q!tinaKITTEN and q!ironMOUSE yall......
fur q!tina's it was a mix between the official design Tina drew and my old design of c!Tina (IMPORTANT her hair a carrot silhouette ill never change this)
as for q!mouse the bubblegum theme for her was like a dream come true not to mention HUBBA BUBBA PACKAGING??! perfect to me.
she got battle armour + details ref to her vtuber lore and models
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for some reason i enjoy so much the idea of kyle actually genuinely liking cartman’s appearance. like, he would never admit it – especially to cartman – but somehow eric really is a perfect match for kyle’s preferences.
therefore he can’t possibly stand the idea of cartman changing his appearance to become more “beautiful” in other people’s opinions, because kyle likes him the way he already is — and kyle already is sure cartman is beautiful.
so eeeevery time cartman has even a tiniest thought of losing weight, kyle makes sure he will change his mind.
cartman: I don’t know, man, maybe I really should lose weight… I mean, I’m hot as hell right now, but imagine all those girls who will go completely insane when they see me all skinny and sexy?
kyle: Gross. I don’t want to even think about it.
cartman: Are you jealous, Kyle? Or are you just envious ‘cuz I get more females’ attention being big-boned than you do with your thin ass?
kyle: Don’t you flatter yourself, Fatass. When was the last time a girl looked at you without a terror on her face?
cartman: Oh, shut up, Jew! You’re just afraid you’ll look even uglier next to me.
kyle: So you’re going on a diet, right?
cartman: Right!
kyle: Okay, good luck with this. …Oh, wait, isn’t this a KFC restaurant right there? And, wow, look: I have fifteen bucks right here! Damn, that’s just perfect for a double portion of chicken...
cartman: No… you sneaky little…
kyle: Huh? What’re you saying? I didn’t quite catch it. Do you wanna join me, Cartman?
cartman: …I hate you so much, Kyle. You’re going to burn in hell for forever. More than that: I will turn your life to hell myself–
kyle: So you’re going or not?
cartman: …Yes.
ALSO yes he’d support cartman’s decision to lose weight for himself but he just hates the idea of cartman changing his body just for social standards. and i just want at least one person to completely adore cartman’s looks and compliment him and i think kyle’d be the one to do so. once he get over his embarrassment, he’ll start telling nice things to cartman once in a while and cartman who is absolutely not used to genuine praise will be so. fucking. happy. every time.
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So I'm toying with the idea of making a very sfw G rated dating sim just so I don't forget how to code since they seem relatively easy to make (I will almost certainly regret this) but I don't want to design unique characters for it so what fandom should it be
Honestly with how uncomfortable I am writing relationships and flirting combined with the fact I've never played a dating sim it's going to end up being Get Friendzoned Simulator but that also sounds fun to make so I'm doing it
edit:
And also Get Friendzoned Simulator fits the vibe of @comicaurora so well. I love how all the romance is optional if you choose to read into it and doesn't gunk up the plot if you don't want it to but there's also enough to duct tape together into ships. I legitimately love it so much. If you haven't, you should read it here https://comicaurora.com/aurora/0-1-1/ or at the account I tagged eariler!
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i keep thinking about how “is this what justice means to you, answer me neuvillette”, despite having been used in a case all those hundred of years ago, was probably a question that haunted - and still haunts - neuvilette during the entire time he has been chief of justice. i keep thinking about how they highlighted his struggles through time with both carole and wriothesley's trials. how guilty and powerless neuvillette must have felt for not being able to support and save those he recognised as vulnerable and victims before a system that corrupted their fates but that he wasn't able to change despite his position. the theme of being a casualty of a system no matter if you're the victim or the perpetrator in its eyes. the way neuvillette took, in both cases, things into his own hands. even if it was too late to fix the hurting carole and those who cared for her went through, even if it was too late to save her life; even if it was impossible to change wriothesley's past, his verdict and subsequent imprisonment; neuvillette went above and beyond, making use of his influence, to allow both melusines and wriothesley the opportunity of a better future - to melusines by making sure they weren't discriminated, to wriothesley by supporting his attempt at a second chance in life. i think part of the reason he's so intriguing is our awareness that this internal conflict he's bound to have is so complex. you have a chief of justice, or a judge, that is supposed to be imparcial and follow the law stictly confronted with situations of social injustice, unable to protect those who rely on him. you have someone who understands better than anyone what it means to be an outcast, being able to relate to those who are ostracised and have their pain weaponise against them. you have, in vautrin's case, a friend who cannot even showcase his own pain and is still expected to fullfil his juridical duties despite being personally related with those involved in the case. someone who people constantly turn to but whom he feels like he has no right to turn to himself. it's about the conflict between his feelings and his duty, between what's expected of him and what he can actually do. i think that's why the end of his story quest is so emotional and why it's so heartwarming to have him realise he isn't an outcast anymore, that he has a community there for him too. because a system is a system and he will probably never be able to save everyone, because yes he isn't human, but it doesn't mean he doesn't deserve to belong or that an active demonstration of love towards individuals and people he can relate to rather than the theoretical concept of humanity isn't meaningful. in fact, i'd it's a lot about that, about finding ways to be kind and how community gives meaning to life; how personal relationships and targeted kindness can shape society, or at least i think so
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Relating to your post on the subtle angst of being a machine, I hunger for all the possible physical angst elements. Where is the fear of limited or increasingly costly repair parts? Where is the worry of the shrinking pool of mechanical experts (engine troubleshooters)? The simple inescapable awareness that one's moving parts are constantly degrading? Horror relating to corrosive/damaging environments? Complex emotional trauma and strange coping mechanisms in response to the reality of their entire "family" slowly *literally* falling apart?
