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#i just thought id mention
theresamouseinmyhouse · 4 months
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tbh i do get a little bothered by the notion that tim took the first shot he had to drop out of school because he hated school and didnt wanna do it and all of that bc i feel like it ignores the probably very important context that he dropped out after his dad (as well as steph-or at least, he was led to believe, in the same week) died, also he was in a school shooting. He did attempt to go to a school in bludhaven but the kids there were so wildly insensitive about the shooting that tim dropped out under the pretense of his "uncle" homeschooling him. In his oyl era, he /did/ go back to school, and it provided him some form of normalcy. Tim was a normal kid, he wasnt crazy about school but he still went to school and it helped him feel like a normal kid, something he desperately clung to. He only dropped out again to do his Brucequest, in an era where he was notably Not Doing Well (which. Yeah. he wasnt doing well bc he was like 17 and almost everyone in his support system was dead, he recently had hits put out on him, got blown up, and backstabbed by his not-dead-ex, he couldnt support his theory that bruce was alive and was extremely stressed about that, and he didnt know wtf he was doing. I love him btw.) Basically tim dropping out of school was a signifier that he wasnt doing well and he was giving up on the normality that he tried to cling to and im a bit of a nitpicky person who gets irked by minor things
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puppyeared · 8 months
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fake ep idea + doodles
#i was thinking abt how funny it would be if there was a shiftythrifting blog equivalent in lmk. and half the stuff on there is#submitted by wukong. so i thought a yard sale ep would be funny lol#basically the hoard becomes problem one way or another and wukong figures the best way to get rid of his junk is thru ebay#somehow ends up selling world ending artifacts to random megapolis citizens so mk mei and redson have to scramble to find em#purposely meant to mirror the weekly shenanigans s1-2 style eps that are really goofy (dumpling ep noodles ep etc)#but it gets darker and darker because MK is not fucking ok after that whole thing with the scroll and some unchecked identity crisis#for me id want him to kind of. freak tf out because they have to find MULTIPLE chaos inducing items that could end the world while trying t#be sillygoofy and funny about it. so hes trying to mask his panic with “ohhh guys its just like the good ol days ^_^ remember that ^_^”#ESPECIALLY after that whole thing with the ink scroll. also mei doesnt buy any of it and is worried for him the whole time#as for the B plot it could be monkey king also trying to be very relaxed abt selling 4000 years worth of stuff and tang getting all huffy#like “these are priceless artifacts that could help us learn so much about the past!! wtf man!!!”#and maybe it reveals smth like wukong not wanting to hold on anymore bc his past weighs him down. and theyre all reminders#i think azure mentioned that wukong is sentimental (idk if that was genuine or lying to mk) so that could be touched on to#so basically. the theme would be some sort of conversation abt nostalgia. i think. im not a writer so its very fuzzy in my head#if anyone wants to add on or include their own spin on it feel free. also included undercut redson as a treat somewhere in there#myart#lego monkie kid#monkie kid#lmk red son#lmk mei#lmk MK#lmk xiaotian#lmk xiaojiao#lmk sun wukong#lmk swk#doodles#lmk tang#lmk pigsy#lmk traffic light trio#yard sale ep
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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automatonknight · 8 months
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here's the prick i was talking about^ i have so many thoughts and notes about him but they're mostly incomprehensible so when i organize maybe them i'll post them who knows
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spamsandsuch · 26 days
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birthday art
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thelemonsnek · 2 months
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visuals i made for a real actual paper i wrote for my sociology class that my professor will be reading
[image ids: the first image is a black and white drawing of Ingo and Emmet, from some time after Ingo disappeared. They both look neutrally forwards. Ingo is bedraggled per usual in Hisui, and Emmet looks tired. To either side of them are triangles emphasizing what shape their goatee is.
The second image is a photo of a salt and pepper shaker. The Submas Sideburns are drawn on top of them.
The third image is an edit of Shrek. He gestures at Donkey, saying, "submas fandom is like onions. submas fandom has layers, onions have layers... you get it? we both have layers."
The final image is an edit of the Marge potato meme. She holds Ingo and Emmet up, saying "I just think they're neat!" End id]
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simplyender · 2 months
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You previously mentioned that Johnathon probably had a less than ideal childhood. If you are still in the mood for headcanons, would you mind sharing your thoughts on his upbringing/childhood/adolscence? The good, the bad, whatever comes to your mind. Thank you! (I wonder if he was still roommates with Quentin Beck in the movieverse)
Thank you so much for asking!!!! Sorry about taking so long to respond, work has been exhausting for me, and I really want to give my best answer, hence why I stew over asks quite a bit, lol
ANYWAY,
• Apparently, The Spot from the comics is originally from Spokane. Yeah, I'll incorporate that one in to my personal beliefs.
• He reads to me as having come from an upper-middle-ish class family.
• Only child, but his parents were frequently busy with their jobs, and when they were around, they didn't exactly have or bother to make the time for him.
• Pretty judgemental parents in general.
• Despite that, he still spent a fair amount of time trying to prove himself worthy of their attention, a difficult task with...Mixed results, mostly leaning towards failure.
