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#i think that's an interesting thing to consider
lampochkaart · 1 day
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I have been thinking about one interesting thing lately.
I noticed it first during my secong DRV3 walkthrough, but with each rewatching I noticed it more and more.
Tsumugi throws shade at Kokichi SO often, it's insane. Almost from the very beginning of the game, she makes comments about how suspicious Ouma is, or how scary and dangerous he is. She jumps at pretty much every opportunity to point fingers at him and say how bad he is. Now, I wouldn't pay any attention to this if Tsumugi was an ordinary girl. It's much harder to find those who like Kokichi than those who dislike him. But the thing is... Tsumugi is not an ordinary student. She's a mastermind. She is not wary of Kokichi because she believes that he is a potential threat. She deliberately turns the group against him. She knows exactly what she's doing. Every time there is an opportunity to throw shade in his direction, Tsumugi is using it. And in cases where she is not the initiator of the idea, she is one of the first people to agree.
This is a very interesting detail that I have been thinking about for several months now. The more closely you look, the more you notice how often this happens.
I also have been thinking about how Shirogane is literally a wolf in sheep’s clothing, and Ouma, on the contrary, is a sheep in wolf’s clothing. Tsumugi looks and acts like a sheep: nervous, weak, defenseless. But at her core, she is a blood-hungry, ruthless wolf. At the same time, Ouma goes out of his way to be perceived as a wolf. He puts in a lot of effort to be considered scary, dangerous and evil. But in reality, he is just a sheep.
Admittedly, a very weird seep, that was even biting other sheep in order to convince everyone that he was a dangerous predator. But the only thing he has from a wolf is it's hide. Wearing it, however, is risky, because hunters can actually mistake the wearer of this skin for a wolf. Then there just will be one less sheep, and the wolf will remain unnoticed among the herd...
Version with a black sheep Ouma
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zeldasnotes · 1 day
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𝖑𝖎𝖑𝖎𝖙𝖍 𝖓𝖔𝖙𝖊𝖘 𝖕𝖆𝖗𝖙 𝖊𝖎𝖌𝖍𝖙 🦇
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🦇 Lilith in Capricorn wants position & status and can be shamed for demanding the same respect and position as men. Example: Hillary Clinton & Kamala Harris both have this placement. Women are often expected to seek status by being a wife so women with this placement can awake a ”Wtf she think she doing?” reaction in men.
🦇 While Lilith most times shows a strong interest, fascination or even obsession with the sign or house its in or with the themes of the planet it aspects it can also show complete rejection of it & not wanting anything to do with it.
🦇 I dont know why but I never felt the need to be bitchy towards men who have their Lilith on my Moon. I get a ”you are not like other men” feeling with this aspect. They dont trigger my fight or flight response. Something very unique with this synastry aspect.
🦇 A lot of Moon conjunct Lilith people physically resemble the Moon in some way physically. Ive seen a lot of them have Moon shaped eyes or a round face & very rounded features, sometimes super shiny hair.
🦇 Lilith in the 11th house might be fixated with the ”in crowd”. Might hate them but at the same time watch them. Its giving Janis Ian from Mean Girls. They often have a past friendship with someone from the in crowd.
🦇 Lilith can show what you hate in society and feel a strong need to rebel against. Lilith 2nd house might rebel against stuff being done to their body(like vaccines),having to pay taxes, might shoplift and refuse to pay for things that are not their fault they need. Like tampoons for example.
🦇 Ive also noticed with Lilith 7th house people want to find something wrong with your partner or even convince themselves they dont love you. People might say stuff like ”He is only with you bc you have money” or something. Its like people are bothered by seeing you be loved.
🦇 Madonna is a good example of a 7th house Lilith. She is often shamed for liking younger men while its considered normal for men to be with younger women.
🦇 Lilith in Libra and the constant triangle drama??? Triangledrama EVERYWHERE. Why does every guy you meet seem to have a crazy ex or a female friend trying to get him? Or a coworker who wants him? Or a mother who competes with you?
🦇 If you have Sun conjunct Lilith you might represent what your dad dislikes about himself. You represent a part of him that he wants to keep buried deep inside himself and being close to you might remind him too much of this. This can make him your first bully.
🦇 With Lilith in the 2nd house there was often early experiences with money restricting them which lead to an inner bitterness which is often not noticed until you hear them talk about money. The reason they werent noticed by others might have been because they didnt have the clothes, phones, makeup or other material things that others had. The epitome of ”I wasnt ugly, I was just poor”
🦇 I find it interesting how many people with strong Lilith placements Ive seen literally live out the myth by being thrown out of ”the garden of Eden”. Most times thrown out by a friendsgroup, a community or neighbourhood. And this was a huge turning point in their lives.
🦇 Lilith in synastry 🤝 they confessing after 10 years they had a crush on you.
🦇 Lilith in Aries when undeveloped can make them very competetive with others of their gender especially concerning how the body looks. Comparing their bodies to others. Might have a trauma with people comparing their body to someone close to them like a sibling or even their mom growing up.
🦇 Lilith in Aries might also assert themselves and being quiet in the complete wrong situations. Might often end up thinking ”Why didnt I stand up for myself” or ”I shouldnt have overreacted”.
🦇 ”The girl he told you not to worry about” aka the one who touches his Lilith. I hate writing this but Ive seen this sooo much. Men talking shit to their girlfriend(their eve) about a woman they have Lilith synastry with.
🦇 Sun conjunct Lilith is basically like having a flashlight shining on your dark side so that everyone can see.
🦇 Lilith dominant women(women with a dominant Lilith energy in their chart no nobody is saying its your dominant planet omg) often get blamed for a mans lust for them. Might hear stuff like ”you were looking at him” ”you seduced him”.
🦇 Lilith reminds me of Saturn a little in the way that you need to learn to handle the energy which is hard but when you do it you will be so powerful and own that energy.
🦇 Having Lilith harshly aspecting Sun or Ascendant is getting shit whatever you do. Especially when its the square or opposition. Someone comes up to you and hits you in the face, people will call you crazy and aggressive if you hit back and a pussy if you dont hit back.
🦇 Lilith in the 8th house needs to understand that some things cant be controlled/hold onto. They often experienced situations in their youth where they were powerless.
🦇 Lilith in Virgo can be gossips because of their strong need to criticize. They need to say whats wrong with stuff. This can results in some verbal attacks and some very strong opinions on people.
🦇 LILITH CONJUNCT VENUS IN SYNASTRY: can mean Lilith shouldnt be attracted to Venus. Venus might not even be their type but Lilith will find them beautiful anyways. This can be very confusing for the Lilith person because Venus represent everything they shouldnt like or arent allowed to like. Lilith might be from a rich family and Venus is from a poor family for example. Can also be an age difference especially where the woman is older and the guy younger so its considered taboo. This one will be painful if Venus is in love with Lilith because Lilith often see Venus as someone socially unacceptable in some way. (10th house synastry can change this tho, because if yall have 10th house synastry he will want to parade you around like a damn trophy LOLLL). Lilith might want Venus as their side chick. They also always seem to bump into eachother when the Lilith person is in a relationship.
©️ 2024 Zeldas Notes All Rights Reserved
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soothsayerditty · 2 days
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wasn't supossed to be a post but i really like those! therefore huzzah! lambs based on fleeces be upon ye
i was gonna ramble about their desings but i ended up wrtiting short descriptions instead. read below if you dare!
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it is said that lord of fates' words are fate itself, unable to be changed.
they always have hounds of fate floating around them, even though they are skilled with a dagger. you never truly know what the future has in store for you,,,
their wool seems to always have red stains. their followers theorized that twas' their own blood.
but ichor isn't red.
(they were supossed to be more based on the jacob sheep but i only ended up using their horns for inspiration :P)
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leader of blue hearts is a lover! not a fighter. at least with their followers. they seem to favour the rite of lust.
ever since the bishops' death, they mostly spend their time throwing rituals at every available moment,,,what a kind leader!
but whenever they think they're alone,,, they seem to mutter strange words to themselves,,, purgatory , god tears , some strange sellers?
i guess i'll have to ask them later about it, i'm about to go on a mission!
(blue used to be the color associated with lust! it works. also they're based on the lincoln sheep. they;re cute.)
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diseased beast is a simple creature. openly displaying their intentions with their looks alone.
they're known as the local hunter. dropping acid on their enemies when they're not looking,,,
some consider it a cheap and an off-putting method. but they're not around long enough to spread their word.
sometimes the sound of silence is payment enough,,,
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seems like golden greed's fleece merged with their body. i don't think that's supossed to happen,,,
they tend to have their gauntlets on most of the time. always ready to strike anyone down!
afterall, everyone is just waiting to get the drop on them,,,right?
you can't trust anyone! these followers,,,those vendors,,,
even that damned seller! anyone,,,
(the gauntlets were supossed to be the godly kind, but there was too much yellow. so much yellow.)
