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gorgeouslypink · 6 months

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My Take on Manifesting + How to Use It to Wake Up in the Voidੈ✩‧₊˚

The Law of Assumption (LOA) in a nutshell is the concept that whatever you assume to be true is the truth. The most common and popular summary is: an assumption, though false, if persisted in, will harden into fact.

You've probably heard this a million times before, but I really want to explain this the way I interpret the law and I want to present it to you the way I wish it was presented to me.

The entire law operates on the principle that your 3d reflects your 4d. These terms are interchangeable with concious/subconcious, inner man/outer man, etc but basically that is the main principle that you should understand and accept: Your 3d reflects your 4d.

Now, here's where I deviate a bit into my personal opinions. If you know that your 3d reflects your 4d and you see something unfavorable happening in your 3d, why would you force yourself to pretend it doesn't exist? Deal with it in the 3d but KNOW that you can change things. Go and fufill what you want in your 4d.

Imagination Creates Reality.

You've probably heard this said a million times by LOA girls but it is such an important concept to understand.

Something that completely annoyed me back when I was trying to get into the void and had no grasp on LOA was people who would say that your imagination is your "true" reality or that you need to fufill yourself so much in your imagination to the point that you don't even care about it anymore in your reality. I do understand what they were trying to get at, but for me, I was just like if I want to manifest going to a concert, I don't want to just imagine it to the point where I'm fufilled, I want to actually watch it?

Let me explain my perspective now. Your imagination is not your reality. You can close your eyes right now and imagine yourself dating Harry Styles but once you open your eyes again, you're not going to be dating him. Imagining something doesn't make it magically appear in your reality, or else daydreamers would be living insane lives.

However, imagination CREATES your reality. To really understand this, we have to backtrack. Let's revisit LOA in a nutshell: An assumption, though false, if persisted in, will harden into fact.

I think most people understand the idea but acctually applying it is where everything comes crashing down. For me, there were so many times when I was super motivated, I listened to subliminals, I affirmed to myself, I was really assuming whatever I was trying to manifest. But then it didn't manifest and I was left disappointed.

I think this is a pretty common occurrence in the community and I know I've gotten hundreds of asks with people in this exact position. This ask that I answered covers this more in depth but I want to introduce a topic that isn't being pushed as much as it should: NATURALNESS.

"The time it takes your assumption to become fact, your desire to be fulfilled, is directly proportionate to the naturalness of your feeling of already being what you want to be – of already having what you desire."

-Neville Goddard

So basically, this is what I think the law should be represented as: An assumption, though false, if persisted in within your imagination until it feels natural, will harden into fact.

There are many ways that you attain this naturalness. Most people use imagination, just imaging themselves with their desire, really connecting to the feeling of having their desire so that it feels natural to them. This is when your desire turns into an assumption.

There are many methods within this; visualizing being the most popular one. Just visualizing normally or SATS allows people to experience their desire in imagination, making it more natural to them. Some people can't really visualize so they rely on scripting, pinterest boards, etc. The options are endless but the end goal is the same: making your desire feel natural so that it manifests into your reality.

Some people say you have to keep repeating your method for something to feel natural to you but I disagree. Just going to imagination once, truly feeling it and knowing its yours and knowing the law and that your manifestation has no choice but to appear is all you need to make something feel natural to you. I think the main reason that it takes some people repetitions is because they don't have a strong faith in the law backing them up so it doesn't feel natural to them but if you know the law is backing you up, your desire will natural to you instantly.

Now, if you noticed, I said most people use imagination. What about other people? Well, once you've experienced a few manifestations and really strengthened your belief in the law and acknowledged your power as the creator of your reality, you don't really need to imagine. You just know your desire will come. It's natural for you to manifest anything you want so anything you want will manifest. This kind of goes into what I was saying in the previous paragraph about knowing the law is backing you up. This is why states was and is so popular, it's knowing the law is backing you up and just occupying the state of whatever you desire and knowing it has no choice but to manifest. I love this post by @lotusmi explaining it and I highly recommend reading it.

Now, how to use all this to enter the void. There are 4 things you need to understand, embody, and assume.

1. You are limitless: Literally. You can manifest anything and everything. Seriously.

2. The void is real: One of the main things I've tried to do on my blog is getting everyone to a point where you might not fully believe in the void until you acctually use it yourself but you should know its real. In my Doubts post, I linked so much material across different platforms and groups of people and all of them are talking about the void. Recently, in my challenges, I introduced a book where the author talks about the void and how that's where your reality is created from. I even had a follower recently make a post about how they found their Reiki book talking about the void and how it creates your reality. There's endless examples and at one point, you have to sit down and wonder how all these different platforms and groups of people are all talking about the void if it's just a lie. It can't be a lie if so many people have come to the same conclusion.

3. You are going to wake up in the void state tonight: You understand manifestation now right? All you have to do is know you are going to wake up in the void, make it natural to you and that's it. I promise when you realize that the word operates on your beliefs and that your imagination is honestly what matters because your reality is just a platform for your imagination to project onto (your imagination creates your reality), your manifestations are going to be so quick.

4. Naturalness is all you need: All you're doing when you're manifesting anything, in this case; the void is making it natural to you. Once you do, it has no choice but to manifest in your reality. This really ties into the third point, but I want you to understand this because once you realize the third and fourth point, the law will be so easy to you. If you haven't entered the void yet, the only problem is that it was not natural to you. As a void blogger, I know this is a case because I've gotten so many asks about this and everytime I can tell that they struggle with seeing themselves actually enter the void. It's unnatural to them. But recognizing that naturalness is the problem is also the solution. Just make it natural to you. Know that you are going to wake up in the void tonight and really rest easy in this. You know you are limitless, you can manifest anything, waking up in the void is a peace of cake.

So here's what you're going to:

Starting this moment, know you are going to wake up in the void tonight. Just know it. Now, go straight to your imagination and do whatever method will help your desire natural to you. Know that your reality is just a projection of your imagination and that you are the creator of your reality. Deal with your 3d but know that your 4d is what triumphs.

If you don't wake up in the void, don't spiral. Your desire just doesn't feel natural yet, that's all. Just focus on making your desire natural to you. That is literally all you have to do and you know you're going to enter. If you're someone who might need some time to make your desire feel natural to you just because you struggle with staying firm in the law, do @littlemissprettyprincess 's void challenge: linked here.

The void is easy, you are going to wake up in the void tonight, and you are going to live your dream life. I know you are. Literally embody that and tell yourself that. Anytime a doubt or negative thought comes to mind, just stay firm in your desire and know the law is backing you up. Waking up in the void state is so natural to you and I can't wait for your success story.

#void state #loassumption

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astridthevalkyrie · 2 months

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xavier thinks you're cruel when you smile. everything about you is different, to the point where it feels like you're just a whole different person sharing the same face as the woman he knew. but then, when he met you as a lightseeker, he'd thought the same thing, that you were nothing like his best friend who didn't have any grand dreams of becoming a grandis knight, and only thought of living today to the fullest because she knew she would not see tomorrow. and then he'd fallen for the woman sacrificing her blood, sweat and tears just so that she could be claimed as his. and as predicted, he's fallen for you for the third time now, and he realizes that your personality could change a million times over a million lives, and he will love you more and more each time he meets you. because no matter what you do and no matter what you are trying to be, your smile blinds him each and every time. and that is what he finds cruel, because it must be cruel to make him fall for that smile again and again and again, and surely there is a limit to how many people one man can fall in love with. perhaps he's the exception, or perhaps it doesn't count because you are still one person. either way, it is torture, torture in its sweetest form that he could never hate you for, because you are not actually cruel, you are far kinder than he deserves.

"mister deepspace hunter," you sing, poking his cheek with a chicken plushie, "you can't sleep, we've only seen two movies."

"how many more are there?"

"three more in this series, and then we start the next fantasy series."

"you're insane," he says sweetly, burrowing further under your favorite blanket.

with a giggle, you lay your head down on his lap, hair splayed out on what he deems is your rightful pillow. "it's not a movie night if we don't stay up the whole night."

he's about to tell you that both of you need sleep, that it's not healthy to stay up this late or to pull all-nighters, but then he gazes down to where you're grinning up at him, and his heart stops for a second, because you are so, so, so beautiful, and he's gone.

sleep can wait another day.

zayne thinks you're cruel when you speak. you are reserved around him, and while he never thinks you should limit yourself, least of all on his behalf, maybe this is the most merciful path you can take. because once you do start speaking, once you place your hand over his across whichever table at whichever restaurant to go off on an excited ramble about your latest endeavor, everything else fades way. and it is cruel, to make him lose control all of all senses aside from sound. it is cruel to metaphorically force him on his knees to bend and dance to the sound of your voice and your voice alone. it leaves him vulnerable, to pain, to betrayal, to any and every harmful thing that could possibly be surrounding him, when he cannot observe, when he cannot fight, when he cannot be, while you are speaking. when every individual word you speak has its own unique significance, and he would not be able to kill anyone who interrupts you because he would not even realize it happened, too entranced by the spell you cast. he is not his own in those moments, he only belongs to you. and thankfully, nothing does befall him, because you are not actually cruel, you are far kinder than he deserves.

