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#i have returned both to tumblr and to this fandom with something unimportant
hellou-i-guess · 2 months
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Hello, hello
Welcome to what is probably going to become a series of rants about the very unimportant details of books that live rent free in my head
Today I present to you:
The older brother of a least mentioned side character in a (unfortunately) very unapreciated sci-fi ya book
Now that that introduction is out of the way I have thoughts about Daniel Batu Wing from Warcross.
And I was not kidding about the character introduction. Warcross has a fandom with like 4 people in it in total, which is tragic in my opinion. Asher is a side character, the captain of the team and out of all of the friends Emika makes during the events of the book the one mentioned the least. So, now imagine how much his brother is mentioned.
I'll tell you - it's about 1.5 pages and 2 by-the-way mentions in around 600 pages of the duology.
So what are the things we know about Daniel:
He's Asher's older brother (if I had to guess maybe like 2-3 year age gap)
He's a famous actor and stuntman
He comes off arogant in Asher's memory when he is touched by Zero
He's Day's ancestor, so at some point he was married/had a girlfriend/one night stand - procreated so to say
And... that's about it really
So not much as you can see.
Now, what I have thought about reading the book and what led to this post is Asher (as a character I wish had more developement) and in turn his relationship with Daniel and that somehow led to a very badly done psycho analysis.
On to the bussiness.
The first time we see Daniel mentioned is when Emika meets Asher. She says that he is famous and that Asher was originally known as his younger brother and Ash gets a brief cold look at the mention of his brother.
The second time is when the dorm is blown up and Hamilton mentions that Asher's parents and brother are there to see him.
The third time is the memory in which we find out maybe the root of the problem between the brothers.
I would like to present to you my personal headcanons for the ages of Daniel and Asher. I like to think that Asher in the series is 22-23. Which would make Daniel somwhere around 25. I may explain my way of thinking this later, this is already long and I have told you nothing that you did not already know.
Why are the ages important, you may ask? The memory. Since Emika places the memory some 8-9 years, before the events of the series. The boys would be around 14 and 16.
From what we know their parents are getting a divorce and their house is a mess as well as the relationships in their family.
Daniel's way of dealing with this? Absolutely ignoring the situation around him. For what I understand to be a significant amount of time - a couple of years would do the trick.
So he sees what is happening and ignores his feelings and thoughts about the matter.
Why? Simple - he's neglected and feels alienated from his family so he alienates them back.
One another headcanon I would like to mention, that sort of makes Daniel's attitude and things he says make sense, is that Asher lost the use of his legs in an accident some time before their parents divorce.
This, understandably, makes the parents dote on Ash and in turn neglect Daniel.
And I say this because to me at least it seems that Ash does not understand that Daniel does not want him around and sees Ash as a problem. Most likely due to some change in dynamic Asher is not aware of. Which is perfectly understandable because why would his relationship with his brother change?
We see some evidence for this in:
Asher: Where are you going?
Daniel:...
Asher: You know what? You don't have to tell me? I don't have to know every single thing about your life, when you clearly don't care for me.
Daniel *sarcastically*: You only need me to care. Don't you have enough people giving you attention already?
Or something along those lines, I have the translated copy.
He sound so bitter and jelous there.
And Asher ( who is not good at dealing with people, like at all (also a post for another time)) calls out on Daniel's coping mechanism (ignoring the divorce). In which part I understand given the next part of the conversation where Daniel tells Ash that he isn't doing much better and Ash, not at all reading the situation or understanding that Daniel also means ignoring the divorce, says that Daniel is not doing much better, but at least his victories are the reason they have food on the table.
First of all, some A+ parenting, right there.
Second of all, Dany straight up goes for Asher's throat after this and that entire conversation causes a rift between them.
Very fun on all sides, as you can see.
What's fun to point out is that Daniel acts like a threatened animal. He was ready for jumping at his attacker the first available moment from the moment Asher refused to put the matter to rest.
We see this from Ash's POV, but how would it look like to Daniel?
He has a small career, that he's very proud of
He's starved for attention from the people he needs it from the most in his teenage years
The only attention he gets grom family comes from the very reason he is neglected (not to say Asher is at fault here, because he is not. Daniel just seems to place the fault on him)
All of the family's finance and well being is put on the shoulders of the youngest member of the family who is disabled
Like, he, as most older siblings (it's a curse), feels the need to, in some capacity, provide something to the houshold when the parents clearly don't, but he only continues to ignore the situation at hand.
