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#i literally love you shut up
eddiecabotsmile · 1 year
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hello beautiful im creepin on ur blog again (this is littlemissvincentvega) 🌚🌚 i hope ur doing well!!!
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hey you !! i hope everything’s great with you too,, feel free to come scream at/with me anytime 🌝🌝
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anthyies · 11 months
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the thing about disco elysium is that it has women in it. what you see on the internet about it might lie to you about that but it has women, gay women even, very compelling women even, in it.
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hopeluna · 3 months
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Thinking about.....Barbatos being lowkey unhinged whenever he is slightly jealous. You can't really tell from his polite mask that he has put on but he's going through every possible torture methods in his head as this guest at Diavolo's ball is getting a little too friendly for his comfort.
You notice his eye twitching from annoyance when the said guest puts a fleeting hand on your arm, laughing at their own joke. Barbatos acts nonchalant when you drag him away to a little secluded space, though you can see his decorum slipping, second by second.
"Barbatos, no."
You get just a shrug in response. "Lets go back, dear", a polite smile as he leads you gently back to the main hall. You decide to leave it at that and instead enjoy the party, making sure that Mammon isn't sneaking his way into the royal treasury.
A few days later, you decide to make your way to Barbatos, having nothing better to do for the day and missing him.
While you're with him, chatting on about your day, a thought strikes you as you ask him about that one way-too-friendly guest. It was as if they disappeared from the ball afterwards.
You, again, get only a shrug in response, "I have no idea what you are talking about".
You pretend not to notice the way his lips threaten to quirk up.
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© hopeluna. Do not copy, translate, modify or repost any of my work in this or any other site. Do not steal or modify my ideas/concepts either.
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sunnibits · 7 months
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“the kids chose protective mom izzy in the divorce” is literally my new favorite joke to come out of s2 so far I’m utterly obsessed
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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saltycryptidz · 11 months
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"miguel is the villain spot is the villain miles himself is the villain" no youre all wrong the REAL TRUE villain of atsv was that bitch ass school counselor lady
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forcedhesitation · 7 months
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astarion origin playthrough worth it just for all the extra moments where he does the "sad wet cat" face
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sergle · 1 month
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what I was talking abt earlier. we have fully looped back around and away from feminism, societally, whereas before it was very Feminism 101 to acknowledge that many parts of existing as a woman in a misogynistic society are painful and upsetting. not that being a woman is Inherently Negative in a bubble. but that living on this earth, in the conditions we're living in, is hostile to women. and that gender is a performance. that many of the Staples Of Femininity as accepted by society are things that you have to create and perform and mold artificially and aren't inherent, that COMPLAINING about day to day difficulties of existing as a woman is something that you're allowed to do. acknowledging these basic, again, feminism 101 things, that something tied to womanhood is more time consuming or more expensive or more dangerous Because Of The Problems. does not CREATE the problems. that when women complain about having to perform femininity, they are not, in fact, oppressing themselves. the call does not come from inside the fucking house. saying that you HAVE suffered does not fucking equate that you believe you SHOULD have suffered.
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like I could talk about this for hours. how braindead and one-dimensional the Takes are getting. "being a woman is looking in the mirror and going fuck yeah i'm a woman" damn. I guess any negative experiences you have by living in a misogynistic world... are your fault if you are anything but positive? "you don't actually want liberation" we've fully gone back to telling feminists "you WANT to be oppressed" when anything negative about our society is pointed out. it's not real until I say it out loud, I guess, and then I'm actually the one who caused it. if anybody expresses any unhappiness with how they're treated or the status quo or the language and culture surrounding womanhood and femininity. they've created it, right that second. they invented it just now. it wasn't a problem before somebody complained, right? also trans women aren't braindead zombies who just follow the flow of whatever cis women around them say. I am pretty fucking sure they are very much aware of pain, and are MORE than aware of the swirling torrent of misogyny and standards of femininity than anybody else. actually. and I am pretty sure someone complaining on tumblr that being a woman means always putting on a performance is going to make someone change their mind about transitioning. also "performing femininity" as a necessity to being treated well as a woman is not fucking NEWS to your Local Trans Woman. I AM PRETTY SURE SHE GETS THE CONCEPT. using trans women as a scapegoat for this braindead perspective on gender politics is spineless, meritless, and pathetic.