"what do you think?"

he pauses, hand in yours as the two of you walk, blinking at you a few times. "what do i think?"

"yeah, you, doctor," you tease, squeezing his fingers. "what do you think? i've been talking your head off for five minutes."

he is not jarred because he hadn't been paying attention, on the contrary he'd been hanging off your every word. his opinion simply does not matter as much in his eyes.

"i agree with you," he says, enjoying the way you beam at his concurrence, "but what did you think about the other article?"

predictably, you take the bait and launch into another long rant, and he wills this topic to last forever.

rafayel thinks you're cruel when you sleep. so, so soundly you sleep, sometimes in his own bed because he offers it to you like a fool. you look beautiful when you sleep, which is half the problem, and he knows that it is all sorts of wrong to find you beautiful when he's also paralyzed because of how similar your appearance is to death. from a distance, he could never tell the difference. it is only when he is next to you, holding your slack wrist in his hands, that he can breathe easier by pressing his fingers to your pulse. and he is terrified that one day he won't feel it, because it has happened before. one moment you were there, alive and well and his, and the next you were in his arms, lifeless and limp and somehow still beautiful. so there is no way for him to calm his racing heart when he sees you asleep, and the reason it's cruel is because he knows he cannot disturb you. not you, who works so hard and needs your sleep more than anyone else. he cannot ask you to sit up and breathe and laugh and show him that you're still alive. even though he knows you would should he ask, because you are not actually cruel, you are far kinder than he deserves.

"hmm." your eyes are bleary as they blink awake, hardly aware of where you are.

he slides his arms around you from behind, hiding his face in your neck. "you can go back to sleep, was just making sure you were still alive."

a quiet huff escapes you, clearly annoyed at being woken up for such a ludicrous reason. "don't be annoying."

he wasn't trying to be, this time. "okay," he whispers, "sorry."

you turn all of a sudden, shifting in his arms until you're facing him, with a light glare. another apology is on his lips when you crossly tell him, "i was kidding. you're not annoying."

"i can be. sometimes," he admits softly.

"no." you press a deep kiss to his lips, and he understands now why some humans would rather choose to drown under the sea instead of going back to the surface. "you're not annoying. you're never annoying. i love you. okay?"

his voice is choked the next time he speaks, with your face hidden in his neck, soft puffs of air on his neck letting him know that you're still breathing. a tear runs down his cheek.

"okay."

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megu-meow · 5 months

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Bulls**t - Gojo Satoru

gojo satoru x non-specified reader

I don’t think I used any gender specific pronouns or character descriptions, however, I have written this with female reader in mind.

Summary: Gojo Satoru is the king of making up stuff. There is one thing he keeps saying that is actually true tho.

Gojo Satoru is a knowledgeable guy, especially when it comes to Jujutsu sorcery and the history of it. He is also the type of person to have many interests. He spends hours learning about his favorite topics and has an opinion about everything. When people bring up stuff he doesn't know about he listens carefully and is deeply invested in the conversation, and once he has enough free time he will read and learn everything about the subject matter so that the next time he can be an active part of the conversation. That is the sole reason why people never question all the random shit he says. You see, Gojo Satoru enjoys messing with people more than anything. Hence, he makes up random facts and stories and he is insanely talented in delivering them with such confidence that they are easy to believe.

One time in high school he managed to convince Shoko that the famous J-Pop idol from the late 90s, Ayumi Hamasaki, was his half-sister. He spent 15 minutes explaining to the young healer that before his mother met his father, she had an affair with a man from Fukuoka named Netero Hamasaki and got pregnant. According to Gojo, his mother was young and had to give up on the child, but Hamasaki-san was more than willing to raise her with his wife who was unable to have children. The special grade sorcerer also explained to his classmate that his mother and Netero were not getting along, because after Ayumi became famous they started ignoring the rest of the family and they became too full of themselves. Shoko listened to Satoru's words in awe, eating up every single word leaving his lips. Two days later, a very excited Yu Haibara approached him, begging for an autograph from Ayumi, which resulted in Gojo telling everyone the truth, resulting in a deeply annoyed and humiliated Shoko.

In another instance, he made Megumi believe that he was supposed to have a pelican Shikigami right after he got his demon dogs. He also showed the young, impressionable boy a series of goofy hand gestures and dance moves that were "supposed to summon the pelican, the most powerful shikigami of the Zenin clan's ten shadows technique". Poor Megumi spent a week going around night and day, doing the insane moves taught by the special-grade idiot who was supposed to take care of him, but the pelican never appeared. However, Gojo enjoyed the situation way too much, bursting out in uncontrollable fits of laughter every time he caught the raven-haired boy while he was trying with all his might to summon his second Shikigami. Thankfully, Principal Yaga cleared the air one time he was taking care of the child while Gojo was out on a mission, however, Megumi never asked Satoru to help him with his technique again.

During their second year, as he and Geto were bored out of their minds with the recent missions they were sent to, the two convinced the higher-ups that they encountered a special-grade curse that injected them with some kind of venom that took away their cursed technique until further notice. This scheme included Shoko as well as she was the one to forge a medical report, claiming that a few days off in Okinawa or any beachy environment would make the toxins release from their bodies faster. The young healer made sure that she was included in the trip claiming that constant medical attention was an absolute must in the current situation. They spent a total of 10 days not doing anything on Jujutsu Tech's account.

Recently, as an assistant teacher, you witnessed how Gojo Satoru tried to convince the first years to do his chores, claiming that it would make them stronger. Yuji didn't question this ridiculous statement, given his circumstances of recently learning about the mere existence of the Jujutsu World, however, Nobara and Megumi knew better, instantly protesting doing his chores. Gojo Satoru is determined as fuck tho, so he managed to spend 30 minutes trying to change the stubborn children's minds until you intervened and dismissed them from class.

"Oh, c'mon sweetheart, I was about to break them." he whined, following you to the teacher's lounge like a lost puppy.

"You shouldn't lie to teenagers like that, Gojo. Especially not Yuji, he's in a vulnerable state, and he will believe everything you say. I know you like to come up with the most unhinged stuff, but one would think that your students were the limit of your idiotic shenanigans." you chastise.

"Everyone thinks my lies are funny though!" he exclaims, his voice laced with fake hurt.

"I doubt that." you whisper, your mind drifting towards all of the instances he claimed that he liked you and wanted to take you out on a date. You knew better than to believe anything coming out of his mouth, especially when he used the tone he always uses when he tries to sell one of his elaborate stories. You had to protect yourself from falling for him or his lies after all.

"What's wrong?" he asks. He recognizes a shift in your cursed energy, it falters and he knows you well enough to able to tell that it's because you're sad.

"Nothing, leave me alone, Gojo!"

"Nu-uh, you're the love of my life, I have to know who or what made you upset so that I can blast them across the universe with Hollow Purple."

"Stop lying, Gojo!"

"You think I'm lying??? I would never lie about my feelings for you!" he exclaims, now he's offended.

"Bullshit!"

"What do you mean bullshit?! I've liked you since day one, y/n!" he steps closer to you, lifting your chin up so that he can look you in your eyes. You are surprised to notice that his blindfold is lowered to sit around his neck, his cerulean eyes on full display. The two crystalline orbs reflect nothing but honesty and you even question how he was ever able to sell any of his lies when his eyes seem to be telling the truth at all times. Of course, he's always covering them when he's about to come up with his most unhinged stories, however, now he's confessing the most important truth of his life. "Do you believe me now, sweetheart?" he asks, his voice breaking, afraid of rejection. You nod shyly, blushing as you realize how close his pretty lips are to yours.

"Can I kiss you?" he asks enthusiastically and you don't answer, you just eliminate the small distance between you two, inviting his lips into a sweet dance with yours. His arms wrap around your hips, pulling you closer, savoring the moment he's been dreaming about for years.

Gojo Satoru has many made-up stories and anecdotes to share, but none of them can compete with the story of your first kiss. That's one he'll be telling for a long time.

#jujutsu kaisen #satoru gojo #gojo satoru #jjk imagines #jjk x reader #gojo imagine #gojo fluff #jjk x you #gojou satoru x you #gojo saturo

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lestappenforever · 6 months

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Hellooooo it’s your social psychological anon back because I just caught up w the gossip from this week about Ferrari contracts and what not and have some thoughts on this.