(they were also supossed to have more jewelry on them buuuut i drew these in 1000x1000 squares and it would look like a mess from afar.)
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ah? it seems like a critter of curses is near.
they wield their cleansing fire and flaming shots with careful grace.
but the moment you let your guard down, is the moment you burn!
their fleece is made of any leaves they find on their crusades.
they're not much interested in running their cult. but they do come around to share their spoils and talk about anything that might've crossed their path.
even if that happens to be things that shan't be discussed with mortal minds,,,
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trans-androgyne · 1 day
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Cw for TERFism, misgendering
I received the following comment on a vent post of mine about how my masculinity is punished both outside and inside the queer community.
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I wanted to point out a couple things about it:
1) They try to make it sound friendly, but this is classic transandrophobia. I’m being accused of trying to “opt out” of the patriarchy through transitioning.
2) They try to build “Female Solidarity” by calling me female and trying to relate to me on the basis of suffering. “Male-Supremacist” here is meant to attribute my complaints about the queer community to trans women oppressing me.
3) Them listing what they consider men’s jobs is really, really funny. That is not all masculinity is. I’m going into a women-dominated field. I just also happen to be some guy. But it’s interesting to see what they think female masculinity is.
Anyway, this was really gross to receive and I very strongly recommend blocking this person ASAP if you’re any kind of trans especially. They use politeness as a way of manipulation but I have seen the nasty things they say and do to/about transmascs in their own circles. They are not safe people for us. Be careful out there.
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lady-buggerinton · 3 days
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My Top Five Polin Scenes in Part One (and why!)
My darling gossipers, so far this show is making literally all of my hopeless romantic dreams for this couple come true and who knows what kind of angst and drama were in for in part two, so before things gets too real I just wanted to go into (too much) depth on my favorite scenes and a few swoon-worthy details from part one! *whips reigns on carriage* shall we?
5. Drawing Room Lesson/Journal
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Pen's brain: TOUCH ALERT! HIS HAND IS ON MY BACK.
This scene is so best friend coded with the way they are bantering and flirting the whole time. There's an adorable contrast between Penelope's fear of being discovered and Colin being like it's chill!(when in fact it is not Chill because they get interrupted after 5 minutes of gazing into each others eyes)
He just clearly wanted to be completely alone and behind closed doors platonically with his very beautiful friend (who looks like an angel in this scene) to pretend they are courting. Nothing suspicious about that!
I love how he's so into the lesson to the point that he has set out the lemonade as a prop and brought her to Bridgerton house in the first place specifically because she said it was where she was most comfortable (previously, but he's doing his best, and probably hoping she will become comfortable again, ouch)
Colin being the "dashing suitor" for her to flirt with (loser) and when she's resistant to fake flirting with him he hits her with the, "you don't have to be embarrassed, you know me!" trying to put her at ease. And he succeeds! Penelope is so comfortable during this scene when she's opening up about how it's hard for her to get her personality across, it's so sweet and honest.
And this is when the ROMANCING really starts, I love how it's Penelope who takes the lead here. mostly by accident, but the poor man is still left in shambles.
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I do kind of wish for this scene they had gone with a more back and forth flirting moment, and seen them both get a little taste of how overtly flirting with each other would feel rather than her little poetic moment, but it was sweet to see her expose a corner of her feelings for him and watching him get a tad flustered at the compliment.
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Ok, while it was rather uncool of her to read his journal, I love this part so much. Because I am no better, I would 100 percent do this given the chance. Her examining the space where he spends time, her running her hand over his pirate coat, (who wouldn't) the quiet yearning of that action. As a snoop myself, this was wish fulfillment.
Penelope being hit with a confusing mix of jealousy and intrigue by the contents of the journal entry, the way she stops reading for just a second and then gives in and devours his writing, not being able to hold back from getting inside his head. Don't think about how she probably missed his letters.
Colin's anger here is warranted, and I liked how he didn't come across as aggro-angry Colin from the books but is still justifiably upset that his privacy has been violated. He is likely aware that there are certain DETAILS he wouldn't want her to be reading, like how he's a lonely lonely sad little man trying to be rakish and roguish because his beautiful platonic friend isn't writing him back and encouraging him like she usually does.
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Can I just mention that bandaging a wound is an excellent trope and it's such a good romancing vehicle: the care, the tenderness, the touching! the GRUMPINESS! But my favorite thing about the wound bandaging is his reaction to her complimenting his work, of which he hasn't shown ANYONE. He's just so shocked that she likes it, and clearly starved for her encouragement/anyone to be interested in his travels.
I think its also worth noting that this is THE moment that Colin thinks back to when he's considering activating his chaos tendencies by rolling up to the red ball to interrupt her proposal, so I'm gonna interpret that as him recalling his first realization/admittance to himself that he has feelings for her beyond friendship.
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It wouldn't surprise me since it is after this moment that we see the hints of jealousy start to manifest at the full moon ball (looking for her, asking her if she likes a suitor, he's not subtle with it). Can't blame him, he was just touched with intimacy and care, and told his creative outlet is well-written, he is being ROMANCED to the max and he can't handle it.
We also have our first "please" as Pen asks to help, and as we will see, these two can't say no to each other once the magic word is spoken! I hope this theme makes a comeback in part two (please please please)
4. Market Scene
ok, besides a semi-silly looking wig on Colin (reshoots) this scene is first of all, so beautiful.
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SHE IS SO FINE IN THIS SCENE I CAN'T EVEN THINK. She looks like a preraphaelite painting and I'm gnawing at the bars of my enclosure.
I literally kept saying "wow" out loud. It actually makes the scene very silly to me because she keeps talking about how she'll never snag a husband and I'm over here on one knee begging for a chance.
If Penelope has been Colin's cheerleader and #1 supporter for their whole friendship, this is where that flips. This scene is all about Pen feeling dejected about her prospects and Colin trying to lift her spirits -basically by saying she doesn't need to work on anything because he already likes her so much without her doing anything but I digress!
There is nothing hotter than your crush talking about a shared memory! Literally nothing! You can see her absolutely light up here when he talks about their first meeting like "I can't believe he remembered" and "Shit, I'm trying to not be in love" and it makes me ache for her.
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I am very sad we didn't get a meet cute flashback (hello romcom!!) but this was the next best thing. He's also definitely still in Rake Mode with the way he is being charming and flirty, but there is a core of genuine feeling here as he is trying to get her find her confidence and be more like the non-self conscious children they once were. I believe a lot of the rift between them was directly because she had such strong feelings for him and couldn't just connect with him as friends due to the pedestal she put him on, this scene shows that without that as a barrier, they are able to connect much more naturally.
"Living for the estimation of others is a trap, once you break free the world opens up," he says, and he's starting to realize this idea but hasn't quite put it into practice. I think seeing Penelope struggling to be something she's not, just like he is, shows him how it's not working for either of them. This I think kickstarts his self-reflection and eventual rejection of external pressures later on, leaving him open to pursue other passions.
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Ok but what I LOVE most in this scene is his subtle digging for information about her that she isn't forthcoming with. He asks her why she wants a husband and where she feels most comfortable, peppering her with questions and also giving her zero personal space. He's very curious about her and what is going on inside, but she's not exactly open with him at this point, giving short and simple answers.
She's genuinely not used to someone asking her this many questions about herself, receiving this kind of devoted attention, and she clearly doesn't know quite how to respond. In fact, the dynamic has always been reversed, where she was encouraging and inquiring about him, so this switch is just excellent. there have been little moments throughout the series where he asks about her and she always seems to deflect to talking more about him, so it's nice to see this shift.
Also fun detail, the grecian statues behind them are a little nod to the eros and psyche vibes of the scene as cupid is trying to find a match for his psyche, but is slowly beginning to fall for her, his curiosity the first step towards total downfall.
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When he asks about Eloise is where Pen just completely shuts down and says she has to leave, and the "before we are noticed" with the little smile? I have fallen in love. She's clearly using that as an excuse to dodge the question, and it is almost an inside joke, sadly. As if she's saying "No one would believe you are courting me anyway haha". And yet he's clearly bummed she's leaving, he was having such a good time, and she leaves him hanging, wanting to know more. I also absolutely love the Rae side eye, lethal!
