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moonstruckme · 5 months

Note

hi lovely!! if you're comfortable writing something like this, could I maybe request poly!marauders where reader who is normally very independent but gets submissive at times, but not in a sexual way? like she just gets overwhelmed and wants the boys to be in charge for a while, but maybe the relationship is still new and she feels too needy and can't bring herself to tell them and eventually they realize?

again, no worries if you're not comfortable writing this, just thought I'd ask <3

Thank you for requesting gorgeous !

poly!marauders x fem!reader ♡ 1k words

“This is deeply, atrociously unjust,” Sirius says as James sits down in front of you, him on the floor and you on the couch. He’s wet and fresh-smelling from the shower. “You never let me do your hair.”

“Because you always act like you’re trying to tear it out as some sort of twisted revenge plot,” says James, passing you a brush and the curl cream you and Sirius had found for him. Normally, you adore this routine, the chance to run your fingers through James’ hair and the way his eyes close blissfully while you do it. You love to pamper him. But tonight you’re not really in the mood. You do it because he expects you to, coating his curls in product with your usual tenderness but wishing you were on the receiving end of it instead. “She’s got the touch of an angel.”

Sirius crosses his arms. He’s leaned against the side of the couch, leering over you like a vulture. Remus is reading in the armchair, and though he’s pretending to ignore all of you, the corner of his mouth tilts up.

“Beauty is pain,” Sirius grouses.

“We should start a hair train,” James decides. “She’ll do mine, you can do hers, Remus will do yours, and I’ll do his.”

Sirius seems to be considering this. You lean down towards James’ ear. “You’re throwing me to the wolves,” you stage-whisper.

“It’s you or me, sweetheart.”

Actually, the idea of Sirius playing with your hair—even at the risk of losing a good amount of it—doesn’t sound so awful.

“I can get in the shower right now,” you offer, only half joking.

Sirius lets a grin slip loose, sitting next to you to plant a smacker on your cheek. “Thank you, darling, but that’s alright. You shouldn’t have to atone for his mistakes.”

You return his smile, doing your best to bury your disappointment.

“I didn’t consent to the hair train either,” Remus says without looking up from his book. “There’s a reason James doesn’t do his own hair.”

“Oi,” James objects. “I’ve got admirers fighting over the opportunity to do my hair, why would I do it myself?”

Remus marks his page, flipping the book closed. “What are we having for dinner?” he asks.

“I don’t know, but I’m famished.” James doesn’t miss a beat, latching onto the new topic eagerly. “We could order takeaway?”

“Or just cut out the middleman and go out,” Sirius says. “Unless someone feels like cooking? Which I don’t.”

“We know,” Remus teases. “I don’t either, not tonight.”

“I could if I needed to,” James says, “but I’m alright with whatever gets food in me the fastest.”

They all look to you. “I don’t much feel like cooking,” you add your piece. Your voice comes out quieter than you’d intended.

“Alright,” Remus says. “Then let’s not cook tonight. What do you want to do, love? Go out or stay in?”

You comb the brush slowly through James’ hair, twisting to define his curls. “I don’t know,” you say.

Sirius turns to you, frowning. “Come on, baby.” He bumps your shoulder lightly with his. “What do you feel like having?”

“I don’t know.” You try not to sigh. “Um, can you pick?”

You don’t look up from the top of James’ head, but you can feel them exchanging looks. They’ve all been a little extra gentle with you lately. They know you’re dealing with a lot. Anytime you try to tally it all up and make sense of it in your head, you start feeling like you could cry. Your exhaustion has sunk so deeply within you that it’s seeped into your bloodstream. You think by now there’s got to be traces of it in the marrow of your bones.

“Hey,” Sirius says softly. “Look at me.”

You do, pausing with the brush held aloft over James’ head. He’s got his eyebrows drawn together like he’s trying to figure you out. “I’m sorry,” you say. It’s not your boyfriends’ faults that you’re feeling overwhelmed; you don’t mean to drag them down with you.

“What for, sweetness?” He sets a hand on your thigh, rings biting into your skin as he gives the flesh a loving squeeze. “Just tell us what you need.”

You try to give him a smile. You really do love him. “I want…I don’t know, I guess I’m just tired. I want to not think for a little while.”

Sirius’ eyebrows come up a bit in the middle, and James turns around from below you.

“Aw, sweetheart.” His tone is as gooey and sweet as raw honey. “Do you just want us to take care of you, angel?” He sets his hands on your knees, pushing himself up to kiss your chin. “You should’ve said something.”

“We can stay in,” Remus suggests whilst James worms his way underneath you, getting you in his lap. “Order takeaway from that Thai place you like.”

“That sounds nice,” you say meekly, face growing warm. James presses rapid-fire kisses to your cheek. One-two-three.

“You wanna have a shower, baby?” Sirius asks you. He looks heart-wrenchingly concerned. It’s not like you to want to give away control like this. “I could do your hair when you get out.”

“Don’t do it,” James cautions you. “He steals our hair to make tiny dolls of us, I’m sure of it.”

Sirius sends him a withering look. “I’ll be gentle.”

“I’d like that,” you tell Sirius, and he softens.

“Yeah?” He brushes a piece of hair away from your face and presses his hand to your cheek. Squishy fond. “Okay, baby, we’ll pamper you to hell and back.”

“I’m going to find the menu for takeaway,” Remus says, prying himself up from his chair.

“James,” Sirius says, not particularly kindly, “you will have to let her go for her to shower.”

“Never. Not on my life. Not at gunpoint.” You shrink as James makes his face at home in the juncture of your neck and shoulder, nose nudging at a ticklish spot. “She’s my darling sweetheart angel.”

“She’s our darling sweetheart angel,” Remus corrects him from the kitchen. You think your face could melt titanium.

“James, please,” you complain. “I’m never telling you all anything again.”

“Careful.” Sirius raises an eyebrow at you, mock stern. “That sounded dangerously close to a thought, and those won’t be allowed until at least tomorrow morning.”

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beescake · 3 months

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PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU

HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂

also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read

i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.

sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.

and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.

aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me

how much more. raw it is

to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about

with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note

because when you're given the capabilities, it becomes your duty to carry it out.

it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going

and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.

or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.

sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.

and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.

i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.

there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.

contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.

her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.

there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo

with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.

the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.

unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.

however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.

their soft spots for each other were so obvious to the point where other people could see it.

taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.

even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.

but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.

to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.

and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.

i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.

idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.

i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.

to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.

back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.

but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.

no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.

even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.

not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.

it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.

but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.

sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.

but idc lmao. grab that shit by the neck

lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.

hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.

ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.

maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.

and well. more than anything, i like to believe that they do want to be exclusive.

they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.

they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.

optional post-canon segment:

one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).

hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.

that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again

but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.

it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it

idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible

srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)

#sorry if this isnt fully accurate heh its just my personal impressions/feelings #despite best efforts to simplify my annotations the wall of text still ended up massive #there's also a comparison i wanted to make abt characters who “broke up” from romantic expectations losing a lot of what they had before #dave(sprite)/jade‚ karkat/terezi‚ dirk/jake etc = which is why i think arasol was rescued by hussie on purpose. arasol endgame truth #ngl there mightve been more moments that shouldve been mentioned but i have no memories of... limited cloud storage #long post #ask #anon #homestuck #arasol #aradia megido #sollux captor #arapostings #2024 #vioart #not disqualifying acespec/qpr reading i think its also possible :]#if anything i dont understand fanon killing off aradia for their sollux ships haiyaaa why is this trope so damn popular #every time i open a slkt fic and aradia is dead i go outside and burn a tree. global warming could not come sooner #slkts who treat aradia like dvkts treat jade…. i punt u football style

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bts-hyperfixation · 5 months

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What do you think the boys would've done on their last nights with their significant others before joining the military?

Some of these are last nights, others are full days. Also only Taes has explicit smut mention, although most mention sex in some fashion

Please send me asks to keep me motivated while I'm off work! Thirsty thoughts, Most likely to, reactions, life updates, and general gibberish welcomed!!

Namjoon:

I think Namjoon would've wanted a quiet night. He was probably stuck at work trying to finish plans on that Instagram account that's still posting and maybe fiddling with the album we know he started. But he would have tried his hardest to put it down and return home by nine to spend time with his loved one. His partner would be waiting for him with a simple takeaway on the table and maybe a TV show they had been watching together queued up. They'd stay cuddled on the couch for the longest time. They'd maybe fall around but not get anywhere (Something Namjoon regrets by day 3 in the barracks), maybe they intended to have sex one last time before he left but neither wanted to acknowledge it was actually the last time. He would talk about how this was ridiculous, it's not like they'd be 18 months without one another, just a couple of months at a time is all... And then he'd get sad and introspective. They'd fall asleep on the sofa because going to bed would bring their last night to an end and Namjoon doesn't want to willingly relinquish that time.

Seokjin:

I think he hired out a restaurant he and his partner like, maybe even their first date restaurant. The partner actually panicked that Jin was going to propose the night before he left and was ready to yell at him if he pulled out a ring. Jin sets up multiple proposal cliches throughout the evening giving his partner a heart attack each time while he acts nonchalant about it, pretending he doesn't know why they are getting worked up. This is stuff like a jewellery box on the table (It's a necklace), A gem in the champagne (It's tiny ice), He kneels by the table (and ties his shoe). They take a long walk by the river after dinner, his partner increasingly exasperated but still very fond. He finally does pull out a ring, but he insists it's only a promise ring and the real ring will be given to them on June 14th 2024 (Doesn't want to share the anniversary). The evening probably ended with some very slow, heavy eye-contact, love-making

Yoongi:

Disclaimer - I'm not 100% sure if Yoongi had to go anywhere for any length of time... but this is written as if he were doing the same as the other boys.