We know F1 is -as many TPs out it- super cutthroat and have insane politics going on behind the scenes especially with drivers and contracts. I think Ferrari themselves leaking that they are trying to get Charles to sign was a very bad move especially because the public isn’t reacting how they expected, instead of pressuring Charles to sign which is what they most likely expected to happen, they’re mostly telling him to make a move or laughing at Ferrari who think they can keep Charles with their performance. But more importantly I think that the move was also a breach of Charles’ confidence that has already been shattered after Ferrari gave him a car with an engine that almost exploded (the timing of contract negotiation rumours is even worse now) because instead of Ferrari recognising they screwed up and giving Charles time, now they pulled a dirty move to not only pressure him from within but also try to summon the masses to pressure him from outside (which isn’t working).

We all made a huge deal about Charles liking the “Charles x Verstappen laps” (as we should) but it’s so incredibly sus that to this day that is the only thing he has liked post-Brazil. I really don’t know if it is a calculated PR move, foreshadowing a move to red bull, intended to put pressure on Ferrari in return or he just thought it was cool and “hey look it is me and Max and we are so cool”. I don’t think it matters because it is still indicative of his lack of engagement with Ferrari and- in my opinion- an increasing disillusionment with the team.

I generally have an issue with most, if not all, Charles-rbr interactions being framed as Charles putting pressure on Ferrari. Because it makes it extremely difficult to understand the general change in Charles-rbr dynamics because not once has it been Charles initiating contact with the red bull members (not drivers)- it has so far been them congratulating him, giving him soft pats and handshakes, the continuous “Charles” on the radio even from GP (who actually sounded so sad for Charles and also saying “Charles stopped” instead of “charles (Leclerc) crashed/is in the wall” is also v specific because at that point for them it must have looked like charles lost control and it had nothing to do with engine or hydraulics but I digress it’s just an interesting thing to consider) which leads to the logical conclusion that Christian has summoned the rbr team to try to convince Charles by acting super friendly, or the team knows of ongoing negotiations and are de facto bringing charles into the team by acting as if he is an honorary member because as we have said previously this isn’t standard behaviour other teams don’t just congratulate drivers from another team and this has never happened before even with charles and red bull so something obviously changed and it’s coming from the rbr side of the garage.

Also brief mention of Daniel and Charles leaving the same restaurant? Because if anyone can convince Charles that rbr is the place to be not from a data and championship winning capacity (that is self-evident especially with rbr looking like they will dominate till 2026 and also nail the 2026 qualifications unlike Ferrari) but from a team pov it will absolutely be him. He is the one who left rbr and was miserable before rbr took him back and he felt as if he was coming home. If it was actually a case of rbr sending him or if they just had dinner the topic defo came up and but the timing seems to me to be more of a strategic choice than a coincidental meeting.

Going back to online behaviour- thus far no comment or like or repost of the Ferrari livery or Las Vegas special suit announcements (unlike Carlos), just no mention of Ferrari since Brazil except the one post. At the same time someone pointed out that charles stopped doing race highlights after Suzuka on IG and because all Ferrari and other drivers do these I think that it might be a clause in the contract related to PR duties and their online presence. The fact that charles hasn’t done them even when he has had a good race is even more suspicious considering everything with rbr started- or became more intense- after Japan.

Anyway, lots to unpack here defo lots of moving parts and it seems like Charles and Ferrari relationship looks like it will be getting bitter and I am willing to bet that the DTS episode where Christian is dissing Ferrari for potentially endangering their drivers is already in the making- it would be a huge PR move to criticise this publicly at the next press con but this may come across to Charles as also putting pressure on him and I think it’s obvious that rbr is taking a coaxing approach where they know it is only a matter of time before Ferrari will shove Charles into their arms, all they have to do is show him that they are welcoming.

Anyway, can’t wait to see all the drama that will defo go down next week but for now thank god we don’t have a race weekend because it would probably be a bit too much for us. So happy non- race weekend 🫶✨

Oh, social-psychological anon, how I have missed you. Welcome back! ❤️

Once again, you’re bringing such an interesting and wonderful take on the current situation with Charles/Ferrari/Red Bull. And I must say I agree with everything you’re mentioning, but one thing I feel like I want to add a bit more to is the mention of the perspective that the increased amount of Charles/RBR interaction is nothing but a ploy for Charles to secure himself a more lucrative deal with Ferrari.

You and I are in the same boat here, and my personal opinion on why Charles using his interactions with Red Bull to secure a better deal for himself doesn’t make sense is because:

1. His actions don’t align with the narrative (the lack of posting/interacting with Ferrari content recently, the entire vibe of Charles' relationship with his beloved team just seeming off).

2. I don’t think he needs to. Scuderia Ferrari is a historic team, and it’s not exactly a secret that appearances mean everything. So if Charles truly just wanted a better deal, better terms, more money, all he would have to do is go to his team and say: "These are my demands. If you don’t meet them, I will leave." That contract would have been drawn up in a matter of hours.

3. Red Bull Racing is a huge institution that would never play along with something like that. If there was any belief whatsoever internally at Red Bull that Charles was using them to try and secure a better deal for himself at Ferrari, they would shut that shit down immediately. But they haven’t. They are, as you said, treating Charles as if he is an honorary member of the team, and there is no way in hell they would do that if it wasn’t for their own gain. Now, whether that gain is getting Charles to come to Red Bull, or if it’s because they know what an excellent marketing strategy it is, I have no idea. Only time will tell.

Charles is incredibly smart, and so fucking well trained in terms of PR and how to present himself to the world at large. He's calculated, and the way I see it, his recent change in behavior, on the grid, off the grid and on social media, seems more of a sign that he is reaching (or has reached) his limit with Ferrari, and even though it probably breaks his fucking heart to face it, Ferrari isn’t the team who can give him a World Championship. And no amount of deep-rooted love and loyalty is going to change that, no matter how badly he might want it too.

At the end of the day, all we can do is speculate (and anon, I fucking love speculating and your amazing insights), but you are absolutely right. Something has shifted in Charles, in his relationship with Ferrari, and in his relationship with Red Bull, and I cannot wait to see where that leads.

Social-psychological anon, I love you so much. Please stay with me forever. ❤️

#Asks #Lestappen asks #Lestappen dynamics anons #Social-psychological anon #Lestappen gate 2023

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the-s1lly-corner · 6 months

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I was rewatching the Mulan films to get that childhood nostalgia, and I remembered how much I love Mushu...

So I thought "what would the cast of TADC x reader be like, who is practically a copy of Mushu's personality", I imagine that in appearance he would be a Chinese dragon humanoid but with his personality

TADC cast x mushu type! reader !

im finally back on my computer, woohoo! ill probably answer a few requests, since i wanna draw stuff today </3 i dont really like leaving my wips unfinished for more than a few days TToTT side note i gotta rewatch mulan, used to be one of my favorite movies as a kid (though i barely watched movies back then so uh uh its not like there were many contenders </3) relying on the good ol character wiki to help me through this because its been so long since ive watched the movie

CAINE:

i think caine would actually really enjoy you, a lot! in a weird way caine gives off similar energy, with the confidence and such you know? so you two probably bounce right off each other and build one another up... though sometimes this leads to more insane IHAs because you insist to caine that youre more capable than you actually are... as mean as that sounds... the only reason that things dont get too too chaotic is because caine, in my opinion, does hold some significant level of care for the circus members (at least as it stands for the pilot)

like would he die for them? probably not.. but he cares enough to keep the circus (mostly) safe and bothers with keeping them mentally stimulated and entertained; he doesnt even watch the IHAs himself so its likely that its not for his own entertainment

ponders

im getting off topic, though, point is i think you two would be friends !

POMNI:

honestly i struggle a lot with writing pomni, but i think the two of you would be friendly with one another ! i think she might be a little taken aback by your confidence, but hey, its not like its to anyones detriment, right? well... IHAs can get interesting, with you either insisting to run in, leroy jenkins style, into the conflict; or trying to push someone else to do (oftentimes ragatha, who i feel would be the most likely to do the most in IHAs if theres nothing pulling her away from it (cough cough checking on kaufmo cough cough)

honestly my brains a little fuzzy trying to remember mulan, but i feel like you and pomni would have a similar dynamic to mulan and mushu as well

JAX:

i think jax would try to push you more than he does the others since oftentimes your reactions are more... out there, youre so desperate to prove yourself as this big strong individual that you kind of make an ass out of yourself. and jax revels in your humiliation everytime someone manages to humble you.. in terms of the other stuff, i think he would tease and make fun of any abilities you have.. assuming you also have (some) fire abilities like mushu, jax would just call you names like "matchstick" and "lighter boy", making fun of your weak fire powers

RAGATHA:

as mentioned in pomnis part, you and ragatha have... an interesting dynamic... but i can also see you two having a similar dynamic to mushu and cri-kee . with you being bold and ragatha keeping you grounded. often you two end up together during IHAs with either ragatha seeking you out or someone pushing you to her

not much to be said, i think ! very similar dynamic, ragatha keeps you in check, though i think she would occasionally scold you if you did something particularly reckless