If their parents have not gotten a divorce, Dany would have probably ran away from home a mnd cut all contact.
And like all things that are ignored, the sitation at hand comes to bite him in the butt in the form of Asher (the aformentioned problem) who just keeps on pressing the sore spot until Daniel has to options - run away again and keep the cycle going or bit back and get rid of the problem. And bite he does.
To his credit, Daniel was most likely 16 at the time of this and none of us emotionally mature at that age, he delt with his emotion really badly, took it out on the wrong person and soured his relationship with his family.
They have most likely made up (I do not think that the cold look Ash had at the mention of Daniel was because the had bad blood, but rather that Emika put him again in the back of his brother's shadow when Ash worked hard to get out of it). Why do I think this? You don't fly half-way across the planet to check on someone you don't like/don't speak with/have bad blood with, when if he wanted to come across as caring he would have called or texted. Or ask third party who knows what happend and has seen Ash like Roshan, Hamilton or their parents.
So yeah, to sum up this way too long of a rant in which nothing was said, Dany was just a teenager in a horrible situation with which he delt badly.
And to those who have suffered through this, thank you :)
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cambionverse · 3 years
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WE FUCKING MADE IT Y’ALL
this essay, “Of Spinoffs and Spinning Off” by Louisa Stein, is a published academic work that mentions cambionverse by name as part of a 700-page book about fandom studies!? HOLY SHIT??!? this was published in 2018 but it took the sheer chaotic SPN-returns energy of 2020 for us to stumble across it. astounding. love this for us
(quick aside to caveat that of course we were not the inventors of the Team Free Will 2.0 concept, it was already well-established before our first fic posted in 2011, and “Cambionverse” as a name is pretty specific to our fic series and not something people use for all fandom content that happens to feature Ben/Jesse/Claire. BUT STILL, shoutout to literally anyone who has made fanwork of our verse over the past ten years because YOU’RE FAMOUS NOW TOO)
(second aside to say “it is also entirely possible that the creators of the eventual canon version of Claire drew inspiration from the prior fan authored versions of teenage Claire.” U DON’T SAY)
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Text from the screencaps below:
“To my mind, there is no better example to demonstrate the politics of the “official” spinoff in conversation with energies and labors of fan spinning off than the longrunning fanbeloved TV series Supernatural, and so for the rest of this chapter I will use Supernatural as my case study. I do not mean to suggest that the spinning off that occurs by the hands of Supernatural fans is necessarily different in quality or significance than that of other series, fans, and fandoms, past and present. Rather I turn to Supernatural because its now 12year run offers a wealth of snapshots of different modes of industrial and fan spinning off, and the relationships and tensions between the two.
[...]
Spinning Off to a Better Text: The Cambionverse
Also in Textual Poachers, Henry Jenkins talked about how fan authorship (often) emerged from dissatisfaction as much as from enthusiasm on the part of fans. Elsewhere I have argued that fan works can be seen as critique as well as supplement in that they point to holes, to misrepresentations, to gaps, to things left wanting (Stein forthcoming). Some fan spinoff verses—like the Endverse—seem to cumulatively build on the source text, giving us more of what the text offered, and thus do not seem to be oppositional to the source text. But even such works that follow clear markers in the source text can be read as critique. Fan authorship of “Down to Agincourt” and other Endverse works function as critique as they voice fan desires for different narratives and themes, along the lines of: “We want more Endverse; We want darker tales that blur morality further; we want a darker version of Dean, a continued depiction of Sam and Lucifer, a more extended stay with drug and sex fixated Castiel.”
At the same time, spinoff verses can find their origin in critique driven by fan desire to fix some of the consistent perceived failings of the source text. For Supernatural, this means that fans envision and author spinoffs that feature female characters, people of color, and queer characters (and characters who merge these identity markers) who don’t get killed. For example, in between season eight and nine, fans envisioned a version of Supernatural that centered on powerful female “big bad” Abaddon, rather than relegating her to marginal, doomed, and finally unimportant figure. At around the same time, fans authored the first stories in what they termed Cambionverse, also referred to as “Team Free Will 2.0.” The Cambionverse envisioned the next generation of hunters, comprised of characters who had (then) only been featured in single episodes. One of these characters at the center of this fan envisioned spinoff was Claire Novak, daughter of Jimmy Novak, whose body the angel Castiel possessed. Like the Endverse, Claire Novak had offered story and character potential that the Supernatural series seemed to overlook but that resonated with fans. Thus, as fans continued to write stories featuring Claire together with other oneoff characters Jesse Turner and Ben Braeden, these stories to a certain degree served as critique of Supernatural’s poor story choices and flawed ideologies of representation.