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3. Candy Tent
Post-kiss insanity is on full display here. The way she beckons him with a sexy head tilt and he came running, the way his hands give away his nervousness and his eyes keep locking on her helplessly. Just FULL ON crush mode. The soft "How are you?" he missed her!
Also outfits are incredible here, the pearls in the hair, the painted vest, Colin inventing the color brown, it's a rococo dream. The plushy pink of the tent, the ambiance, everything is just in a word: sumptuous? never used that but it feels right here.
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Pen's giddiness here is just adorable, she's experiencing blatant interest for the first time and I couldn't be happier for her. But someone else is very peeved, indeed. He's trying to play the part of supportive friend while also just kind of feeling a lot of "confounding feelings"
The way he is trying to be so casual and attempting to keep up his swagger, but his true feelings are showing through BAD kind of harkens back to how Pen would interact with Colin in s1 and 2, with barely contained affection and hope. The script has been FLIPPED and it feels so good!!
I literally squeal every time he asks her if she's formed an attachment to Debling, this is the shit I signed up for!! Her saying Debling is not "unpleasant to gaze upon" and watching Colin just completely glitch out with jealousy. He's like AND WHAT ABOUT ME! Must be frustrating to be the most eligible bachelor of the season, and yet your very beautiful crush friend is complementing another man on his looks. When your crush expresses interest in someone it can be truly insanity inducing, so I feel for him here.
Pen is oblivious completely, she doesn't think any of what she is saying is negatively affecting him, in fact she thinks this news will make him happy! His lessons worked, she didn't care about being perceived and it is having the desired affect! and yet, he's miserable. Mission accomplished unsuccessfully if you will.
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He does ALMOST a good job of hiding his feelings, but if Pen were not completely convinced he couldn't have feelings for her, I think she would've picked up on the vibes here. He's way less enthusiastic about the lessons, and is giving fairly curt responses, when before he was yapping on about being yourself and such.
Then of course the blatant staring at her mouth, being the yearning sort of man he is and likely recalling their kiss in detail, reminder it's been at least a week since. She's romancing him without even trying. It also makes sense for "food motivated" Colin to have Penelope + cake equals critical override of his facial expressions and his literally standing there slack-jawed with lust.
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His soft "good luck", when she leaves and the fact that he doesn't mean it AT ALL.
I've seen it talked about, but it makes a lot of sense that Penelope wasn't as affected by the kiss as he was. I'm sure she enjoyed it, but for her the kiss was an end (more on that later) and for him it was the moment he admitted his feelings (which were already growing slowly). so it makes sense the yearning is very colin-sided in this scene.
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Apart from the yearning, it's also just sweet to see them in cahoots and discussing this development with Debling like its a little group project, and its the perfect scene to show Down Bad Colin, and I love it. She also clearly wants him to share with her in her success, still wanting to be close to him in any way she can, which if I think about too much I'll cry.
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Bonus points for him eating the cake later on, such an intimate detail, he just wants to be close to her in any way he can. CRIMINAL! ARREST HIM!
2. First kiss/Dream Sequence
Ok I'm combining these scenes because they happen back to back and sort of like a mirror of each other, sue me. This first kiss scene is, as Whistledown says, RECKLESS. It's nonsensical, it's desperate, and it's beautiful.
This scene has only improved upon rewatches, it really has everything. Best kiss scene on Bridgerton and possibly in anything ever? no doubt no doubt?
The silly back and forth on the "You're not going to die" and the way she doesn't back down when he seems to get embarrassed, but instead says what? The Magic Word! "Please" she says, which of course is both of their activation word. His expressions here definitely mirror the book, where as soon as she asks him to kiss her, he's a bit taken aback by how much he realizes he wants to already.
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This is such a low moment for Penelope, and it's one parts embarrassing and two parts brave of her to ask him to kiss her. In her position, she doesn't even have her pride left, so why not ask the boy you love to kiss you? nothing will come of it anyway, and he probably won't even do it, so why not ask? And what are friends for!
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then the moment comes, and the music swells, as does the tension as he closes the distance between them, her shocked face and shallow breaths as she realizes its actually going to happen, the way he lifts her face to his with his hand under her chin. It's just pure romance. and this thing between them, this space that has never been crossed, is being crossed, and it feels insane. reckless. intimate!!
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What I love is the shot that focuses on his face after they deepen the kiss, he's intent and confused by how good this feels, how little like kindness this is for him as soon as their lips touch. Like we will see later, he just kind of mind-blanks and forgets what is happening.
Whatever he thought they were has just crumbled with this kiss, and he leans his forehead against hers, no awkwardness when there is such tenderness. which is why he's so shook when she whispers "thank you", and rushes off. he's like "wait why is she thanking me? where am I? weren't we doing something here?" The hopeful strings as it focuses on his dumbstruck face, the earth literally shifting under his feet in that moment. UNREAL.
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THE DREAM: I won't say a lot about the dream sequence but I just had to throw it in here because it shows how aligned they are romantically. They are both HUGE romantics, and he has orchestrated this sort of do-over kiss where he's really going for it and proving to her that he wants this too, he wants her. And she's enjoying herself, clearly, which we know is something Colin wants more than anything. It's a great way to show his inner feelings with the lack of an inner monologue that a book brings. And this is clearly a sort of parody of Bridgerton itself, or at least the books. It's over the top, a little silly, and exactly what we all want to see.
This dream also isn't just ripping off clothes, it's emotional, a key element is him expressing how he's been thinking about her, consumed by her. This kiss also isn't as innocent and patient as the first kiss, and it's full of Reciprocation, she can't stop thinking about him either. AND NEITHER CAN I!!!
Both of these kiss scenes also set up our contrasting feelings, where Pen views their first kiss as an end of a dream, a bittersweet act to finally let go off him, the dream of him. And then his dream shows the opposite, how she's ignited something in him that begins his dream of her, awake and asleep. Dream-swap! Also the hand on the wall behind her to catch her from hitting the wall. no comment.
1. Carriage Scene
Yeah like what can I say! It's incredible! I honestly have no idea how they can top this scene, but honestly if this is the best love scene they share in the season I am 10000% content. All of my little qualms with how they did the season melt away when I watch this scene because this was what was crucial to nail and they NAILED IT. TO THE WALL BABY. YAY.
And how did he gain access to the carriage (and Penelope)?? by saying please!! we love the magic word!! I do like the confession a lot, especially the "what if I did have feelings for you?" and the way he gets to his KNEES, a truly inspired moment.
How he completely dies inside when she says they are friends, and still accepts it with grace. There were SO many obstacles to him expressing his feelings to her this night, and he just red rovered each one, and we are all very grateful.
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Something about this scene is just built different, I like a lot of the love scenes in the show, but this one has some kind of secret ingredient that we didn't know we'd been missing. Maybe its the location, the context, the way they are just grasping at each other desperately (which if you think about how Penelope thought this was a one time thing in the books and she wanted to make the most of it, actually don't think about that)
He's also just so sweet about it, he's not angry, or insistent, he's just honest and intent. and she's just bewildered and INTO IT.
The lightning is gorgeous, the way it looks like Penelope is catching on fire and glowing. the catharsis, the giving into passion. The way she smiles like her dreams are coming true (because they are) before he just completely attacks her. What else can I say but EEEEEEEEEEEEEEEEEEEEE!!!
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so many of the kisses are so tender and gentle, and they just build and build and build in intensity as they get lost in each other.
on a more horny note, so many moments here actually make me physically roll my eyes back in my head with how insane they make me. The desperate boob grab, the consensual nod, the way his hand slips under her dress, they were truly so insane for this. something tells me they knew I've waited literal years for this, so they knew they had to make it good.
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Someone said Nicola should get an Emmy nom for moans, and she should, somehow they don't come across as cartoonish at all, and it doesn't take me out of the scene like some "noise making" does in these types of scenes. and for the record I'm not jealous at all, of either of them. in fact, no sooner did my head hit the pillow that I was met with complete and total darkness....not even a dream....
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Like everything I could say has already been said, but it was so much better than I thought it was going to be, blew my expectations out of the water and DELIVERED. and DEVOURED. and RUINED ME. AND I AM VERY GRATEFUL.
Anyway that's all, I'm very afraid for part two so I needed some escapism, why am I already nostalgic for the good ol' times when Polin was happy for 6 minutes. thanks for reading! <3
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WIBTA for calling out my friend for writing RPF?
I'm in a friend group of about 5. We've known eachother for 5+ years but I'm closest with Sam because I've known them the longest. What Sam doesn't know is that when we first met I was browsing through their Twitter profile when I found a link to their AO3, it was full of RPF of two celebrities they were a fan of. At the time I thought it was kinda weird but said nothing because the fics were quite old at this point and we were both stupid teens, I didn't see it as a big deal. The AO3 stayed up (I am embarrassed to say I checked up on it occasionally out of morbid curiosity or what I don't know) but Sam never mentioned these fics around me and a few months later I saw that the account had either been deleted or renamed and all of the fics had been deleted too.