He cooked dinner, something he is gonna claim is simple, but he took all day to make it. He also lay the table with a white tablecloth, dimmed all the lights and set out candles. Flower petals lead you through different stations of the apartment. First appetizers and cocktails on the sofa so his partner can talk about their day, then to the table for the main course, to the bathroom where bubbly and strawberries await next to a warm bath for two, and finally to bed for dessert. Which actually meant dessert, there's a snack platter of sweets in the centre of the bedspread and a movie queued up on the TV. the movie wasn't really watched... but the thought was there.

Hoseok:

I feel like Hobi made an entire day out of it, he set aside time to make sure he only had his significant other to focus on and made sure his SO did the same so they were uninterrupted. Then he locked them into their apartment, only opening the door to bring in food deliveries. The day starts with lazy morning sex. Then breakfast. Then lazy shower sex. Then maybe some TV time, where his hands remain firmly on his partner as if they are going to disappear the second he lets them go. The SO convinces him to go for a walk at lunchtime, they hold hands the entire time. Hoseok has them sit in his lap when they return home. Just wants to be permanently close. The third round of sex is definitely more driven, like he has a point to prove and doesn't want his SO to forget what exactly it is they are going to be waiting so patiently for.

Jimin:

Jimin took his SO back to his home town a couple of days before. Maybe spent some time with his family in Busan, had a very nostalgic craving for his parents cooking and took his SO along for the ride. They do stuff he liked to do as a kid, visiting places that he wouldn't be easily recognised. He's anxious, and jumpy, and clingy a lot of the time. He keeps asking his partner if they are going to be okay when really it's his own insecurity. Jimin had someone drive them in a nice car back to Seoul in the early afternoon so they had the evening together, they probably fooled around in the car as he tried to keep himself occupied. He let them hold his hand while he had his head shaved, needing the familiar reassurance. He took a break to show Army his hair, but the SO is hiding behind the camera. Then the evening is spent quietly, wrapped together to enforce the fact that they aren't going anywhere.

Taehyung:

He came up with so many different plans for what he wanted to do that by the time the day came around he hadn't actually implemented any of them. And sure he is Taehyung of BTS, if he had made a couple last minute phonecalls he could have made anything happen but he decides the lack of plans is exactly what was meant to be. He runs on pure unplanned whims and ends up taking his SO to absolutely anywhere that pops into his mind in the most chaotic fashion. They go to the movies (Something everyone's already seen so no one else is there) (they may spend most of it making out in the back). They go to an arcade (An old buddy of Tae's owns it and makes sure they get an hour uninterrupted). They eat lunch at the SO's favourite restaurant. Eventually, they go home and Taehyung spends hours between his lover's thighs, trying to immortalise the taste of them in his brain before he no longer has the access he so desperately craves. They probably also have a lot of sex. He falls asleep insisting on cockwarming, convincing his partner the UTI will be worth it with the Tata mic face.

Jungkook:

It takes a while for his SO to convince him to do anything at all because "What's wrong with in my arms in my bed forever?" (And he's right, nothing wrong with that and if his SO don't want it I volunteer). He convinced them to snuggle back down with him at least three times until lunch rolled around and they insisted he get up with them to go somewhere. They never end up leaving the house. Every time his SO goes to put on a shirt, Jungkook grabs it and throws it somewhere it can't be easily recovered. There was one in the sink with the dirty dishes, one mixed with the already dirty laundry, and another hanging from a light fixture they would both need a ladder to reach. Eventually, the SO has to relent because they won't have any shirts to say goodbye in the following day. So they succumb to his wishes (Although they make him go out to fetch food first). He holds on to them possessively throughout the day, pulling as much of them against him as is reasonable at any given time. I fully believe Jungkook would crawl into the skin of an SO if he thought it was possible.

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cloudzoro · 5 months

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Late Nights | jjk men ♡

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

individual reaction/headcanon scenarios on late nights with jjk men

requests for jjk, one piece, haikyuu, fmab & death note (male & female characters) are OPEN!

masterlist

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

characters included: geto, gojo, nanami & toji

cw: suggestive, borderline smut, sex under the influence, dealer!toji, drunk makeout, fem reader

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

Suguru Geto

“Sugu” you whined, settling next to your boyfriend on the sofa. Suguru had promised to spend a cosy evening at home with you as an apology for being so busy. He looks down at you with an amused expression, entertained by your attitude. “pay attention to me not the stupid show” you pout, annoyed that he was actually watching the show you put on intending to be background noise. He laughs and turns back to the TV, waiting for you to do something else. You roll your eyes and decide to take matters into your own hands.

You swing a leg over him and adjust so you're straddling him. He simply leans back and takes in the sight of you rolling your hips against him. it's almost midnight, you'd been ‘watching’ the show for almost two hours. It feels good to have physical contact with him.

“You're so pretty, baby,” Suguru says, placing his hands on your hips and encouraging you to roll your hips faster.

“Then why were you looking at the screen instead of me?” you ask.

“I was just waiting to see if you would do something about it” He laughs. You look down at your boyfriend with a disappointed pout on your face, showing him how you felt. He shook his head and leaned up to kiss the pout away. Suguru pushes a hand into your pyjama shorts, rubbing his fingers against your clit “is this what you want?”

Satoru Gojo

You can barely drunkenly stumble through the door of your apartment before Satoru, who is equally as intoxicated, pushes you against the door to close it. His lips roughly collide with yours and wrap your arms around his shoulders to pull him closer into you.

You'd been out with friends, celebrating and having fun, but now that you're home with your boyfriend all you want is to spend as much time pressed against him as possible. Without interruptions from the people around you, Satoru can kiss down your neck, bite at your skin and smooth his hands everywhere on your body he can reach. Fatigue is starting to settle in both from the long night and the alcohol. This is the quietest he's been in a long time, you know it's because he's busy loving you, but you almost miss his voice.

“Toru” you whimper as he sucks a mark into your neck. He hums in response, patiently listening to what his baby has to say. “Maybe we should go to bed, we can cuddle and then tomorrow we can spend more time together”

He removes his face from where it was resting on your shoulder and grins at you. He cups your cheeks like you're the cutest thing he's ever seen in his life and gives you one last peck on the lips.

“that's sounds like a great idea”

Kento Nanami ♡

Kento doesn’t mean to work late, he always tries to get home at a reasonable time but sometimes he doesn't have much of a choice. He had messaged you earlier in the night to let you know he wouldn't be home until after midnight but you still pushed yourself to stay awake to greet him home like you usually do. You're sitting on the couch reading a book when the door to your home opens.

Kento walks in, carefully toeing his shoes off as to not wake you. He still hasn't realised you're awake so you put your bookmark in your book and place it on the table. When you stand up Kento hears the rustle of your pyjamas and peeks around the door frame of the living room, clearly not expecting you to still be awake.

“Baby, what are you doing up?” he asks, walking up to you and pulling you into a kiss, he's holding a carrier bag in his hand and you can smell the takeaway food inside. He drops the bag of food on the coffee table in favour of wrapping his arms tightly around your waist. When he pulls away from the kiss to stare at your face, your finally answer his question.

“I wanted to be awake when you got home, I like spending time with you before we go to bed. it was lonely in there without you”

He sighs, kissing your forehead. His first instinct is to scold you for staying up to this hour just for him but your reasoning is so cute that he simply starts to guide you towards the bedroom, fully intent on forgetting about his takeaway and occupying his mouth somewhere else.

Toji Fushiguro

The joint lays in the ash tray on the table, forgotten as Tojis large hand pulls at your lounge shorts to slide them off your legs.

Toji started dealing as a way to make money, You were once a loyal customer but eventually you evolved from customer to girlfriend. It started with Toji putting extra in your bags and charging you no extra, then he started giving you weed for free on the condition that you let him smoke it with you. Since you started dating him he hasn't let you pay for a single ounce, insisting he would be a terrible boyfriend if he ever made you pay.

Every now and then a smoke session will end with you on Tojis lap, like you are right now, keeping your legs spread while he plays with your pussy. By this point you're completely naked and he's only removed his shirt. Your head lolls back against his shoulder as he pushed two fingers into your slick cunt. You're so sensitive that the action pulls a loud moan out of you and shifts in his seat, pressing his clothed cock against your ass. Every noise you make goes to head, clouding his brain almost as much as the weed has.

You tilt your head and the movement causes Toji to look down at your pretty face, soft smile on his lips before he kisses you. The kiss is dirty and full of saliva but there's a soft affection behind you that makes you grin into the kiss.

“My mouth feels dry, baby, you gonna help me wet it?” he growls, laying you down on your back, ready to dive into you like you're his last meal.

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

hope you enjoyed!!!! my requests are open and I'm excited to get back into writing. I was formerly simplysuna/daichisnaps if you remember either of them! :) <3

#jjk x reader #jjk smut #nanami x reader #kento nanami #geto x reader #geto x reader smut #gojo smut #gojo x reader #toji x reader #toji x reader smut #toji smut #☁️.gojo #☁️.nanami #☁️.toji #☁️.geto #☁️.jjk #☁️.smut

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ofswordsandpens · 5 months

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I've enjoyed episode 3 the most so far, but I think the show is still struggling to find a good balance between taking itself seriously and the absurdist humor that RR writes with. My main takeaways:

The Fight Scenes (or Lack Thereof?)