Fans spin critique into new work with all the transmedia tools and then some that they deploy for the televisual source. Cambionverse creators create fic, GIF sets, vids, art, meta, and fanmixes (musical playlists created and shared on interfaces like 8Tracks and Tumblr, http://8tracks.com/explore/cambionverse/popular/1). This active transmedia spread positions Cambionverse as an expansive multimedia universe in its own right with the fic at the center, but as was the case with “Down to Agincourt,” there is arguably more collaborative feedback with less purposefully clear policing of the lines drawn between “official” and “unofficial” authorship. The Cambionverse spreads across multiple platforms deployed by fans, including An Archive of Our Own, Tumblr, and 8Tracks, spun by multiple authors in multiple forms. Thus, the Cambionverse demonstrates how transmedia authorship and the multiplicitous transmedia landscape further destabilize traditional notions of authorial control.
[...]
Fan literacies extend beyond close textual analysis of the series to knowledge about the politics and potential of Supernatural’s future production, to a larger production literacy regarding the creation of spinoffs, as we have seen in fan coordination and campaigns for the Supernatural spinoff Wayward Daughters. Arguably, the concept for Wayward Daughters emerged from the same fan impulse that birthed the Cambionverse: the desire to tell the stories of characters with strong potential who were underused or introduced in an episode, and who were left underdeveloped yet with strong narrative potential. In response to these rich narrative gaps, fans told Claire Novak’s story through to her teenage years. They wrote various versions of Claire’s narrative in the years between her character’s first (one episode long) introduction in Supernatural’s fourth season and her eventual return six years later in the series’ tenth season. By the time the official Supernatural writers cast Claire as a teenager and brought her to the screen, fandom had already fleshed out her character and narrative. Supernatural actor Kathryn Newton came to fill a character already fleshed out in the fan imagination, in GIF sets, vids, featuring actors from other media fancast to serve the character of Claire, and drawn and painted by fan imagination in lines inspired by these fan castings and by individual interpretation. Both fans and the Supernatural producers were working with the same source and question: what would Claire Novak as we saw her in season four be like as a teenager, given her physical qualities and personal trajectory? Thus, perhaps it is not surprising that the teenage Claire Novak of eventual Supernatural “canon” looked quite a bit like the fan imagined Claire, blonde but sullen, a rebellious teenager with an angelic chip on her shoulder (and in the world of Supernatural, the descriptor angelic is not a compliment ...). Of course, given the visibility of fan work and the knowledge of fandom displayed by Supernatural producers, it is also entirely possible that the creators of the eventual “canon” version of Claire drew inspiration from the prior fan authored versions of teenage Claire.”
Louisa Stein is Associate Professor of Film & Media Culture at Middlebury College, Vermont, USA. Her work on gender and generation in media culture and transmedia authorship has appeared in numerous journals and anthologies. She is a book review editor for Cinema Journal and the Journal of Transformative Works and Cultures. She is coeditor of the collections Teen Television (McFarland, 2008) and Sherlock and Transmedia Fandom (McFarland, 2012). Her book Millennial Fandom: Television Audiences in the Transmedia Age was published by the University of Iowa Press in Fall 2015.
In conclusion:
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^ This artwork is now famous.
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crollalanzaa · 4 years
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My Haikyuu Thoughts
(reposted from twitter)
I started the manga 23/6/14 largely because there was a void left by me falling out of HP which RL and PJO wasn’t filling. I saw Hinata art on viria’s tumblr and was, ‘oh, who he?’  I think I watched a bit of the anime but had not thought much of it ???
So there was this kid who was irritatingly enthusiastic and embarrassingly bad at volleyball and it was all the cringe making stuff I hate because I’m not into vicarious humiliation, but as I read on, and he hit that perfect shot and yelled ‘ALL RIIIIIGHT!’ I was almost hooked.
