can just leave it on the floor — You serenely said crossing your arms together and watching as he left the box on the floor and turned around to face you, but then deflecting his gaze to the ceiling before staring at your face again.

— It's a beautiful house! — Harry said as he moved his gaze through the room. He observed everything. He likes to observe. He likes to notice things that maybe other people didn't — Just like the owner, if I might say — Harry said cheekily and charming hearing your giggle invade his ears as you started walking towards the box of books that he previously set on the floor.

— The owner says thank you — You said bending down and starting to take the books out of the box and place it on the coffee table beside you as Harry watched your movements. You shyly looked at him thinking for a second and them smiling under your mask — For both compliments! — You said getting your attention back to the books. It's not that you don't want to give him your attention. It's that you genuinely think that he's just being nice, and he's probably not even interested in anything that you say.

— So... I have to go back to the film now but maybe you can give me your number so we can talk about your interpretation of my favorite book — Harry said shyly. His words took you by surprise actually but you couldn't hold back the smirk you had under your mask as you stand up again turning to face his green eyes. You noticed that he had his phone on his hand, hoping and waiting that you'd give him your number even though both of you knew that the book excuse was nothing more than an excuse as he was truly interested in knowing you.

— Well, it depends... — you said slowly as you took a deep breath before actually saying anything — If you agree to read my favorite books too, I'll give you my number!

— I'd be honored! — Harry chuckled after letting a sigh out feeling relief that you asked for something so simple that he'd love to do if that would make you happy — What's your name? — Harry said as he unblocked his phone screen and started to save your phone number.

— Save it as Elizabeth Bennet in there! — You said fastly with a proud smile on your face as Harry giggled and did as you ask and then looked at your face as he put his phone back on his pocket.

— Only if you save my name as Mr. Darcy when I call you! — Harry said knowing that after this, Pride and Prejudice would definitely become one of his favorite books ever.

#hwrryscherry #harry and y/n #harry styles and y/n #harry x reader #harry styles x you #harry styles x reader #harry styles x y/n #harry styles au #harey styles blurb #harry styles fanfiction #harry styles blurb #harry styles one shot #boyfriend harry styles #harry styles imagine #harry styles imagines

[citrina-posts]

Avatar: Cultural Appreciation or Appropriation?

I love Avatar: the Last Airbender. Obviously I do, because I run a fan blog on it. But make no mistake: it is a show built upon cultural appropriation. And you know what? For the longest time, as an Asian-American kid, I never saw it that way.

There are plenty of reasons why I never realized this as a kid, but I’ve narrowed it down to a few reasons. One is that I was desperate to watch a show with characters that looked like me in it that wasn’t anime (nothing wrong with anime, it’s just not my thing). Another is that I am East Asian (I have Taiwanese and Korean ancestry) and in general, despite being the outward “bad guys”, the East Asian cultural aspects of Avatar are respected far more than South Asian, Middle Eastern, and other influences. A third is that it’s easy to dismiss the negative parts of a show you really like, so I kind of ignored the issue for a while. I’m going to explain my own perspective on these reasons, and why I think we need to have a nuanced discussion about it. This is pretty long, so if you want to keep reading, it’s under the cut.

Obviously, the leadership behind ATLA was mostly white. We all know the co-creators Bryan Konietzko and Michael Dante DiMartino (colloquially known as Bryke) are white. So were most of the other episodic directors and writers, like Aaron Ehasz, Lauren Montgomery, and Joaquim Dos Santos. This does not mean they were unable to treat Asian cultures with respect, and I honestly do believe that they tried their best! But it does mean they have certain blinders, certain perceptions of what is interesting and enjoyable to watch. Avatar was applauded in its time for being based mostly on Asian and Native American cultures, but one has to wonder: how much of that choice was based on actual respect for these people, and how much was based on what they considered to be “interesting”, “quirky”, or “exotic”?

The aesthetic of the show, with its bending styles based on various martial arts forms, written language all in Chinese text, and characters all decked out in the latest Han dynasty fashions, is obviously directly derivative of Asian cultures. Fine. That’s great! They hired real martial artists to copy the bending styles accurately, had an actual Chinese calligrapher do all the lettering, and clearly did their research on what clothing, hair, and makeup looked like. The animation studios were in South Korea, so Korean animators were the ones who did the work. Overall, this is looking more like appreciation for a beautiful culture, and that’s exactly what we want in a rapidly diversifying world of media.

But there’s always going to be some cherry-picking, because it’s inevitable. What’s easy to animate, what appeals to modern American audiences, and what is practical for the world all come to mind as reasons. It’s just that… they kinda lump cultures together weirdly. Song from Book 2 (that girl whose ostrich-horse Zuko steals) wears a hanbok, a traditionally Korean outfit. It’s immediately recognizable as a hanbok, and these dresses are exclusive to Korea. Are we meant to assume that this little corner of the mostly Chinese Earth Kingdom is Korea? Because otherwise, it’s just treated as another little corner of the Earth Kingdom. Korea isn’t part of China. It’s its own country with its own culture, history, and language. Other aspects of Korean culture are ignored, possibly because there wasn’t time for it, but also probably because the creators thought the hanbok was cute and therefore they could just stick it in somewhere. But this is a pretty minor issue in the grand scheme of things (super minor, compared to some other things which I will discuss later on).

It’s not the lack of research that’s the issue. It’s not even the lack of consideration. But any Asian-American can tell you: it’s all too easy for the Asian kids to get lumped together, to become pan-Asian. To become the equivalent of the Earth Kingdom, a mass of Asians without specific borders or national identities. It’s just sort of uncomfortable for someone with that experience to watch a show that does that and then gets praised for being so sensitive about it. I don’t want you to think I’m from China or Vietnam or Japan; not because there’s anything wrong with them, but because I’m not! How would a French person like to be called British? It would really piss them off. Yet this happens all the time to Asian-Americans and we are expected to go along with it. And… we kind of do, because we’ve been taught to.

1. Growing Up Asian-American

I grew up in the early to mid-2000s, the era of High School Musical and Hannah Montana and iCarly, the era of Spongebob and The Amazing World of Gumball and Fairly Odd Parents. So I didn’t really see a ton of Asian characters onscreen in popular shows (not anime) that I could talk about with my white friends at school. One exception I recall was London from Suite Life, who was hardly a role model and was mostly played up for laughs more than actual nuance. Shows for adults weren’t exactly up to par back then either, with characters like the painfully stereotypical Raj from Big Bang Theory being one of the era that comes to mind.

So I was so grateful, so happy, to see characters that looked like me in Avatar when I first watched it. Look! I could dress up as Azula for Halloween and not Mulan for the third time! Nice! I didn’t question it. These were Asian characters who actually looked Asian and did cool stuff like shoot fireballs and throw knives and were allowed to have depth and character development. This was the first reason why I never questioned this cultural appropriation. I was simply happy to get any representation at all. This is not the same for others, though.

2. My Own Biases

Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.