KINGER:

ooo this ones a hard one, but i think it would be similar to my personal take on what his and caines dynamic would be but with you as a fellow circus member rather than the ring master... has respect for you (though i think kinger would have respect for just about everyone who has come and gone to the circus, he doesnt strike me as the type to just diss others unless theres a reason he doesnt like the person... and even then he would mind his own business, i think) which... honestly, i can see this either making your ego more intense or actually mean something to have someone actually respect you.. ponders... character degradation(?) or character growth.. both are fun routes, i think! ill leave this one up to you...

slides my favorite kinger thing

you guys tell each other stories about your adventures, both of you hyping them up way more than they need to be

ZOOBLE:

writing zoobles part first because i think that they may be the hardest, but in the kindest way possible i dont think they would be able to stand your personality... maybe youre a little loud and out there, or maybe they just dont like your humor or often times self centered nature... i think they would tolerate you just enough to get through IHA but forming a friendship with zooble is going to be tough... though, they do find it amusing when you and jax butt heads

GANGLE:

very similar to pomnis part, i think... but like, gangle is shy whereas pomni is nervous so things are a little different... i think gangle would just along with most stuff you decide to do, that you rope her into, because she doesnt have a backbone to say no or suggest something else.. well she doesnt have bones in general but... you know? honestly she kind of envies you in a weird way, she wishes she had the confidence you have so sometimes she probably approaches you for advice.. how this ends up is up to you !

#tadc x reader #the amazing digital circus x reader #caine x reader #pomni x reader #ragatha x reader #jax x reader #kinger x reader #zooble x reader #gangle x reader

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george228732 · 3 months

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Hot take

Kirby lore is great, but has SO MUCH lost potential

Don't you see the amount of amazing content that could be taken in depth thanks to the lore it has? The most we see of Kirby Lore being utilized in more games than the one it was introduced in is the Dark Matter Trilogy and mere call backs from other games that follow.

Then comes the part where HAL brings more convoluting lore like what we know of the Magolor epilogue, and HAL just doesn't do anything else with it. But I think this is shown better with FL, PR and TD. To this day, Star Allies is the one most discussed regarding Kirby Lore, not only because of Void Termina but also because HAL ACTUALLY made some exposition of Kirby Lore like Hyness' speech and such. Not everyone will be able to see it but at least it's not subtext anymore, just text. Thing that doesn't get seen basically at all with the other games I mentioned

I get the "Use subtext for your story", but you overuse it and you get the most vague lore humanity has ever seen. Sure, in some games and shows it works in their favor thanks to the theming of those stories but Kirby never struck me as one of those, at least in my opinion.

Maybe this is why many artists and writers have made an insane amount of AUs for Kirby trying to give more lore with actual dialogue - compare the amount of exposition heavy AUs Kirby has with the amount of exposition heavy AUs franchises like Mario, Metroid or Zelda have. See the difference?

My point is, Kirby should REALLY do more with its lore instead of leaving some of the most intriguing topics I've seen stagnating and catching dust.

#kirby #kirby critique #kirby lore

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kxizoku-ou · 3 months

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I saw the Sanji was at the top of your list for One piece characters you were interested in tormenting and I got so excited. Most of the Sanji content/head canons I've come across are all about him as a Dom/top (except when he is paired with other men). But I think he (and plenty other one piece characters ) would be a great candidate for your type of writing. If you ever have any thoughts on them, I hope you post it!! I always love hearing what you come up with!

Yeah, Sanji is wayyyy too pathetic for me to see him as a dom (in terms of reader-insert stuff, at least). XD And uhhh... I've had MANY thoughts about him already. Since we're already on the topic of smut, you get a (partial/current) list of his (somewhat concerning) kinks. XD

. . .

• An obvious one, but Sanji's desperation to be useful absolutely ends up as a sex thing for him, too. The idea of wanting fills him with shame and self-loathing, and the best way he's found to swallow that is by making any intimate situation entirely about the other person. Even in his fantasies, he's always the one serving his partner and earning whatever indulgences he's given, his own pleasure coming second to fulfilling their needs (if it's acknowledged at all, even).

• Being extremely susceptible to praise seems to be a near-universal character trait in One Piece, but Sanji has it worse than most. He puts up plenty of emotional walls (especially when kind words come from anyone but a safe pretty woman), but especially once someone's opinion matters to him, a simple "good boy" would haunt him for months. Doing things right was such a foreign concept for most of his life, after all, how could he not still so badly want it?

• Whether his partner actually has a size advantage over him or not, Sanji likes feeling smaller. It's definitely a factor that well-fed people tend to have more weight on them, but even simply being pinned down or manhandled is undeniably (and sometimes embarrassingly) arousing, for potential reasons that he really doesn't want to dwell on.

• Though he's stubbornly refused to entertain the idea even in his most unthinking fantasies, certain parental figure-oriented titles are bound to slip out sooner or later. Yes, both. The "mommy" version comes right from some very emotionally vulnerable parts of his psyche, but even though he dreads acknowledging that, the "daddy" version (rough, physical associations and all) is far worse.

• On that note, Sanji is definitely something of a masochist. Most of the love he's experienced (or hoped for when it wasn't really there) has come hand-in-hand with pain, and that definitely got a few wires crossed in his head. Between that, the adrenaline high, and the subconscious need for self-punishment... yeah, it can get messy.

• It's an entirely hypothetical fantasy (and a vague, emotion-driven one, at that), but Sanji has come back to the thought of being eaten more times than can be considered quite normal. To quote a particular source, Sanji "has a complicated (i.e. insane) relationship with self-sacrifice"— combined with the stranded-on-an-island experience and his overall fixation on food and cooking, it's all added up to a warped sort of fixation on (sometimes erotic) cannibalism.

(^^^Bonus source for that one!)

#One Piece #Sanji #Black Leg Sanji #Headcanon #Lemon #gore tw///#i guess??? idk how to tag this one

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collegetennisoriginstory · 7 months

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I wanted to throw in my opinion on the Trans MC if you want it! Option 3 would be a lot of extra writing and coding, so I get that it wouldn't be a decision made lightly and it would be added pressure to get it right and it's a sensitive topic for sure. I will say that if you chose to go this route tho, it would make a huge difference and mean a lot to us. I'm a trans athlete, and the lack of representation can be really discouraging. It's time like these where we are receiving so much hate, especially when it comes to sports, that allies could really step up and make a difference. Reading can really open people's minds! It may be difficult and uncomfortable, and take extra work, but that's our everyday tbh. We out here living on hard mode 😂 that's just my thoughts on the matter but I will respect you and read your story either way. Much love 🏳️‍⚧️♥️

Hey! Thank you so much for sending this! This gets long, forgive my wordiness.

First off, I really feel your statement to the bone, the part about how allies could step up and make a difference, and how positive rep in media, games etc. is insanely important.

So many stories, TV shows, movies have shaped my experience of being queer and POC, and while some of them have been nice just so I could see someone like myself being represented, the ones that really made an impact are of course the ones where these identities were explored in a sensitive, thoughtful way. (When I watched Saving Face for the first time at 17, about a queer Chinese American doctor, I bawled my eyes out and dont think I've been the same since).

I would absolutely love if CT:OS/my IFs could do this for trans athletes too.

I've seen/heard so many worrying statements about trans athletes (both in real life and in the media)—and it makes me so sad.

Some that really get me really riled up are: The idea that a trans athlete's accomplishments mean nothing because they "have an unfair advantage" (or putting it down to "just hormones" or whatever instead of recognizing the hardwork, skill, and dedication behind EVERY successul athlete, trans or not). Or the idea that trans athletes shouldn't get to choose to be trans if they want to be athletes. Or the idea of policing trans athletes' bodies or forcing them to undergo surgery in order for them to be "valid"...

Well, FUCK THAT. FUCK those people.

If my IF can help celebrate trans athletes, and combat/shut down the really harmful (and ignorant) rhetoric out there? I'd love to do that.

But since I am not trans myself, it feels doubly, triply important that I wade really carefully here. I'd really need to spend time making sure I like and can stand behind what I'm putting out. I don't think it'd be responsible representation, otherwise!

I'm not really a perfectionist about my writing and that's how I make progress on my IFs while working a full time job. I'm more the... "slap shit tgt, get it out there, get feedback and edit if I feel like it" kind of writer. And I don't think I'd be able to finish CT:OS / Merry Crisis any other way. But when it comes to race, gender, and sexual identity? I really. Really. Wanna get things right.

(I rewrote that Rayyan convo about being a POC athlete with Deepal so many times haha and it was already marginally less scary, since I am a POC athlete.)

I guess what I'm trying to say is, I agree it's so goddamn important to have trans stories, and rep, especially in sports, where views are often so toxic and polarized.