Then he appeared and you know who I mean. It wasn’t the appearance at the middle school match but turning up at the gym, realising his place was now under threat, but going out of his way to make sure the two idiots bonded on court.
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I was intrigued and more than a little koo-koo  over Suga, but still not absolutely hooked. The point where I knew this was not only my thing but a story which was going to reel me in was the Neighbourhood match. The drama of the Asahi/Suga/Nishinoya dynamic was one thing. Asahi calling for the toss still sends shivers up and down my spine and yet ... what hooked me was the adults leaving the match, their conversation as they went back to their normal lives They laughed with fondness and nostalgia about the drama of HS volleyball and   as an adult reading that, it suddenly transcended the kids/teen lit I’d thought it would be (nothing wrong with that -I often prefer this genre because books written for my demographic I find samey and overly romance or abuse based) because we had normal people like me who’d left their HS dreams in the gym (or the drama studio for me) but were happy(ish) in their everyday lives and enthusiastic about volleyball as a hobby. When Shimada put himself out to help Yamaguchi. When Saeko put herself out to get the idiots to Tokyo, it felt like they were falling for these kids and this team like me.
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Reel back a bit. Hq had been going for two years when I jumped in. I binge read everything in two days, finishing at 112 (I think). Back in the day, my friend, we were relying on fan translations. There was no official site, and the translators did it all for love,  which was wonderful but there was a lot of debate about reading for free and waiting for the translation could be tortuous. I wanted to support Furudate but couldn’t buy the physical copies. It was suggested at one point that Eng speaking fans shouldn’t be a part of the fandom  - not by anyone remotely official, you understand -  but that was the state of things in 2014. I bought official merch instead and watched the anime while I waited for 113 to drop.
So forward to 117. If you ever want to know why I still catch my breath and laugh a little at the Daichi Dead moment it’s because we all had to wait for what seemed like twenty years to find out what the high heck was wrong with him. I genuinely thought he’d wrecked his shoulder and was distraught because there was no way they’d win everything with the Captain out!
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(Of course I had no real idea about Ennoshita stepping up to the plate, but that’s another story) The discovery it was a tooth had me SCREECHING! So relieved. I yelled to one of my first hq friends (who’s now deactivated) and then casually went to France with friends -hahaha.
I’ve done complete 180s on so many characters now that it’s safe to say I never trust the initial narrative Kags, Tsukki, Yams (come on, he was Tsukki’s mate giggling in corners over Hinata’s ineptitude. It was only when he saw what Hinata could do he stopped being a sock puppet).  
 The biggest turn around was on Oikawa who I hated to the point where I threw things at my laptop when he appeared. It wasn’t so much him as everyone going ka-ka over him which pissed off my withered adult heart. What changed was forcing myself to write him for an IwaOi week. I reread/rewatched his story and through Hajime’s eyes I began to appreciate him. I wrote Philos as an Achilles/Patroclus reincarnation type fic and that led on and on. And this is what Furudate does so well. Gives you a ‘villain’ then adds the backstory so they’re a hero.
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Disliked Tendou, too but his Farewell My Paradise, his acceptance of defeat and the way he was such a good sport about it, made me gasp. And I love love love his new career.
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It’s the appreciation of amazing play by the opposition which made me fall hard for Inarizaki and Atsumu. (Look at him here! Punt him out the f*cking window!) I’d learnt not to automatically hate anyone, so I reserved judgment. Moment I decided I liked him? Setting for Kags.
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Moment I decided I loved him - getting laughed at by Osamu.
Before this turns into an Atsumu appreciation thread, let me tell you about the characters I was indifferent to but then warmed towards. The main one was because one of my earliest hq friends (yes, you Megan) likes him and through her eyes I started to appreciate the hngg that is Konoha Akinori 
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When I first started reading hq, I did some searches on tumblr and came across quite explicit Kuroken fanart, so I was understandably nervous meeting those Nekoma boys.   Although I’m still ultra fond of the kurokens I wrote, hindsight is a dreadful thing when you see how off your assumptions and hcs were. But in retrospect I don’t think anyone envisaged quite how dorky and shy Kuroo had been as a boy. The error I laugh over the most is somehow transplanting Yaku’s personality into Kai and vice versa, but that’s what happens when you write before canon is done. But I wouldn’t have it any other way. Could I have held off writing for six years - nyope. Not a chance. Watching the story unfold, week after week, year after year has honestly been the happiest part of my life. Is that sad? Is it melodramatic? 