YES!!! YESS!!! FUCK YES!!! SOMEONE THAT GETS IT!!!!!
going to. put this under the cut bc I have SO MUCH TO SAY.
You get it SO well, so many good points there.
All things come to an end, and engines especially can be kept alive for over a hundred years if they are well taken care of, but there's so many who are not as valued or who simply cannot be taken care of as well as their owners want to take care of them. And they can rarely do things about it. It's honestly admirable that some of the Sodor engines have worked so hard to protect and preserve their fellow rolling stock. Oliver is a beloved little engine, but he likely stays up some nights thinking about how if Douglas hadn't happened upon him, he wouldn't even be here right now. He'd have been melted down ages ago.
Not to bring up Hiro again but he is literally the first engine that comes to mind when I think of this sort of thing. He went to Sodor so excited to be helpful and useful and was promptly abandoned not long after he'd broke down. He was stuck there for god knows how long and if Thomas hadn't found him, by accident mind you, he would've corroded and died there most likely. And yet he would've rather done that then get scrapped. Almost as if he wanted to pass away on his own terms. Like I mentioned before, we're shown often that most of the kind-hearted engines (specifically on Sodor) will put forth their best effort to keep any machine out of the smelters. Thomas listened to Hiro's story and was likely deeply disturbed that Hiro had been abandoned like that and not a single person dared to look hard enough to find him when he was still on Sodor this whole time. But with his horror, came understanding, because he knows the reality of even some of the most famous locomotives at times can be harsh and even deadly.
And Spencer showed no care or concern at all, not only that, but he almost seemed delighted to inform Sir Tophamn Hatt of Hiro's existence purely to ensure that he was scrapped. He knew nothing about Hiro. He doesn't even LIVE on Sodor. And yet he took great pride in the concept of getting the old engine scrapped. As if that does not mean the very end of an engine's life. It's honestly really unsettling to me how quickly Spencer jumped to that conclusion. Not to mention the tearful horror in Hiro's voice when he was yelling out to Thomas whilst trying to get away from Spencer.
Henry was locked in a tunnel for fearing the rain would damage his coat. How often did he beg those workers that would come by to let him out? How many times do you think he cried feeling like he'd failed his entire railway and that he'd never be released again? There was no sympathy shown for him. And no acknowledgement to the terror he very likely felt for the time he was trapped there in that tunnel. He got sick not long afterwards, the anguish he went through in that time period was probably something awful.
Most all machines are at the mercy of their employers. They don't have the appendages to escape the situations they get in that some humans might be able to get out of. If you deprive any machine of their fuel they cannot go anywhere. If you refuse to repair them they cannot go anywhere or function properly. There's a reason they pride themselves on being really useful. If you're not really useful, you're either sent away or you're...well...sent somewhere to be scrapped. It's the way the world works with real, non-sentient machines...and it seems like the TTTE universe operates on those same principals despite being a world where 99% of all heavy machinery is alive and can think and speak for themselves.
Sometimes it's just progression, sometimes it's business, but at no time is it ethical. They are alive. They have wants and desires and emotions and fears, yet very few of the humans in their world seem capable of understanding that. There's so many scary things that come with being an engine. If you're too slow and you get less done than a new model, you're likely done for unless somebody cares enough about you to take you in and restore you. Sodor seems to work overtime to preserve old rolling stock, I'm sure they would've taken incredible care of Hiro had he not went home to Japan, and it seems like they did miss him there considering that he's still very well taken care of when he comes to visit Sodor after he'd moved back home. But there's so many engines who don't have that luxury. Hiro just as well could've been sent back or left sitting still, of course whoever owns him now clearly cares for him a great deal.
The other types of machines aren't as touched on as our beloved engines are, but they surely experience the same kind of stuff. Airplanes may just as easily feel the same anxieties as old steamers do. They get antsy when they can't fly because what is a plane good for if it can't get off the ground?
There's just SO many things to talk about. I really do think the fandom should include things like this in angst content more bc there is a lot of the show's own canon that is genuinely unsettling when put into real world perspectives.
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