It seems very peculiar to me that the show is just speed running through its battle scenes. Again, it feels very much like the product of Disney trying to sanitize anything that's too extreme?

The trio fleeing from the kindly ones in the book ended with Percy taking control of the bus and then crashing it. It explodes. They lose all of their stuff (money, food). In the show, they simply bail out the back window. No true panic. No tension. Just, okay :) we're leaving now :)

The Medusa Scene. I'll speak more to this later, but in terms of the fight we get to see... well we get to see nothing. Apparently this fight required us to view it through the lens of the invisibility cap (ie. not at all),

I understand this show is intended for a younger audience, but the books are as well. Even the movies, which are pg, came up with better ways to show things without necessarily showing things. As a result, it feels like anything that might induce the slightest bit of tension or fear are sanded down and its honestly doing such a disservice to the books and the audience.

Medusa

I actually really liked this portrayal of Medusa. The 1950s housewife vibe landed well for me. And I loved the actress's voice -- very soft and soothing but always sounding as if she were just about to cry.

Also, I really liked her dialogue. Her digs at Athena and Poseidon were perfectly tragic.

That being said, I really prefer the trio's arrival to the emporium in the book. In the books, they've been wandering the woods and are lost and exhausted and hungry because of the battle/bus crash where they've lost all of their stuff. It almost feels like the emporium popping up "out of nowhere" was more of it finding them.

Meanwhile in the show, Grover finds it through scent on a satyr path and they immediately know its Medusa, which imo takes out so much of the fun of it all??? In the books, they dont know. Grover's just like, freaking the ever living fuck out, and clearly Percy and Annabeth have let him take sole custody of the shared brain cell, cause they're more concerned about getting some food than anything else

Just... RIP dumbass shenanigans

And honestly, I'm not really sure what necessitated the change here in the show (of them not being tricked). It would have been one thing if they were going to change Medusa entirely to not wanting to harm them at all, but imo, I think its arguable/evident that show Medusa was looking for an excuse to petrify Annabeth and Grover (at minimum) regardless of anything.

Honestly, I would have had the show loosely play it out as: book arrival (they dont know its Medusa), keep the dumbass energy and banter, the trio figures out it Medusa while they're eating, Medusa is the more sympathetic version we see in the show, regardless it still ends with the battle.

Also, I do mourn the book battle. The panic and absurdity is just handled better imo. Annabeth shoving them off the bench, Grover flopping all over the place with the shoes but actively getting a good few hits in, Percy having to use to the reflection to behead her... the #TeamWork was emphasized a little more there to me.

Characterization

I think the show is absolutely nailing certain parts of the characters.

They've gotten Percy's anger and his derision towards the gods down. But, I think they're actually underscoring some of his, idk, sincerity? His kindness? It was the line "she met a pinecone's fate" that just rang off to me. While undoubtedly funny, it's just such a stark difference from his reaction to Thalia's story in the books, where he was unsettled by her fate and felt a sincere sympathy for her. The line in the show I assume is meant to criticize the gods, but still, it feels like it comes at the expense of the sensitivity that he has.

They've gotten Annabeth's bluntness, intelligence, pride, and superiority down cold. No question about it. But I feel like they just need to let her be more of a 12yo kid?

Like. In canon she and Percy banter and argue over the silliest of things. She plays hacky sack with Grover and Percy. She blushes and hyperventilates when Luke interacts with her. Episode 3 is like the first time we've gotten to see her do something remotely childish (buying all that candy) and I'm just dying for more of that!! She's not the "mom" of the group and she has her canon dumbass moments. I'm hoping more of this is captured moving forward. They've gotten a good start on the banter, but let Annabeth be more silly! Cause she is!

(Absolutely none of my personal qualms about the characterization are Walker or Leah's fault. They've done amazing. It's the writing/directing I'm side-eyeing).

OH! And I'm sorry but Percy being like "Annabeth we're going to bury medusa with your hat on" would have never ever flown with Annabeth. In no world.

But Grover eating them up at the end? Iconic. Good for him.

#pjo adaptation #pjo show crit #pjo

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pfhwrittes · 23 days

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ripped straight from the dms with @femalefemur (thank u cyn my beloved)

best friend!johnny mactavish x gender neutral!reader thoughts below...

tw: alcohol mention, pining like whoa, little bit of jealousy, johnny being a possessive little shit, allusions to off-screen sex, fluff, "bonnie" used as a pet name.

unedited and written straight into the drafts for a rush of adrenaline. intended to be gender neutral reader but i may have slipped up somewhere!

word count: 777 words

just thinking about how you and johnny are practically attached at the hip.

he's constantly over your place for takeaways and bad telly or he's dragging you out to clamber up some hill or through a national trust park "for the fresh air, bonnie!"

johnny sends you endless voice notes talking about his day, about the mischief he's gotten up to with kyle or how simon had run him ragged at the gym. in return you send him silly memes or links to tiktok trends and your own rambling voice notes complaining about how your favourite contestant had been eliminated from the silly reality show you'd been watching.

your camera roll is filled with shirtless sweaty gym pics from where they'd saved automatically from your messages. his camera roll is full of answering photos of you half awake and mugging for the camera from the comfort of your bed, your hair a mess and pillow creases on your face.

just thinking about how both of you are super tactile with each other. you mindlessly play with his hair when you're sat next to him at the pub, squished up on one side of the booth opposite simon and kyle. johnny slings his arm around your shoulders and watches the way you gesticulate as you bicker with simon. (neither of you notice kyle's glances between the two of you or catch the sneaky fist bump with simon as a wager is placed when you and johhny come back from the bar with a fresh round for everyone)

just thinking about how your stomach sinks a little bit and how your smile feels brittle every time johnny tells you he's met someone. it's a little bit harder than normal to enjoy johnny's presence when you have to share it with the woman he's seeing but you try anyway. you try not to be "that friend", you try to keep the anecdotes about past nights out or silly stories that only you and johnny know to a minimum. you pull away a little bit from all the usual casual touches you'd normally lean into, aware that her eyes are on you. and you don't want to ruin your friend's happiness with someone else, you really don't, even when you feel your lips twitch with a tiny involuntary frown when he kisses her in front of you.

i'm just thinking about how the people johnny date don't seem to stick around for long after they've met you. you ask him about it once when you're slumped together on your sofa, something lighthearted and daft playing on tv in the background. johnny just shrugs and says something about how they wanted different things (because there's no way he's telling you that his latest ex screamed in his face about how it was so fucking obvious that he was in love with you, even as he denied it and said that you were just good friends).

i'm thinking about what would happen if you started to see someone casually and johnny asks to meet them. how unlike you when you meet his dates, he seems to dial up the friendly touches. he dominates the conversation with stories that always end with "remember that, bonnie?" and a wicked grin. he even pulls up a video of him hitting a new personal record for his hip thrusts at the gym and mean mugs the shit out of your date as you watch the video and praise him for his hard work.

i'm thinking about how you'd pop to the bathroom at some point and by the time you come back your date is gone and johnny's shrugging it off like its no big deal. and yeah, you're a little bit disappointed but johnny comes back to your place with you and settles onto the sofa like he belongs there, leaning up against your side all solid and dependable and quintessentially johnny.

(and in the morning when you check your messages you're not surprised that your date has called it off with you, but you can't bring yourself to care as a thick forearm snakes around your waist and pulls you back against a warm naked body. the gravelly voice of your best friend johnny rumbling in your ear and peppering kisses down your neck...)

(the next time you and johnny meet up with simon and kyle for drinks at the pub, you walk in together hand in hand. simon silently holds out an open palm to kyle as kyle rifles through his wallet and complains that if you had just waited one more week he would've won the bet. bloody selfish of the pair of you.)

#pfh headcannons #oh look p's writing fluff who would've thought?#john soap mactavish x reader #john mactavish x reader #gender neutral reader #x reader fic #jm #thank you cyn! i send you hearts now 💕💕💕💕

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anthurak · 2 months

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Takeaways from the Volume 9 Epilogue:

One thing I really like about Oscar’s ‘If there was anything I wish I could borrow from you…’ monologue is that it laid out/confirmed something I’ve always felt was a major aspect of Oscar’s dynamic with Ruby that I nonetheless feel a lot of the fandom has missed: That Oscar very much sees Ruby as a mentor and an example to follow, and how their dynamic is specifically a foil to what we saw between Ruby and Ozpin. That Ruby acts as a mentor and example to Oscar in the same way Ozpin was to Ruby, and that Ruby is a far BETTER mentor and example to Oscar than Ozpin ever was to her. Which, as an aside, is a dynamic I can’t help but feel a lot of people have been misinterpreting as ‘ship-teasing’ and is one of the main reasons I’ve simply never been able to see Oscar as any kind of viable love-interest to Ruby. Frankly the dynamic of ‘Ruby is the mentor and example to Oscar that Ozpin couldn’t be for her’ is simply so much more INTERESTING than any kind of romance could ever hope to be.

Even in animatic form, Winter basically going overdrive on the maiden powers was a sight to behold. And her own monologue had all the self-deprecation we were expecting. Our girl is clearly holding on by a thread and it’s going to be REAL interesting seeing how she reacts and adjusts to her sister not actually being dead. As in, I can imagine a situation where Winter tries to throw herself into a heroic sacrifice with the belief that Weiss would make a better Maiden than her.