But I don't think I know yet whether I see my IF being more a simple "yay, trans rep" kind of space or an actual deeper exploration of what it means to be a trans athlete. I was quite prepared to add the option to be trans (+ any accompanying scenes etc.) when I have the complete CT:OS 1st draft, but I was also toying with the idea of just putting something imperfect into the game earlier.

Faced with indecision, I've opted for: procrastination. I am still waffling, but it was helpful to hear what you guys think. Thank you so much for your message.

Lots of love, keep being awesome ❤️

#ct:os #college tennis: origin story #if #interactive fiction #asks

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nightgoodomens · 3 months

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bullshit bingo take of the day i just stumbled upon: "crowley only helps job and elspeth because he doesn't like hell and wants to spite them"

and i'm ashamed to admit it but that gave me severe anxiety. i usually ignore the bad takes but i'm not having a good day mentally and i feel like i'm going crazy so i guess i really need to ask. i'm no delulu right? crowley doesn't do it to spite hell and be rebellious but only because he's kind and selfless and wants to help and protect?

You know, this is the reason why I am cutting myself away from the Good Omens fandom more and more, and I might recommend you cutting yourself a little bit off as well - filter your dash with people who you know post the good stuff, things you love, and don’t look for general opinions etc anymore.

There are still awesome people out there who haven’t forgotten what this show and characters actually are.

I remember when I joined with Season 2 and told myself wow this is the first normal fandom I’ve ever been in - how?! - lmao, no. It is like every other fandom out there where you simply have to find your people and ignore the rest.

At the beginning I felt like it was insane and amazing how everyone got along, bloody hell, people posting opinions, analysing everything, the disagreements were kind, interesting conversations, so many clues being found, general respect, everything worked with canon so people agreed to disagree on little things… most of all so much love for the characters for exactly who they were and for the show for exactly what it was.

Cue in a few months later and everything is negative, characters are monsters, or pathetic, or whores/sluts/dogs, trolls everywhere, so much hate, and anon hate, canon is non existent, everything; the story and the characters and every scene are fetishised to the extreme and have nothing to do with what they have been portrayed to be, and actually apparently we were all wrong and Good Omens is an extremely hardcore sex show after all, and the metas are now how it proves that they should be in an extreme dom/sub relationship - yeah the two guys who’s whole story is that they need to be set free. Crowley is treated in a way that makes me feel sick at this point because people talking about the horrible things that should be done to him and saying it would be good for him actually makes me shudder. It is scary how so many people talk about sensitive topics that they don’t understand at all. Some takes are actually horrifying at this point and I hope they don’t genuinely have such opinions in real life when real people are involved. And the fans acting like such things are absolutely normal and this is how majority of relationships out there are like are frankly worrying me. Aziraphale was completely stripped off his personality too. So much to unpack about this insanity but I don’t want to dig into it. Not everything should be normalised.

In a way I wonder if there was an influx of fans who never watched the show, just know it from fics/fanart.

I was getting extremely angry about these things but I finally let it go and just blocked, and blocked, and blocked. Now I barely see anything like this. I had to step away from AO3. I scroll the dash a lot less. And I simply started focusing on other things again.

When it reaches the moment when you cringe seeing Good Omens because people ruined scenes for you - step away. That’s when I knew I have to start blocking and filtering because I didn’t want to start associating the show with cringe - it doesn’t deserve it.

Just find your circle of likeminded people. So this fandom brings you joy not a headache. And ignore the rest.

#NightGoodOmens answers

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lavendersacid · 2 months

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reposting this bc y'all really need to hear it and we need to put an end to this completely

let's use our critical thinking skills for this one guys. if someone doesn't like something, they are probs going to complain. if you don't like it, scroll or block the account. using the point of saying "people can write what they want, if you don't like it? scroll or get off the platform" is extremely redundant when you are harassing and bullying people for sharing their opinions on smut AKA witing what they want. I also want to throw it out there that in the post everyone has been bringing up about porn addiction the author clearly stated several times that reading and writing smut doesn't mean that you have a porn addiction. she said that obsessively/compulsively craving porn might mean that you have an addiction which is a rock solid fact that you cannot argue with. many people within this discourse have twisted her words and made it sound like she was shaming people who read smut and saying that if you read or write it you have an addiction, you are insanely misconstruing her words, that is not even close to what was said in the original post. her posts on the topic were well structured and backed by years of scientific research and evidence, if you feel directly targeted by an educational post about addiction then you might have one. she also said that she is in the field of psychology which makes her more qualified to talk about this than a whole lot of you. the original author even made a several paragraph long post about the science behind the constant veiwing of porn and how it rewires your brain, this is a neurological fact and if you would actually listen to anything she had to say instead of taking away what you wanted to twist it and make yourself look better, you would've got a lot of useful information from that. using the point of saying that people have claimed that everyone who reads or write smut has a porn addiction is a stupid argument point as no one actually said it, the og post probably went over your head. you guys are really doing a great job of twisting someones words and spreading lies about them! so let people write what they want, who fucking cares? you can't make everyone happy so fucking write it anyways. you need to learn that you can't control people regardless of their stance or yours on this issue, let's leave everyone alone and put this to rest.

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raisedbythetv89 · 2 months

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Just finished “Poor Things” and damn what a fucking movie.

The mind of a child inside a woman’s body who has an insatiable sexual appetite and curiosity is uncomfortable as fuck but that’s the entire point. Children are innately curious and experimental and very simplistically seek pleasure and avoid pain and our puritanic (or in the story victorian) western society has turned all things sex related into such an uncomfortable taboo topic and this movie shoves that reality in our faces forcing us to confront how uncomfortable we are when it comes to educating children about sex and the relationships we have with our own bodies and pleasure and often resort to just telling them “it’s improper or wrong” and that leaves the door

W I D E O P E N

For men like the lawyer to come in and take advantage of the appetite others tell us to deny, the curiosity and the naïvety of someone who must venture into sexual relationships with absolutely zero frame of reference or knowledge. If you deny children the ability to learn something from you THEY WILL SEEK TO LEARN IT FROM WHOEVER IS WILLING TO TEACH THEM.

Every man who tried to control Bella failed miserably and what I ADORE about this film is it flips the traditional “poor naive girl goes to the big city, gets taken advantage of and ruins her life and is left with nothing and now she’s just another victim…. Poor thing….” completely on its head and not only that, better reflects real girl’s journeys through this world because we truly overcome so much in order to become the women we are. Yes she is taken advantage of and treated cruelly (“I wasn’t trying to educate I wanted to hurt you. I couldn’t stand to see such blind happiness”) yet she persists, she learns, she forms her own ideas and opinions and beliefs, she shuns societal norms and in the end the lawyer has been driven mad, her sociopathic husband from her previous life is a goat and she’s happy studying to be a doctor surrounded by women and a man who supports her to he exactly who she is and does not view her as her property. It was incredibly refreshing to see what is usually framed as a very dark traumatic journey for girls coming of age as one of self empowerment and agency. It was a magical adventure, an Odyssey. She is a true adventurer. Unbreakable Kimmy Schmidt and Barbie to an extent are the only other stories I can think of that frame women’s coming of age journeys in this way (though I haven’t seen THAT many movies in the grand scheme of things so there very well could be others I’m unaware of)

I understand if you get stuck on the “child brain in woman’s body that men then desire” it is icky but this film is in no way condoning that behavior in men it absolutely is criticizing it. The lawyer is driven mad by the very childlike curiosity that drew him to her in the first place, it’s perfect we LOVE to see men go insane by getting exactly what they wished for 😌

It’s important to note that yes it’s a male director but Emma Stone was a producer and has said she had complete say and control with both how her body was shown and how the story was told. I personally tend to just viscerally react to male gaze media in an I’m immediately nauseous and on edge kind of way and didn’t get that at all with this film. My brain was like “this is weird and uncomfortable” but my nervous system wasn’t actually sending up and red flags that this was unsafe or insidious in some way like it did when I watched game of thrones for the first time. I knew shit was off on that set IMMEDIATELY which was then later confirmed to my unfortunate lack of surprise.

But anyway I’m not normally one who cares about oscar nominated films but this one had me laughing HARD and crying and it’s such a visually beautiful and interesting film I absolutely loved it.

#poor things #emma stone #meta

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venus-is-thinking · 9 months

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A Narrative Defense of Eden Culprit Theory

Hello everyone!

As I’m sure many of you know, I, among others (notably @accirax, @1moreff-creator and @thebadjoe) believe Eden to be the culprit of the Chapter 2 murder case. I’ve seen a fair number of people say they aren’t convinced for one reason or another. While I fully understand people who don’t buy all the evidence/the insane contraptions we’ve come up with or people who are in denial, I was a little surprised at how many people I saw say that it would be bad writing for Eden to be the killer here.