I don’t speak for South Asians, but I’ve certainly seen many people criticize Guru Pathik, the only character who is explicitly South Asian (and rightly so. He’s a stereotype played up for laughs and the whole thing with chakras is in my opinion one of the biggest plotholes in the show). They’ve also discussed how Avatar: The Last Airbender lifts heavily from Hinduism (with chakras, the word Avatar itself, and the Eye of Shiva used by Combustion Man to blow things up). Others have expressed how they feel the sandbenders, who are portrayed as immoral thieves who deviously kidnap Appa for money, are a direct insult to Middle Eastern and North African cultures. People have noted that it makes no sense that a culture based on Inuit and other Native groups like the Water Tribe would become industrialized as they did in the North & South comics, since these are people that historically (and in modern day!) opposed extreme industrialization. The Air Nomads, based on the Tibetan people, are weirdly homogeneous in their Buddhist-inspired orange robes and hyperspiritual lifestyle. So too have Southeast Asians commented on the Foggy Swamp characters, whose lifestyles are made fun of as being dirty and somehow inferior. The list goes on.

These things, unlike the elaborate and highly researched elements of East Asian culture, were not treated with respect and are therefore cultural appropriation. As a kid, I had the privilege of not noticing these things. Now I do.

White privilege is real, but every person has privileges of some kind, and in this case, I was in the wrong for not realizing that. Yes, I was a kid; but it took a long time for me to see that not everyone’s culture was respected the way mine was. They weren’t considered *aesthetic* enough, and therefore weren’t worth researching and accurately portraying to the creators. It’s easy for a lot of East Asians to argue, “No! I’ve experienced racism! I’m not privileged!” News flash: I’ve experienced racism too. But I’ve also experienced privilege. If white people can take their privilege for granted, so too can other races. Shocking, I know. And I know now how my privilege blinded me to the fact that not everybody felt the same euphoria I did seeing characters that looked like them onscreen. Not if they were a narrow and offensive portrayal of their race. There are enough good-guy Asian characters that Fire Lord Ozai is allowed to be evil; but can you imagine if he was the only one?

3. What It Does Right

This is sounding really down on Avatar, which I don’t want to do. It’s a great show with a lot of fantastic themes that don’t show up a lot in kids’ media. It isn’t superficial or sugarcoating in its portrayal of the impacts of war, imperialism, colonialism, disability, and sexism, just to name a few. There are characters like Katara, a brown girl allowed to get angry but is not defined by it. There are characters like Aang, who is the complete opposite of toxic masculinity. There are characters like Toph, who is widely known as a great example of how to write a disabled character.

But all of these good things sort of masked the issues with the show. It’s easy to sweep an issue under the rug when there’s so many great things to stack on top and keep it down. Alternatively, one little problem in a show seems to make-or-break media for some people. Cancel culture is the most obvious example of this gone too far. Celebrity says one ignorant thing? Boom, cancelled. But… kind of not really, and also, they’re now terrified of saying anything at all because their apologies are mocked and their future decisions are scrutinized. It encourages a closed system of creators writing only what they know for fear of straying too far out of their lane. Avatar does do a lot of great things, and I think it would be silly and immature to say that its cultural appropriation invalidates all of these things. At the same time, this issue is an issue that should be addressed. Criticizing one part of the show doesn’t mean that the other parts of it aren’t good, or that you shouldn’t be a fan.

If Avatar’s cultural appropriation does make you uncomfortable enough to stop watching, go for it. Stop watching. No single show appeals to every single person. At the same time, if you’re a massive fan, take a sec (honestly, if you’ve made it this far, you’ve taken many secs) to check your own privilege, and think about how the blurred line between cultural appreciation (of East Asia) and appropriation (basically everybody else) formed. Is it because we as viewers were also captivated by the aesthetic and overall story, and so forgive the more problematic aspects? Is it because we’ve been conditioned so fully into never expecting rep that when we get it, we cling to it?

I’m no media critic or expert on race, cultural appropriation, or anything of the sort. I’m just an Asian-American teenager who hopes that her own opinion can be put out there into the world, and maybe resonate with someone else. I hope that it’s given you new insight into why Avatar: The Last Airbender is a show with both cultural appropriation and appreciation, and why these things coexist. Thank you for reading!

#this deleted idk why #so here is me reposting it #atla #avatar #avatar the last airbender #cultural appropriation #meta #atla meta #racism

[ukaiknowsbest]

Review: Tamayomi

[will contain spoilers]

Lately I have been pretty bored with the recent developments in Daiya no A and Oofuri. New Shonen anime stuff just don't appeal to me, so I bit the bullet and watched Tamayomi for at least one episode a day.

Like me, people would normally think "HOW TF ARE THEY GOING TO PLAY BASEBALL? AREN'T THEY WEARING SHORTS??? IS THIS JUST FANSERVICE?? OMYGOD"

But I did it. I watched the whole thing. 12 episodes.

And I enjoyed it.

THE SETUP/PLOT

pretty standard fare

Pitcher Yomi Takeda accidentally reunites with her childhood friend who's actually a nationals-level in middle school catcher when they both end up in the same highschool.

School: former powerhouse located in Saitama, now baseball club is almost non-existent. Yomi and a few other will try to revive the team from scratch.

Basically Shin Koshigaya is a brand new team where they struggle to look for new members and majority are first years.

They have to face other stronger teams even when they have a few members and some decent players.

Demographic is SEINEN (like oofuri, last inning, one outs, etc.)

CHARACTERS

Yomi Takeda as Main character and pitcher- skilled, resilient, funny, hardworking, does a lot of research which enabled her to perfect her form and hone her breaking ball. She keeps improving in a good pace too.

Tamaki Yamazaki former childhood friend of Yomi. Is a decent catcher in middle school. A bit well known. Good communicator.

Yoshino - team manager and coach. srsly she is a boss. She's not infallible but she tries her best.

and other decent players with adequate skill

For a sports anime they have decent cast. This is probably the closest we can currently get of a story where the girls are just focused on the sport, do their own strategizing/planning/training. All of them are cute but also serious about what they do.

There's no boys here so there's no talk about het-crushes and other distractions. It's a clamfest babyyyy.

I've seen a little of Major 2 (the one abt the son and his coed team) and I couldn't stand it because it was just slice of life in sportsy undertones.

There is also decent communication among all the players. It's pretty refreshing to watch. The catcher is well rounded and the pitcher is good. Everyone talk things out and there is not a lot of drama.

FANSERVICE

Wearing shorts to a sport that involves a lot of making contact with the ground is just illogical lmao.

Their school uniform skirt is pretty short

A little bit of their manager prodding the thighs of each person she meets but with good reason (she can tell how much muscle/exercise a person does just by a little prodding). It's a trope thing.

That's all. There are no panty shots, unnecessary locker room nudity, boob action, see through sweaty shirts. Most of the cringy things I've seen in other girls sports anime aren't present.

Eventually I even forget that they're wearing shorts or that it impedes their performance. It seems like it doesn't matter much to the characters so ¯\_(ツ)_/¯

I don't know if like the hugging or holding hands is considered fanservice. In my experiece we ladies just act like that irl. What they do is nothing out of the ordinary.

REALISM

3/5. They wear shorts and dont tie their hair up. The baseball part seem pretty decent though. The pacing of the story and matches was like watching IRL Koshien. It's all very clinical and straightforward.

Plus they include a lot of interesting baseball stuff which I haven't seen happen in early stages of other shonen anime like: specifically training the pitcher in other positions, showing what fielders yell to each other, letting other relievers start to reserve their ace (ppl can yell DnA did this but remember Tanba was injury boy throughout Act 1).

COMPARISON TO OTHER BASEBALL MANGA

based on technicality Tamayomi is prolly one of the top among baseball anime/manga I have seen.