Also, Winter’s monologue giving major focus to how Penny is super-super-dead-dead-and-definitely-not-coming-back-for-really-realsies, as she is talking to the sister who she ALSO believes is DEFINITELY also dead? Specifically with the words that Penny is gone, when Penny’s last words to her were that she’d be ‘part of you’?

Yeah, there is no way in hell we’ve seen the last of Penny XD

The CROWN. Like it was only a few shots, but as someone who read the CFVY Books (which you totally should if you haven’t, they’re great), holy shit I was NOT expecting them to pop up here.

I mean, in hindsight it makes perfect sense that they’d be involved in Volume 10. They’re basically Vacuo’s equivalent to Vale’s criminal element and the White Fang splinter faction as Salem’s co-opted insurgency group, with Jax and Gillian joining Roman, Adam and Jacques as the latest of Salem’s unwitting patsies. It’s definitely going to be real interesting seeing the crew deal with them. Like it’s really fun to imagine Team RWBY in particular being kind of exasperated at seeing Jax’s probably doing a whole ‘With Salem’s help I shall be King!’ shtick after everything they’ve seen with Roman, Adam and Jacques.

Oh and if you don’t know, Jax has a mind-control semblance, so him trying to use that on Yang could actually lead to a sneaky callback to the Justice League crossover, ie; Yang doing a ‘Yeah, I’m not doing THAT shit again.’ XD

Qrow’s whole vibe through this is fascinating. Like his section may have been the one we already saw, but after seeing the abject depression and growing despair of all the other characters, Qrow actually being OPTIMISTIC hit so much harder.

Raven showing up at the end is… interesting.

I’ll admit that ever since we saw that specific clip a few months back, I’ve been rather conflicts about Raven showing up to deliver RWBY+J to Vacuo, particularly after Ruby’s tree vision. Like for one it felt a bit random and unnecessary. The tree already deposited the Ever After team outside of Vacuo so they didn’t exactly need help getting there. Not to mention that it kind of clotheslines the story-thread set up by Ruby’s vision; that she now has a reason to track Raven down to get the ANSWERS to what happened to Summer. Finally, it’s just kind of… random? Like where did Raven even come from to get the team?

But now having seen the clip with its intended context, I’m definitely more on board with it. Particularly hearing from Kerry and Eddy that the original ending for the penultimate episode had RWBY+J going through the portal to arrive at their memorial stone, and met by a ‘Mysterious Figure’, ie; Raven. Here it feels like were getting more set up to get answers later as to what Raven was doing at the memorial.

And really, now that I’ve thought about it more, this method kind of puts the thread of Ruby going to Raven for answers even MORE into focus. Like the story reintroduces Raven in the present right after Ruby got a vision basically saying ‘hey, Raven is important’. And now going into Volume 10, we’re pretty much perfectly positioned for Ruby to pull Raven aside for those all-important ‘Why were you fucking my mom? What happened to my mom?’ questions.

Finally… yeah that ending hit me a LOT harder than I was expecting. Like that ending was HOPE in its purest form and it was honestly beautiful to see. Particularly right now with the future of the show seeming so uncertain. I’ve personally been optimistic about RWBY’s future (in a manner not unlike Qrow’s vibes I suppose lol), but damn the hopefulness of that ending hit especially hard, and was something I’ll admit I needed. And I imagine the rest of us could use as well.

We'll be getting Volume 10. And 11, and 12, and however many more it takes to finish this story. At this point, I have no doubt of that.

#rwby #rwby spoilers #rwby volume 9 #rwby volume 9 epilogue #rwby ramblings #Team RWBY #Ruby Rose #Yang Xiao Long #Winter Schnee #ozpin #oscar pine #Raven Branwen #Qrow Branwen #rwby after the fall #rwby before the dawn #jax asturias #gillian asturias

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randonwilmonfan · 9 months

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I'd love to talk more about the locker room scene in S2 E2 of Young Royals, where Wilhelm tries to convince Simon to get back together with him, in the process (sadly) demonstrating that he believes his mother's feeble offer to "talk" about him possibly coming out when he's 18. This takes place after his almost-removal from Hillerska.

Plenty of people have already pointed out how Henry snitched on Wille and Felice’s kiss, but apparently didn’t choose to tell anyone (as far as we’re aware) about Wilhelm almost pleading with Simon to get back together with him during that post-almost-dragged-out-of-Hillerska conversation. And that's definitely an interesting thing to chew on. But there's more...

Here are a few other things that stand out to me too:

First -

I think it’s worth pointing out the obvious — Wilhelm clearly sees Simon in his future long-term (possibly for the rest of his life). The way he casually says to Simon “So, we’d only have to keep it a secret for 2 years” implies three things very clearly.

a) He immediately and easily sees himself together with Simon in 2 years and beyond. Actually, specifically, definitely beyond. Because his eye is on the prize: coming out and living openly with Simon *after* he turns 18 — implying his focus is entirely on the intended afterwards period. He doesn’t even blink at that idea; it’s obvious to him.

b) He also really doesn’t seem to think 2 years is a big deal. For a teenager who’s only lived 16 years on this planet (only approximately ~11-ish of them in a state where they’re forming conscious memories) to think 2 years is just a drop in the bucket is kind of wild. Even 6 months feels like forever to a kid. So Wilhelm — a child — viewing time from this perspective suggests he’s likely balancing 2 years out against a much longer expanse of time; hence why those 24 months would look so minuscule and shrug-worthy by comparison. In other words: he sees himself with Simon in the LONG long term. Two years is nothing if you’re imagining growing old with someone and spending the rest of your many decades on this Earth with them. (All of this is pretty much confirmed later on in S2, when Wilhelm offers to abdicate the throne for Simon.)

c) He also doesn’t seem to think Simon should be appalled by the idea of waiting for 2 years. Yes, sure, we can chalk part of that up to selfishness and lack of mentalization / empathy for Simon’s point of view. But I’m going to suggest it’s more than that. My takeaway is that he assumes Simon also sees them as endgame, and so naturally wouldn’t be bothered by waiting a bit longer in order to spend forever together. (Sadly the conversation does not play out that way for him; ouch. Though no shade to Simon: what he said in response was realistic and fair.)

Second -

I think we have to rewatch his interactions with Simon as Henry slams a door and slowly walks past them with a raised eyebrow. Because, in S1, that Wilhelm would have immediately jumped away from Simon to create distance and try to pretend there’s plausible deniability about what their relationship has been and could be again. That’s (one) part of the whole point of S1: Wilhelm is not ready to be brave enough to face a homophobic aristocratic world and take a bold stance to stand by Simon.

Instead, in S2 E2, he sits still. He stays right next to Simon. In fact, he *leaves his hand resting directly on Simon’s thigh.* And he knows someone is coming their way! He heard the door slam inside the locker room. Obviously he knows someone else is here. But he doesn’t jump. He actually doesn’t really stir much at all.

He sits there like it’s of no importance, and he doesn’t care who sees. Or, even, who overheard this very intimate, vulnerable, and pleading conversation. A conversation in which the future King of their country is almost on the verge of begging his ex to please be his again… not just for now, but for multiple years’ time. I mean we’re like 2 steps away from Wille practically offering Simon a “promise ring” (not sure if that concept holds up in Europe, but it’s basically a very pre-engagement type thing in the US; it’s not common though). (Their convo also makes it very clear Simon was the one who dumped him and that he’s having trouble accepting that and moving on.)

Yet he doesn’t seem perturbed or disturbed by Henry’s presence and overhearing and seeing them. He doesn’t seem embarrassed at all. He’s not ashamed of his love for Simon. Even more specifically, he’s not afraid of people (Henry) seeing him put his heart out on the line, and of them knowing that he wants Simon back - not for just a hook-up, but for a very long-term, serious, committed relationship. And he doesn’t make any moves to emotionally or physically distance himself from Simon, despite Henry’s clear witnessing of this private moment.

This is a subtle way to show that, even though Wille hasn't yet gone through his full S2 journey of self-awareness and self-growth, he has still already begun changing and growing after the end of S1. So he’s at least started to learn some of his lessons about what he needs to do differently.

Anyhoo, the whole point I’m trying to make is… gosh there were so many fascinating things happening in that scene. And they rush right past us in the blink of an eye! But there is so much meaning built into every small interaction and non-interaction there, and into every nonchalant assumption the characters casually voice.

I’m sure there’s more meaning and are more details I missed, too! What did you think? I’d love to learn more from others’ perspectives, too. :)

#young royals #young royals season 2 #yr analysis #young royals analysis #locker room scene #but not the one where they're truly overtly fighting yet #this is the “how can you not care?” scene

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delta-pavonis · 1 month

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Fic Teaser: Parasomnia

(The morning after Special Exhibition, so spoilers there if you haven't read it. This little bit is rated T.)

Dear Dream,

Many would start such a note with “I just couldn't bear to wake you…” but, to be quite honest, I fear it would be too disingenuous given that I did everything short of cracking the smelling salts to wake you before I left. I was worried enough that I checked all your vitals. Upon finding you not dead, nor bradycardic, nor hypotensive, nor hypoxic, nor hypoglycemic, I decided you needed the rest.

Make yourself at home. And I mean that truly. Hell, you know where the toys are kept if you somehow feel the urge. (I, for one, am giving my bollocks and backside a break for at least a few days. No regrets, though.) There is barely any food in the pantry because of my holiday schedule, but there is plenty of coffee and tea. Enjoy anything and everything I have in stock. Or just order takeaway.