This was about seven years ago. Although Sam would still talk about these celebs they liked in our group chats (and still does) they never brought up shipping them seriously and only talked about RPF as a joke. I never brought it up all this time because I thought that they'd moved on from writing and the jokes were part of that.
However recently Sam started posting about a new thing involving IRL people. As we usually do in our friend group we were being supportive, asking them questions and letting them infodump ETC. But then one of our friends made an offhand joke about there being fic of this thing out there and Sam totally clammed up. It wasn't super noticeable but they suddenly started trying to change the subject away from it. We let it go but something didn't sit right with me, maybe because I knew about their history with this stuff, later that day I decide to check out the AO3 tag for this thing and lo and behold, there is an account that started posting roughly when Sam started talking about it. Not only that but I skimmed through some of the fics and they had very specific quirks of Sam's writing style and grammar, one of the fic titles even referenced a song by their favourite artist! This was 100% Sam's alt account.
Here's where I might be the asshole. TBQH I don't care about the RPF, I think it's weird and I would never write it myself but it's harmless. But recently Sam has been... kind of an asshole to our other friends about their own interests. We poke fun at each other all the time but recently Sam has been upsetting our friend Kai by 'jokingly' calling his current hyperfixation cringy a lot to the point Kai has privately told me he feels embarrassed infodumping about it any more. Kai is the youngest in the group and I feel really protective of him, this got me really angry. I told him I'd talk to Sam and I will but I feel like what I want to say to them is too petty and over the line.
So, WIBTA if I pointed out to Sam that they have no right calling other people's interests cringe considering what they write? They don't know I know about their AO3, it would definitely be embarrassing for them but that's the point if they think it's okay to embarrass their other friends like this.
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gglitch1dd · 3 days
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Hello hello again Glitch! How are you doing? I hope you're well :) Hope you're not getting annoyed with me flooding your notifs half the time lol
I've been thinking about something recently and that is "what if there were twins in the Midoriya Family"? What if Bakugou never got together with Y/N and Izuku was just the ONE for our girl Y/N from the start.. Would it be a possibility for them to conceive twins? Since they would considerably be younger when they first meet each other
AHHHH @genkioo You could never annoy me. I love seeing your comments and I'm glad you are asking!!
This is an interesting thing. Let me be frank, the reason I don't bring the girl, Inko Jr, into my Midoriya Family is exactly that reason. Reader is just not at the age to have more children and a reminder to those, her pregnancy with Koda was already high risk and Izuku never wants to see his wife like that again.
If anybody remembers, in the Contract, in chapter 2, when reader expresses the fact that she doesn't want to "waste her time" anymore. She spent around 5 (it could be 7, I don't remember) YEARS with Katsuki and she felt like it was all for naught. it was. Before she got with Izuku. It was implied that Izuku was reaching that big 30 mark before he met reader and he had been number 1 for 5 years. So Izuku and reader are both 28/29 when they get married. And since in my Husband!Izuku lore, its state that it takes them around 2 years before they fall pregnant with Toshinori. So Reader and Izuku are only 30 when they start having kids and are currently 46/47.
NOW. to answer your question, genkioo, THEY MOST DEFINITELY WOULD HAVE MORE KIDS!!!
Originally this was how the Midoriya family is supposed to be if Reader never dated Katsuki.
Izuku and Reader are the type to get married fast, like after a year of dating and they'd be engaged. (which isn't a bad thing when done right). So I thought they'd be around 24/25 because that aligns to the time Izuku becomes Number One.
So then they have 7 kids in my head. (chuckles in breeding kink)
Toshinori stays as the eldest, then it was actually supposed to be Inko Jr (who's a more rebellious one in the family and ends up being Kane's girlfriend considering she's only like max a year younger than Toshinori (Izuku and reader did not hesitate). Then there would be Asahi. Then there would be Hero and his twin. Technically Hero wasn't even supposed to be called Hero. He was supposed to be part of identical twins, Izumi and Itsuki. They're both Hero just separated into two bodies basically. Then there would be Shoyo and Koda.
THAT'S how it was supposed to be if Reader never fell in love with Katsuki.
Toshinori- 17
Inko Jr -16
Asahi- 14
Izumi and Itsuki - 11
Shoyo- 5
Koda- 3
(Notice the huge jump from the twins to Shoyo. Yah Reader was TIRED.) If you want me to I can...try write an alt universe with them. Won't be all that different, minus the extra boy and a girl.
-Glitch1d.
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crimsonmoonlight88 · 2 days
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Noa's Potential Love Triangle
"You like her--Soona."
"We were born within a sunset."
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Okay listen, I never thought I'd be here considering a potential love triangle in this series, but here we are.
Now, I won't even touch on the interesting choice of having Mae of all characters ask this, but there are so many answers Noa could have given that ultimately tell the audience "yes, I like her."
Yes. Of course. I do. Sure. Maybe. Why wouldn't I? What, no! *looks nervous*
(I could go on all day.)
But no, he only says, very matter of factly, "we were born within a sunset."
So with that baffling response, I thought about it some more, and two things came to mind for what he might have meant:
They were born close together, like family, indicating his feelings are familial. (This jives with the actual vibe between them in the movie, imo.)
It doesn't really matter. They were born within a sunset and that (possibly) has some cultural meaning for their clan, like a sign they were meant to be together. Therefore, a relationship would be expected of them, no matter how they feel.
Now it could be one or both of these scenarios, but with the second I can see that playing into Noa's upcoming hero journey of becoming who he was meant to be. Interestingly, in this trailer we get:
Owen: Noa has to make a choice Proximus: Do you choose a human, over an ape? Owen: And only one will prevail. Proximus: Together, you will die. Noa: No, together--strong. *cues scene of Noa reaching for Mae on horseback and saving her*
From that trailer alone, you get a sense of what his choice will be. But in the movie itself, when Proximus lays this out for Noa, he does not choose. (Yet)
"Do you choose a human over an ape? Your sweet, little Soona or that stinking human?"
I think that's intentional for now, as I think the love triangle is potentially a catalyst for Noa, and Mae and Soona in particular, are meant to represent two different paths (and endings) for him. With this concept in mind, it could mean:
Choosing Soona means following the path that is expected of him, the one laid out since birth, the one he would have gone down had Mae not come into his life. Following the rules, following tradition, upholding his clan's legacy, and choosing for the world to stay as it is with apes dominating humans. (Apes, together, strong)
Choosing Mae means following the path that defies expectations, the new one that was forged because Mae came into his life. Questioning the rules, embracing change over tradition, upholding Caesar's legacy, and choosing for the world to evolve with human/ape coexistence. (Together, strong)
So Noa's answer of "we were born within a sunset" is not a yes or a no, just as Mae's response to "can ape and human live together" is not a yes or a no, because these characters have not chosen this "together strong" path yet. They are questioning everything they've ever known, are changed by this connection to each other, but they're still following their "expected path" at the moment.
Now I might be wildly off base with this theory of course, and I acknowledge that Noa could definitely become who he needs to be with Soona by his side--but I'm looking at this from the two path/two love interest narrative, along with many other factors. But I'll just finish with these quotes from Wes Ball.
"Her [Mae] whole journey is changed by meeting Noa, just as much as his journey has been changed by meeting her."
"These characters [Noa and Mae] have now saved each other, and they have a complicated connection. There is now a history and real feelings between the two, and that’s going to be important moving forward."
"Can apes and humans live together? Can we coexist? So that will be a continued theme throughout future movies, and if there’s any chance for peace between these species, it will probably be between these two characters."
"There's literally a door that opens at the end to hopefully many more possibilities. And the relationship between Mae and Noa and how they've changed each other, you know, is going to be crucial moving forward as they navigate the future together."