#how I feel about my gender is not the same as how I feel about the living conditions of my gender#when I saw that post I screenshotted here I literally sat w my mouth open for a minute#sent it to my friends and was like am I fucking crazy. is this what we're doing now#Forced Positivity and that there is no war in ba sing se and actually#you're ruining children's lives if you complain about misogyny on twitter#I don't HAVE to tell little girls about the downsides because they are already being mistreated#before they have even heard the word 'misogyny' let alone know what it means#you do not have to be fucking happy all the time about the cards you're dealt.#you don't live in a bubble where it's just you and your mirror and your pretty dress and nothing bad has ever happened to you#unfortunately bitch. we will have negative experiences that are in fact. part of the package of being a woman#and IGNORING them doesn't make them not exist. actually they will continue to remain status quo unless acknowledged#sergle.txt#I see so much rhetoric that is JUST old-fashioned gender ideals being presented with liberal language on tiktok#that is just telling women that womanhood is just being a girllll and loving pretty things and being kind and gentleeeee and nurturing#and not working and just like being wholesome and being happy and being a light in ppl's lives and just LOVING LOVING LOVING being a woman#so if for even one second. you don't love it. you are actually failing at being a woman#if you complain about the standards for shaving or putting on makeup. which used to be Baby's First Feminism online#that's actually just you creating problems. you're not supposed to acknowledge it. you're supposed to shut up and smile into the mirror.
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milkymooshi · 1 month
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Honestly believe that Oswald would wake Ed up in the middle of the night just to ask him if he would still love him if he was a worm and it would take Ed every ounce of his willpower to not hit Oswald with a chair for waking him up
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svtskneecaps · 5 months
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see everyone worried and fretted and panicked and yet quesadilla island looked at pepito and went
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#qsmp#qsmp pepito#this post is not about roier's parenting i PROMISE you don't need to defend your cubito#this is literally about pepito being bobbled between caretakers#bad etoiles foolish forever bagi pac and more that i just haven't seen#just. people who have shown an interest and desire to hang out with pepito and keep pepito safe#pepito went to find parents and look!! look!!!#listen. listen. to me the qsmp is about love. not mystery not roleplay not drama not plot.#the qsmp is at its ABSOLUTE best when it is People Talking To Each Other#purgatory was AMAZING for me as a bolas viewer bc if bolas was in the server THEY WERE IN A CALL they were CONSTANTLY talking and i THRIVED#people adopting each other into their fake families in the most middle school childlike wondrous form of love there is#when you like your friend so much they're your fake spouse. your fake child. your fake parent. your fake sibling.#eggs and parents that's LOVE tubbo and fred that's LOVE tazercraft and walter bob that's LOVE; cellbit and roier; phil and missa#baghera and bad and forever; bad and bagi; pierre and maxo; maxo and EVERYTHING his son his daughter his partner the theory bros#favela six that's LOVE LOOK AT THIS FUCKING SERVER EVEN ELENA WHO WE'VE KNOWN FOR AN HOUR IS ABOUT LOVE. HER PARTNER IS HER DRIVE.#jaiden's story is driven by LOVE the hole from the love of her son and chasing cucurucho's 'love' in return it's LOVE it's UNDERSTANDING#there's so much love and i'm biased to my povs but holy shit i will repeat it until y'all roll your eyes seeing me on the dash#like NOT THIS ANIME POWER OF FRIENDSHIP BULLSHIT AGAIN no i'm right u can't fight me#block game brainrot#shut up vic
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cremanata · 2 years
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♡ my beloveds ♡
twitter | ig | twitch
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mod2amaryllis · 9 months
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. places them in your palm like peanuts. sorry about your shift buddy
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aaaand there!
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heartslobbf · 8 months
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hater alert! far too many people say that juri’s character arc ‘isn’t about her being sad about being gay, it’s about being sad about unrequited love that happens to be gay’ and. well. that is not true and by saying that you are completely flattening the brilliance of juri’s character arc which literally culminates in her being able to accept her own lesbianism despite her unrequited love, despite all her shame and self-loathing, despite this pursuit by Some Fucking Guy to try and ‘save’ her from these feelings. like if you think juri’s entire character is just ‘sad about shiori’ how do you appreciate even a modicum of the emotion packed into that final juri duel. it is both about shiori and, even broader, her lesbian identity and what that means to her intrinsically as a person, removed from romantic relationships and just purely as like. you know. Who She Is. the idea that even when juri’s locket is cut from her neck she is still a lesbian that’s still who she is and she cant change that and, crucially, she doesn’t want to even as she is agonised by these feelings. that’s why she forfeits the duel!!!! she’s clocking out she’s quitting she’s saying no!!!!!! this is me and ive got to be ok with that this is me and i can accept that this girl might not love me and i can keep living despite that. like. god im so normal arisugawa juri im so sorry that no one understands you and your intrinsically unapologetically lesbian storyline like i do
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shima-draws · 3 months
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Me when my crewmates call me out for unconsciously talking about my son too much:
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spaciebabie · 2 months
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okay guys so heres the thing. if i am having fun and being happy over a post and you come in my inbox and say something rude about how im enjoying something you're getting blocked lol. i have been veeeeeeeery nice so far. i dont know why you're following me if you're gonna make a stink when i reblog/make art/talk abt something i like. why are you here. you know. the blog where i talk/reblog/make art abt the things i like. if you dont like it here instead of telling me. leave. be a decent person, okay?
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wifegideonnav · 10 months
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yeah you say “cringe is dead” but do you still apologize about reblogging stuff related to your “cringy” interests? kill the mindset that you are somehow not included in that statement or we’re never actually going to change anything
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