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Perhaps. But it has brought me so much apart from a fantastic story. Found friends. A shelter from when real life’s shit. And so many laughs. I still on occasion burst out laughing in the street when I think about Hinata forgetting to spike, or a daft hc shared on twitter. Still sigh a little over the ppl who said they’d leave when their team lost. Remember the time I was warned not to celebrate the Crows winning because it would upset the Seijou fans. I restricted myself to a brief yay then deleted. All nonsense, because most of the Seijou fans I was friendly with accepted the narrative with a bit of wistfulness and looked forward to the next chapter. And for those who wept that Oikawa ‘deserved to win’ they received their own message from Tooru that his ‘worthless pride’ meant something and he was still a winner! 
Oikawa Tooru’s journey perfectly illustrated the idea that your life doesn’t end at High School, that your path is never fixed, and you’re not only made of your achievements but perhaps more so by the doubts and failures. We saw that more recently with the strongest player    Ushijima Wakatoshi whose recent backstory with Iwaizumi has at last made me warm to him. (Iwa-chan has this effect!) 
 There are so many stories to relate to. So many moments. Yachi and Suga overthinking. Kiyoko finding something else she was passionate about. Asahi returning. 
You all know I write and some of you know I’m an amateur actor - both of these rely on a certain amount of internal motivation but also external validation. What if the story flops? What if I dry on stage? ‘What if’ can become a never-ending mantra. So when Hirugami’s story appeared, where despite being amazing at volleyball it was making him miserable, until Hoshiumi suggested he could quit and that freed him - it sang to me.  I’ve been through ups and downs with writing, and much as I love acting it can takeover especially the worry that you’ll fuck up. I know I won’t set the world alight and that used to ‘Concern’ me, but partly thanks to this story and also my hq tl, I’ve realised it’s  unimportant.
If I fuck up on stage, I might throw off other people, but no one will die. If no one reads my fic, I won’t die. If I never write another fic ... no one will die except for the fictional characters and my headcanons. And even then they’re still alive in my head.
And look, I have so many ppl to thank who’ve made this journey with me and supported me all the way, but I’m too scared of missing people out and in a way everyone has helped. But none more than the creator. So Thank you Furudate and Haikyuu for everything. 
Great Receive!
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spider-bih · 6 years
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Neighbors [Peter Parker]
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[Traces Of You Series P.2]
Pairing: Peter Parker x Female!Reader
Warnings: Cursing, implied sex (briefly mentioned by a side character), mentions of drug use (weed) (not condoning illegal drug use or romanticizing it), angst, shitty writing, etc
Part 1, Masterlist, Part 3
Peter was on edge- but he wasn't sure if it was his Spider-Sense telling him to be, or his own curiosity. It'd been two weeks since his new neighbors moved in, and he'd never seen their faces. He only knew there were two people because he'd caught a glimpse of their hooded figures walking into their apartment. One was much taller and bigger than the other- but neither were really small. He assumed both were guys, but he really had no clue. He only ever saw them hooded, and he couldn't tell them apart from just their height. He just knew they felt.. off.
Anytime he'd come home late from Decathlon practice or his Spider-Man duties, he'd catch one of them slipping back into their apartment or sneaking out with their head down low. What were they hiding, and why? Did they not realize how shady they looked- or was he the only one concerned? Maybe he was because he was the only person who needed to be concerned. He was the only person in this building with a secret like his- one that could cost him his Aunt, his friends or his life. So perhaps that was why he was so concerned- so on edge and constantly looking over his shoulder. As far as he could tell, they weren't following him. He only ever saw them in his apartment building, directly across the hall. No where else. He didn't see them outside- it was as if they didn't exist anywhere else.
Sometimes he wished he had more of Mr.Stark's tech. The kind that would allow him to see the names of the people who moved in across from him- their faces and where they'd come from and why. Karen could only do so much, and he had yet to ask the A.I in his suit to do something like that. It felt too personal to do so- what if he was snooping in on innocent peoples lives? What if they were hiding from someone in their life and didn't want to be found by anyone, even a stranger?