While others are fully entitled to their opinions on who the killer is, I want to address this claim. Personally, whenever I’m reading a fangan, I always believe that I shouldn’t consider any killer to be “bad writing” until I see how it’s actually written. After all, there can always be a key twist you’re not expecting to make it actually make sense. Plus, in Eden’s case, I actually fully believe that all the building blocks of a narratively successful killer are already put into place. So, in this post, I’m going to attempt to back up my claim that Eden being the second killer actually makes narrative sense, and it isn’t bad writing either.

Because fangan writing is subjective and what any given author believes is the right move varies, I’ll be doing my best to support my claims with similar content from the canon game trilogy (given that that’s a pretty standard baseline) and from what we’ve already seen of DRDT thus far. That should (hopefully) give us some fair perspective into the sorts of narrative decisions the creator would want to make.

I’ll be going through various points at which I think something could or could not be bad writing, so hopefully that’ll provide some much needed structure to this theory.

Topic 1: Motive

I want to say this early: I do not think Eden is secretly evil. I think that in the context of killing games, “good” people can end up being killers, and I think that’s where Eden’s headed. I understand why, if some people have only seen Eden killer theories in the context of her being evil, they don’t like it. I don't like it either. I think it completely misinterprets her character.

For now, though, I want to talk about what motive she does have. There’s the fact that Arturo is threatening her, obviously. If she feels there’s a genuine threat to her safety, it would be decently reasonable to decide that, if her priority is her life, she’d rather try to get away with a murder than let herself be taken out by Arturo.

There’s another potential motive out there for Eden that might be enough to push her over the edge. That being, we know she cares a lot about her friends and relationships outside of the killing game too.

A lot of people, I think, have seen the theory floating around that goes “Eden is trying to leave to get back to the girl she kissed.” I’ve also seen it mentioned that this could be problematic, given that it could be saying “being gay = becoming a killer,” but I think there are several reasons why that doesn’t hold up.

First of all, we have a lot of canonically LGBT cast members. Nico is nonbinary, Whit is bisexual, and in the most recent Q&A, other characters such as Ace, Veronika and Eden herself were also all confirmed to be LGBT+. Given that Eden isn’t the “token gay character,” I think it’s a lot safer to make her a killer without sending the message “if you’re gay you’re a killer.”

Secondly, I think that there’s more to Eden’s motive than just whoever that girl is. I think the girl will likely be part of it and be relevant, given that it’s Eden’s motive secret. Because it’s the Chapter 2 motive, the motive secrets should play into things in general. But, it’s not like that girl is the only one from Eden’s past that she cares about, right?

Eden cares about her family, as we see in the scene where she talks to Levi. We know that Eden cares about her friends, as we clearly see within the killing game. We know that Eden cares about this girl. I think it’s safe to say that, for gay reasons or not, Eden has a lot of people she’d fight to get back to.

Rather than using her motive secret as the only way of justifying the “Eden wants to return to her previous life” motive, why don’t we look at other secret Eden content?

I’m talking about the secret quotes. I assume most people have heard about them by now, but basically, if you go to the characters’ profile pages on the main tumblr account and inspect elements, each character has a secret quote that you can find. Eden’s secret quote is “You can’t go back, no matter how hard you try.”

We haven’t really seen much of Eden trying to go back yet. I guess you could say that when she makes breakfast with Levi, she talks a lot about trying to get the group back together and back to normal, and that isn’t unrelated. Still, I think it makes a lot of sense if Eden is someone who’s focused on the past. After all, Eden’s talent is clockmaking. To the extent her talent influenced her personality/character themes, it seems like time is an important thing with her. Trying to turn back the clock and return to her life before the killing game would make a lot of sense thematically.

I suspect that Eden’s secret quote relates to the fact that she tries to go back to her previous life by escaping the killing game. “No matter how hard you try” definitely sounds like she goes to pretty extreme lengths, but she still fails in the end. That would be when she’s caught as the blackened and executed; she never gets to go back. It’s precedented for secret quotes to directly relate to how characters died; both Min’s “I wanted to save you” and Arei’s “Because that’s what friends do” tie into the way in which they arrived at their death. I could definitely see it being the same for Eden.

Interestingly, there’s another reason to consider that Eden might be extra-motivated to leave the killing game. That point is that Eden has been shown to be the main person fighting against the killing game. For example, she and Hu brainstormed ways to deal with the Chapter 2 motive.

That doesn’t really tell us anything though, right? It’s just trying to manage the killing game from within. That’s not it, though. It’s actually a repeated thing that Eden is constantly looking for ways to obstruct the killing game.

Even the plan to bore out the killing game, the one Veronika tells us couldn’t work because she’d get too horribly bored, originally came from Eden. I fully believe that there’s a reason we’re being told every other scene that Eden is working towards ending the killing game is that Eden has extra incentive to want the killing game to end, and that’s to try to return to the life and loved ones she left behind.

I also think it’s worth mentioning that, in the canon games, every single second killer commits their crime due to previous attachments that go beyond the killing game. Mondo kills because of the promise he made to his now-dead brother Daiya, Peko kills because of her allegiance to Fuyuhiko, who wants Mahiru dead due to the death of his sister Natsumi, and Kirumi kills because she’s actually the Prime Minister and needs to get back to her duties. Hell, Ryoma is even Kirumi’s victim because he doesn’t have previous outside attachments, which makes him feel like a more understandable victim for her crime. If you throw in “Eden has a lot of meaningful relationships back home and, here in the killing game, she misses them so badly that she’d kill to go back,” I don’t think it feels out of place.

This is pretty niche, but there’s also something I want to look at in relation to Xander and Min. Notably, the pinned comments by the official account in their bonus episodes.

Xander’s is “Someone who wants to hold onto the past.” Min’s is “Someone who wants to move on from the past.” While this trend doesn’t have to keep up, I think it would be interesting if every killer/victim pair had one of each. Arei pretty clearly wants to move on from the past where her sisters and classmates ruthlessly bullied her. Eden wants to hold onto it, hoping to return, but she can’t go back, no matter how hard she tries. Just an interesting thing to point out.

But Eden’s motive isn’t the only thing stopping people from believing she’d be a reasonable killer, right? There are other things to consider, too.

Topic 2: Story Arc

To be clear here, “Story Arc” refers to how Eden fits into the larger narrative and story of DRDT. I’ll be talking about her individual story and growth later on in the section labeled “Character Arc.”

For the most part, the larger narrative, at present, seems to be relating to Teruko and how she navigates her trust and relationships with everyone else. Eden is certainly a key factor in that, given that Teruko has basically acknowledged that outright.

Teruko actively tries to avoid being friends with Eden, given the fact that she’s very nice and it’d be easy for Teruko to be friends with her. To Teruko, that means she’d be opening up the door to get hurt to easily when Eden inevitably dies and/or betrays her. Wouldn’t it only be proving Teruko right if Eden were to become a killer?

Yeah. It would. And that’s the point at the story we’re at.

I don’t think it would make any sense for Teruko’s beliefs to be strongly challenged in Chapter 2. Like, at some point, I’m sure Teruko will figure out why it’s a problem to not trust anyone. After all, her secret quote is “It is an equal failing to trust everybody, and to trust no one at all.” However, at this point in the story, things are going as she expects.

Think about it this way. Teruko believes that trusting people is opening yourself up for betrayal, and those who she gets close to will betray her and die. Let’s go through the people who have died so far, one by one, and see how they match up against that.

Xander: Was Teruko’s closest friend. Betrayed her by trying to kill her, then died. Check. Min: Was Teruko’s biggest supporter after she got stabbed. Betrayed her by actually being the killer, then died. Check. Arei: Previously shared Teruko’s worldview that being nice will just screw you over. Opened up and became friends. Had that friendship used against her to kill her. Check.

It definitely seems like, thus far, we’re validating Teruko’s worldview, basically as much as possible. No killer would validate her worldview more than Eden. That would make Arei an even closer parallel to Teruko (the person who she most tried to befriend was the one who tried to kill her in the end), and it would introduce another would-be friend as a killer.

Eden: Was Teruko’s biggest supporter after the first class trial. Betrayed her by being the second killer, then died.

It looks an awful lot like Min’s, right?

In a more predictive sense, there’s also the popular theory that Charles will be one of the Chapter 3 victims. If that holds true, it’ll be another example in the same wavelength.

Charles: Was more like Teruko and didn’t trust people, avoiding them to stay safe. After rejoining the group and beginning to trust people, he died.

If that prediction is right, it’d mean that the trend continues past the point of the second victim to the point of a third victim, which would mean that the second killer would likely fit into the pattern.

But that’s a whole lot of my opinion, right? After all, maybe Levi or someone who isn’t particularly related to Teruko is the killer, so Teruko stays mostly the same, too.

I do want to take a moment to acknowledge a bigger critique of this. It’s possible that some people might say that Eden killing here would be too repetitive in regards to Min and Xander. There are some key differences, though.