Last Inning

Oofuri

Tamayomi

Daiya no A

Now don't chase me with pitchforks because of this ranking just yet. The fact that Shin Koshigaya coach's decisions and reasonings for plays and lineups are discussed makes the show at par with Last Inning and Oofuri. (we dont see DnA kataoka talk abt this sht like..ever)

Moreover Tamayomi has similar vibes to Oofuri/Big Windup but less dramatic. I do not think it's good for beginners too (especially with just 12 episodes). You need to have prior baseball knowledge to understand what the characters were doing.

However, this show is probably the most no-fuss baseball anime/manga I have watched. It does not rely on hype like DnA and it also don't have heavy topics like Oofuri and Last Inning. It's not wacky like One Outs and it's not uber slice of life like Cross Game. It's just baseball.

My minor complaint is that they don't give numbers when talking about things like pitching speed tho. It would've been more realistic if actual numbers were dropped XD

ART/ DESIGN/ANIMATION

A.k.a the thing most viewers complain about.

Character design is subpar. Everyone's faces are almost the same. You can tell who's the character not by face but by hair and height. Personally I don't mind this. I don't really look for realism in most things I watch. And I think the hair designs are cool.

Lots of people drop this show because of bad animation. There are shots/scenes where it's like I'm watching fanmade AMV's in nicovideo/youtube from the early 2000's. Pitching motions and Batting motions look like character movements in rpg games.

It's not really a problem for me though. I think it's charming for some reason. I don't mind it. A lot of people do but I'm not them.

CONCLUSION

NGL I wanted more. 12 episodes is too short. I hope a better animation company picks this up. I'm rewatching the whole thing because I enjoyed it a lot. I'll even check out the manga if I have time.

If anyone's interested here's my tamayomi livetweet thread

This is one of the closest thing I could get to what a decent girl sports anime looks like. If the character designs, art, animation and the uniforms were just better this show would have gone pretty far.

Compared to Shonen types of manga this was relaxing to watch, especially before bed. I'd honestly recommend it you wanna watch smth that doesnt involve a lot of feelings and drama but still feel like watching an actual sport.

Girls are fun. Finally.

[personal notes under the cut]

I get that people reading this would think I'm being too optimistic about a show they considered shtty but I kid you not, I dropped Bakuten (boys gymnastic's anime) coz even with it's wonderful animation i thought it was boring af.

I have dropped so many prettily animated shows coz i just cant get into the characters nor the story.

I've also said before in my Two Car review that I am actively avoiding shows with popular VA's. Idk much abt female VA's in anime, therefore watching Tamayomi was the perfect solution for me.

The reason I like tamayomi so much is that it gave me the same feeling of watching Summer Koshien 2021. I just think an anime that made me remember that kind of feeling was cool.

I'll rewatch hanebado next. wish me luck.

#tamayomi #sports anime #baseball anime #girls sports anime #this is prolly the only positive review abt this anime

[diwatera]

LGBTQ+ Movies I Watched Recently (Part 2)

Happiest Season (2020) dir. Clea DuVall

Short Summary: Abby plans on proposing to Harper when they visit Harper’s family for the holidays. Her plans get derailed when she learns that Harper hasn’t come out to her family yet.

Why you should watch it: Not gonna lie, Mackenzie Davis drew me to this movie; I’ve been in love with her ever since San Junipero came out. Add Kristen Stewart, Aubrey Plaza and Dan Levy to the mix and I’m sold. If you want a sapphic romance with a happy ending, this one’s for you. 

Été 85 (2020) dir.  François Ozon

Short Summary: Alexis recounts his six-week love affair with David during the summer of ‘85. 

Why you should watch it: If you love 80s aesthetic and music, you definitely should watch this. The movie made me nostalgic of that decade and I wasn’t even alive back then! It’s a whirlwind summer romance reminiscent of Call Me by Your Name but with a more devastating twist.

Getting Go: The Go Doc Project (2013) dir. Cory James Krueckeberg

Short Summary: An obsessed college boy pursues his internet crush through the pretext of making a documentary about him.

Why you should watch it: The script and the acting are the one-two punch of this film. The writing is incredibly genuine, and both of the actors’ performances made the lines feel even more natural. I’m not the biggest fan of mockumentary-style films, but this one felt like it was a recording of my own life. Hyper-obsessive college grad with a Tumblr blog? Might as well have called out half the population of this damn site.

Pihalla (2017) dir. Nils-Erik Ekblom

Short Summary: Miku and Elias find themselves, and each other, during a summer in the Finnish countryside.

Why you should watch it: I’m a sucker for gays in the countryside™ and although this one is not quite up there with God’s Own Country and Call Me by Your Name, it still makes for a good watch. Miku as a character and his relationship with his parents was chaotic and fun. His relationship with Elias felt really natural and dreamy. 

You, Me and Him (2017) dir. Daisy Aitkens

Short Summary: Olivia, a mature responsible lawyer, wants to have a baby, but her girlfriend Alex isn’t ready for the responsibility. Things get even more complicated when their flirty neighbour, John, joins the picture. 

Why you should watch it: It is one of the most feel-good lesbian romcoms I have seen in a while. But I warn you, there are some dark parts that can really sneak up on you. Yeah, it’s hilarious, but damn it made me ugly cry, too. Oh, and if you want to see David Tennant as an alpha male douchebag, here’s your chance. (CW: **spoiler alert** p̶r̶e̶g̶n̶a̶n̶c̶y̶ ̶l̶o̶s̶s̶ )

Giant Little Ones (2018) dir. Keith Behrman 

Short Summary: Franky and Ballas have been best friends since childhood, both on the swimming team, both incredibly popular. But after an incident during Franky’s birthday, they quickly fall apart and Franky falls from grace.

Why you should watch it: I think the film captures just how tumultuous coming-of-age stories are. Franky is going through his own journey of self-identity, and I’m happy that the movie didn’t rush in with labels. The conversation Franky has with his dad at the end also hits hard.  (CW: physical assault, allusions to sexual assault)

Our Love Story (2016) dir. HyunJu Lee

Short Summary: A fine arts student meets an attractive bartender, and the two women begin an intimate relationship.

Why you should watch it: It’s a very intimate love story that isn’t rushed or dragged out for too long. We definitely see Yoon-Jo and Ji-Soo’s relationship bloom from start to end, but it’s not mind-numbingly boring to watch. Raw and unembellished, I definitely recommend this to anyone looking for a realistic portrayal of wlw romance.

Die Mitte der Welt (2016) dir. Jakob M. Erwa

Short Summary: The film follows Phil and his relationship with his family, his best friend, and a newcomer at his school, Nicholas.

Why you should watch it: This is technically a second watch for me, and I’m glad I rewatched it, because I was able to catch some glaring red flags that I missed the first time. I love this movie in spite of all the heartache it caused me. The story, especially the deal with Phil’s family, struck a chord in me. And the shots! Visually stunning as well! 

Les Amours Imaginaires (2010) dir. Xavier Dolan

Short Summary: Marie and Francis’ friendship is put to the test when a beautiful boy called Nicolas comes between them. 

Why you should watch it: Watch it for the visuals -- the colors, the costumes, the cast. Seriously, the actors included here may as well be kept in the Louvre: Xavier Dolan, Neils Schneider, Monia Chokri, hell, even a cameo from Louis Garrel! Dolan said it himself that this is a shallow film, but it’s worth the watch just to see Neils Schneider wearing heart-shaped glasses.