What if he was so worked up over nothing? What if-
His thoughts were cut off by a shoulder colliding with his- his neighbor, or one of the two, at least. They had a really hard shoulder- they also didn't even say sorry for bumping right into him. They just kept on going until they reached the elevator- only to turn to the stairs and start running straight down. Rude much?
Maybe they had somewhere to be..
Another week flew by, and still he knew nothing of his new neighbors. Hell, he barely knew anything of his current neighbors- but at least he'd seen their faces. At least he knew the sweet old lady down the hall wasn't out for his blood- at least as far as he could tell. She may be old, but that didn't mean she couldn't hate him- off topic and unimportant. What was important, was that he had their mail. Some mix up must have happened (or some stroke of luck) and he got their mail. He also had a name.
Tito _____.
Definitely a guys name- still no insight to who this person might be. He had half a mind to ask Karen to look into her database for this name, but his rational thinking won over. It would be wrong to do so. This guys criminal record was none of his business, unless he was doing something illegal and he could prove it. He couldn't, so it was better to just return the mail to it's rightful owner. He just wished that doing so would make his curiosity dissolve into nothing instantly. He was tired of having thoughts of the two shady people living across from him in the middle of Advanced Physics or his nightly patrols as Spider-Man. He was tired of being so jumpy and concerned. He just wanted all this to be over and done with. Maybe these people really were nothing to worry about.
Maybe he was as much of a worry wart as May was- though he would never admit that to her face.
With a heavy sigh, he made his way back up to his floor and readied himself for what he was about to do. He knew this could go all kinds of horribly wrong, but he had some small sliver of belief in himself. He just had no idea that sliver of belief would be for nothing. He was going to fuck up horribly- his whole day, month even, was about to be completely flipped upside down. All because of a mix up in the U.S Postal Service and the universe's weird way of making things happen.
He made his way to the door identical to his- the door that had him insanely curious. Music was creeping out of it from it's crevices, not too loud, but loud enough.
"Oʜ ᴍʏ Gᴏᴅ, ᴡʜᴀᴛ ʜᴀᴠᴇ ʏᴏᴜ ʙᴇᴄᴏᴍᴇ? Tʜᴇ ᴛʀᴀᴄᴇs ᴏғ ʏᴏᴜ, ɴᴏ, I ᴄᴀɴ'ᴛ sᴇᴇ ᴛʜᴇᴍ.."
The lyrics were unfamiliar to him, but he had to admit the beat was pretty catchy. He could feel it in his bones. The words meant nothing to him- yet, he felt something from them. It was odd. He huffed, shaking the feeling of it off as he raised his fist and knocked on the door. Once, twice, three times. Quick, but not too much. Loud, but not pounding- gosh, was he really over thinking a knock? A fucking knock?
"Wʜᴀᴛ ʜᴀᴠᴇ ʏᴏᴜ ʙᴇᴄᴏᴍᴇ? Wʜᴀᴛ ʜᴀᴠᴇ ʏᴏᴜ ᴛᴜʀɴᴇᴅ ᴛᴏ? Wʜᴀᴛ ʜᴀᴠᴇ ʏᴏᴜ ᴛᴀᴋᴇɴ?"
The music continued for a beat as he waited. It was turned down, but he still heard it, along with the footsteps that grew closer to his door. Time to meet this Tito guy and see if there was any reason to be-
"Can I help you?", a voice spoke as the door swung partially open. Their face was easily visible and it looked unamused, bothered even. This face was not a guys face, not by far. She didn't look like a Tito.
She looked, in his eyes, absolutely stunning, and he didn't even know her. She was a complete stranger- and he was a complete fool (especially around girls). His brain instantly shut down as he struggled for a response- and the longer he remained quiet, the more bothered she seemed.
"Hello? You gonna answer or..?", she asked, trailing off as she waited on his response. The music still went on.
He was so fucked.
"Lɪᴋᴇ sᴏᴍᴇᴏɴᴇ ʜᴜʀᴛ ʏᴏᴜ. Yᴏᴜ ᴅʀɪɴᴋ ᴛʜᴀᴛ ᴍɪxᴛᴜʀᴇ, ᴛʜᴀᴛ sʜɪᴛ ɢᴏɴ' ʜɪᴛ ʏᴏᴜ.."
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