Eden was Teruko’s friend after she started being mean and closed off to everyone. Min and Xander never really got the chance to react too much to Teruko’s antagonistic antics because they died before she was really pushing people away. That means it would carry more significance. Teruko has also spent more time with Eden, so their relationship is a little bit more developed. Eden is also someone that Teruko actively tried not to get close to before she killed, which wasn’t true of Xander or Min.

Plus, I’d argue that it’s also supposed to feel a bit repetitive. This is what happens to Teruko, all the time. This is her life. It makes it feel more real and understandable how she reacts to Xander and Min if we as the audience begin to see and understand, oh, it really is like this every single time.

Besides all of that, though, there are a few more thoughts that lead me to believe that someone closer to Teruko might be the killer this time around.

One of the biggest points in favor of this interpretation is the MonoCredits.

MonoCredits are introduced in the scene where MonoTV asks Teruko to caulk the bathrooms. Then, she immediately uses one in the next scene where Charles is confronting her about her more antagonistic ways. At first glance, it seems like MonoCredits may have been introduced solely for that Charles interaction, and as a reason to plausibly get Teruko to help MonoTV out so that she could talk to it, too. However…

MonoTV gave Teruko two MonoCredits. That means she still has one. I wouldn’t blame you at all if you forgot this small detail– and that’s part of why I think the killer will be closer to Teruko.

MonoCredits, and the fact that Teruko received two instead of one, are a pretty unimportant detail. I wouldn’t expect the creator to necessarily expect the audience to remember that Teruko still has one once we get to, like, the Chapter 4 daily life. I think that, because of that, Teruko will probably end up using this second one sometime soon, so that the audience will have that “oh yeah!” moment when it comes up, rather than an “oh… I kind of remember that…?” moment.

There’s a very specific scenario in which I think Teruko might use it, too.

It’s pretty specific, but it’s already happened once, right? I think the most plausible situation for Teruko to use the second MonoCredit, if I’m right about it being this chapter, would be if she ends up in a similar situation before the execution again.

I can totally imagine Eden hugging Teruko and apologizing for betraying her trust, and Teruko, in the middle of freaking out, tells MonoTV she’s using a MonoCredit to get Eden away from her, which would then immediately launch into Eden being executed.

I think that could also be the right kind of push on Teruko’s character arc; her desire to get away from Eden led to Eden dying that much faster. It’d be something that could haunt Teruko a little bit and make her start thinking about how she pushes people away and what the potential failings of that are.

The final reason I have is just, like… overall despair. Chapter 2 is usually a pretty emotionally devastating case for the cast. Taka loses Mondo and Chihiro meets a pretty tragic end; Peko dying launches Fuyuhiko into his grief → survivor arc while Hiyoko mourns Mahiru; Kirumi leaves the group feeling guilty about killing the Prime Minister, plus Ryoma’s death as a result of him loving no one and no one loving him is pretty sad. Chapter 2 is typically a chapter in the canon Danganronpa games where things get worse, not better.

Then, Chapter 3 is used as a processing point where characters that aren’t in it for the long run are usually killed off, and Chapter 4 prompts the characters to start really moving towards the finale (Sakura’s death spurs people to want to fight and makes Byakuya realize why emotions are important, Gundham’s sacrifice sets the tone for Nagito’s insane Chapter 5 play and Gonta’s mercy kill in Chapter 4 directly leads into all the Kokichi “I’m the mastermind” stuff that happens in Chapter 5).

I suspect DRDT will follow a roughly similar pattern. Because of that, it would make sense if the creator wants to pick a very emotionally devastating second killer, frequently due to the relationships that character has with the cast. Eden is the perfect pick for this position.

Eden has also gotten A LOT of focus this chapter. Getting focus doesn’t necessarily mean you’re going to die right then. After all, Charles, for instance, got a lot of focus in Chapter 1, but he’s still alive. It’s difficult to tell when a character is getting content that impacts their character moving forward and when a character is getting focus because their story is about to end.

In DRDT’s case specifically, though, the creator seems to heavily emphasize a character shortly before they die. Excluding Teruko, Xander was the most visible character in the Chapter 1 daily life. They focused on Min heavily during the Chapter 1 investigation to make sure that she got enough content in before her death. Between her fight with MonoTV, her heartfelt conversation with David, and the conversations she had post-death confronting David about his secret and defending Eden from Arturo, Arei got a lot of focus just before dying, too.

Eden is one of the most heavily featured characters, and to me, it feels more like one being set up for immediate payoff rather than long-term.

For example, David’s personality has shifted in a way that’s very interesting. People will want to see how his relationships with other characters are impacted and get to know the “real him” more before any potential death. Because of that, it makes sense that David’s heel turn is being set up for later, rather than being focus on him before he dies in Chapter 2.

Eden, on the other hand, has shown us pretty much everything she can with this perspective. If she’s already spent two chapters being nice, happy and supportive, where does she go from there that’s narratively interesting and different? The only answer I can really come up with is “becoming less nice, happy, and/or supportive.” If that’s where her character is heading anyways, then doesn’t it make sense that being a killer could be a succinct way to do it? We already have enough people running around who don’t trust people, and it would feel odd to add Eden to that contingent.

There’s one more story reason that Eden being the killer would make sense here. Check out the Chapter 2 title screen.

It’s pretty faint, but if you look after the “Glitters,” you can see faint text. It’s easier to see if you crank up the exposure.

You can tell what it is if you squint hard enough. Here’s me tracing it:

“A Good Person.”

The original chapter title is “All That Glitters,” which is pretty clearly a play on the saying “All that glitters is not gold” (RIP to anyone who just heard “all that glitters is gold in All Star by Smashmouth and didn’t question it. I was with you there). That seemingly applies a lot to this chapter, with appearances of success not being what they seem. It relates to the fact that J’s celebrity wasn’t all it was cracked up to be, and David’s persona was too good to be true.

The good person interpretation is interesting, too. If you input “A Good Person” into “All That Glitters,” you get “A good person is not gold.” Now, there’ve been a lot of characters who’ve claimed to be or mentioned wanting to be good people over the course of this chapter. However, I think the person most at the center of that is Eden, who’s been called a good or kind person by a lot of people– at the very least, I know Teruko, Arei and Levi do this.

Eden being the killer would be another way to show that people can’t be infallibly good. Again, I don’t think Eden’s gonna pull a 180 and suddenly become evil, I just think she’ll show a little more nuance. Her being suddenly evil does about the same thing for me as her being undeniably good; it reduces her character down to one trait rather than making her a full human. I don’t want her to be a pure cinnamon roll, I want her to be herself.

Given this chapter title, I honestly think it’d be weirder if Eden didn’t do something notably Not Good this chapter. There could be other options, too, but Eden being the killer seems by far the most likely to me.

Topic 3: Relationships

I want to talk about Eden’s relationships to others in the cast. I’ve already mentioned Teruko a good bit, so I’m not really going to keep going over that. There are two others that I want to touch on.

One, Eden and Hu are known to be friends. They wash dishes together every night, and they generally seem to rely on each other for companionship and mutual help with steering the group in a more positive direction. Hu is someone who hasn’t gotten that much character arc focus, so I think she’ll probably be a bit more of a spotlighted character in the next daily life. Hu has already lost a friend and trusted co-leader in David, but I think it’d be even more interesting for her if she loses both of those people at once. With David in full-on evil theater kid mode and Eden dead as the killer, Hu will be forced to grapple with the fact that both of the people she trusted to help her guide the group not only aren’t helping her anymore, but did so in a way that betrayed her and her trust.

That’s very speculative, though. The main relationship I’m here to analyze is with Arei, the victim of the case in question.

Arei and Eden have a very complicated relationship. At first, they were pretty neutral. Then, after the cake scene, Arei appeared to be jealous of Eden and her friends for, y’know, having friends. Later, when Eden tries to invite Arei, Arei goes off on Eden and Eden runs out of the room crying. Finally, when Arturo threatens Eden into silence over his secret, Arei shows up and promises to defend Eden and do whatever it takes to assure her that her friendship is real.

This is pretty much the entirety of Arei’s character arc. Because we know that Arei is the second victim, I want to examine that in the context of the canon games’ storylines in Chapter 2.

Chapter 2 frequently deals with the concept of bullying. Kirumi’s kinda doing her own thing here, but if you look at Mondo/Chihiro and especially Peko/Mahiru (and all the lore behind that one), it’s pretty standard. Chihiro is someone who I’m pretty sure has been bullied, and Mondo fits the bully role well enough. SDR2 is the big one, though, with Mahiru being bullied by Natsumi, Sato killing Natsumi because of that, then Peko killing Sato under Fuyuhiko’s command in revenge, and THEN Peko killing Mahiru in the killing game as even more revenge. So, let’s look at bullying in DRDT Chapter 2.