Closet Monster (2015)  dir. Stephen Dunn

Short Summary: A creative and driven teenager is desperate to escape his hometown and the haunting memories of his turbulent childhood.

Why you should watch it: Right off the bat, I am going to say that this film is dark. I tried watching it back in college but tapped out within the first ten minutes because something traumatic happens. Then I tried again about a week ago, finished it this time. It’s actually a very moving film. It’s violent and gory in some parts, but also ridiculous and wholesome in other parts. IT HAS A TALKING HAMSTER NAMED BUFFY! BUFFY WAS THE STAR OF THIS MOVIE FOR ME. (CW: gay bashing/sexual assault)

Straight Up (2020) dir. James Sweeney

Short Summary: Todd and Rory are intellectual soul mates. He might be gay but she might not care.

Why you should watch it: The dialogue in this film is undeniably sharp and witty. Loved the fast-paced back and forth between the two main characters as they discuss relationships, sex, gender, and more. James Sweeney and Katie Findlay’s chemistry just pulled you into the screen. It was funny, it was sweet, it was heartwrenching, it was great! (CW: allusions to sexual assault)

Latter Days (2003) dir. C. Jay Cox

Short Summary: A promiscuous gay party animal falls for a young Mormon missionary, leading to crisis, cliché, and catastrophe.

Why you should watch it: I saw this in santiagonex’s top 20 LGBTQ+ films with happy endings, and I honestly thought it was gonna be a feel-good watch. Instead, I got a rollercoaster melodrama filled with early 2000s gay culture, religious guilt, buttcheeks, and Joseph Gordon-Levitt. Needless to say, I got more than I bargained for. (CW: self-harm, conversion therapy)

The Old Guard (2020) dir. Gina Prince-Blythewood

Short Summary:  A covert team of immortal mercenaries are suddenly exposed and must now fight to keep their identity a secret just as an unexpected new member is discovered.

Why you should watch it: Okay, I was debating whether I should include this here, because it’s not necessarily an LGBTQ+ film as much as it is an action film with queer characters. I decided to include it, because JESUS! I have never seen such respectful and well-written representation of queer characters and relationships. Joe and Nicky are the most unproblematic couple in history. PERIOD. Pray for sequels, everyone. This is the kind of representation we deserve in mainstream media. 

. . .

Click here for more LGBTQ+ film recs

#Queer Cinema #queer films #LGBT Films #lgbtq #Movie Recommendation #kristen stewart #mackenzie davis #summer of 85 #the old guard

[lochtayboatsong]

The Jesus Christ Superstar essay absolutely no one asked for.

Last weekend, I watched the pro-shot of the 2012 arena tour of Jesus Christ Superstar starring Ben Forster, Tim Minchin, and Melanie C, because it was Easter and it was up on YT for the weekend.  I never managed to do my annual listen-through of Leonard Bernstein’s Mass this year, as is my usual Easter tradition, so I figured “Why not watch/listen to this instead?”  It was my first time seeing and hearing JCS in full, and Y’ALL, it has been living rent-free in my brain ever since.  I have a mighty need to get my thoughts out, so here they are, in chronological order by song.  

1) Prologue: I love the way JCS 2012 makes use of the arena video screen.  The production design and concept clearly took a lot of inspiration from the “Occupy ______” movement, which makes it feel a bit dated now.  But every single production of JCS is a product of its time period, so this is a feature and not a bug.  

2) Heaven On Their Minds: This is a straight-up rock song.  It wouldn’t be out of place on any rock and roll album released between 1970 and 2021, and it boggles my mind that Webber and Rice were both in their early twenties when they wrote it.  Also, the lyric “You’ve begun to matter more than the things you say” hits hard no matter the year.

3) What’s the Buzz: A+ use of the arena screens again, this time bringing in social media to set the tone.  Also, this song establishes right from the outset that Jesus is burnt out and T I R E D by this point in the story.  Seriously, can we just let this man have a nap?

4) Strange Thing Mystifying: Judas publicly calls out Mary and Jesus claps back.  Folx, get you a partner who will defend your honor the way Jesus defends MM in this scene.  Also Jesus loses his shoes and is mostly barefoot for the remainder of the show.

5) Everything’s Alright: Okay, this is one of the songs I have A LOT to say about.  First, it’s important to know that I was a church musician throughout all of my adolescence and into my early adulthood.  The pianist at the services I usually played at was a top-notch jazz pianist, and also my piano teacher for about six years while I as in high school and undergrad.  (Incidentally, I had a HUGE crush on his son, who was/is a jazz saxophonist and clarinetist and also played in the church band, but that’s a story for another day.)  One of the hymns we played a few times a year was called “Sing of the Lord’s Goodness,” which is notable for being in 5/4 time.  Whenever this hymn was on the schedule, it was usually the recessional, or the last song played as the clergy processed out and the congregation got ready to leave, so we were able to have some fun with it.  After a couple verses the piano player and his son would usually morph it into “Take Five,” a famous jazz standard by Dave Brubeck which is also in 5/4 time.  Anyway, the first time I listened to this song in full, it got to Judas’s line “People who are hungry, people who are starving,” and I sat bolt upright and went “HOLY SHIT THIS IS ‘SING OF THE LORD’S GOODNESS/TAKE FIVE.’”  And I was ricocheted back in time to being fourteen and trying to keep up with this father/son duo in a cavernous Catholic church while simultaneously making heart-eyes at the son.  Final note: This is the only song in the musical to feature all three leads (Jesus, Judas, and Mary Magdalene) and is mostly Jesus and MM being soft with each other in between bouts of Jesus and Judas snarling at one another.

6) This Jesus Must Die: I LOVE that all the villains in this production are in tailored suits.  LOVE IT.  Also, Caiaphas and Annas are a comedy duo akin to “the thin guy and the fat guy,” except in this case it’s “the low basso profundo and the high tenor.”  Excellent use of the arena video screen again, this time as CCTV.

7) Hosanna: My background as a church musician strikes back again.  It honestly took me two or three listens to catch it, but then I had another moment of sitting bolt upright and going “HOLY SHIT THIS IS A PSALM.”  Psalms sung in church usually take the form of call-and-response, with a cantor singing the verses and the congregation joining in for the chorus.  If I close my eyes during this song, I have no trouble imagining Jesus as a church cantor singing the verses and then bringing the congregation in for the “Ho-sanna, Hey-sanna” chorus. 

8) Simon Zealotes: This is part “Gloria In Excelsis” and part over-the-top Gospel song.  Honestly it’s not my favorite, but it marks an important mood change in the show.  The end of “Hosanna” is probably Jesus at his happiest in the entire show, and then Simon comes in and sours the mood by trying to tip the triumphant moment into a violent one.  Jesus is not truly happy again from this moment on.

9) Poor Jerusalem: Also not my fave.  It kinda reads like Webber and Rice realized that Jesus didn’t have a solo aria in Act I, so they came up with this.  But it has the distinction of containing the lyric, “To conquer death you only have to die,” which is the biggest overarching theme of the story.

10) Pilate’s Dream: Pontius Pilate might be the most underrated role in this entire show, and I love that this production has him singing this song while being dressed in judge’s robes.  