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artsy-waffle19 · 2 days
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I think the reason why the fandom is so divided about what to think of the cat king is because this character fits into very different concepts depending on how you chose to vibe check him.
so if we decide to vibe check him by supernatural/fairytale standards he's a typical trickster with a goal who pulls of a bunch of smart tricks in order to achieve them. He also follows a very stict code of "an eye for an eye", most of the time throwing a characters own actions right back at them in an unpleasant way. In fairytales and folktales the whole deal with "the king saw them and immediately fell madly in love, demanding their hand in marriage" is a pretty common occurence so that fits that too. The task he gives Edwin is also very fairy tale like as it's a task that sounds impossible but the hero manages to outwit him and beat him, which earns them his respect even though he might temporarily consider going back on his deal. So if we vibe check this character he's just a morally neutral character that unfortunately functions as an inconvenience in the heros main story.
however why a lot of people have issues with him is because it's also a very valid approach to vibe check him by real life standards which does make him a predator. (Let's be real if our friends irl were in this exact situation Edwin is in, we'd get out the cricket bats ourselves while telling them to stay as far away as possible from that person and better yet get a restraining order on that guy). Instead of "trickster who tells the hero to solve a riddle and asks his subjects to keep him posted about what the hero is doing" we get "guy who won't accept a no as an answer and keeps stalking somebody who already rejected him", just like instead of "morally neutral character goes by 'an eye for an eye' does things that might be uncomfortable for the protagonists but are technically fair" we'd just see "petty guy who keeps throwing a tantrum about random stuff but won't behave any better". So it really depends on wether we go by folktale morals or real life morals, which both offer very plausible interpretations of the character. And this is intended as the show repeatedly shows us this supernatural world but then the villains are always normal people doing very bad, very real things to their victims. Devlin is just a guy who is obsessed with control. He's not a supernatural being or posessed or anything, he's just a bad person. So are Edwins and Charles' bullies, Charles' father, Brad and Hunter and David as he is a demon but it's not his being a demon but his abusive behaviour that traumatised Crystal. So the show actually makes us view it through that real life lens and vibe check all of the characters by our real life standards, according to which the Cat King is moving in a really dark gray area, while also being set in the supernatural world with entirely different standards, that we are also aware of.
So yes: The Cat King is a fun and interesting trickster character, who influences the character development of one of our main characters in a positive way and is otherwise no more than a minor inconvenience with a fun character design and yes: if he were a real person he'd need to get punched in the face, go outside and touch some grass and then get like a decade of therapy. These two things can be true at the same time. That's what makes the character so good.
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ironunderstands · 2 days
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Topaz appreciation post because she’s been rotating around my brain like a rotisserie chicken and I need y’all to get her like I do 
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Genuinely, I believe her to be the most underrated limited 5 star in the game everything wise, because she is so damn interesting and nobody talks about it ever and it drives me nuts.
So, I’m going to make you understand why exactly I love her and what makes her so amazing in the first place.
Her lore 
Topaz’s lore is rather simple, at least compared to other characters in the game, but simple ≠ bad and her story serves her perfectly.
Long before Topaz was Topaz, she was a girl named Jelena, living in a desolate planet at the edge of the galaxy. The economy of this planet was based around mining and industry, which resulted in her home becoming more and more polluted as time went on. The wildlife almost completely disappeared, people had to wear masks to breathe, and it seemed like her planet was reaching a hopeless, dismal end.
Until the IPC came. They promised to fix everything, and heal her planet of its environment problems, in exchange for every person on the planet signing a contract of indentured servitude to the IPC. Seeing no other way out, Topaz’s home accepted, forever tying her and the rest of the planet to the IPC.
Topaz is was (and still is) incredibly talented and competent, excelling in science, economics, finances, math, etc. Her exceptional talents caused her mentor  and parental figure Dvorski, who works in the Strategic Investment Department to recommend her to Jade, one of his superiors. Presumably, this is how she started her climb up the corporate latter, eventually becoming the Topaz we know and love today. 
Throughout this, she maintained her friendly and headstrong attitude, and never abandoned her love for animals or the people in her life like Dvorski, a trait which will be important for later. 
So, I’ve established the basics, so what makes this interesting?
Topaz’s trauma and how it affects her character 
I feel like a lot of people ignore just how much trauma she really has, and how it affects the way she behaves in the present.
For starters, her love of animals. Sure, Numby is adorable and in general this is a rather fun trait for a character to have, it’s not something you would consider to be a sign of something darker. 
However, remember that Topaz’s planet almost lost all of the life on it, and she witnessed firsthand almost every creature she knew and loved either go extinct or become severely endangered. 
So, when you view her love for animals through this lense, it’s easy to see that she’s so attached to animals because Topaz almost lost them forever, and this trait manifests in a lot of the behavior she exhibits.
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According to Topaz herself, her efficiency goes up 27% when Numby is with her, and it seems to be blatantly obvious that being around animals give her at the very least a peace of mind/sense of comfort. I mean in game she is Topaz and Numby for a reason, and her relationship with them is a core part of the way she behaves. When Topaz can’t ground herself, she has Numby to help her with that, which hurts even more considering she is likely going on these missions alone 90% of the time, meaning her literal only friend is a pet/animal. 
Considering Topaz’s biological parents never get mentioned, it’s not hard to assume she is orphaned or at the very least estranged from them, likely due to the disaster on her planet, leaving her only loved ones to be her pets and Dvorski. Losing one half of the only support system she has would be devastating for Topaz, which is likely why she brings Numby everywhere (also considering I don’t think she has mentioned him in the present, her pets might literally be the only things she has left). 
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In her own home, Topaz collects a myriad of species from across the galaxy, as if to preserve them so at least even if they disappear on their home planets like hers did, they won’t go extinct entirely. 
Personally, I think her fixation around them cooperating and coexisting also reflects on how she feels about other people. If animals from completely different planets can get along, so can people. If she can convince creatures lacking in intellect work together, then she can do the same for ones that possess it, as ultimately Topaz is a massive people person, and believes what she’s doing is best for the galaxy. 
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It’s almost like an experiment, with every little change to their ecosystems, every new organism added, every new abiotic feature taken or removed, Topaz can simulate what that might be like in reality. In a way she wants to take care of humans  like she does her pets, however instead of doing it through her own means, she uses the IPC and her power as a Stoneheart as a vector for that.
But why is she so confident? What makes Topaz wholeheartedly believe that what she’s doing really is the best for the galaxy, even if we know it isn’t perfect, even if only ~80% of the planets she works on are “saved”?
Well, like always, it’s her trauma again.
Imagine you’re living on a planet slowly dying due to its people’s greed and ignorance, in which everything you know and love is falling apart, and absolutely nothing can be done about it. But you don’t need to imagine this, I mean this is a situation we are all going through, as it’s already what’s happening to our planet right now, so perhaps instead picture what it might be like to live here in a few decades if nothing changes. How miserable that would be, how upset you would be at those in power, how disappointed you would be in humanity for doing Nothing when we had so much time and already knew the consequences almost a century in advance (seriously we have known about climate change since like the 50s). 
So you give up hope and accept your fate, accept that everything is going down in flames and the humanity, the planet you know and love is going to be snuffed out forever.
Only to get saved when an outside influence comes to your assistance. Sure, they make everyone sign a contract binding their lives to them, but you wouldn’t have a life to give had they not helped. Besides, you owe it to every other thing that shares your planet with you, every plant, every animal, every organism has been utterly wiped out by human greed, so it’s only fair to pay them back, right? 
I mean it’s your whole world at stake, so how could you say no? How could you deem their terms unreasonable if clearly your own people didn’t deserve the responsibility they had over their own lives? If their situations could only be fixed by giving it to others who could guide them? By giving it to the IPC? The Preservation ?
This is the mindset Topaz grew up on and has known for her entire life. She has seen humanity utterly fail itself and is unwilling to allow that fate to befall others. She doesn’t trust other people to make the right decisions, she doesn’t think they know what’s best for them, because the people she was closest to, her very own people couldn’t do that, so how could she ever expect strangers to do the same? 
How could she ever give the leaders of these planets the benefit of the doubt, knowing that doing that for her own almost caused it to be wiped out completely? How could she see them as anything more than the selfish bastards who ruined everything? How could her heart not ache thinking there were people on the planets she helps who would be doomed to experience the fate that almost fell upon her had Topaz not stepped in. 
How could Topaz feel guilty over the planets that don’t succeed? The ones she can’t save? As after all, she thinks they were lost from the get go? Does it eat her up at night knowing she failed them? That she couldn’t prevent the folly of humanity this time, so the next planet she must work harder, be more stubborn, push back even more, so nobody ever experiences what she did instead?
I mean being an indentured servant hasn’t been that bad for her, she’s succeeded in every endeavor she’s set her mind to after all. Sure, she’s entirely alone, and sure, if the IPC no longer deems her or her people useful, they could cast them aside once again. 
But Topaz is smart, she climbed to the top of the latter, she’s been praised to hell and back, she’s known far and wide through the department for her efficiency and drive, surely she hasn’t done anything wrong?
Sure she’s heard whispers, rumors and projects of other departments, of the deep dark secrets of the company she owes her life too. Inwardly she wonders how those who follow the Preservation would even be willing to commit such atrocities, inwardly she hopes they are just rumors. The IPC saved her planet, so how could they destroy others? 