I left my car here and took the tube in. Keys are by the front door. You are welcome to drive my car to the hospital or get on a block south and ride in to pick up your car. I told the hospital parking attendant to log it under my name, so no rush getting here, your car is safe.

Rest. Go back to sleep if you want. (Actually, drink a glass of water first. We exerted ourselves rather, ah, thoroughly last night.) Take all the time you need.

I’ll be back about 6 tomorrow morning. If you're around, we can have breakfast. If not, I hope I’ll see you soon.

Text me when you are up and moving?

Yours,

Hob

P.S. Last night was fantastic. You are absolutely stunning. xoxo

Dream reads the letter fully three times before putting it down.

“Yours.”

Something in his chest soars.

Mine.

He wants Hob to be his very, very badly.

Probably in ways Hob very much does not intend.

Probably.

Dream drops the note to run his hands over his face and flops back onto the bed. The sheets smell of Hob and he turns to press his cheek into them before he can think better of it.

Oh, yeah, he’s proper fucked.

One hand wanders down to his abdomen, to above his groin, and for a moment he feels Hob within him again and groans. His other hand lands on the bruising on his shoulder, presses softly, just enough to remind him of Hob's mouth.

Dream closes his eyes and remembers the taste of Hob, his skin and mouth and sweat and cum. He suddenly misses him, desperately.

Which is insane.

They’ve known each other–actually known each other, not the weird parasocial relationship he had with Hob via his TikTok ASMR videos–less than a week. How can Dream possibly miss him?!?

This is just the rush of a new relationship. It will pass. It will pass.

But Dream doesn't want it to pass.

God, it has been ages since he felt this good. Since he had someone respond to him, to his intensity, in kind, to meet him punch for punch. It is what he thought Corin would be, or Calliope, or, fuck, Nada way back when. He thought they could become this. He and Killala had it for one bright, shining moment, before they burned themselves out.

And yet here Hob is, matching his steps, following his lead in this dance, seemingly without much effort, on the first try. Dream is going to have a whole lot of trouble letting that go, now that he knows it possible.

Fuck.

Dream grabs his phone from where it was placed on the nightstand next to the letter and looks at the time.

Which makes him sit up in bed like a shot.

It is almost five in the evening. He has slept for over twelve hours.

#pavonis writes #dreamling #museum curator Dream #doctor Hob Gadling

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decepti-thots · 3 months

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a lot more ink has seemingly been spilled about drift's addiction in the context of fandom framings of it than the actual canon presentation of it. which i do find quite odd, to be honest.

i guess the main thing is probably that it's sort of headscratching as to why Roberts elected to retcon it in, when it's really not necessary (drift already had a depressing backstory that would give him an excuse to wind up at ratchet's clinic; notably, MTMTE literally never references that comic) and the comic itself does basically nothing with it. of course, there's always the chance there were plans to do so that got dropped as drift ping-ponged around the narrative as a result of constant changes in the plans for him. (drift being the character it's always been assumed mtmte more got 'saddled' with than a first choice.)

my guess has personally always been that it's to give some kind of contrast with Tarn and that those characters were intended to be foils before plans changed, which i've talked about multiple times before. (similarly, tarn's addiction barely ever coming up makes more sense in this context.) shrug. that's really all i have.

anyway, it's not exactly an… over graceful or highly thought out portrayal, but i do like that in this scene drift is extremely matter of fact about telling everyone and seems broadly unembarrassed about it. having that stand in opposition to how heavily he tries to deflect from being an ex-decepticon at least makes that an interesting character note as to what drift does and does not think he should feel bad about! it's pretty much never going to come up again after this scene, i don't think, so that winds up being my main takeaway.

#mtmte reread 24

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onwhatcaptain · 10 months

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Spirk Meta: Connecting Star Trek SNW & TOS

I'm going to try to connect TOS and SNW's character arcs for Kirk and Spock's relationship with one another. This is part analysis and part prediction of where the writers are headed in shaping SNW into the TOS narrative.

With the most recent SNW episode, I think it's really fascinating that Spock is coping with the consequences of his attraction to Chapel and infidelity to T'Pring, while Kirk reacts to his attraction to La'an by showing a strong sense of loyalty to Carol.

I've been discussing with friends and they believe the two situations aren't comparable. However, I believe they're not only comparable, the writers completely intended them to be compared.

Spock has always served as a foil to Kirk. If you've seen TOS, you know this is true. Spock is logical, Kirk is unpredictable, and so forth. I don't really need to go into details about this, it's been explained to death. For me, it says a lot that in SNW E9, Spock is uncertain of who he is as a person and Kirk is uncertain of who he's meant to become as a commander.

Kirk has his mind on command, hence his discussion with Una, where he concludes that he needs to connect with people. That's the point of that song. Meanwhile, Spock's takeaway from his song is that he needs to specifically stop connecting with others on a personal level because it was a mistake to do so. It's a very internal-facing narrative, as it should be. But as we know, it doesn't work out that easy. For either of them. Ultimately, Spock does connect to people and finds himself emotionally compromised, and Kirk has trouble getting close to others. But Kirk is looking outward for answers, to other people, while Spock looks inward. To me, this extends to how they cope with difficult relationships, problems, and each other.

Kirk, like Spock, is attracted to someone he's not in a relationship with in this season. He clearly feels something with La'an but explicitly chooses not to pursue it seriously because he's in a relationship (some of the time) with Carol Marcus, who is having his child. Spock, on the other hand, says he wants to feel at this time. He doesn't want to let his relationship get in the way of experiencing something new with Christine Chapel, even at the detriment of his core beliefs. The really interesting thing about this is that these two characters arrive at the same conclusion even by making different choices. They both end up incredibly lonely, a major thematic arc for both men throughout TOS.

How they react at these crucial moments in SNW is a representation of their priorities in relationships, in life, and how they even become with one another. Kirk is married to the idea of command, costing him his relationships to other people. Spock is so deeply internally focused that he only has a few real friends by the time TOS rolls around, and can't accept that he cares about them, always couching it in terms of duty and obligation.

Spock essentially thinks, I need to not get close to people because I'll be hurt by those people. Kirk thinks, I need to get close to people where it matters, for command, but not so close that I'll hurt them. This ends up with both of them being painfully reticent to connect with anyone, to the point where in The Final Frontier, Kirk thinks he has no family.

MCCOY: It's a mystery what draws us together. All that time in space getting on each other's nerves and what do we do when shore leave comes along? We spend it together. Other people have families.

KIRK: Other people, Bones. Not us.

He eventually changes his mind by the end of the film, but you can see that this theme of loneliness goes all the way from SNW to nearly the end of their lives. Kirk's conclusion at the end of the film is that McCoy and Spock are his family.

But we see this idea of loneliness repeat so often that Kirk has a several ex girlfriends in TOS show up, all on good terms with him except one who we won't talk about here. Spock, on the other hand, has mostly closed himself off to relationships of all kinds by TOS, even shaming himself for whatever it is he actually feels for Jim, who is his best friend at that point. And they both fight this loneliness aggressively in TOS and the films. Spock insists he feels shame for his friendship with Kirk, Kirk feels like his ship owns him and he can't have anyone in his life. This excerpt from The Naked Time, which I abridged significantly since there was a lot of interspersed discussion about physics, is revealing:

SPOCK: My mother. I could never tell her I loved her. An Earth woman, living on a planet where love, emotion, is bad taste. I respected my father, our customs. I was ashamed of my Earth blood. Jim, when I feel friendship for you, I'm ashamed. Understand, Jim. I've spent a whole lifetime learning to hide my feelings. KIRK: I've got it, the disease. Love. You're better off without it, and I'm better off without mine. This vessel, I give, she takes. She won't permit me my life. I've got to live hers. I have a beautiful yeoman. Have you noticed her, Mister Spock? You're allowed to notice her. The Captain's not permitted. Now I know why it's called she. Flesh woman to touch, to hold. A beach to walk on. A few days, no braid on my shoulder.

They're both completely focused on their inability to love people. Spock is focused on talking about how he can't because of his identity, and Kirk is talking about how he can't because of his job. We even see Spock turn down an appeal from Chapel, as Chapel turns him down here. These two episodes have major parallels.

Just like in Subspace Rhapsody, Spock is thinking of himself, his faults, his issues, and Kirk is thinking about how he never stays in one place long enough to love someone. I think this sense of inability to experience deep love is actually setting up their friendship arc. Obviously, they eventually do love each other (in some way or the other). But it begins at what is clearly friendship, and notably, Kirk is eventually able to look past his marriage to command for Spock, and Spock is able to look past his reticence to relationships for Kirk (see Amok Time).

What's of interest to me is that we don't know how Spock and Kirk become close in the first place, but we will. It's clear they're very close friends by TOS, but in SNW currently, we haven't got an inkling of how that forms. My take on it is that it forms because of their respective struggles to connect with people. They're both struggling in precisely the same way: neither of them thinks they can or should get too close to people. For one another, they act as the only person they're able to completely let their guard down with. And that's possibly how they get close; that's the basis on which their relationship forms. They trust each other. Because they think they're not allowed to have or experience love, they end up more or less using one another as a stand-in for that need. In doing so, it brings us full circle. Kirk and Carol have a conversation about their relationship briefly in The Wrath of Khan.