11) The Temple: The first half of this is one of the campiest numbers in Act I, at least in this production, and it’s awesome.  The second half is one of the saddest, as Jesus tries to heal the sick but finds there are too many of them.  Also the whole scene is almost entirely in 7/8 time, which I think is just cool.

12) I Don’t Know How To Love Him: Mary Magdalene’s big aria, and one of the songs I knew prior to seeing the full-length show.  This production has MM taking off her heavy lipstick and eye makeup onstage, mid-song, which is kind of cool.  Melanie C says in a BTS interview that MM’s makeup is her armor, so this is a Big Symbolic Moment.

13) Damned For All Time: The scene transition into this song is played entirely in pantomime, and I love it.  The solo guitarist gets to be onstage for a bit, A+ use of the video screen again to show Judas on CCTV, etc.  Love it.  And then this song is Judas frantically rationalizing what he’s doing, and what he’s about to do, with Caiphas and Annas just reacting with raised eyebrows and knowing looks.

14) Blood Money: This is where the tone of the show really takes a turn for the dark.  I think this might be one of Tim Minchin’s finest moments as Judas, because his facial expressions and microexpressions throughout this scene speak absolute volumes.  And the offstage chorus quietly singing “Well done Judas” as he picks up the money is a positively chilling way to end Act I.

15) The Last Supper: Act II begins with major “Drink With Me” vibes.  (Except JCS came WAY before Les Miz, so it’s probably more accurate to say that “Drink With Me” has major “The Last Supper” vibes.)  Jesus and Judas have their knock-down, drag-out fight, and it’s honestly heartbreaking, thanks again to Tim Minchin’s facial expressions.  A well-done production of JCS will really convey that Jesus and Judas were once closer than brothers, even though their relationship is at breaking point when Act I begins.

16) Gethsemane: This is Jesus’s major showpiece and one of my faves.  Jesus knows he has less than 24 hours to live, he knows he’s going to suffer, and worst of all, he doesn’t know whether it’s going to be worth it.  It’s an emotional rollercoaster to watch and to perform, and it goes on for ages: something like 6 or 7 minutes.  Fun fact: the famous G5 is not written in the score.  Ian Gillan, who played Jesus on the original concept album, just sang it that way, so most subsequent Jesuses have also done it that way.  Lindsay Ellis has a great supercut of this on YT.  John Legend notably sang the line as written during the 2018 concert.  

17) The Arrest: Judas’s Betrayer’s Kiss is played differently across different productions.  The 2012 version is pretty tame - I’ve seen clips and gifs of other productions, including the 2000 direct-to-video version, where they kiss fully on the mouth and have to be dragged apart by the guards and it is THE MOST TENDER THING.  Then the 7/8 riff from “The Temple” comes back and the 2012 version lets the video screen do its thing again as Jesus is swarmed by reporters.

18) Peter’s Denial: Not much to say about this one, as it’s basically a scene transition.  But it’s a significant moment in the Passion story, so I’m glad they included it.

19) Pilate and Christ: The 2012 production continues with the theme of Caiaphas, Annas, and Pilate all being bougie af, since Pilate intentionally looks like he just came from tennis practice during this scene.  Also he does pilates...hehehe.

20) King Herod’s Song: Tim Minchin says in a BTS interview that JCS works best when Jesus and Judas are played seriously and the rest of the production is allowed to be completely camp and wild and bizarre all around them, and he is bloody well CORRECT about that.  Case in point: King Herod.  There is not a single production of JCS that I know of where Herod is played “straight.”  He’s been played by everyone from Alice Cooper to Jack Black, and everyone puts a different zany spin on him.  In JCS 2012 he’s a chat show host in a red crushed velvet suit, who is clearly having the time of his LIFE. 

21) Could We Start Again Please: This is another of my faves.  Just a quiet moment where MM, Peter, and the disciples try to grapple with the fact that Jesus is arrested and things are going very, very badly.  This is also my favorite Melanie C moment of the 2012 show.  Her grief is very real, and the little moment she has with Peter at the end is very real.

22) Death of Judas: This is basically Tim Minchin screaming for about five minutes, and incredibly harrowing to watch on first viewing.  

23) Trial Before Pilate: Possibly my single favorite scene in the entire 2012 production.  This is another harrowing watch, but there’s so much to take in.  The “set” that the entire show takes place on is essentially just a massive staircase, and the people with power are almost always positioned above the people without power.  In this scene, the crowd shouting “Crucify Him!” is positioned above Pilate, which is a very telling clue to Pilate’s psychology during this scene.  Jesus is at the very bottom of the stairs, of course.  Excellent use of the video screen once again during the 39 Lashes, to show the lash marks building and building until the entire screen is a wash of red.  Pilate’s counting also gets more and more frantic, especially starting around “20.”  And all the while the guitar riff from “Heaven On Their Minds” is playing.  Jesus’s line “Everything is fixed and you can’t change it” is played quite differently in different productions - here it’s defiant, but elsewhere (in JCS 2000 for example) it’s almost tender, like Jesus is absolving Pilate for his part in the trial.  But it always ends the same - with Pilate almost screaming as he passes the sentence and “washes his hands” of the whole sorry business. 

24) Superstar: The most over-the-top number in the show.  Judas, who died two scenes ago, comes back to sing this.  There are soul singers.  There are girls in skimpy angel costumes.  The parkour guys from the prologue are back.  Judas pulls a tambourine out of hammerspace midway through the song.  And Jesus is silently screaming and crying as he gets hoisted onto a lighting beam while all this is going on.

25) The Crucifixion: More of a spoken-word piece than a song, it’s Jesus’s final words on the cross over eerie piano music, and another harrowing watch.

26) John 19:41: An instrumental piece in which Jesus is taken from the cross and carried, at last, to the top of the stairs, before being lowered out of sight as the video screen turns into a memorial wall and everything fades to black.

So.  I know I’m anywhere from three to fifty-one years late to this particular party, but I am on the JCS bandwagon now and I’m thoroughly enjoying myself.  :)

#jesus christ superstar #jcs 2012 #jcs is all i have been thinking about all week sorry not sorry #ben forster #tim minchin #melanie c #andrew lloyd webber #tim rice

[bitchapalooza]

Hetalia nekotalia headcanons(covering just a few of them)

It seems weird that the cats would just be called "Italy-cat" by the actual nation whose name is already Italy so I wasted my time in figuring out their possible breeds and searching up acceptable names(unless stated otherwise) for them that the nations may pick for them and even where the nations obtained these cats. I think they've come to value these cats on the same level as themselves due to how long they may have been around(the same goes for whatever other pet(s) they may own). I thought this was a fun thing to do and honestly it was! :)

Might do more when I get the time again~

***Tw for mentions of animal abuse***

Americat:

Domestic long hair, possible Maine Coon mix!

I think America adopted his cat in the 1980s. He was just a kitten, abandoned outside a supermarket in a box with a sign with one other kitten inside. At least 2 months old. America, having a big heart and soft spot for animals of any kind, took them both in. However he was already struggling to buy proper food for his other animals so he needed to find a different home for them. America ended up keeping one, as he fell absolutely head over heels for him, and named him Liberty— for obvious personal reasons. America raised him for the majority of his life as an indoor cat but with how much energy he has he decided to train him to be an outdoor cat as well, even teaching him to use the doggy door. This gave him enough room to actually grow faster into the adult cat he is now compared to if he'd ALWAYS be around America(as in staying small due to the slow aging around America).