The Preservation’s power will protect all, will save them from their miserable existences. Nothing else matters in the process, no dissenter understands this as like Topaz does. She will save them, she will protect them, even if it means she is detested by everyone she encounters, it must be done. All for the Amber Lord.
I find it very compelling how despite the fact that Topaz has become a Stoneheart, she is still dressed in the fashion of an average IPC worker. As if she is an equal part of the puzzle as them. Equally useful, equally disposable, equally biased, equally ignorant, and equally foolish. 
I mean, how could she be anyway else?
Her future
Belabog was just as important for Topaz’s development as she was to it.
She was wrong. 
As stubborn as Topaz is, she is not arrogant, and when Bronya proved to her that the people of Belabog can and would fight for their future, Topaz did everything in her power to help them.
As that’s what she really cares about, people. 
I think Topaz the determination she has in Bronya and it shook her to her core. 
Because so far, the only way Topaz has seen real progress is from the hands of the IPC.
But Bronya doesn’t give into them, and she puts everything she has into saving her people. Moreover, Jarilo-VI follows the Preservation as well, but they don’t agree with the IPC’s method of it. 
Is the IPC wrong?
That is the question Topaz is faced with, what is the thing she has to grapple with once she leaves the planet. When they demote her for not getting the debt back immediately, does Topaz wonder why they were so concerned about that in the first place? Shouldn’t they be happy that a world blessed by their very own deity managed to pick itself up without their help? Isn’t that the point?
Does she think back to her previous projects, the planets she saved and the planets she failed, and wonder how it would have worked out without the IPCs involvement? 
Did Aventurine teasing her about “failing” the Jarilo-VI project confuse her, because they were still saved like Topaz wanted them to be in the first place? How could they ever be considered a failure?
She believes debts and payback are what holds planets together, but it only ever seemed to cause Belabog to fall apart.
This is the first time Topaz really is forced to reevaluate her priorities, to question if her methods are justifiable, if she’s really doing the right thing.
Belabog didn’t break her, it didn’t topple her worldview and turn everything on its head, but it did plant some seeds of doubt in her brain, seeds of doubt that will grow into a new mindset. 
HOYOVERSE IF YOU ARE LISTENING HOYOVERSE, GIVE HER THE MENTAL BREAKDOWN + PRIORITY REEVALUATION ARC SHE DESERVES!!! DO THAT AND MY LIFE IS YOURS PLEASE.
Like you don’t get it you don’t get it what do you mean they set all this up and they might not go anywhere with it. Please hoyo please please please let her break away from the IPC’s condition and warped perspective, please let her truly follow the Preservation, please make her turn away from them, please make her an emanator of Preservation after she does this. Topaz stoneheart form, Topaz emanator form. Please please please let her save the crew let her save her subordinates let her save the people she failed previously let her save Aventurine and Ratio let her save Numby let her save herself.
Her instability 
I have already somewhat touched on this in point #3, but Topaz just cannot exist in the state she is now permanently.
Like a radioactive element she’s going to slowly decay over time until she ends up in a more stable form, and who that will hurt in the process, and how long that will take, we will have to see.
Hypocrisy is not something that can exist for long within characters, as due to its inherent contradictions, it messes with the way they are characterized until they are eventually forced to either eliminate it themselves or have the story do it for them.
Topaz is a hypocrite, desiring to do good and help people, but she ends up hurting them in the process. 
However, she has only just begun to realize this, and as more and more of the IPC’s atrocities get revealed, it gets harder and harder for both the audience and her herself to justify her behavior as we witness the extent of their crimes.
So how has she remained this stable for so long?
Well, the IPC has done everything in their power to keep her that way. From a young age she was involved with them, as they not only saved her planet, but her only known parental figure worked in the Strategic Investment Department. Soon, he recommended her to Jade due to Topaz’s exceptional talent, and presumably the other Stoneheart quickly picked her up and took her under her wing, causing Jelena to rise fast within the ranks and become one herself.
The IPC has been Topaz’s only frame of reference for how things should be done, her only perspective on write and wrong for so long. The only hints she gets of other points of view are that of the people who destroyed her planet, her own people. Unintentional or not, Topaz has been made to feel her whole life like the IPC are heroes and the common people are foolish and greedy and evil, and only now has that worldview started to crumble piece by piece.
Sure, we have always known how terrible the IPC was, a perception that has only gotten more and more true over time. However, Topaz is not the audience, and in universe the IPC presents themselves in a very positive light.
Think of the Myriad Celestia trailer and how it portrays the IPC; that’s quite literally how they want to be viewed in game, how they market themselves to other people. If Topaz has only ever known them to be that great, shining, progressive company who vows to follow the Preservation and improve the universe, how could even begin to criticize them? After all, she had never known any other perspective. Even when she did fail in the past, Topaz viewed it as a strike on her own record and an unfortunate situation in general, not as a demonstration of the IPC’s misdeeds. 
The IPC is good, the IPC saves people, the IPC follows the Preservation, Topaz is a good person, Topaz does good things, Topaz helps people, Topaz saves people, there is nothing wrong, there won’t ever be anything wrong.
Until Belabog
They don’t want to cooperate with the IPC. To roll over and let themselves be gutted for all they are worth. 
Well that’s fine, that’s happened before, at least that’s how Topaz justifies it to herself. She thinks of their massive debt, it must be paid after all, otherwise how could the galaxy remain stable?
But the weapons the IPC gave Jarilo-VI were never used in its defense. The thing they owe the IPC for never ended up being valuable. Belabog stood on its own, without the help of IPC in its defense.
They saved themselves.
As if it couldn’t get worse, they did it with the power of the Preservation.
And it didn’t come from the IPC, it came from them.
The Interastral Peace Corporation, who claim to be followers of the Preservation, standing against people who really do have their blessing and being proved wrong.
Do you know how that would feel to Topaz.
She’s wrong, and she’s proven wrong by the very deity she claims to follow, she believes she follows.
So Topaz makes her choice.
Stick with the IPC’s plan, or stand with the people of Belabog 
And she stands with them.
Topaz’s character never changes. I hate when people act like she switched up on them and changed her whole worldview, but in reality that was the most in character thing Topaz has ever done in her entire life.
Because she cares about people, so when the opportunity presents itself, she will always stand with them. 
This is the first time Topaz goes against the IPC’s wishes, and it won’t be the last.
She made her choice, she demonstrated who and what she truly cares about, and that will only drive a wedge between her and the IPC further and further until she snaps.
I find it funny how Topaz is a fire type character, when the song core to Belabog’s themes is “Wildfire” 
However, maybe it isn’t just about them. I think it’s about the Preservation, about what the game in general is trying to tell its players.
How fighting for your right to exist will hurt, but it is not impossible, and that pain will be the only way to enact change.
Well, Topaz,
you made your choice
go fight against your fate 
Thank you so much for reading! I really enjoyed making this and I hope you at least understand why I think Topaz is such a compelling character. I need an arc centered on her in the future and if I don’t get one then trust me things will be dealt with. She will get her just desserts.
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lu-is-not-ok · 2 days
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*rises from the grave*
*trips and falls flat on my face*
Heyyyy, it's ya boy, your favorite chronically exhausted Hong Lu identity that forgor about posting to Tumblr. Hi. Hello.
So. Timekilling Time, huh? Very fun, very exciting, we love focusing on Sinners that are misunderstood both in and out of character. We love Rodya, Hong Lu, and Ryoshu focus. We love Ryoshu's butch mustache swag.
Anyway, allow me yap about it a bit, because I took frame by frame screenshots of the teaser and I haven't yapped on Tumblr in a while. I'll also give a general update on how I've been doing at the end of the post for those who are interested.
The first thing I've noticed in the teaser is Dante actually lays out the exact traits that their choice of Sinners would need. These being (exact wording):
Someone who can support Dante
Someone who can remain laser-focused on the case
Someone who can be free from biased judgement while making rational, quick spur-of-the-moment decisions
In other words, we need Sinners who will help Dante out, are able to stay focused, and who can think on their feet without relying on their own internal biases.
I think it's important to lay those out as clearly as possible, because it makes the selections made by Dante and Verg very interesting, and also kind of funny.
Let's look at Dante's picks - Yi Sang, Meursault, and Faust. These are all, at a surface level, decent general picks, as all three of them are seen as smart and rational. However, if we look at them while keeping the previously mentioned traits in mind, it turns out these three might just be some of the worst picks Dante could ever fucking make.