KIRK: I did what you wanted. I stayed away. Why didn't you tell him? CAROL: How can you ask me that? Were we together? Were we going to be? You had your world and I had mine. And I wanted him in mine, not chasing through the universe with his father. Actually, he's a lot like you. In many ways. Please tell me what you're feeling. KIRK: There's a man out there I haven't seen in fifteen years who's trying to kill me. You show me a son that'd be happy to help him. My son. My life that could have been, and wasn't. And what am I feeling? Old. Worn out.

Kirk is terrified of aging. In this film, his past has come knocking, the same past SNW is exploring now. He's terrified of growing old and he's terrified he made the wrong decision when he was younger. I'd argue that that's because it's led to him feeling deeply alone, to the point where McCoy says they're treating his birthday like a funeral. Kirk not only feels like he belongs out in space because it's where he's meant to be, but because he doesn't feel so deeply alone, so much like a fish out of water, when he's out there adventuring. So he second guesses himself here: what have my choices cost me? Should I have not gone on to become who I am?

And the answer to that for him is no. This all ties together when Spock dies to save the ship at the end of this film. It's only in a few places in TOS and then finally here where Spock is able to talk openly about friendship and love:

SPOCK: I have been and always shall be your friend. Live long and prosper.

Kirk is devastated but while grieving, he can't help but feel young. And even then, feeling young isn't enough, because he can't stand not being in control, which we see in the next several films. He essentially can't handle life without command or without Spock.

SNW is attempting to bring us full circle on The Wrath of Khan and its cast. I guess what I'm trying to say here is that the character arcs we will eventually be given by the writers of SNW between Kirk and Spock is completely bookended by their feelings of loneliness, self doubt, and connection with others beginning from this episode through the TOS films. It's extremely interesting that they choose to do this on the SNW end by showing us where Kirk and Spock are both failing in their respective relationships with others and how they grow into that with one another, only to experience violent ups and downs throughout the films as they finally try to come to terms with who they really are as people, and who they really are as friends.

I'm interested to see how that will begin from season 3 onwards.

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twig-tea · 7 months

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Only Friend Finale Reaction

I want to write this down now because I suspect my feelings on this will change over time. In this moment, immediately post-finale, I am satisfied. I feel happy. I am glad this show got made, and that I watched it.

Only Friends was billed as the messy gays show. I went in expecting something close to Friend Zone but with more gays, and that's what we got. Not a Warped Effect with explicit morals and lessons about sex, consent, sexualities, kinks, etc., not a GayOK Bangkok which is grounded in realism.

And because this was Jojo and Ninew and Den and Best, it's still more realistically queer than any GMMTV BL to date, and there were some absolutely stellar moments that stand alone as moving, and powerful, and beautiful, and genre-changing. And so near the beginning of the show airing, I raised my expectations; maybe this show was going to do more.

But was clear by the penultimate episode that it wasn't. I wrestled a lot on here with my need for this show to be the one that finally broke up the mixed pair expectations, and let sluts be sluts, and finally showed a threesome, and maybe even gave us consensual non-monogamy. It didn't go that far in any of those realms, but it took a step closer on many of them, and considering where BL has been to date that's still pretty huge for GMMTV, and I don't want to lose sight of that or judge it for what I wanted it to be instead of what it ultimately was.

The other thing I wrestled with a lot in this show was what other people were seeing in it, and my frustration that people were taking away moral lessons that the show wasn't giving. I think I was successful in that I watched this finale with satisfaction for what I was getting, even though I know a lot of people won't see what I saw (and btw I'm not even claiming that what I saw was what the creators intended! I am not claiming superiority here, just bias lol). So I watched this finale deciding to take what I wanted from it, rather than what I thought it was actually trying to say, and for that reason I enjoyed the hell out of it.

So. Here are my takeaways from the Only Friends finale:

We got a three-way kiss, even if it didn't lead to a threesome, after teasing us all series that was still satisfying and we got it as part of a branded pair in a GMMTV show. It was fun, and messy, and I loved it. I appreciate that it was also...maybe necessary is too far lol but it was actually in service to the plot--we all knew Sand still had feelings for Boeing, or else he would not have still been so mad at Top that he was willing to use Nick and Ray to get his revenge. Not every emotional loose end needs to be resolved with kissing, but it was kind of fun that they tried (and I also really appreciated that it didn't work lol).

I loved that Mew and Ray talking as friends got them to compare notes on and eventually team up to take down Boeing. Their friendship really is the backbone of this series, and I'm glad it survived everything. Mew is so relieved to have someone else taking care of Ray because he never wanted that role and wasn't good at it, but he does care about his friend's happiness and is more than happy to step in when there's drama. I appreciate that he made really clear to Sand that his feelings for Ray are platonic, in the bar, that's the first time I've really seen him be truly supportive of Ray, and it was nice to see.

The Mew and Top scenes were fascinating. I think this is where I'm going to differ from the bulk of the audience and I've made peace with that. I do not find stories like theirs romantic--where both partners need to be in control and play games to stay in control the whole time--so for me, the fact that these power struggles were still present in all of their scenes satisfied my desire to see them stay together, happy but on edge. So. That scene with Mew and Top in which Mew agrees to live with Top but then asks him to apologize to Sand right afterwards; I read that as pretty manipulative on Mew's part, and Top's uncomfortable face at the end means that he felt it too. Maybe I wasn't supposed to read it that way, but that's why it worked for me. The ring, too, "now or never", it's not a promise of forever, it's a promise of the present [such a strong ephemerality statement]. The conversation in the bath in which they outline their needs and identify that they have contrasting needs, and say "I'll work on it / we'll deal with it when it comes" is exactly what I was expecting of this relationship. They're not perfect for each other, and they're going to continue to push one another. Right now they're agreeing to try, without a guarantee that it will work. Talking about their needs is good, but we don't actually see them trying, so it didn't hit as romantic as it would otherwise for me either. And Mew daring Sand to kiss Top in order to get them to be chill was such a Mew power move I loved it. He asked Top to apologize to Sand, and then forced them to be in close proximity before getting confirmation that Top was ready. Top apologizing to Sand in that last second before they kissed was him clinging for power while Sand was hovering over him, and it was a perfect Top volley. Constant power struggle, that's how I read these two. Mew teasing Top with whether or not he's slept with anyone else was so interesting considering their history around that--I was probably supposed to see it as growth in their relationship that they can joke about it? Or maybe they were trying to undo some of the sexual morality nonsense that made its way into this show by pointing out that actually it doesn't matter if Mew had been with anyone before? But what I saw was Mew still struggling to have a power foothold over Top now that he's moved in. I will admit the fire scene, at first, I was so confused by. Were we supposed to be moved by Top getting past his trauma? What was that scene even about? I think, in the context of Mew's struggle with his place in Top's life, and his power in this relationship, it was about Mew understanding the invisible support he provides for Top, and why he's important to Top. Mew watched Top be competent and collected in the face of a triggering event, and was impressed at how Top had it all together, but Top credits Mew's presence for that. I think it helped Mew start to actually see a future with Top, because he understands his place in it a bit better. Even if he feels like he's not doing enough, Top sees his presence as strength, so maybe he doesn't need to worry quite so much about keeping score. But that's honestly me reaching, I struggled with that scene and think it was the weakest in the finale [and @lurkingshan I read your post and could believe that your read is true, that it was there to prove Top did have trauma].

Can I tell you how much I love how this show ended, with Mix's character smiling at Mew, and Top's nervous look? Because I think we've wrestled with Mew's confidence in this relationship for the whole show, but it's clear Top still feels unsettled/uncertain in this relationship and I love that we ended with him feeling threatened. This for me was the perfect ending for this couple, and what I've wanted as their ending all along--they're happy right now, they know there are potential bumps on the road in their future, and they're not certain they'll make it through, but they're willing to try--but the threats are real, and present, and not going to be easy because this relationship is not solid.

I also really appreciated what was happening with Boston and Nick, even though I wish it would have been more explicit or done better; what we got was still better than I expected from a GMMTV show. I loved Boston dissuading Nick from following him, and finding the romantic asks to be too many/too much, and having a different definition of "boyfriend" (but not different enough to not like to Nick's face about where you were, Boston, I see you). I love that Nick didn't get mad at Boston for "cheating", understood what Boston was offering for what it was; I also really loved Sand's advice to Nick that just because what's on offer is laid out honestly and fairly, that that means he has to accept it if it's not what he wants. I didn't love Boston trying to backtrack when Nick decided not to take him up on it; but I did love Nick's response, telling Boston to own who he is rather than trying to be someone he's not.

I think this is where my attempts the last couple of weeks to let go of what people will take from this show has helped, because yeah, you can see this as the narrative punishing Boston for being a slut, but this has never been a morality play, and so I'm taking from it how I see it. And I see it as Boston getting a clean slate with a bit more perspective going to New York. What I would say to Boston if he were my friend: This friend group was a mess and they always judged Boston for his sex life more than was deserved; they also violated his privacy by passing around his sex audio and never apologized for it. Boston also didn't take their feelings into consideration when he decided who to have sex with, and he messed with their relationships which was not being a good friend either. Does he actually want them back, or is he just feeling lonely? My hope for him is that he takes what he's learned about other people's feelings--that not everyone sees the world he does, and he has to understand that people will be hurt by different things whether or not they would hurt him, if he wants to retain relationships of any kind including friendships, and decide whether or not they're worth making concessions for before hurting them so that he doesn't lose people he doesn't want to--and finds folks who fit better with his worldview and morals, and then is better able to keep them in his life. But also these people are hypocrites, and he should not take their opinion as a statement of fact about his worth. He didn't do anything worse to them than they did to him or each other.

