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eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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poorly-drawn-mdzs · 9 months
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you cannot tease wei wuxian and hua cheng hunting for funsies and not show that to us??? it has to go one of two ways right? either an absolute visious blood bath where everyone cowers in fear or the equivalent of a teenage girl's slumber party. both??? both.
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Hunting each other for sport is the keystone to a fun slumber party
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8bit-mau5 · 1 month
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One-hour experimental comm i finished in January! This is my first time drawing a marvel villain and my big-men loving self was overjoyed to get to draw one of my fave depictions of Doc Ock ever, tied with Spiderverse's Liv 💚
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alackofghosts · 10 days
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from concerning the book that is the body of the beloved by gregory orr
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arcanegifs · 16 days
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pidgedee · 9 months
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i got to draw a piece for this cool dsmp-mianite crossover for the @mcytblraufest! had a great time working on it :D
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sciderman · 29 days
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I swear I have read your big post regarding Peter Parker's neurodivergence and why it is best to avoid labelling him, but he definitely has a weird brain
Can't find it and feel kinda sad about it cuz I deeply related to it
i know exactly which post you're talking about and i can't find it either! i've raked through my archive, and it's just - nowhere to be seen. i think tumblr eated it (it happens.)
really, tumblr's search functionality is so so useless, i don't know what to tell you. there are plenty of keywords i can search to find it that post, but the search functionality actually just does not work!
undiagnosed audhd-addled peter parker, my darling, my light, my life, my everything.
i think peter parker's such an interesting creature to write, because a lot of people will point to a certain behaviour about him and say "this is an autistic thing, right?" but a lot of those behaviours are actually, in my head, tied to certain traumas in peter's life too.
people say "oh, the food thing, peter's a picky eater because he's autistic" and yes, absolutely. but also it's tied to his trauma with his parents.
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peter gets overstimulated, and yes, it's an autism thing, but also he was bitten by a radioactive spider and his senses are dialled to 11.
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it's a similar case i've found for myself, too – where a lot of friends i have kind of diagnose me because i have autistic traits, but actually - i'm hesitant to claim the label or pursue diagnosis because, actually, i know where these certain behaviours come from, and they come from certain traumas. there are events i can pinpoint in my life and say "yep. that's where this behaviour comes from."
so - i think there's a lot of overlap between trauma and autistic traits. the brain is very complex! i think the reason for that overlap is maybe as simple as the fact that people with autism and people with trauma are both doing the same thing - developing behaviours to protect themselves or soothe themselves. so - i think it's nice to be able to see a character like peter parker, who may or may not be autistic, but recognise behaviours in him and see yourself in him.
people who go undiagnosed for whatever reason - people who are really good at masking - so good, in fact, that they have no idea they might be on the spectrum - everyone and anyone at all can look at peter parker and recognise themselves. because i think we discredit the thought that every single brain does the same thing! develops certain behaviours in order to survive. every brain has that same software - we've just all been faced with different hardships that we need to overcome, and that's were all the differences come in.
autism is a spectrum, i guess - everyone falls into it to some degree. and i think events in your life probably push you along on it. but i don't know, i didn't study brain science. probably what i'm saying is very stupid and uninformed. of course there's brain chemistry involved. but i know people in my life living with autism and certain events in their life have exacerbated certain behaviours or made coping with it a lot more difficult. so maybe trauma is a catalyst.
#a lot of my traits have been exacerbated lately and i remember it was much easier for me before#and some of my friends have said “oh it's because you've been masking too long and now you're facing autistic burnout.”#and that made sense to me i think.#but then i found out about the stress thing. me overproducing stress hormone. and that's a very physical thing.#and that explains why i've been overstimulated more than usual lately. and why everything feels like too much.#and i wonder how many of these traits of mine are going to subside once i have lamar removed#and it makes me wonder a lot of things. and it's so weird how much your brain is tied to your biology.#i wonder how much i'll change. i wonder how i'll feel. i wonder if i'll still feel like me. i wonder how much me is me right now.#and how much of me is being altered by weird freaky hormones. who am i?? who will i be??#i'm almost looking at this as like. a superhero origin story of some sort. like this is my spider-bite moment. maybe.#will i be different? will i cope with things differently?? now that my body isn't fighting something anymore??#maybe i'll be normal. i don't know. i don't know.#i don't know what it'll mean for me.#but all of these things mean i relate to peter parker in a certain kind of way#i don't think you have to be diagnosed with autism to recognise and empathise with those traits i think#i think everyone can see themselves in peter. and i think that's the benefit of having characters that aren't diagnosed.#because there's so much overlap in the human experience. and certain feelings aren't exclusive to just one group of people.#peter has such a rich identity actually. it's an autistic thing. it's a queer thing. it's a jewish thing. it's a trauma thing.#there are so many overlapping parts of peter's identity that inform who he is and how he behaves and it's never just one thing.#it's a product of all of his things.#just like me! just like everyone.#so me? i guess i can be a million things. you can explain what i am in a million different ways.#a hundred different psychologists can all come up with different ways to explain why i be the way i be.#i don't think it's something that can be simplified.#sorry wow. i'm really going off here in the tags.#i hope people don't think i'm stupid. i don't know brain science. i'm just philosophising as usual.#sci speaks
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writeouswriter · 1 year
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Reading a fic that's so well written I wish I could close my eyes and just let the descriptions and atmosphere wash over me, but the dilemma with closing my eyes is, well, I then would not be able to continue reading this fic, now would I.