• One of my friends was once like "There was definitely a time where he wanted to show them something he made and got snapped at for bothering them.", and yeah I totally agree with that.
• Over time he became more reclusive, spent more time in his room than anywhere else. He preferred reading, learning to code, and working on his own little projects over socializing, something he wasn't all too skilled at. It wasn't like there was much to socialize with at home, anyways, considering he would either be ignored or treated like a nuisance a solid 90% of the time.
• This was a double edged sword, though, since he'd also been yelled at for "being in his room all the time" a few times.
• Was used as a scapegoat quite often.
• After a certain point he moved on to trying to get his validation through other means. High grades, impressive science projects, plans to become a scientist and making the biggest damn breakthrough ever seen, do something that will change the world forever. Because then nobody could ignore him or treat him like he's less if he managed that.
• But obviously they're not the worst in his mind because they helped pay for college, so,,,,,,
edit: actually thought about this some more and he probably got a scholarship. oops lol idk high academics.
• Saw the 1933 Invisible man at a young age and absolutely loved it, he spent a short period of time trying to figure out how to make himself invisible, and kind of wished that dr. Jack Griffin was his real dad and that also maybe he'd kill his parents, healthy and not worrying thoughts from a probably 8 year old. It's been around 25+ years since then, but he'd still get seriously embarrassed if somebody brought up his old attempts.
• Had a massive growth spurt in his early teenage years, which automatically put a target on his back for even more bullying.
• Started experimenting with his fashion and putting some more work in to his appearance close to the end of high school. Still sucked at keeping up with haircuts and remembering to shave, though.
• Was probably at his peak in college, honestly. Nicest place he's been in. Least bullying he's experienced. He even made a friend or two!
• IMO he was totally roommates with Quentin in this universe too, they were on different tracks, but all in all, they got along pretty well! John was happy to help him with with whatever he was working on, although, John mostly kept his personal stuff to himself (still appreciated the extra hand with carrying things...), or at least tried to. Whether he was listened to or not is another matter entirely. When they collaborated, they were a real dream team. Unfortunately, they kinda fell out of contact after college, so it was a pretty big surprise to John when Mysterio got caught and it was released that his old college roommate had become a supervillain.
....Which only further entrench him in the "I'm meant to be Spider-Man's nemesis" mindset, by the way.
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voldheart · 5 months
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they Are twins but theyre not IDENTICAL so i wanted to share my take on big knight :-)
+ my headcanon on how it would work. kind of. it is post embrace the void ending
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jabberwockprince · 4 months
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assortment of venison doodles
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rumbletumblegalaxy-2 · 7 months
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yous know how RT didn't know what wordle is in the password game video?
turns out he forgot what a wordle is, which is perhaps even funnier.
basically, I was rewatching the heavy rain video, and somewhere during it, someone in chat jokes that Ethan's next trial will be solving the day's wordle, and RT goes along with it like "today's answer is just really tough" (or something to that effect) which means he did know.
but at some point between the heavy rain video and the password game video, he just. forgot. which I find way funnier than him just not knowing what it is.
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frootbyethefoot · 2 months
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preparing for execution
[ID: a digital drawing of rantaro amami, kaede akamatsu, and tsumugi shirogane from danganronpa v3: killing harmony. the background is bright red. rantaro is reaching towards something, and looking towards the viewer in horror. behind him is kaede, holding a shot put ball above rantaros head. she is looking down at him with a look of determination. next to kaede, tsumugi is leaning her head against her shoulder. her face is entirely black, except for her glasses and eyes, with are both bright red. she is guiding kaedes hand to the shot put ball, and is holding a noose in her other hand. there are two beams of bright yellow and pink light, one in front of rantaro, and another coming from the shot put ball. END ID/]
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thevampirearchive · 8 months
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There’s something I've been meaning to say but I haven't had the words till now. There is something that deeply upsets me about witnessing stories where villains, who are literal killers, fall in love and somehow become good or act outside of what is expected from them. I love love, love is beautfiul, it is powerful and it can truly change a lot. But to sit, and write a killer suddenly go "actually, this one can stay because I am in love for the first time" is such a weird concept to me. Is this happening because as a sociaty we're trying to convince ourselves that deeply disturbed people can be cured by the power of love? That if they just find the right person, they would stop the masacer? or at least no longer feel the need to kill how they were or at least let their person live? And I am not mad at the love, I do belive anyone can fall deeply in love, but my issue is with how it ends. I want to witness the unthinkable — I want to see is exactly what we expect but hoped won't happen, happening. A gut wrenching truth that stays true to who we have been witnessing, despite the "I can change them" dance. And perhaps people hate this idea because they want to belive that anyone can change if only they meet the right one, or that we can change the monsters in our lives with affection, but trust most likly is that they cannot be changed. And I can understand that to some this is then seen as an illusion. "oh then this was never true love", why can the two not exist? Do we not hurt those we love? Maybe not kill them, but someone elses hurt could feel like a small death to me, and vice versa.