The biggest issue - none of these bitches can think quickly. Faust is especially notorious for this, as it's consistently pointed out how she always needs a long time to come to a conclusion or otherwise has to pause to come up with answers. We also know Yi Sang is the type of person to get lost in his thoughts and just meander instead of getting to the point. Meursault is a bit of an outlier in that we see that he can think quickly, but if he's not given any orders he's never gonna act on those thoughts. Admittedly, he has been getting better at speaking up over time, but he's still mostly in this "only does what he's told to do" mode of operations.
This is where their issues split up a little bit.
Yi Sang is probably the most likely to be supportive of Dante out of the three - we see that he cares about others and has learned to interfere and give advice when he feels it's necessary (though who knows if he's doing well enough to keep that up after Canto 6, oof). No, rather his other issue lies in the focus department. This is the guy who, as I previously mentioned, meanders all over before getting to the point. Again, like Meursault, he has been getting better at not doing that, but he's still got ways to go.
Faust and Meursault on the other hand have the opposite issue. While they're fairly goot at staying focused on what they have to do, the issue is that they never fucking speak up. They're probbably the furthest from being supportive of Dante. They're most likely to learn info and just keep it to themselves until everyone has wasted way too much fucking time. Hell, Meursault would probably make a decently good detective if allowed to do the case all on his own, but since he's meant to be a part of a group, he's unlikely to help out that much without Dante directly ordering him around.
Now, onto Verg's picks - Rodya, Hong Lu, and Ryoshu. This is where things get really, really interesting. Because we have the reverse situation to Dante's picks - on the surface the choices seem random and counter-intuitive, but if we look deeper, it turns out they all fulfill the requirements surprisingly well.
I'm about to go on a tangent here, but I find it extremely important that we're focusing on this group of Sinners in the first Intervallo between what I consider to be the most thematically different arcs within Limbus. The first half of Inferno has been pretty squarely about confronting one's past, whether learning to face it properly after running away from it (Gregor, Rodya, Sinclair), or learning to move past it after refusing to let go of it (Yi Sang, Ishmael, Heathcliff).
However, looking at the Sinners we have left, it feels like the second half of Inferno might be focused less on the past specifically, but more about the Sinners' general reality. Especially the next upcoming trio of Cantos - Don Quixote, Hong Lu, and Ryoshu - have some heavy thematic focus on the idea of one's perception of reality, especially fitting for the three Sinners with weird eye shit going on.
With Timekilling Time focusing on the Sinners most misinterpreted by others in-character (and out of character), it feels like the perfect intro to this switch in thematic focus - exploring the actual realities of people who are otherwise hard to understand.
Anyway, back to discussing how Rodya, Hong Lu, and Ryoshu fit Dante's requirements.
Supportive of Dante - this is the requirement all three fulfill pretty well. Let me explain.
Rodya is probably the most obvious - she's a hypegirl through and through, and happy to take the reigns in some way or another if nobody else is able to, as we see in Canto 2. She's often one of the first people to point out when someone is not doing well, and shares a lot of her insight if in the mood, but she also knows when discretion is necessary.
Hong Lu is a fun one here - he's extremely perceptive and insightful, often sharing his thoughts with very little prompting. His only issue is that he tends to backpedal when he feels like he said something wrong, or generally just words shit in weird slightly offensive ways. He's supportive, he just doesn't always talk like he is.
Ryoshu is one I find most interesting here, as a lot of people seem to miss this about her character - despite her short temper and peculiar manner of carrying herself, she's actually pretty understanding and helpful towards people she's on amicable terms with. She always explains her acronyms if asked (and when she doesn't it's usually because people stop asking or Sinclair translates instead), she listens when told to stand down or otherwise do something when asked of by Dante or Sinclair, and the reason she tends to stay quiet is because she only speaks when she feels what she has to say is important.
Staying focused - this one is a bit harder to judge, but I'd say the only one who might not fulfill this one is Hong Lu, but only by a margin. Ryoshu is shown to get so focused she gets impatient when she can't get to the point, and Rodya always has her goal in mind even when she might act like she doesn't. Hong Lu is a bit harder to judge, as he seems to be the type to prioritze gathering information and satiating his curiostiy over the main goal, but in a case like this that might just be a massive plus.
Unbiased quick thinking - again, all three fulfill the quick thinking part very well. Rodya shows it constantly throughout Canto 2, Hong Lu shows it best in social interactions, and Ryoshu just doesn't want to waste time and so she naturally thinks quickly as well. It's when we come to the unbiased part that things get extremely interesting.
As individuals, Rodya, Hong Lu, and Ryoshu are all very biased people. Rodya sees the world from the perspective of someone who suffered in the poor Backstreets. Hong Lu sees the world from the perspective of a rich Nest dweller coming from a family of dubious morality. Ryoshu sees the world from the perspective of (probably) an ex-Ring member obsessed with the art that is reality. Their backgrounds color the information they take in a lot.
However... this means that as a group, all three balance each other's biases out. Rodya's cynicism gets balanced out by Hong Lu's idealism, which is balanced by Ryoshu's realism. Their backgrounds couldn't be more different, and thus give the widest possible perspective when put together.
I think this is the point Verg is making with this selection. Dante's selection is the easy way out. It's people that Dante already knows how to deal with, and would rather pick even if their skillsets don't fit the situation. Verg is making Dante learn how to work with Sinners who might be harder to deal with, but have skillsets more fitting for the situation at hand.
Dante can't keep half-assing everything by always turning to the same few people. Every Sinner in the group has their use and are smart in their own unique ways. They have to figure what every Sinner's strong point is, otherwise they'll end up putting everyone in danger by relying on people who are simply not good in a situation while ignoring those who could help.
So... that's what I think.
Anyway, personal general update - I'm still alive! And also very swamped with college and constant exhaustion. So, things will have to change a bit moving forward.
Number one - I will not be returning to old analysis requests. There's too many at this point, and I just don't have the time to sit down and write longass posts whenever I want anymore. However, that isn't to say E.G.O and Sin analyses will never return! I have plaaans for what I want to do with those moving forward, it just may take some time to materialize.
Number two - I'm generally just more active on Discord than on Tumblr. Yapping on Discord feels more natural for me, as it's just... less formal than making a full post I guess. So, if you want to discuss things with me, or if you're on a server that you think would do well with having me yapping in there, feel free to shoot me an invite link in replies (or in DMs if you don't want it to be public)!
Number three - Go check out the Absolute Pride Resonance event on Youtube! I'm not a part of it maybe next time wink wink nudge nudge, but you should still check it out cause it's a bunch of cool people doing very scuffed streams, as is fitting for the scuff Project Moon is known for.
Alright, that's it. I still don't know how to end Tumblr Posts. Bye.
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sabh0 · 1 day
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You know, I see some shippers say that Dazai totally wants a double suicide with Chuuya, based on that Stormbringer scene, but I can't say I agree.
Do I think Dazai would find it romantic? Yeah. Do I think that Chuuya would die with Dazai, one way or another, depending on the situation? Kinda. But I genuinely don't think Dazai wants to kill himself with Chuuya. I don't think he wants anyone he actually cares for to die at all, actually, hence why he only asks strangers he doesn't care for but find pretty, because death is beautiful to him, but I think Chuuya probably was the first person that Dazai looked at and thought "I don't want him to die", just because Chuuya is so full of passion and life.
Actually, I think he'd even find it ugly, to see or even consider Chuuya lifeless, because he thinks Chuuya is the most beautiful thing with how alive he is.
Am I making sense?
People tend to forget that Dazai didn't always want a double suicide. This idea randomly popped into his head in the first episodes of the 1st season and yeah. So i dont think 16 Dazai would be thinking about a double suicide with Chuuya.
+ i just think that he doesn't even want a double suicide at all. It seems like a way to deter everyone's attention from his actual thoughts, since not once his 'double suicide' talks were taken seriously and are usually shown as something 'comedic'.
But i also don't think Dazai wants Chuuya to die simply because Chuuya was partially a reason Dazai decided not to give up on his own life. In Fifteen, Dazai was interested in the way Chuuya was holding onto the life he barely ever had or could call his. They literally had that whole 'so the suicidal maniac doesn't want to die anymore?' talk.
So i feel like Chuuya makes Dazai want to try living, so there's no reason for him to want to cut Chuuya's own life short in any way.