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sideblogdotjpeg · 13 days
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hey guys does anybody know whats the date today
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trainingdummyrabbit · 6 months
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in conclusion the most poignant thing about ruina is its running theme of Imperfection. imperfection, focused not on its flaws, but on the miracle of it existing to begin with. imperfection not as a failing, but as a triumph. its cracked, broken, deeply in need of repair-- but it's real and its ours and it exists. despite everything it exists and that enough is a relief beyond words, beyond expression. to present a toppled structure not as a conclusion, but an opportunity.
its the choice-- and the joy-- of looking forward, unflinchingly, and facing it. one step at a time.
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cringefail-bbg · 3 months
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Imagine if the clone tord theory was just clone tord being a mid reactionary and making real tord look dumb online
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b4kuch1n · 4 months
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frog documentation. frogcumentation
I think I mentioned a while back I'd post nibling frog momence after the gift's done given. which happened on the 2nd this month I just forgot lmao. anyways we can do it now. I used the boigameista pattern scaled up to four pieces of A4 print paper and decided to double deck it to a two layer thing, not unlike a pillow, for ease of washin. because it was gonna be gifted to a one year old child
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took a long time and made a number of mistakes bc hand sewing makes me worse as a person but this guy was done in time for the birthday occasion and that's what matters. chose non-fuzzy fabrics for it because we live in a dense city in the tropics and from personal experience if I hug something made of fur I would explode. the original plan included felt patterns on its back for bonus textures for baby but that wouldn't stretch well along with the rest of the thing so had to hold that back. eventually we got this
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zipper across its ass, the coat type of zipper bc I miscalculated when ordering. but it did have a shape and that's all that matters to me. will be a fun game for the baby to grow up and be severely misinformed about what a frog looks like
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happy extremely late birthday to this thing also
#bakuspecial#uhhhh. whats my craft tag. I forgor. update this later#frog plush babeyyyy#I want this thing to last until the heat death of the universe so I felled all the seams down. dont recommend doing this by hand#Im so stubborn lmao I refuse to get a serger I will simply get better at hand sewing instead. damn its taking kinda long#there used to be a Lot more frogs around hanoi. but the lack of clean water ponds and lakes have driven down the population#I live like right at the edge of the city rn tho (will no longer be the case in five years) so there are still a lot of aminals#house robins. skinks. fireflies (!!!!). praying mantises. tree frogs#they love to hang out at the fountain inside the complex right across the street. had to pick em up to return to the fountain#from the hot brick tiled ground a few times#theyre so small. theyre so small....#I miss house geckos they dont show up a lot in our apartment. I wish they would they would love the cockroaches around here#and of course. bc the kind of rice we eat is more short-grained and thus usually not all the way dried like the longer-grained type we have#so many rice weevils. do u know those little fucks do not drown for a Long time#do u know they lay eggs inside the rice grains and that's how u find out ur rice about to become the weevil beverly hill#by washing the rice and seeing hollowed out grains float up. I have become an expert at this.#but I get to see skinks in random bushes so who am I to be pissed about that. skinks rule#this has been baku talks about animals for a mile of tags. thank u for listening#well. its evening and the family wants to go out so that's what we're doin. hope u have a good time too wherever u are#see u this midnight when I reblog every new posts I've made in the last week or so lmao
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front-facing-pokemon · 10 months
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#shedinja#now THIS is what i'm talkin' about! i love shedinja. i think it's a very unique pokémon and wonder guard is very *cool* if only it were ever#y'know. relevant. this thing is weak to way too many types for it to be relevant but like it's still cool in concept i think#you kinda can't tell what it is from this angle but that's why you have me here to tag it so you do know what it is#so. bit of a life update for you all. i accidentally deleted some semi-important files i needed for work. like two weeks ago#and i didn't realize i did‚ bc they were inside a folder that i deleted. but i didn't need the files at the time and i hadn't for months#i hadn't used those files since like last year. but now i need them again and i just realized that i deleted them two weeks ago#by accident? and now i need them again. to be able to do my work. so i'm actually queueing this guy and the next guy up#while i'm supposed to be working. as i've just sent an email to my boss being like Haha Hey. Do you Have a Backup of tHese Files……… PLease#and i'm hoping DESPERATELY that she does. if she doesn't i'll have to fucking reverse engineer them which i am not excited for#if it comes to fruition. so i'm just hoping she has a copy of them. feelin like shedinja against a fire-type rn fr i swear#i'll let you all know what she says when i get her response. if i get it before i'm done queuing up shedinja and whismur#spoilers. whismur is next but you could just look up the natdex numbers. and know that whismur is next#also don't tell me to look in the trash. on my computer. i know they're not there. for one i checked and for two they couldn't be there#because i rm -r'd the folder. i didn't just right-click delete that shit. i killed that shit. it's GONE#you might be asking me… why would you do that! and i would say? i did not know these files were in there#you didn't ask for all this information so i'm cutting it off here
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mulletmitsuya · 2 months
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random tokrev rant ahead !!