I know a lot of people are going to see this storyline as a punish the slut story. I was wrestling with this two episodes ago, maybe that's why I'm willing to be chill about this now. I was hoping we'd get Boston as a reason to discuss consensual non-monogamy in a GMMTV show, but I am actually ok with Nick saying listen, I need to be honest about what I want and it's not that, and Boston you shouldn't be trying to give me what I want because that's not going to make you happy either. Boston being alone isn't a sad ending; to me it's the ending he was expecting and aiming for this whole time. The only difference is he's surprised by how he feels about it now that he's in it, and he's panicking a bit. Boston was not just a slut, he was a slut who didn't care about who he hurt; it's that latter piece that he's wrestling with in this finale, and I love that Nick told him he didn't have to stop being a slut to stop being an asshole. Honestly, he'll get to New York and be fine, I really think so. And I took the Nick/Boston goodbye conversation as Nick saying "I love you as you are, a slut, and it's ok to be that. Go be a happy slut!" Do I wish he'd said that more explicitly so that people would understand that? Yes. But I've given up on that.

Cheum not going with the group to the fireworks was so interesting in the context of our conversations about Cheum over the past couple of days. I took this to be the show acknowledging explicitly that she's not actually a part of the core friend group; she schemes to keep the group together (unsuccessfully), and we don't ever get a sense of why she cares so much about that--maybe it's guilt for helping push out Boston for something he didn't do, maybe she needs the security of the group she's got, we never get that insight and I'm still a bit sad about that. But she's not there for the big fireworks finale, so we're at least clear that the show never intended her to be a Main Character. And I was so happy we got her saying her plan worked in the pool. Maybe that still won't be enough to convince the audience that she's an unreliable narrator, but it was satisfying for me! Also loved her unwrapping the photo from Boston and the group's uncomfortable reaction to it. Maybe Chuem's going to keep pushing that they reconcile; maybe she's just delusional about how well her plan worked. Either way, the tension was fun. I didn't get the full resolution of her character that I wanted, but the show nodding explicitly to the fact that she keeps herself apart from the main group so I shouldn't expect it was helpful to me getting over that. And we got a kiss! And another tiny insight into their relationship; again not enough to go on, but i did think it really interesting that the two things we know about April and Cheum are: April appreciates Cheum's positive energy, and April has asked Cheum to be more honest and not just positive for the sake of being positive (about her films). So I'm reading this as that these two are just as messy and as likely to continue to have problems as the rest of the group.

Ending in Sand and Ray because I think this is the least ambiguous; I appreciated that Sand started doing what Sand always does and saying "yeah I"ll sacrifice all of my sources of income for you no problem" (WHAT) and Ray waiting until they're alone again to say "actually that's ridiculous don't do that". I appreciated that Sand's new year plans were all about Ray because he hasn't had anything push him into actually being more selfish, and the resolution with Boeing was done for him so he didn't have to set boundaries after all (called that one), so he's had zero character growth, actually. I appreciate that Ray pushes him to try to be a little selfish, that's the best sign that Ray is finally actually caring about Sand's needs, and that their relationship might work, that I've seen the whole series. I'm taking it with a massive grain of salt, because the plan is for Ray to constantly expose himself to alcohol and partying. I think this is set up to be just as tenuous as the Mew/Top relationship, but it reads a bit more lovey-dovey because they're in a less problematic place at the moment (where they have just resolved one of their insecurities so they're more confident in one another--but it's not clear how long that will last, especially with the threat of Sand's self-sacrifice and Ray's fierce boundary-violating in the face of any threat looming in the background unresolved). Sand expressing his uncertainty around his role in the Hostel was also perfect, because he is an outsider in this project and doesn't have a role, and it's a perfect point for tension in the future between them.

Even the way Yo warns the group of friends in the very last scene that they're going to have to be better to one another and less dramatic in the future if they want this hostel to last felt ominous to me rather than preachy; have this group learned enough to make this business work? That definitely remains to be seen.

Nobody should be watching Only Friends with the idea that it's going to give them any kind of lesson about what to do; at best it's a list of what not to do's lol. None of these characters are perfect, they're all incredibly flawed, and young. So their choices, including whether or not to stay together, whether or not to stay friends, whether or not to stay in business, should not be read as a moral judgment by the showrunners. I definitely agree that this could have been more effective as a message if folks weren't happy at the end. But I've given up on it needing to be effective for everyone; they stayed in character to me, and it was effective for me.

I recognized so much of my friends and my youth in this series, and I am so grateful to have gotten to see that portrayed in a show that felt like a rollercoaster while I was watching it; I literally screamed aloud, I cheered, I laughed, I applauded. This show had characters casually snort coke, hook up, flirt with their exes, kiss their friends, make mistakes, forgive one another heinous shit, be mean, kiss outside their branded pairs, and in some cases let one another go.

There are a LOT of ways this show could have been better. It was close, so close in some cases, to being amazing, and it's fallen short in a lot of ways. It could have been a subversive and compelling narrative about slut shaming and the toxicity of fandom branded pairs. Instead, it was just a show about flawed people being flawed. But I had fun, and I'm not taking away from this show that any of these characters were in the right, or that sluts are bad, or need to change--whether it was the intended message, I've given up on that because I legitimately can't tell and if it is the message, I don't want to know. I don't think it overromanticized these flawed characters, but I can see how folks could see it that way. I'm choosing to remember that these characters have all been flawed and shown to be flawed throughout the show, and notice the ways in which they are still flawed, and the hints that things will stay messy. Maybe this is a bit like those experiments in which they found the way people in incarceration watch Die Hard very differently from how other people do or how it was intended LOL maybe I'm working too hard to justify what was just bad writing and gross moral judgments and toxic relationships being portrayed as romantic. But it didn't land that way for me, so I'm going to celebrate that and enjoy the feelings this show gave me.

#only friends the series #only friends meta #ofts meta #only friends #ofts #ephemerality squad #long post #typed so I can stop thinking it #I said it in the post but I'll say it again here: I don't think I'm taking a moral high ground or reflecting the creators most authenticall #I'm just watching the show in a way that lets me enjoy it even though I suspect it's saying things I don't like or morally agree with #that's not always something I'm able to do so I'm enjoying it while it lasts lol

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jennifercheckapologist · 4 months

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On TLOU2 and Its Place as Propaganda

This is the only thing I intend to post until the 28th due to the worldwide strike, but I have realized that I’ve spent a lot of time reblogging posts about Palestine rather than making a clear statement of my feelings about it and its connection to TLOU2. As someone who spends a lot of time thinking about the characters and writing about them, I feel an obligation to express these thoughts.

I know we’ve all probably seen the VICE article about the game which cites Neil Druckmann’s own words about what he, as a co-director and co-writer for the game, felt the game's themes were.

Of course, media often takes on an entirely new life after its creation but Zionism is sewn into the fabric of TLOU. Even in a world in which I pretend Druckmann does not exist, it does not strip the plot of the game of its harmful messaging. The most important message of the game is a misrepresentation of the conflict.

The plot of this game is inspired by not just the murder of two IDF soldiers, but a sense of hatred for their murderers. In the article, Emanuel Maiberg also points out that Dina serves the purpose of Ellie’s moral compass. Something about choosing a Jewish woman to advocate for peace and the end to the cyclical violence that Ellie is tempted by is not a choice that can exist in a vacuum. It’s especially uncomfortable to me when paired with the fact that a major piece of Israeli propaganda is the idea that the IDF is the “most moral army in the world.”

Druckmann also says, “I know it’s much more complex than that, but it’s hard to break that cycle. It’s really hard. Part of the themes, or part of the takeaway is that one side can’t stop. If only one side stops, it keeps going. So both sides have to let go. […] But the themes and the central questions are similar, like, ‘When should you stop? When is it too much to pursue justice at any cost?’ And the game ultimately deals with the limit that even if you are just, even if you are righteous, it can still destroy you to pursue it to the Nth degree.”

This is yet another attempt at making it seem that we are talking about two armies engaged in a war. We are not. There is no even playing field. This is Palestinians dying in their homes at the hands of people who will not stop until an entire people has been murdered. This is not war. This is not two even remotely equal forces engaged in combat. This is ethnic cleansing disguised as a necessary evil.

We are seeing how easy it can be to market a genocide when you convince people that it is for the greater good, and that a portion of these deaths you are witnessing are terrorists that could feasibly leave. I'm not in your homes so I obviously can't make you not buy the remaster or watch the show or buy official content from the creators, but let's maybe attempt to be more conscious consumers.

I can’t identify anything moral about war in general, let alone the martyrdom of civilians in their home.

Further Resources and How You Can Help

#ellie williams #abby anderson #the last of us #dina tlou #ellie williams x reader #ellie williams tlou #zavi learns to speak♍#zavi learns to write♍

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cyberrose2001 · 1 year

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Here you go. I hope you enjoy.

So, reader is either frustrated beyond reasoning or planning something drastic. No one knows how to stop reader, who is female human. Ratchet and Jack come up with something. They know the reader likes Prime, so they suggest prime to seduce the reader which actually turns out the best for them both.

TFP Optimus x human!fem!reader

A longer scenario than intended, but that's just me for you. Enjoy some Prime using some pick-up lines on you!

Keep an eye out for part 2!

