(new totk rewritten)
some a bit less structured ideas/current plans
im reusing the forgotten plateau as the tutorial area for the totk rewrite .... but its INSIDE; you get put there after the start by rauru and have to rebuild the bracelet thingy around his arm bc it got destroyed/damaged in the struggle with ganondorf and the bracelet thing is what has the abilities instead of just .. him? having it somehow? but also not for some reason? bc i find that more believable and lends itself well to gaining one after the other by putting its parts back together (it also feels a bit more controlled in a way, not everyone would have been allowed to have them back in his days)
consider it like .. raurus secret basement, as his castle was also put on the forgotten plateau (but not in the spot of the citadel of time bc wtf, and by now its gone like most else he built), with it being all underground and without a map you wouldnt even know where you are (also i find it to be in character; id imagine it was still called the cradle of hyrule even without the kingdom being there- and thats where he got the idea from to name his "new" kingdom 'hyrule'- not knowing that was its name before)
(as of now the addmittedly cool moment of first jumping down from the canon totk tutorial isnt included but that can still change also i personally think its pretty cool to have to climb all the way up to the sky before getting to explore it- plus the sky is mainly for shiekah stuff since they are so .. having to do with celestial stuff and the sonau in the rewrite are from the underground- though theres little actual sonau stuff left and the shiekah were there too bc its been a long ass time after all)
its not in great shape overall and some rooms have been discovered by the ancient shiekah in the past who studied the bracelet parts they found and use that research to make the stasis and bomb runes (at least), since im bringing back the bombs and the time reversal is what the stasis rune was based on- at the end of which you have to fight a miniboss monster sent after you by gan (bc he damn well knows where rauru would flee to) get your first heart container and are let go into the world
i know its way more strict and less free but it could be a big basement and honestly i dont think trying to copy the fantastic tutorial that is the forgotten plateau in botw is the best idea bc it will almost certainly feel like a worse copy, so id just go for something that doesnt chain itself to attempting to imitate it
(the final battle will also take place on the forgotten plateu, but after the switch and rauru starting to changing hyrule to what he wants it to be its lifted up and he brings his castle back on it- which will be a dungeon on its own)
(another more random thought, i do want the aesthetic of the sonau to be more like they were in botw, the ruins you can find in it are the ones from other sonau that survived on the surface without tech past rauru doing the whole thing with ganondorf and everthing but their numbers having been rather low and dwindling over time anyway- but perhaps rauru has a bit of a different idea, in part bc he is older and still attached to their older style that didnt evolve any further and ... it might just be his personal taste to some degree xD
which ALSO makes sense bc if there were other sonau still alive even after rauru did his thing, it would be logical that the remains of their ruins were in better shape (in the rewrite theres barely anything of sonau architecture left until the switch and rauru bringing it back)- they still lived there for quite some time after all- while the ones from rauru largely fell victim to time or to people intentionally getting rid of it bc surely not everyone was loyal to him)
(also an idea for the gerudo sage, there was one loyal to rauru who did do his bidding but in the temple thing she was supposed to wait for rauru was hunted down by 'koume and kotake' -which im not sure if i want them to be gans moms or his daughters bc i also like that idea, im still working with the totk canon thing of it being a new ganondorf btw bc it just works better for this scenario im working with atm- and they took her place guarding the stone hoping that gan would first return there -perhaps its like extra difficult and rather intentionally structured to be anti rauru in way, and less like gan having overtaken it- .. plus i like the idea of you being able to return there after the switch bc you could get a bit extra lore and story for gans background bc he surely wouldnt have wanted to find them there- he might not even have known they were there bc he never managed to break into this temple so the things that stop you in it when you first do it alongside rauru were all placed there by the two and not gan)
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How do you deal with being a radfem in the art world? In feel like I made a huge mistake in my younger years when I was drawn into queer art and now most of my art contacts are 'queer'. Not only is queer art getting worse and worse when it comes to quality and pretty void of intelect but I also feel if I say exactly what I want with my art, Ill be outcast forever. Not that I have loads of succes but everything would be over then : ( these days Im staying off feminist topics because I know, if I do something woman centric, people will not like it..... I feel like an idiot coward.
im currently switching to tech and continuing art on the side, to secure my wellbeing financlially at least. i think if i wasn't doing it, id be way less eager to talk about feminist topics...
i also feel like a coward sometimes, i know what you mean. for example for this exhibition/art residency i didnt outright tell im a radical feminist, i said im a "materialist feminist who goes to the root and re-mater-ializes female history" lol. i know i wouldnt be "allowed" to mention it at best (happened to another art piece about a radfem) and #cancelled at worse. i know other radfems who are more outspoken about this, i feel like a coward compared to them, but i also think being strategic wouldnt hurt. i think there are ways to present your work and yourself that wouldnt compromise it but also wouldnt completely erase what you want to say.
when we were working on this exhibtion, honestly i didnt even say anything when they were talking about certain topics cause that would be high risk, low reward. for others, id turn their own tactiques on them ("wow, this is something i only hear in the west! maybe i dont understand this cause im an immigrant", "wow thats crazy that there are so many different genders, in X language we only have the word for sex and we use the english word "gender"for sexist stereotypes") etc. It was VERY funny!
i had accusations of transphobia because i often depict vulvas in my work abt women, so i just mad fun of these accusations ("what, do i need to stick dicks everywhere then? im not interested"). a male artist with a piece about gay men which only depicted dick havers didnt (normal) have this criticism ofc.
i agree 100% with what you say about "queer" art. it's such a meaningless label today in the art world, it's anything but subversive. ime it's something these (western and middle+ class) artists use to mean "abnormal", but about ANYTHING! (ex. making art about your stay in a mental health clinic is "queer"). it's SO bigoted.