when i first started this blog it was going to be for random shitposts, groupchats once in a while, and mostly tokrev analysis but i was so scared of discourse that i just chose to do the funnier stuff 😭. when tokrev was at it's peak i'd be reading 20k+ words of analysis and it was so fun!! but i felt like i couldn't word what i wanted to say properly so that discouraged me but i wish i'd ignored that because there would have been at least one person who understood what i was saying yk?
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moeblob · 7 months
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The game might not be out yet (it's Tuesday) but the demo was really fun! I think adopting the archer as my son is the best move. I love him so much look at how cute he is? Like??? Criminally cute.
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Could you do something with team having to lock up stoic team member. They expect him to be fine and they don't want him going on a particularly dangerous mission and getting hurt further. They don't expect him to spiral into panick behind locked doors and are guilt-ridden when they return.
He's Gone
NOT A PR0MPT
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The mission went flawlessly; Team anticipated every backfire at Villain's base: alarm systems, security cameras, standing guards, Villain. They avoided each almost perfectly, which was a surprise to them. As confident as they felt, it was their first mission without Leader. After seeing the state he was in, it was easy to say the team was terrified; it aided their thorough preparation, to say the least.
There was no ease in the thought of escaping, but the Team felt better once they were on their way to base. Leader was there, and he would be so proud of them for orchestrating this mission on their own, and for carrying it out. They had all they needed to defeat Villain. All the trauma Leader had gone through could be laid to rest.
Arriving to the base, everything seemed normal. Of course, Leader had been left in the medical room, but they were sure he had ventured out.
Walking into the kitchen, they noticed otherwise. There was a cake in the fridge they had left for Leader, when he was ready to leave his bed. It was a celebratory cake, for Leader's return.
"Do you think he's still asleep?" Hero asked.
"Could be. He was in pretty rough shape when we left him. He must have taken the painkillers we left for the wounds." Other Hero shrugged it off, a little less concerned than she probably should have been.
Hero put a finger to her lips. Just on the way home, she had chewed every nail down to the quick. "I think we should check on him."
"You regret leaving him alone, don't you?" Other Hero sighed. "He said he would be fine. We were right to trust him; it's what he would have wanted-"
"But he was wrong," Hero argued.
"We don't know that yet."
But Hero did know. Otherwise, Leader would have been out here. He would have dove into the cake and hugged Hero and Other Hero when they walked through the door. Then, he would have offered a dinner with a team briefing. The house shouldn't have been this silent.
As Hero made her way to the medical room, she felt her palms sweating. "Leader? Leader, are you in here?" She didn't wait to open the door, and as she did, she drew in a quick breath. Her eyes burned with tears. "Leader, oh my god. Other Hero, come here- hurry!"
Leader was crumpled against the wall, clothes torn at the seams, skin scratched in frantic, zig-zagging lines- Hero couldn't believe her eyes. "Leader, talk to me, okay? What's going on? What happened?"
Of course, Leader was in no fit shape to respond.
"I thought you were dead. I thought you were dead. I killed you. I let you go by yourselves. You were dead. You were dead."
"Leader, I'm here! We're- we're both here. Other Hero, tell him you're here." And they did. They repeated it over and over again if only to stop the panic rising from Leader.
"Villain is dead!" Hero finally screamed, and although it wasn't true, and although Other Hero looked at her like she was insane, Leader stopped.
"But he killed you."
"He didn't kill us," Hero said. "We killed him. We are all safe, Leader. He's gone." Leader took heavy breaths, and staring into space, he leaned against Hero. "He's gone. It's okay," she assured. "He's gone."
Even though he wasn't gone at all.
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