Canacat:

Domestic longhair, possible Maine Coon mix!

Canada adopted him after America offhandedly asked. Canada was pretty stuck when it came to naming him. It was 4 weeks into owning him, mostly calling him a range of names such as Paul and Rookie but never sticking to one for even one whole day, but when Canada was just sitting there eating breakfast before leaving for his daily duties, just a normal quiet morning it came to him. Again, he was just sitting there. That is until the kitten figured out how to climb onto the chair next to him that is. He sat there meowing and pawing at Canada's thigh for 10 minutes while Canada ate. And then he tried to jump onto the table 3 times in a row. Canada gave in and allowed him up there for a minimum of 3 minutes. Not even 1 second passed and suddenly the little rascal is trying to steal the last couple bites of pancake. That was apparently what he wanted. And so Canada named him Pancake! Pancake was an energetic little kitten that a spring in his step but he did mellow out as he grew into adulthood. He's mainly an indoor cat. Come winter time when it snows, Pancake has a tendency to forget the existence of snow so he goes bolting for it only to regret it later.

Germany-cat:

A black or gray German Rex!

Germany isn't exactly a big cat person, he prefers dogs. But after this kitten followed Prussia's cat all the way home and noticed how thin he was he couldn't resist taking care of him. Germany ended up naming him Maus in reference to how tiny and often silent his meow was as a kitten. Now it's just a hilarious name as he's grown quite big and has a very strong meow! Maus is a very well behaved cat although it seems he doesn't favor being played with. He's most often seen at the top of his cat tower or in the window basking in the warm sun. As he was previously found as a stray outside he still does favor being outside. He tends to escape whenever Germany unlocks the doggy door or when Germany let's the dogs out in the backyard to run around for a bit. Maus may be a very mellow cat but he does tend to be loud when he wants food and doesn't want to wait for it. He also tends to attack people when suddenly being pet.

Prussia-cat:

An albino German Rex!

Prussia adopted him in 1998 after his and Germany's new home became a little overrun with mice. Prussia affectionately named him Gunther. Gunther was a spunky little kitten, in fact he was the runt of 6 other siblings and noticeably different to his siblings in appearance(originally thought to just take after the father's white coat despite the orange coats of his siblings and mother). Prussia chose him, the teeny little runt, after watching him easily sneak up and take down his bigger sister and win the play-fight he started. Prussia proudly took him home and trained him to catch the mice! Some years later, Gunther apparently got curious and brave and got loose outside. He was gone for weeks. He came back with a limp, a fresh scar, and a kitten clinging to his side. Gunther rarely escapes outside anymore. Prussia didn't know Gunther was albino until took he took him to the vet for his shots.

Itabby and Romano-cat:

They're both European shorthairs!

When the Italies were freshly unified and everything was still pretty awkward they were forced to go bond by taking walks every morning. Veneziano didn't mind this, he enjoyed the morning and even more so the countryside around them. Romano however could care less about it all and just wanted his bed back. Veneziano was all conversation, very observant of his surroundings as he commented on them to strike up an interesting conversation. And that's how he noticed a man cruelly stuffing two kittens into a sack on their way out of town. After alerting his brother, the two confronted the man. The man claimed these two were sick because neither were getting any of their mother's milk like the rest. Romano demanded he hand the kittens over or else he'd regret it. Veneziano annoyed him with his whining to the point where he gave in and handed them over quite harshly. Once they got them safely away from the man they took a look at the 1 week old kittens; they were both terribly skinny but clearly hanging on for dear life and the brothers both agreed, for once(well more like Romano kept saying "whatever the fuck you want"), that they wanted to help these poor creatures. Luckily for them they knew a stray cat that just had another litter of 3 and could perhaps try to get her to accept two more. And she did! Well it took a day but she did eventually take them in and feed them. Veneziano immediately decided that once they were old enough to eat solid foods he was going to keep one of them and name him Gino! It took a while for Romano to warm up to the idea of keeping even one but he eventually did. He took the other kitten and named him Sonno. They've lived so long due to just how clingy they are to the brothers. Their aging was so slowed down because of how often they're near the Italies that they didn't become fully grown adult cats until some time around 1932.

Japan-cat:

Japanese bobtail!

Named Yoshi* for being Japan's little lucky charm. Yoshi was left behind by his previous family after they moved away. He left his home and began wandering around until he got to Japan's house. Taking notice of how the cat stuck around his house, Japan began feeding him. And feeding him. And feeding him. And eventually he accepted the idea that he was now a cat owner. Not knowing his previous name, Japan decided to rename him Yoshi. Because of Yoshi, Japan began to come outside more and more each day as he is an outdoor cat that seldomly comes inside anymore. What's more is Yoshi came into his life in 1999, just a few months before 2000— aka when The Lost Decade was coming to an end as well as his personal on and off string of depressive episodes. Japan spoils Yoshi with treats and only the best cat food he can afford!

*The real name given to him by Himaruya is Tama, most likely a reference to calico cat Tama from Kinokawa, Wakayama Prefecture, Japan(that's at least what I've gathered). Before I knew this(in my early fandom days) I headcanoned his name to be Yoshi, as I said above it was a reference to luck(I didn't have as easy and unmonitored access to the internet as I do now so I never had a steady way to look these things up). I like Tama as well but I still can't get the name Yoshi out of my mind! I'm not sure if Yoshi and Tama can be combined like some names here in America can be combined(like Lilian Pad[as in Lily Pad] or Patches Poo) and I don't want to attempt it in case I get it wrong no matter how much research I do.

Austria-cat:

Domestic longhair!

Austria has quite the soft spot for this kitty surprisingly. He was born on his estate after his mother wandered in and settled between a couple bushes in his garden. He was born one of three kittens, almost entirely identical to his mother. Austria ended up giving names to all the cats but this one specifically was named Mozart— for very obvious reasons on Austria's part. The mother cat and two of the other kittens ended up moving along a year later after Austria decided to renovate part of his house; however the only one to stick around was Mozart. Austria would let Mozart come inside if only he could manage to pick him up. Mozart will jump into his lap outside, brush up against him, greet him in the morning, allow him to come near(especially with food and clean water) and even pet him but he won't ever peacefully allow Austria to carry him. Mozart was originally thought to be a Ragdoll however it was France who identified him to be a simple domestic longhair instead.

China-cat:

Burmese cat!

Originally a stray that endlessly bothered a shop owner and his own cat, China attracted his attention when he fed him only once. This cat followed him all the way to the hotel he was staying at not far from the little shop, which annoyed him greatly but honestly gave him a little laugh as well. As his car ride home was only going to be an hour at best he decided to at least attempt to bring the little fella home for proper care and attention. And obviously it worked. On his way home he decided a name like Zhi seemed perfect for him! Something told China Zhi was used to car rides and being around people, which told him Zhi was originally in a loving home. Feeling a little sad that this nice loyal cat was living on the streets he began to pamper him. Now Zhi expects to be brushed twice a day, let out at least once a day to soak in the sun's warmth and lay in the soft grass. He's fed the best food possible, has more toys that he knows what to do with. China's cellphone is overrun with videos of Zhi playing fetch— a trick he didn't teach him which, to him, is further proof he had a previous owner.

Russia-cat:

Siberian cat!