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malachitefields · 2 days
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i love the jokes about pecco going up the wall insane with marc in the team but honestly? i think marc and pecco getting along for the most part is much more likely, pecco said recently that he hope whoever takes the second seat doesn’t cause upset in the team, and santi has said before that marc needs the team not be be negative or disruptive. it’s in both of their best interests to get along okay
plus, they seem to have been actively making attempts to interact gradually with each other recently (which i suspect may be in part to realising they were pretty likely to be in the same team). but between pecco going up to marc specifically to shake hands in parc ferme after the mugello sprint and marc going “oh!” belle gara” with a happy surprised tone, and the almost flip side interaction where marc went “i had a bad start” in italian to pecco at catalunya and pecco stopped and then smiled and went “thank god!” back (or the mugello sprint car when he made the joke that marc starts badly when he’s at the front of the grid, or the “not at mugello!” from the catalunya press) they’re clearly working each other out slowly, which is good bc pecco is reserved at best and marc’s been burned before. i think they both WANT to be friendly but are hesitant all things considered (fair)
i think the more interesting bit here is if pecco does get along well with marc, if it will strain his relationship with vale (and if he’ll be willing to risk that). luca’s definitely been positive about marc but none of them are exactly around marc a lot to have a frame of reference for how that might go down in tavullia
i think it’s pretty clear that vale has no intention to be friendly with marc, even though marc is a maybe. they can definitely manage that even being in the same box, they just need to get there yk?
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Character Deaths
              I believe a lot of thought and care should go into killing off characters. I tend to not care as much about books and characters where death is treated like not that big of a deal—where characters die off easily and without much pomp and circumstance. Generally, the more (important) characters you kill off, the less meaning the subsequent deaths will have. With that in mind, let’s get to a few considerations when thinking of killing off a character.
1. Does it make sense in your world/story?
If I open a book about a highschool friendship drama, I’m really not expecting anyone to be in mortal danger, whereas something like Game of Thrones or books that center around dangerous worlds, wars, or people, I’d expect death a lot more.
If a death is too shocking or out of place in the world and story you’ve created, it’s going to do the opposite of what you want and be silly rather than surprising, or feel unnecessary rather than providing an interesting twist.
2. Are there unintentional politics?
This one is big. The very first post I made was about how all writing is political, and this goes doubly for character deaths. For example, say you kill off a character who happens to be the only gay person in the story—or the killer happens to be a minority often stereotyped as aggressive. If your death plays into harmful stereotypes or tropes, consider finding a way to rework the plot to avoid it.
3. Does it have meaning?
Killing off characters for the sake of shock value or because you’re not sure what else to do with them is a surefire way to frustrate and annoy readers, ultimately losing their trust in you as a writer. I have actually put down books that killed off characters I liked because there wasn’t much meaning, consequences, or impact from their death.
Unless you have a specific world that intentionally makes death meaningless, it’s an event that’s going to dramatically and drastically change the people involved, the plot’s progression, and other environmental factors. If you’re not willing to have the impact of the death follow the characters all the way to the end, it might not have enough meaning to carry itself.
4. No one has died unless there’s a body
This is a rule often heard in filmmaking, but I believe applies to any media. Given characters who “die” off-screen tend to show back up later (especially if they’re the antagonist), readers may not buy your well thought out character death if there’s no confirmation of a body.
While showing or having an actual body might be impossible or unlikely in your story, a proper funeral or even credible character confirming the death will stand in here (“he’s dead, Jim.”) Beware relying on dialogue like, “I can’t believe they’re gone,” because characters tend to say this when the person is definitely not gone!
Anything else I missed?
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things i've noticed about HSR characters bc character design is my obsession
part two: 🎼Save a horse🎵 Ride a Cowboy🎶 ✨Boothill✨
who should i do next :D
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his bullet earring and cartilage piercings [the bullet as a red chain link coming down from the hoop, kinda like when it first gets shot] -> also- if you zoom on his face too long he glares at you
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it doesn't matter what direction you tilt his head, you cannot see his right eye clearly, this is the closest i got -> obviously this line was him joking about the cause of him being a cyborg, but i think he genuinely lost his right eye too. also- he's an optimist??
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he's got air vents on his neck!!
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Boothill's medals glow when you get victory stacks :D -> also they jingle every time you use his attack!! and look at his spurs!!
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he's got a port on his left hand, to match the one on his back, but not his right. [are they connected? what does the one on his hand connect to?] -> i wonder if he can put bullets through the one on his hand and store them for later
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his original name meant loaded gun, so that's pretty cool -> and pretty dark considering he was literally turned into a living weapon ['as always, he and his partners turned to guerrilla warfare 😃' has the same energy as 'so anyway, then i cursed her 😊.']
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man's hips are OUT
anyway-
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his hair is interesting to me. is it natural? his sixth eidolon has the interesting mix of black and white that it does currently, even though that's him as a human
wouldn't be cool if it was Marie Antoinette Syndrome? -> it can be caused by extreme stress and trauma to the body//mind, which you can't deny Boothill went through -> but it can also be caused by Alopecia Areata, which is a rare autoimmune disease that causes your cells to attack each other and target the pigment and structure of hair follicles [altho alopecia usually results in hair loss]
could the loss of his body, paired with how he was found as a baby, cause the discoloration of his hair?
also the leaves in his eidolon are most likely that of a tulip trees, which are symbols of freedom, liberty, and free speech [which he unfortunately does not have] -> Native Americans would often use the inner bark of these trees for medicinal purposes too!
they can also just be decaying leaves, representing the deteriorating state of his body
HC for the road: Argenti is the only one he’s let see his missing eye. He fully intended to try and scare the Knight of Beauty off, try to force him to admit that his body wasn’t all he praised it to be, but instead Argenti just cupped his face and repeated his praises
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This might seem like a weird thing to get hung up on, but in reference to your post about Wyll's hairstyling, someone made the comment that they imagined Mizora used magic to braid his hair as part of their pact. You replied that this was a racist idea and offered to explain why, but they never commented back. If you're still willing to discuss it, I actually would like the explanation. I'm not disagreeing that it's racist, I just think I'm missing some of the nuances/reasoning.
The only explanation I can think of is the way that Wyll's relationship with Mizora is treated, both in and out of game, just makes the joke really not funny. I hate that Mizora is treated as a quirky, love-to-loathe-her side villain when she's essentially Wyll's abuser. She should be treated with the same gravitas that the writers treat Astarion's relationship to Cazador, or Karlach's relationship to Zariel. Then you've got the fans, who can write loads of rants and analysis of Mystra "grooming" Gale on what I would consider very little basis (adults can have teachers too), but stay pretty mum about Mizora, who started manipulating Wyll when he was 17, isolated him from any support systems he might have had, and literally tortures him with the torments of Hell for disobeying her. I forget which conversation it is, but Wyll even describes her visits to him after he completes a task for her as her "saying all the right words" and "touching him in just the right ways."
Maybe I just haven't seen people talking about it because I'm not looking in the right places, I tend to keep most fandoms at arm's length so I'm not swallowed whole by their nonsense. I'm sorry if this turned into an extra long vent message, but I hope it shows I care about Wyll as a character and the work you're doing in general to improve the portrayal of black characters in fiction and fandom.
I mean, you pretty much said it all. I mentioned in my hair lessons that hair is very important to Black people, and that it's also a matter of consent. You wouldn't want just anybody touching your body, and that includes your hair, yes? So it would be incredibly violating for some white person that is essentially your abuser touching your hair, your body, something that is important to you! How can there be real consent if someone OWNS you? Hair is something that requires trust and intimacy. Especially with the idea that a white person would know better how to do your Black hair?! No thanks.
It's also something that ties into my most recent lesson with stereotypes, plus issues with how men are perceived with abusers. The idea that a boy should be "grateful" that a woman is attracted to/attached to them, even when it's inappropriate. For me, what I see when I see Mizora is a white coded woman allowed to mistreat a young Black boy into his adulthood, and treated as though he brought it on himself, as if he deserves to be mistreated by someone who took advantage of him. I see that people won't take that violation seriously, bc no one cares about the dignity of Black bodies nor do we offer them grace under fire.
Whereas if this were a young white girl, and an older Black coded male demon had done these things to her, all hell would break loose. Fans would immediately understand that that sort of relationship is not appropriate and we should not just assume that "oh well it's just sexy".
I mentioned in the last lesson that this sort of "attraction" has gotten Black boys and men killed at the whims of white women. It's not "funny" to me to think that some white coded woman is allowed to treat Wyll that way and everyone is just... Cool with it. I'd be very nervous to ask your opinions on real Black people.
It's honestly why I felt uncomfortable getting interested in the fandom to begin with, in addition to everything else involved with Wyll and his VA Theo. BG3 doesn't seem like a welcoming place fr, and I too have to keep fandom at an arms length for racism reasons, but as I've done with fandom before this: that's my chance to maybe create something that's missing. 👍🏾
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