the fact will and mike's relationship is literally the "why are you looking at me like that?" x "you're beautiful" trope is making me sob AND the fact it goes both ways. mike doesn't feel beautiful, he's very insecure, he doesn't feel enough, he thinks he's just this irrelevant guy but then there's will and will makes him feel beautiful, will makes him feel enough, will makes him feel loved. like just imagine something like this:
m: "why are you looking at me like that?"
w: "you're beautiful."
m: "i- i am?"
w: "yeah. i think you're beautiful."
m: "...... no one's ever told me that before."
w: "i still think you're beautiful."
and also, will doesn't feel beautiful either. he thinks no one could ever want him cause he feels digusting, he feels like a mistake. he thinks it's almost impossible for anyone, let alone mike, to want him. but then there's mike and mike makes will's heart skip a beat, he "makes will feel like he's not a mistake at all", like "he's better for being different", mike makes him feel like he's deserving of love. this way it could go like this:
w: "why are you looking at me like that?"
m: "you're beautiful."
w: "wha- what? mike, you're don't actually- think... that."
m: "but i do. i think you're beautiful."
w: "i- thank you?..."
m: "you don't believe me. but i think you're beautiful."
and will would literally tear up because no one else has ever made him feel beautiful before. i love them
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Okay so like. Gil and Kiki are both biological brothers. 3/4 chihuahua 1/4 dachshund. Gil doesn't show it much. He fully looks like an applehead chihuahua, honestly a more healthy and functional specimen than many show dogs do.
Meanwhile, Kiki. He has the same face as Gil. But his legs. They short. And sometimes, he will trot up to me (he always follows me when I got to the bathroom bc he can slip through the gates we use to keep our dogs downstairs) and just stare at me while I pee, and I can't stop cackling, because he legit looks like certain Aztec pottery. Round little short-legged monster just staring at me like
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Lucid Dreamer (2/2)
part 1
Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.
It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.
But he does find the letters, in a metal box stashed away under the bed.
There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.
Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.
Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.
Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.
Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.
Gepard goes to bed, curls up under mismatched blankets and closes his eyes.
He doesn't dream.
One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.
And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.
And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.
He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.
But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.
The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.
Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.
The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.
"I'll be home in one week."
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hey, how do we feel about ken and brady? because:
thinking about brady getting up early to go spend time with his little mechanic before everyone else is awake, his version of courting ken being sitting on the tailgate of a truck to watch him do his routine checks, fond smile playing at his lips, a softness so evident that it'd be useless to deny it if anyone pointed it out, but he'd still try.
ken following him around base like a lovesick puppy after the morning's mission, hanging off his every word, looking at him like he's the coolest ever, and to ken he is. eagerly leaning forward in his seat, chin in hand when brady relents and tells him about his flight in the mess hall later, shooting question after question at him until brady quiets him with the suggestion that they go on a walk, "so we don't drive the others mad with your yapping."
ken grows more shy when it's just the two of them, hands in his pockets as they walk off base to stroll down a quiet country trail, fighting off a dopey grin every time brady purposefully bumps against him. the rush of developing feelings, every interaction feeling so fresh and exciting, pure young summer love.
a drawled out "enough about the mission– what'd my pretty handyman get up to while i was gone?" as brady slings an arm around his waist when they're far enough off the road to not worry. light pink blooming on ken's cheeks at his words, smiling bashfully as he tells him about the little things that happened throughout the morning.
the two of them end up in some open field as they often do, sweaty in the sun, cargo pants on but shirts discarded in the grass. brady's laid out on his back with sweet angel ken on top of him, hands cupping ken's face as his boy leans down to kiss him all smiley and giggly and flushed, curls messy from the summer heat and roaming hands.
all of their days off spent in that field, a summer full of lazy make–outs and secret glances and careful brushes of hands, growingly increasingly fonder of each other's company and navigating the feelings that come with that. evenings spent up on the wing of whatever plane ken's spent the day working on, laying his head in brady's lap as the sun goes down, resting his eyes while brady reads his book out loud to him, or while they both talk about their days.
innocent first–love surviving the summer, stretching into fall and then winter, romps in fields turning into cold evenings under blankets when they can sneak into unoccupied barracks. the light small talk and nervous kisses and hand holding of the sunny season morph into late night conversations over the howling wind outside about what will happen after the war, fantasizing about a cozy apartment and a bed for two and quiet mornings and a future together.
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