Taken in from a rescue shelter, at first fostered, then adopted. Russia kept the name the shelter gave him, Boris, as it fit him very well considering his past. Boris was unfortunately neglected when his previous owner was around. His fur was matted, he was skin and bones, upon pick up he had an eye infection. He was terribly scared of people. After being treated and showed kindness, it wasn't very long for him to open up. When Russia came along and took him in to give him all the proper attention he lacked, Boris fell in love with it. And Russia fell in love with having a cat around. Before anyone could swoop in and try to adopt Boris, Russia already put in to adopt. Now Boris is a happy healthy cat who's favorite toy to play with is Russia's supply of yarn. Boris loves bird or feather based toys the most, however, and will often drag his favorite feather wand over to Russia so he'd play. He's not much of an outdoor cat but after being kept mostly in a small cage since birth he does enjoy at least laying on the porch outside.

France-cat:

A Sacred Birman with light creamy point colouration!*

Obtained as a newly born kitten in 1992, France had offered to help nurture him as his mother had died shortly after giving birth. France named him Minou, more so in honor of his deceased mother Minet rather than it being a common French cat's name(some assume he was lazy with his naming). Minou grew up to be properly spoiled and loved by France. From the time he could see and walk properly, France began putting light outfits and accessories on him for very small amounts of time(like hats and ties mainly to avoid overheating). Minou often silently greets France at the door whenever he comes home, barreling through the hallway or off the couch in order to get some much needed love and attention. He surprisingly gets along very well with France's pet birds, only ever going after them once as a kitten. Minou can be found in his luxurious cat bed made of cardboard from the cat tower's box and a quilt France had crafted long long ago that's now drastically torn in various places. OR he can be found planting his fanny on France's face at night, nearly suffocating him. Minou seems to have a likeness for Russia and England.

*I know France-cat doesn't have any visible point colorations to him but him being a Persian doesn't fit him in my opinion, especially a blue eyed white cat. There's a high percentage of blue eyed white cats being deaf. However a common trait in Birmans are blue eyes so that, to me, fits better.

Iggycat:

Scottish fold-American shorthair mix!*

Obtained through a small litter from a colleague. England named him Lopsy  immediately upon seeing him, completely falling in love with him. Due to Lopsy's health concerns(osteochondrodysplasia) he's strictly an indoor cat. He's not very playful due to the pain he endures so he's prone to lay about, especially in England's lap, in his cat bed that sits directly under the window to reach the sunlight, or under England's bed. Despite being on them for so long, it still takes quite the struggle to give Lopsy his medication as he's come accustomed to when England is preparing to give it to him. As he's not very active, Lopsy isn't too fond of France's, America's, or Canada's cats— all of which tend to love playing together. However there are times when Minou is in non-playful mode where Lopsy will lay near or eat with him, but will absolutely refuse to lay with since Minou does have a tendency to attack another cat's tail without warning.

*The reason I see him as a mix is due to the major health concerns breeding two Scottish folds together can bring. However, breeding a Scottish fold with an American shorthair or British shorthair is often the better choice as there's less issues involved. There's talk about banning the breed all together. Even with this talk, breeding persists, preferably for cat shows from the sound of it. There's even research going into fixing these health concerns but it seems incurable due to the Scottish fold disease seeming to be a very dominant trait no matter what secondary breed it's bred with. Scottish fold disease doesn't always occur in a litter, mostly being a 50% change.

Spain-cat:

European shorthair!

Named Vivo for his lively personality, this little guy was found in the rain, drenched and hungry. He looked to be roughly 3 months old, very well fed and groomed so Spain assumed he had a family he ran away from for whatever reason. Without any other solution, Spain took him in until someone came to pick him up. A few weeks go by without anyone coming to claim him, so Spain opted to keep Vivo. Vivo is very loving, he possess a strong purr and often falls asleep purring. He's a lap cat but also has a tendency to curl up on or near Spain's shoulder when he's on the couch. Vivo is mainly an outdoor cat, often chasing mice or other vermen away from the garden without ever destroying it. Spain is pretty grateful to of found him as it had gotten quiet with Romano gone and all. And Vivo defiantly brought some noise to the house! He's not always vocal but when he is he tends to run around happily meowing for attention. He's surprisingly very territorial however— when introduced with then young kits Gino and Sonno, the Italies' cats, Vivo almost attacked them. It took small steps forward to get the three of them to warm up to each other. It also took a while to warm Vivo up to Minou and Gunther.

#hetalia #hetalia headcanons #nekotalia #nekotalia headcanons #hetalia america #hetalia romano #hetalia veneziano #hetalia england #hetalia france #hetalia spain #hetalia austria #hetalia prussia #hetalia germany #hetalia china #hetalia canada #hetalia japan #this took aaaaaallllll day lmao #worth it tho #i learned a lot about cats! :) #tw animal abuse

[alovesongshewrote]

Almost A Thousand Years | Hisirdoux Casperan Headcannons

a little odd, but still fun to do.  Also, I threw in some fun facts because headcannons are hard

Taglist:  @furblrwurblr​ @rainningdoom​ @fluffydmonkey @blondie0458​ @sitherin-mxschief​ @jinxedleo​ @douxiesdamsel​

HEADCANNONS

(Y/N) had a slight Irish accent back in Camelot  (she hung out in Ireland pre-Gunmar.  It faded over time.)

It’s never specified, but the colour of her magic is red, because blue and red is the colour scheme of all good ships  (jk, jk)

(Y/N) still has the good doctor’s plague mask

(Y/N) and Douxie share clothes.  She’s cold?  She wears his hoodie.  It’s too bright out?  He borrows her sunglasses (they’re heart shaped)

When they get time, Douxie, Zoe and Archie take it upon themselves to introduce (Y/N) to 90’s/2000’s culture.  This ends with excessive amounts of G-noting between the three humans, much to the annoyance of Archie

Despite using an enchanted sword most of the time, (Y/N) is a decent shot (you had to be in the war :/ )

Speaking of swords, (Y/N) has two that she uses over the course of the fic, and one of them is only a technicality.  There’s the sword that got stuck in Bular, and the one she uses for most of Trollhunters.  She switches back after Jim kills Bular, allowing her to get her sword back

AND SPEAKING OF TECHNICALITIES, (Y/N) doesn’t consider herself one of Merlin’s apprentices since she was supposed to be spying on him during that time

There are probably a few meetings between Douxie and (Y/N) that were skipped in this fic.  Can you blame me?  I have to cover almost a thousand years of these two flirting

Speaking off, there may be a few extra chapters released after AATY ends, and that doesn’t include the Trollhunters stuff

While Douxie is better at fighting monsters, (Y/N) is better with demons

Both (Y/N) and Douxie mix lingo from different time periods a lot more than you see in this fic

Jeff Goldbum and the other immortals are still betting on (Y/N) and Douxie.  Spoiler alert, Jeff wins the bet.

(Y/N) would fight literally every anti-vaxxer if Douxie didn’t stop her.  He only does this because fighting so many people would probably get (Y/N) sent to prison

These two share the same brain cells and half the time Archie has custody of the cells anyways 

When things calm down, (Y/N) teaches Douxie a bunch of healing spells because our favourite emo gets himself hurt a lot more than (Y/N) and it’s starting to worry her

Both (Y/N) and Zoe keep a stock of canned fish for Archie, (Y/N) has kept hers since the Jack the Ripper case, Zoe has kept hers since the early 90s

After they start living together, they become couple goals and it’s very soft (but you knew that already)

Post moving in together, Douxie will make (Y/N) her favourite tea whenever she’s sad.  