personally i have a "squeeze every opportunity" mindset. if TRAs want to infiltrate the art space (predominantly female at least in the beginning btw) and make everything about them, why cant we? we need to use every opportunity we can, because i can guarantee no one else is gonna make real feminist art. we need to be strategic about this, sure.
another thing (and thats just my opinion) sometimes we just need to present feminist work without marking them as radical. expressing radfem views and describing them as normal feminism is safer for us and makes the piece more accessible to others, and thats my ultimate goal. im not interested in arguing with cultists, im interested in making art for women.
finally i think its important to create our own spaces and opportunities. id love to make an exhbition or a book abt radfem art one day.
if you want to dm me to talk more, you're welcome, i'll respect your desire for safety
tldr i deal with this by humour + idgaf attitude + trolling + not depending on this financially + being strategic with what you say
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RE: Use of AI programs to write fanfic
The use of AI technology makes no sense to me as a creator much in the same way using wallhacks or aimbots makes no sense to me in an FPS.
The act of writing/creating and forming the story is the joy. It’s painful and difficult sometimes, but that’s the journey.
The act of playing Apex Legends with my not quite sub 1 KDR means winning feels special and earned. If I won all the time, what’s the point of winning then?
Philosophically, morally, using AI to create something for you, whether art, fic, whatever it may be, is a betrayal of the deepest kind to the craft and it will never make sense to me. It’s outright cheating.
Maybe you think your creative output isn’t up to standards you set out for yourself, but you are not the first and you won’t be the last person to endure this.
Thousands of years of creating art. Don’t cheapen your place in the long-standing narrative by asking a prompt to do your work for you. Create because the act of creation is the journey.
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Do you guys think Ratio looks up the newest memes every week so he can understand what his students laugh at
Ratio: don't disturb the class
Student: -mews- (idk whats popular nowadays I dont use tiktok)
Ratio: you're staying after class, mid mew, -10 points
Do ignore my rant if Im cringe lmao I am not
Hip enough
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fuck i wish i could write. oliver just signed the deal with raphael (because he constantly feels like he's doing nothing to help the party or anyone and putting his soul on the line is the very least he could do, even though he helps everyone and also is like.... at max approval with the whole party and has finished or done the majority of everyone's personal quests)(he's trusting the emperor less and less, for Reasons, which i guess would involve more writing because it involves personal backstory shit, and he's already burned the bridge with gortash by crashing the party at the iron throne and saving wyll's dad, so his options to deal with the tadpoles are becoming fewer and fewer)(so. raphael it is. for now...?)
and astarion's basically just like 'well that was stupid, but what do i care, it's not *my* name on the contract lol' (even though oliver's apparently the first person he's truly cared for, bb, what are you doing? is this a 'id rather you hadn't, and i'm actually kind of upset but don't know how to deal and also you're a fuckin adult and made your choice, so what's the point in saying anything' moment or what, i am having trouble deciphering this right now)(and i know the dude is an ass, i dont expect him to be Nice, but your honor, theyre in love. and he did sound kind of pissed about it! or irritated/sarcastic??? but! how did he mean it? my brain is not cooperating, i hate this, lmao, i wish there was a follow up convo or something so i could pin down this fuckin plot bunny)
(and i mean. this is deviating into headcanon/oliver as tav specific territory, and is me trying to figure out how it'd figure into the thing i'd wind up writing for this if i do, and again, astarion is an ass and all that, maybe not the most emotionally mature dude in the realms to put it mildly, but he'd know, right? eventually, at least??? that he fucked up saying that? that however he actually meant it, it's going to sound very much like 'i don't actually care about you' to the first person he professes to actually care about?)(and in terms of oliver's canon timeline, i think he signs well after his own 'personal quest' would have occurred. so astarion would know about oliver's mother and all that baggage. not that he'd necessarily know what do to with it, but he'd probably have heard her be all 'yeah, i never actually cared for or wanted you, soo....')(which is an oversimplification and the whole situation is quite complicated, but. that's the gist he gets, so anyway...)
and then karlach. my love. the bestest of girls, she's angry and insisting on going to avernus one last time to save oliver's fucking soul because she's awesome and also because he's her friend and, tangent, i wish there was an option at all times to hug her, whether as a friend or lover. she deserves all the hugs, romantical or platonic or whatever, fuck, i want to hug karlach so fucking bad
and there is something *there* with all of this because oliver, sweet and sad and self-loathing, wouldn't have any of her help. he'd want her to let it go. gently, at first, but of course she doesn't, so then he gets pissed. because this is his decision. because it's not her name or anyone else's on the dotted line, so why the fuck does she care? (hm. sounds familiar.......) let it go. let him help for once, not be a burden on the party for *once* (as if he hasn't spent the whole adventure bending over backwards not just for our merry band of adventurers, but everyone he's come across)(because it's not enough, never enough, it'll never be enough to make up for being him) he isn't worth the trip to avernus, isnt worth her forcing herself to face that place again. and he's rarely loud or angry but he's both now, the exhaustion and frustration and uncertainty and fear re: the future that he's been trying to ignore pouring our of him, horribly misdirected at probably his best friend in the whole group, so of course the rest of the party is going to hear it and it's just.... there is something here, i feel it in me bones
(also. tangentially related, but didn't raphael imply that fucking up the contract would fuck over the whole group and not just whomstever is signing it? said something about hanging you and your friends from meathooks while watching the world burn??? so either he's full of shit or the contract actually fucks over everyone if broken, which..... oliver as tav would not have signed if breaking it affected anyone else, so this might all be moot. i dunno. just rambling)
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