Examples, so that you are not confused as to what I am reffering too;
Killing Eve; I stopped watching when Villanelle was shown shooting Eve. It felt true to her character, even if it hurt. She is a killer, we knew that and so did Eve. Regardless of her love, that was what was always going to happen so why were we given additional seaons of this fanatsy of a declawed Villanelle?
Hannibal; It should have ended with the death of Will, and possibly Hannibal consuming him. Didn't Hannibal say that the consumption of Will would somehow join them in a deeper way?Something so disturbing that only could make sense to a serial killing-cannibal. And I would have watched with wide eyes, and gone to sleep staring at the ceiling.
Interveiw With The Vampire; Louis' death in the hand of a Lestat would have made sense, and despite his dramatics, Lestat would have not committed suicide but instead burried himself in deep regret untill he was too numb to his own feelings that he could return to the world of the living. He would have never forgotten Louis, nor what he did, but he would have moved on beause Lestat is not a good person. He's deeply disturbed and Louis knew this. I don't even aknoclege that beatdown episode because Lestat may be a killer, but he's a drama queen first and formost. Louis' death would have been poetic, beautiful and grusom like a greek tragedy without an audiance.
Bonus - Twilight; I could not end without adding my own favorite, and despite this path never being teased to the audiance the same way the other's were, I would have loved the book simply ending because Edward did as he said he would - drained Bella like a Caprisun on a hot summer day. Because what is love agaisnt animalistic urgase (I understand why it is much hotter that he is simply so retsrained and devoted that he resists her, but I'd pay good money for an AU)
At the end of it all, I think want I want is for sociaty to get over the idea that a good woman, love or any form of kindness can change who some people are. Love can do many things - look at crimes of passion! And to some extend I belive that these villain's love were true, possibly not the way we imagine them - which is less so "I love you too" and more so, "wow, finally someone I can manipulate and obsess over. Someone who I can mold, someone who is alone in the world like me" only to realize that is not true.
So why do we make love into what it isnt? Even when the scene is set for us to be shown the truth, writers and the audiance always make the plot lean towards whatever fits so that we can have that "happy ending".
Honorable mentions;
God should have killed Lucifer, I know the bible and christianity is not technically fiction for all, but the idea that he is forgivin but lets the biggest meanness HE CREATED terrorize everybody is evil. Take him out or let somebody else do it homie.
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aphsillyos · 2 months
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his default recall is so cool..........
#not me arts tag#ive never used his default skin so i didnt even know what it looked like until now....ough#i wish u could mix and match sounds or recalls with skins................#i honestly forget half the time hes supposed to be like. Cool and Suave and a Competent Badass#because my brain is always like. god hes so small and floppy and will die if you breathe on him wrong#also hes always crying and breathing heavily in my ear so im just like. poor guy#he should be at the bed taking a nap not fighting....... who made him fight.... stop that he doesnt belong on the battle field#he might be a badass hitman or smth but my brain is like#this is just a sad theatre kid who took gymnastics#''aphelios how is your assassin training going'' aphelios who has only been reading the acrobatics textbook: my what#is there anyone still reading these tags. hi there#i have a lot of thoughts on him. im very obsessed with his animations#like he has a laugh animation for every weapon.......#all the various weapon animations...#maybe the real reason we wont have a legendary for 10 more years is all the animating they have to do#i mean his base animations are so good id honest be like OK if they reused them#cant rly do much better than already Top Tier animations#unless we get an alune legendary.....#hope alune is super awesome and badass and all the aphelios voicelines are a really shy awkward guy or smth#like you look so cool and awesome fighting and the whole world doesnt know ur listening to a lil guy in your brain the whole game#the contrast would be very funny methinks#if anyones still reading this. yes i know riot made up some reason about budget or whatever for voices#but i choose to believe aphelios is head empty no thoughts and thats why he doesnt talk to alune#(STILL GOOFY OF A REASON... lots of VAs can do both genders of voices.... like. what about kindred and kayn....)#then again wouldnt be surprised if they were overbudget on the animations but still smh my head into oblivion#can relate to a guy who simply doesnt wanna talk#(said after 10000 tags of talking to myself)#i should really put my thoughts onto a separate post or blog or something#anyways have i mentioned i think hes really cute
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justablah56 · 10 months
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can I offer you a shirtless Jodie in these trying times ?
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puppyeared · 4 months
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Wait another wizard 101 sufferer? Another lost soul sucked into the world's most entertaining grind-game? Another victim of the binge purge cycle where you want to do nothing but play followed by several months of just not caring? Another nostalgia-driven casual gamer reminiscing about when pvp was fun and not a toxic wasteland? Another with several dozen people in their friends list they wish to log in just once more when the binge purge cycles align?
oh i was a club penguin enjoyer. are u okay though
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simply-m-a-d · 1 year
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I can’t begin to explain how much the development of Kanda and Allen’s relationship means to me oh my god…Hoshino portrayed it so beautifully in this chapter; Allen opening up and telling his story for the first time and it’s for Kanda, Kanda patiently listening and the way he seems to direct himself to Allen in a much gentler way…and then both of them still having that silly side towards each other no matter how much they’ve grown…im sobbing oh my god…
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