The big and obvious one is Ace and Nico. Ace bullied Nico, and eventually they snapped and tried to kill him in revenge. That means that the creator, at least in this case, opted for a situation where the bullied kills the bully, rather than the other way around.

Arei also bullies Eden notably in Chapter 2, and now she’s dead. I’m not saying that it has to be the same thing, but I think it would be interesting to parallel Ace and Arei and Nico and Eden. Ace, with his fear of death, would have to process just how close he came to being a victim, seeing the same thing play out with Arei, who actually did die. Nico, who’s trying to dodge any actual blame for their crime, would see Eden get executed for doing roughly the same thing.

That’s something to address, though. What does this all mean for Eden? After all, Eden and Arei were friends now. It seems uncharacteristic of her to kill Arei for any reason. If I’m going to focus in on Eden’s character relationships, I really have to address that part.

Well, my answer is pretty simple. Eden simply didn’t believe her relationship with Arei actually changed. This might seem like an unfair claim at first, but if you look into it, it’s actually quite supported by the game.

Arei certainly thought Eden didn’t believe Arei’s sudden change of heart. She even goes as far as to call Eden out for it in the moment.

That’s not a very good argument though, is it? It disregards everything that happens afterwards, what with Arei explaining more and Eden hugging her and saying that her promise means “more than she knows.” It’s possible Arei convinced Eden during that second segment, so there’s not really any reason to believe that Eden didn’t believe her anymore.

Except…

Charles gets cut off by Whit here and immediately shuts up, which is played off as a joke. It is a joke, but I’ve noticed the DRDT creator is very good at putting in jokes that actually convey important information moving forwards.

The fact that the creator put in not one, but two references to Eden possibly not believing Arei makes me think there’s more to it than making a joke or moving dialogue along. Whit even phrases it as “you wanna do that later?” which might be a hint that we actually are going to come back to that point of conversation later.

For the record, I do think it’s also possible that Eden sort of half-believed Arei. She might’ve been committed to a murder plan by that point or something, so even if she thought Arei was being genuine, it’s possible she intentionally tried to convince herself Arei wasn’t genuine. That gets more into character interpretation, though.

Topic 4: Character Arc

This is the biggest one, in my opinion. If Eden is going to die here, what does her story say? Ignoring the big plot beats, Eden should get to have her own character arc, and if this is its conclusion, I want to look at where it went.

In the prologue, Eden is noted to stay positive, but she seems to be the most scared of the killing game itself. Here’s her slide from the official Prologue Recap video:

In Chapter 1, we honestly didn’t see too much of Eden. What we did see was mostly her being nice and friendly. It was also established that Arei picked on her. Here’s her slide from the Chapter 1 Recap video:

Notably, the creator paired all the characters up for Chapter 1. We already know Arei is going to be important to Eden’s story, whether she’s the killer or not. They did pair up Xander and Min though, so it’s not like it’s impossible that they paired a victim with their killer.

Anyways, that means that, going into Chapter 2, the things the creator wanted us to remember about Eden are that she’s nice, cheerful, and one of the people who defended Teruko. Through Arei’s slide, we’re also encouraged to remember that Arei picked on Eden specifically for baking. (Arei also manipulated Levi in that scene pretty heavily, but Eden is the one they want us to remember.)

Where does Eden’s character arc go from there? Well, I’d say that she basically doubles down.

Eden basically spends the chapter trying really hard to prevent conflict and stay friends/befriend everyone. She blackmails Teruko for the sole purpose of actually getting to hang out with her, she washes dishes with Hu, she makes breakfast with Levi, and she invites Arei to clockmaking to make sure she isn’t left out again.

That means that Eden’s story in Chapter 2 is that she’s trying to be the one to get everyone through this hard time.

Because of that, killing seems rather counterproductive. After all, Eden’s been trying to end the killing game on her own terms, right?

However, it’s possible that the message the creator wants to send us is that the cast isn’t currently capable of being entirely positive and friendly. While David pretended that the point of revealing all their secrets was so that they could get along, that was a lie. Eden being the killer would fit the messaging: with this cast, in this killing game, friendships aren’t a possibility right now.

Would it be a change in Eden for her to kill now? Yes, of course. That’s how it goes with killers beyond Chapter 1; something changes that prompts them to kill. Like I examined earlier, I believe the motive of getting back to her previous life, in combination with the constant fighting, Arturo's threats against her and her apparent inability to actually make a meaningful change in those around her, would be enough to get her to break and kill in this Chapter 2 position.

I’ve talked about motive, overall narrative, Eden’s relationships and her character arc. That’s pretty much everything, but there’s one more big point I feel I need to touch on.

Topic 5: Eden’s Breakdown

This is what I assume makes people have the biggest problem with Eden culprit theory from a writing standpoint. After all, this is a very emotional moment and feels very important for Eden’s character arc. If she’s the killer, it would all be a lie, and it would invalidate everything we learned about Eden from this moment.

Except, I don’t think that’s fully true. It’s very possible to have a killer have an emotional breakdown moment mid-trial that makes them seem more innocent, but actually very much relates to the fact that they did kill.

Even if she is a killer, I still believe Eden is a good person. Because of that, I think that she is genuinely haunted by Arei’s death, as well as Min’s. In fact, we know she’s haunted by Min’s death, before any of this Arei trial stuff happened.

Given the fact that Eden runs out of the room crying after this, I think it’s fair to say that Arei’s words stuck with Eden. Because of that, pairing it with Eden’s breakdown in the trial, we can conclude that Eden feels guilty for both Min’s death and Arei’s death. Because Min’s death wasn’t Eden’s fault, it’s easy to disregard both as her blaming herself for things out of her control.

It could be genuine this time, though. If Eden is the killer, at least some of that speech has to be fake (ex. When I saw that note, I knew someone must’ve overheard our conversation). However, what’s really interesting to me is what happens after the main part of Eden’s breakdown.

David goes on a little rant about how the victim would have to be incredibly stupid to actually fall for the note– or they’d have to be Arei, who wanted to be friends so desperately that she’d believe anything “Eden” told her. Afterwards, Eden says this:

This is Eden agreeing with David’s rant. The non-killer interpretation of this is that Eden is just repeating the same thing, saying that Arei died because of her and her weakness. But, if you look at it from a different perspective, the phrasing is… a little odd?

In her speech earlier, what Eden said boiled down to “I couldn’t defend myself, and because Arei was nice to me and tried to defend me, she died.” Then, David says, “Because Arei wanted to be your friend, she died.” That’s basically the same information and logic, right?

But Eden asks it as a question. Even though she said “it’s all my fault” earlier, this time she asks, “it really is my fault, isn’t it?” That means that there was something Eden didn’t know in David’s rant.

This could be several things, but I think the most likely thing is that, in my opinion, this is the point at which Eden realized that Arei was genuine about wanting to be her friend. Before this, she still wasn’t sure that Arei was being real, and that allowed her to proceed forward with her plan, keeping it together. However, once David, who got to see Arei in her breakdown, confirms that, yeah, Arei did that because she genuinely wanted to be Eden’s friend, Eden realizes that it was her fault.

Arei wanted to be her friend, but now she’s dead, and it’s all Eden’s fault.

Interestingly, immediately after that last line, Teruko starts talking, bringing us back to mystery-solving mode. However, if you look at Eden while Teruko’s talking, she’s sobbing.

Most of the time when a character is shown to the side, they’re left in whatever pose they were last in. For example, look at MonoTV making the :| face back there despite it having no relevance to the current point of the trial. In fact, MonoTV has that face for the entirety of Chapter 2, Episode 10. The last time MonoTV talked was in Episode 9, where…

Yeah, same face. It doesn’t change from there. My point is that, switching Eden’s sprite from the face-on, holding her wrist sprite to the sobbing and wiping her tears sprite is a conscious decision. They want to make sure we know that Eden is sobbing after that interaction with David. While that could be prolonged guilt from generally feeling at fault for Arei’s death, I think it makes more sense if it’s her coping with the fact that Arei did want to be her friend, and she killed her.

Conclusion

Well, that’s my defense of Eden culprit theory from a writing perspective. Hopefully it was fun to read, whether you agree with it or not. Again, my point here isn’t to shame anyone who disagrees or anything, it’s to provide reasoning for why Eden could be the culprit and to defend the creator’s decision if that is the truth of this case. I’d love to hear about any and all other killer theories as well in order to have the greatest chance of catching the real criminal.

#drdt #danganronpa despair time #drdt spoilers #fanganronpa #theory #thh spoilers #sdr2 spoilers #v3 spoilers #eden tobisa #arei nageishi #long post #drdt theory #thanks for actually reading gang #hopefully this gave some better perspective on why i believe eden could be the killer #and those who believe eden did it bc of evidence but not narratively hopefully this helped #i just feel bad if this is what the creator is doing and people call it bad writing #because it isn't and we haven't seen enough yet to deem it bad writing even if it was #but yeah. eden stuff

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