Both of these nerds are eternally sleep deprived

After the 20s-40s (Y/N) doesn’t drink much

The amount of books in either of their living spaces is a gosh darn fire hazard

(Y/N) and Archie are and always have been bros, even if (Y/N) and Douxie aren’t getting along.  Same with Zoe

Zoe was half serious about asking (Y/N) out in the 80s.  She would do it just to get under Douxie’s skin, but also, you’re a cute doctor???  Who kicks ass???  Who wouldn’t date you, honestly

Magically, Douxie is stronger, but (Y/N) is obviously the better healer 

Despite (Y/N)’s sass usually sent in his direction, Merlin approves of her and Douxie being together

The bond between (Y/N) and Douxie is usually more of an annoyance than anything

“HOW DO YOU KEEP RUNNING INTO DOORWAYS???”

“I DON’T KNOW!!!”

It is nice to know that you have someone out in the world though, and for that, they are thankful

Idk about you, but in my own personal opinion, (Y/N) is either Ravenclaw or Slytherin.  Overtime, that changes a little, she leans more towards Ravenclaw, but as a kid she was hella ambitious.  Street urchin life does that :/

Douxie is probably a Hufflepuff

Mandatory Fuck JKR

(Y/N) is an ominous texter.  It’s hilarious

Both of them prefer rainy weather (that means kisses in the rain!!!!!)

These nerds simp for each other and I love it

FUN FACTS!!!!!

Parts of AATY are vaguely based on songs from waitress (‘you matter to me’ and ‘bad idea’)

I wanted to include more side characters through time, but it never really happened.  I am very happy with the good doctor and his impact as a character though

The good doctor’s whole side plot about his wife was based on something my grandpa said to me a while back.  It was originally just something I put in to make his death more emotional, but it became a major part of the story, at least to me

I think at one point he mentions that his wife made him want to be a better person and (Y/N) goes, “I wish I had that, rip,” the idea was that she found that with Douxie.  Idk how well that came across, but I tried

I tried to keep (Y/N) as gender neutral as possible.  I kind of worked, but i kind of gave up on it at the end lol

When writing (Y/N), I basically made her do everything I would do if I were immortal

(Y/N) and Douxie’s relationship is not based on a real one in the slightest.  It’s more of my idea of what a supportive relationship is

A few more songs that inspired specific chapters are: ‘The Vampire Masquerade’ by Peter Gundry, ‘Masquerade’ by Lindsey Sterling, ‘What is a Youth’ by Nino Rota or Joanna, and ‘Mamma Mia’ by Abba

I might just make a playlist for this actually

I wrote/write most of AATY at like, 3 a.m. so if something doesn’t make sense that’s probably why

I tried to fit as many tropes into this bad boy as i could (only one bed, fake dating) and on a more surface level, it’s an enemies to lovers slowburn that could be classified as a soulmate fic (even though the universe doesn't bond these two, Merlin does)

I started writing AATY there wasn’t enough Douxie x Reader fic and i wanted more

My worst fear is one of the creators seeing this lol

The first part of the first chapter is one of, if not my favourite part of AATY

#hisirdoux x reader #hisirdoux casperan x reader #douxie x reader #douxie imagine #hisirdoux imagine #almost a thousand years #aaty #hisirdoux #hisirdoux casperan #douxie #toa douxie #toa hisirdoux #headcannons #headcanon #douxie headcanons

[fishmech]

tbh i despise that vox article on the helicopter thing because the overall framing and argument it makes just really sucks.

like yeah twitter is an argument factory and all but that pattern of internet discourse is so fucking old it goes back to the early days of usenet, about 40 years ago. and the original author did deliberately choose a provocative story subject and even more provocative title for it. this was always going to lead to a big fucking arguments online and honestly twitter doesn't have much to do with it at all!

and i sincerely doubt that the author would have been able to handle the nominally less 'intense' reaction to their provocation that would have happened if published with a similarly provocative title and subject in 2010 or 2000 instead of 2020.

because its not really like maybe waiting a few extra days or at most weeks for the word to spread and people to get angry and suspicious would actually matter, and that's what we'd be having over the story. the level of it might even be somewhat increased in increasingly older eras because the relevant communities that would be talking about it would be smaller and relatively more tightknit, which would put an additional level of intimacy into the people saying "who the fuck is this person". and there would likely have been an even more untrusting reaction from the trans community because yknow there was already a lot more open transphobia in comparison.

and like i think its very weird the way the article tries to position things as like "well the first few days after it was published not much had been written about it except by the direct readership and the surviving tweets seem positive from then". that's not special? like most speculative fiction outlets these days, there isn't exactly a huge direct readerbase for clarkesworld - they get about 50,000 monthly users. in modern terms that's pretty decent for an outlet to manage and it's still a low amount of people, particularly as many of the readership isn't actually reading the new stories as they're published.

but its like yeah, the most dedicated and prompt readers of the outlet are most likely to have a higher level of trust in what's being put out, that's why they're in that group in the first place. and it only makes sense that as hearing about the story radiates out from that generally most trusting group, people might raise more questions about the general weirdness of premise and choices in bios.

i'm a fairly avid reader of and listener to short fiction. i've heard and read so many snippet bios that i don't really care about which tend to have similar generic statements about the author - this author lives in x region, likes y and z hobbies, thinks cats are cute etc etc - that honestly it was kind of weird that the bio snippet associated with this particular article didn't have those sorts of things that really sound like they're telling you more about an author than they really do. because that is a notable choice to drop it. for those who aren't familiar with those, here's one of the author bios attached to a recent clarkesworld story:

incidentally i did enjoy the story this bio is associated with! but as you can see, it's the sort of thing that just gives you a vibe about the author who chooses to go into very little detail about their life, and it happens to link to a rather barebones writing business-focused site. she's not a first time published author with this story, but you'll see a lot of similar vague, frankly privacy-protecting, bios associated with a lot of first time published authors.

but the helicopter story decided to go full force with provocation and not doing, well, basic satisfy the reader's curiosity bio stuff associated. so yeah of course it looked suspicious. personally i also felt, when i read it when it was new, that is wasn't even a particularly good handling of the concept they were trying to get at and that i've frankly read/heard better stories about military forces where people's genders or other parts of their mental identification were replaced with identification with combat roles or equipment (and don't ask me for the names of those, it's genuinely hard for me to keep track of all the stuff i've read! pretty sure at least one of them was on escape pod in the mid-2010s tho).

so take modern twitter out of the cycle entirely and we still would have had a story that would have kicked off a firestorm of controversy and dislike through other forms of web community as word of it diffused out from the core readership. like i guess some people just have feigned or real amnesia about the world before they decided twitter was the real world, but internet controversies are again not new, nor is having it over provocative fiction in particular. it's not like lack of twitter usage would mean, say, that you wouldn't be able to search for people talking about the story on google or whatever to see negative reactions, or to experience it in large communities. or to take it back to the 80s and 90s, to see it in large irc channels and usenet discussions or on newsletters. or to peel all the way back to a full analog era (where frankly the concept of this provocation would barely work considering its nature, but fuck it lets pretend an alternate 1970s where people were widely accepting of trans people) it would be showing in letters to the editor, at fan cons, and in fanzines, as was the style of the time!

#text post