Warnings: Suggestive

Word count: 1280

You knew that it would never be easy, being involved with the Autobots. But having to come to terms with your life drastically changing course and throwing any hope of normality you once had out the window, it was tougher than you thought, not to mention dangerous. Multiple times your life was in-danger not just by the Decepticons, but merely by walking around the base. You could count on your fingers how many times you’ve almost been squished under foot by your alien allies. It was stressing you out, so much so that you’re almost willing to leave the team for good.

Almost.

It’s hard to think about leaving when you’ve just recently developed some assumingly unrequited feelings for the leader of the team. Never once had Optimus threatened your life or was clumsy with you unlike some of the other Autobots, not to mention any names but Smokescreen has a lot to learn about the fragility of humans.

Optimus was ever so careful with you, always watching where he walks, picking you up so he can keep you out of reach to make you feel safer. Little things that most likely don’t mean too much to him but mean the absolute world to you. You couldn’t help yourself and now you were at war between choosing to stay with the Autobots or pursue a somewhat normal life.

So, you talk to Jack first and ask him how he manages to balance work, school and being an Autobot ally before jumping the gun and walking out the base for good. Since he is the oldest, you had thought that he would be the most mature and understanding out of the three kids. You were very wrong for thinking that you knew him better.

“I know why you want to leave, and that’s understandable, but I also know why you don’t.” Jack sat on the old yellow couch that has for sure seen better days, scoffing his takeaway lunch.

“Which is…?” You fold your arms and rest back on the couch, your leg bouncing in an attempt to control your ever-increasing anxiousness.

Jack finishes his sloppy looking burger and licks his fingers clean, “You like him, plain and simple.”

The look on your face must have been priceless as Jack erupts into a fit of laughter. He may have found your embarrassment amusing, but the fact that Jack somehow knows your secret is the opposite of funny, “I didn’t even mention a name and you already look like a tomato!”

“Jack, this is serious.” You feel your eye twitch and the urge to punch him has never been more enticing than now, “I really am thinking about leaving, also, how the hell do you know that I like Optimus? I haven’t told anyone.”

“Well, you just did.” Jack stands up and gives an imaginary audience a dramatic bow, “Thank you, thank you. I’ll be here all night.”

Scoffing, you watch as he heads down the catwalk with a smug grin on his face, “And where do you think you’re going? You didn’t answer my question.”

“Going to collect my winnings from Miko,” Jack then turns to look back to you, “By the way, you’re really terrible at hiding your crushes.”

You watch with wides eyes as he continues on his way, did Jack seriously gaslight you into confessing? Were your friends really placing bets behind your back? You found it totally absurd but definitley a Miko thing to do and you’re convinced that she roped Jack into placing a bet on your love life for their entertainment. Rolling your eyes, you fetch the tv remote and change the channel to something more intellectually stimulating, anything to distract yourself from hiring a hitman on Jack and Miko.

“You want me to… convince her to stay?” Optimus was curious when Jack ran up to him while he was in his quarters doing some study, and even more curious when Jack had dragged Ratchet along with him as well, “I was not aware of her plans to leave.”

The Prime was surprisingly upset when Jack had told him you wanted to leave. According to the young boy, you felt uneasy about the possibility of getting hurt around the other bots. Not to mention the number of times your life was almost taken by the Decepticons. As sad as it made him feel, Optimus was a bot of compassion and understanding and will strive to honour your decisions with the upmost respect. However, that may be hard to do when Jack is telling him to flirt with you.

“She’s not entirely sure yet. But if you do this, I’m sure that she’ll be willing enough to stay.” Jack folds his arms, hopeful that he has convinced Optimus enough to at least try to make a move on you.

Optimus arches an optic ridge at Ratchet, the bot in question had his servos on his hips. Why Ratchet of all bots would aid in the effort to keep y/n around he wasn’t entirely sure, but he had a hunch that Ratchet was quite fond of her help around the base, despite the woman being incredibly reluctant to do so. It’s what Optimus had admired about you.

“Don’t look at me like that, Optimus.” Ratchet scoffs, “I’m only here as an escort to Jack, Primus knows what other ideas Jack is willing to implant in that helm of yours.”

The boy pulled out his phone, typing something on the small device, “Then it’s settled!”

“If you were a vegetable, you would be a… cute-cumber.” Optimus stands before you holding onto a sheet of paper with all sorts of pick-up lines scribbled on it. He wasn’t sure if this was the most appropriate way to woo you, but if he had learned anything from being around humans, it’s that for some reason these cheesy jokes are a way to earn another’s affections. But the doubts of the effectiveness of this method dissipated as he witnesses your bashfulness and your attempts to hide your face in your hands.

“If you were a Transformer, you would be- “

“No, not that one!” Jack yells out from an unknown hiding place, “Next one!”

Optimus clears his vocaliser and says the next pick-up line with the upmost confidence you had ever seen come from him, “Roses are red. Violets are fine. You’ll be the six. I’ll be the… nine?”

“Jack, what do these numbers have to do with gaining Y/n’s affections?” Optimus tilts his helm in curiosity.

The fact that Optimus had zero idea on what the number sixty-nine meant as an innuendo was somewhat funny, but also extremely endearing. You suppose you could tell him to stop to save the embarrassment, but you let him continue, the pick-up lines getting more and more R-Rated as Ratchet tries to rip the paper out of his servos. You can hear Jack howls of laughter in the background and once you get your hands on him you weren’t sure if you were going to kill him or hug him.

Once you’ve heard enough, you stand up to meet Optimus at the guard rails, “Alright, alright that’s plenty for now… you’ve convinced me. I’ll stay.”

Optimus graciously lowers his servo to you, and you climb on being extremely careful to not fall, but you knew that he would never allow that to happen to you. Now resting on his servo, you beckon him closer to you and he leans down just enough so that you could whisper something in his audio receptor. Whatever you said, it made the Prime even more flustered than he made you. He’ll be sure to research ‘sixty-nine’ later.

#transformers #transformers prime #tfp x reader #tfp optimus x reader #fem reader #tfp optimus x human reader #tfp optimus x fem reader #suggestive

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tevanbegins · 24 days

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Random musings I wanted to share with my fellow Buck x Tommy stans. Read and humour me, please. 😉

So being in this 9-1-1 ship war is kinda making me feel like we are in the film 'My Best Friend's Wedding.' Here's my analysis of the movie and how it is relevant to the whole Buck-Tommy-Eddie conflict in the fandom:

Julia Roberts' character Jules represents the B*ddies, Cameron Diaz's character Kimmy represents us Bucktommies, and the hero Michael represents Buck who is caught in the middle of it all.

So in the movie, Jules (B*ddies) tries every trick in the book to sabotage Kimmy (Bucktommies) and split her and Michael (Buck) up. But all her desperate attempts are ultimately in vain, because Michael truly loves Kimmy, and the film ends on a happy and positive note with Michael and Kimmy getting married and Michael and Jules staying best friends (or should I say buddies, pun totally intended 💀) as they always were.

You know where I am going with this rambling right? (Also, please watch the movie if you haven't. 😁) Below are a few noteworthy points and takeaways from the film:

• Kimmy came later in Michael's life, but there was practically nothing to hate about her and there was no denying that she was great for him. So, even though Jules thought Michael was rightfully hers because she had been a part of his life much longer and tried to paint Kimmy as the villain, she failed because Kimmy was never the bad guy in the story as she was hell bent on making her out to be.

[Takeaway: Finding your true love in someone doesn't always need a long history of acquaintance or friendship with that person. Also, the new person doesn't automatically become the wrong choice for endgame because of the lack of said history. Neither is the BFF entitled to your romantic affections just because you've been too close for too long. Platonic soulmates can be a thing too.]

• Kimmy never tried to undermine Jules' significance in Michael's life as his best friend. Even though Kimmy and Michael got their happy endgame, the film didn't dismiss the importance of Jules and Michael's friendship.

[Takeaway: Buck's thriving romance with Tommy is not a threat to his friendship with Eddie and vice versa. Both relationships are different and are beautiful in their own ways. In fact, Buck and Tommy's love story began with Tommy clarifying that he understood his deep bond with Eddie and so he never intended to get in between that.]

So, my point is, Buck x Tommy being endgame is never going to reduce the significance of Buck and Eddie's friendship. It will always be important because it is beautiful, and if the Tevan romance is hampering certain people's enjoyment of B*ddie, that is because they can't look past their desperate want of a romantic/sexual relationship between those friends. They themselves are sending out the message that Buck and Eddie's friendship has zero value if it doesn't end in a romance, that the multiple years/seasons of developing a strong bond between those two is useless if they don't eventually fuck.

The difference between us Tevan stans and those B*ddie truthers is that we accept and acknowledge how important Eddie will always be to Buck even if he falls in love with Tommy, whereas the BoBs so badly want to believe that Tommy is a villain because he is the cockblock to their delusions (pardon my language). If Buck-Eddie's friendship in and of itself genuinely mattered to them, Tommy's arrival would never have ruffled their feathers. So they can whine and cry foul all they want, but nothing is going to change the fact that Buck x Tommy is as beautiful and important a romance as Buck x Eddie is as a friendship on the show, just as the message in the movie depicts.

To conclude, I have faith that Tevan will keep rising and flourishing and winning over all the stupid hate! Hope you'll enjoyed my little piece of romcom-inspired wisdom!

#tevan #kinley #tommy kinard #evan ‘buck’ buckley #evan buckley #evan x tommy #buck x tommy #bucktommy #tommy x buck #lou ferrigno jr #oliver stark #911onabc #911 abc #911 show #911 on abc #911

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